Tag: Alfred Hitchcock Presents

Let My Love Be Your Pillow

Saturday morning and Paul comes home today! Huzzah! Huzzah! I of course literally have no idea what time he will be arriving–he never tells me these things and I never think to ask–but it’s fine. Yesterday was a good work-at-home day. Sam the handyman came by in the morning to finish touching things up and clean everything up, which was marvelous, and now the apartment sort of looks like our apartment again. It’s great, and it makes me want to clean, which is something I’d forgotten that I enjoyed so much. I’ve really let the housework slide since the pandemic started (sure, let’s blame it on that, shall we?) but a lot of it had to do with the walls in the living room. tl;dr= we had some leaks, and water damage to the walls in the living room. The leaks were repaired, but the plaster and paint somehow never got finished and we’d been living with that for a while….and when you have places where the bare wall is showing…the apartment, even clean and sparkling from ceiling to floor, would look deranged and damaged and sloppy. I think I felt a little defeated, to be honest.

I’ve felt defeated a lot over the last few years, if I’m going to be honest. But I’ve been feeling oddly better lately about things lately, even optimistic at times. I know, right? It’s kind of scary. It’s like I don’t even know who I am anymore, but I have full faith in the universe to deliver yet another blow the way it always does when I start feeling like this again–a sense of contentment and peace. I’m sleeping better, getting better rest, and I am getting things done rather than sitting in my easy chair every night scrolling through social media while Youtube videos stream endlessly on continual play. Ironically, I remember feeling this way on another hot August Friday in New Orleans, two weeks before Hurricane Katrina. I had just finished Mardi Gras Mambo at long last and turned it in, and that Friday I had met with the Admissions office at UNO to see about finishing my degree in English and pursuing a master’s, and even potentially eventually a PhD. Yes, I had ambitions. The meeting had gone incredibly well. We scheduled a meeting with the chair of the English department, and it looked fortuitous and very good; I’d have to pay for the semester required to get the English degree, but it looked like I’d get the master’s not only without having to pay, but I’d also get an on-campus part-time job. I don’t reflect back very often, but sometimes I remember that last optimistic August before Katrina and wonder how different my life would look now had Katrina never happened…or at least had the levees held. I’ve always felt the lack of educational degree and study keenly; I was far too young when I started school and majored in English to really appreciate the in-depth examination of classic literature and other forms. None of what little I learned stuck, either. I have also always been made to feel that the books I actually did read and appreciate were lowbrow; on par for someone as uneducated and unserious like me. I’ve not read much of the classic writers, for example; I’ve never read Edith Wharton or Jane Austen or much of Henry James; I may give Hemingway another try at some point but I was unimpressed with both A Farewell to Arms and The Old Man and the Sea. Fitzgerald wrote beautifully about horrible people I’m not interested in; I love Faulkner but he’s a lot of work to read (but I will go to my grave loving “A Rose for Emily” and wishing I had written one thing that perfect), so I’m not going to read Faulkner for pleasure–even though I take great pleasure in the voice and the rhythm of the words and so forth, I’m still looking for characterization and story.

Hell, there are any number of classic mystery writers I’ve never read, for that matter. I had never read Ross Macdonald until I was on a panel with Christopher Rice who sang his praises highly enough for me to get a couple of his books…and have always been delighted that I did. I think I’ve read one Rex Stout novel, but I can’t remember anything about it and I think I am thinking of a television adaptation with William Conrad and Timothy Hutton? Or did I imagine that, too? One of the things I am loving about reading the short stories in these marvelous old Alfred Hitchcock Presents anthologies is getting to read authors I’ve heard of that I’ve not read. Yesterday night I read “Curious Adventure of Mr. Bond” by Nugent Barker, from Stories That Scared Even Me; “Four O’Clock” by Rice Day, “Of Missing Persons” by Jack Finney, and Paul Eiden’s “Too Many Coincidences”, from My Favorites in Suspense. I enjoyed them all, but the Barker was my least favorite of the four. It’s written in Ye Olde Timey Style, and it goes on for far too long, and it’s big twist I saw coming. I also didn’t much care for Mr. Bond. The Day story was one of those macabre little tales of irony with the kind of ending that Daphne du Maurier mastered and I’ve always loved–and aspire to write. (The trick is the ending has to be earned.) The Finney story was also one of those, but a bit more melancholic than macabre.

I also spent some more time with Superman last night. First I watched a documentary called Look Up In The Sky! The Amazing Story of Superman, which I followed with this week’s episode of My Adventures with Superman. I was very pleased to see Jimmy Olsen talked about in the documentary, and the actor from the television series, Jack Larson, was openly gay and was in a very long term relationship that lasted until he died in 2015, as someone very kindly reminded me on Twitter the other day in response to my talking about Jimmy on here. I am really intrigued at the idea of writing a Jimmy Olsen story…although I’m not exactly sure what I would do with such a thing, and I’m equally sure publishing it would be a trademark/copyright violation of some sort. I’ll make a note and keep chewing on it, though.

I also worked on the book some last night (at last) which felt marvelous and overdue. It was so hot yesterday–even with the air conditioner on full blast and desperately trying to keep up, you could tell inside that everything outside was roasting. I am quite pleased to have gotten past the revision of Chapter Five at long last and I have to say, I am most happy with what I did. Of course, Chapter Six is from scratch, which is going to be an enormous pain in my ass, naturally; writing anything where nothing other than a thought exists at the moment is always harder than revising. Revising can be either tedious or a lot of fun; it’s when your making the book better written and deepening characters and cleaning up shit and building on the ideas you’ve already gotten down but didn’t express particularly well as you were just madly trying to get words on the page and the story advanced and all of that.

Whew. Breathe.

I also woke up to a marvelous email–I just checked–from my editor on Mississippi River Mischief letting me know when the edits would come and included…”This book is fabulous, btw.”

Whew,

And on that marvelous note, off to the spice mines with me!

Say You’ll Stay Until Tomorrow

Sunday morning and we’ve survived yet another day of a heat advisory, which was miserable when I went out to get the mail and some cleaning supplies (I also got grocery store sushi for lunch, don’t you dare judge me). But I wasn’t out in it all the much, and I managed. I slept decently Friday night, woke up a few times, like always, but went to bed and slept in until seven thirty (!) before getting up and getting started on the day. I started doing a thorough cleaning of the laundry room and the kitchen in the morning (I needed more wet Swiffer pads, which was why I had to stop before running errands, and I needed other cleaning supplies as well, too), and rearranged the top of the dresser upstairs so there was room for more books, so I took my copies of the annotated Holmes up there along with some other enormous research books that don’t fit in my bookcases and had taken up residence on top of the microwave–which I then cleaned and moved the cookbooks to (because that’s where they belong, goddamnit), which pleased me inordinately. I miss Paul, of course, but the plan to keep myself busy so as to not get lonely seems to be working out so far.

Yesterday, I cleaned.

I even moved furniture and rearranged my workspace. I also discovered that I’d bought one of those Apple speaker things I can stream Spotify through, so I can have music playing while I do things–so no risk of being detoured by television or going down Youtube wormholes. I did baseboards, Constant Reader. I really need to get some Venetian blinds for this window over my desk, much as I loathe giving in finally to the loss of the crepe myrtles. The LSU blanket I tacked up in a rather pointless display of spite and vengeance that had absolutely no effect on anything other than to further enhance the “college apartment” essence we’ve apparently been going for these last few years needs to come down. I’m a grown-up, after all, and the days of using blankets for shades should have been gone years ago.

Talk about arrested development! And as usual, the only person affected by my spite is me, as always.

But it felt good to clean everything, to pick up the rugs and beat them outside, to actually sweep the floors beneath and then wash them before putting back the rugs; moving furniture to anchor the ones more prone to moving, wiping every surface down and even getting some work done in the living room, too, which was marvelous. I also discovered that I had already written a draft of the fifth chapter–I didn’t remember getting past Chapter Four (although I thought I’d already figured it out just not written it–pleasant surprise!). Also, after putting the new drafts of chapters three of four in the three ring binder for the book (because I do this for every book), I found a note scribbled on the last page of Chapter Four–something I had noticed when I was revising it, but didn’t think was a big deal–and now I need to go back and fix it. It’s minor, not a big deal, but if I don’t catch it and fix it now…I may not and whoops! Today I am going to work on the living room some and try to get some writing done. I want to revise Chapter Five, maybe finish this next draft of a short story, and maybe finish writing the first draft of another. I also need to sit down and plot out another one.

I may clean the ceiling fans. Madness. I also need to get lightbulbs, or find the ones we already have.

I also stretched yesterday and used the the back massage roller thingee, which felt great–as did the stretching. I need to stretch more regularly; seriously. It only takes about five minutes, feels great, and always gives me a jolt of energy whenever I do it. And it’s good for me and a healthy thing to do, so why do I never think about doing it? Or why do I think about it and then just shrug it off? Perhaps someday I will understand, but it’s doubtful at this point.

I slept really well again last night, waking up relatively early this morning, which is good as I plan on having a productive day. This morning I plan to do some more cleaning, read some more, and then write all afternoon if possible. My coffee is definitely hitting the spot this morning and tasting marvelous, and here’s hoping this motivation carries through the day, shall we?

I did finish watching The History of Sitcoms last night, which I did enjoy somewhat, I could probably write an entire entry dissecting the episode about class, and the success CBS had in the 1960’s essentially stereotyping the South and Southern people with shows like The Beverly Hillbillies, Green Acres, and Petticoat Junction, among others. But the first two shows (I watched Petticoat Junction growing up, but don’t remember anything about it; the other two I remember very clearly) were actually a lot more clever that critics of the time thought–they were dismissed as very lowbrow humor, but they said a lot about class and were also kind of stinging indictments of American capitalism, mythology, and the class strictures we faced as a nation. (It was interesting that these shows about rural Southern people never address race; Granny on The Beverly Hillbillies still believed the Civil War was still on-going–she was in denial about the loss, I guess; which is certainly problematic when seen through a more evolved and modern perspective.)

I plan on finishing the downstairs today–which means the ceiling fans, or at least trying to get them cleaned; I can only reach so far with my ladder (I should have bought a six foot instead of a five foot all those years ago) but I think I can reach the blades of the fans…or at least I can change out the lightbulbs that are blown out. Then I can spend the rest of this week keeping the downstairs under control as I start working on the upstairs.

I also read two more chilling Alfred Hitchcock Presents tales, this time from Stories That Scared Even Me, “Men Without Bones” by Gerald Kersh and “Not With a Bang” by Damon Knight. I enjoyed both stories, despite having no clue about either author (these old anthologies do not include author biographies in the back, which is a rather disappointing oversight). Kersh apparently wrote the book Night and the City and lots of short stories; Harlan Ellison considered him one of his favorite writers, and “Men Without Bones” was certainly a chilling story, about a man who boards a banana boat hoping desperately for passage back to the United States, who then tells of a chilling voyage deep into the jungle to look for proof of alien visitation years ago when mankind was still in its infancy (which was a very popular trope when I was a kid; Erich von Däniken’s work was selling hundreds of thousands of copies in multiple languages); there is a very dark twist at the end of the already dark story that was rather jolting. Damon Knight was a very popular science fiction writer of the post-war period; I’ve not heard of any of his novels (he was named a Grand Master by SFWA, which he helped found; he was also very prolific as a short story writer, and he wrote the story “To Serve Man,” which became one of the more famous episodes of the original Twilight Zone. One of the things I am enjoying most about reading these old anthologies is learning about great writers of the past who may not be as well-known today as they were in their time; it sometimes makes me wonder if forty years from now some gay mystery writer could be reading old anthologies from this time and discover me? “Not With a Bang” is a post-apocalyptic story about the last two humans left alive–a man and a woman–but the woman’s experiences and what she witnessed as the world came to an end has kind of fried her brain; she cannot really process what happened and it sent her back to a rather prim-like mental state from earlier in her life; she refuses to have sex with the only man left alive unless they are married–but they cannot be married as there’s no one left alive to perform the ceremony. It’s never very clear if the man is so anxious to fuck her because he wants to repopulate the world or if its sexual anxiety and frustration; but he’s not a very good person and he also has caught the post-nuclear plague that wiped out everything the bombs and the fallout didn’t get; one of the symptoms is essentially losing the ability to move or speak and falling into a coma-like state that can be reversed with medication he has stockpiled…but once she has agreed to marry him and we realize that he’s not just frustrated with her–he’s not a good person and he plans to abuse her and be dreadful to her…and chillingly thinks and she could have a daughter…before he goes into a bathroom and freezes into the coma…with the door shut behind him and he’s lost the ability to speak.

These old macabre tales with their eerie twists at the end are probably–I am seeing now–the biggest influences I ever had with my short story writing. I still try to end my stories with a surprising twist, and that has everything to do with reading these anthologies when I was a teenager, watching Night Gallery and reruns of The Twilight Zone (as well as the reboot in the 1980s, which aired one of my favorite episodes of television of all time; a teleplay based on Harlan Ellison’s brilliant story–one of my favorites of all time–“Paladin of the Lost Hour”); these were the same influences Stephen King counts. I also read the horror/suspense comics a lot as a kid, House of Secrets, House of Mystery, Tales from the Crypt and The Witching Hour, among others; there were also little digests for Ripley’s Believe It or Not and other macabre comic tales. Apparently, you’re never too old to remember influences or learn more about yourself.

And on that note, I am going to go spend some more time with Kelly J. Ford’s marvelous The Hunt, and I will check in with you again later, Constant Reader. Have a lovely Sunday!

Way Down

Saturday in the Lost Apartment, and I am feeling relaxed and good. I had a nice day yesterday, the apartment got more work done on it, and I managed to get everything done that needed doing yesterday. I didn’t really write much last night, but I did read some marvelously macabre short stories, which was lovely, and then watched a few episodes of a CNN documentary series, The History of Sitcoms, which is interesting enough, and feeds into that nostalgia thing we are so prone to as a society. I’ve witnessed any number of nostalgia booms throughout the course of my many years on this speck of dust under the fingernails of God we call earth, and while I am not entirely immune to the appeal of nostalgia, I also recognize that we inevitably remember those past times fondly and perhaps not as accurately as we may think. The 1950’s nostalgia boom of the 1970s, for example, spawned American Graffiti and Happy Days and Laverne and Shirley and eventually Grease; reignited interest in the music of the time (anyone remember Sha Na Na?); as well as sock hops and poodle skirts and “Ch**ese fire drills”* (which is probably racist, isn’t it?) and all that stuff; like Archie comics were documentaries rather than fictions. But the 1950s weren’t this idyllic time of peace and quiet and prosperity people seem to think it was, brainwashed by decades of sitcom reruns of shows that presented the United States back to itself as a fantasy, a fiction, and created an unrealistic vision and interpretation of what perfection and success were in a land of opportunity–an unrealistic vision that has somehow come to be taken as a reality when it was never anything more than a fantasy. That’s the danger of nostalgia.

It’s not that I oppose nostalgia, or don’t understand it–we always tend to idealize our childhoods, and the time period when we were children. It isn’t that it was actually an easier, simpler time, it’s just that when you’re a child you aren’t worried about or concerned with the things adults are contending with–so you don’t remember those parts. I do remember being a child, with rioting going on and protests and police violence; I remember the murders of RFK, Dr. King, and Malcolm X. I remember the struggle over the Vietnam War. I remember Watergate, and all the scandals of the Reagan administration modern Republicans have completely forgotten about (or if they do remember them, they remember them as “evil liberals conspiring to bring down St. Ronald–who they would calla RINO today. I can’t imagine Reagan being fond of DeSantis, Ted Cruz, or Marco Rubio; but who knows? They remember the 1980s as their ‘golden age,’ so who knows what Reagan would be like today–although I can’t imagine him sucking up to Putin). For me, the 1980’s was about HIV/AIDS and the struggle to come to terms with myself and who I am. The 1980’s also showed me that homophobes literally wanted all queer people to die…and I do not believe the modern day iteration of them is any different than they were thirty or forty years ago. Their messaging is the same, after all–we must save our children from groomers and pedophiles while actually ignoring who the actual grooming pedophiles are–youth ministers, priests, and pastors of their religious faith.

Nostalgia can be incredibly dangerous. Here’s the question I’d like to ask everyone who longs to go back to that “simpler” time of the 1950’s/1960’s: where were all the black people in Mayberry, NORTH CAROLINA? Are we supposed to believe that a small town in the South was entirely white?

Bitch, please.

As I said earlier, I did spend some time last evening reading short stories from my Alfred Hitchcock Presents anthologies. “A Death in the Family” by Miriam Allen deFord was quite macabre and interesting, about a lonely mortician who grew up as a foster child with no family who creates his own, only to be tripped up in his macabre game when a dead kidnapping victim is dumped on the front steps of his mortuary. Very tightly written and composed, I also like the clever way deFord set the story up to deceive the reader until there’s a big reveal. This story was in Stories That Scared Even Me, and I enjoyed it. I also read some more stories in My Favorites in Suspense: “My Unfair Lady” by Guy Cullingford; “New Murders for Old” by Carter Dickson; and “Terrified” by C. B. Gilford. Carter Dickson was a pseudonym for John Dickson Carr, a very prolific and popular crime writer of the mid-twentieth century; I’d seen books by either name on the racks when I was a kid but I’d never read any of his work. I really liked “New Murders for Old,” a clever story about murder for gain with a complicated twist that I greatly enjoyed–but wouldn’t work in the modern day because it was dependent on someone traveling being out of touch with the rest of his world back home. “Terrified” is a chilling tale of the aftermath of a car accident, where the survivors in one car can’t decide whether or not to kill the dying victim who can counter their testimony about who was at fault, and “My Unfair Lady” is a chilling tale of a sociopathic child who witnesses a murder, and whether she will clear the name of the innocent man who found the body and is the leading suspect, a bit reminiscent of The Bad Seed, which of course is a suspense classic.

I didn’t do as much cleaning and organizing as I had hoped to do, but I did launder all the bed linens and finished the dishes. The kitchen still needs some work done on it, which I think I’ll most likely do this morning once I get this finished and posted. I plan on writing and reading and cleaning for most of the day, but I do have to run an errand later this morning–my copy of Angel Luis Colon’s new juvenile horror novel, Infested, was delivered yesterday, and I also need to determine whether or not I need to stop and make groceries as well. I am low on a couple of things, but I don’t think I actually need a whole lot of anything. I have been enjoying yellow-meat watermelons lately; a relic of my childhood summers in rural Alabama that I’ve never really seen out of that context or anywhere else. Rouse’s sells them now–personal sized and seedless–but it’s been my experience that the personal-sized seedless watermelons don’t taste as good as regular watermelons and have very little flavor of any kind. The last time we went to Costco (we need to go again once Paul gets home) we’d bought two of the personal-sized seedless red ones; they come in a net bag in pairs. Those watermelons were two of the best I’d had in I don’t know how long, so this week I took the plunge and bought one of the yellow ones this week. Constant Reader, it was delicious, if not the best watermelon I’ve had in years. I finished it off last night, but had bought another the other day. So, I think one of my chores for this morning is to clean out the kitchen cupboards, and throwing shit away so I can determine what exactly I need and if I do, in fact, need to stop at the grocery store when I go get the mail.

I also binged the second season of Heartstopper, which was absolutely delightful and charming, as I expected, even as it entered the darker territory the books dealt with. It’s still incredibly sweet, and it handles the darker turns much better than I could have hoped; the books certainly did, even as the darker material made you love and root for the characters more, it’s still a bit heartbreaking because I love those kids so much (Nick, Charlie, Tara, Darcy, Elle, Tao, and Isaac) that I want to wrap them up and protect them from the world. As I watch, I sometimes wonder what it would have been like to see a show like Heartstopper when I was a teenager…at what an incredible difference something like this could have made in my life, which is why shows like this are so fucking important. I just hate that they only give us eight short episodes per season–and yes, Olivia Colman is back as Nick’s mom. (One change from the books to the show I don’t like–while I understand it–was the elimination of Charlie and Tori’s younger brother. Sure, he’s not necessary, as the show proves, but I think the way he reacts to Charlie and Nick, and how much he loves them, would be kind of lovely, if not needed.)

I also thought about the book some, as well as reading all those short stories have helped give me some ideas about my own short stories in progress, and how to fix and finish some of them. I would love to get two chapters of the book written this weekend and to finish two short stories, but I don’t know. I’ll probably wind up feeling lazy and spending more time reading than I should, and of course, I have the new iteration of Real Housewives of New York to finish, as well as the third season of Superman and Lois, and My Adventures with Superman, but I am going to try to put off watching television until weeknights, when I am tired from being at work.

And on that note, I am heading into the spice mines. I need another cup of coffee, and I should put the clean dishes away. Have a lovely Saturday, Constant Reader, and I’ll be back at some point!

**It is racist: I checked on wikipedia: “Public use of the phrase has been considered to be offensive and racist. In 2017 a candidate for office in Nova Scotia, Matt Whitman, apologized for using the term in a video and subsequently removed the video.[10] In 2020, Washington state Senator Patty Kuderer made an apology for using the term in a hearing; Linda Yang of Washington Asians for Equality stated that the term was racist and filed a complaint with the state.[11] Kuderer apologized before any formal complaint was filed.” There’s an entire history of how the term began and how it was used, but I have found if a term or a phrase that’s a part of the popular culture references a group of people or an ethnicity or a race, it’s usually not a good thing; in this case, it means something useless–and let’s face it, everyone getting out of the car and running around it while stopped at a red light is pretty stupid and useless.

Treasure Hiding

Monday and back to the office with me this morning, woo-hoo! Yesterday was kind of nice. It rained overnight and we had a couple of amazing thunderstorms in the morning which cooled everything off (for a quick moment) so I was able to cuddle up under my blankets with a cup of coffee and finished reading Megan Abbott’s amazing Beware the Woman (get a copy now and you can thank me later–I prefer cash), before doing some chores around the house and getting a handle on the kitchen/office mess situation. Yesterday afternoon around one I checked the temperature and it was a mere 78 degrees here. In July, in the afternoon. Madness, am I right? But it gradually started climbing again, as always, but it was a lovely respite from the brutality that has been this summer.

I also read a short story from one of the Alfred Hitchcock Presents, “Lady’s Man” by Ruth Chatterton, which I found interesting as it was nothing more than a little ghost story, set at a country home of none other than Noel Coward! I’m sure this must be the same Ruth Chatterton who’d been a film star in the 20s and 30s; a quick Google search answers the question that yes, the film star also was a writer! How delightful. The tale was told in a conversational style, as though Ms. Chatterton was making interesting conversation at a formal dinner, which made it really fun to read, even though the chills weren’t quite as pronounced as they were in some of the other stories I’ve read in these books. I do love revisiting these old anthologies and stories from another time.

I also spent some time going through my recent journals and marking pages with sticky notes that are applicable to things I am currently working on or thinking about going to work on. I usually brainstorm and think in my journals. It used to be just the act of writing something down was necessary for me to remember it later–which is why I never needed to really consult my notes in the Olden Days–but that is clearly no longer the case. Even writing stuff here in blog posts is no guarantee I will remember it later. It was also interesting because so much of my journal is just me scribbling, free associating names and titles then who the people are who got with both, quotes I like with attribution, and then the most bizarre things that literally make no sense at all; where did this thought come from? Is it original or did I see it somewhere and wrote it down? It’s always fun to see just how schizophrenic my creativity is when I don’t try to harness it. I actually wrote longhand in my journal last night while watching a documentary–I sometimes takes notes in case I want to blog about it later–and wound up writing several pages of a personal essay about my own experience going to Boys’ State in Kansas the summer I turned sixteen. (Yes, I was watching Boys’ State on Apple Plus, which was filmed at the Texas Boys’ State, which was interesting and well done, and a lot like I remembered it being all those years ago in a different state.) That evolved into me writing about always feeling like an outsider, observing from a slight remove, and went on for quite some time, rather indulgently, and I kind of was amused. There I was, feeling like I was creatively stifled and not able to write, yet writing in longhand in a journal, no less. It wasn’t fiction, of course, but it was still a creative expression, a free form exercise in stream of consciousness writing to see where my mind went–and inevitably, as always, I had to take the piss out of myself.

And that led to another page about my difficulties in taking myself seriously, and thus self-sabotaging myself and my career.

It truly is a wonder I have a career, or for that matter, even had one to begin with.

One thing that did come from that free form writing was a reiteration of something I think I may have posted here recently, that I should take just as much pride in my novels as I do in my published short stories. Sounds bizarre, doesn’t it, but my inner editor always wants to find and fix things in the novels, which inevitably leads to me wishing I could have another pass at it, and the reality is I will always feel like I should have taken another pass at a novel manuscript before it went to print. I need to get over that, or to at least keep it to myself and my journals rather than dragging my own work on my blog. I AM proud of my books, every single one of them, and every single one of them was the best book I was capable of writing at the time I wrote it. As I believe I continue to learn and grow as a writer the more I write, I will always think of my past work as something done when I wasn’t as mature a writer and was still learning because I am always learning. And hope to always continue learning and get better, not just as an author but as a person.

The older I get, the more I realize I don’t know, and how much I will never know. It’s kind of humbling, really.

I did decide what the next book I am going to write is going to be, and that’s a good thing. I was pretty sure of what it was going to be, because it’s in my head and needs to come out more than anything else at the moment–but there’s always something else nagging at the back of my mind saying write me write me! It has the potential to be very good, but I still need to figure some things out. I know how it starts and I know how it ends and I know the back story; I just don’t know the middle and how to get from Act One to the start of Act Three; I always struggle with the second act. I started writing it for a friend who was an acquiring editor, it was something I had been wanting to do for a while and he was interested in acquiring it once it was finished, or at least a first draft completed. So, while I was working on two other books at the same time, I was also taking one day every week and writing a three thousand word chapter and emailing it to him. I had completed Chapter Four and needed a transitional chapter that wasn’t boring or expository, so I had to put more thought into it than I had the previous four. This was last fall, when things started to get out of control in my personal life and with everything else, when I started falling behind on everything and my anxiety was out of control and I just didn’t have the headspace or creative energy to spare to figure out that chapter, so I stopped working on it.

But I never stopped thinking about it.

So, now I have to write it. I may continue to send it to him although he is no longer an acquiring editor, but he’s also a friend and I respect his opinion (he is remaining unnamed because I cannot say kind things about him publicly), so maybe I will. He was very encouraging, and sometimes I need a little bit of a push every now and then. I’ve also mentally worked out some of the kinks in those first chapters, too. I think it will be fun to write; I know I was enjoying it when I was working on it before, and it wasn’t like fuck, I don’t want to work on the structure and plot and meaning of this fucking thing, it was yeah, let’s figure this shit out.

That’s a good sign, methinks.

I’ve also decided my next read is going to be Kelly J. Ford’s The Hunt. I love Kelly and I love Kelly’s work, so I can’t wait to see what this is about. She has a truly masterful grasp of the rural South, and that voice! Oh, that authorial voice! She takes me back to my childhood summers in rural Alabama, shows those folks with a clear and unblinking eye, and then writes with language so beautifully and magnificently constructed that it makes me feel seen, home, and alive. I have some more fabulous books coming–what a summer for releases! New books to come from Laura Lippman and Angie Kim and Michael Koryta on top of all the treasures that have already been released this year? I’ve got Eryk Pruitt’s latest and Scott Von Doviak’s latest on their way, with a new Donna Andrews right on their heels. I need to stop slacking and get back to reading on top of everything else! Mon Dieu, how am I ever supposed to keep up?

There simply isn’t enough time in every day, is there?

There were also short stories in my journals–either the idea or the openings or an outline–that I’ve never transferred out or transcribed, which also needs to be done. God, there are so many short stories in progress…it’s daunting just thinking about it.

But it was a good weekend. I got some rest and I accomplished some things. I got better organized, with a short way to go, and am proceeding with plans to get everything back together again and start writing again, clearly and clear-headedly moving forward on something I’m really interested in writing, something I’ve wanted to write for a very long time–and it’s enormously satisfying knowing I am finally going to be working on it for real.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I may be back later. I tend to turn up like a bad penny here and there, now and again.

Essence

And here we are, on a very hot Saturday July morning in New Orleans, feeling rested and relaxed, which is becoming the norm and I have to say I really quite like it. I think some of it has to do with the lessening of stress and anxiety with the lightening of my over-all schedule; it’s nice not being constantly busy and always feeling guilty (anxious, stressed) about the things undone when I had to call it quits for the day from sheer exhaustion…and then of course that stress/anxiety/guilt made it impossible for me to sleep. I even cut back drastically on my caffeine intake during this period–cutting back to only three cups of coffee (which is probably still too much, really) and only one 16 ounce bottle of Coke per day. It’s helped my sleep some–and I am not willing to up my caffeine intake to find out, either–but I’ve been sleeping so well the last few weeks since I recovered from the trip that I am almost not afraid talking about it will jinx it…but the streak continued again last night. I’m not sure what the difference is–probably the reduction in stress and anxiety.

Finding out that my mother suffered from anxiety was also incredibly helpful. Finally, at age sixty-one, nearly sixty-two (less than a month away), I realize that I, too, suffer from almost crippling anxiety, but never realized it because it’s just my reality, if that makes sense? Everything stems from anxiety: the self-deprecation, the not taking my work as seriously as I should as well as being dismissive of it rather than proud, the issues with public speaking–all of it stems from anxiety. But that’s because it’s always been for me, I just figured, as one would, that it was normal and everything else has the same issues because that’s all I know. The Xanax has helped somewhat with reducing my anxiety or lessening it enough for me to be functional, and now recognizing that it is an actual chemical brain condition that I’ve had most of my life has opened my eyes in many ways, and I am trying to rewire my brain to accept and understand that anxiety causes me to want to self-destruct at times. I wish I had known this about twenty years ago, even forty, but would it have made a difference?

Yesterday wasn’t a bad day, really. I woke up later than usual (same this morning, staying in bed until just past seven thirty like a lazy slattern) and feel very rested. I spent most of the day going over forms doing Quality Assurance as well as did some on-line trainings. Once the work day was over, I repaired to my easy chair with my journal and scribbled notes in it for awhile until Paul got home from the gym. We watched this week’s episodes of Minx (smart adding Elizabeth Perkins to the cast for the second season), The Crowded Room, and Hijack, and moved on to some more Awkwafina is Nora from Queens, which is rapidly becoming one of my favorite half-hour comedies of all time (the queefing episode is a non-stop laugh riot, seriously).

Today I want to spend some more time on a kitchen cleaning project, in which I am cleaning out the drawers and the cabinets in the kitchen. Things tend to accumulate around here, and there are things that get tossed in drawers that I’ll never need, have never needed, and just held on to for some reason unknown to my conscious brain. I also want to work on the kitchen rugs (which never stay in place, ever) and the floors a bit more. I need to purge more books, too, and work on the kitchen. There’s a mess now because I cleaned out some things already and now that stuff is scattered all over the kitchen and I need to either find a place for it all or toss it, I also am going to spend some more time with Megan Abbott’s Beware the Woman over my coffee and perhaps a few more Alfred Hitchcock Presents short stories before I run today’s errands: groceries, mail, library sale to drop off books, and maybe a car wash. The tire pressure light has been on in my car since I drove home from Kentucky, but the heat has been so intense I’m not sure I’ve been able to get an accurate gauge reading of the tire pressure; I’ll probably swing by the gas station before doing any errands to try equalizing the pressure again. I also want to spend some time trying to write today–whether it’s a new book project, a revision of a short story, or even a brand new short story entirely (that Malice anthology deadline is approaching), but I want to get back into writing again, flex and stretch those creative muscles that have been so dormant for so long.

I got the table of contents for another anthology that I am appearing in, School of Hard Knox, edited by the amazing Jeffrey Marks and coming from Crippen & Landau. The author of the Father Knox crime series, back from the Golden Age, had come up with a list of ten rules that should never be broken by a crime/mystery writer; we each chose a rule and wrote a story breaking it. Mine was “no supernatural events or beings”; which was kind of perfect for me. I dug out an old Alabama/Corinth County story that had been moldering in the archives for decades called “The Ditch,” which I revised and rewrote and made much stronger. I was pleased when the story was accepted, and I was even more pleased to be told that the copy editor thought my story was “powerful.” (I’ll write more about the story, and the anthology, when its release date is imminent.) I also got paid for my story “Solace in a Dying Hour,” and cannot wait to get my contributor copies of This Fresh Hell. I don’t know why I get so much satisfaction out of selling and publishing short stories; but subconsciously I think of each sale/publication as another knife into the corpse of that wretched college writing professor who told me I’d never publish. Given how revenge and “I’ll show you” will always drive me to prove someone wrong about me, I’m starting to think that professor may have been a blessing? I’ve certainly proven him wrong with over forty novels, fifty short stories, and over twenty anthologies edited, not to mention countless articles, interviews, book reviews, and essays I’ve published over the years.

Anyway, here is the TOC for School of Hard Knox:

Introduction – Jeffrey Marks
Not Another Secret Passage Story – Donna Andrews
A Matter of Trust – Frankie Y Bailey
THe Dinner Partty – Nikki Dolson
The Intruder – Martin Edwards
The Ditch – Greg Herren
Dichondra – Naomi Hirahara
Baby Trap – Toni LP Kelner
The Stolen Tent – Richie Narvaez
The Rose City Vampire: An Accidental Alchemist Short Story – Gigi Pandian
Chin Yong Yun Goes to Church – SJ Rozan
The Forlorn Penguin – Daniel Stashower
The Island Boy Detective Agency – Marcia Talley
Ordeals – Art Taylor
Knox Vomica – Peter Lovesey

Look at those names. I am so honored and thrilled to be in an anthology enabling me to share the interior with these amazing, glittering names. More on this anthology as things develop–release date, cover reveal, etc. I’m very excited to be in this book, which will be a strong contender for Best Anthology short lists next year, as well as the stories making Best Short Story shortlists. I’m particularly proud of my story, to be honest. I think my metier in writing is writing about Alabama, to be completely honest. I know I am known as a “New Orleans writer,” and to be sure, my greatest success has come from writing about New Orleans, but I feel more drawn to writing about Alabama now that I am in my sixties. I am sure some of it has to do with losing Mom–somehow, it’s like writing about Alabama keeps me connected to her in some weird, complicated and twisted logic only my brain is capable of making, but it’s true.

I’ve also decided that I am going to submit to the Nashville Bouchercon anthology, even though I am not going. The theme, being Nashville, has to do with music, and its being edited by the incomparable Brendan DuBois, who is a fantastic short story writer and has found enormous success as a co-writer with James Patterson (I also like Brendan; we served on the MWA board together and he’s really a great guy). I would love to be edited and work with Brendan, and I think the story I’m going to write for it is “The Blues Before Dawn,” a period New Orleans story from before the first world war, which I’d been thinking about turning into a Sherlock Holmes in New Orleans story. That might make it stand out from the rest, one never knows. It also could get selected out by the anonymous readers who could be homophobic–it happens, and one can never be sure if your story isn’t good enough or if its homophobia–another joy of being a gay writer of gay stories.

And on that note, I am making another cup of coffee and going to read Megan Abbott for awhile. Have a great Saturday, Constant Reader, and I am sure to be back again later.

Bluebeard

Monday morning and back into the office. I am kind of dreading it, to be honest; there was apparently some shake-ups and drama at the office on my work-at-home day while I was dealing with Scooter. Can’t wait to get into the office today and find out what’s up and what the future holds. Who knows? I may be coming home a lot earlier than expected and never going back.

I was very productive yesterday morning, all things considered. I slept in a bit, got up, and wrote the blog, worked on the dishes and laundry, cleaned up a bit, and found some computer files I was looking for. What’s truly strange–really really strange–is that my imagination is so powerful that I can remember writing entire short stories without actually having written them. A friend had mentioned the deadline for the 2024 Malice anthology, with an international theme to it, and I thought Oh, I have that ambiguous Central American–set Mayan ruins story I wrote a long time ago. I distinctly remember writing the entire story…only to look through all my electronic files to only find one with a few sentences, at best a paragraph, written. I pulled the file out of the file cabinet and sure, that’s all there was. I’d swear I’d written the entire thing…even looking through the old files from the 1980’s that had to be retyped, before remembering that I got the idea on a trip to the Yucatan….in about 1993. This means I remember writing something that I never did.

And people wonder why I think I’m not mentally stable?

I also pulled up a file for a potential next novel–the one I was thinking about before I left for the trip a few weeks ago, and even it isn’t what I remembered; primarily because all the changes I made were made in my head and not really made electronically. I originally wrote the first chapter with the story still set in the French Quarter; I moved it mentally to Camp Place in the Lower Garden District and made changes…in my head. Lord, where is my straitjacket? This isn’t the first time this has happened; where I’ve finished writing something in my. head but never got it typed up into the word document, to be bitterly crushed and disappointed later when pulling up the file. (This also happened with, among many others, “A Holler Full of Kudzu”.) I am certainly not sure that I’ll be able to get this story written, revised, and edited by the end of the month but….stranger things have happened.

I also read some more into Megan Abbott’s Beware the Woman and am completely in her thrall. Jesus, reading her makes me want to just give up and never write another word. Well, that’s extreme, but authors who are on her level do make me want to push myself, to try harder, and to do better work. I read for a little while, a few more chapters, then got up from my chair (quite reluctantly) to do some more chores. I didn’t get nearly as much done this weekend as perhaps I would have liked to have, but it was also my first Scooter-free weekend and I kept getting sad. I imagine I’ll still do so on occasion for a while, but I am also going to resolutely start looking for a new cat to adopt this week. The house just doesn’t feel right without a cat. This morning when my alarm went off I actually went to fill his food and water bowls before remembering they weren’t there anymore. I was afraid that would happen today, to be honest; knowing reality wouldn’t kick in instantly when I rose the bed. Today is also the big meeting with the entire department. I don’t know what that is about, or what is going to happen, or what even to expect. Hell, I may be unemployed by noon, who knows? Not the kind of stress I needed for the weekend on top of everything else, but when it rains in my life the streets definitely flood. I at least slept well last night. We finished watching Fake Profile last night, which was a lot of fun, with a completely insane series finale. I don’t see how they could do a second season, but stranger things have happened with Spanish-language Netflix programming.

I also read a couple of short stories from one of the Alfred Hitchcock Presents books, Stories That Scared Even Me, and realized something about my own short stories; the stories in these Hitchcock anthologies aren’t necessarily what we would traditionally refer to as “crime stories,” but I don’t think they count as outright horror, either. The stories are what you would expect from the television series–as well as others like The Twilight Zone, Outer Limits, and Night Gallery–stories that are more macabre than anything else, really; some with a very bitter and dark sense of irony more than anything else. The two stories in this anthology that I read over the course of the weekend, “Fishhead” by Irvin S. Cobb and “Camera Obscura” by Basil Copper, were these kinds of stories (the latter perhaps being a bit problematic–the ‘moneylender’ in the story is, while not coming out and saying so, the worst stereotypes of anti-Semitic tropes, while not coming out and saying the character is Jewish); more macabre in outlook than either horror or crime. I’ve also never heard of either author–but back in those days someone with a strong imagination, excellent typing skills, and dedication could make a decent living writing only short stories…ah, for those good old days of the business, right? I’ll probably do a google search on them–and the others whose names I don’t recognize–at some point because I am nosy.

Looks like the heat advisory streak, going back to early June if not late May, might get broken today. Not as humid as usual, but still the high will be 93. It felt cool out there this morning when I took the trash out.

And on that note, I am heading into the spice mines. Happy Monday, everyone.

Cico Buff

Saturday morning in the Lost Apartment and it’s a somber bit of a morning here. I’m still sad and a little in shock that Scooter declined so quickly, but in retrospect I am glad it was fast and he didn’t suffer for long. Skittle’s slow decline into death lasted months, which was terrible and heart-wrenching and soul-shattering. I decided that I am going to take the weekend off–no social media, no emails, no nothing. I am going to, of course, write blog posts–I will always try to write blog posts–but I am going to clean and organize and read and think and watch movies and television shows and so forth. This hasn’t exactly been my favorite year so far–how can a year in which you lose your mom and cat in less than half a year be a favorite of any kind–but it’s not been an entirely bad year, either. My life has always gifted me lovely wonderful things while at the same time gut-punching me with something awful; the other night when I realized i was caught up and/or ahead of most everything, I also thought which means something bad is going to happen–which is terrible, but I am always waiting for the other shoe to drop, especially when good things happen to me.

I got some more Alfred Hitchcock Presents anthologies in the mail yesterday (Stories That Scared Even Me, Stories for Late at Night, and Stories Not for the Nervous), and I think it’s time to dial back on buying them, at least until I start getting most of them read. But to take my mind off my sadness I think I need to read a novel, so after I get the kitchen cleaned and organized a little better, I think I’ll probably curl up with Beware the Woman by Megan Abbott at long last, and spend the weekend with her. I think spending a nice, relaxing weekend is just what the doctor ordered, and you know, it’s long past time I did a really thorough clean of this place, and it shows. The condition of the apartment has deteriorated (primarily due to my laziness coupled with a general exhaustion I’ve felt the last few years) to the point that I hope there’s no afterlife; because if my mom can look down from heaven and see how slovenly I’ve kept house for so long…yeah, she’d be haunting me for sure. Several years ago I did finally realize that I am super-hard on my housekeeping skills because Mom was über clean; her house was always spotless and everything was where it went. Messes never lasted for more than five minutes in my mother’s house. She’d finish cooking and there wouldn’t be any mess left behind; something I’ve only managed a few times throughout my life…and yet it always felt marvelous when I was able to pull that off.

I also just realized/remembered that our anniversary is this coming week; the 20th, to be exact, will mark twenty-eight years of the Greg-Paul relationship. Twenty-eight years. I never dreamed that I’d ever find someone compatible to me, let alone have a relationship that would last almost three decades (if we can survive another two, we’ll make it to thirty), but I suppose I can do an “ode to Paul” on our anniversary, so I’ll table this talk for now. I do need to get him a gift; and I know exactly what to get him; I just have to remember to order it today so it may arrive in time…if it doesn’t, no big deal. We’ve both become rather lackadaisical about anniversaries, birthdays, and holidays at this point. They just are, and being together and still happy is the real gift.

Yesterday after I got home from the Cat Practice, I watched a true crime documentary that was interesting from a domestic suspense perspective; it was one of those “I didn’t know I was married to a predator” stories that I’ve always kind of wanted to do from a gay male perspective; lots of things to unpack, discuss, and talk about there. After the documentary, I put on the final game of the College World Series so I could watch LSU win it all yet again–mostly for background noise, really, while I waited for Paul to get home. After that, I was scrolling through Prime looking for something light and funny to take me out of myself, and wound up watching The Beverly Hillbillies, which is silly and fun and funny–still funny–but was so hated by critics and reviewers, despite resonating with viewers and being a Top Ten hit show its entire run. I never understood it myself, and remembered watching when I was a kid. My memories of the show airing weren’t strong, and so it was easy for me to go along with the mentality that it was low humor and tacky and clichéd and bad. I started watching reruns at some point as an adult, and was startled to see how misunderstood the show was; I may have to write about it sometime because it struck me as a particularly biting social satire on American culture and society. And it’s still funny; and the Clampetts are never the butt of the joke; the joke is always on the “city folk.” (Even while grieving, I still think about writing.)

I also listened to The Drowning Tree while doing my data entry; it’s really quite marvelous. But then Paul called with the news from the Cat Practice and that was that for the day. I’ll have to use some paid-time-off to make up for the afternoon hours I lost to handling the Scooter situation.

And on that note, I think I am going to go ahead and head into the relaxation zone rather than the usual spice-mines. Have a lovely Saturday, Constant Reader, and if you have a pet, give them a big hug for me.

A Kissed Out Red Flatboat

I did read some short stories this weekend from the Alfred Hitchcock Presents anthologies I’ve gotten from eBay over the last month or so, and they’ve been wonderfully delightful and deliciously wicked. They also remind me of where I got the idea that short stories should always have a wry, slightly ironic but gasp-inducing twist at the end. I remember vaguely watching Alfred Hitchcock Presents (we were always a family who were fans of Hitchcock) and, while I was too young to remember The Twilight Zone, I do remember Night Gallery. I am also loving reading stories by masters of crime fiction that I’ve not read before; in one of the anthologies the next story up is by the delightful Charlotte Armstrong. I just read one by Anthony Boucher (for whom Bouchercon was named) called “They Bite” that was incredibly creepy; in another one of the anthologies the next story is by Roald Dahl. I would love for us to go back to the wonderful world that existed back in those days, when the short story was a much more valued art form than it is today and there were all kinds of markets for them. Heavy heaving sigh.

So, I did pull out that story the copy-editor said was “powerful,” and as I read it my horror grew, until by the time I finished it I had noted so many errors and transition problems that I thought that cannot be the version I turned in and was in thorough panic mode when I remembered to check the laptop and sure enough, there it was. I did reread the story, did spot some mistakes, but the revision I did before turning it in was clearly the right thing to do, as the story was significantly better and made more sense and was actually, pretty good. It touched on themes I seem to keep returning to, over and over again, but what can you do? I cannot control my creativity that strongly, you know; I write the stories as they come to me. I do worry that I am repeating myself though–how many hangover scenes have I written over the years (which is hilarious, because I never really had hangovers the way other people have always talked about them)?

We started watching a new crime show that seemed to have a lot of potential, but there were a couple of annoying characters in the forefront of the show that undermined it for me, so we gave up after a couple of episodes. We did watch the final episode of The Ashley Madison Affair, which was pretty interesting to me. First of all, if anything, it emphasized the fact that not everyone is content with monogamy–and since we idealize monogamy and the nuclear family in this present day society (unrealistically, I might add), the concept of open and honest conversations about sexuality and monogamy and so forth are made very difficult to have. Women are trained from childhood to see cheating as the worst possible sin of all time, as well as to try to inhibit and control their sexuality as much as possible, denying themselves the same freedom to explore what they like and enjoy while also determining what they don’t like and don’t enjoy the way single man are often allowed. Dorothy Allison wrote very strongly about how societal views and beliefs and mores about female sexuality prohibited women from becoming their full selves; there’s always someone just raring to slut-shame a woman, isn’t there? A former friend of mine who claimed herself to be an ardent feminist (she became a TERF, of course) and that women had every right to be as sexually liberated as men would then turn around and slut-shame every female celebrity that ever came up for discussion. All models were really “escorts,” and every successful woman in entertainment slept her way to the top.

That’s an interesting feminist take, isn’t it?

We also started watching a gay teen movie, and turned it off within five minutes. It was terrible. We watched something else after that, but i honestly don’t remember what it was, to tell you the horrible truth. I hate this memory nonsense, seriously.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again tomorrow (or later, whatever the case may be).

Private Eyes

I loved the Three Investigators.

When I was writing about rereading “The Birds” the other day, it brought Alfred Hitchcock to mind again. I have been revisiting the old Alfred Hitchcock Presents anthologies lately, and slowly (finally) realizing what an enormous influence on my writing Mr. Hitchcock was. Obviously, there’s the films, and the television series, of course, but even more so in books–books he had little to do with other than licensing his name–because hands down, no questions asked, my favorite juvenile series was The Three Investigators. I loved those books, and still do. The Hardy Boys, Nancy Drew, the other series–they don’t really hold up well for me now, but I can still enjoy the The Three Investigators as much today as when I first read them. The books are incredibly well written, and the three boys themselves are very distinct from each other yet not one-dimensional, and that holds true for all the members of their supporting cast–Uncle Titus, Aunt Mathilda, Hans and Konrad, Hitchcock himself, Worthington the chauffeur–as well as the primary settings, the Jones Salvage Yard and Headquarters, a wrecked mobile home hidden in plain sight, beneath and behind piles of junk, with secret tunnels leading to it.

What I liked the most, though, was that the plots of the mysteries themselves were very intricately plotted, and the criminals were actually pretty smart, so it took a lot of good detective work, thinking, and intelligence to outwit them. Many of the books were treasure hunts, which of course I love love love, and often required the solving of a puzzle, which I also loved. The three boys who formed the investigation were Jupiter Jones, Pete Crenshaw, and Bob Andrews. Jupiter (First Investigator)had been a child star on a Little Rascals type television show as “Baby Fatso”, which he doesn’t like being reminded of, or being called fat (this was actually one of the few kids’ series that dealt with fatphobia and flat out said making fun of people for being overweight was cruel; think about how much Chet Morton gets teased for being fat in The Hardy Boys and the same with Bess Marvin in Nancy Drew); he is also the brains of the outfit. He has a quick deductive mind, pays attention to details, and has read a lot so he’s got a lot of arcane knowledge in his mind that comes in handy quite often. Pete (Second Investigator) is strong and athletic and not nearly as bright as Jupiter. Pete also gets scared easily, but an ongoing theme in the books is how Pete always overcomes his fears to come to the aid of his friends. Bob Andrews is Records and Research; he works at the local library so can do research for them, and he also is the one who writes up all their cases to present to Mr. Hitchcock, to see if it’s worthy of his introduction. When the series begins, he has a brace on one leg from a bad fall down a nearby mountain–so he doesn’t get to get involved in any legwork or in-person investigations for several volumes until the brace comes off.

And of course I loved learning from Jupiter’s vast stores of knowledge.

“Help!” The voice that called out was strangely shrill and muffled. “Help! Help!”

Each time a cry from within the mouldering old house pierced the silence, a new chill crawled down Pete Crenshaw’s spine. Then the cries for help ended in a strange, dying gurgle and that was even worse.

The tall, brown-haired boy knelt behind the thick trunk of a barrel palm and peered up the winding gravel path at the house. He and his partner, Jupiter Jones, had been approaching it when the first cry had sent them diving into the shrubbery for cover.

Across the path, Jupiter, stocky and sturdily built, crouched behind a bush, also peering toward the house. They waited for further sounds. But now the old Spanish-style house, set back in the neglected garden that had grown up like a small jungle, was silent.

“Jupe!” Pete whispered. “Was that a man or a woman?”

Jupiter shook his head. “I don’t know,” he whispered back. “Maybe it was neither.“

Jupe and Pete are on their way to call on a prospective new client, referred to them by none other than Alfred Hitchcock himself. Professor Fentriss had bought a parrot from a peddler, primarily because he stuttered and was named Billy Shakespeare (Fentriss is an English professor). The parrot says “to-to-to be or not to-to-to be, that is the question.” But this is in and of itself mysterious, as Jupe points out, because parrots don’t stutter; they have to be taught to stutter. Why would anyone teach a parrot to stutter? But the stuttering parrot is just the start of a bizarre and unusual case, with twists and turns and surprises everywhere the boys turn. Their detecting soon leads them to the revelation that there were six parrots and a mynah bird the peddler was selling, and they were all taught specifically to say one phrase. The phrases are clues to a treasure trail, and the prize is a magnificent and incredibly valuable painting by a master.

This book is an excellent example of precisely why I loved this series so much. The pacing is always excellent, the characterizations are three-dimensional, the mystery is intricate and puzzling and hard to figure out, and the conclusion of the book, where the boys have to beat several bad guys to actually find the painting, which takes place in a spooky abandoned cemetery on a foggy night, is some of the best atmospheric writing I’ve ever encountered. You really feel like you’re lost in the fog with bad guys you can’t see out there somewhere.

I’ve never understood why these books never achieved the popularity of the Hardy Boys and other series like them. They were better written, better stories, and just over all vastly superior to the Hardy Boys in every way. The first book in the series, The Secret of Terror Castle, remains one of my favorite kids’ books to this day (several books from this series make that same list). The problem with the series was time, really. Alfred Hitchcock eventually died, and they had to get someone else to fill in for him. Eventually, recognizing that Hitchcock’s name alone dated the books, they removed the references. The books themselves were never updated, which is also a shame because it dates the books but at the same time gives them a kind of nostalgic charm, as well. The Secret of Terror Castle was about the home of a silent film star whose career was ended by talkies, who turns out to be still alive. That was a stretch for me even when I first read it in the early 1970’s, let alone today. Whenever I think about writing my own kids’ series, I always think of it in terms of being Hardy Boys-like, but really what I would want to do is emulate the Three Investigators, whose books were well-written and a lot of fun to read.

Be sure I will talk about them again another time.

Spooning Good Singing Gum

Saturday morning, and at some point I need to walk to Office Depot and get ink for my printer. I suppose I should really let go of this obsessive need to have everything printed on paper just in case. It’s terrible for the planet, for one, and I am sick of spending the money on ink. Who will win here, the neuroses or the economist?

Yesterday wasn’t a good day. I didn’t feel good still throughout most of the day, and I even took the horrifying step of getting Pepto Bismal at the grocery store. Shudder, wretched stuff. But it also occurred to me that maybe I was just hungry–another neuroses there–because I keep forgetting to eat or don’t eat enough when I am not in the office. So I ate something and did feel significantly better. And whenever that feeling started up again, I had something else. It worked. (Part of my food/eating thing is that I don’t ever get hungry and will forget to eat until I feel sick. That, sadly, is nothing new that can be blamed on the long COVID or anything.) But I was also very tired and feeling a bit burnt out from not sleeping well. Paul and I watched the first two episodes of the Ashley Madison documentary series–there will definitely be more about THAT later–and then I went to bed for the night. I did get some things done yesterday but the primary problem for the day really was not feeling good. Today I feel rested, hydrated, and not hungry, so we’re off to a very good start. I want to catch up on some correspondence this morning, and I need to write a first chapter of a book that I was asked to write this week. I intend to relax for the most part today; I have some cleaning up to do around here, which is fine–I am going to start listening to Carol Goodman’s The Drowning Tree while I clean and organize the kitchen–and I think I’m going to barbecue burgers for dinner later. Can you stand the excitement? I barely can.

I just got the official notice in the mail yesterday that our health insurance provider at work is no longer going to be our health care provider come January 1. I have literally no idea what that means for the future–will I have to buy my own and be reimbursed by the agency? Will we have to take on worse insurance than we already have out of desperation? I’ll be sixty two next month, do I really need to have this kind of stress and aggravation now that I’m getting older and am more in need of medical attention? Thank God I’m getting my teeth fixed in September because who knows what January will bring? Yay. I suppose I should start looking into Medicare and how that all works so I am not blind-sided in a couple of years. Who knows, maybe Medicare is the solution to this pending issue and then I just need supplemental insurance. It makes me head ache just to think about it all, truly. This is the part of being an adult that I really do not like.

But yes, the kitchen is a mess and I need to reorganize myself, which is the goal for today once I get this chapter written. I also will have the cover of the first book I did for this new publisher today soon, and when I share that cover is when I’ll talk more about the book, Constant Reader. I know this vagueness is troublesome, and it may read as coy (I hate coy), but it just makes sense to me to not talk about the book until I have a cover to share. I also think I am going to try to finish some of the entries I have in draft form, or delete them. (Some are over three years old and let’s face it, I’m probably never going to finish those. I can cut and paste what was written and save them as potential personal essays, which is probably the best way to do it.) I do want to go back to doing entries about my own books and why I wrote them–as best as I can remember; the two post drafts I have on here are Need and Timothy–which was kind of fun. I don’t obviously remember everything about those books, the ideas for them and how they came to be, but it’s always fun to try to remember these things.

I am also going to try to get started on Megan Abbott’s Beware the Woman once I’ve finished everything today that I need to get done around here (I suppose I should make a list, shouldn’t I?). I have too many great books on top of the TBR pile–books by Eli Cranor, Kelly J. Ford, Megan, Alison Gaylin, Jordan Harper, Christopher Bollen, and S. A. Cosby, a new true crime anthology by Sarah Weinman, and I’ll be getting the new Laura Lippman once it drops–that not reading every day is truly criminal. I also want to read more of these classic short stories from the old Alfred Hitchcock Presents anthologies I’ve been getting from eBay. It’s funny, so many retired people tell me how much I am going to miss going to work and how bored I’m going to be once I retire, which is endlessly amusing to me. I will never be bored, as long as there are books to read and books to write. As long as I can function and think and type and read…I’ll never get bored and miss my job. I suspect I will find that time management will be the big problem for me once I retire–allowing time to slip through my fingers since I no longer have to be focused because I don’t have to plan my life and writing around my job anymore–which means I’ll need to make a to-do list for every week as well as one for every day. This is what I did when I used to have to do before I went back to work full-time, and I did still waste a lot of time. The key is structure; I need structure to be productive. And I think–between the tiredness, the hunger, and not feeling well–this last week wasn’t meant to be anything other than a slow and painful transition back to reality. It wasn’t really a work week, since the holiday fell on Tuesday…this coming week is my first full week back to work in three weeks. Next week I have to take a day off for a doctor’s appointment, so there’s that, too. And then it will be August, my power bill will peak for the year and start going back down again, and at the end of the month I will be flying all the way across country to San Diego for Bouchercon.

And on that note, I am going to head into the spice mines. That chapter won’t write itself, and the apartment won’t clean and organize itself, either. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow or later. It’ll be a SURPRISE.