Tag: art v the artist

Last Train to Clarksville

Well, we made it to Wednesday, didn’t we? This is my first full week of work in over three weeks, thanks to holidays and a canceled trip, and I am rather surprised at how well I am doing. Monday was a drag, but yesterday? I was wide awake and energized when I left the house yesterday morning, and listened to Berlin’s Pleasure Victim–which is still a bop, forty years (!) later–and got to work early. I also got to leave early, which was delightful, despite the remnants of Beryl dumping rain on us off and on all day.

The concept of the art vs the artist has reared its ugly head again this past week or so, and yeah, I don’t have any answers to this question. I’m not particularly vested in this most recent pair of artists being exposed as bad people outside of their craft; I don’t have a dog in either fight. I have enjoyed one’s work in the past, and admired their craft, but…but the other I’ve never read. It’s easy for me to say the credible accusations are enough for me and to never read them again, but it’s not painful. I think the message from all of this is to be very careful who you make into a hero? I myself have been disappointed by celebrities and authors who’ve turned out to be terrible people in the real world; but actors aren’t their roles and authors aren’t their books, either. Performances and writing are necessarily of the person, of course, but…just because you love a character doesn’t mean the creator or the actor is a good person; the character is. Someone I’ve been reading for years and was probably my biggest favorite writer of my life has been disappointing on social media lately, and yes, I’ve allowed my politics and values to impact how I feel about him as both a person and as a writer…and if I cut other people off for being TERFs or homophobes, it’s hypocrisy to not cut off someone I admire for the same things. It helped me clear out some room in my bookshelves, and relieved me of the need to catch up on his work, which I was years behind on anyway, and you know what? I’m not sad about it, either. The books I loved I still love, I just don’t need to spend any more of my money buying new ones. Does it make me sad? It’s more disappointing than sad. They don’t care if I don’t buy another one of their books; one amongst millions is beneath even being noticed. But I blocked them on social media, which I didn’t have on my 2024 bingo card (didn’t have the media trying to pick the Democratic presidential candidate this late in the game either–and I will never forgive legacy media for this 2016-like “but her emails” reaction to ONE bad debate after three years of extraordinary leadership, either. I also didn’t have “legacy media not learning anything after 2016 and 2020” on my bingo card, either. I will not watch anyone ever again on television who are doing Project 2025’s dirty work for them (bye bye Rachel, we had a very good long run) and I will certainly never subscribe to or click on a link from a newspaper whose editorial board has gone all-in on Fascism under the arrogant guise of “we know better than Democratic voters who turned out for President Biden and have never once questioned his ability to do the job so best do what WE say”….um, excuse me? Who fucking died and made the opinions of arrogant political writers and pundits who think they know better than the voters? I trust the people around the President to help him run the country the right way, as opposed to the other candidate’s people; we’ve already seen the grifters and criminals he’ll surround himself with so they can loot the country. He doesn’t even have to be impaired for this to happen.

I certainly never thought I’d see the day when a third of the country and the media would be all-in on Fascism. Do the people at CNN, MSNBC, and the New York Times actually think they’d survive a Fascist government in this country? Or are they prepping for their collaborationism by collaborating now, so they can say see, we helped your rise to power?

And that cadaver James Carville, who’s been out of touch for at least twenty years, needs to crawl back into his coffin. Don’t forget what he married; the fact that he could happily marry a reich-winger, and stay married to her after 2016, tells me all I need to know about how craven and shallow his beliefs and values are.

God, the world has changed so much since I was a kid, hasn’t it? And I cannot say for certain it’s for the better in many instances. I do think trying to end bigotry of all kinds is an improvement, for sure, and while schools aren’t 100% safe for queer kids today, at least they may not feel as isolated as they did when I was a kid–even if they live in a red state.

Even in trying to look back to the world as it was in 1994 for my WIP shows such incredible changes in the country and the world in that thirty years (half my life at this point) that it almost seems like a different world, like that Earth was in a parallel dimension. But that’s the thing about the past–it was a different time and things that are problematic now were just normal and every-day things back then. And let’s not forget it wasn’t that long ago that marriages between tweens was an acceptable practice–and still is in some parts of the country.

Some deep thoughts on this damp Wednesday morning. We’re going to continue having thunderstorms on and off through the weekend–the tail end of Beryl moving through–which is fine with me; as long as I don’t caught in a flash flood or something. We were in a heat advisory all day yesterday, and then a flash flood warning from about seven p.m. on. Just another typical summer in New Orleans. We got caught up on House of the Dragon last night, and watched two more episodes of Outer Range, which is very bizarre but really interesting. It’s reminiscent of shows like Lost or Fringe, where there’s some kind of strangeness going on that no one is really sure what it is; it’s fascinating but I have literally no idea what is going on in the show. But it’s very well done, the acting is terrific, and visually it’s very stunning to watch. We’ll probably finish it this week and then will have to find something else.

And on that note, I am going to head into the spice mines. Have a lovely Wednesday, and I’ll probably be back later.

Sexy pro wrestler Finn Balor is a favorite of mine for obvious reasons–and he’s a great wrestler, too.

Say You Love Me

I am up amazingly early for a Sunday morning, but that’s okay. I have a lot of things to do today; I didn’t get as much done yesterday as I could have, but I am not allowing the things that derailed me from my productivity. I did get things done yesterday–laundry needs folding this morning, and there are dishes to put away and so forth–and I also was able to get some writing done yesterday, which was marvelous and lovely. The Scotty book is still kind of a sloppy mess, and I am not really sure what to do with Chapter Three quite yet–or how to write it–but I am going to try the old “start writing and see what happens” trick with it today. I also went over another project I am working on, and realized that it was much easier to fix than I had originally thought, quite frankly. So, once I get my coffee swilled down this morning and this posted, I am going to get cleaned up and dive into the writing. I think spending the entire morning writing should help get some things crossed off the list and should move me ahead somewhat.

I just checked Margaret Orr’s Twitter for updates on storms. One of the systems in the Atlantic has increased its possibility of getting organized, but most likely not until it’s north of the Bahamas, which has me thinking it’ll keep moving north in the ocean. The one in the Caribbean Sea also has increased its percentage of forming, but it’s most likely going to stay in the south and menace Mexico and the Yucatán. No word thus far on the other system in the Atlantic, but I only saw one tweet before reporting back. Oops, my bad; I misread her tweet and didn’t take as good a look at the map she shared before I came back here. The other system is the one north of the Bahamas with a low degree of development possibility; the one with a 70% likelihood of anything happening looks like it’s heading for Puerto Rice and/or Florida, and thus into the Gulf of Mexico.

Oh, and embiggening the map, there’s another system forming off the Cape Verde Islands. So, there will be a lot of storm tracking in the coming weeks. Our favorite September past-time in New Orleans. Hopefully, we won’t have to evacuate at any time in the coming weeks…and come to think of it, the freezer is a little on the full side, so maybe I should try working on getting that emptied out over the next few weeks–cooking things that are in there, at the very least, without refilling it until times are a little more settled. I’d hate to have to throw everything in there away again. That would completely suck.

Today marks seventeen year since that frantic morning we tried to be organized in our panic to leave while we still could; that day is etched in my memory even if the details are sketchy in my head. (To be fair, the memories and details were already difficult to remember in the days immediately thereafter, as I watched out lives wash away.) It looks like it may be a sunny day today without rain, at least it’s clear out there this morning. I also feel like I slept very well this morning, so we’ll see how the rest of it goes. I am going to have to make a to-do list, of course, and then make sure that everything that needs to be on it is, in fact, on it.

Last night, after we finished our work for the day, Paul and I settled in and binged W. Kamau Bell’s docuseries We Need to Talk About Cosby on HBO MAX. It was interesting, maybe one of the most interesting “artist vs. the art” conversations I’ve ever seen illustrated out in this manner. It’s certainly one of the most complex, and we as a society have had a lot of these discussions over the past decade…but it’s very easy to dismiss Roman Polanski’s art (I make the distinction of “art before the child rape” and “art after the child rape” with him, which clears both Rosemary’s Baby and Chinatown for me, and I know it’s probably a deeply problematic differentiation) and contributions than it is to write off Bill Cosby’s and the cultural and societal change his career had on the country as a whole, not to mention, as the documentary pointed out, how The Cosby Show was dedicated to showing, every week, Black excellence on our television screens in a way that was rarely ever seen before–if at all. (We’ve been bingeing documentary series lately like they are going out of style, probably because they’re easier to follow for my exhausted and overheating brain at the end of the day than a series.)

Obviously, my heart goes out to his victims, but while my sympathies lie with them entirely, the question of the art–which meant so much to the Black community–does remain. I don’t know the answer to that question–whether it’s Cosby or Polanski or any of the other abusers who created great art. I see the points on both sides of the discussion/argument/debate. But if the point of a documentary is to get the viewer to reflect on the questions raised, Bell’s docuseries certainly succeeded. Highly recommended.

And on that note, I think I am going to head into the spice mines for now. Have a lovely Sunday, everyone, and I will check in with you again tomorrow.