Louisiana Moon

As if you weren’t sick of my self-promotion already, now I get to start promoting Mississippi River Mischief!

It’s hard to believe that this is Scotty’s ninth adventure. Not bad for someone who was just supposed to be a one-off, a stand-alone comic madcap adventure that took place during Southern Decadence. The idea for it came to me at Southern Decadence in 1999; on Saturday afternoon I somehow managed to get a prime spot on the balcony at the Parade to watch the massive crowd of sweating shirtless men partying down below at the intersection of Bourbon and St. Ann. I noticed a really hot guy wearing sweats and carrying a gym bag fighting his way through the crowd to get to the Pub downstairs, and I recognized him as one of the dancers for the weekend. In that instant, I had a mental flash of a dancer being chased through a crowd of shirtless sweating men at the corner by bad guys with guns and the dancer only wearing a lime-green thong. I held that idea in my head, and sometime later that weekend Paul said to me, “you know, you should write a book set during Decadence,” and I grinned and replied, “I already have the idea.” I had started writing a short story called “Bourbon Street Blues” a year or so before this; but realized that would make a better title for the stripper crime caper during Southern Decadence, so I made a folder for it and kept it in my files and in the back of my mind. Several years later, when talking with an editor about something else when I worked at Lambda Book Report, I asked if that might be something he’d be interested in. He said send him a proposal, which I did–having no clue what I was doing–and they offered me a two book deal, turning my stand-alone into a series. Having no idea how to write the second book in such a series, the money was too good for me to say no or to quibble, figuring I’ll figure it out when I need to–which is really the motto of my career.

The Scotty series has always had a bit of a “pantser” feel to it for me because I’ve always pantsed it. I knew that the first adventure–Bourbon Street Blues–was going to be that Southern Decadence story, and I also knew I was going to fictionalize a governor race, basing it on a senate race that occurred when we first moved here and we couldn’t believe that one of the candidates was actually a serious candidate (sadly, he was just a harbinger of what was to come in Louisiana; now he’d seem like one of the fucking sane ones), and I kind of borrowed, a bit unconsciously, from the Stephen King character of Greg Stillson from The Dead Zone. Bourbon Street Blues was a prescient novel in so many ways–and I had no idea of that at the time, seriously. There’s a scene where the Goddess shows Scotty the potential flooding of New Orleans after a levee failure (in the book it was deliberate though) and of course I predicted the Right’s move into full-bore hardcore neo-Nazism as well in that book…never dreaming it would become a reality.

Scotty has always been a fly-by-the-seat-of-my-pants series; I’ve never really outlined or planned the books or the series in any way, other than an amorphous idea that the love triangle situation I created in the first book would take three books to resolve. During the course of the third book I realized I needed at least one more book to resolve that story, and so it went from stand-alone to trilogy to quartet…and then Katrina happened. Katrina created an unplanned gap in the series, and I never really knew how to do Katrina from a Scotty perspective. It struck me that they wouldn’t have evacuated, but Scotty wouldn’t have ridden the storm out in his apartment, nor would his parents have done so at their place; they would have all gone to the Garden District where Papa and Maman Diderot have a generator. I just didn’t see how I could write a funny Scotty book about the levee failure and the city’s destruction. Also, we learned something about Scotty in the second book (Jackson Square Jazz) that I meant to deal with in the fourth book. By the time I was ready and able and willing to write that fourth book in the series…well, I forgot that I’d planned on dealing with that issue from Scotty’s past in it, and never did ever circle back around to that resolution of something from his youth.

I did remember when I decided to write Mississippi River Mischief, though. I kind of wrote myself into a corner with Royal Street Reveillon, in which something happened in Scotty’s personal life that was tied into the case, but I couldn’t write another book and pretend that never happened, even though it would be hard to deal with in the text of the book and story. But then, as I was trying to work it out in my head, I realized now you can circle around back to that issue from Scotty’s teen years because this is the right place and time for him to be reminded of it because of what happened to Taylor.

And you know what? I think it made for a better story now than it would have almost fourteen years ago.

Scotty has grown a lot over the twenty or so years (!!!) I’ve been writing him, but who he is at his core has never changed. Scotty is a good person, with a genuine sense of kindness, and is pretty level-headed and never really lets things get to him the way I let things get to me–and God knows, he’s dealt with a lot more shit than I have in life. I like his sense of humor, I like his spirituality, and I like his untrained, he-doesn’t-know-how-it-works psychic abilities, and of course, I love his family. His parents are amazing, his older brother and sister are also pretty cool characters, and of course Frank and Colin are also fun to write. I also never knew how subversive I was being by creating a throuple long before anyone ever talked about these kinds of relationships within the queer community–and it’s lasted all these years. There have been ups and downs, of course, but they always wind up coming back together again no matter what happens–and a lot has happened. Both Scotty and Frank have been shot a few times, not to mention all those car accidents–and he’s also helped cover up a crime (no spoilers here, no worries!).

You can order it here, if you were so inclined…

Goodbye Baby

Tuesday morning and all is quiet at this ungodly hour.

I’m up earlier than usual because I made the decision, whilst I was out of town, that the smart thing to do was get up when I actually wake up, rather than just continuing to lie in the bed awake. It’s comfortable, to be sure, and getting out from under my pile of blankets is never an easy thing to do….but it’s also wasteful of time and staying in bed doesn’t make getting up with the alarm any easier, nor does it make me less tired later in the day. All in all, it’s not going to kill me to get up earlier, so today is my first day trying it (not really, I woke up an hour earlier than necessary yesterday and just went ahead and got up then, so this is my second day of trying this to see how it all works for me). I had errands to run after work last night and I had to write a promotional piece for another blog for A Streetcar Named Murder–there really is no worse timing than having a book coming out as you are trying to meet the deadline on another.

It’s also weird because at the same time I have to try to remember things from Streetcar, which was finished months ago, and of course I’ve moved on to something new that I need to focus on. Heavy sigh. But I think the post I wrote last night is fun and interesting, and hopefully will spark some interest in the book. I’ve also been asked to sign at an event here in New Orleans in January–I want to say ALA, but I could be wrong–and I’ve also agreed to return to the dual Murder event weekend in Alabama yet again. I think this is the fourth time I’ve been invited? I love Margaret and Tammy, and I always have a lovely time at the event.

WE started watching that Hulu series about Chippendales last night, Welcome to Chippendales, starring Kumail Nanjiani as Steve Batterjee. I’ve watched a couple of documentaries about Chippendales and the resultant murder of one of the partners, but I’d forgotten about Dorothy Stratten’s connection to the club before she was murdered (someone really needs to do another series or movie about her life and death; Star 80 was good but…). It’s entertaining enough, and Chippendales also has something to do with the societal change in the sexualization and objectification of the male body that began in the 1970’s (along with the explosion of gay porn and Playgirl, followed by Calvin Klein ads in the 1980s), as well as the beauty standard for men. I recently (it may have been longer ago than what counts as recent, but time has lost all meaning to me now) commented to one of my younger gay male co-workers that “you used to be able to tell if someone was gay or not by how well built they were; if they clearly spent time on their bodies at the gym and ate right to improve the way they looked, they were gay because straight men didn’t give a shit.” Tribal tattoos also used to be a tell that a hot guy was gay. NOT ANYMORE. And the guys today–whatever their sexual orientation–have even more amazing bodies than we used to have back in the day; the definition and the focus on ab development and the absence of any body fat is far more pronounced amongst hot young men these days than it used to be. And they are everywhere. My Instagram and Twitter feeds are often filled with beautiful shots of incredibly handsome young men with unbelievable bodies; some of which I’ve sometimes shared here on the blog. I’ve also been seriously considering going to something else with the blog images, to be honest–I know some people would miss the sexy men images, but it also might be keeping other people away at the same time. I don’t know. But I started using pictures of hot men years ago because when the blog cross-posted to social media it would always show up as with a pale blue square box with a pencil in it, which I hated. When I talked about books, the book cover would come over, so I decided to use images of very hot men that essentially pop up somewhere on the Internet throughout the course of the day and it kind of became an ingrained habit, a default if you will, perhaps even a brand–I hate thinking of myself or anything I do as a writer as a ‘brand,’ and yes, I do recognize that my writing is a product for sale, but it’s not a pack of T-shirts or underwear or a pair of pants hanging on a sales rack. So, do I really want my ‘brand’ for my blog to be sexy shirtless men?

Probably a little late to worry about that now.

The Chippendales calendar–how many years did I buy that? I can remember being deathly afraid to take it to the cash register at the bookstore…but now that I am thinking about it, I don’t remember which bookstores I used to patronize in Fresno. Perhaps a Barnes and Noble at the mall? A Waldenbooks, maybe? But yes, I used to feel my face burning with embarrassment as I tried to nonchalantly buy a Chippendales calendar, all the while thinking the cashier knows I am gay because why else would I be buying this calendar? Now I laugh at the memory of the shame I used to feel. The cashier couldn’t have given two shits about what I was buying, and even if they did, who cares? I had always been attracted more to athletes than any other type of male; I always had a thing for muscles and worked out bodies. Why, I don’t know; whether I was simply wired that way for physical attraction, or if it’s because the first naked bodies of men that I saw were those of athletes in school. Junior high was the first time I ever had to change into gym clothes, shower and be around other naked boys, and I was never comfortable doing so. The locker room before and after gym in junior high was a nightmare, but once I was in high school and on sports teams…the boys I was attracted to were usually athletes. That never really changed over the years as I got older and grew more comfortable with my sexuality–what changed were the bodies. Whereas only athletes and dancers, gay men, and narcissistic straight men used to regularly go to the gym and work out their bodies to build muscle, gradually it became a thing for all men across the board, regardless of orientation. On the rare occasions when I go to the gym now, I see incredibly well-built and well-muscled young men all the time–and while thirty years ago I would have assumed they were gay or bisexual, now I can’t assume anything. I just marvel at the shift in societal attitudes towards men no longer in school who continue to exercise and work out–whether to be healthier or for something to show off and attract women, who knows?

But aesthetically, I appreciate them.

So, the quandary remains. Do I try to rebrand the blog by using other types of pictures, and if so, what kind should I start using? Would people miss the hot guys? Would more people be drawn to the blog rather than closing the browser window as soon as the hot guy loads?

Or do I just not worry about it–as I have never worried about people coming here to read the entries–and keep on as I have been? Decisions, decisions.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will talk to you again tomorrow.