Tag: Alfred Hitchcock Presents My Favorites in Suspense

Some Broken Hearts Never Mend

Ah, Monday morning and back into the office with me. I slept a little late yesterday, got up feeling very refreshed and rested, then spent the morning doing research, some touch-up chores, and some reading. I also did some writing before my 5 pm EST panel, moderated by the marvelous John Copenhaver and including four of my favorite queer writers: Robyn Gigl, Renee James, Kelly J. Ford, and Margot Douaihy. They were all brilliant, and I was my usual incoherent rambling mess who then proceeds to forget what the actual question was. I should probably prepare for these things, but why start now? After all, no matter how much I prepare, my co-panelists will always be incisive and insightful and intelligent and I will be….Gregalicious.

I did finish reading the remaining short stories in Alfred Hitchcock Presents My Favorites in Suspense, and enjoyed all three–and again, like the others, reminded me the only thing limiting my short stories in what I write about and try to accomplish is my own insecurities as a writer and laziness about doing research. The final three stories (“Treasure Trove” by F. Tennyson Jesse, “The Body of the Crime” by Wilbur Daniel Steele, and “A Nice Touch” by Mann Rubin) were all marvelous, all containing that delightfully nasty twist at the end that is so reminiscent of so much of Hitchcock’s television shows and anthologies. Reading these stories–these old anthologies–has really been quite an education in short story writing–and I’ve also learned a lot about my own limitations when it comes to my creativity and what is possible. I need to, as I said the other day, write precisely the things I don’t think I can, or have the knowledge or skillset to tackle. If it’s a research issue, write the fucking story first if the research is fucking intimidating and make the research part of the editing/revision process. It’s really not as hard as I make it out to be for myself all the fucking time, seriously.

If there’s a way to make it harder I can assure you I will find it.

I also read the first story in Alfred Hitchcock Presents Stories to Be Read With the Door Locked, “Hijack” by Robert L. Fish. Mr. Fish was a prolific short story writer, and his estate endowed Mystery Writers of America to present an award in his honor every year to an outstanding short story by a first time published author every year (Rob Osler won this last year, the first of a lot of award recognition for him; his debut novel Devil’s Chew Toy has turned up on almost every awards short-list for the year). “Hijack” is a story that doesn’t hold up well; airline and airport security measures have amped up in the decades since the World Trade Center was bombed for the first time back in 1993 or 1994; ur could have been 1995. All I know is 1) I was in Manhattan when it happened and 2) I was working at the airport when the new security protocols were put into place. There probably aren’t many of us around who remember the hijacking plague of the late 1960s and early 1970s; it seemed like almost every day a flight to Miami was being hijacked to Cuba. It was so commonplace it became part of popular culture; comedians and movies and television shows constantly making hijacking jokes. But it’s a very good story with, as always, the requisite twist that comes at the end (hilariously, the ransom demand is for $250,000–a lot of money when the story was written but practically nothing in terms of today’s money and wealth) which I wasn’t quite expecting; it’s not a spoiler because the story is at least forty years old so–turns out the crew hijacked the plane themselves and killed a passenger to frame for it. It actually could have worked back then, too–and it made me want to read more of Mr. Fish.

I intended to try to write or edit before the panel yesterday, but as always with something like this, I was too antsy and nervous to focus, so I spent most of the day doing some more research–old New Orleans, Mayan gods, homosexuality in old Hollywood–and cleaning and picking things up. I also ordered some more of these Arctic Air hydration coolers; they really work well, and if you freeze the filter, well, they blow extremely cold air. I have three from several years ago before we got the new a/c system (summer of 2020, it must have been, as we got the new system after Mardi Gras in 2021), but lost the power cord for one of them. I’ve had them going since Paul left and they’ve really helped in the kitchen. I also bought a really powerful if small fan for the living room while making groceries Saturday afternoon, and it is super powerful, too–I also ordered another of those, too. I know I sound like a wimp, but you try cooling down your house when the heat index is 120+ every day for weeks on end–and of course, the kitchen add-on is always so much hotter than the rest of the apartment.

I slept okay last night, feel a bit groggy this morning, but hopefully the coffee with work its magic on me and I’ll be wide awake by the time I get to the office this morning. I think we have a busy schedule, my supervisor is back from having COVID (haven’t see her in over a week), and of course, after work today I ordered some things from Sam’s Club to be delivered. Next week I have my meeting with the orthopedic surgeon to see when we can schedule my biceps surgery–assuming I need it, which I am pretty certain I do–and then after the recovery for that I can start exercising again. I have to remember I am older and more frail than I used to be, so getting back into shape in my sixties is going to take far longer and be more painful and slow than it was in my thirties when I did it the first time. I didn’t write anything all weekend (or for most of the week last week, really) so I need to get back on that horse this week as well. Bouchercon is looming on the horizon as well.

And on that note, I am heading into the spice mines and getting another cup of coffee. Have a great Monday and I will check in with you again tomorrow.

Blue Bayou

Sunday morning and all is well in the Lost Apartment. Yesterday was kind of nice. I slept well again on Friday night, woke up at five, six and seven like every morning with no alarm, and then finally got up around seven thirty to get ready for the day, which was nice. I decided that it made the most sense to run my errands in the morning before the brutal heat of the afternoon; I needed to mail a letter and pick up the mail, as well as drop off Scooter’s leftover food at the Cat Practice and make groceries–and I needed cleaning supplies, so that was crucial to the day; an errand that had to be run. It was brutally hot, but I managed it all. I bought a lot of cleaning supplies, and spent most of the afternoon yesterday cleaning. I did the stairs, the floors in the bedroom, and finally emptied and cleaned out Scooter’s litter box. I was avoiding it because I was afraid doing it would make me sad, but ironically it was just a chore…but writing about it just now made me start to tear up a bit. Sigh. He was such a dear cat. (I also looked at the adoptable cats on the SPCA’s website. I really really want to get this twelve year old ginger boy that no one’s going to want because he’s old..but we’re old. Is it fair to get a baby cat that might outlive either or both of us? Well, that certainly cheered me up a bit. Christ.)

I also did the baseboards and the CD stand…which is something we’re going to have to discuss. We don’t even have a CD player anymore, and yes, it’s terrible to have paid for all that music only to lose it now all these years later but…I haven’t listened to a CD in years. My car has a CD player–maybe I can move some into the car and listen to them instead of the phone? We have all these great gay deejay dance mix CD’s–we used to buy them all the time, the little store across from the Pub used to sell them, and Tower Records–when it existed still–also sold dance remix CDs; I think I got the Debbie Harry dance mix CD single for “I Want That Man” at Tower Records. Anyway, years and years ago Paul had this wooden CD stand custom built. It’s a lovely piece of furniture, and perhaps it can be repurposed for something else–but the CDs are grimy and I cleaned them with a lick and a promise; but…do we really need to hold on to all those CDs? (The stand needs to be repainted white, too–years of nicotine have turned it precancerous–but that will have to wait until the weather calms the fuck down.

But I feel good about the apartment, really. Having the walls finally finished has awakened a nesting instinct in me that’s been dormant for quite some time. As I was finishing the stairs and looking around, I actually thought I wouldn’t mind having someone come by the house now even though it’s still not up to my standard (my work space will never stay tamed, alas), which is something I’ve not even considered in years. It felt good wiping down the walls and baseboards, picking up all that nasty dust and getting rid of it. I also bought a dust mop at the store yesterday (as one of my cleaning purchases) so I can run it over the walls more regularly to keep the dust from accumulating and turning into grime or cobwebs. It’s still very much a work in progress, of course, but I am feeling good about the homestead, and probably am about to do another brutal purge of the books.

I read some short stories yesterday as well–more of the Alfred Hitchcock Presents anthology stories, of course–and I am getting such an education in short stories, as well as having some powerful insights (well, to me anyway; remember, I go through life completely oblivious to everything) about my own stories, what I find myself afraid to do and how limiting my own fears about my abilities and my talents and my creativity have proven to be. One of the stories I read yesterday, “Getting Rid of George” by Robert Arthur, was about a movie star whose carefully hidden past suddenly comes back with a vengeance just as she is about to marry the love of her life and start her own production company with him, making herself quite rich in the process, and it hit me: one of the stories I am struggling with writing right now is about a wealthy gay man and his boy toy looking for a fabled ‘fountain of youth’ in a fictional Latin American country. I’ve had the idea for decades–since visiting the Mayan ruins in the Yucatan and thinking I should write a story about these ruins (and yes, well aware that I have to be incredibly careful and respectful of the Mayan culture and their descendants)…and this is the story set in a foreign locale I was going to try to write for the Malice anthology. I need to recognize self-destructive thinking when it presents myself; and whenever I think you can’t write this for whatever reason my reaction shouldn’t be to shy away from it but to dive into it headfirst and commit to it. (This is also one of those stories that I thought I had already written a draft of; but it is not to be found anywhere, nothing other than pieces of aborted openings–it may have been lost in the Great Data Disaster of 2018….but I just realized where it probably was and THAT’S WHERE IT WAS! Victory!)

And really, one of the two main characters in my story “Don’t Look Down” was a retired former boy band star. So, that was certainly outside my expertise, was it not?

I really enjoyed the Robert Arthur story; Arthur was also the creator of, and wrote, eleven of the first twelve Three Investigators mystery series, which makes him always special to me. He worked for Hitchcock on the literary side of the brand (Hitchcock became a brand like before we thought of creatives in terms of brands and branding and brand marketing), and also “helped” (i.e. “ghost edited”) most of the Alfred Hitchcock Presents anthologies. Arthur was a great writer, “Getting Rid of George” certainly is evidence of his talents, and it’s a shame he isn’t better known or regarded; but the great tragedy of juvenile books is that they rarely survive the test of time–they inevitably are forgotten, as are their authors, unless they win a Newbery medal or something, like Johnny Tremain, but I suspect even that tired old war horse of American revolutionary propaganda isn’t read nearly as much today as it was when I was a kid. There are few–Lois Duncan being one–crime writers for juveniles or young adults to be named Grand Masters by Mystery Writers of America; Arthur certainly deserved to at least be considered, as the creator of the Three Investigators and as a rather successful writer of crime short stories.

I read another story in My Favorites in Suspense, “Island of Fear” by William Sambrot, which I really enjoyed and thought was quite excellent. An Englishman looking for antiques and local art in the Greek islands spots a small island with a massive wall built along its shoreline, and wants to stop there as it is remote and doesn’t, per the captain, get many outside visitors. This is a “be careful what you wish for” tale; because he convinces the captain to let him off on the island, where he spots a gorgeous sculpture through a break in the wall, so exquisite he has to have it and meet whoever the people are who live in the land inside the wall. The island natives are quiet and don’t talk much–not his usual experience with Greeks–and finally convinces a young man to row him around the island to an opening in the walls so he can go ashore, meet the owners, and buy the statue. As I said, it’s a “be careful what you wish for” story, and the ending is quite satisfying as the last few paragraphs make sense of the “mystery” of the island. It may well have been my favorite of the stories thus far in the anthology (at least of the new-to-me material; remember the book opened with “The Birds” by Daphne du Maurier, which quite set the tone for the rest of the stories.

I also read a story from Stories That Scared Even Me, “Two Spinsters”, which falls into the category of “the unfortunate traveler,” which several stories in both anthologies fall into. It’s not bad, the main character being a police detective who gets lost on unknown backroads and can’t find the town he’s looking for, and is eventually forced to seek refuge at a strange house with two identical, if silent, spinsters–and there’s a lot more going on in that strange house than the weary traveler suspects at first. This story was written by E. Phillips Oppenheim, yet another writer I’ve never heard of or his work before. Oppenheim, however, was quite the big deal in his time; he wrote and published over a hundred novels and even more short stories; John Buchan (a Golden Age crime writer not as well known today as perhaps he should be) called him his primary inspiration when launching his own career in 1913.

Interestingly enough, the next story up in Stories That Scared Even Me is by Robert Arthur. There are only three stories left in My Favorites in Suspense, and the book closes with a short novel, The Blank Wall by Elisabeth Sanxay Holding, a classic from that post-war era that I’ve always wanted to read (it was common in those days to close a short story collection by including a short novel, and most crime novels in those days were rather short). I’ll probably finish reading those short stories today, but really need to get back to reading novels–maybe I’ll read a bit more into The Hunt by Kelly J. Ford, which is fantastic; taking so long to finish should not be seen as an indictment of Ford’s work. The book is fantastic and she is one of the great new voices in queer crime fiction–and I’ll be doing a crime panel with her later today for Outwrite DC.

I slept really well last night–it’s lovely having Paul home, really–and so today I hope to get some reading and writing done. I am about to adjourn to my chair to finish this Hitchcock anthology, and then I am going to work on getting some writing done while cleaning up the kitchen and my workspace. I feel very well rested this morning–I could have easily slept much later–so hopefully it will be a great day of getting things done.

Or not. Since Paul’s home now we can finish watching Gotham Knights, Hijack, and back to other shows we’re watching, and of course Paul needs to watch Season Two of Heartstopper, which means I can finally talk about it. I may check in with you again later, Constant Reader, and if not, I certainly will do so tomorrow.

Let My Love Be Your Pillow

Saturday morning and Paul comes home today! Huzzah! Huzzah! I of course literally have no idea what time he will be arriving–he never tells me these things and I never think to ask–but it’s fine. Yesterday was a good work-at-home day. Sam the handyman came by in the morning to finish touching things up and clean everything up, which was marvelous, and now the apartment sort of looks like our apartment again. It’s great, and it makes me want to clean, which is something I’d forgotten that I enjoyed so much. I’ve really let the housework slide since the pandemic started (sure, let’s blame it on that, shall we?) but a lot of it had to do with the walls in the living room. tl;dr= we had some leaks, and water damage to the walls in the living room. The leaks were repaired, but the plaster and paint somehow never got finished and we’d been living with that for a while….and when you have places where the bare wall is showing…the apartment, even clean and sparkling from ceiling to floor, would look deranged and damaged and sloppy. I think I felt a little defeated, to be honest.

I’ve felt defeated a lot over the last few years, if I’m going to be honest. But I’ve been feeling oddly better lately about things lately, even optimistic at times. I know, right? It’s kind of scary. It’s like I don’t even know who I am anymore, but I have full faith in the universe to deliver yet another blow the way it always does when I start feeling like this again–a sense of contentment and peace. I’m sleeping better, getting better rest, and I am getting things done rather than sitting in my easy chair every night scrolling through social media while Youtube videos stream endlessly on continual play. Ironically, I remember feeling this way on another hot August Friday in New Orleans, two weeks before Hurricane Katrina. I had just finished Mardi Gras Mambo at long last and turned it in, and that Friday I had met with the Admissions office at UNO to see about finishing my degree in English and pursuing a master’s, and even potentially eventually a PhD. Yes, I had ambitions. The meeting had gone incredibly well. We scheduled a meeting with the chair of the English department, and it looked fortuitous and very good; I’d have to pay for the semester required to get the English degree, but it looked like I’d get the master’s not only without having to pay, but I’d also get an on-campus part-time job. I don’t reflect back very often, but sometimes I remember that last optimistic August before Katrina and wonder how different my life would look now had Katrina never happened…or at least had the levees held. I’ve always felt the lack of educational degree and study keenly; I was far too young when I started school and majored in English to really appreciate the in-depth examination of classic literature and other forms. None of what little I learned stuck, either. I have also always been made to feel that the books I actually did read and appreciate were lowbrow; on par for someone as uneducated and unserious like me. I’ve not read much of the classic writers, for example; I’ve never read Edith Wharton or Jane Austen or much of Henry James; I may give Hemingway another try at some point but I was unimpressed with both A Farewell to Arms and The Old Man and the Sea. Fitzgerald wrote beautifully about horrible people I’m not interested in; I love Faulkner but he’s a lot of work to read (but I will go to my grave loving “A Rose for Emily” and wishing I had written one thing that perfect), so I’m not going to read Faulkner for pleasure–even though I take great pleasure in the voice and the rhythm of the words and so forth, I’m still looking for characterization and story.

Hell, there are any number of classic mystery writers I’ve never read, for that matter. I had never read Ross Macdonald until I was on a panel with Christopher Rice who sang his praises highly enough for me to get a couple of his books…and have always been delighted that I did. I think I’ve read one Rex Stout novel, but I can’t remember anything about it and I think I am thinking of a television adaptation with William Conrad and Timothy Hutton? Or did I imagine that, too? One of the things I am loving about reading the short stories in these marvelous old Alfred Hitchcock Presents anthologies is getting to read authors I’ve heard of that I’ve not read. Yesterday night I read “Curious Adventure of Mr. Bond” by Nugent Barker, from Stories That Scared Even Me; “Four O’Clock” by Rice Day, “Of Missing Persons” by Jack Finney, and Paul Eiden’s “Too Many Coincidences”, from My Favorites in Suspense. I enjoyed them all, but the Barker was my least favorite of the four. It’s written in Ye Olde Timey Style, and it goes on for far too long, and it’s big twist I saw coming. I also didn’t much care for Mr. Bond. The Day story was one of those macabre little tales of irony with the kind of ending that Daphne du Maurier mastered and I’ve always loved–and aspire to write. (The trick is the ending has to be earned.) The Finney story was also one of those, but a bit more melancholic than macabre.

I also spent some more time with Superman last night. First I watched a documentary called Look Up In The Sky! The Amazing Story of Superman, which I followed with this week’s episode of My Adventures with Superman. I was very pleased to see Jimmy Olsen talked about in the documentary, and the actor from the television series, Jack Larson, was openly gay and was in a very long term relationship that lasted until he died in 2015, as someone very kindly reminded me on Twitter the other day in response to my talking about Jimmy on here. I am really intrigued at the idea of writing a Jimmy Olsen story…although I’m not exactly sure what I would do with such a thing, and I’m equally sure publishing it would be a trademark/copyright violation of some sort. I’ll make a note and keep chewing on it, though.

I also worked on the book some last night (at last) which felt marvelous and overdue. It was so hot yesterday–even with the air conditioner on full blast and desperately trying to keep up, you could tell inside that everything outside was roasting. I am quite pleased to have gotten past the revision of Chapter Five at long last and I have to say, I am most happy with what I did. Of course, Chapter Six is from scratch, which is going to be an enormous pain in my ass, naturally; writing anything where nothing other than a thought exists at the moment is always harder than revising. Revising can be either tedious or a lot of fun; it’s when your making the book better written and deepening characters and cleaning up shit and building on the ideas you’ve already gotten down but didn’t express particularly well as you were just madly trying to get words on the page and the story advanced and all of that.

Whew. Breathe.

I also woke up to a marvelous email–I just checked–from my editor on Mississippi River Mischief letting me know when the edits would come and included…”This book is fabulous, btw.”

Whew,

And on that marvelous note, off to the spice mines with me!

It Was Almost Like a Song

Yesterday when I got in my car to leave the office, it was 104 degrees. The “feels like” was 120+; my car’s gauge doesn’t go higher than 120.

So glad climate change is a myth. You could boil an egg in the Gulf, but that’s normal.

I literally feel cooked whenever I am outside. It’s so miserable, and for once I don’t have to question myself the way I do every summer–is it hotter this year or did I just forget how miserable it is here in the summer as a self-protective brain thing?–because I know conclusively this summer is much hotter than any preceding summer of my life. I had slept well on Sunday night and I wasn’t mentally fatigued when I got home from work yesterday but physically? I was very tired and worn out–because this insane heat just sucks the life right out of you. But that’s fine, there’s always an end to it in sight. And it gets closer with every soul-crushing heat advisory day we pass.

Whine whine whine.

I watched a few more episodes of My Adventures with Superman last night (after finishing the laundry and doing another load of dishes; even with Paul gone I still seem to generate an absurd amount of dirty dishes and laundry), and I really like the show a lot. They’ve really captured the optimistic spirit of old with Clark/Superman, Lois always skitters back before she crosses the line into annoying and narcissistic, and I really love that Jimmy Olsen is an integral part of the show. I always liked Jimmy Olsen, and I hated that the character was kind of lost in the various reboots of the comics and the films/television series. Yes, I get that in the pre-Crisis DC Universe he was kind of a goofball and always getting into scrapes and needing rescuing; but in his own series (because yes, Superman’s Best Friend Jimmy Olsen had his own title back then) he was actually pretty intrepid, courageous, and smart. Just as Lois solved crimes and reported stories without help from Superman in her own title, Jimmy was the same in his own–he was the hero, and only sometimes was the story absurdist and played for campy laughs. It’s nice seeing Jimmy so well represented on this show, and finally get his due as part of the primary cast. I guess it was easier for me to identify with Jimmy than Clark, which kind of makes sense–like I always identified more with Dick Grayson than I ever did with Bruce/Batman, which is why the movies never completely resonated with me and why I am still a Nightwing fanboy to this day; I guess I always saw myself more as a sidekick than the primary hero, I suppose.

Okay, now I want to do a gay Jimmy Olsen mini-series for DC. I hope I was able to just speak that into existence. (I have always wanted to write for Nightwing; please please please God if there’s ever an anthology for short stories for DC characters, I want to write a Nightwing story and then I can die a happy man. If speaking things into happening is a thing…)

Yet another reason I need to get an agent.

Among others.

There were was some kerfuffle in publishing social media yesterday, because some (at best, well-meaning but not clever, at worst, a horrific scam artist and plagiarist) person had put up a website that purported to analyze books for some purpose I never quite really understood (still don’t) but if I had to explain…no, I can’t. But whatever the intent, this purpose flagrantly violated copyright and intellectual property rights law…which is something that will always rally a mob of authors carrying pitchforks and torches. And I am right there with them. Piracy is already bad enough without this sort of thing, and I am choosing to not worry about AI–but will always vehemently oppose its use to independently create any kind of art. As a tool–that’s for writers and artists to decide for on their own. I choose not to use it, but I don’t judge anyone who does. Not every writer or artist has someone around who also gets it and they can talk to about what they do. I tend not to talk about writing with people who aren’t writers. I will talk about books with anyone who reads, but if you want me to talk to you about writing or editing, my preference would be that you be at least a peer–and when I say peer, I include those who haven’t published yet but will. I am not a good judge of character by any means, but one thing I can do is instinctively sense who is serious about writing. I also try to remember them and watch as their careers begin to develop and take off. It’s always fun and interesting to watch their careers and their books grow.

I did read one more story in Alfred Hitchcock Presents My Favorites in Suspense, “The Duel” by Joan Vatsek; another author I knew nothing about before reading the story. Joan was an author, had two stories in Alfred Hitchcock Presents anthologies, and was married to Robert Arthur, who worked on a lot of the anthologies and wrote ten of the first eleven Three Investigators novels. The story, a ghost story about a writer and his wife, who had a breakdown of sorts, moving into his remote old family home–and before long, his wife begins communicating with a ghost in the house, who’d fought in the Revolutionary War and was killed at Yorktown…but had fought a number of dues in his life, usually with the husbands of women he’d seduced. It’s quite a nasty little story, actually, and I was most impressed with it.

But I had another good night’s sleep last night and feel very rested this morning. Not sure how the day is going to go, and it’s always hard to predict, but I am alert and don’t feel tired, which is always a plus in the morning. And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will check in on you again later.

Way Down

Saturday in the Lost Apartment, and I am feeling relaxed and good. I had a nice day yesterday, the apartment got more work done on it, and I managed to get everything done that needed doing yesterday. I didn’t really write much last night, but I did read some marvelously macabre short stories, which was lovely, and then watched a few episodes of a CNN documentary series, The History of Sitcoms, which is interesting enough, and feeds into that nostalgia thing we are so prone to as a society. I’ve witnessed any number of nostalgia booms throughout the course of my many years on this speck of dust under the fingernails of God we call earth, and while I am not entirely immune to the appeal of nostalgia, I also recognize that we inevitably remember those past times fondly and perhaps not as accurately as we may think. The 1950’s nostalgia boom of the 1970s, for example, spawned American Graffiti and Happy Days and Laverne and Shirley and eventually Grease; reignited interest in the music of the time (anyone remember Sha Na Na?); as well as sock hops and poodle skirts and “Ch**ese fire drills”* (which is probably racist, isn’t it?) and all that stuff; like Archie comics were documentaries rather than fictions. But the 1950s weren’t this idyllic time of peace and quiet and prosperity people seem to think it was, brainwashed by decades of sitcom reruns of shows that presented the United States back to itself as a fantasy, a fiction, and created an unrealistic vision and interpretation of what perfection and success were in a land of opportunity–an unrealistic vision that has somehow come to be taken as a reality when it was never anything more than a fantasy. That’s the danger of nostalgia.

It’s not that I oppose nostalgia, or don’t understand it–we always tend to idealize our childhoods, and the time period when we were children. It isn’t that it was actually an easier, simpler time, it’s just that when you’re a child you aren’t worried about or concerned with the things adults are contending with–so you don’t remember those parts. I do remember being a child, with rioting going on and protests and police violence; I remember the murders of RFK, Dr. King, and Malcolm X. I remember the struggle over the Vietnam War. I remember Watergate, and all the scandals of the Reagan administration modern Republicans have completely forgotten about (or if they do remember them, they remember them as “evil liberals conspiring to bring down St. Ronald–who they would calla RINO today. I can’t imagine Reagan being fond of DeSantis, Ted Cruz, or Marco Rubio; but who knows? They remember the 1980s as their ‘golden age,’ so who knows what Reagan would be like today–although I can’t imagine him sucking up to Putin). For me, the 1980’s was about HIV/AIDS and the struggle to come to terms with myself and who I am. The 1980’s also showed me that homophobes literally wanted all queer people to die…and I do not believe the modern day iteration of them is any different than they were thirty or forty years ago. Their messaging is the same, after all–we must save our children from groomers and pedophiles while actually ignoring who the actual grooming pedophiles are–youth ministers, priests, and pastors of their religious faith.

Nostalgia can be incredibly dangerous. Here’s the question I’d like to ask everyone who longs to go back to that “simpler” time of the 1950’s/1960’s: where were all the black people in Mayberry, NORTH CAROLINA? Are we supposed to believe that a small town in the South was entirely white?

Bitch, please.

As I said earlier, I did spend some time last evening reading short stories from my Alfred Hitchcock Presents anthologies. “A Death in the Family” by Miriam Allen deFord was quite macabre and interesting, about a lonely mortician who grew up as a foster child with no family who creates his own, only to be tripped up in his macabre game when a dead kidnapping victim is dumped on the front steps of his mortuary. Very tightly written and composed, I also like the clever way deFord set the story up to deceive the reader until there’s a big reveal. This story was in Stories That Scared Even Me, and I enjoyed it. I also read some more stories in My Favorites in Suspense: “My Unfair Lady” by Guy Cullingford; “New Murders for Old” by Carter Dickson; and “Terrified” by C. B. Gilford. Carter Dickson was a pseudonym for John Dickson Carr, a very prolific and popular crime writer of the mid-twentieth century; I’d seen books by either name on the racks when I was a kid but I’d never read any of his work. I really liked “New Murders for Old,” a clever story about murder for gain with a complicated twist that I greatly enjoyed–but wouldn’t work in the modern day because it was dependent on someone traveling being out of touch with the rest of his world back home. “Terrified” is a chilling tale of the aftermath of a car accident, where the survivors in one car can’t decide whether or not to kill the dying victim who can counter their testimony about who was at fault, and “My Unfair Lady” is a chilling tale of a sociopathic child who witnesses a murder, and whether she will clear the name of the innocent man who found the body and is the leading suspect, a bit reminiscent of The Bad Seed, which of course is a suspense classic.

I didn’t do as much cleaning and organizing as I had hoped to do, but I did launder all the bed linens and finished the dishes. The kitchen still needs some work done on it, which I think I’ll most likely do this morning once I get this finished and posted. I plan on writing and reading and cleaning for most of the day, but I do have to run an errand later this morning–my copy of Angel Luis Colon’s new juvenile horror novel, Infested, was delivered yesterday, and I also need to determine whether or not I need to stop and make groceries as well. I am low on a couple of things, but I don’t think I actually need a whole lot of anything. I have been enjoying yellow-meat watermelons lately; a relic of my childhood summers in rural Alabama that I’ve never really seen out of that context or anywhere else. Rouse’s sells them now–personal sized and seedless–but it’s been my experience that the personal-sized seedless watermelons don’t taste as good as regular watermelons and have very little flavor of any kind. The last time we went to Costco (we need to go again once Paul gets home) we’d bought two of the personal-sized seedless red ones; they come in a net bag in pairs. Those watermelons were two of the best I’d had in I don’t know how long, so this week I took the plunge and bought one of the yellow ones this week. Constant Reader, it was delicious, if not the best watermelon I’ve had in years. I finished it off last night, but had bought another the other day. So, I think one of my chores for this morning is to clean out the kitchen cupboards, and throwing shit away so I can determine what exactly I need and if I do, in fact, need to stop at the grocery store when I go get the mail.

I also binged the second season of Heartstopper, which was absolutely delightful and charming, as I expected, even as it entered the darker territory the books dealt with. It’s still incredibly sweet, and it handles the darker turns much better than I could have hoped; the books certainly did, even as the darker material made you love and root for the characters more, it’s still a bit heartbreaking because I love those kids so much (Nick, Charlie, Tara, Darcy, Elle, Tao, and Isaac) that I want to wrap them up and protect them from the world. As I watch, I sometimes wonder what it would have been like to see a show like Heartstopper when I was a teenager…at what an incredible difference something like this could have made in my life, which is why shows like this are so fucking important. I just hate that they only give us eight short episodes per season–and yes, Olivia Colman is back as Nick’s mom. (One change from the books to the show I don’t like–while I understand it–was the elimination of Charlie and Tori’s younger brother. Sure, he’s not necessary, as the show proves, but I think the way he reacts to Charlie and Nick, and how much he loves them, would be kind of lovely, if not needed.)

I also thought about the book some, as well as reading all those short stories have helped give me some ideas about my own short stories in progress, and how to fix and finish some of them. I would love to get two chapters of the book written this weekend and to finish two short stories, but I don’t know. I’ll probably wind up feeling lazy and spending more time reading than I should, and of course, I have the new iteration of Real Housewives of New York to finish, as well as the third season of Superman and Lois, and My Adventures with Superman, but I am going to try to put off watching television until weeknights, when I am tired from being at work.

And on that note, I am heading into the spice mines. I need another cup of coffee, and I should put the clean dishes away. Have a lovely Saturday, Constant Reader, and I’ll be back at some point!

**It is racist: I checked on wikipedia: “Public use of the phrase has been considered to be offensive and racist. In 2017 a candidate for office in Nova Scotia, Matt Whitman, apologized for using the term in a video and subsequently removed the video.[10] In 2020, Washington state Senator Patty Kuderer made an apology for using the term in a hearing; Linda Yang of Washington Asians for Equality stated that the term was racist and filed a complaint with the state.[11] Kuderer apologized before any formal complaint was filed.” There’s an entire history of how the term began and how it was used, but I have found if a term or a phrase that’s a part of the popular culture references a group of people or an ethnicity or a race, it’s usually not a good thing; in this case, it means something useless–and let’s face it, everyone getting out of the car and running around it while stopped at a red light is pretty stupid and useless.

Luckenbach, Texas (Back to the Basics of Love)

Friday and it’s my work-at-home day. I have documents to check over for accuracy and completeness, and on-line trainings to work my way through. I don’t know if the handyman is coming by today–he painted and repaired the walls in the living room today, so it actually looks lovely in there, but he also left his tools and his big ladder…which I may try to use to reach the ceiling fans, if I get brave enough to risk climbing that high on a ladder. (Ladders terrify me. It may be because I fell off of one when I was a child headfirst onto concrete–I’ve heard all the jokes about head injuries already so don’t bother–and was hospitalized for several days.) The more rickety they are, the worse I feel about them. This one looks pretty professional and sturdy, so maybe it won’t be that bad. Not having level floors doesn’t help, either. (He just stopped by; he’s doing another coat and touching up the trim; I told him I’d work upstairs today, so I’ll write this and lug the laptops upstairs, and my phone and headphones so I can work upstairs.)

Last night wasn’t quite as productive as my first night alone; I was tired when I got home from work and running the errands (picked up my copy of Birder She Wrote by Donna Andrews, and I cannot write that title without commenting on how much I love it) and so didn’t get quite as much done as the night before. I did some laundry, and worked on the book some–I still have about another one hundred words to go on the chapter i was working on, before moving on to Chapter Five, which I’ll have to write off the top of my head, which is going to be a struggle, and I also have some other short stories to work on, and of course I can read. I did read a short story last night, another Alfred Hitchcock tale from My Favorites in Suspense, which was actually very timely, which is actually kind of sad. It was about two sentries in an unnamed time of war, guarding a crate which their enemy desperately wants. The sentries don’t know what is in the crate but all they know is it is dangerous. Eventually the enemy is near and they have to destroy the contents of the crate, which are strangely shaped box-like things, and there’s a piece of paper with five symbols on it. They don’t understand but they destroy the stuff anyway, and the final sentence of the story is one of the sentries remembering the symbols on the paper, BOOKS.

How very sad that we again live in a time where books (i.e. knowledge) are seen by some as the enemy.

But it’s Friday morning and the kitchen is already mostly under control. I’ve started another load of laundry, and I’ll do some other things around here once Sam has finished up for the day. I’ll do chore upstairs when I need a break from my work-at-home duties; and of course I have a television up there too, and Paul’s computer–which I could actually use as a television if I wanted to–can be utilized as well. I don’t have to leave the house today to go anywhere; I don’t really have to for the rest of the weekend if I don’t choose to (how marvelous!), and so I think once I have this all finished and posted, I’ll start lugging things upstairs that I will need–and it’s not like I can’t come down and get something I’ve forgotten. I slept very well last night–I feel better this morning than I have in I don’t know how long, rested and relaxed. I hope that bodes well for the rest of the day and my productivity, which isn’t exactly easy to do once you’ve gone out into the horrible heat of the day. It really does suck the life right out of you. I haven’t bothered to check what the temperature is going to be like today, either–I’m not entirely certain I want to know, frankly–but I can already tell it’s going to be another sweltering day where going outside makes your skin feel like it’s been cooked. Yay.

I hope to have a lovely weekend where I can just relax and get things done at a leisurely pace. I want to get some more writing done tonight–the writing lately has been lovely, and I am starting to feel like I am coming out of it again.

Oh! That reminds me. I am a guest over at Tara Laskowski’s “What Scares You Most” page on her website. If you’re not familiar with Tara, she is an amazing domestic suspense writer–her two novels currently in print are fantastic and the good news is a third will be out this December–and you should read her award-winning work. She’s also a lot of fun to be around and is, in the simplest of terms, one of the nicest and wittiest people in the business. (One of the reasons I love being a crime writer is the amazing people who are a part of that world.)

And on that note, I need to start lugging stuff upstairs so I can get out of Sam’s way and get to work. Have a lovely Friday, Constant Reader, and I’ll be checking in with you again later, most likely.

Don’t It Make My Brown Eyes Blue

Tuesday, and somehow we made it through Monday. It was definitely a weird-energy Monday, that’s for sure. I slept super-well Sunday night (or at least better than I had been_ and so wasn’t too terribly tired when I got off work last night. I had to pick up a prescription after work, and since I had to go to Mid-city I decided to get Five Guys as a dinner treat. It had been a hot minute, and was quite lovely. But I was hardly in the mood once I got home and had my treat–not to mention the great pleasure of running around in Midcity during a heat advisory, but here we are. I did putz around a bit in my journal, and I did work on Chapter Three, but other than that I wasn’t much in the mood for doing a whole lot when I got home from the office yesterday.

But the Five Guys was marvelous. It was hot as Satan’s taint out, and it was rush hour so there was ridiculous traffic, and I had to take I-10 and there were people doing stupid things behind the wheel and not understanding how highways work or when you can turn right on red and the usual annoyances and terrors standard for driving around this city, but I got home safely and in one piece and it was lovely. I was most pleased that I made the effort, and it was really such a simple pleasure. I so often deny myself these little joys in life because of the effort involved in obtaining them. It really is astonishing how little I want to leave the house once I am in it, you know. Today I have to pick up the mail and stop at the grocery store for very little; it’s going to be an odd ten days. I imagine I’ll enjoy the silence and the “I can do whatever I want whenever I want”–not that I don’t, but there’s always that little sense of just being alone with yourself that is kind of nice every once in a while. (It also serves to remind me how much I miss him when he isn’t here, and how I take him for granted.) I’ll get bored with being by myself at some point, and will tire of keeping myself occupied and entertained. But…there’s always something to read. I can always use the time to write. I can organize. I can ruthlessly purge the books again. I can reflect and try to get to know myself better–or at least delve into the delusions I maintain for the sake of my sanity and to keep myself going.

I read a couple of short stories over the weekend that I forgot to mention, both from the Alfred Hitchcock volume My Favories in Suspense. One was infinitely better than the other; I didn’t really like the “Sentence of Death” story by Thomas Walsh even remotely near as much as I enjoyed Dorothy Salisbury Davis’ nasty little story “Spring Fever.” The former was a mistaken identification case, open and shut until an unsure eyewitness sees the man she saw commit the murder. It was told in a style I don’t like–very little dialogue, and a lot of “he did this and then he did that and this irritated him and that made him do this” type of telling, which surprised me that, frankly, read like a synopsis of a longer piece got published as a short story. There were so many better ways to tell that story, I thought; and every last one of them better than the one Walsh chose. I mean, it was fine…but it could have been so much better; I think the editor brain took over while I was reading it, which is rarely if ever a good sign when reading for pleasure. On the other hand, Davis’ story, deceptively simple and easily told, was multi-layered and said so much about so many things in the short pages that I was most impressed. I think I’ve only read one other story by Davis, in that Sarah Weinman anthology a few years (I don’t want to know how many, actually) back. I know Davis was one of the great twentieth century women crime writers who proliferated after the war–along with giants whose novels I have read like Margaret Millar, Charlotte Armstrong, and Dorothy B. Hughes, and I also know she was particularly revered by Sara Paretsky–I think she may have helped with the founding of Sisters in Crime? I have some of Davis’ novels, both in print and in ebook form, here, and some day I really need to read more of her works.

Yesterday was an off-day, too, in which nothing particular was wrong or haywire or miserable, but the energy felt off all day which made the little treat of Five Guys seem that much better. Paul and I then watched a few more episodes of Gotham Knights, which is surprisingly involving and better than I was expecting; it’s better than the early seasons of Titans (I still haven’t watched the final season–something else I can do whilst Paul is away), as well as the firsts seasons of Smallville.

Last night’s sleep was epic. I didn’t wake up once last night, until five (I wake up at five every morning and go back to sleep); the kind of sleep that you never want to get up from, where you feel so relaxed that the bed is so comfortable that you don’t want to get up, ever. I feel better rested this morning than I have in quite some time, although not entirely or completely awake yet. My coffee is marvelous this morning, and the house feels cool this morning. Either the temperature dropped dramatically over night, or it rained–which would have helped with the sleep. I didn’t write very much yesterday, partly because of that weird/off/low energy thing yesterday had going for it, but it’s okay, I think. Sometimes it’s not possible or necessary to write every day–I’ve never stuck to that rule that a writer had to write every day else they are not a writer; and for that matter, purists, I at least write this every day, even if I personally don’t count it, it is writing–if not the kind I count. (It still blows my mind that I’ve been keeping this since December 2004; soon enough this blog will be twenty years old. Jesus, I am old.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will be back tomorrow.

Multifoiled

Sunday morning and I am driving to Alabama later on. Woo-hoo!

I finished the revisions of the manuscript yesterday, and sent it off to the editor and breathed an enormous sigh of relief. I do think it’s a good book, and should there be a second one, I think it will be even better than this one, to be honest with you. I feel like I’ve been operating for a very long time under some sort of dark cloud, which makes things that should be incredibly obvious and apparent mysterious and unknowable instead. It was also an enormous relief to get it finished. I think I caught everything I needed to catch, and added what needed to be added. There might still be some tweaks and/or additions that need to be made, but I think it’s pretty solid right now and that’s a load off my mind, especially with a trip on the horizon tomorrow and not knowing how available I will be over the next week to make changes and/or get things done. I am actually departing on this trip with an actual clear conscience; there’s nothing really hanging over my head. Sure, I’ll have the edits for the Scotty at some point and the proofs/copy edits for this one, but I feel like I have finally gotten out from under everything and can breathe at long last.

Whew.

Then after that I went into my easy chair and collapsed, ready to watch the finals of the College World Series. LSU defeated Florida in eleven innings, thanks to another home run in the eleventh, and what an exciting and thrilling and nerve-wracking game it was. Props to Florida, they played some amazing defense, stranding a lot of LSU runners on base. After the pitchers’ duel with Wake Forest the other night, all the hits and men on base seemed almost weird, like I was watching a different type of game altogether. But then Cade Beloso blasted one out of the park in that eleventh inning (Tommy White, aka Tommy Tanks, heroically knocked one out to pull the Tigers back to 3-3, causing the game to go extra innings) and Paul and I were cheering and screaming. LSU fans also blasted through the Rocco’s College World Series Jello Shot Challenge, going over thirty thousand before they drank Rocco’s out of jello shots. LSU fans, notorious for traveling and drinking bars dry, has done it again! We did it in Atlanta for the college football playoffs in 2019; we may have done it in Dallas for the women’s final four in basketball this year; I know there’s another place it happened.

Never start a land war in Asia, or challenge LSU fans to a drinking contest. Period.

I am going to be listening to Carol Goodman in the car; the book is The Drowning Tree, which I am looking forward to, and I packed Megan Abbott’s Beware the Woman, Eli Cranor’s Ozark Dogs, and Alfred Hitchcock Presents My Favorites in Suspense to read to take with me; I doubt that I’ll have much time to read, but you never know. Dad and I are going to a minor league baseball game on Wednesday night in Lexington, and he’s made noises in the past about taking me sight-seeing when I come up sometime–so I imagine we’ll go visit the Kentucky Derby museum and the Cassius Clay home (we tried doing this once before when I was there for Thanksgiving, but everything was closed for the holidays or for COVID). I also have to pack and I need to run by the grocery store to lay in supplies; after I finished with the edits yesterday I wasn’t really in the mood to go out into the heat. I also need to clean out the refrigerator before I go; Paul won’t make salads, and even if he did make one, he wouldn’t slice up an onion or cut up a cucumber or use cherry tomatoes, so I may as well toss all of that. When I get back, that Sunday we’re going to have to make a Costco run as well as me making a grocery run. At least that week I only have to go in on Monday before the holiday for the 4th on Tuesday, and then three more days to finish off the week before the next weekend. It felt weird yesterday to be actually caught up on everything at long last; I’ve felt like I was drowning for the last three or four years, and finally now I can come up for air. The books still need work–I am waiting for the edits on Mississippi River Mischief, and of course will have to proof the new one as well–but I am caught up and that albatross (or albatrosses) have been removed from around my neck at long last.

I finished reading that Hilda Lawrence novella yesterday too, and it was really quite good. The premise of the story is a classic from that era (Cornell Woolrich also wrote a brilliant story with a similar premise, whose name I am blanking on right now), and it was interesting how it was constructed; I’m not sure you could publish a story structured the way this one was (“Composition for Four Hands” is the name of the story), because the point of view was constantly changing, but those POV changes made the story seem even more interesting that it already was. The premise of the story is wealthy Mrs. Manson has been invalided–we never are really told what precisely is wrong with her–but she cannot speak and she cannot move….and she’s certain someone in the house is trying to kill her, and she can’t communicate with anyone. While she is certain, she also cannot entirely remember what happened to her–but she knows it wasn’t an accident, which is what everyone else believes, and while she is lying there helpless, trying to figure out who she can trust while trying to figure out a way to communicate–yes, it’s very suspenseful and terrifying and so well-written you can absolutely empathize and put yourself into Mrs. Manson’s dreadful position. It’s fun to read old crime stories of suspense and mystery, to get a feel for the old styles of writing and story construction, plus it gives me a better feel for writing. I try not to “edit” when I read–it’s not as easy to turn off editor mode as one might think–because ultimately I read for pleasure first and foremost; any other edification that comes from reading is merely lagniappe for me.

And on that note, I’d best be signing off here and heading into the spice mines and start getting ready for the trip. I need to pack still, and of course I have to do some cleaning and make groceries. I don’t know how much I am going to be able to post once I get on the road and on this trip; I’ll probably never finish the pride posts I started, but hey, one also never knows. Stranger things have happened, after all. So maybe I’ll be around, maybe I won’t. If not, have a lovely week, Constant Reader, and I’ll talk more with you later.

Sugar Hiccup

Saturday morning and lots to do before hitting the road tomorrow. The lovely thing is it isn’t that much of a drive, about five and a half hours, and there’s a Whataburger in Tuscaloosa. Yay! I have The Drowning Tree by the amazing Carol Goodman queued up on my Audible app and ready to go once I hit the road. I have to make a grocery run today for Paul, and was thinking about dropping books off at the library sale, but I don’t know. It’s hot and the grocery thing is going to be exhausting enough as it is, and I have a lot to get done today. I was exhausted yesterday after work. The escape room thing was quite fun, and then we had lunch at Olive on Carondelet, a Middle Eastern place (sobs with joy! I got to have a gyro) and then I came home to work. The walk home was exhausting in the heat, and of course, I actually drifted off to sleep in my easy chair a bit. I got some more Alfred Hitchcock Presents books in the mail as well, and I started reading this delightfully creepy story I haven’t quite figured out yet, but the suspense and the build is sensational. We also watched the International Male catalog documentary (more on that later), and then I finished doing the laundry before going to bed, exhausted and ready to sleep for an eternity.

Despite the hideous heat yesterday, it actually wasn’t terribly humid and there was also a lovely cool breeze so the walk didn’t seem that dreadful, or at least not while I was doing it. The sun was merciless, though, and it was in the mid-nineties.I also marveled as I walked home a different way than usual–I took Camp Street to Prytania, rather than St. Charles–and I again marveled that not only do I live in New Orleans, but how quickly things change. I was also puzzling out some knots and final corrections I need to make to this manuscript before turning it in tomorrow–a walk is always lovely for things like that; even in the heat, and I need to remember that more often, quite frankly. I was also thinking, as I walked, about how I am always worried about repeating myself, or writing the same book again. It’s easy enough to do when you forget what you’ve already written and published, as I am wont to do at this stage. My editor’s notes were kind of amusing, in some ways, because one thing that he was pointing out was something that I always do–and something that I’ve noticed in the other two active manuscripts on hand–which is a tendency to name the characters with alliterative names. (For example, in the pro wrestling noir everyone, it seems, has a first name that begins with T) I also have a tendency to write hangover scenes, and car crashes. Now that I have this permanent brain fog or whatever it is that’s going on in my head since last summer, it’s even harder for me to remember past books that I’ve written; so I think I am going to have to start blogging about past books I’ve published so that I can remember them. I’ve done some of these posts before in the past, because I like to try to remember what was going on while I was writing the book; what I was trying to do with the book; how long had I had the idea for the book and where did it come from; what changed from the original idea during the process of writing it and what other influences got involved after getting started; and so on. I also like to think about the voice and the tone, how did I do with the setting and scene? What was I going for with the main character, and why? Facebook reminded me yesterday that at some point in the past twelve years the box o’books for The Orion Mask arrived on this date–and I just walked past the house that inspired a part of the book recently, and I was amazed yet again at how much detail I’d gotten wrong.

So, I decided to rent the documentary All Man: The International Male Story last night, for a multitude of reasons. Now that I’m in my sixties my former indifference to nostalgia has lessened (and I do tend to worry that I look back through rose-colored glasses, making the past seem better and more idyllic than it was; I have to always remember yes, but you were also a neurotic mess then, too), and so yes, there was a bit of a curiosity involved with my wanting to watch. I think I only ever bought one thing ever from International Male–a red pirate blouse, a fluffy shirt, if you will, and I got it to go as a pirate for Halloween–but I always got the catalogue, and I often liked their clothes…but was also always very consciously aware that to wear those clothes, you also had to look like their models; the lesson that beautiful people can wear anything and look good I’d learned early in life. I also had no fashion sense because I never was able to develop one–because men’s clothes were hideous, and there weren’t many options when I was growing up. I’ve also have a very mild case of color blindness with certain shades of certain colors–I can’t tell dark blue from black, for example–and I am never entirely sure what colors go with other ones. I do know that red, black and white all work together, so usually my dressier clothes are some combination or variation of those colors. But for the most part, I don’t care about what I wear and I don’t know what’s in style or not. I’m never sure if the clothes I am wearing match and/or look good on me, and I’ve stopped worrying about it. When I was younger, I used to deplore the fact that men’s clothes were so dull and boring. I love hats, for example, but men don’t really wear any hats other than baseball or cowboy anymore. I have some lovely hats, but never have any place to wear them. I have a marvelous fedora I bought in New York many years ago, but I never go anywhere here that I could wear it; it would be perfect for something like the Anthony Awards or something, but it has it’s own special box and that’s another item to take on the plane…so it just sits in its box in the closet. But I used to love the International Male catalogue, because the clothes, to me, looked kind of fun and cool. I’ve never been a cool or fun gay, and I’ve never been a fashion gay. But the International Male catalogues allowed me to escape into a world where I could wear something off one of its pages in a place that was exotic and exciting and fun. (I’ve also always kind of wanted a pith helmet. I had one in college and I loved it) So, it was interesting to watch how the business came to be, and how it really did kind of help change the way men dress and the way we look at men in more sexualized way now than we did when I was a kid. (I’m trying to remember things that resonated with me before I came out finally; that’s my current nostalgia kick) I do recommend it; it’s very well done and it’s kind of a nice story. The catalogue impacted a lot of gay teens in rural places in the 80’s and 90’s, and it should be remembered for that reason alone.

My first exposure to crime fiction short stories came in the Alfred Hitchcock Presents anthologies. My grandmother used to get the Dell paperbacks, and the stories always had a delightful little twist of some sort, always macabre. I’ve always remembered those anthologies, and recently went on an eBay binge of buying copies. Two more arrived yesterday, Alfred Hitchcock Presents My Favorites in Suspense and Alfred Hitchcock Presents Stories That Go Bump in the Night. I started reading a long story in My Favorites in Suspense, “Composition for Four Hands” by Hilda Lawrence, and it’s really quite good; the suspense and tension builds with every paragraph, and I’m still not entirely sure what’s going on in the story–but we have a bedridden woman who cannot speak, and she suspects some of the other people in the story might be wanting to kill her, but we don’t know who and we don’t know why; nor do we know yet how she ended up in this condition. The writing style is quite Gothic in tone, which of course I love, and I am hoping to finish reading the story this morning. I have quite a lot to get done today, but I did sleep marvelously and I feel very alive, rested and alert this morning. Good thing as I do have so much to do. I want to also watch the LSU game this evening (GEAUX TIGERS!) but will be on the road during the game tomorrow, alas.

And on that note, I am heading into the spice mines. Have a marvelous Saturday, Constant Reader, and I will check in with you again tomorrow morning, if not later.