Anthony Awards – Page 2 – Queer and Loathing in America

Shame

I have really come to love Bouchercon, and it’s always a highlight of my year.

Things have seriously changed for the better.

*Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski*

Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.

When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.

And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.

It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.

I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.

Should be considered a gift.

A fucking GIFT.

(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.

But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.

I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.

Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)

I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).

And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!

And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.

That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.

Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.

I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.

I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.

Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.

And like water wearing down a stone, we have to keep relentlessly pushing.

(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)

I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.

Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.

So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?

East Bound and Down

Labor Day Monday, and time to readjust from “Greg Herren Author” back to my everyday life here in New Orleans. There’s really nothing like your own bed–but the bed I had at the Marriott Marquis in San Diego was probably the most comfortable bed I’ve had in a hotel to date. I had trouble sleeping the whole time I was there, but the bed was so comfortable that I always slept some and always managed to feel, if not completely rested, but at least recharged. But oh what a lovely time it was!

I flew home yesterday from San Diego, where I’ve been since Wednesday. My apologies for being lax in posting while I was away, and I hope you didn’t miss me too much, Constant Reader. But it was also nice being in a bubble for several days practically cut off from the outside world. I didn’t write a single email since Wednesday morning; I only deleted junk. I didn’t write anything, nor did I read anything once I’d checked into the hotel. But what a marvelous time it turned out to be. I love going to Bouchercon–it’s a marvelous escape from the everyday and being around writers (so many writers!) and readers (so many readers!) and it’s just so much fun. There are so many marvelous people in this business that I so rarely get to see in person, and I never have the opportunity to spend time with everyone that I would like to.

There’s also this weird thing about Bouchercons. You can go the entire time without seeing some of your friends who are there; and you never seem to bump into them. Last year in Minneapolis I hardly ever saw Christa Faust, and even then only in passing or from across a very crowded room. This year I bumped into her almost every time I turned around, and it was an absolute delight because I adore Christa. You also get to make new acquaintances and discover new writers, too. I love debut authors! It’s always amazing to find new authors and make new friends, see old friends–and yet there were so many people I only saw fleetingly in passing, or didn’t see at all. But it was incredibly lovely, really. I resisted temptation in the book room (some of the collectible booksellers had some old editions of the kids’ series–including the super-rare ones no one’s heard of–but I knew if I bought any books I’d have to pay to have them shipped home, and so that extra step was enough to trigger my laziness (and miserliness–I can be extravagant to a fault when I really shouldn’t be) to step in and say, no, you don’t need more copies for your collection even if you can replace some damaged ones with ones that look pretty new for a reasonable price. And I don’t regret not buying those books, either. (I will probably get the ones by new acquaintances, though.) I also had four tickets to get free books in the book room, so I picked up Death by Bubble Tea by Jennifer J. Chow; Her Last Affair by John Searles (who I interviewed for Lambda Book Report back when his first novel came out, and that leads to a great story I will save for another time); The Quarry Girls by Jess Lourey (whom I adore); and one other that I can’t remember, and I can’t seem to find it this morning. Oh, well. Mindy Carlson, who was on the panel I moderated, gave me a copy of her debut, Her Dying Day (which has the best ever opening!) when I ran into her in the lobby on my way to the airport. I can’t wait to read it!

I finished reading Kelly J. Ford’s marvelous The Hunt on the flight home to Dallas yesterday, and then moved on to Laura Lippman’s Prom Mom, both of which are superb. I am almost finished with the Lippman, and when I am finished with this I am going to my chair so I can finish it.

I am pretty much taking the day off from everything and resting. I had planned on going to the grocery store–I still might; it depends on how I feel later–but I am going to relax today. I did get home last night in time to watch LSU embarrass itself on national television last night, but it’s okay. It’s nice to have any expectations for the season gone after the first game, and now I can watch the national title race with idle curiosity while watching LSU get through it’s season with no expectations from them. I was very concerned that they were being over-hyped (everyone seemed to forget that after the big win over Alabama last year, we barely beat Arkansas and lost to Texas A&M before being embarrassed in the SEC title game by Georgia), but this is yet another example of when being right isn’t what you want and brings absolutely no satisfaction–Cassandra was hardly smug as Troy burned around her, after all. I am exhausted, despite the fantastic night’s sleep I got last night, so I think resting up is indeed the way to go for today. We have shows to catch up on, after all, and maybe I’ll even splurge on a movie.

It was a wonderful time. I love my friends in the crime fiction community, and I love that I am sort of known in it now more than I was? I had several people come up and ask about my books, or tell me how fun I am to watch on panels, but I am also beginning to think that I need to be maybe a bit more professional when talking about my own work on panels. Something to ponder as I move into the adulthood of my career (it turned twenty-one this year, after all, which is staggering). I am inspired, reinvigorated, and ready to prove myself worthy to be a part of the community again. I want to get back to my writing and dig into it and keep going and do really good work. Reading Kelly and Laura’s books are inspiring because they remind me to work harder, do better, dig deeper, and aspire for greatness more. I have broken down the barrier that was keeping me from reading novels, or at least was making me unable to focus, and now I hunger to read more. Once I finish Laura’s book I am moving on to S. A. Cosby’s new one, with Alison Gaylin’s marvelous new take on Robert Parker’s Sunny Randall series. (I will never stop marveling that I am friends with, or at least know, my writing heroes.)

And definite shout-outs to all the people who won Anthonys this year, and were nominated. It’s surreal to me to see how many nominees are friends; and it’s absolutely lovely to see that. Only a few winners weren’t friends–and how can you not be happy for friends to get recognition? I adore Catriona McPherson and S. J. Rozan; how delighted was I to lose to writers whose work I’ve admired for years and how thrilling to be in the same category with them? I don’t know Nancy Springer, the other to whom I lost, but I love Enola Holmes. And Kellye Garrett and Wanda Morris are not only incredible writers but wonderful women I am very proud to know. I love Barb Goffman, who has always been so kind and lovely to me ever since the first time I met her. I don’t know Martin Edwards, but from all accounts he is a very kind and lovely and generous person, and I share the TOC of School of Hard Knox with him. The Debut winner, Nita Prose, wasn’t there and I don’t know her, but I do have her book The Maid, and I hope to read it before the end of the year.

So no, I didn’t win any of the Anthonys I was nominated for. What a fucking honor for a gay man to be nominated for three (mainstream, MAINSTREAM not queer-specific) Anthony Awards in the same year for three different books, for anyone, really. I think the only other person to ever be up for three in the same year is S. A. Cosby (and what amazing company to be in, right?); others have been up for two in the same year before (as I was last year; this year Catriona McPherson was a double nominee). I have been nominated for seven Anthonys in total now, and so what if I have lost six times in a row? Awards are lovely, but I honestly don’t mind losing. I love to act like a bitter loser because, well, it’s funny to me. I did start realizing sometime during the pandemic that my “bitter loser” shtick might be insensitive–some people would kill to lose six times; some are never nominated once–and maybe the “bitter loser” shtick doesn’t play as well now as it used to? I don’t know, but it’s such a thrill for me to be nominated, and retrospectively, I’ve had a pretty amazing run: fifteen nominations from Lambda Literary nominations, seven-time Anthony nominee, and once each for the Lefty, the Agatha, the Macavity, and the Shirley Jackson. That’s pretty fucking amazing, and maybe I should finally recognize that maybe, just maybe, I’m pretty damned good at this writing thing? I do need to be better about the other aspects of the business–marketing and promotion and so forth–and since my brain doesn’t juggle as well as it used to, I need to start getting focused and figuring some things out. The rest of this year is going to be taken up mostly with dealing with medical issues (I get my new hearing aids tomorrow!) and I don’t know how much I am going to be able to do or what I can and can’t do; and everything is kind of up in the air now for the rest of the year.

That would have triggered my anxiety before, but I am at peace with it. My decision to override the anxiety and remain calm while traveling worked in both directions, and it was lovely to not get worked up or upset or irritated about anything. I managed to even get my bag from baggage claim, the shuttle to the parking lot, and then drive home without losing my cool–I didn’t even swear at a single driver–and I kind of want to keep that level of calm and cool going forward. I did experience some anxiety before I moderated the Humor and Homicide panel yesterday; I was brought in–not at the last minute, but far too late for me to get copies of the panelists’ books and read them to prepare–late but my word! What a group of amazing professionals I was blessed to moderate! You need to read their books; they are talented and funny and marvelous and I was totally blown away by them–and three of them were debut authors! There was J. D. O’Brien, whose debut novel Zig Zag, about a marijuana dispensary employee who plans to rob her employer, only for Westlake-like hijinks to ensue; the delightful Mindy Carlson, whose debut novel I already mentioned; the always wonderful Wendall Thomas, a seasoned pro whose latest, Cheap Trills, sounds incredible and I can’t wait to read; the witty and charming Jo Perry, who has a marvelous series from the point of view of a dead man and whose latest, Cure, sounds great; and Lina Chern, whose debut novel Play the Fool is about a tarot card reader trying to solve her best friend’s murder and sounds amazing. I had them read their book’s opening few sentences, and once I heard them, I knew it was going to be a breeze. It was wonderful! What a great break for me to get to moderate this panel and find even more great books to read. I could have talked to them about their books for hours. Afterwards, I realized I hadn’t even used half of the questions I had–always the sign of a great panel!

Speaking in public has always been difficult for me and always ramps up the anxiety (which I always thought was just stage fright). But now that I know what it is, I can sort of control it. I can’t control the adrenaline spike and what comes with it–the shaking hands, the talking too fast, the shakiness of my brain, the upset of my stomach–but I can control the mental part and not allow the anxiety to take over. It was very strange knowing I can’t control the physical response to the chemical imbalance but I can control the mental/emotional response, so instead of freaking the way I usually do before going on–I focused on making sure pre-panel that they were all comfortable, that I wanted them to talk themselves up with the goal of selling a book to everyone in the room, and basically, asked questions and got out of the way and let them shine like the stars they are–and did they ever! Especially when you remember I hadn’t sent them questions in advance to prepare; they each were speaking extemporaneously, which is impressive as hell. The nervous energy I handled by walking around briskly before the panel and talking to each of my panelists individually and staying hydrated. Yes, I drank water, limited myself to one cappuccino per day, drank iced tea for lunch instead of Coke, and tried very hard to remember to slow down and get over the FOMO I always feel. I did have some cocktails every night, but never enough to get more than a bit tipsy and paced myself more.

And now, I am going to head back to my chair and finish reading the new Lippman and maybe start reading the new Cosby. I have laundry to do, a dishwasher to empty, and basically, I am just going to relax as much as humanly possible today. I should probably make at least a minor grocery run; maybe not. But what a marvelous, marvelous time I had.

I am truly blessed.

I’ll Be Leavin’ Alone

…on a flight to Dallas this afternoon. However, in delightful news, I am sharing the Dallas-San Diego legs of the trip in both directions with none other than the Lady H, aka Lady Hermione, aka Carsen Taite. That is always fun. I don’t have enough time changing planes in Dallas on the way out to get Whataburger on the way (I’ll get Shake Shack at New Orleans airport before I leave) but here’s hoping I can get it on the way home, because I know I will be starving by the time I get to Dallas. (I just checked; I have two hours in Dallas on the way back so Whataburger fer shur! The departure flight is at eleven something California time, so I probably won’t eat anything before boarding….unless there’s donuts or something at the San Diego airport, which I am sure there is.) It’s truly sad how excited I can get about food options that I don’t normally have access to, isn’t it?

But I am all packed and ready to head to Metairie for my eye appointment on the way to the airport. It would probably be more accurate to say I overpacked–I really don’t know why every time I go to something like this I have to take so much with me, including books–what if I run out of something to read!?!?!? Um, bitch, you’re going to a convention for mystery readers. There will be free books in my conference book bag. Books will be given away at various times over the weekend. There’s a book room and several book sellers.

But yes, by all means, Greg, weight yourself down bringing coal to Newcastle.

My supervisor and I were looking around yesterday for pictures of our old office on Frenchmen Street for a presentation she is doing at the US Conference on AIDS (she’ll leave the day I return to work), and we couldn’t find any, anywhere. I knew I probably had some in my archive of photographs on the back-up hard drive (which is horribly horribly disorganized), and so I went digging around in those files after I finished packing last night. Oh, the memories–and oh, the fucking receipts! Apparently–not really a surprise to anyone who knows me–I’ve been keeping receipts for decades. Old assholish behavior from people who should know better that I’d completely forgotten about–both the person and the behavior. Also, some people have been assholes for a very long time. Stick with what you’re good at, I guess? But yes, at some point I am going to have to organize those picture files–and there are tons of duplicates.

So.

Many.

Duplicates.

Nevertheless it was a fun way to pass an hour or so while the laundry laundered and the dishes washed in their respective machines. There are so many things I need to be better about–the picture files, for example, could be incredibly useful for inspirations and/or putting me into the mood to write a particular kind of story. I found the photo file of the pictures I used to help me visualize and write Timothy; I did do this for Mississippi River Mischief, but never took the time to look at the photos before diving into writing or trying to get the work done. It probably would have helped some, and therefore I need to remember the value of visual aids for my writing going forward. I am taking stuff with me to edit over coffee, or to muse over and/or think about; I always take my journal with me when I go to panels because people say things I want to remember later, or make me think about something I am working on, sometimes solving a puzzle I’d be trying to untangle. I love being around other writers, I really do. It’s always fun, and I get to hang around smart people and listen to them tell funny stories and laugh and be amazed that I get to know all these amazingly brilliant and smart and witty people and get to call them friends? The teenaged kid in Kansas whose house had a corn field across the street and dreamed big dreams in that bedroom with the ugly beige walls and brown shag carpeting would have slept well and gotten through life a little easier had he known his life would turn out even better than he’d ever dared to dream. I complain a lot. I whine a lot. I get irritated easily and my temper frays and flares a little more lately than I’d prefer, frankly. It’s also so, so easy to go down the dark path to depression and who cares and why bother and all that morose self-pitying nonsense that doesn’t make anything any better but certainly can make everything seem worse. But I do know how incredibly lucky and blessed I am. People also seem to think I’ve led an interesting life. I don’t think so, but it’s also all I know so it just seems normal to me. I get to write books and stories and get them published. People read them, seem to like them, and want me to write more of them. I even get nominated for awards here and there and now and again…quite a lot of times, actually.

And while it may not seem like it most of the time when I’m complaining, I’m pretty happy with my life and how it’s all turned out. I’ve also realized that I’m incredibly lucky and blessed with my writing career. I’ve been nominated for the Anthony Award seven times now–twice for Best Anthology, once for Best Short Story, once for Best Paperback/Ebook Original, twice for Best Children’s/Young Adult, and once for Best Humorous. That’s really not a bad haul, you know. I’ve also been nominated for a Lefty and an Agatha and a Shirley Jackson and a Macavity–not bad for a big old queer writer of queer books, you know? It’s also lovely seeing these mainstream awards starting to slowly recognize queer writers and our books. I also found, you see, a lot of pictures of conferences and signings and readings and book events and conferences from throughout the length of my varied and odd career. It’s been a lovely ride so far, and I really wish I would allow myself the luxury of enjoying myself and enjoying my career.

My goal for this weekend is to have as much fun as possible, hug as many people as I can, and relax and enjoy the ride as a three-time Anthony nominee. That’s pretty amazing, and something that queer teenager back in Kansas couldn’t have dared to dream.

And on that note, I am going to head into the spice mines. I need to do one more load of dishes before i depart and the kitchen will be thus clean. Have a lovely day, Constant Reader, and as always I will probably be updating social media with today’s travel shenanigans. Don’t know if or when I will be back here, but will do my best.

You Never Miss a Good Thing (Till He Says Goodbye)

Saturday morning and I slept in. I stayed in bed until eight thirty (perish the thought! What a lazy lagabed!) with the end result that I will not, in fact, be driving over to the West Bank this morning to get my oil changed and fluids checked. It’s not due, but (anxiety) the heat has been so intense, I want to make sure the engine is being looked after properly and of course, the fluids. Now it will have to wait until I get back as the dealership isn’t open on Sundays and I leave Wednesday for San Diego Bouchercon. I am starting to get some anxiety about the trip, but I am trying to ride herd on that. Whereas before it was gnaw away at me and build, now I just dismiss those thoughts as “anxiety” and move on from it. I doubt this methodology will be a long term solution–I probably should see a therapist again–but I already take an anti-anxiety medication to control my mood swings; do I need something else on top of that? Probably not. I am leery of medications to begin with–the opioid disaster always is there in the back of my head, plus the fear of addiction.

But since I didn’t get up, I will be staying in for the rest of the day and working on the apartment and writing and so forth. Tomorrow I am going to get fitted for hearing aids, so anything I might need to get by going out into the world today (I was thinking about doing a minor grocery run to get a few things) I can get tomorrow at the Rouse’s on Carrollton. I am kind of excited about being able to hear properly; I don’t think I’ve ever been able to my entire life, although I always passed hearing tests. My problem is low voices and ambient noise. I can’t hear anything in a crowded bar or restaurant. And I have my appointment about my arm in a few weeks, and of course, I am getting my teeth taken care of once I get home from San Diego. I will be a completely different person by the end of the year than I was when I started the year, won’t I? Maybe not The Six Million Dollar Man, but the surgery isn’t going to be very cheap.

We finished watching Swamp Kings last night, and I was right–it was really a puff piece, focused on making Urban Meyer as good as possible and not focusing on any of the criminal charges or how the University covered it all up because at that time, Florida football was the face of college football and everyone was watching and they were making the University a shit-ton of money. (Not to single out the Gators–although this documentary was about them, so it does raise these questions organically–these kinds of abuses and corruption happen all too often at far too many programs. LSU has had its own history of cover-ups and looking the other way to protect star players in the past, for example, and I’ve always been disappointed at how those situations were handled by my own favorite team. Hiring Joe Alleva as Athletic Director at LSU was a huge mistake, as he repeatedly showed Tiger Nation, over and over again. His replacement has done a fantastic job rebuilding LSU athletics from the ashes left by Alleva’s miserable tenure.) But I love college football, and I remember that time period particularly well. I have always stuck to the SEC mantra of “hate them in the conference, root for them in the post season” (which everyone does except Alabama fans for the most part–which I just now realized is probably a leftover remnant from the Civil War “us against them” mentality and my stomach turned a bit; but that’s also a good focus for the essay I want to write about LSU and football in the south in general, “Saturday Night In Death Valley.”) I am very excited and happy college football season is nigh. Woo-hoo!

I spent some time with Kelly J. Ford’s The Hunt, which is actually quite marvelous. I haven’t had the bandwidth lately to read novels–mostly sticking to my Alfred Hitchcock Presents project–but I was enjoying her book when I started reading it a few weeks ago and had been wanting to get back to it. But anxiety and stress and the fucking heat have sapped so much out of me every day that it was hard to focus on reading a novel. Kelly is a marvelous writer, which is terrific–there’s really nothing like a queer writer with a working class background writing about the South they grew up in, is there? Kelly is kind of a lesbian cross between Tom Franklin, Carson McCullers, and Dorothy Allison, with some Faulkner and Ace Atkins thrown in for good measure. Her debut novel Cottonmouths was a revelation (I can’t tell you how thrilling it is for this old man to see so much amazing crime writing coming from new queer writers), and her second, Real Bad Things, is nominated for an Anthony Award next week–so she joins the few queer crime writers of queer crime novels who’ve been nominated for an Anthony Award! We’re a small but growing club, which is also very exciting. GO QUEERS!

So, yes, a lovely day of preparation for going away next weekend. Today I should go ahead and make my packing list–I could even go ahead and pack the rolling briefcase, couldn’t I?–and clean and do things around the house and read and maybe even do some writing. It feels cool today in the house–but of course it’s still morning–and just checked my emails and yes–there it is; today’s heat advisory with temperatures feeling like up to 114 until eight pm tonight. It’s really going to feel like winter to me in San Diego, isn’t it?

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and I will check in with you again later or tomorrow.

Squeeze-Wax

Back to the office for me today, with tomorrow yet again a work-at-home day for one Gregalicious. Yesterday was an interesting one. It’s always strange disrupting your usual work week with a day off, but I slept super great Tuesday night and woke up feeling incredibly well-rested and on top of things. I did a load of dishes and a load of laundry, cleaned the kitchen, did some filing, and had a highly productive chore morning. I went to my doctor’s appointment (more on that later), and ran some errands before getting out of the blistering temperature of another heat advisory into the delightful cool of the Lost Apartment. The doctor visit was okay; we’ve (he’s) come to the conclusion that the issue with my left arm is most likely a torn bicep tendon, which will need surgery to mend. Hurray. Which means since our corporate insurer is dropping us after December 31 and there’s been no word about what’s going to go down with that, I need to have this done before the end of the year. Huzzah even more. So far, that’s dental surgery in September and now arm surgery before the end of the year. But…since the corporate insurance scum company is dropping us, I’m happy to force them to spend more money on us.

Insurance, the biggest scam ever perpetrated on the American people. Every kind and every type: an utter joke and scam to make shareholders profits.

But I am glad it’s going to be looked at and potentially repaired; this staying out of the gym has been horrendous and I hate that I am getting so out of the fit condition I prefer to usually be in. At least we’re saving money on the gym membership; we put mine on pause after I originally injured it. I tried talking Paul into a SPCA run to look at kitties this weekend, as I do not like living in a kitty-free home, but he is going to visit his mom soon and wants to wait until he gets back. I get that–not wanting to go away right after getting a pet–but it also means I won’t have a cat to keep me company while he’s gone. Heavy heaving sigh. But I can also consider our new kitty, when we get him, as a birthday gift. (And I will keep working on him, of that you can be sure.)

I read deeper into Megan Abbott’s brilliant Beware the Woman yesterday, around appointments, errands and chores, and it is deliciously marvelous. As always, reading Megan inspires me to write better myself–the truly great writers always are an inspiration, even as their talent awes me it also inspires–and it gave me some ideas, too, as the best writers always do. I am looking forward to finishing the book this weekend, after which I will move on to S. A. Cosby’s All the Sinners Bleed. I’ll get my grubby paws on a copy of the new Laura Lippman soon enough, and let me tell you, I’ve got some amazing reading ahead of me for the rest of the summer; Eli Cranor, Jordan Harper, Alison Gaylin, Wendy Corsi Staub, and the new Silvia Moreno-Garcia novel, Silver Nitrate, just arrived the other day as well.

I also was asked to moderate a panel at Bouchercon on Saturday afternoon; which brings my panel total to four (the other three are nominee panels, and since I have THREE nominations that means THREE panels; my queer crime writer friends are always telling me I need to shout that from the rooftops, so I am trying to be a little less self-deprecating and trying to take more pride in my accomplishments, and let’s face it, it’s pretty impressive and cool to have those three Anthony nominations. I think S. A. Cosby and I are the only people to be nominated three times in the same year; pretty heady company to be in, quite frankly.) That means I’ll have to prepare and I no longer have Saturday as a free day; but that’s okay. I can sleep in, grab some coffee, and make notes that morning before the panel. That Saturday is going to be one of those days where I’ll have to remember to eat, so I should probably make lunch plans with someone.

I slept well again last night, so deeply I didn’t want to get up this morning, but it’s my last day in the office for the week and I think I’ll survive somehow. I got my errands done yesterday, and didn’t get as much done around the house as I would have liked. I really need to make a project out of the kitchen drawers and cabinets. But it was miserably hot out there and I did get everything done outside the house that needed doing, and now this weekend I may need to make a single grocery/mail run while dropping books off at the library sale; there are at least two, if not three, that are ready to go. I may even get another box down from the attic to go through for book purging. We also watched more of The Crowded Room last night, and if Tom Holland isn’t at least nominated for an Emmy for this, the Emmys will be an utter and complete joke.

And on that note, it’s time for me to head into the spice mines. Have a lovely day, Constant Reader and I may be back later.

Violaine

Oh, I got my final panel schedule from Bouchercon over the course of the weekend; as expected, I got my Anthony nominee panels only–but there are three of them, he typed modestly.

You can find me at:

Thursday, 2 pm: Best Humorous Mystery panel, moderated by Janet Rudolph, with Catriona McPherson, Jennifer Chow, Raquel Reyes, and Ellen Byron.

Friday, 9 am: Best Anthology panel, moderated by Holly West, with Art Taylor, Josh Pachter, and Mysti Berry.

Friday 1 pm: Best Children’s/ Young Adult Panel, moderated by Alan S. Orloff, with Fleur Bradley and Lee Matthew Goldberg.

Not bad. I have to get up early on Friday morning, but the others are at times when I am usually coherent and functional, which will be incredibly cool. I also am finished with everything by Friday afternoon, so I had all day Saturday free until the Anthony Awards presentation that night. This year, I get to lose three times, as opposed to my two losses at last year’s. There is, however, no disgrace in losing to any of my fellow finalists, as I like and respect them all very much; they all are great people who do phenomenal work and they all deserve much more recognition than even this will give them. And that Best Humorous panel? I think I shall say nothing and simply sit there being entertained by the quick wits of the four comic geniuses I will be on stage with.

Coming home from work last night was just as sad as I thought it would be. I ran errands after work–mail, grocery, gas–and had bags to carry and so forth. I was putting the groceries away when I realized I was listening for Scooter to come downstairs. I shook that off, put everything away, and then went to sit in my easy chair like always to rest for a moment before doing something else productive–I have a sink full of dishes–and as I flipped through Youtube channels I was bored out of my skull…and then realized there wasn’t any need to sit in my chair because Scooter didn’t need or want my lap anymore. That made me tear up, so I watched highlights of the College World Series, but watching Florida lose (almost as much fun as watching LSU win, which makes the College World Series final from this year almost more than I could hope for as a happy place for me) but it didn’t shake off the gloom… and I also realized I was staying in the chair so as not to disturb sleeping Scooter, who wasn’t there. I cried a bit and got up to start doing some more things around the kitchen. Paul came home from the office, and he was sad because Monday was a work-at-home day for him as a general rule, but he spent the morning missing Scooter so he went to the office after his trainer. I’ve been looking at adoptable cats on-line, but of course I want them all. There’s a gorgeous fourteen-year-old ginger that I am sure is going to be hard to adopt, but much as I would love to give his final years a good home losing another one so soon would be too hard on both of us. We need a cat that’s going to give us at least thirteen years!

But then I think do I have another thirteen years? Which I don’t like to do, because it will talk me out of having a cat because I don’t want to die on my cat. Sigh.

Yesterday turned out to be okay at the office, in case you were wondering how that went. There’s no telling, of course, what is to come down that road, so as Mom always said, why borrow trouble worrying about it? I’ll be coming straight home from work tonight; I have tomorrow off for doctor’s appointments so I don’t have to get up early and there’s certainly no need to run any errands since I can run them tomorrow. It’s a bit weird and awkward around there–I think the entire department is a bit in shock–but we’ll see how it all goes. The only constant is change, right?

I started doing some more research for a short story I want to write about an urban legend–it’s for my Sisters’ chapters next anthology–and I realized yesterday that I don’t have to do something Louisiana based, and it’s not like there aren’t plenty of urban legends in Alabama. I got another Alabama history book in the mail yesterday, Hidden History of North Alabama by Jacquelyn Procter Reeves, which is mostly about urban legends and secrets from the past of the north part of the state. Where we’re actually from is more central than north; the foothills of the Appalachians, if you will. There were some horrible atrocities committed on Union sympathizers in that part of Alabama by the Home Guard–I’ve heard and read some truly horrific stuff, seriously–which might be a good urban legend to write about. I’m having the best time looking into both Louisiana and Alabama history; it’s so much easier to write about a place once you know more about it; the more you know the easier it gets, hence research.

I’ve also been reading Matt Baume’s Hi Honey I’m Homo, which is about sitcoms of the 1970’s and their fledgling attempts at gay representation. I already have been enjoying Baume’s Youtube channel for years–queer rep in culture–and I’m also really loving his book. It’s fun revisiting these shows and remembering how closeted gay teenaged me watched the shows for their queer content, eager to see if that was, indeed, who I was as a human being. I’ll talk about that more when I blog about the book–some of the rep was good, some of it was confusing–but it is fun revisiting these shows from a present day point of view and perspective.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Blood Bitch

Saturday morning in the Lost Apartment.

The ZOOM thing I had to do yesterday went well; I am always self-conscious about these things. But I got to read from #shedeservedit, which I hadn’t done before, and it was lovely to be able to say that it was nominated for both Agatha and Anthony Awards. As Constant Reader is obviously aware, I don’t really boast or brag or broadcast about good things that happen to me, but damn it, I’m going to for just a goddamned minute. I can’t say for sure that #shedeservedit was the first queer book to get an Agatha nomination, but I can say for sure it’s one of the few that ever have–and I feel very confident in saying it was definitely the first time a book from a queer press has been nominated. Bury Me in Shadows might not have been the first queer book nominated for an Anthony, but it was certainly the first queer one to be nominated in two different categories. Last year’s Best Paperback Original category for the Anthonys was the first time two queer books by two queer writers from two different queer presses were nominated (shout out to the amazing Cheryl Head, who shared the honor with me!). I am also one of the few authors to be nominated in two different categories at the Anthonys in the same year; this year saw me become of the few authors ever nominated in three different categories in the same year.

When I actually take the time to stop and think about it, it’s actually pretty fucking amazing and groundbreaking. I certainly never saw any of that in my crystal ball, or would have ever dared to dream about that happening. I’ve also been nominated for a Macavity, a Shirley Jackson, a Lefty, an Agatha, and a total of seven nominations from the Anthonys (I did win the first time I was nominated, for Best Anthology for Blood on the Bayou), which is a pretty nice resume, really; I’d be super-impressed by those credentials if they belonged to someone else, so why am I so reluctant, cautious, scared to take pride in my own accomplishments? It’s one thing to be self-deprecatory about your writing and your career, but awards are something you have no control over, so why not take pride in them? If the mentality I was raised with was “be humble and let other people acknowledge your work” why can’t I be proud of myself when other people are acknowledging my work?

Heavy heaving sigh.

I slept well again last night. Paul got home late and I spent most of the evening reading nonfiction. I was very tired most of the day yesterday, but got chores done around the work-at-home duties and thus the apartment isn’t a complete and utter disaster area this morning. I do have a load of dishes to put away and have some more things in the sink that need to go into the dishwasher, but overall the kitchen/office is in pretty good shape this morning (the living room is an entirely different story, of course). Today is Gay Pride, and Saints and Sinners has a booth, so Paul will be gone most of the day. Yes, I am not going to Pride again this year, because i have to stay home and get all of this work done, or at least progressed a bit further. It’s going to be hot as hell out there, but I have the entire apartment to myself for almost the entire day, which never happens, so I need to take full advantage of this opportunity. I’d like to get caught up with several chapters revised today; have to look over another manuscript, and I want to get some reading done today. I am probably also going to take some time to answer some emails and try to get the inbox emptied out. I also need to write another Pride post–but I don’t want to write about anything negative, so maybe I’ll go finish one of my “wistful memories about the past” posts; I’ve started several of these and it would be kind of fun to finish them; at least fun for me; I never know if any of my Constant Readers find these entries fun. In a way, it’s kind of like working on my memoirs, and just remembering things the way I remember them–whether I remember correctly or not–is okay for a blog post, methinks. Posts about gay joy are a lot more fun than the ones about what it’s like to be oppressed.

And maybe later I can get caught up on Superman and Lois, which I forgot that I was watching. Whoops! Not sure why this season didn’t grab me the way the previous ones did; the Jonathon Kent recasting kind of threw me off a bit, but that’s really not fair to the replacement actor now, is it? No, not really. And I should spend some time with the book I’m reading today as well, so I can finish it because really great books (the one I am reading is also great, make no mistake) but this is what I have on deck now: Beware the Woman by Megan Abbott; All the Sinners Bleed by S. A. Cosby; The Hunt by Kelly J. Ford; Everybody Knows by Jordan Harper; and Ozark Dogs by Eli Cranor (lots of Southern Gothic there, which is delightful, to say the least) and there’s also these old anthologies I ordered from eBay. I need to write a lot today; I’ll probably did into the next chapter as soon as I finish this and do some filing to clear my mind and get it ready to write fiction.

Writing about my award short-lists had me thinking once again about what to do with my papers. The thought of having to catalogue them myself is unpleasant and means it would never get done (why is there no ebook of Jackson Square Jazz, Greg?), and I had pretty much come around to the point of view that I could easily just throw it all away but thinking about the award recognition made me question that decision all over again. But…while the blog itself only shines a light on a very carefully curated (right?) segment of my life, I also talk about writing and so forth on here, so future scholars (should my post turn of the century career be of any interest to any such future scholars) can always just come here and read to learn about me. My papers are just manuscripts, anyway; marked up and revised and scribbled all over–and I have most of that as a digital record, anyway. So, yes, that makes the most sense, and the project for this summer will be getting rid of all this paper hanging around here and up in the attic and over in the storage place. Besides, I’m not that interesting, really. I don’t think I am an influential voice in queer crime writing, either, and probably within a few years of my mandated-by-will cremation, will be most likely forgotten. I am actually fine with that, to be honest; very few writers from every generation are remembered–probably less than ten percent from every period, really; and whether or not I helped raise the bar for queer crime writers isn’t for me to say.

And besides, the thing I am most likely going to be remembered for is longevity, anyway, and I am fine with that.

Which sounds like a lovely place to segue into the spice mines. Have a lovely Saturday, Constant Reader, and I will be back at some point.

What It Feels Like For a Girl

On my Agatha Award nominees panel for Best Children’s/Young Adult at Malice Domestic a few (has it been that long already?) weeks ago, moderator Alan Orloff asked me the following: Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

It was a great question, and as usual, I hadn’t read the questions before the panel so I answered off-the-cuff (I don’t know why I do this rather than prepare; I guess it’s either a preference to try to think quickly in the moment or sheer laziness or a combination of the two) and while I do like the answer I provided on the panel, the question lodged in my brain and I’ve been thinking about it ever since, and thought, hey, this could make a good blog entry, so here we are.

On the panel, I said something along the lines of how it’s often very difficult for people to understand situations or experiences they haven’t had themselves; which is why it was important to write about these things–so that the reader can see and feel, even if peripherally, what it’s like to go through something incredibly hard and life-changing, and develop empathy and sympathy by being able to put yourself into that moment and situation and wonder how would I handle something awful like this? As much as we like to shield young people and children from problems and suffering and so forth (or at least pay lip service to it; think of the children is far too often used as a cudgel to bludgeon non-conformists with), the reality of life is bad things happen. Never think bad things can’t happen to you because they happen to everyone without rhyme or reason or provocation. If one person reads this book and it makes them change the way they think about the topics covered in it, or enables them to feel sympathy for someone else in that situation, then the book had the effect intended. I have always tried to include social issues in my work because it’s important to me. I write mysteries and crime fiction because I want to see justice in an unjust world–and that hatred of injustice drove me to write this book.

And it isn’t difficult to balance the mystery/suspense notes with a social issue; if you build the crime around the issue, you’re still writing a crime novel, just one illustrating a social issue.

Basically, I wrote this book because I was angry.

The Steubenville rape case–there was a parallel one in Marysville, Missouri, that didn’t get nearly as much attention as the Steubenville story–made me very angry. And the more I read about both cases, the angrier I got. It shames me to admit that it took these two cases to finally break through my own societal grooming as a male to finally understand what it was like to be female in our society. It shames me to admit because it shouldn’t have taken me so long to get it, to understand. It took me a very long time to finally wrap my head around feminism and feminist issues…mainly because I could never understand the mentality that women were somehow lesser than men. Women aren’t another species, after all, and yes, the mores and expectations of our culture and society do shape boys and girls in different ways, marking the differences with sexist and misogynist tropes and ideas. I never understood why a girl who had sex was a slut, while the boy was a stud. I remember when the story about the Spur Posse in the 1990’s (I collected a lot of articles about them; I had wanted to write a book called When Stallions Die based around that case) broke and how that also kind of changed my world-view a little bit. (I often say that I spent most of my adulthood unlearning everything I was taught before I was an adult.) When I was growing up a husband could rape his wife and not be charged; as her husband he had a right to her body, and even rape itself was rarely reported (women didn’t want to be shamed, understandably, and it was always her shame, not the rapist’s), if ever prosecuted. I remember when I was in college there were rumors about a campus rapist–the girls whispered about it amongst themselves, and of course, they talked to me about it–which I also always wanted to write about.

So, in the wake of Steubenville and Marysville, I decided that it was long past time to write about it.

I had been toying with something I called “the Kansas book” for years. I had created this town and these characters when I was actually in high school, and wrote a rambling, disorganized, really bad handwritten first draft between the ages of 16 and 23. When I finished it I knew nothing would ever come of it because it was beyond repair. However, I have borrowed characters, scenes, and storylines from that original manuscript numerous times over the years since; and I had been trying to write a newer, better version of it. I knew I wanted the story to start with the discovery of the dead body of a star football player at the local high school, but I never really could get any traction with it. I kept thinking, this is trite and tired and been done so many times already.

But after Steubenville, while also having conversations with my women friends, it clicked in my head and I knew how to make the story work: rip it from the headlines! And I knew the body was one of the players who’d been involved in the “she deserved it” rape of a cheerleader over the summer. I knew that I wanted to make it damned clear how misogynist and sexist our legal system is, as well as our culture when it comes to protecting young girls and women. I started remembering things from my own past, things that made me embarrassed and ashamed and angry at myself. I had participated in the culture of toxic masculinity myself. I’d indulged in petty gossip about girls, and slut-shamed. I remembered a story I’d been told about how a cheerleader in another town, when I was in high school, had gotten drunk and pulled a “train” on six football players–a story I still remember, over forty years later.

And I wondered about that. That story made the rounds–and I didn’t even go to the same high school. And everyone shook their heads and clucked their tongues in shame at this girl’s slutty behavior. Can you believe what a slut she is?

I started thinking that maybe, just maybe, they had gotten her drunk? Too drunk to resist, too drunk to know what was happening? And I began to think that was probably a much more likely story than the one I’d been told. No seventeen year old high school girl goes to a party thinking “I’m going to take on the football team tonight!”

I think it was 2015 when I decided to change how I wrote. I was on a treadmill back them, book after book after book, deadline after deadline after deadline. It seemed like my life was nothing more than a long series of deadlines, one after the other and I could never relax because I had another deadline. I was tired of the stress involved in producing and the shame of missing deadlines, which meant missing the next and the dominoes would fall, one after the other. I decided I was going to not sign contracts for anything until I had a completed manuscript, so I wasn’t starting from scratch every time I turned something in and started the next one.

And finally, in July of 2015, I sat down and started writing a book I was no longer calling ‘the Kansas book’ in my head, but rather #shedeservedit.

I wrote over 97,000 words in one month–that’s how angry I was–and there wasn’t even a last chapter because I didn’t know how to finish the book. I sat on it for years, pulling it out every now and then, tinkering with it some more, but never really feeling it was ready–and I still didn’t know how to end it. I finally signed a contract for it because otherwise I probably would have never finished it and just kept futzing with it until I died, and I thought it was an important book to get out there. Sure, I went around and around about it; am I the right person to tell this story? Should someone else be writing it? I started reading other y/a novels about sexual assault, but they always left me feeling unsatisfied; the endings never really worked for me, which was the same problem I was having with this book. But I finally decided the best thing for me to do was sign the contract and give my editor a chance to look it over and give me input…and I am incredibly blessed to have an exceptional one in Ruth Sternglantz. The book is much better than it ever could have been without her insights, her vision, and her sensitivity. I was also very proud of this book when it was released, and I still am. I was both honored and shocked when it made the Agatha shortlist; even more so when it made the Anthony as well.

Alex jogs down the gravel path, his rubber cleats making crunching sounds on the shiny, sparkling white stones. The field, still lit up from the game, looks forlorn and lonely. The sod is chewed up from impacts and cleats and falling bodies. Some debris blows around in the slight warm wind, heavy with coming rain—plastic bags, strands from purple and gold pom-pons on a stick, wrappers from cheeseburgers and hot dogs sold at the concession stands. State championship flags snap and crackle on their poles on either side of the scoreboard. The janitorial team works their way up from bottom to top, picking up trash carelessly left behind by the crowd who’d filled the iron rows of seats.

The scoreboard still reads HOME 48 VISITORS 7.

He’s forgotten his arm pads on the sideline by the bench. He took them off when Coach Musson pulled the starters from the game when the fourth quarter started because the game was already won. He didn’t realize he’d left them behind until Coach Musson’s short post-victory pep talk was over and he went to his locker to take off his pads. His mom always says he’d forget his head if it wasn’t attached. Maybe she’s right. He could just get new ones, sure, but he’s superstitious about these arm-pads. He’d worn them all season last year when they’d won State again.

He knows it’s stupid, but why risk jinxing things?

He’s coming down from the adrenaline rush of the game, beginning to feel tired. His arm pads are right where he’d tossed them, underneath the bench where the big orange coolers of Gatorade sit during the game. The pads are just lying there, graying gold, his name written in purple marker on them.

He’s thirsty but wants to just sit for a minute. Let the locker room clear out a bit before he goes back to shower and change.

The wind is picking up. The summer has been long and hot and dry, but it’s supposed to start raining around midnight. There’s a bruise on his right calf, purple outlined in yellow and orange. He doesn’t remember getting hit there. He never remembers the hits. The games go by so fast. He spends every Friday afternoon with his stomach knotted. The pre-game warm-up seems to last forever. But once the whistle blows and the ball is kicked off the tee, time flies. Later his muscles will ache, the bruises will come up, his joints will start hurting.

He knows he can’t sit for long. India, his girlfriend, is waiting for him. He’s hungry—he can never eat before a game. He wants to grab something to eat before he has to be home. He hates his stupid curfew, but as his dad likes to remind him all the damned time: my house, my rules.

This wasn’t the original opening; originally the book opened with the quarterback missing and Alex, his best friend, goes out looking for him only to find his body floating in the river. But my editor recognized that wasn’t where the story began; we needed to see the night before and not in flashback, to set up everything for the rest of the story. (I am very stubborn and often need someone else to say to me, this isn’t working and this is why for me to give up on trying to make something work when it never will no matter how hard I try.)

I’m very proud of this book. I think for once I actually succeeded in what I was trying to do–and that was, of course, thanks to my editor’s wisdom–and while I most likely won’t win the Anthony (a very strong field), I am so pleased that the book got some recognition.

Me Against The Music

Saturday in the Lost Apartment, let’s goooooo!!!!!

I slept really well last night and feel good this morning. I had decided already–yesterday morning–that I was going to not do any writing after work yesterday and to take today off as well, and it feels nice. Finishing projects is always lovely, because once you’ve finished them the release of pressure is pretty marvelous. I also had a ZOOM meeting with my Scotty editor yesterday to get the book back on track, and I felt pretty good after that as well. It’s interesting how pressure and stress can affect your brain and your thinking when you are juggling things. But I have no doubt I can get the book done in time for it’s November release (moved back from September) and the release of that particular pressure valve was marvelous. I’m actually looking forward to diving back into the book again headfirst. Today I have a ZOOM thing for Queer Crime Writers at one, and so I am planning on heading out on errands around eleven; so I have time to also make groceries and get back home in time for the ZOOM meeting. After that I am going to probably finish reading Lori Roy’s marvelous Let Me Die in His Footsteps at last, and then I get to choose my next read, which is kind of exciting. I also have to prepare to interview Margot Douaihy for Saints and Sinners’ Pride Month celebration, which I want to do a very good job on because she’s amazing and so is her book.

I also need to take today away from the computer a bit so I can figure out what loose ends are dangling out there that I need to tie up. Not to mention what a mess the Lost Apartment is. I did get caught up on the dishes last night, and the laundry. The kitchen isn’t the mess it was developing into but could use some touching up, which I should try to do today or tomorrow morning. I also need to start brainstorming on some other things that I want to do. I’d like to take the rest of this year (once this one is finished) actually finishing things I’ve not been able to get done and thus off my plate: the short story collection, the novellas, and two in-progress books that I already have started. That’s what I would like to spend the rest of the year doing, frankly; getting that stuff off my plate and out of my hands into the world, so I can start 2024 with a fresh slate and figure out what I want to write that year. Of course, things always change; an opportunity you can’t pass up can come along at any minute, throwing off your plans and schedule (this happens to me a lot more than one might think); I also have some short stories to write and other short stories that need finishing. I’d like to get some more short stories out there in the world, so if anyone reading this is doing an anthology and needs a crime story (preferably queer) let me know because I can always find something for you. It is very rare that I pass up an opportunity to get a story in an anthology or publication of some sort.

It’s really nice to be busy, you know? I complain about it all the time–my freakish productivity and the pressure to keep it up–but I do like accomplishing things. I do need to be kinder to myself and perhaps not be quite so hard on myself as I am used to being; it’s nice to be able to sit around and take stock of your life and your career without it being deemed arrogant. And when I look at things from an outside perspective–someone whose thinking isn’t cluttered up with all my neuroses and self-loathing–it does look kind of impressive. I think I’ve been nominated for a Lammy fourteen or fifteen times? I don’t have the most nominations–that would be Michael Thomas Ford, Ellen Hart, and Lawrence Schimel, and not in that order–but hey, I’m in the top five of most nominations, which isn’t bad. This year’s three Anthony nominations brings me to a total of seven nods there from the Bouchercon membership, which is a lovely pat on the back for a queer author most of them hadn’t heard of even five years ago. I can add Agatha and Lefty finalist to the other awards I’ve gotten a single nomination for–the Shirley Jackson and the Macavity. I won some young adult independent press medals, too, along the way, which was lovely. (I am very happy Sleeping Angel and Lake Thirteen won those medals; I was very proud of both books, frankly.) Forty-three novels, twenty-two anthologies, over fifty short stories, two short story collections, and two novellas–and countless articles, interviews, book reviews and blog posts.

Not bad for someone told by his first creative writing teacher in college he would never be a published author.

There have been plenty of slings and arrows along the way, of course; things that happened so long ago that no one today who knows me and my work may even know about–the Virginia incident, Paul’s bashing, my service with the National Stonewall Democrats–so the rollercoaster of my life has certainly had its highs and lows. It’s been an interesting life, I guess; I’ve certainly met and knew a lot of interesting people and celebrities and authors. I’ve also learned over the years that there’s nothing wrong with ambition; I always am so busy and behind on everything that I forget that sometimes it’s nice to take a break, step away from everything, evaluate the situation as it is currently and make plans on where to go and what to do next. I’m feeling very content this morning, which is a very pleasant (and unusual) thing for me to feel; this brief reflection on my career and where it is now has, for once, brought a sense of satisfaction and pleasure instead of you still have so much more to accomplish! It’s not like I’m going to rest on my accomplishments, take my ball and go home, of course–but it’s very nice to think if my career ended now–for whatever reason–I could walk away from it and be proud.

I’ll never stop writing, of course. I will write until the day I die or can’t sit at the computer or hold a laptop or iPad; as long as I can still scribble in a journal I’ll be writing. I love creating, I love writing, I love telling stories. I love exploring character. I love taking a situation and thinking okay, what has to happen for this to happen, and where is the true starting place for the story? Who are these people and how did they come to be involved in this?

But it is nice every once in a while to stop, take a step back, and see things as they really are, or at least trying to take a look and see what other people see since they aren’t wrapped up in my neuroses.

And there’s nothing wrong with being proud of yourself, which I am. It feels weird, but I am proud of myself. I’m proud of my career and what all I’ve accomplished since moving to New Orleans in 1996.

And on that note, I am heading back into the spice mines. Have a lovely Saturday, Constant Reader–take the day off and rest–and I’ll be back later.

Beautiful Stranger

Wednesday and it’s Pay-the-Bills Day again; how does time pass so goddamned quickly?

We were in a flash flood advisory yesterday evening when I left the office, and on my way home I could see that at some point yesterday some of the streets I traverse every day had flooded at some point in the afternoon. I did get a little work done on the book yesterday, but was ultimately forced to surrender to fatigue and repaired to the chair. I was also still feeling some of the after-effects of the Anthony nominations being released on Monday–was still getting congratulatory posts and emails and messages, which I had to acknowledge; everyone is so kind and lovely. So many people are delighted and happy for me, which always comes as a surprise. I guess you never really outgrow the PTSD from being a queer kid?

But I also got to see this week’s Ted Lasso last night (they drop on Wednesdays, but we always can get it at 8 pm central on Tuesdays on Apple Plus) and it was maybe one of my top five episodes of the entire series. Yes, I’m partisan, and yes, I am prone to love anything well-done with gay themes and yes, I am also very highly critical of gay themes in film and television. Stop reading now if you want to avoid Ted Lasso spoilers. When it was revealed earlier in this final season that Colin was actually a deeply closeted gay player I got a bit excited. I’d wondered if the show would address homophobia in sports, and what’s it feels like to be a closeted gay professional athlete, and it was handled so beautifully. The scene with Trent Crimm and Colin talking about it in front of the Homomonument in Amsterdam was just brilliant, and then last week Colin’s friend Isaac grabbed his phone from him to delete nude photos (long story, but YOU SHOULD BE WATCHING) and of course saw his text conversation with his boyfriend. Isaac just gave him a disgusted look and walked away…and my heart broke a little bit for Colin. I know that feeling all too well–the friend who becomes a former friend once they find out or you come out to them (and yes, coming out is a process that goes on for your entire fucking life)–but it’s Ted Lasso–I knew this wouldn’t turn out badly, and it really didn’t. Yes, I am biased, but this episode is one of my favorites of the entire run of the series; everything was clicking and humming along the way it usually does–this season has felt a little uneven–and everyone was pitch perfect, from Roy to Ted to Keely to Rebecca to Higgins to even Nate, whose redemption arc I am enjoying. Yes, I was disappointed when he turned in Season 2, but I am delighted to see that he’s still the same Nate, still figuring things out but at heart a really good guy. And Roy’s growth and development–courtesy of a swift hard kick in the pants from Rebecca–is epic. The end game of the show is now in sight, and I think we’re all going to be delighted with the direction in which it’s going to go. I hope there’s a bit with Trent Crimm doing a book launch for his book on the season and Richmond and Ted’s philosophy of coaching. I cried a few times during last night’s episode, won’t lie–and I absolutely cannot wait to watch it again when I get home this evening. I have to run some errands on the way home–post office and prescriptions–but I am hoping I’ll get home and be able to have a lovely evening of writing before I wind up turning into a cat bed.

I don’t feel tired today although I had a relatively restless night of sleep–sorta sleep as I call it, where your mind feels sharp the next day but physically you’re tired. I need to start stretching (and yes, I know I’ve been saying this for months) but it does help keep you nimble and loose; the aches and tiredness comes from tight muscles, and the best thing to do with tight muscles is stretch them. Maybe I should put that on the to-do list? I didn’t want to get up this morning–the bed was incredibly comfortable and I felt really relaxed–but I can look forward to not getting up to an alarm on Friday morning.

And on that note, I am heading back into the spice mines. Thanks again, everyone, for all your kindnesses about the Anthony nominations; I still can’t believe it myself, you know? Three? Madness. Have a great Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

Tag: Anthony Awards

Shame

East Bound and Down

I’ll Be Leavin’ Alone

You Never Miss a Good Thing (Till He Says Goodbye)

Squeeze-Wax

Violaine

Blood Bitch

What It Feels Like For a Girl

Me Against The Music

Beautiful Stranger

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