Ever since reading The Sea of Lost Girls several years ago–I think after we met at Bouchercon in St. Petersburg at the Harper Collins party?–I’ve considered her one of our best current novelists in the crime genre. The more of her canon that I read, the more convinced I become (The Lake of Dead Languages, The Night Villa, The Uninvited Guest), and so naturally I was very excited to listen to The Night Visitors on my drive this past weekend. I finished listening somewhere around Satsuma, Alabama (Alabama really has the most interesting town names), and loved every minute of it.
Oren falls asleep at last on the third bus. He’s been fighting it since Newburgh, eyelids heavy as wet laundry, pried up again and again by sheer stubbornness. Finally, I think when he nods off. If I have to answer one more of his questions I might lose it.
Where are we going? he asked on the first bus.
Someplace safe, I answered.
He stared at me, even in the darkened bus his eyes shining with too much smart for his age, and then looked away as if embarrassed for me. An hour later, he’d asked, as if there hadn’t been miles of highway in between, Where’s it safe?
There are places, I’d begun as if telling him a bedtime story, but then I’d had to rack my brain for what came next. All I could picture were candy houses and chicken-legged huts that hid witches. Those weren’t the stories he liked best anyway. He preferred the book of myths from the library (it’s still in his pack, racking up fines with every niles) about heroes who wrestle lions and behead snake-haired monsters.
The Night Visitors has two point of view characters; Alice, an abused mom on the run with her son, Oren, and Mattie, a social worker in a small town in upstate New York. This is an excellent example of differentiation between voice; while the authorial voice never falters and you never doubt you’re reading a Carol Goodman novel, the two voices are clearly that of two very different people. Alice and Oren arrive in the town, where they are greeted by do-gooder Mattie, and then begins the dance of the story. Both women take the other’s measure, and both women are hiding horrific secrets that their close relationship is going to bring out over the course of less than thirty-six hours. Mattie is a social worker who lives in an enormous if crumbling house; that first night–even though it’s against all the rules–Mattie decides to bring Alice and Oren home with her, rather than leaving them at the safe house, Sanctuary. And that’s when the strange things begin to happen.
Thirty four years ago, Mattie’s entire family–early onset Alzheimer’s mother; hanging judge father; change of life baby brother Caleb–all died from carbon monoxide poisoning from their faulty furnace. Mattie found their bodies, and her life–already severely off-course and altered–runs aground against the rocks. She has thrown herself into her work–even though she sometimes thinks her social work training is bunk (which I, as a counselor, sometimes think myself in weary frustration; it’s easy to see how social workers burn out from their jobs)–and has never completely gotten over the loss of her little brother. She sees a lot of her lost brother in young Oren–which alarms and worries both women. Alice is also being chased by her abuser, and everything–the past, the present, the futures–all come crashing together one night during a blizzard and power failure at the crumbling house, as all the secrets from the past slowly start coming out, with both women forced to face not only their own truths but the other woman’s as well, as they fight for their lives in a blizzard in the dark against a killer who wants them both gone.
The book is simply extraordinary. The suspense and tension once the power goes out is almost unbearable and are impossible to turn away from; it was incredibly difficult waiting two days to finish listening to it, and it was hard to get out of the car yesterday at the Civic Center in Wetumpka and stop listening. I highly recommend it, as I do anything by Carol Goodman.
Monday and I have to say–as comfortable as that bed was in Birmingham, there’s nothing like my own bed. I really like being home. But being away is much more pleasant when you’ve just spent a weekend away. I slept very deeply last night–I did wake up a couple of times, but was able to get back to sleep again, which was lovely. I also slept later than I intended to this morning, but that’s also okay. I have things to get done, errands to run, cleaning to do and laundry to launder, manuscripts to edit…it’s not easy being a Gregalicious sometimes. (There’s also nothing like coffee you’ve made yourself, either.) Parades on St. Charles also begin this Friday, which means today I really need to get my life and week figured out–parade season always requires a plan. There are three parades Friday night, five Saturday, and two or three on Sunday. We haven’t gotten a Mardi Gras guide for this year, either; I’ll need to rectify that today–but I don’t think I’ve seen any anywhere this year? Maybe I’ve not been paying attention–always a possibility, really–but we really need to have one.
Although I suppose the parade tracker app can serve in its place?
Perish the thought.
It feels chilly in the apartment this morning but the heat isn’t on, which is odd. It felt relatively temperate in the apartment when I got home last night, so I’ll have to check the setting.
It’s always slightly disorienting to reacclimate to your day-to-day existence after a lovely weekend of being an author, you know? I’ve never had much trouble erecting firewalls to compartmentalize the different aspects of my life; I keep my day job out of my writing profession and I keep my author life out of my day job, and so on and so forth. I think I am able to compartmentalize my life so easily because I’ve always compartmentalized my life; every queer person who has ever been closeted should be good at this as we are used to living two separate lives–always terrified that somehow the two lives would intersect at the worst possible moment. I do recognize in myself that separating aspects of my life is such an ingrained habit that even after successfully merging my two lives when I was thirty, that I still have the habit of separating. I separate my private life from my public life, and am fiercely protective of my privacy (and yes, I know how weird that sounds, given I have a daily blog–but I rarely talk about my personal life on here other than generic references to dinners or drinks with friends, and I try very hard to leave my friends’ names out of here as well; they didn’t give me permission to talk about them publicly), and I also separate my author life from my day-job world. It’s nice and humbling to know that even if my co-workers know that I am an author, they don’t think about it much or if they do, it’s more of a how cool and then they move on and forget about it as well. This is even more true now that Jean has retired; I used to pop into her office to talk about a book one of us was writing, or something that we just read and liked, or just to share industry gossip with a heaping side helping of snark. I do miss that from time to time.
But I need to shake off this weird adjustment feeling. I have things to do, even though I’d rather just curl up in my easy chair and finish reading The Lying Game. I need to write my review of Carol Goodman’s The Night Visitors; I need to clean out the refrigerator and see what’s spoiled in order to make a grocery list for today; I need to figure out what to take for lunch for the rest of the week; I need to make a Costco list; I need to make a plan to get through parade season; I need to finish a short story and look at some in-progress ones to pick ones to finish for submission calls; and of course, there’s always filing and organizing to do. At some point I need to start tearing my manuscripts apart for the revisions; and I will probably do that today. There’s laundry to launder and computer files to look through and file properly; there’s mail and groceries and a prescription to get. So, on that note, I need to make another cup of coffee, find something in the cabinets for breakfast (add cereal to grocery list), and get my normal life kicked back into gear, much as I’d rather bask in the afterglow of the weekend.
So have a lovely Monday, Constant Reader, and I’ll check in with you again later.
Well, I forgot my power cord in New Orleans, so have been trying to use this laptop as sparingly as possible so that I can at least get this posted before I head to Wetumpka this morning for Murder on the Menu. Today was nice; the Homewood Library always has a nice turnout for the panels, people bought my books and were very lovely to me–always a plus–and I got to spend some more time with friends I don’t get to see very often, like Dean James and Erica Spindler (name-dropping!) and I also got to spend time getting to know Debra Goldstein and Christopher Swann better, and I got to spend some time with Bobby Mathews, whom I met briefly at Bouchercon this last fall. He’s quite funny, and I picked up his Working the Gimmick, a pro wrestling noir! How fun is that? And since one of my in-progress projects is a pro-wrestling adjacent gay noir, I’m kind of looking forward to reading it! I am going to listen to Carol Goodman on the drive to Wetumpka (The Night Visitors), and when I finish it–probably about halfway between Wetumpka and New Orleans, I will switch over to Ruth Ware’s The Lying Game, which I am also looking forward to. I’ve also been writing lots of notes and ideas in my journal during yesterday’s panels. Alas, after mine today I am departing back to New Orleans because I do need to get home–parades start next weekend, so I really need to start preparing for the coming limitations on running errands that is the inevitable and unenviable result of parade season.
I did sleep really well Friday night–the key is that even if I am now in that partial sleep that is the bane of my existence, my body and mind are resting, which makes such a difference. My Fitbit does actually monitor my sleep; the goal is to always have a sleep score of 80 or higher; I think there’s only been one night since I came home from New York where the score wasn’t over eighty, and usually it’s averaging in the high eighties, which is great and not very common for me. I slept really well again last night–at least, rested well; not sure how deep the sleep actually was but the rest was lovely.
I did not manage to finish this entry this morning. The battery in my laptop did indeed die as I was typing (I’d managed to save it as I watched the battery very quickly evaporate once it got to 15% charge) and now I am home. Today I had a lovely drive to Wetumpka, and the panel and signings and stuff there went well. We managed to sell thirty (!) copies of A Streetcar Named Murder, which was very pleasant and a very pleasant surprise. I really love Wetumpka, and the folks there seem to really love me, too. They are absolutely lovely, they read my books and like them, what a pleasant surprise, you know? Small town Alabama–who knew that was my sweet spot?
I am home now and very tired. The drive home was smooth–and I did start Ruth Ware’s The Lying Game before I got to Mobile (the Goodman novel is fantastic; more on that later), and I am really enjoying the Ware as well. I really want to set a book in Wetumpka–I have a Ruth Ware kind of idea for a book to be set there, and I have a cozy idea that could easily work in a town like Wetumpka. Although the Wetumpkans may not like what I may do to their town….LOL. But the more I listen to/read Carol Goodman and Ruth Ware, the more I think I want to write something more along those lines, too. That’s me, the sponge; anything I read that I also enjoy I always wind up wanting to write something in that style. The 70’s book that I am thinking about–I almost have the title down–is also something entirely different than what I’ve written before or want to write in the future, which of course makes me want to write it all the more. But this week I need to start tearing manuscripts apart and stitching them back together, getting these other two books finished so I can get back to the others I want to write, so I can then write the 70s book. (I am resisting the urge to start writing it, you have no idea how hard it is to resist that urge, especially with that little voice in my head whispering you can always start editing the manuscripts next week why not take this week to get it started which is how this stuff always winds up getting out of hand. I also think that my creativity sometimes gets a bit over-stimulated when I do events like this.
But what a problem to have, right?
And on that note, I am going to go start digging out from under everything that has piled up since I left Friday afternoon. Have a lovely rest of your evening, Constant Reader!
Today I am off to Alabama. I’ve ordered groceries to pick up for Paul, which I will drop off on my way out of town. I am a bit excited about the trip–it’s always lovely to see Margaret and Tammy–and I just love this event. This is my fourth time going, and I’ve always had a good time whenever I’ve headed up there. I’ll be back here on Sunday evening, probably exhausted and ready for the incredible comfort and joy of my own bed. I am looking forward to the drive (lunch at the Arby’s in Toomsuba! Carol Goodman audiobook on the stereo!) and I’m not in a huge rush to get up there, either. I think it’s about six or seven hours? Never mind, it’s only five total– I also checked the distance and the timing it takes, and I realized last night that I don’t, in fact, have to get on the road by nine or ten. Since it’s five hours, give or take, without stops, so really, as long as I get on the road around noon I’ll be there tonight by six. So, why make myself crazy trying to rush out of here?so yeah, no need to put the pedal to the metal and speed or anything. I’ll probably just put the cruise control on after I get past Slidell and cross the state line into Mississippi. I also checked the distance and the timing it takes, and I realized last night that I don’t, in fact, have to get on the road by nine or ten. Since it’s five hours, give or take, without stops, so really, as long as I get on the road around noon I’ll be there tonight by six. So, why make myself crazy trying to rush out of here? I do have to go pick up those groceries, swing by the bank and post office, get gas, and run another errand. I can also take my time and make sure I have everything packed that I need as well–when I finish this I’ll probably go ahead and make the list after checking the weather. I slept extremely well last night, too.
I was exhausted when I got home from work yesterday, hence the great relief that I could just laze about and not do much of anything last night, which was helpful. I think the malaise really struck hard yesterday, and by the time I got home from the office I was exhausted, so much so that I collapsed into my chair without a second thought and pretty much stayed there the entire night, rather than packing or organizing or anything. Paul did come home so we could finish The Recruit–and I have to say, that was a season finale. It’s already been renewed for a second season, and I can’t recommend this show enough. It’s a lot of fun, has humor, a great plot and story, and the acting is top notch. I also rather like the cynical way the CIA works on the show–as well as its depiction of how Washington works–because I suspect it’s much more like this than people would like to believe. I did go to bed early, too, which helped with the sleep, and even though I woke up at six this morning I chose to stay in bed for another couple of hours like a slug. But it felt marvelous–last night I was thinking to myself I was too tired to make the trip this weekend if I didn’t get a good night’s sleep, and how fortuitous for me that I got one. Here’s hoping I can sleep for the next two nights at a hotel in Birmingham, shall we?
But I can feel my batteries recharging, if that makes sense? And that, too, feels good to me. I know I have a lot of editing work to do in front of me–as well as other writing–but this fallow period is needed to rest the earth of my creativity so it can spring back into action when I need it again. I think I was a bit too ambitious with thinking about my schedule for the year, too–but the schedule has kind of sorted itself out again, which is kind of nice. I’m not sure when I am going to get to some of the things I had planned to write this year–but I do still plan on writing them; I don’t think ambition is going to be a problem to get me motivated this year. In fact, I suspect motivation is actually not going to be a problem for me this year or any year going forward.
Then again, it isn’t summer here quite yet, either. Summer definitely takes its toll on me and my psyche; usually by August I am feeling relatively defeated by the heat and humidity, but I don’t think that’ll be as much of a problem this year as it has been. Now that we have the new HVAC system, it’s always cool in the house in every part of it. And by then I am hoping to have my return to the gym ingrained as a habit by then. 2023 is the year I want to take better care of myself and get things taken care of–hearing and teeth to start with–and of course going to the gym is integral to my health. I need to start stretching at home every day in the meantime, maybe even working my way back up to some push-ups and ab crunches before I start going back to the gym. It also has occurred to me that stretching at home before going to the gym is probably a better approach; I’ll be warmed up and the walk will keep me warmed up as I head over there and then back home again. I also think I’ll feel more like myself once I am going to the gym again more regularly. And feeling more like myself, returning my life back to what it used to be, is really kind of important to me. I feel in some ways like I’ve lost my sense of self and who am I and what really matters to me the most over the course of the last years because I’ve been so busy. It’s also been really tempting to think oh I have so much free time I should start volunteering again, but I cut those thoughts off very quickly and at the pass. This is how I become over-committed and stressed out and inevitably kicks my anxiety into high gear again–so I always have to take a step back and think whenever that impulse rears its head in my life again.
And I won’t feel bad for being selfish and more jealous of my time. I’ve been volunteering almost non-stop since 1998–twenty five years ago–and so see no reason to feel bad about not giving back for a while, if ever again.
And on that note, I need to start getting ready for the trip and ready to hit the road. Have a great Friday, Constant Reader; I probably won’t check in again with you until Monday morning.
I always forget this when I am asked about major influences on my life, writing, and career–but probably the biggest influence on me was the television soap Dark Shadows.
“My name is Victoria Winters…”
So began the first episode, with young heroine Victoria speaking over some rather spooky music, usually with a background scene of a light in the window at the great house of Collinwood in the fog, or waves crashing against the beach, or the family cemetery, or even the Old House.
Dark Shadows is probably the root or seed from which Bury Me in Shadows was grown from, now that I think about it more. A haunted old house, an even older house in ruins nearby in the woods that was the original family home, ghosts and secrets from the past–oh yes, the framework is absolutely there, and it never even occurred to me.
When my sister and I were kids, we moved to Chicago from Alabama. I was about two years old, give or take; I don’t remember moving up there nor do I remember ever living in Alabama; my sister was two years older. My parents both got jobs–the point of the move was for climbing the economic ladder; they both got really good jobs in factories while my dad finished his degree. But because they both worked (our friends and neighbors all felt sorry for us because our mom had to work; their moms all were housewives), we needed to be watched while they weren’t home. Our landlady recommended a woman down the street–a mother of six whose two youngest were in their last years of high school–and so we started spending our days with Mrs. Harris, who fed us breakfast and lunch, and Mom would pick us up on her way home from the bus stop. When we started school, we went there for breakfast and lunch but came home after school; school let out at 3:15 and Mom was usually home by 3:30. But it was Mrs. Harris–and my grandmother, who worked a night shift–who got me started watching soaps in the first place. One Life to Life and General Hospital sort of held my attention, but it was Dark Shadows I couldn’t wait for. I used to run home from school to try to catch the last five or ten minutes during school; it wasn’t a problem during the summer.
I loved Dark Shadows.
I was crushed when it was canceled.
I mean, look at that house!!!!
The show wasn’t canceled, although the ratings were starting to slide a bit in the later years. The truism that Dark Shadows‘ producers and writers discovered is one that practically every other continuing series having to deal with the supernatural and supernatural creatures has had to deal with: how do you keep topping yourself and raising the stakes? True Blood, Supernatural, The Chilling Adventures of Sabrina, and countless others have all run headfirst into that wall. Once you’ve done time travel and vampires and witches and werewolves and Frankenstein and other dimensions, what is left to do? I admire them for pulling the plug rather than getting more and more desperate to get the ratings up and eventually damaging the legacy of the show.
The show was a phenomenon the likes of which had never really been seen before in daytime–and the lesson learned from its success (go for the young audience!) would soon lead to the creation of youth-oriented shows like All My Children and The Young and the Restless–and of course in the mid-1970’s soaps would be forever changed when General Hospital introduced the character of teenager Laura Webber, played by an actual teenager, Genie Francis–and daytime was never the same. But Dark Shadows managed something that other soaps hadn’t–they created teen idols. Jonathan Frid as Barnabas, David Selby as Quentin, and even David Hennessey as David Collins were often on the covers of teen magazines like Tiger Beat and 16. The show even licensed FAN FICTION–a series of books based on the characters from the show, but thanks to all the fun stuff with time travel and parallel dimensions, Dark Shadows was perfect for spin-off books that took place in other Dark Shadows universe; one could even say Dark Shadows was one of the first shows to make use of a multi-verse.
The books were cheap–as you can see in the picture above (a copy sent to me by a friend with whom I bonded over our mutual love of the show) they ran between fifty cents and seventy-five cents a copy; they all had that same gold bordered cover with an oval image of characters from the show, and they were all written by “Marilyn Ross”, which was a pen name for a very prolific Canadian author named William Edward Daniel Ross; he wrote over three hundred novels during his career, and Marilyn Ross was the name he used for Gothics–and the Dark Shadows books. (He also wrote as Clarissa Ross, and I read some of those novels as well, including The Spectral Mist.) They also weren’t particularly well written, and while they did take place outside the show’s continuity, there were also moments in some of them that didn’t make sense; in one of them, in which Barnabas shows up at Collinwood in the 1910’s, the only son of the family dies in a tragic accident…but if he was the only son, where did the present day Collinses come from? (The earlier books were told from the perspective of Victoria Winters, and in some cases the gimmick was some member of the family was telling Victoria a story about the family history.)
That’s the kind of shit that drives me insane.
But I remember when one of the off-brand television channels in Chicago (not affiliated with a major network) started running repeats of Dark Shadows from the very beginning when we lived in the suburbs in the evenings while the networks ran the evening news–guess what I was watching instead? Yup, Dark Shadows. (I always found it interesting, too, that the young actress who played Victoria Winters originally–Alexandra von Moltke–eventually became infamous as Klaus von Bulow’s mistress Alexandra Isles, who was, in the prosecutor’s theory, the reason Klaus injected Sunny with enough insulin to induce the coma from which she never woke up. But I digress.
I always wanted to write a vampire story similar to that of Barnabas Collins; I have an entire idea for a rural Louisiana version called Bayou Shadows that I’ve tinkered with off and on since the early 1990’s…but then Charlaine Harris started the Sookie Stackhouse series, which was essentially the same thing. I still might write about Bayou Shadows–the town called that has popped up from time to time in my books about New Orleans and Louisiana; most recently in A Streetcar Named Murder, actually–and if people think I’m ripping off Charlaine, so be it.
I’ll know that I’m really ripping off Dark Shadows.
The show also spawned two feature films, Night of Dark Shadows and House of Dark Shadows, each featuring one of the show’s leading men, Jonathan Frid and David Selby, respectively; the first did far better than the second. The show was revived in prime time for a single season in the late 1980’s; I watched it and loved it, of course–even got Paul to watch when it became available on DVD and I rewatched. I wish that show had been given more of a chance, because it was really quite good, and I was curious to see where the story went from that first season. It also had an excellent cast, including Hammer Film star Barbara Steele as Dr. Julia Hoffman. I did watch the Tim Burton film from this century, which had some clever moments but wasn’t quite as good; it went for the silly parody thing The Brady Bunch movies of the 1990’s did, but it didn’t land. The actress who played villainess Angelique in the original series, Lara Parker, has also written some Dark Shadows novels (I have copies but haven’t read them; I really should). Kathryn Leigh Scott, who played the original Maggie Evans on the soap (and in the first film) also has written novels; she was at Long Beach Bouchercon, where I met her and got a signed copy of her book Down and Out in Beverly Heels. She was lovely and couldn’t have been nicer; I really should read that book someday.
I’ve had Dark Shadows on my mind lately because I bonded with Carol Goodman at Bouchercon over our mutual love of Dark Shadows, and the Scotty book still in draft form takes place mostly in a rural parish outside of New Orleans; not the same parish where Bayou Shadows is located, but the next one over.
Sometimes I think it would be fun to reboot the show again, retelling the original story, or picking up from where the television series ended, or even doing a new generation, some forty years later, with David Collins as an adult with children and so forth…Carol and I have joked about coming up with a concept and trying to sell it and be the showrunners…which would be a dream.
Well, I’ve decided on my audiobook for the drive to and from Alabama this weekend: Carol Goodman’s The Night Visitors. Carol is one of my favorite writers (and has become a friend! I love my life) and I love her works; if you’re not reading her already you need to get on it–and there’s a healthy canon to dig into as well (always a plus). She also has a new book coming out this spring, called The Bones of the Story, which is a great title. I’m working on a short story this week while I am letting my novel manuscripts rest, and it’s definitely some slow going. I got about two thousand words into this story about a year ago, and I think it works perfectly for this anthology a friend of mine is putting together; I just need to finish the damned thing. But tonight I have a ZOOM call I have to do and I have to pack for my weekend in Alabama, and tomorrow morning I’m getting up, writing a post and hitting the road while listening to the divine Carol Goodman.
Does life get better? I think not.
It’s actually kind of funny; after I finished yesterday I realized I could, for the first time in quite a while, take some down time to myself for a minute or two without guilt or something looming over me needing to be done. After I sent the manuscript (such as it is) in along with my editorial thoughts and analyses, I thought, wow, I’ve sure written a lot since just before Christmas and showed an incredible amount of discipline–the kind of single-mindedness you’ve not had for quite a while, and I should feel drained and tired but I don’t. That was an incredibly over-confident assumption to make, even though it was true at the time I thought it. When I got home from work I realized my candle wick had burned down so far that it needed to rest and be replenished for a while. I am still feeling motivated and creative, though; I was simply drained yesterday. Before I went to bed last night (after watching another episode of The Recruit, which I am really enjoying) I kind of felt like the batteries were already starting to recharge. I feel very tired this morning, too–I slept well, don’t get me wrong, but I think I needed to sleep longer. Ah, well. I don’t have to get up before the sun rises tomorrow, so that’s something.
I always like Thursday nights.
But the kitchen is still a mess. I wasn’t in the mood to clean last night when I got home, either. I just felt disoriented, emotionally and intellectually spent, and physically tired. I used to call it the malaise, because it felt like melancholy brought on by the utter exhaustion of my creativity and drive to write. It’s very weird. Usually, the malaise also brings with it the feeling that I don’t even want to think about writing anything else ever again–which is not the case this time, which is very weird to me. I am champing at the bit to get to work on more things, new things, even to start working on the editing of everything else. It is very weird, and I will keep you posted on how this weird new version of malaise works itself out.
But I’ll have to clean the kitchen before the ZOOM thing tonight. That, or turn off all the kitchen lights.
Heavy heaving sigh.
I watched an interesting documentary on Youtube in my tired malaise last night, a new one from James Somerton called The Death of Queer Privacy, which was interesting. The primary focus of the documentary–Somerton does popular media critiques from a queer perspective–was, to begin with, about outing as well as the potentially problematic tropes in Paul G. Tremblay’s A Cabin at the End of the World and it’s film adaptation, A Knock at the Cabin. It was another look–deconstruction, if you will–if whether a straight identified (I don’t know how he actually does identify) writer centering a gay couple/family at the heart of a horror novel/movie is either good representation (they could just as easily have been a straight couple, a mixed-race couple, lesbians, etc.; sexual orientation didn’t play a part in the plot and if anything, the fact that the gay family was presented as normal and not a big deal tends to undermine any critical analyses of this as intentionally or unintentionally sinister) or if the book/movie, at heart, centers the trauma of a queer family as entertainment for the masses. I may want to watch that again; I wasn’t paying a lot of attention because I was tired and scrolling through social media on my iPad, so I may have missed some things, but the critique and look at the film itself was merely an introduction to the main topic, which was the attack on queer people’s right to privacy–which served as an interesting counterpoint to a lot of the public discourse about queer celebrities and how much of their lives, if any, needs to be shared with the audience. The recent forced outing of Kit Conner from Heartstopper is perhaps the best example of this; the idea that queer people in the public eye need to–nay, must–come out and be publicly queer, no matter how they themselves feel about revealing that much of themselves to the world, is problematic on its face. Somerton then went on to talk about how gossip blogger (and garbage human being) Perez Hilton essentially dragged a couple of people out of the closet. And really, are the personal and private lives of any celebrity any of our business? Simply because we enjoy someone’s performance in film and television, or like someone’s music, doesn’t really give us the right to know intimate details of their personal lives. I’ve never cared, beyond mere idle interest in hearing gossip; but I don’t care that much about it because I don’t know these people. What does who Taylor Swift is dating have to do with her music–other than her break-ups tend to spawn some amazing music–and why do I care? Why would I care who Tom Hiddleston is fucking, unless it’s someone I actually know? (There’s an interesting dialogue to be had about our billion-dollar celebrity gossip industry…) To circle around back to Tremblay, I knew he was publicly identified as straight as far as I knew (and didn’t care to know more). I was a fan of his before reading A Cabin at the End of the World (having greatly enjoyed A Head Full of Ghosts and Disappearance at Devil’s Rock–I’ve not read the others yet–and so I was delightfully surprised that the family the book was centered on was a gay couple and their adopted child. It was yet another entry in the “people go to secluded place and then horrible things happen” trope of horror, but with a remarkable twist that made it even more intense and terrifying. (I’m really looking forward to the film.) I read the book and enjoyed it, and I didn’t read anything sinister into it; but I was also reading it from an entertainment perspective rather than to gain a sociopolitical perspective for writing a critique…which now I kind of want to do, thank a lot, James Somerton–this is how this kind of thing always happens to me.
In fact, an essay exploring three mainstream novels by non-queer writers centering queer characters could prove interesting–and the Tremblay, S. A. Cosby’s Razorblade Tears, and Laurie R. King’s Back to the Garden would be the perfect trio to look at as they are relatively current, critical successes, and often award recognized.
And on that note I am going to head into the spice mines. Have a lovely morning, Constant Reader, and I’ll check in with you again later.
Monday morning and back into the office. I only have two days in the office this week and three next, thanks to the holiday next Monday–huzzah! I had an incredibly productive weekend, Constant Reader, thanks to some terrific sleep every night and no college football. I know that tonight is the national championship game but I won’t be staying up to watch it again this year–that’s three consecutive years I’ve not watched–because I have no skin in the game and can always watch highlights tomorrow. My preference would be for a TCU win; they’ve not won anything since the second world war and it would be a fun change to see a program come from nowhere to win it all this year. (LSU was 10-3 in 2018, so we knew they’d be good in 2019; we just didn’t know how good they would be.)
I slept well again last night. I think I may have finally found the right mixture of things at night to help me sleep, so hopefully the big test–New York and a hotel bed–will be passed with flying colors.
Yesterday was a good day. I spent most of it working–I wrote six thousand more words yesterday, bringing the weekend’s total to ten thousand, which is pretty damned good–and after I was done working for the day, we finished watching The Rig, which was kind of interesting and weird and way different than what we thought it might be–again, there’s no greater suspense than people being trapped and isolated somewhere and there’s some kind of threat, especially when group dynamics and politics start getting involved. I am enjoying writing again–the last book I wrote was nightmarish to try to get done for some reason, but I am back into a writing groove again and it feels terrific. I only needed to rest for a day or so, too, between different writing projects before diving back into it. I kind of let my emails pretty much go, though, over the course of the weekend so it’s going to take me some time to get that back under some kind of control today. But I feel pretty good this morning, my coffee continues to taste marvelous, and while I do have a lot to get done before leaving for New York on Wednesday, I am neither daunted nor bowed by the amount of work that needs doing; rather, I feel very empowered this morning.
I also spent some more time reading A Walk on the Wild Side, which I am sort of enjoying a bit more than I did originally. I am probably going to try to read some more when I get home from work tonight and after I get my quota for the day. I also need to make some lists about what to take on the trip with me and I need to check what the weather is going to be like up there; there’s also a weird bit of sadness associated with this trip as well, since it will be my last official trip for Mystery Writers of America. It’s hard to believe it’s been three years, but two of those years were sucked up into the pandemic and no traveling, so there’s that. That probably won’t completely sink in until I am back home from the trip this weekend, either.
I also need to make a to-do list for this week. I have errands to run after my day at the office as well. Heavy heaving sigh. I know I have some short stories I need to get written and some other things that have to be done at some point soon–and I really need to dig through my email inbox to make sure everything’s been put on the calendar so I don’t forget anything. I also want to watch The Pale Blue Eye, but that may have to wait until after I get back from this trip and get all settled in again here in my own life. I also need to decide what to take with me to read on this trip. Obviously, I am not going to finish the Algren before I leave, so that’s going with me, but what to read while there and on the trip home? I think I am going to continue immersing myself in cozy mysteries for a while before going back to a different sub-genre; on the other hand, I could also take either a Carol Goodman or a Ruth Ware with me, so I can continue working my way through their oeuvre…decisions, decisions, always decisions to be made.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again later.
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
Tuesday morning and back to the office. I made quota again yesterday but am still behind from missing on Friday or Saturday or whenever that was. It’s in the forties this morning–it feels chilly here in the apartment this morning, and it’s also dark outside. I’d forgotten over the three day weekend how much I hate getting up in the morning to darkness outside my windows. It really is oppressive having to wake up in the dark and get your day going while it’s still night outside.
We’ve been watching Sex Lives of College Girls and really enjoying it. It’s quite funny, occasionally sad, and very well done. I don’t even know why we started watching it–I’ve literally heard next to nothing about it, and had no idea it was a Mindy Kaling show until the credits–but it’s quite clever and enjoyable and funny. After years of seeing the male college experience, with its emphasis on drugs, alcohol, and sex, it’s fun to see it from the girls’ side of things–and a lot more interesting. It’s also laugh out loud funny at times, and at others, it’s rather poignant and sad. It focuses on four girls sharing a suite in the freshman dorms–one a rich society girl, one a scholarship student from a small town in Arizona, another a senator’s daughter and soccer athlete, and the final girl a sex-obsessed South Asian woman who wants to be a comedy writer–and watching their friendships and relationships grow organically is kind of nice. The rich girl is a deeply closeted lesbian who resists any push from sex/romance partners to come out–and those tired old excuses she trots are equally easily recognizable to anyone who’s ever been in the closet and thus living the double life. We have one more episode of season one left before we can move on to season 2–and the ongoing stories for each girl are kind of compelling and interesting to watch. It’s also fun watching the roommate bonding between them and their own friendships growing stronger over the course of the show. It’ll be even more fun seeing how it goes and grows.
It is hard to believe this is the last week of 2022, a time, one supposes, for casual and causal reflection on the past year as a new one is to be born. I do seem to recall the year as being a time of mostly being miserable and not enjoying myself much or being able to get much done, but once I start reflecting on everything that happened in the past year it was actually a good one overall; there were a lot of frustrations and miseries along the way, but somehow I managed to keep plugging along and keeping going. A lot of the misery was a feeling of disorientation, primarily driven by having to get up early several mornings per week–always a bad thing for me, it also shifts me into a misery-adjacent position–and never really feeling like I had a handle on things because there was always so much to do, which in its turn created anxiety and stress which then manifested as insomnia which then made me tired every day and often too tired to get much of anything done, which then added to the anxiety and stress which then made the insomnia more potent and so on and on it went, a vicious carousel where the brass ring was always just slightly out of reach for me. That’s kind of how everything has felt since the pandemic started back in March of 2020 (going on three years now)–I had just started adjusting to my work schedule in our new building when the bottom dropped out and I no longer felt like I had a handle on my life anymore. That is unsettling for me, being much more of a control freak than I ever thought I was; and one thing I would really prefer in 2023 is to not feel like the strands of my life are slipping uncontrollably through my hands–ad leaving rope burns.
Of course, as I am behind on my book and need to spend as much time as possible between now and this weekend finishing it, I may not have much time for careful and studied reflection on the new year and what I want from it as opposed to what I got from the previous year, or what I accomplished, or what I left unfinished. But from looking over my client schedule for the week, it looks pretty light; I think most of the doctors are out this week for the most part so no one will be added to the schedule, either. Next week we start seeing people every half hour, which is pre-pandemic level scheduling; it’ll take a while for that to start getting out of control and to the point where we actually have someone scheduled every half-hour, which we’ve not done since before the shutdown (it feels like that should become a thing, doesn’t it–Before The Shutdown, BTS for short). Which means my day-job will be busier and my every hour of my every work day up in the air. Woo-hoo! I love that for me (sarcasm font).
The book is coming along nicely, I suppose. It’s great to hit the word count every day (even though I missed a day and need to make it up at some point), and it’s nice to know that I can still sit down at the computer and bang out three thousand or so shitty words on a daily basis. I am always afraid that’s not going to happen someday when I sit down; it does sometimes, but it’s usually more from laziness of my own than anything else, really. But that doesn’t lessen the fear that the day will come when it won’t be my own laziness and desire to just sit in my chair watching whatever Youtube videos come up to watch after picking one I want to see. I also have to decide what I am going to read next, digging something out from the ever growing and teetering TBR Stack, which is about to grow again as I ordered books for my Christmas present to myself–more Ruth Ware, Carol Goodman, a few I saw recommended by other writers, Jami Attenberg’s writing memoir, and of course a Hollywood memoir of a bisexual actor (more research for Chlorine, of course). I am also finally reaching the end of my extremely long, over a thousand pages Robert Caro biography of Robert Moses, which means I’ll finally be ready to tackle another lengthy non-fiction book as well. It has taken me years to read the Moses biography, which is extremely well done (it IS Robert Caro, after all) and it’s also fascinating to see how ONE man reshaped the city of New York as well as the future of Long Island–and not necessarily for the betterment of either. I think I will probably move on to David McCullough’s history of the building of the Panama Canal, or his book on the Johnstown Flood (it’s much shorter).
I was also looking at all the blog entries I’ve started as essays about one thing or another over the past few years, and thinking one of my goals for 2023 is to finally get those entries finished and posted and out of the draft folder. Something else for the goal list to post on New Year’s Day, I suppose.
And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.
Monday morning and all is well in the Lost Apartment as I swill coffee and brace myself for the day (and week) ahead.
I returned from Kentucky on Friday. Both the voyage up and back–despite their great length and the brittle stiffness of my aging body–didn’t seem quite so bad or to take as long as they usually do. I did make great time in both directions, while listening to two audiobooks (Ruth Ware’s The Woman in Cabin 10 on the way up, Carol Goodman’s The Disinvited Guest on the way back; both are superb and highly recommended) but of course once I got home on Friday night I was quite exhausted. I spent Saturday trying to get caught up on the apartment itself while football games played in the background (more on that later). I did a lot of laundry, a lot of dishes, ran errands and made groceries, before finally settling in to watch the LSU/Texas A&M game, which was disappointing (more on that later). Yesterday I got up early (I’ve been getting up early a lot lately) and chose to stay off-line for the most part. I did clean out the junk out of my inbox, wrote up the books I read while on my trip for blog entries, and wrote another blatant self-promotion post for A Streetcar Named Murder while also trying to get a handle on everything I need to get done for this coming week. I felt very well-rested yesterday at long last. I didn’t have as much trouble sleeping while I was away as I usually do, which was cool–I found another sleep-aid that seems to be working very nicely–but Friday night I didn’t sleep as well as I thought I would, given how worn out I was from the drive. Saturday night’s sleep, however, was quite marvelous.
Ah, the Insomnia Chronicles. How I long for the day when my sleep isn’t of concern (or at least as not as much interest) to me.
The weather was also kind of terrible when I got back–raining and humid, but cool; the kind where you aren’t sure if you need to turn on the heat or the air, and yesterday there were tornadoes and high winds in the river and bayou parishes outside of New Orleans. Yesterday however was beautiful; sunny with blue skies with the low in the mid-sixties and the high in the mid-seventies. Not bad for Christmas season, is it? It’s also hard to wrap my mind around the idea that it’s Christmas already, to be honest. I got a great Kindle deal on a collection of Christmas crime short stories, which I am really looking forward to digging into–perhaps a story a day for the season? The Christmas Murder Mystery project? (You know I love me some projects to work on.) It’s also weird that it’s the holiday season again, which means Carnival is also right around the block. YIKES. This also means I need to start planning around the parade schedule and when I need to leave work and so forth. Ugh, much as I love Carnival, it’s always stressful and exhausting, if fun and delightful.
It was an interesting weekend of college football. The Mississippi-Mississippi State game on Thanksgiving was a lot of fun, right up to its crazy end; South Carolina somehow managed to beat Clemson; and of course, Michigan blew out Ohio State in Columbus. This kind of set the stage for the LSU game on Saturday night–I had a very queasy feeling about the game, partly because it seemed as though everyone was looking ahead to next week’s SEC title game with Georgia and the possibility of a play-off berth for the Tigers; but Texas A&M always plays LSU hard, no matter how bad their record is, and for some reason they’ve decided LSU is their big rivalry in the conference. The game looked awful; LSU was playing very sloppy on both sides of the ball and my heart and spirit continued to flag with each missed tackle and each missed opportunity. It was disappointing, to be sure, but on the other hand, I am thrilled to death with how the season went. No one gave LSU a shot at having a winning record, let alone beating Alabama and winning the West division, so I am choosing to be grateful for a wonderful winning season after two seasons of mediocrity and looking forward to an even better, more glittering future for the Tigers. I have faith in Coach Kelly, I have faith in what he is building there, and who knows? In a year or two we may win it all again. GEAUX TIGERS!
In other blatant self-promotional news, I also appeared recently on Alexia Gordon’s The Cozy Corner, which was a lot of fun, and I also appeared on Dru’s Book Musing, and how lovely that she gave me such a wonderful view. Thanks to both Dru and Alexia, both being lovely people who have gone out of their way to be kind to me and A Streetcar Named Murder, for which I will always be eternally grateful. It’s hard to believe the book is going to be published soon! And don’t worry, there will be plenty more blatant self-promotion to come.
PLENTY.
I also spent some good time with the book yesterday and it’s not nearly as bad as I thought it might be, as I feared it would be. Yes, the first half needs some work, but not nearly as much as I had thought and I also went through and made a character list as well as outlined the first half. Tomorrow I am going to work on the edits and finishing the outline for the rest of the book; and I am also going to write in and ask for more time. I never finish on time, do I? But the book is good, there’s lots of material for the second half, and I am kind of excited about getting this one completely under control at long last. Huzzah!
We also binged 1899 yesterday; it’s from the same people who did the superlative German series Dark, and had the added bonus of having one of our favorite actors from Elité, Miguel Bernardeau, in the cast as well. It’s delightfully creepy and strange, and you never have a very good sense of what is going on (like Dark), so of course we were glued to the set the entire time. It’s quite good, actually; I’m not sure how I feel yet about the final episode other than curiosity about how that is going to lead into a second season–because the finale raised more questions than it answered (like a good finale), but I’ll be happy to continue watching.
I feel rested this morning, though, which is lovely. I am sure by the middle of the week I’ll be tired and short of temper again, but for now, for this morning, I am going to just enjoy myself feeling rested and relaxed in the meantime. I have, as always, an insane amount of work to get done this week, but right now I am going to enjoy the peace and quiet of this morning before I have to start getting ready to leave for work; I even got up earlier than I usually do on Mondays.
And on that note, I am heading headfirst into the spice mines. Have a lovely Monday morning, Constant Reader, and I’ll chat at you again tomorrow morning.
Queer and Loathing in America 