Sweet Magnolia Blossom

Work at home Friday and was Mercury in retrograde yesterday? Is it still? My work laptop died yesterday morning when I tried signing into it after I got to work and it took most of the morning for me to get a new replacement one. So, I spent the morning without a computer–which meant outside of seeing my clients, I didn’t really have the ability to do much of anything. I finally got the new one around lunch time, but my day was already off and so was my energy, and since my routine had been disrupted, I had trouble getting back on track. Finally, I just made a list while I was eating lunch and that seemed to work, even though I still felt off all day. The replacement laptop (which is just temporary until they fix the old one) also had some issues with staying connected to my scanner, which was incredibly frustrating and resulted in my admin work taking far longer than it usually does, and I had a lot of documents to scan into patient files. The frustration was real, and I was exhausted when I got home. My brain was basically non-functional by the time I got home, and I actually fell sound asleep in my easy chair around nine-thirty. I didn’t get anything done once I was home–worn out from the endless frustration of the day–and didn’t even remember to charge my phone when I went to bed. I did manage to watch Real Housewives of Salt Lake City (which is lit this season and definitely my favorite of these shows at the moment), though, since that required little to no energy on my part. I hope to get a lot done today, both day job and Gregalicious wise; and we’re going to Costco later after I am done with work duties. (Need to make a list!)

But I slept very well last night, and woke up feeling pretty rested this morning, which is a good thing. The entire place is a disaster area, and I never managed to do anything about the dishes accumulating in the sink and now it’s of course out of control. Heavy heaving sigh. Even my desk is piled high with things that need to be put away. It feels chilly, and per the weather the high will only reach sixty degrees here today. I think I am going to walk to the gym tomorrow morning and get started back up with that again, and hopefully today will be a great clean and organize day for the house. Christmas is coming, and I am really not feeling it very much this year, to be honest, and haven’t for a few years. Paul and I decided to not do gifts again this year–we are divorcing ourselves from the capitalist holiday by refusing to spend much money observing it (we’re going to go see Babygirl in the theater on Christmas day), and I have to say I am gradually growing more radical and anti-capitalist by the day (so much for that you get conservative as you get older bullshit; I grew up as a conservative and my adult hood has been mostly about shedding that foul and utterly inhuman methodology. Profits over people, corporations are people but living breathing humans are not–I could go on and on talking about the class war in this country. I am a radicalized Paw Paw, I guess? I did have a client this week whose birth year was 2006–which was highly traumatizing, and would have been worse if I cared about being old. It was more of a shock to me that kids born after Katrina are eighteen (and older) now. Kids born the year of Katrina will be twenty next year. Twenty years, a third of my life, has passed since that time.

I am also looking forward to some good reading time. Both of my current reads (Winter Counts and White Too Long) are fascinating and well-written, and it’s quite easy to get caught up in the narrative. I’d love to finish both this weekend so I can move on to my next reads (leaning towards Alter Ego by Alex Segura or Missing White Woman by Kellye Garrett and The Exvangelicals for my non-fiction). I do want to get caught up on Donna Andrews’ two latest over the holidays, which are rapidly approaching. Soon it will be 2025 and even more insane chaos once the new “administration” is sworn in. The next four years are going to be bad, I think–signs point to yes–but I also survived the 80s and the 90s, so maybe I am a Cher/cockroach.

We started watching Black Doves the other night, and I really enjoyed the first episode. I love Ben Whishaw, and Sara Lancashire is a treasure. I am hoping we’ll be able to spend some more time with it over the course of the weekend. We also should go back to Slow Horses, which we never went back to for some reason; I think we got interrupted by something (a surgery? A funeral? Who knows?) and just never went back to it. I do also want to read the books by Mick Herron (got to love that last name), too. Ah yes, so many books to read. Heavy sigh. I have so many treasures in my TBR pile, as well as treasures from the distant past (I would love to read Anatomy of a Murder and A Summer Place and Summer of ’42 again, plus more of Margaret Millar, Daphne du Maurier, Charlotte Armstrong, and Dorothy B. Hughes) that I will probably never get through them all.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I hope that I have a really productive one. I’ll be back either in the morning or later today, it’s a mystery!

Gorgeous retired Olympic and world champion ice dancer Guillaume Cizeron, who also is a model.

Ferry Cross the Mersey

Thursday and I am off for doctors’ appointments today. I got to sleep a little later this morning (other than getting up to give Sparky breakfast, after which I went back to bed happily for a little more time), and I can leisurely take my time going from appointment to appointment. The first is in Metairie–eyes and new glasses–and then I get to go to a dermatologist for the first time in about fifteen or so years. I’ve been using the same stuff to try to control my eczema (or psoriasis, I’m not sure which is the one I have because I’ve been told both at different times)1, and I want to primarily see if there’s another way to treat/control it. After I am done with those things, I’ll run my errands and then come home to read, write, and clean. I work at home again tomorrow morning, and have some on-line trainings to get through before I am free for the weekend again. Huzzah!

I was tired when I got home last night, but I did work on a short story for a bit before becoming a Sparky bed. There’s plenty of stuff to keep me occupied around here this morning–including a sink full of dishes–and I have things that I want to do once the appointments are over. Tomorrow is my remote day (which I’ve always called “work-at-home” day, but this is the terminology my employer uses, so I should use it as well), which is nice and I have a lot of on-line trainings to get done before the end of the month…can’t really believe it’s almost November already, can you? I also need to get back to work on the book. I signed the contract for Hurricane Season Hustle last night, so the book is absolutely going to happen. The release date will be in the fall, but I’m not sure of the exact date at the moment.

We finished watching season 3 of American Horror Stories last night, and while the final episodes weren’t really my favorites (although I did like the final one of the season), I’ve had to revise my theory that the show’s not good overall. There was surprisingly little gay content (there was a gay episode that was delightfully twisty and creepy from whence it began), which was disappointing–and less gratuitous sexy male bodies than I would ordinarily expect from a Ryan Murphy show for sure. The show itself is nothing terribly new, just a modern reboot of The Twilight Zone or Tales from the Crypt–both being shows I loved, I must point out–so some episodes are better than others, but the lesser ones are entertaining enough, and the twisty endings are surprising in many cases. I do love a good plot twist–Ira Levin was such a master of these, as was Daphne du Maurier; which is partly why I love them both so much. I really do need to find my copy of Rosemary’s Baby…

It’s weird to be almost finished with October, isn’t it? Of course, the beginning of the year now seems like it was a million years ago, and I don’t really remember much of Carnival this year. I didn’t have to go out of town during it this year, and probably won’t next year, either. I kind of want to enjoy parade season this year, in all honesty. We haven’t really been able to enjoy ourselves for several years during Carnival now, and it would be nice to get back into the spirit of the entire thing again, rather than simply thinking of it as a nuisance. I mean, I always thought it was a nuisance before the first parades started rolling, but I always got back into it the further into the parades we got. These last three or four years? Not so much, so I hope this year will be different.

We can but hope. I don’t think I will be as exhausted as I was the last few years, either.

And on that note, I am going to head into the spice mines and have some breakfast. Not much exciting to write about this morning, was there? My apologies. I hope to be more entertaining at some point in the future. Until then, adieu!

  1. Next week I get to see the podiatrist to see if I have arthritis in my toes. ↩︎

That Song Is Driving Me Crazy

Friday, and after I get my work at home duties finished, it’s time to head up to Alabama. It’ll be nice seeing Dad again, and I will be listening to Paul Tremblay on my way to and fro; Survivor Song, in case you were wondering. I’ve almost finished all of his canon, which means the last book will be saved until his next new one drops, so I won’t be out of his work to read (I know, it’s silly to do this, and maybe I’ll finally stop holding books in reserve because I don’t want to be out of that author’s work to look forward to *coughs* Daphne du Maurier *cough* Mary Stewart *cough* Shirley Jackson *cough*)1. I think I am going to have some down time while up there, so I can possibly get some reading of the new Gabino done as well. (Dad is doing some things with the other survivors from his graduating class2.) I did wind up sleeping in a little later than I intended, but I was very worn out by the time I ran my errands and got home from everything. I relaxed last night once I was home–Paul was at an event and didn’t get home until later (we watched this week’s Agatha All Along and the season debut of Abbott Elementary)–with Sparky (who was a demon cat for a lot longer than usual) and got caught up on the news while resting and waiting for Paul to get home. I feel a bit more rested this morning, but I have to drive for between five and six hours tonight, so I worry that I’ll be super tired when I get there tonight. We’re having a cold spell (for us) and the temperatures are very fall for us. Next week it’s going to be in the fifties at night, with highs in the seventies during the day. Woo-hoo! The season of sweat appears to be behind us at long last.

I saw hints and rumors that the same area in the western Caribbean that spawned both Helene and Milton might be looking to hatch up another one of these accelerated storms that will follow the same approximate path, which is horrifying; Nadine will be the name3. What a horrible season–and I also can’t help but remember former patterns, in which New Orleans and Louisiana got slammed pretty hard the year after Florida got hit four times in one year. (I always look for patterns, because on a deep level I find patterns very soothing)

I did do some work on writing last night; I started looking through the new Scotty to see where I was already wrong on things (I have always based his grandparents’ home in the Garden District on one specific house; I was writing it from memory, but in reviewing a lot of the photos I took of the house at one point, I saw my memory had been faulty and incorrect. I need to have some things wrong, of course, so people won’t know the actual house (or so the owners can’t sue me for having people murdered on their property), but it cleared up some confusion in my brain about what I was writing, and so I will need to go in and fix that. I think that’s my project for the next week; revising and correcting the chapters I already have finished, while also preparing a cast list and an outline as I go. I also have to come up with a synopsis and cover text and marketing copy for it; so those are all things I can work on over the next week. I also have to finish revising that short story for the anthology whose deadline is the 15th; I think I know how to really make the story finally work after all these years…and if they don’t take it, I can put the revised version in my new collection. I love that for me, and I also figured out what story I am going to write for another anthology I’ve been asked to contribute something to; and I also want to write something for another anthology whose due date is November 1–so I’d best get cracking on that, don’t you think?

I was starting to feel a bit overwhelmed and stretched pretty far this past week–lots of things to do, more pressure at the day job (and it’s temporary, Mary, so get over yourself), a messy home, a trip to take and another to plan, and of course my own pressures from deadlines and writing. That’s not even taking into consideration the existential crisis facing us in this upcoming election–blocking and avoiding all legacy media has been wonderful; their corrupt betrayal of the American public since 2015 (if not sooner; I am pretty sure they didn’t report on Obama fairly, either) has rendered them forever meaningless in my eyes. I am not nearly as stressed about any of this as I usually am. I am sure that’s partly the generalized anxiety disorder being medicated properly, and the other was a conscious decision. The deletion of Twitter has been probably the best thing I’ve done for my mental health since deciding last year to get the right medications for that (properly diagnosed at sixty-two at long last). It has freed up so much time–I thought of myself as a casual Twitter user, but now that I no longer have that wretched app, I am seeing that I used it a lot more than I ever thought, so breaking that wretched addiction and walking away from it for good was incredibly wise. Paul isn’t on social media at all, and he is much happier without it than I was with it all this time.

But now that I’ve had a good night’s sleep and got some extra, I am feeling good and like I can handle everything. I am not going into the office on Monday–I have some appointments so took the day off–so I am going to be able to get the house worked on some and run some necessary errands on that day to prep for the week. I’m going back to Kentucky later this month for a longer visit, but I’ve not really figured that out just yet, either.

And on that note, I am heading into the spice mines so I can get my work done and head north. Have a great Friday, Constant Reader, and I’ll be back tomorrow–and if not, definitely Sunday after I get back to New Orleans.

  1. There are also a couple of Agatha Christies I’ve not read–Death in the Air and Murder in Three Acts. ↩︎
  2. Yes, I can hear how grim that sounds once I started typing it out, but it’s accurate. How else to say it simply? They all graduated sixty-three years ago (and yes, I was born three months after my parents graduated), so they are all at least eighty-one–and much as modern medicine has extended longevity, they are also the last generation that was encouraged to smoke, along with all the other unhealthy ways they loved. Imagine cooking with lard, for one. ↩︎
  3. IMPORTANT CORRECTION: It was fake news. There’s nothing there right now, but it’s possible and any potential path of something that doesn’t exist is obviously incorrect. Sorry for including this, but I did say it was a rumor. ↩︎

Let’s Kill Tonight

I had never read Jim Thompson before this past week.

I knew of him, of course; it’s very difficult to be a crime writer/reader and not to have. He probably isn’t as revered as authors like James M. Cain or Patricia Highsmith, but he also wrote dark stories about outsiders from society living on the fringes who tend to do whatever they need to in order to go on surviving, and that’s the kind of fiction I’ve always enjoyed reading for the most part. I kind of avoided him because…well, because straight white male writers of his era tend to be misogynistic, racist, and homophobic; those things tend to make me recoil as well as take me out of the story. I bought my copy of The Killer Inside Me a number of years ago, primarily out of curiosity and feeling like I should at least give him a go, and for some reason it jumped out of me when I was selecting books to take on the trip this past week…although thinking about it more, I think I bought it (and took it on this trip) because I was thinking about Chlorine, and wanted to read some noir. This was the one everyone seemed to think I should read, and so…into my backpack it went. I read it at night in the motel in Alabama last weekend, and it did not disappoint.

I’d finished my pie and was having a second cup of coffee when I saw him. The midnight freight had come in a few minutes before; and he was peering in one end of the restaurant window, the end nearest the depot, shading his eyes with his hand and blinking against the light. He saw me watching him, and his face faded back into the shadows. But I knew he was still there. I knew he was waiting. The bums always size me up for an easy mark.

I lit a cigar and slid off my stool. The waitress, a new girl from Dallas, watched as I buttoned my coat. “Why, you don’t even carry a gun!” she said, as though she was giving me a piece of news.

“No,” I smiled. “No gun, no blackjack, nothing like that. Why should I?”

“But you’re a cop–a deputy sheriff, I mean. What if some crook should try to shoot you?”

“We don’t have many crooks here in Central City, ma’am,” I said. “Anyway, people are people, even when they’re a little misguided. You don’t hurt them, they won’t hurt you. They’ll listen to reason.”

As simply written as this book is in terms of language–you’re not going to find complicated sentences in Thompson’s work–it’s actually a very smart and clever novel that kind of sneaks up on you, and also pulls the trick Patricia Highsmith/Daphne du Maurier were so good at: making you root for a horrible person to get away with committing crimes. Thompson has captured Lou Ford’s point-of-view and voice so brilliantly that you can’t help admiring him as he goes on his spree of torture, illegality and murder, fooling almost everyone in “Central City” (I loved the comic-book simplicity of the city name) into thinking he’s not only a good guy, but a decent one and a friend to everyone who is just going around doing his job. He also is very quick on his feet, often confounding people asking him questions about the strange crimes on his periphery by the intelligence and honest-to-God-seeming confusion by the questions in the first place. It’s a great act, and he pulls it off time and again over the course of the book, and Thompson/Lou do such a great job with said act that you start to root for him to get away with things. All the interior happenings and crimes also tend to distract the reader from what is actually going on in the book–which is that all of Lou’s crimes circle a local businessman/power broker whom he blames for murdering his half-brother…who took the blame for a crime involving a little girl when they were young that Lou committed. Lou also is a very unreliable narrator, who doesn’t give us anything beyond his own point of view and train of thought, which disguises from the reader brilliantly his own pathology.

I can imagine this book alarmed and disturbed people with its stark and realistic view of what can go wrong when a sociopath is given a gun and a badge, and how an exceptionally smart killer, which Lou is, can use the system to cover up his own crimes and pin blame on others. And it does seem, all the through the book, like Lou is going to be able to explain it all away and get away with all of his crimes…

I really enjoyed this book, and it made me realize I’ve been a little unfair to the straight white male writers of the past by avoiding their work. I’m definitely going to read more Thompson; this was exceptional and I do recommend you read it.

What’s Forever For

It’s cold again this morning in New Orleans, with it around thirty-one this morning as I swill my coffee and shiver a bit here in the workspace. There’s always cold air coming in from somewhere–the windows, the frames, somewhere–so it’s always a bit colder when I’m at my desk than it is elsewhere inside the apartment. I slept really well again last night–still don’t know where the sleeping pill bottle got to, thanks again, Sparky–but I do have a stopgap until I can get that prescription refilled again at the end of the month, and it worked last night. Fingers crossed that it continues to do so until I either find the original bottle or get the refill at the end of the month…

Yesterday was a good day around here. I had my strength PT yesterday morning, which is getting more difficult by the appointment. It really kicked up into gear yesterday, and while I was very happy to make it through the workout without begging for mercy or having to take too many breaks–it was harder than I imagined, but I also refused to get concerned, anxious or worried about the fact I was using only four pound dumbbells for some and a six pounder for others. But the burning of lactic acid in my muscles, while startling at first, eventually reminded me of how good it feels when you do work out, and the rest of my body was screaming to be stretched, exercised and used. I ran a couple of errands afterwards before returning home to my work-at-home chores. I finished watching the first episode of the 1982 BBC Brideshead Revisited, which I’d never seen before and am now watching (and eventually reading the original source material), inspired by Saltburn, and that’s partly so I can write more intelligently about the film, which still haunts me. I cannot remember the last time I was so interested and intrigued by and with a film, which means it’s a good one. It even has me thinking about revisiting The Talented Mr. Ripley, and reading more of the Ripley novels, which I have steadfastly ignored for the most part despite my abiding love for Highsmith’s work (the woman herself not so much…although it is interesting that two of my favorite women authors of all time, Highsmith and du Maurier, were lesbians or had lesbian tendencies).

We also watch Friday Night Heights, as ESPN calls the Friday night SEC gymnastics meets, to see LSU take down Kentucky and become the first team this season to break the overall 198 score mark, which is incredibly impressive. LSU has everything they need to win their first national title this year, but they’re going to have to be mentally tough and keep improving, which they already seem to be doing quite well.

After that, we watched the season finale of Reacher, which was fun if inexplicable; the ability to do all kinds of crazy stunts and so forth thanks to CGI does tend the make things a bit ridiculous as crews are always trying to outdo everything that came before. The helicopter scene was a bit preposterous, but no more preposterous than some of the aerial feats performed in whatever that Tom Holland/Mark Wahlberg treasure hunt movie was last year. (Those scenes always remind me that I wouldn’t survive as I would be so absolutely terrified I would either have a heart attack or a stroke on the spot, if not both simultaneously–you don’t see Scotty ever getting into a plane or a helicopter or anything; the biggest heights thing I ever did with Scotty was in Jackson Square Jazz and there’s been nothing since.)

I also think I am getting to the point where I am going to be ready to really start writing again. There was a lot of inspiration and creative thinking done yesterday while doing some tedious work-at-home chores; which really felt good. I think I may even be able to sit down tomorrow morning after i get up and actually go to town with writing. I am in the process of starting a new Scotty, so the opening is playing in my head; I know the boys will be living in the Garden District while Cooper Construction1 turns the townhouse on Decatur Street into a single family home again with a personal gym on the first floor. I had been thinking it needs to be set in either July or August (Mississippi River Mischief was set in May) and I definitely think it should be Hurricane Party Hustle, the accursed title and story I had to abandon in the wake of Katrina. It’s still a good story, and it could work, even with the difference in time (2005 was a different world than 2019, which is when this will be), then I can do the Mardi Gras book, and then the quarantine book….which will bring Scotty to twelve adventures and then maybe–just maybe–I can think about retiring the character and the series. I am not saying I am going to, but that’s as far out as I have him planned and when I run out of plans is usually when I reevaluate.

I also have some things to do today for the Bold Strokes Book-a-Thon today. At eleven am eastern I am moderating a panel on strong finishes; then I have a young adult panel and a “you’ve written an insane amount of books” panel. That’s probably going to take most of my brain bandwidth today, and when that’s all done I can probably do some chores and maybe do some reading–or watch more Brideshead Revisited.

And on that note, I think I am going to head into the spice mines for the rest of the day. Have a lovely Saturday, stay warm, and who knows? I might be back later.

  1. Yes, this is a shout out to A Streetcar Named Murder, in case you missed it. ↩︎

Sweet Time

And it’s New Year’s Eve.

I slept well last night but my blankets were all tangled up this morning, indicating the sleep was more restless than it has been for weeks. I also wasn’t in the mood to write my blog when I first woke up, so I decided to read, drink my coffee, and maybe have some breakfast before getting cleaned up. I usually write this over my morning coffee, and since I don’t reread or re-edit once it’s written, that could explain the run-on sentences, word repetitions, and occasional poor grammar no one ever points out to me. This blog began nineteen years ago (!!!) on Livejournal (the anniversary was 12/26), migrated over here in about 2016 or so, and still somehow keeps chugging along. It always surprises me that people read it, to be honest. It was always meant mainly for me, and was originally intended as a daily exercise to get me writing again. I guess it worked. When I started I had published four novels, a few anthologies, and some short stories. Nineteen years later, I’ve way surpassed that total, despite some fallow years in which I produced nothing.

I did some more picking up around here yesterday while watching football games. It was fun watching Mississippi beat Penn State, and don’t even get me started on the Florida State-Georgia game. I get the disappointment at not making the play-offs, but you also knew you were scheduled to play Georgia, another team disappointed in not making the play-offs, but instead of showing everyone that the committee was wrong and showing up to beat Georgia…and Georgia also had star players injured and over a dozen opting out and even more entering the transfer portal. This would have been a play-off game had either Auburn or Georgia beaten Alabama this year, but that’s how things go. Auburn went 13-0 in 2004 and wasn’t invited to the BCS title game. You don’t always get what you want in life or sport, and the question is how you handle that. If this was going to be the case, don’t accept the damned bowl bid. Your fans spent a lot of money to go to that game, and it was incredibly disrespectful to the team, the fanbase, and the university to show up and get embarrassed like that. After Coach O was fired in 2021, LSU went to its bowl game with 39 scholarship players and got trounced by Kansas State….but how does it appear in the record books? KSU 42, LSU 21. Twenty years from now when people look back at the history of college football and bowl games, it will read Georgia 63, Florida State 3. It’s a program and culture problem, and all the FSU fans apologizing for this disgraceful beating–do you quit when you don’t get a raise or promotion you worked hard for and feel like you deserved? The word for that is quitter…and for the record, Georgia played it’s back-ups, walk-ons and so forth in the second half and still beat your ass 21-0.

And if LSU went 12-0 and didn’t get picked for the play-offs…and pulled the same shit? Sure, I’d be angry about the play-offs but I’d also call out the Tigers for embarrassing the state and the university that way.

I’m really enjoying Danielle Arsenault’s Glory Be, and am savoring every word. What a fresh and unique voice! I have to say I am so glad I realized I needed to be better about my reading choices and should read more diverse writers. It’s been a great education for me as a reader, a writer, a person and a citizen. I’m still learning how to be better about race and gender and gender identity and sexuality; and I strongly encourage other readers to do the same. Crime fiction is so much stronger and healthier when it represents everyone, I think, and while I don’t consider reading diverse writers to be the total education I need on any social issues facing the country–I need to read more non-fiction and theory.

I rewatched The Birds yesterday after the football games, and it was pretty much as I remembered it. I’d only seen it twice before; originally as a child edited for television, when it frightened me so badly that I had nightmares (I was prone to them growing up) and for years could never see crows on a jungle gym or a wire without feeling uneasy and then again as a rental in college after I’d read the short story again and wanted to see how faithful the film was to the story. I didn’t care as much for it the second time around–the acting is really terrible and so is the script–but the suspenseful parts still held up and were scary. This third time around confirmed my second viewing; and I noticed some other flaws in the picture. Rod Taylor’s mother isn’t much older than he is, and why is there about a thirty year age gap between him and his sister? I think the short story is better than the film, but I can also see why people like it. I do consider it one of Hitchcock’s lesser films.

Since tomorrow is a day for thinking ahead and coming up with some goals for the new year, I suppose today should be a recap of sorts of this past year. It was, as I mentioned in a previous entry, a rather up-and-down rollercoaster of highs and lows with very little level ground in the middle. The recognition of mainstream award nominations for my work–even queer work–was a delightful surprise this past year. But even more important than that is I think my work is getting better. I had felt, some years ago, that my writing was becoming stale and that I wasn’t growing as a writer anymore; I’d become stagnant and that was one of my biggest fears. I wound up deciding to take some time away from writing books on deadline and write things just for me, things that I wanted to write but also wanted to take the time to do correctly. It was during this time that I worked on both #shedeservedit and Bury Me in Shadows in early drafts, and also started the novellas and working more intently on my short stories. I accepted the challenge of writing stories to themed anthologies, and produced some terrific ones of which I am really proud. When I dove back into series work with Royal Street Reveillon, I wanted to write something non-formulaic for the Scotty series. I also wanted to shake things up with Scotty a bit, as the series was getting a bit too comfortable and safe for me. Royal Street Reveillon certainly was neither comfortable nor safe, and neither was Mississippi River Mischief.

Bury Me in Shadows was not easy for me to write. When I went back to the book after setting it aside for awhile, I realized several things: I couldn’t ignore race and racism, I had to address the Lost Cause narrative, and I also had realized while doing more reading and research that the stories my paternal grandmother used to tell me about the Civil War and Alabama and the family were apocryphal stories you can turn up about almost everywhere in the rural South. The book wasn’t working, in fact, because I was trying to elide those issues because I was afraid of doing it wrong…so it pushed me to do better. And actually addressing those issues made the book easier to write. The same thing was true of #shedeservedit; I’d been working on this book in one form or another since I actually lived in Kansas. But again, I realized when I went back to it that what I was doing didn’t work because I wasn’t going there with toxic masculinity and rape culture because it wasn’t personal enough for my main character, and so I bit the bullet and made it more personal for him. It dredged up a lot of memories, some of them painful, but it also made the book better and stronger. I had been wanting to write a cozy for the longest time, and decided to try it for something different and new–and that became A Streetcar Named Murder. I was also very pleased with it, even though the deadline and the turnaround on it was a bit insane…but I still managed to take my time and turned it into something I was proud of when I got the final author copies.

My two releases of this year–Death Drop and Mississippi River Mischief–are also books of which I feel proud. I also published three terrific short stories this year: “Solace in a Dying Hour” in This Fresh Hell; “The Ditch” in School of Hard Knox; and “The Rosary of Broken Promises” in Dancing in the Shadows.

I think I’m settling finally into an acceptance that I am pretty good at what I do. I may not have the master’s or PhD in creative writing or literature of any kind; but I’ve never really wanted to be an academic writer. I never wanted to be Faulkner, but Faulkner did inspire me to interconnect novels and stories in my own fictional world (also Stephen King). I would like to do some non-fiction studies of genre and writers I enjoy, but in an accessible rather than academic way. Academics used to make me feel stupid and uneducated, and I also used to envy those writers who had that kind of background because I felt it made their work stronger than mine, or gave them insights into writing and building a novel that I’d never had, which made me and my work somehow lesser. But that wasn’t on them; that was on me. I was the one who felt inferior and lesser, not talented or good enough. That chip was on my shoulder and I was the one who put it there. My peers actually consider me a peer, and newer writers look at my longevity and my CV and are impressed by the prodigious output, if nothing else. I used to think all the award nominations were kind of hollow because I so rarely won; which was incredibly ungracious because some writers are never nominated for anything…but it doesn’t mean their work isn’t good. Now, I just find myself grateful to make a short-list of five out of all the possibilities for that slot, you know? I’m lucky, and I’m blessed.

I’ve reflected a lot on my life and my career this past year–Mom’s death had something to do with that–and I’ve identified, in many cases, why I am the way am by remembering the event that triggered the response in my brain of “okay, never want to experience that again” which led to so many self-toxic and self-defeating behaviors. But the bottom line of it all is I’ve finally accepted myself for who I am, have determined to stop self-deprecating, and take some pride in myself and my career and my life. I know the most amazing people and have the most incredible friends. I have a day job where I make a difference in people’s lives. I have an awesome life-partner, an enviable writing career, and I get to live in New Orleans.

Not bad, right?

destination unknown

Thursday, and I am so relieved that the recovery is going well, and that I can actually start fending for myself. The brace isn’t rigidly locked anymore, and I have a lot more freedom of movement–plus I no longer need that wretched sling, which I hated, and I am no longer attached to anything. Granted, I haven’t been since last Friday, when the pain ball1 was removed Later this morning I am calling to make my first PT appointment, and another referral to follow up on as well. I also slept in my bed last night for the first time since the surgery. I was sleeping super-well in my easy chair, and was a little worried about going back to the bed (I will worry about anything, thanks, anxiety!) because I usually sleep on my left side–which is the bad arm–but I fell asleep lying on my back and shifted to the right side and back a couple of times, but other than that, I was dead to the world. I also slept for another ten hours last night, and I am thinking that I need to get this rest. My body is demanding it, and it feels marvelous to sleep so deeply and restfully–this is what I am always longing for most of the time….but I’m not going to start going to bed at eight once I am back to work because yeah, that would be terrible.

I took it easy yesterday after getting home from my appointment and a couple of errands. The temperature has turned cold (for New Orleans, don’t @ me), which always makes the apartment feel a bit more snug. I did some straightening up, took a long hot shower (still not easy, but so much better than before), and then curled up in my chair with Sparky and J. D. O’Brien’s Zig Zag, which I enjoyed very much (more on that later). I’m still trying to figure out a way to comfortably type with the brace, which isn’t as easy as one might expect. because the brace raises the hand so it’s not flush with the keyboard. It just feels awkward and so I need to find a position to type that doesn’t feel awkward–or I need to get used to it. I don’t know that I’ll have the brace on long enough to worry about Carpal tunnel syndrome, but you know me–anxiety always on the starting line waiting for the starting gun. We also finished watching Bodies, which I also highly recommend. It’s extremely well done, and very clever. If you liked Dark, you’ll definitely enjoy Bodies. I haven’t picked out my next read yet, but I have some incredibly delightful options to choose from. Yay! I love having a massive TBR-pile filled with terrific books by great writers. I am leaning towards Christmas Presents by Lisa Unger; I do want to read some holiday themed novels this Christmas season.

Christ, it’s Christmas season already. I may have to have my annual viewing of A Charlie Brown Christmas soon. I feel more like being in the holiday spirit this year. We haven’t decorated in years (and what little decorating we did was kind of half-assed, anyway) because the one thing Scooter would–in his long, comfortable life as a lap cat–actually spring into action against was the tree. That first Scooter Christmas was the last time we decorated, and I feel pretty confident that Sparky would see the tree as an amusement park, since everything is a toy to him and all he wants to do is play. I didn’t notice until the other day–and maybe it’s a recent development–but Sparky has some orange in his coat. It’s more obvious when he’s lying on his back, but we did end up with another orange cat, even though we didn’t realize it! The string of orange babies continues!

I was also thinking some more yesterday about being a writer–and the many different ways there are to be one. What is the difference between an author and a writer? Are authors artists? What is literary art and what is not, and who decides? Can genre fiction be art (of fucking course)? This was triggered by one of those things on one of the social media platforms where you were supposed to “quote text” my favorite books by women, and right off the top of my head I rattled off five great ones…and then I started remembering more, and more, and still more. I’ve read hundreds, if not thousands, of marvelous novels and short stories and essays and columns written by women. Why were those the five that popped up into my brain at first, why are they so implanted on my brain that I would come forth with these titles; any such list from me will always include The Haunting of Hill House by Shirley Jackson and Rebecca by Daphne du Maurier, and I will never apologize for that. Which left me with only four, and there were so many options. My mind immediately defaulted to four women writers I love, and then had to pick which of their canon was the best. Then I remembered a beautiful novel about friendship, love and loss that made me weep (Somewhere Off The Coast of Maine by Ann Hood) and thought, damn it, I loved that book and I want it on my list…and then started remembering all the others, the dozens if not hundreds, of other women writers whose works entertain, enlighten, and edify my life. There are so many great women writers, currently and in the past, who wrote so many amazing books that it would be hard to name them all, and I would certainly always forget scores of them. For some reason yesterday I was thinking about Taylor Caldwell–who used to write massive doorstopper books about rich people and industries, as well as interesting historical fiction. If remembered at all today, it would probably be for Captains and the Kings, but that wasn’t one of my favorites of hers–that would probably be Testimony of Two Men, which was about medicine in the late 1800’s and a courageous doctor who believed in modern breakthroughs rather than “we’ve always done it this way”–so of course the entire medical establishment was trying to ruin him as he bravely stuck to his principles and tried to modernize American medicine. I would probably hate it if I read it today for the first time–my politics, ethics, morals, and tastes have dramatically changed since I was a teenager, which was when I read Caldwell–but I do remember it fondly. And there’s Grace Metalious, who wrote Peyton Place; Jacqueline Susann and Valley of the Dolls; Jackie Collins and Hollywood Wives; any number of Agatha Christie novels–I mean, there have always been so many great women writers around. Does anyone remember Rona Jaffe? I’ve always wanted to reread The Best of Everything, and I think I have a copy of it somewhere. Then there’s the scifi/fantasy writers, too–Anne McCaffrey and The Dragonriders of Pern, Ursula LeGuin and A Wizard of Earthsea, the amazing Octavia Butler….as I said on whatever social media platform that was, I could sit here and name women writers who wrote books that I loved all day. Victoria Holt, Mary Stewart, Phyllis A. Whitney, Dorothy Eden, Susan Howatch…seriously. Maybe I should write a book of essays about women writers that aren’t remembered much today? ANYA SETON! How I loved Anya Seton back in the day–and all the crime women–Margaret Millar, Charlotte Armstrong, Dorothy L. Hughes, Mary Roberts Rhinehart, Helen MacInnes, Patricia Highsmith, and Mignon Eberhard, to start.

I bet no one else remembers Edna Ferber–and if they do, it’s for Giant and it’s because of the movie (many of her books became famous films: Cimarron, Saratoga Trunk, Show Boat, and So Big). Now that I think about it, I think she addressed race issues in both Saratoga Trunk and Show Boat….which may be worth revisiting. She was also a member of the Algonquin Round Table.

This entry sounds and feels more like me than the more recent ones have, doesn’t it? I am itching to dive back into the book this morning, after I pay some bills and do some other aggravating chores. I also have a prescription ready to pick up; so since I have to go to a Midcity pharmacy to get it, I may as well make a grocery run on Carrollton.

I didn’t realize what a difference sleeping in the bed would actually make, really.

And on that note, I am heading into the spice mines for the day. Have a blessed Thursday, Constant Reader, and I’ll check in with you again a little later, as I really need to do a lot more promo. OH! That reminds me, here is a lovely review of Mississippi River Mischief; check it out! That absolutely made my day–and reminded me that I need to do more self-promotion.

  1. I had a contraption attached to my left shoulder that dispensed a nerve-deadener to the arm, so I wouldn’t feel pain. It lasted for 72 hours, and by the time it was empty, I didn’t have any pain, which was great. I also had to carry it around in basically a fanny pack, so it was one more thing I had to drag around those stressful first 72 hours. However, if you are going to have surgery, ask for one. It was amazing. ↩︎

You Can Do Magic

Today already feels off. That’s the time change, no doubt; it’s hard to believe I slept as well as I did last night–I went to bed early so I could get up earlier by the clock than by the body, figuring that was the easiest way to transition into getting up early for work this week. The weekend, which held such promise, was derailed by having to deal with getting my delivery items that were supposed to come Friday night delivered yesterday; they finally did come and it was taken care of–but the delivery window was 1-3, which fucked up the rest of the day for me to run the other errands I wanted to get done, which now have to be done this morning. It’s fine, but any change to routine triggers the anxiety so I am trying to not let it defeat me this morning. But the change in plans did kind of end up wasting my Saturday; the delivery came around two-thirty, and it was already too late for me to go out running errands. Of course this morning I am thinking no it wasn’t too late for you to start your errands but my mind works a certain way and usually I can’t see these things except in highsight.

I did read some of the novellas I have partially finished that have been lying around for years, which begs the question I could have sworn I’ve worked on these things more recently than the files I am finding, so have I lost track of all time completely? But for the one I am thinking of, it absolutely makes the most sense, as I now remember I’d actually submitted it to an anthology, which meant trimming it down from the length that it originally was. I have found a call for submissions which includes novellas–which was why I was looking at them again yesterday–which has me thinking about revisions and rewrites and what can be done with these manuscripts. One is slightly longer than forty thousand, and only needs a minimum of twenty-five thousand more to become an actual novel. I reread it yesterday, and it does center a bad trope that would have to be super-creatively pulled off to work, but I also think recentering the main character from a straight cisgender white high school girl to a gay teenager could easily help with that. (It also needs a name change, “Spellcaster” doesn’t really work and was also a drawback to what I had done.) The one I was looking for was “Fireflies,” which is another Corinth County story (I feel like I should always explain that the locals pronounce it “carnth”) and is one of the more disturbing county stories I’ve done, but I also think it’s one that works for the submission call. Or not; we shall see.

The other one I was able to read was “Festival of the Redeemer,” which is another attempt at a du Maurier-like story set in Venice. Rereading “Don’t Look Now” recently, of course, put me in mind of this story, which is one of the few novellas that has an actual full draft done. (Several of the others are incomplete–“The Scent of Lilacs in the Rain,” “A Holler Full of Kudzu,” and “Once a Tiger”.) Rereading it yesterday reminded me of what I was doing with it–or trying to, at any rate–and I could see where I lost the thread and the voice, which was the most important thing about the novella. I also need to get organized on the next book project I am going to work on, but I need to write a proposal first. That’s the big goal for today; get better organized, run those errands, get the proposal organized, and start pulling the next book together. One step to getting things better organized is to complete a thorough to-do list and actually pay attention to it; these lists do no good if you don’t consult them at least once a day. I had gotten a great start on one this past week, so I think I am going to work on pulling that together.

I also need to measure the workstation windows before I head to Lowe’s.

The Saints are playing today at noon, but I think that’s the best time for me to be running errands and potentially hanging window blinds, so I think that’s enough stress and anxiety for me today–I can follow the Saints game on social media. A Haunting in Venice is streaming now, so we may go ahead and watch some movies later on, as we are all caught up on the shows we are watching (I am episodes behind on Foundation, but the beauty of streaming is you can always catch up at some point), and there’s another movie streaming now I am interested in seeing even if I can’t think of its name at the moment. I’ve already made a grocery list for today–I am making ravioli for dinner tonight and need to pick up some bread to go with it–and am hopeful that sometime either this week or next I will get my teeth at last and I can bid adieu to the soft diet…just in time for my surgery. I’ve done some research–which I’d been avoiding–on the recovery time from this type of surgery and mine is more complicated than the basic one I am finding out about on-line, so this is bare-minimums I am looking at–probably at least three weeks on medical leave from the office, which I will need to go talk to Admin and HR about at some point this week so I can get it taken care of, or at least get the process started. I will also need physical therapy for three to four months. Yay. Ah, well, at least I have the resources that this won’t bankrupt me, which is a good thing.

And on that note, I am going to get to work on things this morning and take advantage of this extra hour I have this morning rather than wasting it. So, have a lovely Sunday, Constant Reader, but be warned–there’s more blatant self-promotion coming along at some point.

Dolce Venezia

I love Daphne du Maurier, and I love Venice, so it is no surprise that one of my favorite works of fiction is her long story, “Don’t Look Now.”

I know I’ve talked about this story endlessly already, numerous times, but you can also close the browser window now if you don’t want to read me talking about the story more. If you’ve not read it and would like to, this is a good time to navigate away–because I am going to give spoilers aplenty in this entry–because part of the great pleasure of reading “Don’t Look Now” for the first time is all the surprises and twists and shocks.

Du Maurier was a master of the plot twist.

“Don’t look now,” John said to his wife, “but there are a couple of old girls two tables away who are trying to hypnotize me.”

Laura, quick on cue, made an elaborate pretnse of yawning, then tilted her head as though searching the skies for a non-existent aeroplane.

“Right behind you,” he added. “That’s why you can’t turn round at once–it would be much too obvious.”

Laura played the oldest trick in the world and dropped her napkin, then bent to scrabble for it under her feet, sending a shooting glance over her left shoulder as she straightened once again. She sucked in her cheeks, the first tell-tale sign of suppressed hysteria, and lowered her head.

“They’re not old girls at all,” she said. “They’re male twins in drag.”

Her voice broke ominously, the prelude ton uncontrolled laughter, and John quickly poured some more chianti into her glass.

“Pretend to choke,” he said, “then they won’t notice. You know what it is–they’re criminals doing the sights of Europe, changing sex at every stop. Twin sisters here in Torcello. Twin brothers tomorrow in Venice, or even tonight, parading arm-in-arm across the Piazza San Marco. Just a matter of switching clothes and wigs.”

“Jewel thieves or murderers?” asked Laura.

“Oh, murderers, definitely. But why, I ask myself, have they picked on me?”

It had been a hot minute since I’d reread “Don’t Look Now,” and rereading it this time was an incredible pleasure, as it always is. I originally discovered this story in her collection Echoes from the Macabre: Selected Stories, and was completely enthralled when I read it as a teenager.

This is the copy I found at Zayre’s when I was about twelve, and discovering duMaurier for the very first time.

That opening sequence between John and Laura is a masterclass in opening a long story, frankly. (Now, by the way, is the time to navigate away from the entry if you’ve not read the story but want to–I can also highly recommend the Nicholas Roeg film adaptation starring Donald Sutherland and Julie Christie.)

What do we see in that opening sequence? A couple, probably married and in love, having dinner at a restaurant in Torcello–and playing a delightful couples game in which you pick random diners at a different table and make up stories about them. I myself do this all the time whenever I am in public and alone; I just start looking around and making up stories about people based on their appearance and where they are and so forth. (This is an excellent exercise for new writers trying to hone their art and craft, by the way; take a notebook with you, have a meal by yourself, and pick out a table to observe, then start creating character and story based on what you’ve observed. I love doing this, frankly.) I also love that the opening three words of the story itself are also the title–as though “don’t look now” is actually what they call the game, and this innocent game actually is the first domino to fall in a series that results in tragedy. But du Maurier has already hooked us into this couple and their story, and we eagerly read on. What is this story about? Who are John and Laura? Why are they in Torcello? (When I originally read the story I didn’t know that Torcello is one of the smaller islands in the Venetian lagoon; but that soon becomes obvious.) One of the twins-in-drag gets up and goes to the restroom, and Laura, all in on the game now, follows her into the bathroom to see if she really is a man in drag, and there is much hilarious conversation between them about what might happen if it truly was a man in drag (and with all the bathroom battles currently being waged in this country, this scene took an an entirely different resonance in this reading), and we are left alone with John.

And once we are alone with John, we find out a lot more about the couple. They’re British, for one–safe to assume in a duMaurier tale–and as he sits there waiting for her to come back, he remembers why they are there; they’re touring Europe as a getaway as well as an attempt to help Laura (and John) get over the loss of their daughter Christine, who died of leukemia (this was changed in the movie to great effect) and Laura hasn’t been able to shake her sorrow, so John thought this trip would help, and this entire conversation–the resurrection of this game they used to play in happier times–has given him glimpses of Laura before the loss, giving him hope that the wound is finally beginning to heal. They have a son, too, who is off at school, but Christine was Laura’s darling and her favorite (I love that du Maurier would have none of that sentimentality about parents loving their children equally; she dismisses that nonsense out of hand. Of course parents have favorites. They’re human.) and so the loss is even more felt.

But then he notices that Laura has been gone a while…far too long for a quick trip to the restroom. And when she returns…

He could tell at once there was something wrong. Almost as if she were in a state of shock. She blundered towards the table he had just vacated and sat down. He drew up a chair beside her, taking her hand.

“Darling, what is it? Tell me–are you ill?”

But Laura shakes off the shock, and is radiant with joy as she explains to John the incredible encounter she had with the old woman in the restaurant rest room. One of the old women–the one who was staring–is blind but also psychic. She saw their daughter, Christine, sitting with them at the table laughing happily. John, of course, is delighted that his wife is happy but at the same time he’s aggravated at the woman–how very dare she say such a thing to his wife! He doesn’t believe in any of this nonsense and he is deeply irritated and annoyed that his wife–not really fully recovered from her loss–is so quickly taken in and ready to believe the story.

The desperate urgency in her voice made his heart sicken. He had to play along with her, agree, soothe, do anything to bring back some sense of calm.

Before, when reading this story, I always kind of felt John was kind of a dick. His wife is deeply saddened and depressed over the loss of a child, and he doesn’t seem to much care that he, too, has lost a beloved child. But this time through, I felt a pang of recognition there in John’s behavior; he was actually sublimating his own grief in that time-honored way men historically have–by ignoring it and pushing it away and focusing on taking care of his (so-believed) much more delicate and emotionally fragile wife; he has to be the MAN and take care of things, which is du Maurier’s sly way of inserting a critique of societal mores and expectations of straight white men. So, rather then processing his own grief, he buries it beneath concern and worry for wife, which isn’t healthy for either of them.

As John listens, horrified and appalled and even a bit angry, his wife explains to him that their daughter also is worried about them, that they are in danger in Venice and must leave right away. (There’s also a throwaway line that the psychic twin also mentioned that John is also psychic “but doesn’t know it.”) Naturally, she wants to leave while John, confounded and horrified by this turn of events–completely dismissing her out of hand, without the slightest bit of even trying to understand–will have nothing to do with their holiday plans being changed. Laura’s improvement in mood and spirit fades away and as they walk to have dinner, they become separated briefly, and he hears a cry from across a canal in the dark, and sees a child fleeing in a red hooded jacket, jumping from boat to boat until she escapes the sound of running footsteps behind her by crossing the canal by crossing over the boats. He and Laura are reunited, and he thinks no more of it. They have dinner, return, and discover that their son has fallen ill with appendicitis, and perhaps they should return. Laura sees this as the vision of the “danger” and even as John thinks about it, she goes about making the arrangements for them to get back to England. She gets an open seat on a chartered flight, and he will collect their things and their car and drive back. She takes off, he checks out, makes the car arrangements, but as he is coming back to the hotel he sees Laura and the twins, passing him by on another vaporetto. Disturbed by this change in plans, he decides to go looking for the twins, find out what happened and how they convinced her to stay, etc. eventually going to the police to try to track down the twins.

While at the police station, another British couple–there to report a stolen purse–tells him about all the murders going on in Venice that have the police so worked up; he thinks nothing of it, and then of course they find the twins who’ve not seen Laura–who also calls him once she has arrived in England.

Confused and upset and uncertain of what is going on, he goes out for another late night walk and once again sees the child in the red jacket running away. He himself chases after her to try to help her–only to catch her, find out it’s actually a demented little person armed with a powerful knife, who slashes his throat–and as he sinks to the ground dying, puts it all together–he’s psychic; he saw Laura and the twins together in the future when Laura has returned after his death to claim the body; and all along it was all right there in front of his face, only he refused to see it, thinking, as he last thoughts, as he hears shouts and people running towards him, what a bloody stupid way to die and proceeds to do so.

Du Maurier’s prose is, as always, literate and smart and brilliant; her characters seem absolutely real, and Venice springs to magnificent life in her hands. The structure of the story and her remarkable job at misdirecting the reader into missing, along with John, what is really going on around him in this Venice holiday is fucking brilliant. She gives John, and the reader, all the hints they need to piece it all together, but she is so completely into John’s head, his inner monologue, that the reader sees only what John sees, until it’s too late, and you realize this story never was what you thought it was in the beginning, or along the way; or that it is just not the way you expected it to be.

I’m already excited to read it again, and watch the film–a masterpiece–as well.

She’s Out of My Life

Sunday morning and it’s below sixty today in New Orleans, which is fine. I slept super-well last night, which was great, and feel pretty rested this morning. I have a lot of things to do today before I meet my friend Ellen at San Lorenzo (the restaurant in the Hotel St. Vincent, which used to be an orphanage and then a very inexpensive hostel in the Lower Garden District for a very long time but has been gentrified into a lovely boutique hotel with a café, fancy restaurant, and poolside bar) for dinner. And having left the house yesterday for a wedding last night…that’s two nights on a weekend where I’ve left the house. Peculiar, isn’t it?

Yesterday was a very good day. I woke up feeling rested, did some chores, finished reading Angel Luis Colón’s Infested, which I really enjoyed (more on that later) and then did a reread of Daphne du Maurier’s marvelous long story “Don’t Look Now” (more on that later) before watching some football games before it was time to summon my Lyft and head over the bridge to the wedding. Today I am going to start a reread of The Dead Zone–which might not be as thorough as it could be–and I need to get to work on some things. There are also some chores I never got around to yesterday that need to be addressed this morning and I really should write today since I didn’t anything yet this weekend. I worked on “The Blues Before Dawn” a bit on Friday after finishing my work-at-home chores; I’d like to work some more on that today. I also should work on the mess in the laundry room and should finish the organizing and filing, etc. I haven’t ever finished reorganizing the files at all; and I really need to get back on top of that. I need to finish the dishes and run the dishwasher too; and I am going to make potato leek soup in the slow cooker today–I can’t believe it’s never crossed my mind with this soft food diet to make a batch of that soup. It’s incredibly filling, for one thing; usually one bowl is all it takes, and it will last for a week at least. Same with my white bean chicken chili–all soft, will last a long time, and it’s both filling and delicious. Obviously, I didn’t think this soft food diet through beyond “oh, no burgers or pizza.”

The wedding was lovely. One of my co-workers (whom I absolutely adore) married his partner in their backyard on the West Bank last evening, which was marvelous. It was nice seeing my co-workers outside of work in their fancy clothes (they all looked fantastic) plus it was nice to spend time with them outside of the work environment. I had some nice conversations, and I realized that I’ve kind of isolated myself from them because of my age; I feel the age difference far more than they actually notice it. I do like them all, and find them all very interesting; it’s my loss more so than theirs. Anyway, it’s something to think about going forward anyway. I am glad I went for any number of reasons–I will only attend same-sex weddings pretty much now, as they are an act of defiance now more so than ever–but not the least of which is spending more time with my co-workers, or as I like to always call them, “the kids at work.”

Football was interesting yesterday; I’ve not really looked at the results from yesterday much. LSU was ahead of Army 14-0 when I got into my Lyft and checked my phone; by the time I got home it was 28-0 and still the first half. It wasn’t much fun–I only enjoy LSU games where they score 62 points if they are playing an SEC opponent–and so I didn’t feel guilty for switching over to Auburn-Mississippi (Auburn ended up losing), or for watching Skate America once Paul came back downstairs (he got bored with the game as well). Checking the scores and results, it looks like this could be another chaotic year like 2007–which will make the play-off decisions interesting once the season concludes. LSU can still win the West with a win over Alabama if Mississippi stumbles again–they have to play at Georgia, so chances are good that will happen–and winning out. I also realized this is the fourth year of LSU’s championship cycles: they won in 2003, 2007, and 2019; played for it and lost in 2011, with 2015 being the only four year cycle that didn’t end in them playing for the national title. Perhaps this will be the second time that cycle is broken.

Twitter continues its slow death spiral, and I am checking it less and less these days, and staying there very briefly. I do have some friends still there that I like to interact with, but of course the others are slowly becoming what Twitter became as well. Yesterday a straight white man came barging onto a thread of George Takei on Threads, in which George was talking about how difficult it is for queer people–for any minority–to deal with elections, when our rights hang in the balance every fucking time, and how sometimes as a queer person or a person of color, you have to grit your teeth and vote for the Democrat because no matter what or who, the Republican option isn’t an option for queer people or people of color—unless we really hate ourselves to the point that we hate other people like us, or only care about our money rather than our rights. The example George was using was campaigning and voting for Bill Clinton after he signed both DADT and DOMA into law during his first time despite his avowed belief in the rights and dignity of queer people in 1992 on the campaign trail. Fox News and the right used his support of queer rights–along with a ridiculous scandal with no evidence of wrong-doing by either Clinton (remember Whitewater? I sure the fuck do)–to take back the House in 1994 and handicap any attempts at being progressive. I also remember Bill Clinton trying to get a form of the Affordable Care Act passed–the right also used that battlecry of “socialism” to scare people into giving them that House majority with Newt Gingrich as speaker (I remember it all too well). The reason I remember this all too well is because HIV/AIDS was still killing people and there was no cure as of yet; a positive test meant a very good chance of death relatively soon. I fucking lived through the 80s and the 90s, thank you very much.

I also remember that Bill Clinton was the first presidential candidate to mention HIV/AIDS, and to notice that queer people actually exist–so you can fucking miss me with the Hillary hate, thank you.

Anyway “straight white man” (hereafter referred to a Mr. Mediocre) barged into George’s thread to lecture him about compromise voting and how if we would all just really get behind true progressives, change would be that much easier and how he could just never ever bring himself to the point where he could vote for someone who ever voted for a war.1 That told me everything I needed to know about Mr. Mediocre–the “ally” who couldn’t bring himself to vote for Hillary in 2016 because she voted for the war, believing the lies the Bush Administration and his fully supportive Congress were pushing on us all, calling those of us who didn’t want the war cowards and/or traitors, questioning our very patriotism. Blaming Hillary for believing the lie so you threw your vote away in 2016 so you could remain “pure” fucked over your so-called “allies,” you miserable piece of shit. And instead of ignoring and blocking, which is what I usually did, the audacity of Mr. Mediocre lecturing George fucking Takei, a gay Japanese-American who grew up in an American concentration camp for American citizens of Japanese descent on purity politics just didn’t go down with me, so I replied, Oh, look, another straight white man who will be okay no matter who is in power lecturing those whose rights are on the line with every election about his purity. Don’t hurt yourself patting yourself on the back while you screw over minorities over some purity test that we don’t have the privilege of applying to our votes. “Allies” like you gave us Bush in 2000 and Trump in 2016. Thanks for that, by the way.

If you think Mr. Mediocre would let that go, let me introduce you to The Progressive Straight White Man. They can never let that shit go. You know he read my response and climbed back up on his High Horse–how dare a gay man call him out and speak to him that way! He told me “You should want better, but I’ll still keep working for women and minorities.2

I replied, I do want better but am realistic as a minority in this country to know that no matter what I have to vote for the least damaging candidate because my rights are actually on the line with every election, so don’t condescend to me about your purity tests and progressive bonafides when a real ally will show up, hold his nose and vote for the Democrat. We warned you the Supreme Court was at risk, but her emails! That pesky vote for the war! So forgive us for not applauding you for your purity. Now the Supreme Court is poised to take us back to 1860 but hey, at least you can sleep at night for not voting for the warmonger.

Asshole. After all, Dobbs didn’t affect him–and when his daughter is forced to carry her rapist’s baby, I hope he remembers that purity vote in 2016 with pride.

And on that note, I am heading into the spice mines. I need to eat something and make another cup of coffee and get the potato leek soup started, no easy chore. Plus I want to write up what I read yesterday and the impressions they left with me. Have a great Sunday, COn

  1. which means he wouldn’t have voted for the two most progressive presidents we’ve ever had, I might add; FDR declared war, and LBJ voted for it, as well as intervention in Korea. Some progressive this dude is, right? ↩︎
  2. Love that pathetic attempt at progressive shaming, which again tells me everything I need to know about his politics–if he doesn’t get the perfect candidate that aligns with everything he believes (a pipe dream that will never happen), he won’t vote for them no matter what that means for women and minorities. Some ally. ↩︎