Thursday and my last day in the office until after Thanksgiving, which is rather something if you think about it, you know? It’s cold again this morning–you can tell, even with the heat on and the Lost Apartment itself feeling a little, shall we say, temperate? I’m still not used to having an HVAC system that works effectively and keeps the apartment warm no matter what it’s like outside, you know?
Yesterday was yet another exhausting day at the office. I’d not slept as well as I would have liked Tuesday night, so yes, yesterday was tired and worn down by the end of the day. I had to stop and make groceries on the way home–not much, just a quick in-and-out–and today I am hoping I won’t be too tired when I get home from work to do some chores and some more work on the book. BY the time I got home yesterday I was very tired. Paul didn’t get home until later so we didn’t get to watch any of our shows; instead I spent the evening watching Youtube videos on French history. I think I slept well last night–I only woke up a couple of times during the night–and I feel sort of rested right now as I sip my coffee; we’ll see how long it holds today, shall we?
But for now, I feel good and my coffee is hitting the spot and I did succeed in making a to-do list yesterday, which was a step in the right direction towards getting caught up–or better organized, one of the two. I had forgotten to make my hotel reservation for Bouchercon in San Diego, so I got that taken care of yesterday, and now just have the flights left to get taken care of once Southwest allows us to start booking in late August, probably next month sometime. I am leaving for Kentucky on Monday morning, but I have The Uninvited Guest by Carol Goodman to listen to on the way up and The Woman in Cabin 10 by Ruth Ware to listen to on the way home. (I listed to Ware’s The Death of Mrs. Westaway on the way up last time, and absolutely loved it.)
I’ve also been doing blog entries attempting to promote the book–which has been fun so far, but am not sure really how effective it actually will be in the long run, but I am enjoying myself, which is perhaps the most important thing, right?–and I also am doing a piece for CrimeReads that is due this weekend–but as I mentioned previously this week, I can pretty much ignore college football for the most part most of Saturday, as LSU’s game isn’t until seven pm (I cannot get over the LSU turnaround this season; I keep thinking I’m going to wake up from this fever dream) so as long as I am not disgustingly and horribly lazy, I should not only be able to get that written but make some serious progress with the book as well. Please, God–make it so.
And on that note, I am going to head into the spice mines on this chilly Thursday morning in New Orleans. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.
There is no question that Agatha Christie is one of the giants (if not the giant) of crime fiction.
Agatha Christie was one of my gateways to adult crime fiction (along with Charlotte Armstrong, Phyllis A. Whitney, and Victoria Holt); if I remember correctly the first book of hers I bought was Witness for the Prosecution (which I didn’t know was a short story collection) and the first novel of hers I read was Murder in the Calais Coach (best known as Murder on the Orient Express; the former was a short-lived American title for the book, and frankly, isn’t an improvement; why make the title about something no one would know what is was? Everyone knew the Orient Express). I eventually read everything she wrote, with a few exceptions (I still haven’t read Murder in Three Acts or Death in the Air) but the first Miss Marple novel I read was A Caribbean Mystery. I always preferred Miss Marple to Poirot, but I kind of want to give a Poirot or two a reread; Donna Andrews made a very clever observation about him on one of my social media posts which provides another lens for me to read through.
I found a hardcover copy of A Caribbean Mystery somewhere since we moved into the Lost Apartment; I’m not sure where. I certainly don’t remember buying it on eBay (the only other Christie I have in hardcover, Halloween Party, is missing its dust jacket, and I think I got it at a yard sale? But wait! It’s a Poirot! And has Ariadne Oliver, Christie’s stand-in! Yes, that’s a reread for the new lens for Poirot! And now that that’s sorted…), so there’s no telling where it came from. I don’t know why it took me so long to reread it–it’s actually on the short side–but it did take me a while. Maybe because there was no urgency because I remembered who the killer was?
“Take all this business about Kenya,” said Major Palgrave. “Lots of chaps gabbing away who know nothing about the place! Now I spent fourteen years of my life there. Some of the best years of my life, too–“
Old Miss Marple inclined her head.
It was a gentle gesture of courtesy. While Major Palgrave proceeded with the somewhat uninteresting recollections of a lifetime, Miss Marple peacefully pursued her own thoughts. It was a routine with which she was well acquainted. The locale varied. In the past, it had been predominantly India. Majors, colonels, lieutenant-generals–and a familiar series of words: Simla. Bearers. Tigers. Chota Hazri–Tiffin. Khitmagars, and so on. With Major Palgrave the terms were slightly different. Safari. Kikuyu. Elephants. Swahili. But the pattern was essentially the same. An elderly man who needed a listener so that he could, in memory, relive days in which he had been happy Days when his back had been straight, his eyesight keen, his hearing acute. Some of these talkers had been handsome soldierly old boys, some again had been regrettably unattractive; and Major Palgrave, purple of face, with a glass eye, and the general appearance of a stuffed frog, belonged in the latter category.
Miss Marple has bestowed on all of them the same gentle charity. She had sat attentively, inclingin her head from time to time in gentle agreement, thinking her own thoughts and enjoying what there was to enjoy, in this case the deep blue of a Caribbean sea.
I decided to reread this book for several reasons. First, I am reading a lot of “cozy” mysteries (mysteries with amateur sleuths as the main crime-solver) because I am writing one myself; second, because I’ve been wanting to revisit Christie on a smaller scale (there’s no way I could reread her entire canon again); and third, because I read a piece recently somewhere (Crime Reads, perhaps?) about the enduring legacy of Christie despite some problematic aspects to some of the books (I was well aware of the classism and anti-Semitism, and VERY WELL AWARE of the various problematic title changes for And Then There Were None over the years), and this one was mentioned. I remembered the book, I remembered the story; I remembered that this was the book where Miss Marple met Mr. Rafiel and she became, in some ways, Nemesis to the two of them (one of the later Marples was, in fact, Nemesis, and Mr. Rafiel sent her a murder to solve from beyond the grave); but I wasn’t so sure I remembered why precisely this book was problematic, could be see that way. So, I took it down from the shelves, and started reading.
The premise of the book is this: Miss Marple had a rough winter, having contracted pneumonia, and her nephew, bestselling novelist Raymond West, has decided to send his beloved elderly aunt to a warmer climate to recuperate–St. Honoré, to be exact, in the Caribbean, or the West Indies–at the Golden Palm Hotel resort. (St. Honoré is, of course, fictional; I may use it if I ever need a fictional Caribbean setting) As she sits in the warm sun, knitting and observing the people around her–she is always watching–and half-listening to the pompous bore rattling on to his captive audience (this scene, and her thoughts about Major Palgrave being of a type who really doesn’t need anyone to really pay attention, but to just be in hearing range with the proper noises being made when necessary, is quite insightful and brilliant; haven’t we all been there in that situation?), when he asks her if she wants to see the picture of a murderer? Since she isn’t really listening, she assents and continues to observe and watch everyone around her, and as he is reaching into his wallet to show her a picture of said murderer, he stops, turns quite purple, shoves the photo back into his wallet and loudly changes the subject. This does catch her attention, and she turns around to see what he saw–but doesn’t see anything or anyone that could explain this behavior change. He then makes excuses and leaves.
And of course, he dies that night–and this incident nags at Miss Marple. His death is explained away by him having high blood pressure, and having drank too much on top of his medication; but she isn’t so sure. And then she makes up a lie about the photograph, which she tells the doctor, and it turns out the photograph is missing.
Obviously, the Major was murdered, and did he really have high blood pressure, or is that merely gossip? As Miss Marple observes, “it’s very easy to get a rumor about, and people will just repeat it. There’s never any first-hand knowledge; it always A heard it from B who heard it from C and no one can really pinpoint where the story started.”
It’s a good story, with lots of suspects and suspicious behavior and trying to sort rumor from truth, but two more people wind up dead–a very common theme in Christie is a murderer having to kill others to cover up their original crime–before Miss Marple remembers something and figures out not only who the killer is, but who their actual target was from the very beginning.
And yes, there’s some serious problematic views of the islanders from the British paternalistic colonialist point of view. But Christie herself never says anything problematic–it always comes from the mouth of one of her characters, who, given the time period, would inevitably think that way–side comments about how many of the islanders are in committed relationships without benefit of clergy; etc. etc. etc.
So, I would say it held up about 95% on the reread; yes, there’s some problematic stuff that might be jarring for someone to read now for the first time and would probably not be allowed past the editorial process today–and excising it wouldn’t harm the book in the least.
Freedom’s just another word for nothing left to lose…
Happily, I made it through my first Monday back at work. Usually, I tend to take the day after I travel off from work–so if I fly home on Sunday I don’t work on Monday, so I can get acclimated and readjusted to being home–laundry, make groceries, get the mail, etc.–and usually I am exhausted from traveling so I need to sleep in a bit as well. But…yesterday somehow I managed to get up with the alarm, make some coffee, and got my shit together and wasn’t even the least bit grumpy about it. I was a bit tired–the legs especially; I walked a shit ton last week–but I made it through the day without incident and managed to run some errands on the way home. I had considered making a trip to the gym last night but decided it made more sense to go after work tonight–I know, I know, excuses to fail instead of reasons to succeed, but hey, I took a four hour flight yesterday, had to navigate two airports and so forth, not to mention the horrors of I-10 East through the burbs and into the city–no small feat. But I also started feeling low energy around three yesterday afternoon (nothing new; that’s when it usually hits me right between the eyes with a 2 x 4) so it wasn’t travel related at all, but was enough to make me rethink my gym strategy.
Ironically, once I get readjusted to my schedule, I’m off to Kentucky for Thanksgiving.
Which is not an excuse to not go to the gym this week.
The realization that Murder the Indigenous People Day looms on the horizon is also forcing me to rethink my grocery shopping necessities; I really don’t need to be buying anything perishable, and I need to make sure Paul is all stocked up with things he can easily prepare for himself (although he’ll inevitably simply end up eating out the entire time); but I have this weekend to worry about all of that and get it handled. I made significant progress yesterday on getting caught up on everything–still horribly behind on everything, of course–but at least I feel like I’m getting somewhere, and I don’t feel as terribly stressed out about being so far behind, which is also progress of a sort. I do want to get back to reading Barbara Ross’ delightful Shucked Away, which I started reading on the plane home Sunday, and I think next up will be another Leslie Budewitz; I loved the first in her wonderful Spice Shop series, but haven’t managed to get back to it yet, and of course, after Thanksgiving is the best time to read the next up in Donna Andrews’ Meg Langslow series, Owl Be Home for Christmas–it would actually be kind of great to have an entire season of Christmas books to read, wouldn’t it, and Andrews does one every year, which is also kind of marvelous as well, but I don’t want to read the books out of order.
I also began piecing together and outlining an article I am writing for Crime Reads to help promote the Kansas book when it’s released–I got the hook finally over the weekend at Crime Bake, for which I will always be grateful to that conference, and the New England chapters of MWA and Sisters in Crime–and that definitely counts as writing (I never count the blog as writing, despite the fact that every entry is more than five hundred words and sometimes even longer), so I am getting back into that saddle, which feels really great. I also managed to finish the laundry last night, emptied a load from the dishwasher so I could reload it, and got some filing and organizing done around the Lost Apartment so my desk area isn’t quite as disheveled and scattered as it was when I got home Sunday night. I still have to finish my blog posts on Invisible City by Julia Dahl and Jar of Hearts by Jennifer Hillier (if you haven’t read them, Constant Reader, you really need to get on with it! Don’t wait as long as I did, which was a huge mistake), and I also want to get some boxes prepared to clear out some more books for the library sale. I think Saturday I am going to drag a box down from the attic to dispose of as well; might as well get that project started–because the attic is definitely not ever going to clean itself out at any point in time.
We watched the recent episode of Dopesick last night, and the acting is truly superb; the entire show has been extremely well done and well-written; everyone in the cast should be tapped for an Emmy nomination; the young woman who plays Bets, the lesbian mine worker who gets hooked after a back injury is particularly fantastic, as is Mare Winningham and Michael Keaton. Rosario Dawson is no slouch, either, and if there was ever an oilier, slimier villain–the actor playing Richard Sackler is Bond-villain worthy. We’ll probably get caught up on our other shows the rest of this week–The Sinner, The Morning Show–and there’s some other shows I want to watch as well; I really do need to start making a list. I also want to get back to Chapelwaite, which I don’t think Paul was enjoying as much as I did; we’ll have to have a chat about that tonight when we both get home from the gym.
Yes, I am planning on going to the gym tonight. We’ll see how that turns out, won’t we?
And on that note, I am going to head into the spice mines. Have a lovely Tuesday, Constant Reader. I know I intend to.
I find myself now in the post-launch haze; it’s been awhile since I’ve actually promoted a book–and usually so much else is going on the launch date might get some social media posts from me and not much else (it really is a wonder I still have any career to speak of)–but I actually feel a bit hungover from what little I did. (I admire other writers who hit it so hard; how do they do it? I sure as hell can’t.) I have nothing but the utmost respect for authors who can do the public appearance/promotion stuff and make it look easy and make it seem like they’re enjoying themselves; because that is not my experience with such things. I am always incredibly self-conscious, and inevitably my fallback response to being nervous and feeling uncomfortable is to try to be funny–which is, of course, completely subjective, and amps up the anxiety: what if no one thinks you’re funny? And with these on-line appearance (as opposed to in-person ones) I do not know if anyone laughs and that makes me even more anxious to the point that when it’s over I am a completely nervous wreck, emotionally, physically and emotionally exhausted; and the hangover from that carries over into the next day. I felt very drained and hollowed out yesterday. Today I feel better–I don’t think I slept that great, to be honest, but this morning I feel fairly well rested. Not I can conquer the world rested, but rested. This is a good thing. I don’t have to do anything outside of the apartment today other than go to the gym after I am finished working at home, and I am going to relish that. I have some data entry to do, condom packs to make, and there are also some other on-line trainings for the day job coming due–annual things we are required as a health clinic to take, like HIPAA, blood borne pathogens, biohazard, etc. (In all honesty, my favorite is the emergency training one–what do you do if there’s an electrical fire? What do you do if there’s a regular fire? What do you do if a patient collapses? I don’t know why that’s my favorite, but for some reason it is.)
Yesterday was spent mostly with on-line trainings for the day job; there was time, however, for some condom packing duties before LEG DAY at the gym (and yes, my legs are tired today. But good tired, not bad sore). I decided to keep going with my attempts at a Halloween Horror Film Festival, moving on to Friday the 13th, Part III. (turned out I must have watched the second part last October and completely forgot; my memory has now moved from sieve to a garbage disposal that clearly eats and grinds up each memory before spitting it out, forgotten) What. A. Shitty. Movie. The first one had a kind of “so-cheaply-made-it’s-kind-of-charming” feel to it, but each film cost more money…but the quality didn’t improve. The acting and writing is so incredibly bad, it’s easy to see why audiences started rooting for Jason as a kind of anti-hero; those who are about to die are such shitty, one-dimensional characters, played by actors who’d be lucky to get a supporting role in a bad dinner theater in Sarasota, Florida, you kind of enjoy watching them die horribly. I don’t know that I have the stomach to handle yet another entry in that endless series of sequels; maybe I’ll switch to the Halloween movies. Those, while equally small budget at first, are at least better acted, written, produced, and directed than their counterparts about Jason Voorhees. Paul came home rather late and had some work to do, so we watched the latest episode of Titans, which I really enjoy but this season, while interesting, is dragging a bit.
It also makes me terribly sad that this is a Friday without a new Ted Lasso.
I also need to get back to work on my writing; I got distracted with all the book promo stuff and so forth and well, now I am behind yet again. What else is new, right? When am I not behind on everything? Yes, it makes me crazy, which is partly why I am alway teetering on the edge of a complete breakdown, without question. I’ve been feeling very good about myself lately–which always makes me suspicious. My piece on Gothics for Crime Reads was well received, so was my piece on Superman posted here the other day, and Bury Me in Shadows also appears to be getting a good reception. My royalty statement came the other day and was significantly higher than I was expecting, which is always welcome news…and of course, I need to make a new to-do list. I also have some filing that needs to be done, and the apartment always needs cleaning. I do think our mouse is gone, though. Last week he was very noisy one night–Paul thought it sounded like death throes–and we haven’t heard him since. Scooter also doesn’t stare at the cabinet under the sink and the dishwasher anymore, either, which is the more likely sign that the mouse is gone at last. It’ll take me a while before I am comfortable turning the dishwasher on without putting a towel across the floor in front of it, though–the little bastard chewing through the hose is going to take me a while to get past.
I may also prune the books a little bit this weekend; the books can always be pruned, and I may even get a box of them down from the storage crawlspace today to go through–I really do need to clean out the crawlspace–and the night time lows this weekend may even dip in the high fifties; it’s definitely October in New Orleans. I think next weekend I may drive around taking pictures of Halloween decorations. One of the many things I love about this city is how so many people go all out decorating for holidays–I love the mansion on St. Charles with the annual skeleton theme–plus, A Streetcar Named Murder is set in early October. LSU plays Florida tomorrow at eleven in the morning (!), and I’ll have the game on but I doubt I will watch it from beginning to end. This has been a horribly disappointing season for LSU football–people are calling for the coach to be fired, as it looks like they’ll have their first losing season this century (!)–the last time that happened was 1999, which led to the firing of then coach DiNardo and the hiring of Nick Saban, which rescued and turned the program around to the point they won the SEC in his second season and a national title in his fourth. LSU fans have become very spoiled this century, but it’s been a very good run these last twenty or so years: four SEC titles and three national championships; only Alabama has done better during this run, and that’s a pretty high standard.
And on that note, I am heading into the spice mines. Data ain’t gonna enter itself and the condoms won’t pack themselves, either. Have a lovely Friday, everyone, and I will check in with you again tomorrow.
Thursday morning coming at you like a burning ball of pitch hurled at the city walls from a catapult by the invading Huns.
I did two entries yesterday, neither of which was blatant self-promotion (I know, right?); one was my regular entry for the day and the other was…well, it was a really old entry I started writing a long time ago, about my love for Superman and how that actually began when I was a kid. I never finished the post–there are about thirty post drafts that I will someday finish, even though some of them are now YEARS old–but when the news broke about Superman’s bisexuality this week, I knew it was time to finish it and put it out into the world. I also knew when I read that piece of shit’s post on Medium that I was going to conclude by mentioning it, and taking a few nasty digs at his sorry, pathetic, will-die-alone-and-unmourned self. Was I perhaps more petty and mean-spirited, even perhaps nastier, than I usually allow myself to be on here over the last twelve or so years? Probably. Am I sorry? Not in the fucking least.
I woke up this morning at five, as I am wont to do every morning, and moaned a little softly to myself, well, at least I have another hour before I have to get up and then it hit me: It’s Thursday, fuckwit, you don’t have to get up before the sun comes up today, and thus happily burrowed back into my blankets and went back to sleep for a bit. It was lovely, frankly; I feel very good this morning and very alive and ready to get to it. I have a bunch of trainings I have to do on-line today around the condom packing and the data entry (the data entry website was updated, one of the trainings is on that); there’s laundry to do; files to file and an inbox to empty; Leg Day to get through; and of course the apartment is, as always, an utter disaster area. Typical Thursday, really, when you think about it. Yesterday was actually relatively lovely, for the most part; my piece on my favorite Gothic inspirations went live on Crime Reads’ website yesterday, and received an absolutely lovely response–and the afore-mentioned Superman blog piece I did yesterday also got a lot of attention and shares, which was also very nice. The event with Murder by the Book went well for the wonderful John McDougall, our wonderful host and moderator, and I really enjoyed listening to David R. Slayton talk. (I am reading his White Trash Warlock and really, it’s quite marvelous; do yourself a favor and pick up a copy.) Paul had dinner plans last night with friends, so I had the apartment to myself for most of the evening; by the time he got home we were both already exhausted–doing public things always drains me on all three levels (physical, emotional, intellectual) and so we both went to bed relatively early.
So, Bury Me in Shadows is out into the world, and it really was a nice, somewhat soft, release; one of the things I hate about the business side of being a writer is the self-promotion. I was raised in the worst possible way when you want to become a writer; I don’t know if my reluctance to promote myself and push myself on people is inherent, or if it was something I was trained from childhood to have. I was always told if you do good work, let others decide rather than telling them; if the work is good it will speak for itself. That doesn’t really work in this business, and while I am always comfortable to talk about books and writing publicly, I am not very comfortable with talking about myself or my own work or trying to convince people to read/buy it; I can sort of do that kind of thing on here because, well, it’s written and I am not speaking in front of an audience or for a camera. It’s always difficult, and I never think quickly enough to come up with good answers for the questions. I also tend to ramble and get sidetracked and go off on tangents when I talk–as anyone who has ever had a conversation with me in person can easily and happily attest to–which, when you are sharing the stage with another writer, isn’t a good thing. So, with much thanks to John and Murder by the Book for setting the entire thing up and for hosting, and to David for being so gracious and fun to chat with; and I will add my deepest apologies for my feral self and my incompetence at presenting myself as a competent publishing professional.
I also suppose I am far too old to get better at it, as well.
I also got my copy of Best American Mystery and Suspense Stories 2021, edited by Steph Cha and guest editor Alafair Burke–you know, the one where I am mentioned in the back for my story “The Dreadful Scott Decision” from The Faking of the President, as “other distinguished work”, which is still an enormous thrill (I may still be picking up the book and opening to that page and marveling at the appearance of my name there)–which I am very excited to start dipping into again. My Halloween Horror Month hasn’t exactly worked out the way I had planned; too much other stuff going on, the release of a book, so on and so on and so on–but that’s okay. Things happen, life happens, and things get thrown off track, but I do always believe things work out the way they are supposed to in the end.
And on that note, I am going to get some things done before it’s time for me to start the endless rounds of training courses and meetings I have to attend virtually today. Have a lovely Thursday, Constant Reader, and I will talk to you again on the morrow.
So we had a major thunderstorm yesterday afternoon, complete with street flooding and thunder and lightning and all the fixin’s. This naturally led me to wonder, as the lights flickered at the office and Elysian Fields (the street, not the Greek afterlife) filled with water, whether or not to wait until the advisory was lifted (in theory at 5:45 pm), or head home when my work day was complete? One can never be certain where and when parts of the city are going to flood; and the last thing in the world I need–being this close to having the car paid off–is to risk flooding it out and possibly ruining it.
Sigh. It’s never easy living in New Orleans.
Getting home was a challenge; Claiborne Avenue’s low-lying areas were filled with water, water was pouring down not just from the clouds but from the I-1o high-rise, and I decided to risk going through the CBD, never the best option, but potentially even worse than usual since the Plaza Tower started falling apart and
And now for some blatant self-promotion, The Queer Crime Fiction roundtable I participated in for Crime Reads can be found here. And my brief appearance on Writer Types recommending queer crime writers can be found at this link right here.
Thanks again to Lisa Levy for the roundtable, and to Eric Beetner for inviting me onto his podcast. Both were a lot of fun, frankly, and it’s always fun for me to have the chance to talk about books and writers and make recommendations of books and writers I admire and enjoyed. I really missed that during the pandemic.
We got caught up on Lisey’s Story last night–we were both dismayed to see that it hasn’t all aired yet, and so no new episode until Friday–and then went on to the second chapter of The Underground Railroad, which was equally as disturbing as the first, but in a completely different way; I do remember, reading the novel and thinking, my God, so many different ways white people have found to punish and hurt black bodies and souls throughout our history. The show, being a visual medium, is even more disturbing than the book, because my imagination wasn’t quite strong enough to erase the imagery from my head I had grown accustomed to throughout a lifetime of privilege, that kept elbowing the stark realities Colson Whitehead so poignantly and beautifully wrote about in his book, out of the way; the show does not allow this, and the beautifully way it is filmed so poetically reflects the beauty of Whitehead’s language, even as the subject matter in truly an abomination.
Laura Lippman’s Dream Girl drops today, and so those of you not fortunate enough to get an advance copy can now indulge yourselves in reading a truly marvelous book by a great thinker and a terrific writer. I need to get back to reading; Robyn Gigl’s By Wayof Sorrow needs to be finished, and on deck I have Bath Haus by PJ Vernon, Everything I Never Told You by Celeste Ng, Arsenic and Adobo by Mia Manansala, and several others. So much reading; I really need to focus on getting my reading done and caught up. Now that I’ve finished the novella I can take a look at duMaurier’s “Don’t Look Now” again, as well as her “Ganymede”; I already know, from doing some post-writing research today that there are some major adjustments that need to be made to my novella, and it may wind up being longer than than 20, 430 words it sits at now–not the least of them the days of the week, and so forth. I also have to figure out some way to make the story work a little better, more suspenseful, than it sits right now; but that has a lot to do with figuring out the story as it went. I also want to start pulling together the next short story collection–madness, I know–but I do love when I am basically overwhelmed with projects; so I always have something to be working on if something stalls out or I just don’t want to work on something in particular.
I also took some time and started plotting out another Scotty; yes, I know–I really need to dive into Chlorine again, but I had also decided that I was going to do that in July; it doesn’t hurt to have the Scotty’s various intertwining plots planned and mapped out. I generally don’t do this with Scotty books, primarily because the writing inevitably takes me in much different directions than I had planned, and thus inevitably all the planning turns out to be waste time. Also ironically, despite having any number of possible and potential titles on hand, none of them seems to fit this story–and since I can’t ever really work on anything without a title, and knowing that the title can be eventually changed–I am calling this one, for now, Mississippi River Bottom, which was actually the working title for Jackson Square Jazz.My editor didn’t like Mississippi River Bottom (which I rather thought was a clever play on words) and asked me to change it. I also know that this working title doesn’t really fit the alliteration patterns of the rest of the series, and thus will inevitably have to be changed. Perhaps while I am actually writing it, the title will come to me; stranger things have, indeed, happened before.
Last night’s sleep was terrific–there were strange dreams, of which I’ve been having a plethora of lately; last night was me working at Target for some reason–but I again feel terrific and rested this morning; everything looks wet outside, so I am assuming the rain continued over night. It must not have been terrible or dangerous, as we never got one of those horrible WARNING alerts during the night on our phones. Tonight when I get off work I’ll go uptown and get the mail before heading home and to the gym. The Tuesday night workout is somehow always rushed, with me skipping things–more to do with too many people being there than me being lazy, really; the free weight area is always so crowded I inevitably skip the two exercises I used free weights for–and then it’s back home to watch some television and possibly do some writing. This weekend is going to see weird; I have a broken tooth that needs to be extracted, and I scheduled that for Friday afternoon. That inevitably will mean a strange diet of soft food over the weekend and pain killers; but better that than the dull throb and swollen gums I’ve been dealing with since the molar broke. Ah, the endless saga of Greg and his bad, bad teeth. One thing I definitely envy in other people is good teeth…I also want to get to work on “The Sound of Snow Falling.” I am assuming I’ll be incapacitated this weekend after the tooth extraction, but I am hoping I can at least sit in my easy chair and edit.
And yesterday, the first active roster NFL pro football player to come out came out! Yay, and welcome to the team, as it were. I’m old enough to remember when David Kopay came out in the 1970’s; the first former NFL player to do so.
And on that note–writing ADHD, my bad teeth, NFL player out of the closet–I am heading into the spice mines. Have a lovely and winning Tuesday, everyone.
I was–doubtless like any number of Agatha Christie readers–already aware that Poirot was already elderly and retired from the police force in his first case, The Mysterious Affair at Styles; by the 1960’s when he was still solving cases he would have had to have been, per the piece, about 130 years old. Likewise, Miss Marple was already an elderly woman when she debuted in the 1930’s in Murder at the Vicarage, and while later Marple stories talked about how old and frail she was, by the time her last case–Sleeping Murder–rolled out in the 1970’s she also would have been well past one hundred. (The piece also discussed how old Nero Wolfe would have been by the time his final case was published, if the fiction matched reality.)
This is something that has been preying on my mind for quite some time, because of course, Scotty was only twenty-nine in Bourbon Street Blues (published in 2003), which, if we follow linear time, would make him around forty-six now. That’s not terribly bad–he typed as he eyes his own sixtieth birthday coming the following year–but it’s not Scotty’s age that concerns me so much as the age of everyone else in the series. If Scotty is forty six and the youngest Bradley child, and Storm was old enough to be a senior in high school when Scotty was in eighth grade–that puts Storm firmly at around fifty-one, which would put Scotty’s parents into their seventies and his grandparents in their nineties–at the very least. Scotty is actually younger–I didn’t follow linear time in the series (Katrina forced me to start aging him; I had intended for him to be twenty-nine forever)–and so he actually was 29 in 2004 and turned thirty just before Katrina–but that only shaves about a year off his age. I’ve not wanted to deal with the deaths of his grandparents or his parents becoming frailer with age, so I just pretend when I write about them that they’ve not aged. Scotty has, but they haven’t–and also, Frank is pushing sixty himself now no matter how I arrange the ages and timing of the series, and still wrestling professionally. Again, I’ve not really wanted to deal with the age issues–he retired after twenty years of service with the FBI, as a matter of fact–retiring in the period between Jackson Square Jazz and Mardi Gras Mambo, but I have intellectually accepted the fact that Frank is probably going to have to step away from the ring and the bright lights; it’s just a matter of when. I’ve always wanted to do a Scotty case built around the professional wrestling promotion Frank works for and will need to be retiring from; this was always going to be the premise behind Redneck Riviera Rhumba…but a Scotty book not set in New Orleans?
Anyway, I’ve really not wanted to deal with the deaths of Scotty’s grandparents, but I also know I am eventually going to have to–I can’t keep having them be just an amorphous age known as “old” and live to be over a hundred (although people do live that long, but it’s patently absurd that all four of his grandparents are remarkably long-lived; perhaps I’ll start killing off the Bradley side of the family first. I never liked the Bradley side, but have always had a soft spot for the Diderots.)
I can probably get away without killing the grandparents off for another couple of books, but…the clock is ticking. Although a Bradley death being the springboard for another case would be interesting. Hmmmm. *makes notes*
I also discovered an interesting location in Louisiana yesterday, Fort St. Philip. And yes, while that may not be completely factually correct–I’d heard of it vaguely before as one of the Mississippi River forts below New Orleans that were built to help defend the city–I’d never really learned much about it, but yesterday I discovered this weird abandoned location was actually home to a religious cult from 1978-1989, when they all moved away. Interesting, no? I could easily do a Sherlock story back in the 1910’s set there, or even have it be a weird Scotty story, or even simply a stand alone; an abandoned fort once home to a religious cult is like the perfect setting for a horror novel as well, isn’t it? Hmmm. I could also do all three, frankly; a Sherlock story in 1916; a Scotty story in the present; and a horror novel at any time. SCORE.
I did watch The Conversation while I was making condom packs yesterday, and am really glad I did. The film was incredibly timely when it was released back in 1974; the Nixon administration was crumbling because of it’s illegal electronic surveillance of the McGovern campaign, and the ensuing cover-up–although Francis Ford Coppola knew none of that would be the case when he wrote and directed the film. It was also overshadowed by his other film release that year–The Godfather Part II–which is really a shame. The Conversation has a plot, of course–and a pretty decent one–but the film is really a character study of Harry Caul, a surveillance expert who works pretty much alone and is legendary in his field–which few people really know about. The entire film hinges on the performance of Gene Hackman in the lead, and it’s one of Hackman’s best performances, understated and nuanced and completely immersive; I don’t think he got an Oscar nomination for this but he definitely should have–and it should have been a very close race for him. The film opens with Harry and his team–mostly hirelings, as he prefers generally to work alone–following and recording a young couple (Frederic Forrest and Cindy Williams) as they walk around a crowded Union Square. Harry is also haunted by one of his greatest achievements–he managed to eavesdrop and record a conversation between a corrupt union boss and an accountant about their embezzling of union funds; the boss assumed the accountant had talked and had people kill not only him, but his wife and children in a particularly brutal way. Harry looks at every job as a challenge, and his particular genius is conquering jobs most experts reject as impossible. But after those murders, Harry is beginning to question his own morality and his own ability to distance himself from what results from him doing his job…and as the film progresses, he begins to distrust his own client, and suspects the client (played by Robert Duvall and only ever known as “the Director”) is going to murder the young couple–the woman happens to be his wife. (A beautiful, very young pre-Star Wars Harrison Ford plays the Director’s assistant, and Harry’s contact–and his motivations are also murky and peculiar.) Harry is already paranoid–he refuses to have a phone in his apartment, and early in the film gets a post office box so no one will have his address–and watching the paranoia and fear build in him throughout the film is very impressive. It really captures the cynicism and paranoia of the 1970’s; it could be considered a defining film of the decade, and is definitely an excellent addition to your own Cynical 70’s Film Festival.
I also watched an old horror movie from the 1980’s called Witchboard, which I had enjoyed at the time but now–well, calling it “terrible” is actually a complement. The script is bad, the dialogue is bad, the cast has no chemistry together, and none of the relationships make any sense. The cast, led by Todd Allen (who is supposedly hot and sexy–okay, 1980’s straight masculinity), Tawny Kitaen (perhaps best known for the Whitesnake music video for “Here I Go Again”, for dancing erotically on the hood of a car; this film definitely answers any questions anyone might have about Kitaen’s acting abilities–they are virtually non-existent) and Stephen Nichols, who would go on to great fame on soaps like Days of Our Lives (as Patch) and General Hospital (as a Cassadine in love with Genie Francis’ Laura Spencer), but is frankly terrible in this. It came in late for the Halloween Horror Film Festival, but dear Lord, it is terrible. I have yet to decide which films to watch during today’s condom packing adventures, but I did find some more interesting looking 70’s films–along with some really terrible-looking horror movies from the 1970’s on.
And of course, there is always a lot of writing for me to do; volunteer work, and so forth….but I intend to really enjoy this weekend as much as I can. Have a lovely Friday, Constant Reader, as I put on my helmet and once again head to the spice mines.
Instead, I am glumly sitting at my desk in the Lost Apartment, feeling horribly sorry for myself and staring out the windows. It’s gray out there this morning, and this is the worst I’ve felt in quite some time. It’s bad enough to miss out on something you were looking forward to for most of the year–even worse is to miss it because you’re sick. I hate being sick, hate it hate it hate it. Im going back in to see the doctor tomorrow, so hopefully this will all be over soon. I don’t know why it’s rebounded again so terribly, but last night I definitely was feeling like crap and that’s what I woke up to this morning. Heavy heaving sigh. I suspect today–which I’d hoped would be somewhat productive–is going to be spent in my easy chair under blankets, eating chicken noodle soup and reading. Yay.
But I should be able to finish reading Certain Dark Things, so that’s definitely something to be pleased about. Little victories are important when you feel like you’re at death’s door, and maybe when I’m finished with it, I may just go ahead and treat myself to reading a Stephen King; there are any number of Kings in my bookshelves that I’ve not read. I’ve also got some terrific ARCs I should read as well. I really do have a plethora of riches in my TBR pile, and there’s also all kinds of things to watch on my streaming services. So, I should probably be sort of productive, right? Rather than moping around feeling like shit and feeling sorry for myself, right? I bet after I have some chicken noodle soup I’m going to feel a lot better. I wonder what it is about chicken soup that makes you feel better always? Is it an actual thing, or have we been socialized and trained to believe in its healing powers, so it’s a psychosomatic response?
And I may not be going to Dallas, but I still am on vacation, right? So this should be about getting caught up, rested, and treating this as a vacation–despite the fact that everyone on my social media timelines (well, a high percentage of them anyway) will be at Bouchercon without me, and I will have an enormous sense of ‘fear of missing out’ come to fruition. I’ve gotten a lot better about dealing with my lifelong FOMO, but it still pops up. I love going to events like Bouchercon because it helps me reconnect with my writing, and helps remind me that I actually am one. I’ve talked on here before endlessly about the Imposter Syndrome I experience almost every day when it comes to being a writer; going to Bouchercon and talking with other writers, sitting on panels talking about writing and books–all that stuff reaffirms me and reminds me that yes, Greg, you actually are a writer, and you’re actually pretty good at it. That kind of reassurance is quite lovely, and it’s necessary sometimes. It helps keep me going. Bouchercon and the combined Tennessee Williams Festival/Saints & Sinners are usually spaced apart enough to give me the needed jolt of creative energy I need every six months; it’s going to be terrible missing Bouchercon this year just for this very reason.
But in other exciting news, this author roundtable I participated in has gone live right here. Crime Reads is one of my favorite websites, and it was quite lovely being asked, as an Anthony Award nominee, to participate in a roundtable discussion about crime fiction. Sigh. I really hate not being in Dallas this weekend.
Isn’t this picture interesting?
I’m not really sure where I found it, but all my pictures of hot men that I share generally pop up on the Internet somewhere. I save the ones I like, or that pique my curiosity, and then I share them here so my blog crossposts onto social media with an image.
This picture particularly intrigues me not just because the model is attractive with a nice, leanly muscled body; while I am not an expert on the subject of male bikinis, the one he’s wearing looks too modern to have been around as long as it would have had to have been if the picture is as old as it looks–to me, it looks like it was taken in the 1940’s or 50’s. I don’t know why it does, but it does. When I first saw it, I thought, ah, this is some sailor or Marine from during the Second World War in the South Pacific…but as I look at it more, I could be wrong. It’s the tone of the black and white colors that make it look like it is decades old, but that could have been achieved in other ways, including modern day digital filters. I also don’t think, upon further reflection, that this bikini is actually his–or if it is, this is the first time he’s worn it out in the sun, based on the tan lines exposed. I’m also not sure what he has in his mouth, although it is most likely a cigar of some sort.
I guess my perception of the picture is because it looks like other beefcake black and white photography from the time period where I placed the picture originally; there are a lot of beefcake images from the WW2 era and just after where gorgeous young men in the military either posed nude or next-to-nude, most likely for money. As this is also the time period that Chlorine is going to be set, these images speak to me more than just as the ordinary isn’t this a great picture of a hot guy reaction the more recent ones I use on this blog generally get. I wonder about this guy…was he gay or bisexual? The cigar he might or might not be chomping on is yet another symbol of masculinity from that era; so he’s a strong, healthy sexy body, and while the bikini might cast some aspersions on his perceived masculinity in that era, the cigar counteracts that. So, who is this guy? What is his story?
A google image search turns up nothing.
And on that note, tis back to the spice mines with me. I still feel pretty shitty, so I think I’m going to go lay down and make some soup in a bit. Have a lovely Wednesday, Constant Reader!
Yesterday was a lovely mail day. I received my contributor’s copy of Detecting the South In Fiction, Film & Television, edited by Theresa Starkey and Deborah E. Barker. It’s from LSU Press, and I think this might be (I could be wrong, my memory is a sieve) my first appearance in an academic-type tome. I can’t wait to start reading the other essaysm, but especially the ones by Ace Atkins and Megan Abbott, two of my favorite writers as well as two of my favorite people on the planet. My essay is titled “Down These Mean Streets (Whose Names No One Can Pronounce)”, and I’ll also have to reread it–I don’t remember a damned thing about it (see: sieve-like memory). Theresa, one of the co-editors, is also the person who invited me up to Ole Miss to speak at the Radical South event either last year or the year before; when I was completely charmed by Oxford.
I still might set a book there. The campus and town are gorgeous–although I would, obviously, have to fictionalize both.
I slept fairly well last night. I had dinner with a friend, and after a pre-dinner glass of prosecco followed by another glass of Chardonnay with dinner–apparently that was enough to send me off into the arms of Morpheus to my best night of sleep of the week thus far. Dinner was lovely–we went to Saba, a Middle-Eastern place on Magazine Street in Uptown, and the hummus was magnificent, as was the lamb kebob. Conversation was lovely–gossip as always, and catching up, and lots of laughter. It was quite lovely, and then I came home to watch this week’s American Horror Story: 1984, to see how far off the rails it was going this week. The answer: pretty far. It no longer makes the slightest bit of sense, and I’m not even sure what it now has to do with anything that happened earlier in the season. I’ll keep watching, primarily out of curiosity more than anything else–to see where it winds up going finally.
And wonder why I ever worry about my plots not making sense.
I’ve not written anything fictional this week, which is, frankly, disgraceful. But between this annoying low-level whatever it is that is still wrong with me–my throat is still sore, my sinuses are completely in revolt, my nose is rubbed raw again, and I’ve been achy most of the week–and being so tired and distracted the majority of the week, yeah, it’s no wonder I fell behind yet again on my goals. But I did get some of my other writing finished, including a short interview with Crime Reads (again about being an Anthony short story finalist, for which I am getting a lot of attention and more traction than I did as an anthology finalist two years ago–not complaining, just an observation…writing versus editing are pretty different), and I got my Sisters column finished. Also, as I said to my friend at dinner last night, I’ve been getting some positive reinforcement about my writing lately–lovely reviews and compliments, emails about the most recent book, compliments on my nominated short story–and that’s been really lovely. I actually sat down and skimmed through Royal Street Reveillon the other night as well–Paul got home late from the office that night, and while I waited I started reading it over again. As I always do when I reread published work I questioned decisions I made with both language/sentence choices, as well as plot decisions, but overall, I was pretty pleased with it when I finally set it aside. Someone did direct message me while they were reading it a few weeks ago, asking me how many car accidents has Scotty been in?, to which I replied, why do you think he hates driving so much? Scotty of course not only gets into a lot of car accidents, he also gets kidnapped or taken prisoner pretty frequently as well, to the point that it’s almost an in-joke between me and the reader.
But hopefully I’ll be able to get back to writing this morning, and tonight after work; so I can get back on track and get things back under control–some sort of it, at any rate. And hopefully, around the LSU and Saints games this weekend I can get almost completely caught up.
One can hope, at any rate.
And on that note, tis back to the spice mines with me. Have a lovely day, Constant Reader!