Tag: Breakfast at Tiffany’s

Ladies Who Lunch

Americans have always been fascinated by rich people.

We all want to be rich, after all; as someone once said, “The United States is a nation of temporarily distressed millionaires.” So, in lieu of actually being rich, we obsess about them. The rich used to be celebrities for no other reason than being rich. It’s always been interesting to me that in our so-called “classless” society (which was part of the point; no class privilege, everyone is the same in the eyes of the law) we obsess about the rich, we want to know everything about them, and we lap up gossip about them like a kitten with a bowl of cream. I am constantly amazed whenever I watch something or read something set in Great Britain, because that whole “royalty and nobility” thing is just so stupid and ludicrous (and indefensible) on its face that I don’t understand why Americans get so into it; the fascination with the not-very-interesting House of Windsor, for one. We fought not just one but two wars to rid ourselves of royalty and nobility…yet we can’t get enough of the British royals, or the so-called American aristocracy. (Generic we there, I could give a rat’s ass about the horse-faced inbred Windsors and their insane wealth, quite frankly.)

I wanted to be rich when I was a kid; I spent a lot of time in my youth fantasizing about being rich and famous and escaping my humdrum, everyday existence and becoming a celebrity of sorts with no idea of how to do so. I was intrigued by the rich and celebrities; I used to read People and Us regularly, always looked at the headlines on the tabloids at the grocery store, and used to always prefer watching movies and television programs about the rich. (Dynasty, anyone?) I loved trashy novels about obscenely wealthy (and inevitably perverted) society types and celebrities–Valley of the Dolls has always been a favorite of mine, along with all the others from that time period–Judith Krantz, Harold Robbins, Jackie Collins, Sidney Sheldon and all the knock-offs. I was a strange child, with all kinds of things going on in my head and so many voices talking to me and my attention definitely had an extraordinary deficit; I always referred to it as the “buzzing.” The only time I could ever truly focus my brain was either reading a book or watching something on television–and even as a child, I often read while I was watching television. (Which is why I read so much, even though that buzzing isn’t there anymore and hasn’t been for decades.)

As I get older and start revisiting my past (its traumas along with its joys) I begin to remember things, little clues and observations that stuck in my head as a lesson and remained there long after the actual inciting incident was long forgotten. I’ve always had a mild loathing for Truman Capote, for example, which really needs to be unpacked. Capote was everywhere when I was a child; there was endless talk shows littering the television schedules those days–Dick Cavett, Merv Griffin, Mike Douglas, John Davidson, and on and on and on–and Capote was always a popular guest on these shows. I wasn’t really sure what he did or who he was, but he was someone famous and he was on television a lot. I saw him in the atrocious film Murder by Death, and I know I knew/had heard that he was a homosexual, a gay; and I also knew I was a gay. It terrified me that I was destined to end up as another Capote–affected high-pitched speech and mannerisms, foppish clothing that just screamed gay at anyone looking; Capote made no bones about who or what he was and refused to hide anything…yet he gained a kind of celebrity and fame and success in that incredibly homophobic time period, and no one had a problem with putting him front and center on television during the day time.

But this isn’t about my own self-loathing as evidenced by my decades of feeling repulsed by Truman Capote; that I will save for when I finish watching Capote v. the Swans.

“Carissimo!” she cried. “You’re just what I’m looking for. A lunch date. The duchess stood me up.”

“Black or white?” I said.

“White,” she said, reversing my direction on the sidewalk.

White is Wallis Windsor, whereas the Black Duchess is what her friends called Perla Apfeldorf, the Brazilian wife of a notoriously racist South African diamond industrialist. As for the lady who knew the distinction, she was indeed a lady–Lady Ina Coolbirth, an American married to a British chemicals tycoon and a lot of woman in every way. Tall, taller than most men, Ina was a big breezy peppy broad, born and raised on a ranch in Montana.

“This is the second time she’s canceled,” Ina Coolbirth continued. “She says she has hives. Or the duke has hives. One or the other. Anyway, I’ve still got a table at Côte Basque. So, shall we? Because I do so need someone to talk to, really. And, thank God, Jonesy, it can be you.”

I do want to be clear that once I started reading Capote, he quickly became a writer whom I admired very much; I don’t think I’ve ever read anything he’s written that didn’t take my breath away with its style and sentence construction and poetry. He truly was a master stylist, and perhaps with a greater output he might have become one of the established masters of American literature, required reading for aspiring writers and students of American literature. In Cold Blood is a masterpiece I go back to again and again; I prefer his novella Breakfast at Tiffany’s to the film without question; and I was blown away by his debut novel, Other Voices Other Rooms, which was one of those books that made me think my childhood, and my being from Alabama, might be worth mining for my work.

I read “La Côte Basque 1965” years ago, and didn’t really remember it very much other than remembering I didn’t care for it very much. I was aware of the scandal that followed its publication and that all of Capote’s carefully cultivated rich society women friends felt betrayed by it and turned on him, which sent him into a decline from which he never recovered, before dying himself. I’ve always seen Capote as an example of wasted talents. Anyway, I read the story but not being familiar with his social set, I didn’t recognize any of the people gossiped about in the story or who the woman he was lunching with represented (Slim Keith, for the record), and so it kind of bored me; it was a short story about someone having lunch and gossiping about people the reader had no way of knowing who they were or anything about. I assumed this was because the story was an excerpt from the novel, and the novel itself would establish who all these women were and their relationships with each other. But I did know it was all thinly veiled gossip about his friends, and they never forgave him for it. (I also didn’t recognize “Ann Hopkins” in the story as Ann Woodward; I hadn’t known until the television series that he was involved in her story. I primarily knew about her from reading The Two Mrs. Grenvilles and articles in Vanity Fair, and I actually thought, when reading that book, that it was based on the Reynolds tobacco heir murder that Robert Wilder based his book Written on the Wind on; it wasn’t until later that I learned about the Woodward incident) so I thought, well, it was an entertaining if confusing read.

It was kind of like listening to two strangers talk in a Starbucks and gossip about people you don’t know; entertaining but nothing serious, not really a story of any kind, and I didn’t at the time see how it would all fit into a novel as a chapter in the first place. What purpose to the overall story did this nasty gossip play? Why was it necessary for Ina to share these stories at this particular lunch (and don’t get me started on White Duchess and Black Duchess)? Were these people she was talking about important to the book as a whole? It was hard for me to tell, and I put it away, thinking at the time probably a good thing he never finished the book.

Watching the show about fallout from the story’s publication, I decided to read the story again.

And I still question why Esquire chose to publish it, as well as why Capote thought this chapter was the one to send them. Capote was a genius, of course, and after In Cold Blood was one of the biggest names in American literature (he truly invented the true crime genre); of course they are going to publish whatever he sent them, no matter how bad it was. It wasn’t promoted as a story, after all, it was a novel excerpt.

What I’ve not been able to figure out from any of this is why he thought he could publish this without any fallout from his “swans.” I guess it went to the grave with Capote, who clearly didn’t–and I don’t think ever did–understand why they were so upset with him, which just astonishes me. (Someone once thought I based a character on her–I didn’t–and was very angry with me. I didn’t care, because I neither cared about the person nor her concerns, but I know how careful you have to be as a writer with these sorts of things.)

I wish I could say I liked it better on the reread. I did not. It’s still the same mess it was when I originally read over twenty years ago. It’s just a rich woman being bitchy to her gay friend she feels free to be bitchy about her friends with, and when you have no context (even knowing this time who the actual people were, and yes, he barely disguised them) about the women being discussed or anything about them…it’s just boring, gossip about people you don’t know and you don’t know enough to care about, so it’s just a bitchy little boring lunch. I don’t know what could come before that or after, as an author myself; had I been the fiction editor at Esquire I would have been pissed that was what he sent in, and I would have definitely taken a red pencil to it before I would have published it–and Esquire? Why did Esquire, a men’s lifestyle magazine, publish this when the right place would have been Vogue or Vanity Fair or even The New Yorker. None of it made sense then, none of it makes sense to me now; and if this is the best example we have of Answered Prayers, maybe it’s not such a bad thing that the manuscript–if it ever existed–disappeared.

Sorry, Truman, you were a great writer but this one was a swing-and-a-miss.

Most People I Know Think I’m Crazy

Sunday morning in the Lost Apartment and the sun is shining. It actually looks like a stunningly gorgeous day out there for parades, and of course King Arthur, the last of the day, is one of my favorites (a lot of gays ride in King Arthur). Yesterday was a slow day. I woke up after sleeping for ten hours feeling a little inside out, and the weather wasn’t a help. It rained off and on all day; the parades were all moved up because of the threat of weather (which was accurate; we had a flash flooding thunderstorm later on in the day), and since I was so tired and wrung out, I didn’t feel like attending any of them. I’ll probably go out for King Arthur, maybe for some of the earlier ones, and we’ll see how it goes.

As I said, I was extremely tired all day yesterday and decided to let my body and brain rest for most of it. I did do the dishes and I did get some things done early on, but I soon repaired to my easy chair, where I spent the rest of the afternoon reading–more on that later–but one of the things I wanted to reread was “La Cote Basque” by Truman Capote. I knew it was the story that turned his “swans” against him; I read it many years ago when I went through a Capote phase, when I was able to get past my distaste1 for him personally to start reading his work–which I quickly became a fan of; I love his writing, especially In Cold Blood, and I’ve always preferred the novella Breakfast at Tiffany’s to the film. I always thought he wasted his incredible talents, like so many did, and I am starting to appreciate him more as a person than I ever did before2 and now am curious about reading biographies of him. I never watched any of the films made about him, but now…now I am thinking I should watch them. Capote, Tennessee Williams, and Gore Vidal all knew each other and were contemporaries; openly gay men who didn’t give a fuck about morés and ignored the rule of “don’t ask don’t tell” that pretty much was the only way gay men or other queers could really survive the reality of the deeply homophobic world they existed in. I cannot imagine, but that was also the reality of the world I was also born into, creating internal conflicts that I am still trying to unravel to this day–like why I held Capote in so much distaste, which was really internalized homophobia, which I’ve been confronting since I first watched Capote v. The Swans, and trying to process my way through it.3

Ironically, I wound up rewatching those first two episodes again, because Paul wanted to watch–he also feels the same as me about Capote, which is partly why we never saw any of the earlier films about him–and it’s well done enough for me to easily sit through it again, and it surprised me because I never became bored, even though I’d already seen those episodes. We watched two more episodes of Lupin yesterday, despite my falling asleep during the second, after which we retired to bed.

And here I am this morning, feeling rested and not at all as tired and drug out as I was yesterday, which is a very good thing. I don’t know how much of anything I am going to get done today–I do know I want to spend some time reading and editing, if not writing–and of course there’s always picking up to do around here, and maybe I could vacuum.

I also spent some time yesterday finishing reading the novelization of one of my favorite movies of all time, The Last of Sheila, which I really enjoyed almost as much as I did the film,4 which will be covered in its own entry. I’ve been entranced by this film since I first saw it as a child one Sunday after church, and it still holds up; I’ve never once rewatched, knowing the surprise ending, and been bored or not entertained. (It’s also weird because there are scenes in Capote v the Swans showing Capote shooting Murder by Death, which was one of my earliest memories of seeing Capote, written by Neil Simon, one of the most popular playwrights of the middle part of the century that no one talks about anymore either but he was everywhere back then; I doubt Murder by Death holds up–and I didn’t really like it that much when I saw it in the theater back then, either.)

I’m also thinking it might be fun to revisit In Cold Blood and some other Capote works while I watch the show. I’ve always liked his short stories and his writing style…

And on that note I am heading into the spice mines. Have a lovely King Arthur Sunday, everyone, and I’ll catch you maybe later.

  1. Definitely will be more on this later, probably once I’ve finished watching. Capote v. the Swans. ↩︎
  2. Again, more on this later. ↩︎
  3. Hence the “more on this later” in the earlier footnotes. ↩︎
  4. Again, more on this later. ↩︎

I’m So Excited

Since earning a thirty day ban from Facebook yesterday because of the horror of posting pictures of sexy men in their underwear, I’ve decided to make lemons from this lemonade and start exploring other options of social media. Obviously, Facebook is one of the bigger ones; but I also am on Twitter, Instagram and Tumblr; so why NOT explore those options and expand my following on those sites? So, thank you, fascist homophobic sexist Nazis at Facebook; you’re making me do something I wouldn’t ordinarily do, and at the same time, you might even be rendering yourself obsolete in the world of one Gregalicious.

Well done there, Facebook. Seriously.

Although these other social media platforms are…a little confusing.

Anyway, you can find me on Tumblr here, follow me on Twitter @scottynola, and my Instagram is here. Find me, follow me, and I’ll promise to be better about posting in those places!

As I said, my great experience over the weekend doing panels at Comic Con has kind of invigorated me; I am getting back down to serious writing again, and my creativity is raging out of control. I think that  part of it has to do with keeping a physical journal again; I can’t believe how much of a difference it is making having it with me at all times, and I certainly can’t believe I stopped carrying one with me at all times. I don’t even remember when it was that I did stop carrying one, to be honest. I was talking to another writer this weekend–Bryan Camp, whose debut novel The City of Lost Fortunes will be out this April, and I read an early draft, which was fantastic; I can only imagine how good it is now–and was talking about how much the business had changed, and how quickly it happened. I sort of knew what I was doing the first few years, and then came the Time of Troubles, which derailed me for several years…and when I really got my head back in the game, everything about the business had changed. There were ebooks and bookstores and newspapers were disappearing; magazines that used to review were gone or on their way out the door, Insightoutbooks was phasing out…it seemed like every time I was trying to adapt to something new something else changed, or the new thing was no longer a thing, and social media had become to go-to for marketing; although now it was being called branding. I’m still not completely comfortable with that term; I don’t like thinking of my books as product or of myself as something akin to Tide and Coca-Cola and Folger’s. But I suppose it does make sense from a business perspective; publishing is a business, and the idea is to move units, just like liters of milk and loaves of bread and cans of creamed corn.

But that doesn’t mean I have to like it, does it? Sigh.

Yesterday I read a short story by Truman Capote, from Breakfast at Tiffany’s and Four Other Stories. It was called “A Diamond Guitar.”

coverbreakfast

The nearest town to the prison farm is twenty miles away. Many forests of pine trees stand between the farm and the town, and it is in these forests that the convicts work; they tap for turpentine. The prison itself is in a forest. You will find it there at the end of a red rutted road, barbed wire sprawling like a vine over its walls. Inside, there live one hundred and nine white men, ninety-seven Negroes, and one Chinese. There are two sleep houses–great green wooden buildings with tarpaper roofs. The white men occupy one, the Negroes and the Chinese the other. In each sleep house there is one large pot-bellied stove, but the winters are cold here, and at night with the pines waving frostily and a freezing light falling from the moon the men, stretched on their iron cots, lie awake with the fire colors of the stove playing in their eyes.

Truman Capote’s In Cold Blood is one of my favorite books, and it’s partly because he is so poetic, so charming, a writer in his word choices and the way he describes things. It always cracks me up when people tell me they love Breakfast At Tiffany’s because it’s clear they’re talking about the movie and not the Capote novella it was loosely based on; the novella is actually really dark and sad, as most of Capote’s work is; even if he didn’t always write about the south, he was very much of the Southern Gothic school of writers. In the novella Holly is basically an escort who’s looking for a sugar daddy–and so is her neighbor, the guy telling the story; he’s not George Peppard and he doesn’t fall in love with her because he’s gay, escorting and also looking for a sugar daddy; they bond in friendship over that similarity.

This story, “A Diamond Guitar,” is short and very poetically written; many Southern prisons are referred to as ‘farms’ and the prisoners work with the money from the sweat of their labor going to the prison (and usually siphoned off by someone). The story is about a convicted murderer, known in the story only as Mr. Schaeffer, and it tells the story of the only friend Mr. Schaeffer ever had in the prison, a beautiful young Cuban boy named Tico Feo. Tico brings the diamond studded guitar into the prison with him; the two men become friends–but not lovers; Capote is very clear that they are close as lovers but there is nothing physical between them; and finally Tico decides he wants to escape and he wants his friend to come with him. Tico does manage to escape, but Schaeffer does not; he trips and breaks his ankle and is left behind–it’s never clear whether this accident was actually deliberate or not, but it’s clear Schaeffer doesn’t really want to escape. But without hid only friend, Schaeffer closes himself off from everyone else in the prison, and under his cot he keeps the diamond guitar. The diamonds, of course, are just glass; just like Tico, everything about the guitar is phony.

It’s a really lovely little story.

And now, back to the spice mines.