Love Vigilantes

Friday! Friday! Gotta get down it’s Friday! Although I kept thinking yesterday was Friday, actually. It occurs to me that I actually keep this blog so religiously primarily because it helps me keep track of what day of the week it actually is, if not the actual date so much. I am of course working at home today–lots of data entry to do once I got this posted, and of course, it’s laundry day for the bed linens. Yesterday I spent the day making condom packs and then went to the gym, afterwards coming home and feeling completely brain-dead and unable to make any progress on the book–which I will have to correct tonight; I need to be revised through Chapter 10 by this weekend was the goal, which means I need to get four chapters revised tonight or tomorrow, so Sunday I can spend the day copy-editing and coming up with some plans for the second half of the book. If I have some spare moments that I wish to use not being a vegetable, I may work some more on “The Sound of Snow Falling,” which I am actually enjoying writing.

Shocking, right? And at some point I need to get back to Jess Lourey’s marvelous Edgar finalist, Unspeakable Things.

I also went into a bit of a wormhole last night about Louisiana’s “cancer alley,” and have long thought, in idle moments, that I need to address Cancer Alley in a Scotty book; I can think of nothing local that would drive his parents into full-on protest mode than that. (For those of you who don’t live in Louisiana,”Cancer Alley” is what Louisianans call the strip of petrochemical plants along a stretch of the Mississippi River between New Orleans and Baton Rouge. The plants are generally located in relatively poor parishes and areas,; there is also a very high prevalence of cancer in those communities, hence “Cancer Alley.” Since the petrochemical companies have deep pockets and Louisiana politicians have always gone relatively cheap, nothing is ever done about it….Louisiana is slowly being destroyed from within because our state legislature, many of our state politicians–including those we send to Washington–are owned these companies in tandem with the oil companies, who are responsible for our gradually eroding coastline and increased vulnerability to hurricanes) Cancer Alley has been back in the local news (it never makes the national news) again because people are protesting again–this happens periodically–but this could be an enormous departure for a Scotty book, which is why I’ve never done Cancer Alley Canard (yes, I came up with the title for it yesterday), but it also doesn’t make any logical sense for Scotty’s parents to never ever talk about, or protest, Cancer Alley…and of course, it would have to begin with a protest (perhaps Scotty and Storm bailing their parents out from yet another arrest) and then an activist would have to be murdered–maybe even a journalist, I don’t know. But corporate evil is something I have always wanted to write about, and perhaps it’s getting closer to the time I do that with Scotty. (For those who are paying attention, that means I have ideas for at least four more Scotty books–this one, Twelfth Knight Knavery, French Quarter Flambeaux, and Quarter Quarantine Quadrille, with Hollywood South Hustle also in the mix.)

But I have to write Chlorine next. That’s the most important thing once I have this one sent off to my publisher.

As Constant Reader is aware, one of the things I do to entertain myself while making condom packs is to continue improving on my vastly inferior education in film. I decided to take a bit of a break from the Cynical 70’s Film Festival, and am again saving horror films for this coming October season. I had wanted to do a study of teen films and how they changed and evolved from the 70’s to the 80’s; but yesterday as I scrolled through those options I really didn’t feel like any of them were particularly appealing, given my mood. But as I scrolled, I came across A Room with a View, an 80’s classic from Merchant-Ivory, and I recognized that I had, in fact, never seen a Merchant-Ivory film. I’ve never been a particular fan of E. M. Forster, and while I do recognize the appeal in fictions set during the high noon of the British Empire (likewise, I felt much the same about the Regency period, but found myself thoroughly enjoying Bridgerton and have thus had to alter my thinking about that period, so why not?) at the same time, I have also recognized that the appeal of most of those fictions lies in there being about the privileged–those with country homes and scores of servants, and the ability to travel abroad. The Imperial English were also horrific racists and nationalists as well as classists, so while I was relatively certain Merchant-Ivory films were well made and well done, my attitude towards viewing them was more of a “meh” than anything else. Yet…I had never seen one; this film was one of Helena Bonham Carter’s first big roles; and you really can never go wrong with a cast filled with English actors. So, I queued it up and began watching.

Imagine my delight when within minutes of the film opening I discovered the cast included one of my all-time favorite actresses–the magnificent Maggie Smith–and Judi Dench! And of course, the first section of the film is set in my beloved Florence and Tuscany! I settled in, starting stuffing condom packs with a very delighted sigh, and began watching. The film seemed a bit slow at first–I felt the build-up into the love story between Lucy and George (gorgeous young Julian Sands) perhaps took a little too long, and then the whole matter of the “scandalous” secret that he kissed her in a poppy field during a rainstorm a bit silly (fully acknowledging that in their class, this was the kind of thing that could ruin a young woman’s reputation; one of my frustrations with older periods is how atrociously stifled women were), but once they were all back in England and Daniel Day-Lewis appeared on the scene as a fiancĂ© for her, it got really going. (Might I add how marvelous it was seeing Day-Lewis, who would go on to win three Best Actor Oscars, in an early role as the pompous and very straight-laced Mr. Vyse? He was marvelous in the part, and of course, watching him I couldn’t help but marvel that the man inhabiting this role so perfectly would go on to My Beautiful Laundrette, My Left Foot, The Last of the Mohicans, There Will Be Blood, Gangs of New York, and Lincoln–yes, what an exceptional talent indeed) And of course, Rupert Graves is so astonishingly beautiful as a young man. Visually the story is sumptuous; the writing witty and clever; and of course, the acting is top notch. I shall indeed have to watch more Merchant-Ivory films…and it also occurred to me, as I watched, that I have also never seen A Passage to India, and really should correct that oversight.

And perhaps should give Forster another try.

After completing my daily tasks and chores and the gym, I came home to clean and reorganize a bit. As I was putting books away, I came across my copy of Sanctuary, which I had taken down recently thinking about rereading it. I did reread the first chapter, but then I got caught up in Alyssa Cole’s amazing When No One Is Watching and digressed away from it. One of the reasons I was thinking about Faulkner again was, naturally, because I had been working on Bury Me in Shadows, and the whole world I’d created in that book– as well as a couple of published short stories, and numerous others unfinished–was rather inspired, not only by the region my family is from, but by Faulkner; I wanted to write about Alabama much the way Faulkner did about his jawbreaker of a county in Mississippi (Yoknapatawpha?) and writing various books and stories that were all set there and loosely connected; I also wanted to revisit Faulkner a bit because I wanted to remember the way he wrote; the dreamy texture and atmosphere of his prose, and how he presented his world as honestly and realistically as he could. (I know there are those who consider Faulkner’s works to be racist, and yes, of course they are; the use of the n-word is prevalent, of course, as well as depictions of racial inequities and racist white people; but he also doesn’t excuse them or try to present them as heroic or being right–he leaves that to the reader. Usage of the worst racial slur will never cease to make me recoil or flinch, which makes rereading his work more challenging than it did when I was younger, I am sad to confess.) I had originally read Sanctuary when I was in high school, and really do need to revisit it as an adult and as a published writer, so I can grasp it better and I am also curious to see how I will react to it. I began reading other Faulkner works after I had a very encouraging creative writer teacher in California (as opposed to the monstrous troll in Kansas); he recommended As I Lay Dying to me, and I not only devoured it, but then moved on to The Sound and the Fury, which remains to this day one of my absolute favorite novels. “A Rose for Emily” is also one of my all time favorite short stories as well–and I think it was this story that actually pushed me along the path to coming up with ideas for a fictional county in rural northwest/central Alabama; that story is so beautifully Southern Gothic…and so many small Southern towns have those kinds of eccentrics that it seemed like writing about those eccentrics was the proper way for me to go with my own writing.

My writing career has truly had so many stops and starts over the years…

And on that note, tis time to. head into the spice mines for today. It’s gray outside my windows this morning, and today is a day when I most likely won’t be leaving the house at all, which is also kind of lovely. I am going to be doing data entry until I finish it all; if there’s time left in my work day I shall then go back to my easy chair and condom packing….and seeing if I can find Maurice on a streaming service for free, or A Passage to India.

Have a lovely Friday, Constant Reader!

Here to Stay

And it’s Friday. January is slowly slipping through my fingers, but that’s okay; I’d rather life not really slow down to accommodate me, to be perfectly honest. It’s raining and gray outside this morning–last night I managed to sleep completely through the night, which was a quite lovely thing, to be honest, and I feel awake and rested this morning. Rain always helps me sleep better, so I always prefer the rain to come during the night, frankly–but I love rain as long as I don’t have to go anywhere and do anything important while it is happening.

We finished Bridgerton last night, and I must say the show definitely lived up to its hype and word-of-mouth. It was a delightful entertainment, with a gorgeous young cast (and even the older members of the cast were quite marvelous, both in talent and appearance) and I daresay many of this cast will become stars in their own right–the leads, Daphne and Simon, are impossible to look away from when on screen and I am not afraid to confess I got teary at points, particularly the scene at the ball in, of all things, the rain. Visually the show was absolutely stunning–those sets, those costumes, those color palettes!–and the writing was strong. I’d say Shonda Rimes deserves every penny of her massive Netflix contract; the same cannot be said for Ryan Murphy. I am now quite curious to read the novels by Julia Quinn, to see if they are as delightful as the show. I’ve always enjoyed romance novels–while always preferring crime, of course–and it has been a long time since I have read one, immersing myself in crime novels the way I have over the past two decades. Perhaps broadening my reading to other genres again would be advisable? I had mentioned when we first started watching Bridgerton that in another lifetime I might have been a romance novelist; now I am thinking that writing one might be the kind of writing challenge I need in order to keep my own writing fresh and invigorate my own career again. Despite my own cynicism, which has only gotten deeper and more strong as I have aged, I am a hopeless romantic who always wants there to be a happy ending for the characters I read about, and TV shows and movies often move me to tears. The aforementioned rain scene had tears spilling down my cheeks, and I am not ashamed to admit it. (Both The Princess Bride and the animated Beauty and the Beast still bring tears to my eyes, despite the fact I have seen both dozens of times.)

I was exhausted yesterday; pretty much the entire day I was running on accessory. I thought upon waking yesterday morning that it might be a good day, but it was not to be, alas. For some reason I felt tired and drained almost the entire day, like my batteries were recharging, and I had no energy to face anything or even try to get much done. I couldn’t face my emails! Let alone trying to get any writing done; I abandoned that possibility early in the day when I realized my brain was fatigued. I made condom packs for most of the day, and watched two movies–one was a rewatch of the exceptionally amazing Angel Heart, starring a young and astonishingly beautiful Mickey Rourke, Robert DeNiro, Lisa Bonet, and Charlotte Rampling. Part of the film was shot in New Orleans–still stunningly beautiful and different in the 1980’s, but still the same New Orleans–and the visuals are exceptional. The plot is genius, with all of its twists and turns–I read the Edgar winning novel on which it was based several years ago; it’s also quite excellent–and I don’t know if it gets enough credit. I find myself becoming very interested in 80’s “Neo-noir”, whatever that means; I consider these films to be noir, but am also not an expert on noir or film, nor am I really sure why the noir films of the 70’s and 80’s are called “Neo-noir” rather than noir–more research obviously must be done here–but I think that may well be my next film festival–but shall have to come up with a catchy name for it, undoubtedly. There were some terrific noirish films made in those decades–Masquerade, Body Heat, No Way Out, Angel Heart–and I wonder if there is–there inevitably always is–a book or two examining these films?

The second half of yesterday’s double bill was a 1983 British made for television adaptation of The Hound of the Baskervilles, which reminded me of why Holmes never really resonated with me when I was younger. Perhaps it was simply the film, but the characterizations were so two-dimensional the story never really caught fire–and I do remember this was my favorite Holmes story when I was younger; which is even odder because Holmes is hardly in the story at all–but I’ve always been drawn to hauntings and family curses. As I watched, I kept thinking to myself how I could possibly adapt this story to my own Sherlock world–now that I’ve dipped my toe into those waters I cannot stop thinking about them–and rather smiled to myself when I thought my version could be called The Hound of the Mandevilles and be set on the North Shore. I already have an idea for a ghost dog story set in New Orleans–“The Hound of St. Roch”–but I don’t think that would work as a Sherlock story, unfortunately.

I really need to get Sherlock out of my mind, and I suppose watching film adaptations of his stories is probably not the best way to do that, is it? But I’ve grown weary of the Cynical 70’s Film Festival and need a break from it for awhile; but I think I’ll hold off on a Holmes film festival for a while. Last night while I did laundry and cleaned the kitchen I kept thinking about writing a Holmes novel–which is the last thing I need to be thinking about right now.

And on that note, it is time to head into the spice mines for the day. Have a lovely Friday, Constant Reader, and I will check in with you again tomorrow.

Skullcrusher

Well, yesterday was not one of my better days; it started off not great–right around the time I started getting ready to leave for work–and continued through the beginnings of my day at the office. No need to get into the frustrations and irritations involved (one of them being not being able to find a check for a short story I last had my hands on Saturday but the fucking bank was closed and now I can’t find it), but just before my actual clients started showing up I took a very deep breath and cleared my mind and cleansed it of everything poisonous that the incompetence and thoughtlessness of others put there and sallied forth into my day.

Ah, the joys of being a professional.

After work I went to the gym–had been blowing it off for just over a week, he admittedly shamefacedly, but it was cold–and that was lovely. I came home and cleaned the kitchen, and when Paul got home we watched two more episodes of Bridgerton, which is oddly enjoyable and addicting. My favorite character by far is Eloise Bridgerton; what a delight she is, rejecting everything having to do with being a proper lady and just wanting to live her own life and expand her brain. We have yet but one episode left to go before it’s all over until the next season drops, and I shall sorely miss it; it’s just pure unadulterated fun, while at the same time making me wonder that for so many centuries we put so little store by women other than for them to be wombs, property of their husbands. It’s also a bit racy–I can’t believe one of the major plot points revolves around Simon not, er, um, shooting his load inside his wife, our heroine Daphne. But Regency England society was pretty racy; I was just talking to Paul last night about how this period has never been of much interest to me because of the Regency–Prince George was a bit of a monster–and of course by the time of the events of this show, Queen Charlotte was already dead; but frankly I am glad Charlotte is the one in charge instead of her wretched son.

Today is also pay day, aka pay the bills day (huzzah?)–it seems like we just got paid, really–and so at some point this morning I shall have to make the car payment as well as pay the other bills as well. Oh, how I long for the day when the car is finally paid off; it seems like I’ve been making that enormous monthly payment forever now. I didn’t sleep all that well last night–worry about all the things I have to do, no doubt; I feel as though there are several swords of Damocles hanging over my head at this point in time–but as always, there is nought to do but simply put my head down and start ploughing through everything until I can get as caught as I can while other new and interesting and sometimes tedious tasks and chores pile up around me. But at least this morning I came downstairs to a clean kitchen, which was lovely, and my desk is completely in order (I looked for that check again last night when I got home; nowhere to be found, alas; but it shall eventually turn up somewhere, I am certain), which was even lovelier, quite frankly. Although I didn’t sleep much or well over the course of the evening I don’t feel tired this morning–that will undoubtedly come along later–so I am very hopeful that the tiredness won’t be too terrible this afternoon and so I can get some writing done this evening. I have another short story I want to reconstruct for a submissions call with a deadline later this spring; I have a story that is absolutely perfect for the call–I just need to make some serious adjustments to it (I actually borrowed the entire structure and setting of this particular story for my Joni Mitchell story, “The Silky Veils of Ardor”, for Josh Pachter’s The Beat of Black Wings), but I already know how to revise it and make it work; it’s just finding the time to sit down and go through the many drafts it’s already been through and figuring out how to get it done properly.

I’m also trying to decide what to read next–I have e-galleys of the new Hilary Davidson as well as the new Alison Gaylin; both look superb–but I have so many wonderful books on hand in the TBR pile already! A plethora of riches, as it were.

I’ve also fallen down a massive Louisiana history black hole, something that may come in handy when I want to write another Sherlock story. Belle Grove was one of the biggest houses in Louisiana; located in Iberville Palace not far from Nottoway–the White Castle–Belle Grove was actually pink and called the Pink Palace. It burned to the ground and was never rebuilt; I can’t imagine the upkeep on a place like that, or, for that matter, the upkeep on Houmas House or Nottoway or Oak Alley must be outrageous as well. I think my version of Belle Grove will be set in my fictional Redemption Parish; I always tie my stories together, remember? The modern Benedict Cumberbatch Sherlock updated “A Scandal in Bohemia” to “A Scandal in Belgravia”; why should I not title mine “A Scandal at Belle Grove”?

These are the things I think about when my mind wanders, as it is so apt to do when given such an opportunity.

And on that note, tis back off to the shower with me, and off to the office. Have a lovely Inauguration Day, Constant Reader!

Are You Ready for This?

Tuesday and back to the day job for a shortened week of work, in which I will only have to get up at six twice, praise be to the baby Jesus.

I am still basking a bit in the afterglow of reading Laurie R. King’s remarkable The Beekeeper’s Apprentice (and there are VOLUMES of Mary Russell cases! VOLUMES!). Wow, what an achievement that was, and one that I certainly envy. It’s very daunting, too–as a writer, I am never more aware of my failings as when I am reading the words of a far more gifted author–and am still feeling a little daunted as I move deeper into the prep work for the final draft of the Kansas book and its ultimate completion. But I got a lot of rest over the long weekend, football is over so my weekends are completely free going forward, and I have a lot of writing that I want to get done this year–hell, I want to get a lot of things done this year, and full steam ahead, I say. As the dark presses up against my windows and I sip my cappuccino, I don’t feel worried or stressed or upset about anything; my mantra it is what it is should help keep me moving forward. I need to stop stressing and worrying about finding the time to do things because the reality is all the stressing and worrying does is kill time and prevent me from doing things, so I need to just try to let go of worry and strife and hunker down and get shit done.

I always feel like I can conquer the world when I am properly rested, don’t I?

But the restful weekend was nice, and nourishing, and lovely. Last week–well, every moment since our nation’s Capitol came under attack–has been insanity, utter insanity, and I was doing the old doom-scroll and watching the news at every opportunity lately as well (it’s been years since I turned on either MSNBC or CNN) and while I am still deeply concerned about the country, the inauguration, and our imminent near-future, I get all tensed up inside and stressed again, so I am, for my own mental health and creativity, going to have to. back away from it and just check in randomly and periodically and resist the urge to keep scrolling or watching. American politics and history–always of such interest to me–have become so toxic that even observing history occurring sends my blood pressure sky-rocketing and twists my stomach into knots.

But it does seem as though the majority of people not lost to Q-Anon conspiracy has finally awakened to what I’ve been screaming about for about thirty years–the depth of these people’s hatred for anyone who disagrees with them on anything. They do not and have not seen as Americans; they do not see us as equals. They only see us as an enemy who must be destroyed at all costs, and woe be to they who do not goose-step in line with their authoritarian values and beliefs. Maybe it was easier to see for me because as a gay man I have been in their rifle-sights for as long as I can remember, I don’t know–but I can remember being dismissed in 2008 and 2009 when I said that they weren’t interested in working together or bridging the divide; they just wanted to obstruct and undermine and paralyze. The Q-Anon traitorous mob that sacked the Capitol on January 6 had its roots in the Tea Party and their racist hatred of Barack Obama, and this was their inevitable path–just as their seditious ancestors refused to compromise on any level about slavery to the point they were willing to destroy the country. Their descendants are no different–and believe you me, part of the Lost Cause mythology holds that the Confederacy was the true American democracy, and those who believe in the Lost Cause still believe it today.

The cognitive dissonance inside their brains must be staggering, absolutely staggering.

We watched two more episodes of Bridgerton last night, which is strangely addicting–but one can always expect that from a Shondaland show, can’t one? Who would have ever thought the highly restrictive societal expectations of the upper, privileged class when it came to marriage for women would make for such riveting television? Part of the American fascination with the aristocracy, I suppose–the same mentality that made Dallas and Dynasty ratings champions back in the day and drove the careers of Harold Robbins, Sidney Sheldon, Jacqueline Susann, and Jackie Collins into the bestselling stratosphere: we like to see rich people suffering. But Bridgerton is an absolute delight, from its writing to its excellent diverse casting choices to every bit of its high production values, from costumes to sets. (There’s an absolutely lovely scene in which Daphne and her brother–the fourth episode, perhaps, or the third?–decide to not wake the servants to make them warm milk in the middle of the night, realize they don’t know how to work the stove, and end up drinking it cold, which tells us all about the class divide–imagine not being able to work a stove! But I daresay there are wealthy people in the country today who wouldn’t know how to light a pilot light or how to work their kitchen appliances)

Tonight, after work, I have to dive headfirst into the revision of the book, which, while daunting, needs to be done. February is a short month which means I don’t have as many days before March 1 to get the book finished; there is the Fat Tuesday holiday coming up as well–I may take off Lundi Gras for a longer weekend–so I can focus on the book writing during that time as well, which should help dramatically. I am not as stressed about this book as I perhaps might (or should) be; I am also relatively certain that can be chalked up to pure denial. I am also trying to decide what to read next–I am still all aflutter from the brilliance of the Laurie R. King novel I read over the weekend; and I have so many options to choose from (the advantage and curse of a deep TBR pile, I suppose) that it’s going to be a difficult decision. I may resort to short stories for the week and wait until the weekend, when I have more time, to get involved in a wondrous read, whatever that may prove to be.

And on that note, tis off to the spice mines with me. Have a lovely Tuesday, Constant Reader! I certainly intend to do so.

Everything’s Gone Green

My memory has truly become amazingly awful and limited as I grow older. Yesterday was one of those days that reminded me just how bad it’s become–and how rarely I follow through on plans I make.

I started writing about Kansas when I was a teenager living in Kansas, and I wrote a long, messy manuscript by hand that was essentially a kind of Peyton Place tip-off, with tons of characters and plots and subplots that meandered about and never really had one cohesive central story. Over the years since that handwritten, almost a thousand page first draft was finished, I came to the realization that as a single novel itself I would need to cut out a minimum of fifty percent of the characters and even more of the subplots while tightening it into one cohesive story. The name of the town changed multiple times, as did the names of the some of the characters, while others remained the same from beginning to end. I had no idea at the time of how to write a novel, or how to structure one…but since it already existed, I began mining it for other novels and short stories, pilfering names and subplots and so forth (the murder story in Murder in the Garden District, and the Sheehan family in the book, were directly lifted from this old manuscript; I changed the family name from Craddock to Sheehan). My young adult novel, Sara, also had a lot of story lifted from this same old manuscript–even characters’ names–so when I started building this iteration of what I’ve taken to calling “the Kansas book” over the years, I knew it was possible I was repeating names from the old original, and at some point I would have to check Sara at some point to get the character names from it, to not repeat them. The Kansas book was also intended to be set in the same world as Sara–Sara being primarily set in the county and the small grouping of three small towns consolidated into one high school; with this book set in the county seat, the small city/large town I called Kahola. Kahola never really sat well with me for the town name; it’s perfectly fine for the name of the county as well as the lake (there actually is a Lake Kahola; it’s where we went when I lived there and “went to the lake”), so I decided to change it to Liberty Center (which I got from Philip Roth’s When She Was Good, so it’s also an homage) and Sara geography be damned. So, yesterday while the Saints played terribly and ended their season (and possibly Drew Brees’ career), I was scanning though the ebook of Sara and pulling out character names–even minor ones– as well as place names and so forth.

I am very pleased to report that there is only one character name that traveled from the original manuscript to Sara and finally into this new iteration of the Kansas book, and obviously that needs to be changed. I am not willing to change the name of the county seat back to Kahola; it never really seemed to fit, and Liberty Center works much better on every level, but I can change the name of the character in #shedeservedit to avoid confusion…not that there would be much, since Sara is my lowest selling book for some reason I certainly don’t get, but it would unsettle me, so it cannot be. As I was pulling names out of the ebook, and place names and places of interest, I also began remembering other things.

I had originally intended for all of my young adult novels to be connected in some way, kind of how R. L. Stine had done his Fear Street series, where all of the books take place in the same town and high school, and a minor character in one would become the hero of another. I was reminded of this because Laura Pryce is mentioned by name in Sara; she was the protagonist of Sorceress, and she was from the same rural part of Kahola County and went to the same consolidated high school. Sorceress tells the story of how Laura goes to live with her aunt in a huge house outside the California mountain town of Woodbridge; Woodbridge is also the setting for Sleeping Angel, and characters overlapped from Sorceress to Sleeping Angel. The Chicago suburb in Sara where Glenn is from is the same suburb that the main character in Lake Thirteen was from; it is the same suburb where Jake’s father, stepmother, and half-siblings live in Bury Me in Shadows; and of course, this latter is set in Corinth County, Alabama–which is where my main character in Dark Tide was also from. As I was picking out the character and place names from Sara, I was also reminded of other books I’d wanted to write, and I had introduced some of these characters in this book intending to revisit them again at another time in another book or story–books and stories I have since forgotten about completely, and yet there are the characters, crying out to me from my Kindle app for me to write about them.

Having triggered my brain into the creative mode yesterday by doing this chore during the Saints game (I started during the men’s finals at the US Figure Skating Championships; congratulations to our world team o Nathan Chen, Vincent Zhou, and Jason Brown) I also began remembering other things I was working on–like “The Rosary of Broken Promises” and “To Sacrifice a Pawn,” two stories I started for a submissions call I didn’t manage to make; or some of my pandemic story ideas (inspired by the pandemic or during it) like “The Flagellants”, “The Arrow in the Cardinal’s Cap”, and “The Pestilence Maiden”; amongst so many, many others. This is why I despair of ever writing everything I want to write during the limited time I have on this earth; I could spend the rest of my life trying to write every story and novel idea I already have and would never be able to finish them all.–and I have new ideas, all of the time; it’s almost ridiculous.

I already know I am most likely going to revisit Corinth County in Alabama again–it’s basically where my already-in-progress novellas “Fireflies” and “A Holler Full of Kudzu” are set, amongst many other ideas for short stories, novellas, and novels. I will undoubtedly return to Liberty Center at some point as well; I have ideas for other Kansas books and stories, too; I’ve revisited Kahola County, Kansas in my short stories numerous times already as well. I’ve also got my own parish in Louisiana–Redemption Parish, which I wrote about in Murder in the Arts District, The Orion Mask, and some other short stories. I’ve also already invented a fictional town on the north shore–similar to Hammond–that showed up in Baton Rouge Bingo and will undoubtedly turn up again in my work, although perhaps not under my own name.

I spent some more time with Laurie R. King’s The Beekeeper’s Apprentice and am thoroughly enjoying the ride. King’s authorial voice is so strong (and reminiscent of the late great Elizabeth Peters) that I cannot wait to read more of the Mary Russell series–it’s so different from her Kate Martinelli series, which I also love–and intend to spend some more time with it this morning with my coffee as well; I see a new tradition for non-working days developing; reading with my coffee in the mornings, which is simply wonderful. I recently acquired Alyssa Cole’s thriller When No One Is Watching, which I am also looking forward to, and I have added both Stephen King’s The Stand and Faulkner’s Sanctuary to the reread pile…and I’d also like to get back to the Short Story Project at some point….and of course there are all those ebooks piled up in my Kindle as well.

We also spent last evening after the Saints’ loss getting caught up on The Stand, which I am enjoying, although it’s made some choices I find questionable. I’m okay with everything having to do with the plague and the characters making their way to either Boulder or Las Vegas being done entirely in flashback, but the focus on the character of Harold Lauder–whom, while important to the story, was at best a supporting character in the novel and the original mini-series–is an interesting choice. They’ve certainly spent more time with him than they have with any of the people who were the novel’s protagonists–Stu, Larry, Glen, Frannie–so the focus of the mini-series seems a bit off to me….but props to them for casting the delightful Alexander Skarsgard as Flagg; his beauty and charisma–so evident as Eric on True Blood–playing perfectly into the role of the dark leader of the other side. Over all, the series is well done and well cast (Whoopi Goldberg as Mother Abagail doesn’t quite work for me; in the book she was old and frail and Whoopi is many things but frail is not one of them; I’d have gone with Cicely Tyson or any of the other gifted Black actresses who are older now) and I am a bit more forgiving than most when it comes to adaptations, I think–especially since the key part of the word is adapt. (I saw some more Hardy Boys enthusiasts bitching about the Hulu series somewhere again yesterday; honestly–I really have to center a book and a mystery around a kids’ series’ overly enthusiastic fans) We still have the rest of the first season of Bridgerton to watch, and season two of Servant has dropped on Apple Plus–do NOT sleep on this creepy-as-fuck show; you will not regret it–and I am also anticipating the release of Apple Plus’ adaptation of Foundation, starring Jared Harris, and we’ve also got a second season of The Terror somewhere to watch, and the second season of Mr. Mercedes on Peacock as well…so we seem to be set for things to watch for a good while.

And on that note, tis back to the spice mines with me. Today is going to be mostly spent reading Laurie King this morning, and then the rest of the day spent with my manuscript as I try to work out the kinks and figure out what else needs to go into it. Have a happy holiday Monday, and do try to remember Dr. King’s message of equality, unity, and freedom for all.

60 Miles an Hour

So yesterday I was a guest at Chicks on the Case blog, which was a lot of fun. I was invited to guest post by the delightful Ellen Byron, an accomplished mystery writer who writes a wonderful Louisiana Cajun country-based series beginning with Plantation Shudders, and also writes as Maria DiRico, who writes the catering hall mystery series. (you can read more about her, and order her books by clicking here!) I’ve not done the guest blog thing in a while, and it was quite fun. I tackled one of the weirder parts of my writing process–how I have to always start with a title, whether it is the final title or not–and was pleased to find out, based on the comments, that it’s not as strange as I had originally been led to believe! Yay, me!

Go Greg, go Greg, go Greg!

I am desperately trying to get my short story done; it’s due tomorrow, and writing it has been a real chore recently. I think my creativity feels like a worn out, dried out old husk right now–probably the push to finish the book, which I am still not sure is completely finished–and so have been forcing myself to have to write it. It’s not a bad story, by any means, it’s just been so damned hard to finish it I don’t know what to do with myself. But while today is a Greg-maintenance day–doctors appointments and so forth-I am hoping to get it finished today so I can polish it tomorrow and get it turned in and out of the way. I am daunted by how much work I also must get done this weekend–truly daunted and terrified–but there’s nothing to do but put my nose to the grindstone and start plugging away. The Lost Apartment is also a disaster area–I’ve somehow managed to keep the kitchen under control for once this week, so it’s mostly the living room that is the tragic mess–so I’d like to get the living room under control this weekend as well. I am going to try to repair my old desktop computer–the things they had me do to the laptop to try to make it functional should also work on the desktop, so keep your fingers crossed for me; it would be lovely to have an actual functional desktop computer here rather than having to keep fucking around with this piece of shit MacBook Air–but I am also not going to waste a lot of time on it. Either it works or it doesn’t, and if this fix doesn’t work I’ll have to figure out a way to dispose of it and get it out of the living room once and for all. There’s just so damned much clutter in the living room–and believe me, the more annoyed I become with the clutter, the less attached I remain to the stacks and piles of books. (If it weren’t for the damned coronavirus, I would have been able to get rid of many of these already; I don’t simply want to throw them away. I have a library book to pick up today as well, so when I call them to have them finish the check-out process and put the book outside on the gallery, I will ask them about how to donate books to them…because this shall not stand)

I also need to get back to reading rather then spending my evening streaming either CNN or MSNBC. The events of the past week have been historical, watching history unfold, and I felt an obligation–still do–as an American citizen to watch and stay informed of what is going on in the country. There’s an inevitable feeling to all of this, really–I always suspected in my heart of hearts (while hoping desperately to be wrong) that it would come to something like this, and as a long time citizen who actually believes, has always believed, and will continue to believe, that the ideals behind the founding of this country are something to always strive for, even if we have all too frequently, as flawed humans, failed to get there and always fallen short. Nowhere and at no time since the Civil War has the union and the Constitution been so threatened; and we remain very lucky we didn’t watch the wholesale slaughter of Congressional Democrats and the vice-president in real time.

And so many of this vile mob of seditious treasonous traitorous insurrectionists only have regrets because they are being arrested and losing their jobs. White supremacy is a potent and addictive a drug as heroin or meth, clearly.

But as I have said before, the world doesn’t stop because of events. The planet keeps turning and going around the sun at the same pace as ever; it halts for no man. As difficult as it is to tear one’s self away–the all-too-real fear of missing something horribly important–I must. Today I will get my routine maintenance done, pick up my library book, get the mail, clean and write my story. Tomorrow I will work at home making condom packs and trying to get back on top of all of my responsibilities, my emails, my writing, my career–and I also want to watch some more cynical 70’s movies while I make my condom packs. (Probably Saturday Night Fever and maybe Play Misty for Me) I also am hoping Paul and I can settle in for some more Bridgerton–we’re only two episodes in–and I also want to get some reading done; I want to tear through the first Mary Russell novel by Laurie R. King, and I have some e-galleys from two terrific authors (Hilary Davidson and Alison Gaylin) I can’t wait to dive into, as well as getting back to the Short Story Project, and also to get back into the swing of going to the gym again.

And with that, I need to start getting ready for my first appointment. Have a great Thursday, Constant Reader! I certainly intend to.

Lonesome Tonight

Lonesome is such a great word. It really doesn’t get used much nowadays, and may be bordering on archaic, but I think it summons up an entirely deeper (and possibly different) emotion than lonely. It was usually used in songs–“I’m So Lonesome I Could Cry” sounds more effective than “I’m So Lonely I Could Cry”, for example–and for some reason (maybe it was country music, I can’t be certain) I’ve always thought of it as a rural, Southern word. But, as I said, there’s something almost poetic to the word for me, and I really do want to write either a story or a book called Kansas Lonesome, because the prairie in rural Kansas, to me, is truly symbolic of the word; whenever I think about it, I think about a house out in the middle of nowhere and the winter winds howling around it.

It’s cold again this morning, and even now the sky is slowly starting to get lighter. It was pitch dark out there beyond the windows as I made my cappuccino this morning, and it should be a good morning/day. I slept very well last night–I did wake up at four briefly, but as able to fall back asleep for another two hours–and I even got some work done on my story yesterday. The first draft still isn’t finished–I was thinking last night, as I binge-watched news, that I’ve never really recovered from finishing the book, which is why I’ve been so lackadaisical and unable to truly focus; this happens a lot in the aftermath of finishing a book, because I actually need to recharge more than I ever did before–but I have every confidence that I will finish it today. Tomorrow I am taking a personal day, as I have medical appointments and so forth (just routine annual maintenance, nothing to be concerned about) and am hoping that around said appointments that I will be able to get some more work on the story finished. I also just realized the 15th, which is the due date, is actually Friday and not Thursday, so that’s definitely promising; a bit of a reprieve, if you will. This is also a three day weekend, so I can actually have a day of resting and cleaning and errands before diving headfirst into the revisions of #shedeservedit, which is going to require a thorough reread first, and then picking it apart from top to bottom (along with the character names) before stitching the whole thing back together again.

Paul’s been busy working the last two nights, so we’ve not been able to pick up on Bridgerton again, which is a shame as we are both thoroughly enjoying it. I really want to get back to reading; next up is Laurie R. King’s first Mary Russell Sherlockian tale, and just from looking at the opening I can tell already I am going to love it, because Mary’s voice reminds me of that of one of my all-time favorite fictional characters, the inimitable Amelia Peabody. And that reminder also served to remind me of one of the greatest influences on my writing career, one whom I never pay enough homage to and never properly credit: one Elizabeth Peters/Barbara Michaels. Reading her works, under either name, is a master class in plot, character, setting and voice; the books are not only entertaining but incredibly smart, and she also had a penchant for some of the best opening lines in crime fiction. The Peters novels all have brilliant first sentences; the Michaels novels incredible opening paragraphs. I’d be hard pressed to select a favorite Peters novel–every Amelia Peabody novel is a joy; same with her stand-clones, Vicky Bliss, and Jacqueline Kirby series–but I can unequivocally state that my favorite Barbara Michaels novel is Ammie Come Home, and her Gothics heavily influenced mine. Bury Me in Shadows and Lake Thirteen are perhaps where the influence are most obvious; I even worried, numerous times, that Shadows was too derivative of Lake Thirteen. I have a New Orleans Gothic in the back of my mind–Voices in an Empty Room–that I may get to sometime over the next few years, but again, I worry that it’s derivative of the earlier ones.

Welcome to the world of the prolific, where you always fear you are recycling plots and characters!

Oh! I got a 12 hour Twitter ban yesterday, and I must say I was enormously disappointed that pundits and right-wingers didn’t immediately rush to defend my freedom of speech. I will admit that I deserved the ban; it’s what I get for being stupid. My standard rule of thumb is whenever I see an incredibly stupid and/or offensive tweet, I allow myself to type out a snarky response. Usually I never finish, thinking better of them before getting to the end and hitting send. Alas, I tried this on my phone yesterday. I’d started typing a truly angry response when I thought, “no, you can’t send that, not cool” and tried to delete the draft but instead accidentally sent it–resulting in an immediate ban. It wasn’t there long enough for someone to report it or for Twitter to actually review it (I am not kidding when I am saying it was immediate), so Twitter is clearly policing itself and what is being allowed on their site. I own it; it was a terrible thing to even think, let alone say in response to someone no matter the provocation, and thus I will not complain about it. I would even go so far as to thank them for reminding me that such angry tweets aren’t cool, and while I am allowed to be angry about the sack of the Capitol, I need to be a better person than I have been lately. So thanks, Twitter.

I’ll do better.

And while perhaps this should have started back in the days of birtherism, I am fine with having such algorithms in place now.

And on that note, I am heading into the spice mines. Have a lovely Impeachment Wednesday, everyone, and I will catch you tomorrow.

Temptation

A very cold Monday morning in New Orleans, and the sun has yet to peek its head out from under the blankets this morning. I slept deeply and well last night also, which made the getting up even more difficult this morning. My space heater is going on HIGH right now, and my cappuccino feels wonderful to my incredibly cold hands. This morning’s shower is going to be quite the challenge, though. But I do feel rested this morning, which is lovely, and while dealing with today’s cold temperatures will indeed suck, I feel like I am somehow up for the challenge.

Walking to the gym tonight after work will be a considerably different tale, I fear.

We started watching Bridgerton last night (that’s us, always on the cusp and cutting edge of what’s new and exciting) and as I watched, I found the word charming popping up in my head when thinking about the show, which is a word that has fallen out of favor and use as a descriptor for fictions, but I think needs to come back. (Ted Lasso, for example, is also a charming show.) As I watched, I began to understand the pull of romance novels again. It’s been quite some time since I’ve read a romance, and I think this has been a grave disservice, not just to the romance genre in general but to me as a critical thinker and writer. I loved romances when I was younger, with a particular appeal for those novels and authors who carried the label romantic suspense–because those combined my two favorite genres, romance and mystery. I also read an awful lot of historical romances–mostly ones based on true history; romance of queens and empresses and princesses and royal mistresses (one of my all time favorites is Anya Seton’s Katherine, which told of the great love story of John of Gaunt, Duke of Lancaster and son of Edward III, and his commoner mistress, Katherine Swynford; whom he had an entire brood of children with and married after the death of his second wife, raising her to be the highest ranking women in England, second only to the Queen herself), and as I watched the show last night, I thought to myself in an alternate universe you would have been a romance writer. The Regency period has never interested me much in England–although the clothes were quite marvelous, and any number of women today would benefit from the Empire style high-waisted dress–primarily because it wasn’t, to me, a particularly interesting period, what with the mad King and his awful sons, who created a succession crisis as they refused royal marriages while living with their commoner mistresses and having hordes of bastard children by them. The show is sumptuous and the attention to details of the period exact; it has the look and feel of care and money, and we were, as I said, quite charmed by it–and we certainly weren’t expecting that.

There is an interesting essay about how Americans enjoy watching rich people suffer as entertainment formulating in my brain as I type this–going back to the 1980’s prime time soaps and mini-series.

I tried working on my short story yesterday, and I did manage to get the 1600 words I’d originally written revised and polished and in better working order, but I did not write into the second act of the story, which is the part I always struggle with on everything, from short stories to essays to novels to novellas. The story is due on Thursday, so I think I am going to have to buckle down, avoid Twitter (yes, I continued trolling right wing politicians and Trump administration appointees yesterday. It’s so endlessly satisfying calling Sarah Huckabee Sanders a fake Christian, a liar, and a traitor to her face…or asking trash like Tomi Lahren why she hates the Constitution, reminding Ted Cruz and Marco Rubio they are cucks and traitors…but effective today I am banning myself from anything other than bantering with friends on there anymore–I have too much to do to bother with stating the obvious to treasonous traitor trash.)

The sun is now rising over the West Bank, and the light is very gray. The sky is covered with clouds–it may even rain today, if I am not mistaken–and this cold spell is supposed to last most of the week, dipping into the low forties after sundown.

I also read a marvelous short story yesterday called “The Fixer”, a collaborative work by Edgar winners Laura Lippman and Alison Gaylin, which was in the Mystery Writers of America anthology Deadly Anniversaries, edited by Grand Masters Bill Pronzini and Marcia Muller–released in the midst of the lockdown last spring, so it didn’t get the attention it truly deserved. The story is quite marvelous–you can never go wrong in the hands of either Lippman or Gaylin, let alone when they collaborate–and I greatly enjoyed it. It’s kind of a “#metoo” story in some ways; it tells the story of a faded child star who appeared in a science fiction television series who now makes most of her living selling signed photos of herself at Comic Cons, who in the present day runs into someone who was her ‘handler’ some years earlier when she was making a movie that eventually was shut done and never finished–ending her career with it–and what happened back then. It’s quite chilling, and a very hard look at how women’s bodies, regardless of age, are seen as property by men in the industry–property those same men have a right to use and abuse how they see fit. There have long been rumors about pedophilia in Hollywood–both Michael Nava and John Morgan Wilson wrote mystery novels around that very subject, which were two of their best books, I might add–and I highly recommend this story, and this anthology; every story in it was written by an Edgar winner, and I will be posting more about the stories as I read them.

The Saints also won yesterday, beating the Bears 21-10 (hey Bears fans, finished what Katrina started yet? Yeah. I have a looooooong ass memory) in an underwhelming game I had on while I cleaned the kitchen and made dinner. Next up are the Buccaneers, whom we’ve already beaten twice; will the third time be the charm for Tom Brady and his new team? Tonight is the Alabama-Ohio State game for the national title in college football, and I don’t find myself caring too terribly about that, to be honest. I might have it on? We’ll probably watch Bridgerton instead, and I’ll see who won when I get up tomorrow morning.

And on that note, tis back to the spice mines with me.