Tag: Chanse

In My Arms

Thursday and working at home today. Data to enter and condoms to pack; but at least I don’t have to go out in public today, which is a blessing both for me and the public when it happens. I decided to stop and make groceries on the way home from work last night, to make this possible, and it’s an absolutely lovely thing to contemplate that I was smart enough to think ahead so I can just work from home and not go anywhere today, other than to the gym later on. My body isn’t happy that I’ve not been to the gym in weeks, and it is most definitely letting me know of its deep disapproval of this conduct. I may not even lift weights–but stretching is definitely on the agenda. I need to really stretch every day, to keep my muscles from tightening and knotting, and all the knots and tightness and tension I am feeling this morning is yet another example of why self-care, particularly in trying times, is so absolutely necessary.

I also really need to get back to writing more regularly. I always feel better when I’m working, writing, than when I am not. You’d think after over twenty years of writing, this would be firmly imprinted on my brain: writing and creating are imprinted into your DNA and when you aren’t doing it, you’re making yourself miserable. I’ve always believed the the so-called trope of “writer’s block” is actually a symptom of depression; there’s something else going on in your brain that is preventing you from creating. (I cannot, as always, speak for writers other than myself; this is my belief and my experience. I’ve also come to recognize that I don’t want to do it mentality when it comes to writing for me is my own personal version of writer’s block–the depression and the imposter syndrome insidiously doing its work on my brain: why do something you love to do when you can not do it and feel bad about yourself and question your ability to do it?) There have been a lot of distractions lately–really, since The Power Went Out–and I need to stop allowing shit to take me out of the mindset that the most important thing to do in my free time from now until January is to write the fucking book.

The book is the most important thing right now.

I did spend some time revising the first chapter last night, despite having the usual “third day in a row up at six” tiredness last night. It felt good, as I knew it would, and spending some doing something I truly love really gave me a rush of sorts; I was able to sleep deeply and well last night, I feel very even and stress-free this morning, and some of the knots in my shoulders, neck and back seem to have relaxed this morning, and I feel rested, more rested than I have felt in quite some time. Untangling the thorny knots of problems in a manuscript–while forcing me to think and use logic and reason while being creative–is perhaps the best cure for anything I have going on at the time. Escaping into writing has always been my solace, going back to the days when I was that lone queer kid in Kansas, and it still works to this day.

It’s actually an interesting challenge for me–writing a book set in New Orleans that doesn’t center a gay man or any gay issues. (There will be queer characters–I can’t write anything without including some; sue me.) The book is also centered in a neighborhood with which I have some familiarity, but I obviously don’t know it as well as the Lower Garden District (where Chanse lives, and where Paul and I have always lived) or the Quarter (where Scotty lives); it’s the same neighborhood where my main character in Never Kiss a Stranger also lives, so I need to get more familiar with how it is NOW…I tend to always think of neighborhoods as they were not as they currently are; which means I need to go walk around and take some pictures and get a sense/feel for who lives there, what it’s like now, etc. This neighborhood used to be considered sketchy when I first started coming here/when we first moved here; the price ranges for rentals and properties now (well, every-fucking-where in New Orleans now) are hard for me to wrap my mind around. (When I was writing my first book, Murder in the Rue Dauphine, I made a reference to “million dollar homes in the Garden District; this was in the late 1990’s. My first reader–beta reader, they’d call it now–highlighted the sentence with the note there are no million dollar homes in New Orleans. The Internet then was not what it is now, of course, so I was surprised to look in the real estate listings in the Times-Picayune to see she was correct. Now, homes in neighborhoods that used to be considered ‘dangerous’ go for over $400k; I just looked at “houses for sale” on Zillow in the neighborhood I am using and was not in the least bit surprised to see that a house like the one my character lives in is listed for 1.15 million…which is actually a plot point I am going to use in the book. And while verifying this just now didn’t surprise me, per se, it did make me shake my head and wonder, who is paying this for a house in New Orleans?)

I don’t see how any working class people can actually afford to live here anymore, really. Sure, there are still neighborhoods that “affordable” when compared to the neighborhoods adjacent to the levees, but the fact that our original apartment, that we paid $495 per month for, now goes for $2100. And that’s something I think I should address in an upcoming book–whether in this new series, or in a Scotty.

I’ve also found myself going down wormholes about Louisiana and New Orleans history a lot lately; I’ve never been conversant in either other than the basics–Bienville arrived and set up camp; why English Turn is called English Turn; Spain takes over from France, and so on. Both city and state have a deep, rich and sometimes horrifying history; it’s little wonder the city is so haunted. So much ugliness, so much violence, so much criminal activity! (Which kind of thematically what I was exploring in Bury Me in Shadows–how the history of violence and ugliness in a particular area can poison it) It’s why I am always amused that the white-supremacists-who-don’t-want-people-to-think-they-are will always cry and whine about crime in New Orleans–when they haven’t lived here in decades and were part of the white flight when the schools were desegregated–they left because of crime, not because they didn’t want their kids to go to school with black kids, oh no! It was the crime! (But if you give them enough rope, they will always bring race into it eventually). New Orleans has always had a dark past, has always had high crime rates, has always had corrupt politicians…but the crime here is why they left…even though the white politicians were also always criminals, and there has always been a lot of violent crime here.

Anyway, I went into a wormhole the other day about the possible murder of Louisiana’s first Black lieutenant governor, Oscar Dunn–who may or may not have been murdered in 1871. What a great historical true crime book that would make, wouldn’t it? Post war, the racial tensions in the city, Reconstruction going on…and on the other hand, it could also make a great historical mystery novel as well! Yet another idea, yet another folder, yet another possibility for the future.

It never ends.

And on that note, tis time for me to head into the spice mines. Have a lovely day, Constant Reader!

Always

Wednesday, and somehow Pay the Bills Day kind of snuck up on me unawares. That’s probably not a bad thing; it certainly means I am not living paycheck-to-paycheck (at least for the moment), which means a lot less stress (there are few things more stressful than money problems) for the time being.

And yes, I am thoroughly enjoying being free of that stress for the time being. I am sure at some point it will return with a vengeance, hence my embrace of the current status.

I’ve recently been immersed in #shedeservedit this past week or so; the final round of edits came in from my editor, and no sooner had I gone over them, rereading the entire thing yet again, then the page proofs dropped into my inbox. I actually have more time than usual to get these done–which is quite lovely and marvelous–and this of course is only checking for typos and mistakes and missing words, etc. But it’s been weird spending so much time in Kansas again in my head lately.

Immersing myself into that world has also been an interesting experience; particularly when you take into consideration how much different the story is now than where it was at when I first wrote it. It was, sadly, inspired by the viral rape cases in Steubenville, Ohio and Marysville, Missouri; much as I hate to admit this, the sexual assault of teenaged girls by their classmates etc. wasn’t really on my radar until those stories went viral–and of course, the Stanford swimmer rapist. All three cases horrified me to the very core of my being; and given that the only recourse I had to effect change was to write about it, I decided to start writing what I obliquely referred to as “the Kansas book” for a very long time (despite the fact that I had always titled it #shedeservedit).

Ah, Kansas.

We moved to Kansas when I was fourteen (I turned fifteen later that summer between my sophomore and junior years of high school). To say it was a bit of a culture shock is putting it mildly. The entire state of Kansas is less populous than Chicago, and the biggest town (small city) in the county was smaller than the suburb where we had lived. I don’t know how many students my suburban high school had, but the building itself was enormous and we basically had a campus; the town library was on the property and we had a field house by the football field, with locker rooms for the home and away teams. My high school in Kansas had 180 students, and my class, the largest in school history, had 48 kids. The school was simply a lobby, a single hallway for the classrooms, and a gym, which had a stage for plays at one end of the basketball court. Our hall lockers didn’t even have locks–which was unimaginable at my former school. We actually lived in a very small town (population 942) about eight miles north of the county seat; that town was the second largest one in the county. My high school was consolidated; five small towns and all the farms in the community sent their kids there–it was sixteen miles from where we lived.

Kansas, and my high school there, had a profound influence on me in many ways. I had taken a creative writing class at my former school–got an A, and some praise from the teacher, but nothing overwhelming–but it was in Kansas where I really started writing. My English class required us to write papers my junior year; my teacher very generously allowed me to write fiction, and so I did. Everyone in my class loved the stories I wrote, and my teacher, the hallowed Mrs. Anderson, encouraged me to pursue writing as a vocation–which was the first time I ever had any kind of encouragement of any kind from anyone other than my grandmother to do so–and that was when I actually began to believe it was something that could happen for me; that I had the ability to tell stories and write and even possibly, at some point, get paid to do so and maybe even make a living doing it. (It only took more than twenty years after graduation, but I did eventually start getting paid to write; it was even my primary source of income for a very long time.)

The town in the book–Liberty Center (a nod to Philip Roth’s When She Was Good)–is obviously based very slightly on the county seat; mostly the geography more than anything else, as well as it also has a small college, a park on the way out of town just before a waterfall; and another park on the other side of town rumored to be a gay cruising spot. I’ve written about this town, and this county, a lot over the years, but the name of that town has changed numerous times–everything from Greenfield to Kahola to Carterville and finally, Liberty Center. (Sara, the first young adult novel I wrote chronologically, is also set in that same area; however the county seat in that book had a different name; Kahola, I think) I’ve not set foot in Kansas since we left for California in February 1981; so this is all from my memory, with an occasional glance at Google Earth or Google Maps. Obviously, everything there has changed dramatically in the forty years (!) since we got on Amtrak and headed west at two in the morning; I tended to stick to my actual memories than the reality of what has changed.

So, when these notorious sexual assault cases involving kids (sorry, I still, and will always, think of college students as kids too, YMMV) became so viral and so ever-present everywhere, I knew I finally had the story for the book I wanted to write in this fictional town–I’d made any number of false starts over the years; some of which may eventually became the seeds for other books–but I have always, always, wanted to write a book set there, and writing a toxic masculinity/rape culture book set there just seemed like the right way to go. I had everything in place that I wanted or needed to write the book; the only thing I didn’t know how to do was end it. So, as I mentioned the other day, I finished the last book I had under contract sometime in the spring of 2015, and took the month of July to write this first draft–96,000 words, nineteen chapters, and missing the concluding one. I didn’t get the story right in the first draft, but set it aside to do other things for awhile before coming back to it. I worked on it around other projects over the years since, and finally, last year, finally recognized the truth I’d been avoiding–it will never be finished unless you sign a contract for it with a deadline. And so I did, and now it will be released in January of this year.

And yes, the deadline was precisely the panicking terrified motivation I needed to make the changes to the story that made it gel and possible for me to write an ending.

And of course, as always, I have been plagued with doubts every step of the way while writing this: am I the right person to write this book? Is a white male the right person to do a book built around toxic masculinity and rape culture? Am I taking a spot in publishing away from someone who might be better qualified and better experienced to write such a novel?

But writing is about taking risks, and trying to push yourself. One of the reasons I started doing the stand-alone books all those years ago was because I worried about getting stale and bored writing my two series; originally, switching back and forth between them helped keep them fresh and new to me…but around 2009 I was starting to feel like those books were becoming repetitive (how many car accidents has Scotty been in?) and stale; that I didn’t have anything new or interesting to say about them. (I kind of am feeling that way with Scotty right now–Chanse has ended, although I may do some novellas with him; but am hopeful once I get everything done that I am working on currently that I can sit down and gather my thoughts on the next Scotty book into something interesting and cohesive and frankly, worthy of the character) I use the stand-alone books to push myself further as a writer, into exploring other things and voices and tenses, which I hope makes the series books better.

I guess we’ll have to see how that goes, won’t we?

And on that note, I am heading into the spice mines. Have a lovely Wednesday, everyone, and will check in with you again tomorrow.

Together We’re Better

Yesterday actually turned out to be quite lovely.

I was a little bleary when I got up yesterday morning (my Fitbit advises me I only slept deeply for 3 hours, 48 minutes; the rest was “light sleep” and I woke up three times), but for whatever reason, I decided to start getting to work on things. I started answering emails (I am very careful with email. I refuse to let it control my life, which it easily can; so I answer emails over the weekends and in the mornings, save my responses as drafts, and send them all after lunch. I do not send emails after five pm CST; I do not read them, either. Email at one point took over my life, which made getting anything done impossible and raised my stress levels to unbelievable heights. I realized anyone who absolutely, positively needs to reach me has my cell phone number…and if I don’t trust you with my cell phone number…you don’t really need an answer right away. And guess what? The world didn’t end, I didn’t miss out on anything, and nothing became harder) while reading coverage of the LSU debacle from Saturday night (one thing I did mean to mention and didn’t yesterday; I try not to be overly critical of college athletes because they are basically kids. It’s easy to forget that when you’re watching on television, but when you see them on the sidelines with their helmets off, or while walking down Victory Hill to the stadium in their suits and ties…you see a bunch of teenagers and young men in their early twenties. They are kids—and those baby faces on those big muscular bodies is a very strange juxtaposition sometimes). I decided on the way home from Baton Rouge that while I do, indeed, love football, I really shouldn’t give up my weekends to it all fall. Now that LSU is definitely out of the running for anything, I’ll probably not watch as much football as I would if they were still in contention for anything. I’ll still watch LSU, and occasionally I may spend an afternoon watching a big game—the SEC title game, the play-offs—I am not going to spend every Saturday pretty much glued to the television all day, flipping between games all day. And I also rarely enjoy watching the Saints—I love them, they’re my guys, my team, my heart—but their games are so damned stressful it’s hard to enjoy them, and when the games is over I am always, win or lose, emotionally and physically and mentally exhausted. So, I decided it made more sense to get things done, check in on the score periodically, and not sweat it too much. (Good thing. Like LSU, the Saints led the entire game, folded like a newspaper in the fourth quarter and wound up losing.) I made groceries, filled the car’s gas tank, and before going, I started weeding shit out of my iCloud and saving it all to my back-up hard drive.  I wound up freeing up over four hundred and seven gigabytes in my flash storage, and suddenly my computer was running very quickly again.

And yes, it’s my fault.* I have a gazillion pictures files, going back to digital camera days. I used to back up my hard drive and my flash drives regularly to the cloud—and those folders are enormous. I don’t probably need all of it—I was weeding through bits here and there as I moved the files over to the back-up hard drive (eventually planning on copying them up to Dropbox), and started finding all kinds of interesting things. Story fragments I’d forgotten, book ideas and anthology ideas and essays I’d started; some of these things are in very rough, first draft form—and got left behind as my addled, AHDH-like brain moved on to the next thirty or forty ideas for all of the above. I also was kind of amused to see how I often I plagiarize myself; I had a completely different idea for the book I wanted to call A Streetcar Named Murder fifteen years ago—which I can still use at some point, just have to come up with a new title. I’d forgotten that all the way through the process Need was called A Vampire’s Heart; my editor suggested changing it after I turned the book it. It was a wise choice; my title was very romance sounding and Need was hardly that. It was also interesting seeing, over the years, how many different ideas I’ve had for a gay noir set in the world of ballet (damn you, Megan Abbott!). I discovered that Murder in the Garden District actually began as Murder on the Avenue (a title I can repurpose for an idea I had last week); I found the original files for Hollywood South Hustle, the Scotty book that turned into a Chanse MacLeod, Murder in the Rue Ursulines; I found the files for the Colin book that tells us what he was doing and where he was between Mardi Gras Mambo and Vieux Carré Voodoo; I found the original Paige novel I started writing in 2004, in which an Ann Coulter-like pundit from New Orleans is murdered; I found the first three chapters of the Scotty Katrina book, Hurricane Party High,  in which they don’t evacuate during a fictional hurricane, and the chapters where I rewrote it, had the, evacuate to Frank’s sister’s in rural Alabama (and we meet Frank’s nephew Taylor for the first time—and I also remembered that they belonged to some weird kind of religious cult and that Taylor was going to come to New Orleans in the future to visit during their version of rumspringa, but eventually abandoned the idea completely and never did a Scotty/Katrina book; was reminded that Dark Tide began as Mermaid Inn; that I wrote the first chapter of Timothy during the summer of 2003; and if I even tried to list all the iterations that wound up being #shedeservedit, we would be here all day (Sins of Omission, I think, was my favorite earlier title; again, a completely different book with some slight similarities…I may have to take a longer look at some of those iterations because being reminded of them all, I also remembered that I really liked all the versions).

I also found many, many nonfiction pieces I’ve written over the years—many of which I’d long since forgotten about—so maybe that essay collection won’t take quite as long to pull together as I had originally thought. Huzzah!

And I also discovered something else that I knew but had slipped out of my consciousness: that Bury Me in Shadows was called, for the first and second drafts, Bury Me in Satin—which gives off an entirely different vibe, doesn’t it? I wrote a very early version of it as a short story while in college, called it “Ruins,” but never wrote a second draft because I knew it wasn’t a short story; it needed to be a book, and one day I would write it. I was never completely comfortable with the story, to be honest; I wasn’t sure how I could write a modern novel built around a Civil War legend in rural Alabama. I absolutely didn’t want to write a fucking Lost Cause narrative—which is what this easily could have become, and people might come to it thinking it is, and are going to be very angry when they find out it is not that—but I really wasn’t sure how to tell the story…and in my mind, I thought of it as Ruins—which I freely admit is not a great title, and has been over-used.

As luck would have it, I was watching some awards show—I can’t begin to try to remember what year—and one of the nominated groups performed. I’d never heard of The Band Perry before; and the song they performed, “If I Die Young,” absolutely blew me away. (I just remembered, I kind of used the title as guidance when writing Need—always trying to remember he became undead very young) The first two lines of the chorus are this:

If I die young,

Bury me in satin

And I thought to myself, Bury Me in Satin is a perfect title for the Civil War ghost story! Melancholy and sort of romantic; I’ve always thought of hauntings as more about loss than being terrifying (you do not have to go full out jump scare, use gore or blood or violence to scare the reader, and if you doubt me, read Barbara Michaels’ Ammie Come Home), which is why I’ve always loved the Barbara Michaels novels that were ghost stories. That was the feeling I wanted to convey, that sad creepiness, and longing—I wanted a Gothic feel to the book, and I felt that line captured what I wanted perfectly. But as I wrote it, it didn’t quite feel as right as it did in that moment (I still love the song—and the video is interesting and kind of Gothic, doing a Tennyson Lady of Shalott thing), and then one day it hit me: changed ‘satin’ to ‘shadows’, and there’s your perfect title.

And so it was.

Oh dear, look at the time. Till tomorrow, Constant Reader! I am off to the spice mines! Have a lovely Monday!

*I will add the caveat to this that anything stored in the Cloud should not affect the flash storage in the actual computer and its operating system, and yes, I am prepared and more than willing to die on that hill.

My My My

Thursday and just got home from the hideous experience of having bloodwork done. I am not exactly sure when precisely I turned into such a delicate goddamned flower, but every time now I have blood drawn I get a gnarly-looking bruise on the spot where the needle went into my arm. Back in the day when my veins used to roll and they had to dig to get the needle in (always a most unpleasant experience) it made sense that afterwards I looked like I’d been hooked up to a dialysis machine. Now the needle goes straight in, without any pain, and yet I still develop a particularly nasty bruise.

Sigh. The bruise from last week’s blood draw just finally went away, and now I am going to have a new one. Heavy heaving sigh.

Ah, well, and so it goes.

But at least NOW I can have coffee. I had to fast for this, especially since my quarterly bloodwork (for my PrEP prescription) had shown high glucose levels (I always have them done after I’ve had lunch as fasting is not required SURPRISE–blood glucose is high after I eat. IMAGINE THAT) so I definitely need to have a diabetes test run (better safe than sorry, right)… and I have to confess rather shame-facedly that the last time I had fasting bloodwork done I had coffee before having it done. Yes, Bad Greg, bad Greg, bad Greg indeed.

Today is yet another exciting day of condom packing and doing some quality assurance reviews of paperwork from work. I will naturally get caught up on Superman and Lois today as well as the two franchises of Real Housewives I am still watching (New York and Beverly Hills, although it’s more of a habit to watch these than anything else, really) and maybe–just maybe–there will be time for a movie as well. Not sure what that might be, but there are so many options anymore! I am also hopeful that there will be time for me to work on Chlorine and get some time in with Razorblade Tears. Paul is going to bring home dinner with him tonight–anniversary meal, from Hoshun (I’ve been wanting lo mein lately)–and then I guess we’ll either figure out what we’re going to watch next (note to self: find out if he wants to keep watching Loki, because if not, I can watch it alone) or he’ll do some work. I also need to bag up some more beads to drop off for ARC (honestly, we literally have beads every fucking where) and I’d like to get some more books culled so I can take them to the library sale on Saturday.

I wrote about 1500 words on Chapter Two of Chlorine yesterday; it wasn’t easy and rather like pulling teeth, actually, so I kind of would like to revisit (not reread; I can just page through it at random to get a feel for tone and voice) James M. Cain’s Double Indemnity, which is one of my favorite books of all time; I feel like in this chapter I am being too wordy, which is always a problem for me with my writing–I over-explain, I tend to have long long sentences connected by and, I often fuck up the rhythm of the words, which greatly affects and impacts the voice and tone of the story. The problem with Chlorine is there’s a lot of backstory–and since it’s Hollywood during the dying days of the studio system–what is artifice? What is real? What is rumor? I also have the ability to mention actual stars of the period–even if they aren’t in the book itself, but can be mentioned in passing, which is a lot of fun–I wrote something yesterday about a female star claiming she was “up there with Hepburn, Crawford, Davis, Garbo; you can say Karla and everyone knows who you mean.” (And yes, I just realized that the Garbo-based character in The Love Machine by Jacqueline Susann was also named Karla; although it did not even subconsciously affect my naming of this character–Karla Weiss the half-American, half-German Jewish actress who emigrated to the US to become a star immediately was someone I created way back in 1996, inspired entirely by a black-and-white photograph of a friend; I looked at the picture and invented Karla Weiss and her backstory and it’s been in the back of my mind for the last twenty-five years; she fits in here–and while I originally had her winding up in New Orleans and becoming a recluse for a Chanse or Scotty story, it could still work, I suppose; but she would be WAY too old unless I went back and set that case years ago in the past, which could also work….see how these wormholes form for me?)

Then again, who knows? I could open up the document and next thing you know words are flowing from my fingers like water from a spigot.

This, by the way, is why writers drink.

That said, I did pick up some mixers at the grocery store on the way home–grapefruit juice and margarita mix, as well as a salt thing for the rim of the glass–and am really looking forward to getting some Patrón on the next Costco run. Don’t get me wrong, I am going to continue trying to perfect the dirty vodka martini–but the last one turned out so terribly that I am quite literally afraid to try again. Perhaps I should get some gin as well? Hmmmm. Oh, Costco and your inexpensive liquor.

And on that note, it’s about time for me to head into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll chat with you again tomorrow!

a

Tardy for the Party

Monday after the holiday, and I am sitting at my desk feeling a little discombobulated with this day off.

I managed to finish reading Robyn Gigl’s By Way of Sorrow yesterday (spoiler! enjoyed it!) and started PJ Vernon’s Bath Haus at long last. I am also enjoying PJ’s book–which I was fairly certain I would–and also somehow managed to clock nearly four thousand words in on “Never Kiss a Stranger”. So much for losing momentum, right? Yes, needless to say I was inordinately pleased with yesterday’s display of productivity; as I was thinking the novella would be around twenty thousand words, I am very close to having the first draft finished, which is also kind of exciting. It’s taking me a little longer than “Festival of the Redeemer” to get finished, but I am pretty confident I’ll be able to get it done by the end of this week, if not sooner.

“Never Kiss a Stranger” is very different, both in tone and structure and feel, than “Festival of the Redeemer.” I think what I am really trying to do with these four novellas is to write four vastly different ones, using different voices and different styles, pushing myself to create stories that make me have to stretch my creativity to tell properly. The point of view character in each couldn’t be more different, and of course “Stranger” is set in 1994 New Orleans, while “Redeemer” is set in present day–or at least recent years–Venice. I had already decided that the third novella for this quadriptich is going to be one of my Alabama stories; the question is whether it should be “A Holler Full of Kudzu” or “Fireflies” (I’m leaning towards “Holler,” mainly because it is set in the 1970’s; whatever the final piece will be should be set in the 1980’s, but since I am thinking it will most likely be a Chanse story, “Once a Tiger”….that will also be a present day story.). While I was originally tempted to use both “Kudzu” and “Fireflies,” the truth is both are Alabama stories, and I don’t want two of them in the same work. Of course, I could make them all about 25k to 30k and only use three…decisions, decisions.

That, of course, would make the book a triptich.I don’t now how long these things are going to end up, of course. That’s kind of the thrill with writing novellas–more room and not as limited as a short story, and no pressure to make it longer as there would be to turn them into novels.

The scenes I wrote yesterday were kind of potent, kind of sad–I think I was stalling writing them because those kinds of things are generally emotionally difficult to write, but it wasn’t as bad as I thought it would be. I was tired when I was finished for the day, of course, and retiring to my easy chair to read with a purring sleeping cat in my lap almost put me to sleep…but I managed to stay awake. We watched more of High Seas–only a few episodes left in Season 3, which isn’t nearly as fun as the earlier seasons–and Paul has found an Italian crime drama, Suburra, to watch next. I am a little out of it this morning, too–I had weird dreams last night, and woke up a lot, so am not feeling terribly rested today, and it kind of feels, I don’t know, warm and/or stuffy in the house this morning. Not sure what that’s all about…but I want to get this finished, do some straightening up around here, and I have to make groceries this morning. Then I want to go to the gym, and detour through the Garden District to take pictures of the neighborhood for Instagram before coming home to get cleaned up and write this afternoon. And then of course, tomorrow I have to get up early to go back to the office.

Heavy sigh.

I didn’t get nearly as much done this weekend as I had wanted to–par for the course, and I am not going to beat myself up over it, either; it is what it is–and I’ll try to get more caught up as the week progresses. It’s a short one, after all, and it’s probably going to be miserably hot. MUST FOCUS.

And on that note, tis off to the spice mines with me. Have a lovely day, Constant Reader.

History Has Its Eyes On You

Ah, Independence Day.

That’s really what the 4th of July commemorates–the day the Continental Congress ratified, and began signing, the Declaration of Independence, when the thirteen British colonies along the Atlantic seaboard threw off the yoke of the King of England and his Parliament and said, nah, thanks–we’re going out on our own. It was extremely radical–particularly since the British Empire was the greatest power in the world since the end of the Seven Years’ War (to the colonials, the French and Indian War) in 1763; perhaps the largest empire to date in world history.

And yet…no rights for women and there was still slavery for another ninety-odd years, give or take.

Someday I will write an essay about American mythology and how I learned it as absolute truth as a child; American history (or rather, US history) was my gateway drug to world history. I should have gone into History as my major in college; it’s entirely possible that History rather than English (or business; I switched back and forth between the two for a very long time) might have garnered an entirely different result when it came to my academic career. But I also would have had to have picked a time to specialize in, and how on earth could I have ever decided? There were so many interesting periods…although inevitably, I tend to think my metiér would have been sixteenth century Europe.

Someday–probably after I retire–I am going to write A Monstrous Regiment of Women.

Yesterday was rather lovely. I actually slept late, of all things; I cannot remember the last time that happened, and thus got a rather late start to my day. I started cleaning up around the house, and organizing things, but again–a late start kind of threw me off my game a bit, and I didn’t get near enough done that I had wanted to get done. I did read a couple of short stories for the Short Story Project, and I also read some more of Robyn Gigl’s wonderful By Way of Sorrow; that was lovely. I also listened to some Bette Midler albums on Spotify (joking on Facebook that I was doing my part to break down gay stereotypes by doing so); in particular I listened to It’s the Girls and Bette Midler, before moving on to Liza with the Cabaret soundtrack, and the little known sequel to Rocky Horror soundtrack, Shock Treatment, and then moved on to the Pet Shop Boys. I made meatballs in the slow cooker for dinner, and then we watched Fear Street 1994 (which was remarkably fun), then a few episodes of High Seas (which is really fun) and a few episodes of Happy Endings before bed.

R. L. Stine and Christopher Pike, who were hugely successful writers of young adult suspense/mystery/horror in the 1990’s, actually had an influence on me as a writer, surprisingly enough. I read most of their novels when I lived in Tampa back in the day (I actually preferred Pike, to be honest), and I actually wrote three novels–Sara, Sorceress, and Sleeping Angel–for young adults during that time. I had always intended to do the Fear Street thing–where the books were all connected somehow and minor characters in one would become the lead characters in another–and spread them across the country, as opposed to one town, as Stine had done; mine would be scattered between Kansas, California, Chicago, and Alabama (one of those ideas became Dark Tide and another Bury Me in Shadows). Then I discovered, through Paul, gay mysteries and all those ideas went into a drawer, along with those manuscripts, and I started creating Chanse and his world, and what eventually became Murder in the Rue Dauphine.

Fear Street 1994 is a lot of fun, as I said, both a mystery, a slasher film, and horror–the main romantic story is a lesbian love story, which was very cool–and it also slightly involved class differentials between the town of Shadyside (often called Shittyside) and it’s wealthier, preppy neighbor, Sunnyvale. It was a fun homage to Scream as well, and it was clever, witty, and quite a fun ride. I do recommend you watch it, if you like those kinds of movies. Nothing deep, but lots of fun, and now I can’t wait for the next part of the trilogy, which drops this Friday: Fear Street 1978.

I did try writing yesterday, without much luck, logging in less than a thousand words. But rather than despairing, as I am wont to do (Oh no! I knew I was breaking my momentum!), I chose to understand and recognize that the scene I was writing needed to be set up better–which was why it wasn’t working–and it needed more than just the cursory slide over I was giving it. I am going to open the document back up later this morning–probably after getting another load of laundry finished, and emptying the dishwasher–and scroll back a bit to start revising and getting into the story again. There really is such a thing as thinking too much about what you’re writing; that’s when the door to doubt starts to open a crack and Imposter Syndrome starts saying pssst through that open crack in the door.

And on that note, I am heading back into the spice mines. Have a happy and safe 4th of July, Constant Reader!

Together Again

Oh, wow, it’s pay the bills day and I didn’t even see it coming! How weird is that?

I managed to write 1500 words or so on a short story yesterday–AND I went to the gym. I slept well again last night, which was also pretty marvelous. It’s lovely to feel rested, as well as to feel awake when I leave the house, rather than walking and driving in a fog I don’t remember later. As such, my moods have been better and I haven’t been on edge, either. While this is all quite marvelous, at the same time I find myself reluctant to deal with odious chores or tasks–simply because I worry about opening Pandora’s box and releasing the demons of stress, irritation, and insomnia into my little world again.

The short story I am working on is called “The Sound of Snow Falling,” and it was one I had thought up in order to submit to the Minneapolis Bouchercon anthology I am co-editing with the marvelous Terri Bischoff. But I have also been thinking lately that I probably shouldn’t submit anything to the blind read; I did for the other two I edited, and my stories were chosen. No one ever said anything, but after the books were released I always felt a little uncomfortable because it could be seen as improper (the New Orleans story was nominated for a Macavity Award and the St. Petersburg for an Anthony, so that helped alleviate that somewhat), but I am thinking this time around that it’s better to not mess with it at all. I like the idea behind the story, and I might try to actually go the submit it to a magazine route, but we’ll see. Right now I am just regurgitating stuff up on the page that I’ll have to whittle down later to make it work, but I love the title and I am interested in the story, so will keep going with it and see how it turns out. I am thinking this weekend I am going to edit stories–I have one that was rejected by the last MWA submissions call that needs a bit of work, and of course, the novella; hopefully I’ll have a first draft of this one finished to edit this weekend. I also would like to do some reading this weekend–but this is all dependent on how things go with the tooth extraction. If I am still on painkillers this weekend, well, it’s not very likely I’ll be writing or editing or doing much reading–if my memory of painkillers is accurate–but I am not going to worry about any of that now, and am just going to proceed with making my plans. It won’t be the first time life interfered with the plans of mice and Greg.

I am enjoying writing again, frankly, and it feels very good, to be honest. I am enjoying going to the gym again. I feel like in some weird way that I am more of myself now than I have been in a long time, and I am not really sure what that is all about, to be completely honest; like I’ve just been going through the motions for a very long time and somehow in a dark cloud that turns everything into an odious chore, one more thing I need to check off the list, one more task to accomplish on the slow descent into the grave or something. Plotting out the Scotty is also turning out to be something a lot more fun than I had thought it would be; I am enjoying thinking and plotting and creating, and also thinking of other ways to challenge myself and stimulate myself into taking bigger chances with the writing and pushing myself harder. I’ve been thinking a lot about one of Michael Nava’s questions for us all on the San Francisco Public Library panel on queer crime writing–how do you keep your series fresh? It also came up during Laura Lippman’s interview on CBS This Morning that I watched the other day; and it’s a valid question. One of the reasons I stopped writing the Chanse series was a sense that I had fallen into a repeating pattern with the stories–and now that I am thinking back on the Scotty series, I am also seeing patterns developing in the last few books. I’ve already mentioned here about someone asking how many car accidents HAS Scotty been in?–which is actually valid; I think he’s been in one at least four times out of eight books–and last night I was thinking, you know, the last two Scotty books opened at parties–or rather, with him GOING to a big party, which then set up the story for the rest of the book…

Not good, Gregalicious. But this new one–working title Mississippi River Bottom, although Mississippi River Mayhem fits the alliteration pattern of the previous books in the series better–will NOT open at a party, and there will be some changes for the boys as well–no, I am not moving them out of the Quarter, no worries on that score–but some significant changes nonetheless. For one thing, and I’d hinted at this in Royal Street Reveillon–Scotty has bought the building from Millie and Velma, who have retired to the Florida Gulf Coast (which will give me a chance to the send the boys to the panhandle at some point to solve a mystery). But I’ve also got a sticky note on my computer reading NO CAR CRASHES THIS TIME.

I also worry about repeating myself with short stories and the novellas, frankly. I was thinking about my 1994 New Orleans novella, “Never Kiss a Stranger”–and realized that the scene I originally envisioned for my main character meeting the younger man he becomes involved with I had lifted and used in another story, “A Streetcar Named Death.” I mean, there’s clearly no reason why my character can’t first see the young man on the streetcar in the early hour of the morning–it happens, and it’s definitely a way for people to meet in New Orleans, for sure–but there’s always that nagging worry about have I done this already? Is this story pattern the one I default to following all the time?

Sigh. It’s never easy being a Gregalicious,

And on that note, tis off to the spice mines. Have a lovely Wednesday, Constant Reader!

Thieves Like Us

Day three of severe thunderstorm watches yet again–there was a tornado watch on the lake shore yesterday afternoon–and outside my window this morning is that eerie grayness, everything is wet, and while it isn’t raining at the moment, it only recently stopped. Oh my God, how well did I sleep last night? I took one of Paul’s sleeping pllls, and oh my God, what a difference that chemical compound made. I, alas, cannot get both my Xanax (alprazolam) prescribed by my doctor along with any kind of sleeping pill (I think Paul’s are lorazepam); and it’s probably best for the world that I continue to take Xanax to even my moods out and lessen my anxiety. But wow, after last night’s sleep–the best I’ve had in I don’t know how long–the temptation is there, seriously, to switch. I also feel level and calm this morning…so maybe, maybe, I should switch. I don’t know, but I’ll definitely talk to my doctor about it the next time I see him.

We finished watching Jupiter’s Legacy last night, which started getting much better as it headed towards the season finale. I still question the storytelling though; while I appreciate the back story of how they are got their original powers back in the 1920’s, it didn’t really tell us anything applicable about the present day characters; it was just here, you need the back story and we need the filler to get ten episodes out of this. But it was enjoyable enough, just not nearly as well done as Watchmen or The Boys–but seriously, there are so many tropes when it comes to superheroes and there are only so many names and so many powers, that in writing these you are always, inevitably, being derivative in some ways.

We then watched the first episode of the Kate Winslet HBO series Mare of Easttown, which has a great cast–you can never go wrong with Winslet or Jean Smart, who plays her mother–but the show is incredibly bleak. But really, whenever I watch something like this and it makes me squirm a bit uncomfortably, it also makes me reevaluate my own work and my own prejudices. I didn’t grow up poor the way my parents did; but we were very definitely working class when I was young–watching every penny, my mother always keeping an eagle eye out for sales to stretch her budget even further while trying to not do without anything, buying less expensive off-brands rather than the ones we’d see commercials for on television–and as an adult, I don’t think I’ve ever been financially stable–or if I ever was, it was a condition that didn’t last for long. Maybe that’s why I’ve avoided writing about characters in dire financial straits; my two private eyes both are incredibly financially stable (Chanse has a gig as a security consultant for a major oil company; Scotty has a massive trust fund), which is also not very realistic (not that private eye novels are ever realistic; private eyes rarely, if ever, are involved in murder investigations where it’s their job to find the killer–if they are ever involved in such a case, they are usually working for an attorney representing someone accused, and they are employed to help find reasonable doubt for the jury–and now that I think about it, that very perspective would be a great approach for a Chanse short story or novella–I am still resisting writing another novel for him). I know I despise and hate monetary stress; which is one of the reasons I am loath to write about characters in dire financial straits.

Then again, it’s not like I am writing anything at the moment, despite my best intentions. I do want to get the outline for Chlorine started this week, and I’d like to get a short story worked on–whether it’s finishing writing one that was already started, or revising one that is already in a completed draft–and I also need to get my computer files whipped back into some sort of shape. (I have a tendency to just toss things into the files and not sort anything…which makes finding things a bit challenging.)

And on that note, tis time for the spice mines. May your Wednesday be lovely and bright, Constant Reader–and we are very close to the weekend!

Plastic

Sunday and a gray morning here in New Orleans. We’re supposed to have thunderstorms (some severe) throughout the day; of course I have to make groceries and go to the gym at some point–which means watching the weather to see when I can make a break for it. But other than that, I have the entire day relatively free; I finished the revisions of Bury Me in Shadows and turned them in yesterday to my editor. I think I caught everything; it’s a tricky manuscript. But as I revised and edited yesterday, I was pretty pleased with it, overall; which is a switch from the usual. I also realized one of my problems with reading my work once it’s finished is that I am rarely, if ever, able to turn off editor-mode; because I generally read my work with an eye to editing and fixing and making it stronger–and I use that mindset when I go back and read things after they’ve been published. I don’t know if there’s a switch in my head I can flip to make that change, but here’s hoping.

Paul went to a party last night–I could have gone, but was a little worn down from finishing the edits, so I stayed home and watched a documentary series on the Smithsonian Channel called Apocalypse: The Second World War, which was quite interesting to watch. Almost all of the footage used in the series was shot either by professional documentarians or journalists covering the war, or amateurs…I never cease to be amazed when I see how young the American military were during this conflict. World War II is endlessly fascinating to me, because it was such an enormous turning point for the world and civilization; the world was a vastly different place after the Axis surrender than it was before the Nazis invaded Poland in 1939. It’s been a while since I read any fiction about the war–when I was a teenager I read a lot of it, as well as a lot of post-war fiction–and I realized I’d rarely read any fiction from the point of view of soldiers actually fighting on the ground or in the air (other than The Young Lions by Irwin Shaw, for the most part I read things like Herman Wouk’s The Caine Mutiny, The Winds of War/War and Remembrance, etc.). I’ve never read Norman Mailer’s The Naked and the Dead, for example, or any of the post-war novels that sort of glutted the market in the decades following. I got down James Jones’ From Here to Eternity–I bought a copy of the unabridged version, which was released by the estate sometime in the last decade, with all the parts the publisher originally removed restored–and I think I am going to take that with me to read when I go visit my parents later this month. It’s one of my father’s favorite books and movies–it’s also been a hot minute since I’ve seen the movie–and since my main character in Chlorine served, it’s probably not a bad idea for me to read it. I read the first couple of pages yesterday evening before I went to bed, and it’s actually quite good…so I am looking forward to reading it. After I finish the things I need to get done today, I am going to curl up and read The Butcher’s Boy with an eye to finishing it today, so I can dive into A Letter of Mary by Laurie R. King.

One of the more interesting things about having all these streaming services and apps is the ability to find treasures like the Smithsonian Channel buried inside of them. As Constant Reader has undoubtedly noticed, I love documentaries, and now that we have such a glut of streaming services we pay for, I am now searching through them for documentary channels and so forth, and have been enormously pleased with what I have found thus far. (I also took advantage of a special deal for Shudder yesterday–two months at 99 cents each, before reversion to regular pricing, so am going to up my horror game for a while) There’s really never a reason to be bored, is there, with the wealth of streaming services out there? I can certainly always find something, no matter how obscure–which is also why I refuse to “rent” something to stream–although I am thinking about biting the bullet and paying to stream The Last Picture Show, which I really do want to see again.

I cleaned and organized and filed yesterday as well, which has left the kitchen looking–well, if not tidy, certainly in much better shape than it had been in–and I also started another donation box of books. I also want to start clearing out the storage attic here in the Lost Apartment, which isn’t going to be easy, and will certainly make a mess in the living room–which still looks like a storm struck it–but I really do want to start getting rid of things we don’t really need anymore, and there are a shit ton of boxes up there of unnecessary things. Progress may be incremental, but progress is progress.

And I should probably, at some point, start revising and editing the Kansas book, but I think I am going to take this week off from novels.

I started writing a short story this past week–really, just the opening sentence and a second paragraph–which also came from a novel idea. The book idea arose from a joke with some writer friends about noir fiction and noir covers, with their scantily clad sex bomb femme fatales; I joked that someone should write a noir about a strip club in the French Quarter and call it Girls! Girls! Girls! so the cover could have poll dancers and so forth on it; which then of course started the wheels in my creative brain turning and meshing the gears. A character I introduced in the later Chanse books–who eventually got her private eye license and he took her on as a partner–had worked as a stripper in the Quarter to put herself through UNO; I liked her a lot (even though her name is escaping me at the moment) and had even thought about making her the main character in a series, with Chanse as part of her supporting cast. But this was different, and called for a different character–for a while, when thinking about this, I toyed with the notion of an undercover cop or FBI agent; but then thought, in this time, could a woman be assigned to go undercover as a stripper? Maybe, but it could prove problematic. And then I remembered an intern from years ago, when I worked at the Community Center, who worked part time at the Hustler Club as a “shot girl”–her job was walking around with a tray with shots in test tubes. When someone bought one, she’d place the test tube in her cleavage and have to lean forward to dump the shot in his mouth. She hated it–she was a lesbian–but the money was so damned good she only had to work two nights a week and made enough to pay the rent and the bills and so forth. Someone could easily go undercover a shot girl–which, while still demeaning, wasn’t as demeaning as stripping. But the other day for some reason I was thinking about this again, and the thing that made the most sense was that one of the shot girls gets picked up by Vice and is forced to become an informer….which would make her walk the line between the cops and her crooked, organized crime employers, as well as with her co-workers. So, when the opening occurred to me the other day, I wrote it down and saved the file as a short story called “Shot Girl” (thereby adding yet another file to the “unfinished short story” list). I think maybe this week I’ll work on one of the unfinished stories in the drawer.

And on that note, it’s time to head into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow morning.

Mesh

Day three of heavy weather in New Orleans; there was a marvelous downpour around six this morning or so that lasted over an hour, complete with lightning and thunder. It’s still gray outside, not currently raining–but there’s a thunderstorm somewhere nearby, as there’s still lightning flashing but with a nice little break before the thunderclap, the kind that lasts for several seconds or more. I didn’t go to the gym last night because the rain was so heavy and had planned to go today–perhaps when I am done with my work-at-home duties today there will be enough of a break in storm bands for me to get over there. I could drive, of course, but that just really seems kind of silly to me since it’s so close. Why yes, I drove the four or five blocks to the gym to work out my body. Granted, rain changes everything, especially New Orleans’ kind of drenching rain, and since we are going into day three of it, the ground is already saturated and can’t absorb it so there’s more standing water than there usually is–and there’s inevitably a lot of standing water any time it rains here.

It just started raining again.

I came home last night fully intending to get a lot done, since the rain precluded the walk to the gym, and while I did do some piecework on Chlorine, I didn’t really do a lot. I was feeling tired, the way I usually do on Wednesday nights anyway, and I also didn’t even bother to unpack my backpack last night, which is not a good sign. I read some more of The Man with the Candy, which is so well-written! I’m really enjoying the book–it reminds me a lot, in how well it’s written, of my favorite true crime books of all time, Blood and Money, and not just because they are both set in Houston–it’s about how well the two different writers wrote about Houston itself, turning the city into a character in the books. This is what I always try to do when writing about New Orleans–giving the reader a strong enough sense of place that the city itself is almost a character in and of itself in my books. This is also triggering the memory that Blood and Money was part of the reason (besides living there) I wanted to set the Chanse series there originally–don’t get me wrong, I am not in the least bit regretful that the Chanse series exists in my own personal New Orleans fictional universe, but there’s always a bit of a pang for me that I have never written about Houston and probably never will, other than as an aside or something in a book. I have several ideas that begin with the character either living in, or being from, Houston; but nothing actually set there.

We also finished the second season of Very Scary People, with the two episodes on Dr. Swango, aka Dr. Death; I’d actually never heard of him before, so he was obviously new to me. We skipped the Bobby Durst episodes–after watching all six or so episodes of The Jinx I didn’t see any real need to spend another hour and a half with Bobby Durst–who, while interesting enough, doesn’t really deserve any more of my attention than he’s already had, frankly. There’s also a new limited series on Netflix, The Serpent (it may be HBO; it’s hard for me to keep track of whichever streaming service these days since there are so many), which is about Charles Sobhraj, a criminal and murderer who operated in Southeast Asia mostly. I read a book about him many years ago called Serpentine, which was also written by Thomas Thompson, who also wrote Blood and Money. It was interesting, and clearly I’ve never completely forgotten it–as soon as I saw The Serpent‘s trailer and its lead actor, I knew exactly who and what it was about–which we may be diving into tonight. There’s also a new mini-series on HBO with Kate Winslet that looks interesting, so there are a lot of options for us to choose from….maybe too many, really.

I’m not really sure why I am having so much trouble getting started on my day–although I suspect the weather has a lot to do with it. When it’s like this I really would much prefer being under a blanket and reading–there’s no better reading weather than rain, is there? It’s just so comforting to be inside and warm and dry while the house is being battered with rain and wind and the sky is rent with lightning and loud thunder….and even though it sometimes means flash flooding and so forth, one of the many things I love about living in New Orleans is the rain (Houston also has marvelous thunderstorms, as did Tampa). I lived for eight years in San Joaquin Valley in California, where it rarely, if ever rained–and we certainly never had this kind of amazing thunderstorm there.

All right, I’ve procrastinated quite long enough. Onward and upward into the spice mines, Constant Reader!