Tag: Catriona McPherson

Ain’t It Funny

I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.

(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)

But, with a strong and heartfelt thank you to Leslie for these questions, away we go.

Did you set out to write a humorous (whatever that means) book?

I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.

I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.

The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.

What’s the most challenging thing about writing humor?

Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.

Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).

Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?

My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?

Have you ever had to change anything in a book (funny or not) because of pushback from your editor?

Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”

Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?

Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.

I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?

Humor is hard.

Is there any type of humor that you would deem inappropriate for your books?

No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.

A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….

Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)

Shame

I have really come to love Bouchercon, and it’s always a highlight of my year.

Things have seriously changed for the better.

Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski

Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.

When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.

And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.

It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.

I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.

Should be considered a gift.

A fucking GIFT.

(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.

But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.

I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.

Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)

I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).

And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!

And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.

That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.

Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.

I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.

I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.

Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.

And like water wearing down a stone, we have to keep relentlessly pushing.

(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)

I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.

Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.

So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?

East Bound and Down

Labor Day Monday, and time to readjust from “Greg Herren Author” back to my everyday life here in New Orleans. There’s really nothing like your own bed–but the bed I had at the Marriott Marquis in San Diego was probably the most comfortable bed I’ve had in a hotel to date. I had trouble sleeping the whole time I was there, but the bed was so comfortable that I always slept some and always managed to feel, if not completely rested, but at least recharged. But oh what a lovely time it was!

I flew home yesterday from San Diego, where I’ve been since Wednesday. My apologies for being lax in posting while I was away, and I hope you didn’t miss me too much, Constant Reader. But it was also nice being in a bubble for several days practically cut off from the outside world. I didn’t write a single email since Wednesday morning; I only deleted junk. I didn’t write anything, nor did I read anything once I’d checked into the hotel. But what a marvelous time it turned out to be. I love going to Bouchercon–it’s a marvelous escape from the everyday and being around writers (so many writers!) and readers (so many readers!) and it’s just so much fun. There are so many marvelous people in this business that I so rarely get to see in person, and I never have the opportunity to spend time with everyone that I would like to.

There’s also this weird thing about Bouchercons. You can go the entire time without seeing some of your friends who are there; and you never seem to bump into them. Last year in Minneapolis I hardly ever saw Christa Faust, and even then only in passing or from across a very crowded room. This year I bumped into her almost every time I turned around, and it was an absolute delight because I adore Christa. You also get to make new acquaintances and discover new writers, too. I love debut authors! It’s always amazing to find new authors and make new friends, see old friends–and yet there were so many people I only saw fleetingly in passing, or didn’t see at all. But it was incredibly lovely, really. I resisted temptation in the book room (some of the collectible booksellers had some old editions of the kids’ series–including the super-rare ones no one’s heard of–but I knew if I bought any books I’d have to pay to have them shipped home, and so that extra step was enough to trigger my laziness (and miserliness–I can be extravagant to a fault when I really shouldn’t be) to step in and say, no, you don’t need more copies for your collection even if you can replace some damaged ones with ones that look pretty new for a reasonable price. And I don’t regret not buying those books, either. (I will probably get the ones by new acquaintances, though.) I also had four tickets to get free books in the book room, so I picked up Death by Bubble Tea by Jennifer J. Chow; Her Last Affair by John Searles (who I interviewed for Lambda Book Report back when his first novel came out, and that leads to a great story I will save for another time); The Quarry Girls by Jess Lourey (whom I adore); and one other that I can’t remember, and I can’t seem to find it this morning. Oh, well. Mindy Carlson, who was on the panel I moderated, gave me a copy of her debut, Her Dying Day (which has the best ever opening!) when I ran into her in the lobby on my way to the airport. I can’t wait to read it!

I finished reading Kelly J. Ford’s marvelous The Hunt on the flight home to Dallas yesterday, and then moved on to Laura Lippman’s Prom Mom, both of which are superb. I am almost finished with the Lippman, and when I am finished with this I am going to my chair so I can finish it.

I am pretty much taking the day off from everything and resting. I had planned on going to the grocery store–I still might; it depends on how I feel later–but I am going to relax today. I did get home last night in time to watch LSU embarrass itself on national television last night, but it’s okay. It’s nice to have any expectations for the season gone after the first game, and now I can watch the national title race with idle curiosity while watching LSU get through it’s season with no expectations from them. I was very concerned that they were being over-hyped (everyone seemed to forget that after the big win over Alabama last year, we barely beat Arkansas and lost to Texas A&M before being embarrassed in the SEC title game by Georgia), but this is yet another example of when being right isn’t what you want and brings absolutely no satisfaction–Cassandra was hardly smug as Troy burned around her, after all. I am exhausted, despite the fantastic night’s sleep I got last night, so I think resting up is indeed the way to go for today. We have shows to catch up on, after all, and maybe I’ll even splurge on a movie.

It was a wonderful time. I love my friends in the crime fiction community, and I love that I am sort of known in it now more than I was? I had several people come up and ask about my books, or tell me how fun I am to watch on panels, but I am also beginning to think that I need to be maybe a bit more professional when talking about my own work on panels. Something to ponder as I move into the adulthood of my career (it turned twenty-one this year, after all, which is staggering). I am inspired, reinvigorated, and ready to prove myself worthy to be a part of the community again. I want to get back to my writing and dig into it and keep going and do really good work. Reading Kelly and Laura’s books are inspiring because they remind me to work harder, do better, dig deeper, and aspire for greatness more. I have broken down the barrier that was keeping me from reading novels, or at least was making me unable to focus, and now I hunger to read more. Once I finish Laura’s book I am moving on to S. A. Cosby’s new one, with Alison Gaylin’s marvelous new take on Robert Parker’s Sunny Randall series. (I will never stop marveling that I am friends with, or at least know, my writing heroes.)

And definite shout-outs to all the people who won Anthonys this year, and were nominated. It’s surreal to me to see how many nominees are friends; and it’s absolutely lovely to see that. Only a few winners weren’t friends–and how can you not be happy for friends to get recognition? I adore Catriona McPherson and S. J. Rozan; how delighted was I to lose to writers whose work I’ve admired for years and how thrilling to be in the same category with them? I don’t know Nancy Springer, the other to whom I lost, but I love Enola Holmes. And Kellye Garrett and Wanda Morris are not only incredible writers but wonderful women I am very proud to know. I love Barb Goffman, who has always been so kind and lovely to me ever since the first time I met her. I don’t know Martin Edwards, but from all accounts he is a very kind and lovely and generous person, and I share the TOC of School of Hard Knox with him. The Debut winner, Nita Prose, wasn’t there and I don’t know her, but I do have her book The Maid, and I hope to read it before the end of the year.

So no, I didn’t win any of the Anthonys I was nominated for. What a fucking honor for a gay man to be nominated for three (mainstream, MAINSTREAM not queer-specific) Anthony Awards in the same year for three different books, for anyone, really. I think the only other person to ever be up for three in the same year is S. A. Cosby (and what amazing company to be in, right?); others have been up for two in the same year before (as I was last year; this year Catriona McPherson was a double nominee). I have been nominated for seven Anthonys in total now, and so what if I have lost six times in a row? Awards are lovely, but I honestly don’t mind losing. I love to act like a bitter loser because, well, it’s funny to me. I did start realizing sometime during the pandemic that my “bitter loser” shtick might be insensitive–some people would kill to lose six times; some are never nominated once–and maybe the “bitter loser” shtick doesn’t play as well now as it used to? I don’t know, but it’s such a thrill for me to be nominated, and retrospectively, I’ve had a pretty amazing run: fifteen nominations from Lambda Literary nominations, seven-time Anthony nominee, and once each for the Lefty, the Agatha, the Macavity, and the Shirley Jackson. That’s pretty fucking amazing, and maybe I should finally recognize that maybe, just maybe, I’m pretty damned good at this writing thing? I do need to be better about the other aspects of the business–marketing and promotion and so forth–and since my brain doesn’t juggle as well as it used to, I need to start getting focused and figuring some things out. The rest of this year is going to be taken up mostly with dealing with medical issues (I get my new hearing aids tomorrow!) and I don’t know how much I am going to be able to do or what I can and can’t do; and everything is kind of up in the air now for the rest of the year.

That would have triggered my anxiety before, but I am at peace with it. My decision to override the anxiety and remain calm while traveling worked in both directions, and it was lovely to not get worked up or upset or irritated about anything. I managed to even get my bag from baggage claim, the shuttle to the parking lot, and then drive home without losing my cool–I didn’t even swear at a single driver–and I kind of want to keep that level of calm and cool going forward. I did experience some anxiety before I moderated the Humor and Homicide panel yesterday; I was brought in–not at the last minute, but far too late for me to get copies of the panelists’ books and read them to prepare–late but my word! What a group of amazing professionals I was blessed to moderate! You need to read their books; they are talented and funny and marvelous and I was totally blown away by them–and three of them were debut authors! There was J. D. O’Brien, whose debut novel Zig Zag, about a marijuana dispensary employee who plans to rob her employer, only for Westlake-like hijinks to ensue; the delightful Mindy Carlson, whose debut novel I already mentioned; the always wonderful Wendall Thomas, a seasoned pro whose latest, Cheap Trills, sounds incredible and I can’t wait to read; the witty and charming Jo Perry, who has a marvelous series from the point of view of a dead man and whose latest, Cure, sounds great; and Lina Chern, whose debut novel Play the Fool is about a tarot card reader trying to solve her best friend’s murder and sounds amazing. I had them read their book’s opening few sentences, and once I heard them, I knew it was going to be a breeze. It was wonderful! What a great break for me to get to moderate this panel and find even more great books to read. I could have talked to them about their books for hours. Afterwards, I realized I hadn’t even used half of the questions I had–always the sign of a great panel!

Speaking in public has always been difficult for me and always ramps up the anxiety (which I always thought was just stage fright). But now that I know what it is, I can sort of control it. I can’t control the adrenaline spike and what comes with it–the shaking hands, the talking too fast, the shakiness of my brain, the upset of my stomach–but I can control the mental part and not allow the anxiety to take over. It was very strange knowing I can’t control the physical response to the chemical imbalance but I can control the mental/emotional response, so instead of freaking the way I usually do before going on–I focused on making sure pre-panel that they were all comfortable, that I wanted them to talk themselves up with the goal of selling a book to everyone in the room, and basically, asked questions and got out of the way and let them shine like the stars they are–and did they ever! Especially when you remember I hadn’t sent them questions in advance to prepare; they each were speaking extemporaneously, which is impressive as hell. The nervous energy I handled by walking around briskly before the panel and talking to each of my panelists individually and staying hydrated. Yes, I drank water, limited myself to one cappuccino per day, drank iced tea for lunch instead of Coke, and tried very hard to remember to slow down and get over the FOMO I always feel. I did have some cocktails every night, but never enough to get more than a bit tipsy and paced myself more.

And now, I am going to head back to my chair and finish reading the new Lippman and maybe start reading the new Cosby. I have laundry to do, a dishwasher to empty, and basically, I am just going to relax as much as humanly possible today. I should probably make at least a minor grocery run; maybe not. But what a marvelous, marvelous time I had.

I am truly blessed.

Fever

And today I am off to the airport to head up to Bethesda for Malice Domestic. How exciting! I’ve not been to Malice in a very long time; I don’t remember what year it was, but it was also my first trip to New York for the Edgars; the two events merged into a single trip. It was quite fun. There were a lot of friends there, and I know we had a lovely after-party on Saturday night post-banquet that was so much fun my sides hurt from laughing. I don’t know that this Malice will live up to the great time I had the first time I went, but I am glad I decided to go, after a little push from Catriona McPherson once the Agatha nominations were announced earlier this year. And while I tend to not make a big deal out of award nominations, I also realized when are you ever going to be nominated for an Agatha again? Never, that’s when so bearing that in mind I decided what the hell, I’ll spend the money–which I will regret later, undoubtedly–and go.

And let’s be honest; I am not traveling for book business again for the rest of the year other than Bouchercon. (note to self: start tracking expenses for the year so you can keep up and be ready at the end of the year–something I say I will do every year and never end up doing) I’ve already checked in for my flight (huzzah!) and have my boarding pass, and it’s a nonstop, coming and going. I used to not mind changing planes when I was younger; now that I’m getting older it’s just one more ordeal as part of traveling. As much as I want to go back to Europe–we’re thinking about Amsterdam and Berlin next year–the thought of all that flying and all that time in airports just exhausts me. Maybe I can get my doctor to prescribe something for me just for the longer overseas flight that will knock me out immediately.

I have to finish packing in a moment. I was tired last night when I got home from work, and had to do stuff–laundry, the dishes–after working on the book and then tried to start gathering what I need to take with me. I have almost everything clothing wise gathered already; I just need my dress shoes and some jeans, my slippers and some sweats…and I also have to gather all the technology I need to take with me–cords, chargers, accoutrement for my laptop–as well as the books I am taking on the trip with me. I really don’t want to get ready or do anything; all I feel like doing is going back to bed, in all honesty–but I am sure once the coffee starts kicking in, I’ll light a fire under my ass and get me going. The weather is supposed to be rainy today; I think I’ve packed the right clothing for the trip. It’s going to be warm during the days and chillier at night; I am not taking a jacket with me so any out of doors ventures after dark will probably wind up being terribly cold for me.

I’ll live, I would imagine.

I do wish I would have had more time to work on getting the house cleaned and organized; I’m going to hate coming back home to a messy house. But I also took off Monday so I can have a day to reorient myself back to my life again, run errands, and so forth. I also have a doctor’s appointment in the afternoon that day–I’ll probably swing by the store and make groceries on the way home from that. And of course, next weekend I will be driving up to Alabama to see my dad–long story, too long for now–so yes, there will be lots of pressure and time issues when it comes to getting this manuscript finished. And I have another one to edit, great.

And on that note, I need to get back to preparing for the trip. Have a great Thursday, Constant Reader, and tomorrow I’ll be checking in from Malice.

Live With Me

Wednesday and Pay the Bills Day has rolled around yet again. Woo-hoo!

Yesterday I was working on cleaning out my inbox–an ongoing struggle, but it’s suddenly gotten easier lately–and around noonish an email from Left Coast Crime dropped in letting me know that A Streetcar Named Murder had been selected as a finalist for the Lefty Awards! I certainly wasn’t expecting anything like that to ever happen, so thanks to everyone who listed me on their ballot. It’s a tough category–the other nominees are Ellen Byron for Bayou Book Thief, Catriona McPherson for Scot in a Trap, Jennifer Chow for Death by Bubble Tea, and A. J. Devlin for Five Moves of Doom. Such a thrill, really, and to be nominated against authors for whom I have so much respect and admiration for their talents and achievements already? And so many other amazing nominees in the other categories as well–including lots of friends! Kellye Garrett, Alex Segura, James L’Etoile, Karen Odden, Laurie R. King, Gigi Pandian, Rob Osler, Eli Cranor, Wanda Morris, and Catriona again (nominated TWICE!!!!). I’m really sorry I won’t be going to Left Coast this year. I had a marvelous time last year, but it’s also the week before TWFest and Saints & Sinners, and there’s no way I could take that much time off so close together–let alone leave the week before the festivals. I’d come home to find the locks changed, seriously. So many amazing reads this past year on this list, and there I am, right there with some of my favorite people.

It’s always lovely to get recognized, of course. Award nominations are always a lovely pat on the back, and yes, while I often joke about always losing everything I am ever nominated for (I love pretending to be bitter and cynical about losing awards), it is indeed a great honor and a thrill and all those things they’re supposed to make you feel like. Being nominated for mainstream awards, like this and the Anthonys, was never in my thoughts or calculations (to be fair, I never think about awards when I’m writing something)–so yes, for the kid who used to give acceptances speeches to the mirror holding a shampoo bottle as a stand-in for an Oscar, it’s an honor and a thrill and a privilege. I mean, winning isn’t really in my control–anyone who’s ever nominated’s control–so I just look at it as a lovely nice job thumbs-up from the community and add it to my author bio.

I slept really well again last night and this morning I don’t feel tired or sore and my mind is completely alert–yesterday there was some residual fog from my trip still, and leftover exhaustion–but today feels absolutely great. I ran errands after I got off work yesterday–some books and other things came in the mail yesterday, including my Rainbow candles (a client gave me one for Christmas; I loved the smell, and then had to go searching on line to find more of them) and the leather-bound copies of Rebecca and Echoes from the Macabre by Daphne du Maurier as produced by the International Collectors’ Library (about time I got two really nice editions of two of my favorite books). I was terribly tired when I got home from work yesterday so I pretty much melted into my easy chair with Scooter asleep in my lap and just watched videos on Youtube (I went down a Rihanna wormhole for a good while–I’d forgotten how amazing her music was–while also looking up videos from Hadestown, whose score I’ve been listening to every since I got home; I cannot tell you how much I loved this show). I need to pay the bills today and get back to work on the book–I’m behind again and am really going to have to work my ass off to get it done by the end of the month now, no time for goofing off or anything other than a major push; I also have a short story to finish that I’ve promised to a friend for an anthology; that will be a nice creative and intellectual challenge to try to get finished around the book, too.

So, yes, Constant Reader, as you can probably tell I’m in a really good place this morning. My coffee is marvelous, I got a lovely pat on the back from the mystery community yesterday (“they like me! they really like me!”), and I am feeling great about my writing and my future. We’ll see how long this happy feeling and inspiration lasts, won’t we? I also think the cold or sinus thing that’s been going on with me since I flew to New York has finally been given the boot by my immune system, which is really nice. (I always feel terrible when I travel–part of it is the lack of sleep and the dehydration caused by the pressure changes required for flying; one of these days I’ll learn to drink water and replenish electrolytes when I travel instead of just drinking Cokes and coffee and alcohol; you’d think I’d know better by now but I clearly do not) But I feel like me again for the first time in what seems like a really long time, and it’s going to take some getting used to and adjusting again. (This weekend especially is going to feel weird as fuck, to be honest.)

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will chat with you again tomorrow.

For All We Know

When I got up at the Lefty Banquet last weekend and said we were living in a golden age of crime fiction, that wasn’t just smoke I was blowing up the audience’s ass to get applause (I literally have no idea how to get an audience to applaud, or laugh, or cheer, or do anything other than point and laugh at me and the blather coming from my lips and directed out by a panicked, terrified mind); it is something I truly believe. Every time I pick up a book by someone who is currently flourishing and publishing, I am rarely, if ever, disappointed; every year brings a fresh new crop of great books by current authors as well as a plethora of amazing new and diverse voices. The sheer creativity in plots and stories and characters; the language usage; the seamless construction of story that flows and keeps the reader turning the page is truly remarkable.

And Catriona McPherson is a force of nature.

There was no mistaking the smell. Except, come to think of it, that’s not true. It was all too easy to mistake the smell, to miss that one crucial note in the putrid bouquet. For a start, it was damp, and there was a years-deep rind of mould coating the bricks, eating into the mortar, softening the cheap cement that, once upon a time, had been used to pour the floor.

In the damp, rot had come along and worked away at the joists and beams, at the stacks of softening cardboard boxes and yellowing newspaper. The drains were bad too, always had been; a faint drift in the air like a sigh of sour breath. Cats, of course. Or maybe foxes. Something had got in and stayed a while. And why wouldn’t a cat or a fox stay, out of the rain, with a buffet of little scurrying things laid on? Little scurrying things that must have thought they were safe in here. They added their bit to the chord, too, but in such tiny dabs it would take a bloodhound to find them.

No bloodhound needed for the bottom layer. Under the damp and rot, under the drains and vermin, there was something else, sweet and soft as a whisper. And what is whispered was a tale of death. Unmistakable, inescapable death. Not the snuffing out of a mouse either, not some grasping stray, not a proud wild fox brought to broken, whimpering nothing. This was something much bigger.

Catriona McPherson is one of the more prolific writers in our genre; producing a minimum of two books per year (if not three); the flyleaf of A Gingerbread House lists twenty-six titles to her credit thus far in a career with scores of award nominations and wins. I’ve yet to read either of her two series, the enormously popular Dandy Gilver series set between the wars in the UK, or her “scot in America” series, but I hope to spend some time with both at some point in the future…it’s been hard enough keeping up with her stand-alones–which I’ve enjoyed tremendously each time I’ve plucked it from the TBR mountain and settled in for a wild and fun ride in my easy chair.

The problem with writing about one of McPherson’s stand-alone novels is you don’t want to spoil any surprises for those who’ve not had the pleasure to sit down with it as of yet; no easy task for either a professional reviewer or yours truly; a humble blogger who simply likes to share the good news about another terrific read for those who are always on the lookout for another terrific writer whose career they should be following. The main character in this story is Tash Dodd, daughter of a family who’ve built up a shipping business into a major firm over the course of her childhood and adult life; a bright, intelligent and hard-working young woman with big plans for the future of the company and her role in it. She loves her parents and disdains her brother, whom she thinks is a bit of a dullard. But one day looking around in her father’s office, she hears a phone ringing and finds a burner, hidden beneath piles of paper, and against her better judgment, her natural curiosity–thinking her father is having an affair, why else would he have a burner phone–she answers.

And finds out that there are things far worse to learn about her father than an affair.

The chapters about Tash are entwined with other chapters about other single women; lonely women with different stories and backgrounds, who are looking for something more from their lives, only to find out there is danger in looking for something more. These women are beautifully drawn characters, flawed and three-dimensional and relatable despite being completely different from each other–a masterstroke of characterization, I might add–as well as different from Tash, distinct in their needs and wants and desires and lives. What do all four women have in common? How does what Tash is experiencing and going through–having gone into hiding while trying to figure out how to extricate her family business from the horror they’ve gotten enmeshed with–relate and entwine with these women?

Brilliant written and structured, McPherson draws her reader in with her gorgeous prose and once the reader is in the palm of her hand, she slowly draws her fingers in to squeeze every last bit of suspense and tension her reader can handle out of her story and characters, far exceeding reader expectations.

Well done, Catriona. Highly recommended.

She’s a Lady

Saturday morning and I have errands to run today and chores to do; writing to get done and emails to write. I also want to spend some time today reading as well. I was a lolly-gag this morning, leisurely remaining in bed far longer than is my norm. It felt lovely, frankly, and I think it was exactly what I needed to get my body and my mind back in the order it needs to be in for me to function properly.

In other words, I think I have finally recovered from my trip to Left Coast Crime, which is marvelous.

Last evening I finished reading Catriona McPherson’s A Gingerbread House (more on that later), I actually wrote for a bit (more on that later) and then once Paul got home we binged through the rest of season 2 of Bridgerton, which I think I enjoyed much more than the first (despite the absence of gorgeous charismatic Regé-Jean Page, whom I stopped missing once the story really began going). I think I actually preferred the plot of season two more than the one for season one, and it was absolutely lovely seeing an openly gay actor (Jonathan Bailey) so brilliant and convincing in a traditional male romantic leading role. Is that homophobic of me, or a commentary on show business’ homophobia and fear of casting openly gay male actors in those types of roles? I am not sure.

So last evening was quite an accomplished one, and I was most pleased to see that going into work on Friday was actually helpful. I did manage to get a lot done in the office yesterday as well, which was lovely, and that carried over into my evening here at the Lost Apartment. Today, as I mentioned, I have errands to run (prescriptions, mail, groceries) and chores to do (dishes, floors, organizing) and I would love nothing more than to get some writing and reading done today as well. One can dream, can’t one? I want to get through the first draft of my story this afternoon, and I’d like to work some more on something else I started working on yesterday; nothing of import, really, simply a novel idea I’ve had for a very long time that, for some reason yesterday I couldn’t get out of my head, so I just went ahead, found the existing files, and started writing my way through the first chapter. It actually flowed pretty well, and before I knew it–and it was time to call it quits for the evening–I’d written well over a thousand words, which was marvelous, and had also done no less than a thousand or so on my story. This was pleasing, as Constant Reader is no doubt aware of how I always worry that the ability to write is a skill that I might lose at some point in my life, and it always, always, terrifies me.

I am absolutely delighted to let you know that my story “The Silky Veils of Ardor”, originally published in The Beat of Black Wings, edited by the incomparable Josh Pachter, has been selected as this week’s “Barb Goffman Presents” by Wildside Press in this week’s Black Cat Weekly. I am not the most secure short story writer in the world (many thanks to both Josh and Barb for their keen editorial eye that helped improve the story dramatically from the terrible first draft I wrote years ago), so these little victories help a lot with my Imposter Syndrome issues–which inevitably raise their ugly Cerberus-like heads all the time but especially when I am in the malaise period after finishing a novel manuscript, and especially if I am trying to work on something else and it simply isn’t coming. I am confident now that I will not only finish an initial draft of my story this weekend but perhaps even finish that first chapter I started writing last night and maybe even an outline/synopsis of said book project, which has been languishing in my head for at least a dozen years now, if not more. I mean, it’s not Chlorine, obviously; but that book is becoming even more complicated for me the more I research it–not a bad thing, but indicative of how much work the book is going to be. I was paging through William J. Mann’s Behind the Screen the other night, and I once again was amazed at how tunnel-like my vision was in my initial conception of the book and who the characters needed to be; but I also think the more research I do and the more fears I have of writing it making it all the more necessary for me to actually go ahead and do so.

I really need to work on my focus. I don’t know what it’s actually like to be able to simply write a book and block everything else out of my life in order to solely focus on the writing; my ADHD certainly makes it more difficult and I am inevitably always juggling a million things at once. What must it be like to be able to laser focus all of my attention and energy on a book? It will be interesting to see how retirement, should I ever reach that place, will change and/or make a difference in my writing, won’t it?

I imagine I won’t know what to do with all the extra time. I’ve gotten so used to being scattered in my approach to everything I write that I don’t know what being singularly focused that way would be like, or if it’s even possible for me.

On that somber note, I am heading into the spice mines. Have a lovely day, Constant Reader!

Signs

It feels very weird this morning to be getting up so early after having a work-at-home day yesterday. I slept really well last night–I did have a martini with a friend late afternoon yesterday, which was absolutely marvelous. Paul got home late last night–another grant, as always–and so after I got home after my martini (which are really quite marvelous drinks, frankly) I collapsed into my easy chair and started watching Young Justice again, after getting caught up on Last Week Tonight with John Oliver, which has replaced The Daily Show as my source of news served up with a touch of humor. His piece on the buying and selling of our online data was superb–scary, yet superb.

But I entered data yesterday and made condom packs while watching some gay cultural history videos on Youtube, which I am enjoying. I’ve also been thinking a lot about writing and what I need to get done–thinking about it counts as writing, by the way, and if you don’t think so, don’t make me come for you BECAUSE OH FUCKING HELL YES IT DOES. I need to get to work on that story when I have time this week–it has to be finished before Edgar Week, which is coming up pretty quickly in the sideview mirror–and I want to start writing a first draft of a manuscript. I think I am going to push Chlorine back another month–sorry, Nikki–and try to get the first draft of another gay noir thriller written; whether or not I will remains to be seen, but I’d really like to get a first draft of the three books done over the next three months. Is it potentially overly ambitious? Of course it is, we’re talking writing, at minimum, at least one hundred and twenty thousand words in three months, but it’s also eminently do-able, as long as I stay focused and don’t allow other things to interfere or distract me; which is always an issue for me. (Look! a squirrel!) But I am starting to feel rested again… which is really nice. I have to go into the office again tomorrow–four days a week now–but at least I don’t have to get up at six to go in tomorrow. Yay? And I do think I am going to stay at home Monday of next week–decisions, decisions; which is the best day of the week for me to work from home, Monday or Friday? Heavy heaving sigh.

I hope to finish Catriona McPherson’s A Gingerbread House this evening; so I can be prepared to move on to the next one. Please don’t think I’m not enjoying this book–I am–simply because I’ve not finished it yet. It’s quite good, and you really should be reading Catriona’s work if you aren’t already, Constant Reader, and if you ever get the opportunity to listen to her speak, jump at it. She’s quite amusing, and her Scots accent is something I could listen to all day. Her Guest of Honor speech at the Lefty Awards banquet was quite epic and enjoyable; and she’s also a very talented (and hard working) writer. I’ve certainly enjoyed everything of hers that I’ve read….the good news is also that she’s incredibly prolific; at least two books a year. I hope I live long enough to retire because I hope that once I do, I can get caught up on all of the books I am so far behind on reading.

Oh my GOD, that TBR stack is terrifying.

I’m trying to decide what time to come into the office for my final in-the-office day of the week, There is something to be said for getting up early, coming in and getting it over with–as well as beating traffic on the way home, and coming in early means it’s easier to find a place to park, always a plus, you know. (There are few things I despise more than trying to find a place to park.) I am really looking forward to this weekend, to be honest; I keep finding more chores around the house and there’s also this strange mentality I have that I will actually write this weekend around everything else I have to do. Is it possible? Anything is possible, really. Is it likely? That remains to be seen.

It rained last night–heavily; we had some massive thunderstorms sometime during the night after I went to bed,. The thunder woke me up very briefly, and then I just went back to sleep. I don’t think there were any tornadoes or anything–my phone’s warning system certainly didn’t go off, or I slept through it, one or the other. But I am not seeing any doom-and-gloom on local news websites this morning, so I guess we dodged another one last night. It was humid AF yesterday–it’s amazing to me how every year, like clockwork, the humidity returns and every single time it catches me off guard. (To be fair, the real humidity doesn’t really clock in until late May, but the heat starts much sooner, and it’s already getting there.) I am not looking forward to the higher power bills of the dog days of summer (and why are they called that? Dog days? I mean, I know three dog night is an old Aussie saying for nights so cold you need three dogs in the bed to keep you warm, but where did ‘dog days of summer’ come from?) and the steaming humidity, but there are, indeed worse things. And I think our new system kept the bills down pretty well last summer, which was quite nice indeed. So, here’s to a sort of bearable summer if I don’t spend much time outside? Huzzah?

And on that note, it is off to the spice mines for me. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

This is Todd Sanfield, former fitness model who now has his own underwear/swimwear business! Check it out at https://www.toddsanfield.com/–he’s also the model for his website.

Brown Sugar

Wednesday morning and today is my work-at-home day. I have data to enter and condom packs to stuff; and of course, household chores to do when I need to back away from the computer for a moment or two. I’ve sort of gotten caught up on my chores around the house–it’s also Pay-the-Bills Day, hurray–but there’s always something that needs to be done around here. There are dishes in the dishwasher that need putting away, and laundry as well, the bed linens didn’t get their weekly laundering on Friday because I was out of town, and so forth. I slept deeply and well last night and feel incredibly well rested this morning–for the first time since leaving, really; yesterday was merely an improvement on Monday because this is supposed to be how I feel when I get up. I’m a bit groggy, but the coffee will undoubtedly help with that, and I’ve already done Wordle–I am finding that to be very helpful in kicking my mind back into gear again in the mornings–and now I just have to finish writing this entry. I also have entries to do on Mia Manansala’s Arsenic and Adobe and Wanda Morris’ All Her Little Secrets, and I am getting close to finishing Catriona McPherson’s A Gingerbread House, which I am really enjoying.

I came straight home from work yesterday and did some chores when I got home, which included putting away the stuff in the dishwasher and folding clothes, before settling in to read some more of Catriona’s book. Scooter climbed into my lap and turned into his usual contented purr-ball self (we think we have a new outdoor kitty; Guzman has also come back and isn’t skittish anymore; and Tiger has resurfaced as well), and when my mind finally became too fatigued to go on reading, I started watching some videos on Youtube (I started watching another one about the inbred Spanish Hapsburgs, but turned it off when it failed to note that Charles V had also married a first cousin on his mother’s side, adding to the inbreeding coefficient dramatically; the Iberian royal houses of Castile, Aragon and Portugal had already been inbreeding for centuries) and then Paul got home. I’ve also discovered a new wonderful channel on Youtube about music, “Todd in the Shadows,” and I really enjoy his lengthy looks at one-hit wonders (last night I watched his videos about “Mickey,” “I Touch Myself,” “Missing,” and “What is Love”–I’ve watched quite a few of these in the past and while I don’t always agree with his opinion about the song itself, it’s interesting to hear the backstories of the artists and the songs themselves, as well as what they tried to do to follow up the success of their one hit wonder. And of course, when Paul came back downstairs, we binged the rest of the fifth season of Elite, which we both greatly enjoyed and might be one of the best seasons thus far; certainly it was stronger than season 4. I think this deserves its own entry, frankly; so I think I am going to go ahead and do one at some point. And then it was off to bed and I fell asleep almost immediately, which was lovely, and slept deeply and well through the night, which was also pretty amazing.

Huzzah!

And hopefully, once I am done with my work-at-home duties, I can work on finishing that short story. I really need to get it finished and turned in before I leave for the Edgars in two weeks. Woo-hoo! (Although yes, I am terribly worried about sleep once I am in New York, too. Fortunately I will have at least one night to get used to sleeping in a new bed before the banquet.

It looks kind of cloudy outside this morning, and the crepe myrtles–which are getting more full since the butchery last year–are swaying in the winds. I should probably check the weather to make sure this isn’t going to be another one of those “potential tornado” days–we’re all a little jumpy after that one a few weeks ago–and it looks like it could be another one of those days. Heavy heaving sigh. I also need to make a to-do list; the one I am working off is from before the trip to Left Coast Crime (so much fun!) and is, therefore, dated.

Sigh.

I also need to get some other stuff done–the Bouchercon anthology needs more organizing, I need to start planning Mississippi River Mischief, and I also got, ordered on-line, another copy of William J. Mann’s Behind the Screen: How Gays and Lesbians Helped Shape Hollywood, which I already have a copy of somewhere but it was simply easier to order a new copy than go through every fucking box in storage to find it, and is going to be important research for Chlorine. I was planning on writing a draft of Chlorine in May, but I may push that back a month and do another first draft of something that has drawn some interest from another potential publisher; it’s something I’ve also been wanting to write for some time but have never gotten around to, so we shall see. The day job is changing a bit, so that’s also going to have some impact on my writing schedules and so forth. Heavy heavy deep heaving sigh.

It’s always something.

And on that note, I am going to make another cup of coffee, pay the bills, and get started on my day. Have a lovely Wednesday, Constant Reader, and I will talk to you tomorrow.

Treat Her Like a Lady

Tuesday morning and I clearly should never go into the office the day after I travel. Lord, was I tired yesterday! But I was good Sunday night when I got home and unloaded the suitcase directly into the washing machine and even remembered to move them to the dryer. I stopped on my way home from work yesterday to get the mail and to make some groceries, and then had another load of laundry to do, and dishes to wash and put away…ah, the mundane that comes after the glamour. But there could be worse things. I was a little too tired to focus on finishing Catriona McPherson’s marvelous A Gingerbread House, which I really want to get to the end of because I am dying to know how it all turns out; but that will have to wait, I suppose. I think I am going to tackle Marco Carocari’s Blackout next; I should have already gotten to it, really. (Bad Greg, bad Greg!)

It’s very exciting that we have so many up-and-coming queer writers in the mystery genre, I have to say.

I slept really well last night; this morning I don’t feel tired at all (and yes, I woke up before the alarm went off this morning). I feel like I am actually settling back in to my life and rest and reality; we’ll see how it goes the rest of the day, won’t we?

We watched the first three episodes of the latest season of Elite on Netflix, and I think it is safe to say that it is clearly one of the gayest shows ever to air; and this season more so than any of the prior ones (or maybe it has been all along, and it just caught me off guard last night?). The show is centering gay Patrick more this season than last, and he’s falling for an absolutely beautiful young straight boy (I think we’ve all been there at least once in our lives) and their “friendship” is kind of nice to see; it’s one of the few times I’ve seen this dynamic played out on television. It could easily go the wrong way, so I am curious to see how this continues to play out. But as always, everyone on the show is gorgeous, the drama is way over the top, and we don’t know who this season’s murder victim is yet. There are some new characters (a wealthy Paris Hilton type who calls herself the “queen of Ibiza” and deejays; the handsome son of a soccer player I’ve already mentioned) and of course, no one is left from the original core cast except the characters of Samuel and Omar–and their friendship is already on the ropes. Sigh. I love this show so much.

I’m also feeling more hydrated than I have since I left for Alburquerque Thursday, and yes, that’s entirely on me; it never even crossed my mind that the higher altitude (five thousand feet!) and drier climate would have an effect on me. It did. I had a glass of wine Thursday afternoon when I ran into a friend in the bar and literally got tipsy from it, and my God, were my lips constantly getting dry and chapping? I also can’t remember the last time my mouth was so consistently dry, and drinking water didn’t help at all; maybe some blessed relief for a moment or two before my mouth went completely dry again. I guess desert climates are something you get used to when you live in one, but ugh, my skin was also so dry and of course, the dryness also triggered my psoriasis again (which has cleared up since I arrived back into the dampness of New Orleans.

So, overall, I feel much better this morning than I have in a few days; rested, rehydrated, and relaxed. Which is nice, since yesterday all I did was spin my wheels and keep everything level, rather than moving in a forward direction to get everything taken care of that is on my to-do list (hello, short story that needs writing!). I did make a stop on the way home to make a bit of groceries, but a more in-depth trip will be necessary once the weekend rolls around. Heavy heaving sigh. But…I should probably do an in-depth reorganization of the kitchen cabinets (yes, I have a deadline looming, can you tell?) but there’s undoubtedly some expired things in there that could be cleaned out, and yes, the other cabinets could stand a good reorganization as well. Maybe I should move the pots and pans from over the stove to over the sink? Decisions, decisions.

But tomorrow I get to work from home and it’s not a full eight hour day, either. I’m thinking about watching some movies while I make condom packs and break down some biohazard stuff (expired tests; they need to go into biohazard but aren’t dangerous to handle without gloves), and of course, there’s always data to enter as well. Huzzah! We now have to come into the office four days a week, so I guess this week that will be Friday since I am working at home tomorrow. I can’t decide which day would be best for me to come in next week–it will alternate between either Fridays or Mondays until we go back to five days in the office again–and as tempting as it is to stay home again on Monday, on the other hand I’ve never really gotten used to Tuesdays being my Mondays. So….we’ll see.

And on that note, tis time to head back into the spice mines. Have a lovely Tuesday, Constant Reader!