Friday and I have to go into the office today. No, that’s the wrong attitude. I get to go into the office today! Huzzah! I am going to keep a positive attitude about this day, even if it kills me! (That’s kind of an odd thought, but so be it.) I got to sleep a little later this morning because I don’t have to be at the office until nine for Staff Development Day–which is the kind of thing I usually hate and consider a waste of my time. (I’ve been there for twenty years…) But I am trying to be more positive about things and life in general going forward–who needs to create more negativity in their life–and so I am going to enjoy myself today. After work I’ll probably come straight home and have a lovely evening hanging out with Paul and Sparky, while tomorrow I will get back to writing. I may read some tonight when I get home; we’ll have to see, I suppose. I also have some errands to run this weekend, too, but nothing terribly horrific or anything. I have to make some groceries at some point–not much of anything, mind you, just enough to get through the weekend, and I have to get the mail. I may wash the car and clean it out while out and about tomorrow. We’ll play things by ear.
The extra hour of sleep this morning certainly helped. It’s Friday and I don’t feel fatigued! That’s a win, methinks, and also a good sign going forward, too. Usually I am very tired on Friday morning, and the tedium of data entry and quality assurance inevitably makes my eyes cross by the time I am done for the day and other than laundering the bed linens, I don’t get much else done on Fridays. I do have a dishwasher to empty and a load of clothes in the dryer that need folding, but I can get that done tonight and out of the way for the weekend so I can focus on finishing the downstairs cleaning I began last weekend. I want to finish reading The Hunting Wives this weekend, too.
I saw yesterday that someone has tested positive for bubonic plague in South Lake Tahoe; woo-hoo! The plague isn’t eradicated, I don’t think, we just don’t hear about it that much (I do know there was an outbreak here in New Orleans before World War I) but I have every confidence in RFK Jr the “health genius” who has done his own research rather than having a medical or health science degree of any kind. (You know, if I believed in that sort of thing I’d say the country is being punished by God for its hubris–plagues, earthquakes, fires, floods…they’d be blaming this all on the Democrats if they could. God knows trash have always blamed that sort of thing on queer people…which brings me to yesterday’s good news.
Christofascist and false prophet James Dobson died, and I sincerely hope that it was deeply painful, while knowing nothing could be as painful as that piece of shit deserved. His hellspawn, who should probably be pitied more than reviled (they were brainwashed into heresy from birth), do carry on the family’s toxic faith/business, but they apparently aren’t all that interested in courting fame the way their unholy father did. (I also find it interesting that Dobson named his daughter Danae–which is from GREEK MYTHOLOGY. No Biblical name for his daughter!) As for anyone saying I am terrible for celebrating the death of a monster? I don’t give a shit. Maybe don’t be a monster before you die if you don’t want to be dragged for the filth you were when you go into the ground.
I may even make a pilgrimage to piss on his grave.
I’ve also been laughing my ass off at the morons so upset that the Minnesota Vikings added two men to their cheerleading team. That is going to be the subject of a newsletter at some point–as will the foul James Dobson.
And on that note, I need to get cleaned up and head in for my day at the office. May your Friday be marvelous, Constant Reader, and I’ll be back tomorrow.
And today, Paul and I celebrate our thirtieth (gulp) anniversary. YIKES. On August 1, we celebrate moving to New Orleans twenty-nine years ago–and then nineteen days later, I turn sixty-four (cue the Beatles). We are going to a matinee of Superman today–the plans are absolutely definite now–and then we’ll come home and relax. Sparky let me sleep in late this morning, which was much appreciated, and now I am awake and drinking coffee and being a bit reflective.
I had a nice day yesterday. I ran my errands and got home again in less than an hour; and I got a lot of the chores done. There’s still some things that need to be done today, but that’s okay. My kitchen sink and dishwasher are empty and the counters are clear. The laundry is all finished and put away, too. There’s still some things I need to get done today, but that’s okay. I didn’t really read anything yesterday other than things I’ve written–short stories and the Chlorine manuscript–in preparation to get to work on all of these things this week. I feel good this morning, good and rested, so I feel like I am going to be able to get some stuff done today before getting cleaned up and heading out for the movie. It’s gorgeous outside today–the sky is blue and the sun is shining, which probably means it’s in the nineties and feels like over a hundred; we’re going into heat advisories this week, too.
We are in what they used to call the dog days of summer–although I have no idea where that phrase actually came from.
We also finished America’s Sweethearts yesterday–and was very glad to see that the cheerleaders got their raise, and a significant one at that. I’ve always thought, based on the success of their branding over the last fifty years, that they were underpaid and very taken advantage of by the Cowboys organization. It’s a full time job, and they give up a lot of control over their own lives by dreaming to put on that barely-more-than-a-bikini uniform. I’d love to know how the cheerleaders were manifested into what they are today–a brand recognized worldwide, and how the decision was made to to pick those costumes and how they are handled and the rules they live by were developed. I know it happened in the 1970s; I wasn’t really much of a fan because I thought they were being overly sexualized to appeal to the male audience. The one takeaway from watching the show when it was originally on TNN was how the cheerleaders were depicted in that classic Madonna/whore thing: they wear revealing costumes that emphasize their bodies, yet they are all young women who seem to be very chaste and virginal, even the ones that are married or have boyfriends…which always struck me as a bit exploitative.
The two women who run the team, Kelli Finglass and Judy Trammell, are blunt to the point of being rude bitches at time, and the depth of their devotion (each have spent over forty years with the team) to the high standards they want for their performers is kind of impressive, if sometimes over the top (I do find myself thinking from time to time while viewing, “that was just rude” or “Kelli, you could have been a bit more diplomatic there”) and there are some interesting gender politics at play with the show, too–the women are all dressed and made-up to draw the male gaze, yet behind the scenes they are very sweet and supportive of each other to the point that someone cynical (like me) has to wonder how much of it is an act for the cameras. I mean, there’s no conflict between the girls, no personality clashes? But it’s also refreshing–after years of watching reality television and drama manufactured for the cameras for ratings so women can scream at each other–to see women’s relationships depicted as a sisterhood, like a sorority; and sometimes how the group reacts to things looks very sorority-minded. It’s kind of nice to see, actually; women supporting women.
And while I wonder about disordered eating and body dysmorphia for them, based on the pressures placed on them to remain slim yet voluptuous, my favorite quote from Kelli is her saying bluntly to one hopeful at training camp, “The uniform is very unforgiving.”
She wasn’t lying.
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll be back tomorrow morning.
I know, it catches people off-guard that a sixty year old gay man is a massive football fan, but I’ve never subscribed to stereotypes. I love football, with an especial love for the college game (I used to only watch the Saints in the NFL, but have started rooting for the Cincinnati Bengals because, well, Joe fucking Burrow); I think everyone knows I am a massive LSU fan. (GEAUX TIGERS!)
There really isn’t anything else in the world like a Saturday night in Death Valley. I will remember the 2019 night game against Florida probably for the rest of my life. God, what a great game, and it was so much fun. I am aware that I am digressing.
Anyway, I grew up in a Southern football family (even if we didn’t live in the South, we were from the South and that’s all that matters), so it was inevitable that I should become both a football fan and a football player. I played all four years in high school, all of my cousins also played, and I have close relatives who played at both the college and professional levels (and I don’t mean some small college in the middle of nowhere; I mean in the SEC–Auburn and Alabama, and there may be even more that I don’t know about). I have relatives who were successful coaches. Every fall Saturday the television was tuned into whatever college game was playing–even if we weren’t fans of either team; it’s hard to imagine now with the 24/7 college football coverage, but when I was growing up ABC had a monopoly on all NCAA football games. They would usually play one game of national significance, and then the second game was regional–important to that region. As we did not live in the South, we rarely got to see SEC games other than Alabama–Alabama was almost inevitably the only Southern team of “national interest” throughout the 1970’s (I really don’t remember the 1960’s much, but we lived in Chicago so I imagine we saw a lot of Big Ten and Notre Dame games; I don’t really remember a lot of my life before the suburbs, really–some things, yes, but most things not so much)
I’ve never really read a lot of fiction about football, though; it inevitably winds up being something cliched and tired. I loved North Dallas Forty by Peter Gent; hated Semi-Tough by Dan Jenkins; but do remember enjoying End Zone by Don DeLillo (I was going to reread this recently; but there’s so much to read. I did try to to reread Semi-Tough–but when I opened the book there were racial slurs and other mess on page one, so I threw it in the trash; no thanks). And I’ve also enjoyed other books with football involved, even if it wasn’t necessarily what the book was about. (The Hardy Boys were on the Bayport High football team in The Crisscross Shadow–the only time football is mentioned in the series.) There’s also a tendency, in books about high school and football to make the football players and cheerleaders the villains of the story, which has never really sat right with me. I was never bullied by anyone on the football team, and maybe the cheerleaders weren’t bitches to me because I was on the team and my sister was a cheerleader, but that wasn’t my experience (one thing I truly appreciated about Stephen King’s Christine was the horrible bullies at Libertyville High weren’t the football players but the hard-case kids–which was also my experience; which is probably yet another reason the book is one of my favorites of the King canon, methinks).
But…I can also see why it’s so attractive to make the jocks and cheerleaders the villains of high school dramas. And I sort of did something similar in #shedeservedit, didn’t I? Those boys on the Marysville and Steubenville high school teams certainly fit the bill of villainy.
So, when people started recommending Eli Cranor’s debut Don‘t Know Tough to me, I wasn’t so sure. I just published a book of my own about high school football and the toxicity it can engender in a small town (#shedeservedit), and revisiting my memories of high school and football was harder than I had thought it would be; I thought I could be dispassionate about it all while writing about it (I often write about things to try to distance myself from them and gain some perspective) but I was wrong. It was hard to write that book, much harder than I thought it would be–and it took years (first draft was written in 2015; published in 2022).
But enough people whose opinions I respect were raving about the book, so I got a copy and once I started reading it, there was no way I could stop.
Still feel the burn on my neck. Told Coach it was a ringworm this morning when he pick me up, but it ain’t. It a cigarette, or at least what a lit cigarette do when it stuck in your neck. Just stared at Him when He did it. No way I’s gonna let Him see me hurt. No way. bit a hole through the side of my cheek, swallowed blood, and just stared at Him. Tasted blood all day.
Tasted it while I saw in Ms. Miller’s class. Woke up in Algebra tasting it. Drank milk from a cardboard box at lunch and still, I tasted it. But now it eighth period football. Coach already got the boys lined up on either side of the fifty, a crease in between, a small space for running and tackling, for pain.
This my favorite drill.
I just been standing back here, watching the other boys go at it. The sound of pads popping like sheet metal flapping in a storm.
“Who want next?” holler Bull. Bull ain’t the head coach. Bull coach the defense. He as mean as they come.
One of my favorite books of all time about small towns is Larry McMurtry’s The Last Picture Show (I also love the film, which is extraordinary and one of, in my opinion, the best films made during the 1970’s). I did try to reread it recently–I was interested in refreshing my memory of its gay subplots and the mental breakdown of poor Joe Bob Blanton, but I’d also forgotten the part about the bored teenaged boys decided to fuck some calves, so when I got to that part I put the book down in distaste. But now that I’ve finished Don’t Know Tough, I kind of want to go back and reread The Last Picture Show again (I can skip that distasteful part…weird that I didn’t remember it).
Don’t Know Tough is yet another incredibly impressive debut, further confirming the truth of what I said at the Lefty Award banquet–the last few years have seen so many amazing and diverse and extraordinary debuts that the future of our genre is in very good hands. I won’t lie–when I started reading the book, I wasn’t sure I could keep reading it; I was worried that the entire book would be written in that grammatically garbled first-person voice but as I kept reading that first chapter I got into the rhythm of the language and started seeing the beauty and fluidity of the style choice–which is no small feat to pull off, and pull off consistently, throughout the entire book…to the point I was also a little disappointed that the entire book wasn’t done in that same style. Billy Lowe is the character whose voice this is; and the story of the novel revolves around him and the horrific Shakespearean tragedy that his life actually is. His mother is an alcoholic, and lives with an abusive piece of shit who obviously directs violence at Billy. He has a younger half-brother who was fathered by this POS; he also has an older brother who lives elsewhere. Billy’s situation has turned him into a wild beast of rage with an exceptional gift for channeling that rage into playing football. He’s not big enough in size to go major college, but his coach feels like there’s a chance he could get a football scholarship to a smaller college, and break the cycle of poverty he is trapped in at the moment. Billy is exceptionally compelling–it’s hard to read his first person point of view and not have your heart break for this kid; and hope that it’s all going to work out for him in the end, despite the disturbing pattern of violence in both his life and behavior.
Denton High has made the Arkansas state play-offs, but without Billy in the backfield their chances of advancing are practically nil. It’s important for Denton to do well in the post season because their coach’s job depends on it. Trent Powers is a born-again Christian, whose last coaching job in California crapped out–winning only three games in his final three seasons before being fired. This job is another chance for him, even though his wife and daughters hate relocating to a small town in Arkansas from California (much is made throughout the book of Coach Powers’ Prius, seen by the locals are weird and strange and almost otherworldly and unmanly). Coach Powers also has a very soft spot for his star player, and not just because he’s a star player–he actually feels compassion for the horror the young player’s life has been up to that point, and he wants to help–even if Billy doesn’t want any help from anyone. Billy’s future, to Billy at any rate, is already set, and he’s not going to end up going anywhere or doing anything or having a good life and decent future. He doesn’t see himself being worthy of anything or of doing better than his assigned lot in life.
The Powers family is a direct contrast to Billy’s; loving and nurturing couple, raising two daughters and trying to do right by them. How far is too far to go when helping someone in Billy’s situation, is the question. Coach’s wife–the daughter of a successful football coach who took Trent in when he was a kid from a similar background as Billy’s…and yes, he slept with his coach’s daughter and got her pregnant. So both Coach and his wife have the fear that the same thing will happen to their daughter and Billy–especially when the daughter starts opening up to Billy.
But one night Billy’s abuser is murdered. No one would blame Billy for killing the abusive bastard–well, the law would. But the story of what happened that night is far more complicated, and far more surprising, than the reader can imagine.
The pacing is also exceptional, and I love the contrasts between the third person point of view we see much of the novel in, with the Billy point of view chapters mixed in. The language choices and imagery are spare and tight yet full and rich and immersive–reminding me not only of Megan Abbott and her brilliant Dare Me, but also with a healthy dash of Daniel Woodrell, Tom Franklin, S. A. Cosby, and Kelly J. Ford (all masters of Southern Gothic) mixed in. The little touches of how claustrophobic small Southern towns can be, the class disparities between the haves and the have nots, and what teenagers in those types of environments was simply masterful.
I was completely blown away by this amazing work, and suspect that you will be as well. Highly recommended. I cannot wait to see what Eli Cranor does next.
Queer and Loathing in America 