Tag: Albuquerque

Who Are You?

TRIGGER WARNING: Racism, homophobia, and archaic racist terms.

I learned long ago that the best way to deal with assholes was to develop a razor-sharp quick wit. I don’t know how I trained myself to be snarky and fast with my sense of humor, but at some point in my teens—in college, I think—I realized that not being filtered, and not being able to recognize most social cues, could actually prove to be a powerful defensive tool, if controlled. It has worked marvelously for me ever since. I also learned that a really good thing to do was say things to people I disliked that could be taken as either a compliment or shade, leaving it up to them to decide what I meant.

A few years ago, I had an experience at Left Coast Crime in Albuquerque where my usual biting sense of humor deserted me when I really needed it the most. I’ve grown used to dealing with homophobes and contemptuously cutting them off at the knees; I even relish doing it at times. But this? I’d never dealt with this kind of bigotry before, and my only excuse is that I was caught completely off-guard. I’ve also turned what happened over and over again in my mind in the time since, wondering how I should feel about it. It still hasn’t finished processing yet, and I’ll probably keep processing it for a few more years.

This was my first (and so far, only) time attending Left Coast Crime (unrelated; I want to go again but it just hasn’t worked out). I had always heard wonderful things about it, but the timing was always difficult for me to actually attend; all too frequently it is around the time of the Festivals here. I’d come home to the locks changed, methinks, were I to go away at that time.

At the time, I was still serving as Executive Vice-President of Mystery Writers of America. It was 2021, we hadn’t had any kind of crime publishing events since March 2020, and the events were just starting to slowly to come back. MWA had signed on to sponsor the Lefty banquet, and I felt someone should be there to rep the org at the event, and it wound up being me. I felt a bit uncomfortable about registering and agreeing to do panels; we were a sponsor, and I didn’t want Programming to feel pressured to give me anything because of that (I tried very hard not to use the position to promote myself; I may have been a bit over-zealous on that score, but better safe than sorry). I arrived in Albuquerque on Thursday, had a quiet dinner with a friend, and the next day I went to panels, ran into people, and had a lovely time. I also had dinner plans for Friday that I was excited about–I was having dinner with Marco Carocari, whom I had just met at Saints and Sinners; John Copenhaver, whom I was starting to get to know better; Oline Cogdill, a dear friend of well over a decade; Mia Manansala, whom I met at New Orleans Bouchercon before she was published and I’ve always felt a bit protective of her (my neuroses, not hers) and someone new to me–Wanda Morris, whom I had neither read nor met before.1

Constant Reader, that was such a fun dinner, the kind I always dreamed of being a part of when I was that lonely kid in Kansas wondering what his future would be. We talked about books, writing, gossip, and I believe everyone, other than Oline and I, was up for a Lefty. We toasted their nominations, and when we headed back to the hotel I felt marvelous; giddy almost. I was having a good time and was excited to be around writers again, and I wanted it to keep going. I didn’t want the evening to end…

Little did I know what I was in for as we walked back into the hotel lobby, and we three gays decided to go have a drink at the bar, while the women wisely all went up to bed.

It started with a chair.

So innocuous, so nothing, just a little thing that happens in hotel bars all the time; you join a table without enough chairs so you grab a free one from the next table…but this time? Very different.

Basically, we had decided to join friends at a high-top table with room for eight, with all the chairs already taken and some others pulled up. There was a tall bar chair standing at the next table–a low table, so it didn’t really belong there in the first place–and several people were sitting around that table. I smiled, said, “is anyone using this?” and one of the three people shook their head no, so I took the chair…which bothered the woman who was sitting closest to me and who decided, in her inebriation, that I shouldn’t have the chair.

DRUNK WHITE WOMAN (Henceforth, DWW): You can’t take that chair because you have to sit here and talk to me.

I’d never seen her before in my life, but I’ve also been drunk in public before, so I just smiled as I sat down at the other table, and said politely, with no idea of what I was letting myself in for: “Can’t you talk to me if I sit here?”

DWW: Great!

I nodded to her, hoping that was the end of the interaction. I’d had two drinks at dinner, but wasn’t even slightly buzzed. I had a glass of Pinot Grigio in my clutches, I’d had a marvelous evening already, and I was looking forward to catching up with the others at the table. I started to turn back to the table to talk to my friends, when…she leaned towards me, narrowing her eyes, and saying, in a very low tone, “Are you a mulatto?”2

Needless to say, I was taken aback–not by the assumption, but the language.

I literally thought, are we really still using that word in this year of our Lord 2022?

I didn’t know what to say, I was so stunned and shocked that my ability to lobby back an icy, conversation ending retort, something of which I was so so proud, had deserted me. I just smiled and said, “no,” which she countered with a scoff, “Well, you’re at least a quadroon.3“

And rubbed each side of her nose with an index finger, adding with a knowing smirk, “Especially with that nose.”

I said, rather sharply, “I know who all my grandparents were, so no.”

Again, it wasn’t the racial profiling that bothered me, but it was the entitlement and the language she was using.

First and foremost, my racial heritage–anyone’s, really–is no one’s business.

She was being racist to me, but even as I floundered, I couldn’t figure out why I was so flustered and having trouble figuring out what to say next. It didn’t bother me in the least that she thought I was part Black (more on that later), but she was using racist language to inquire, which I was offended by, and I was more than a little insulted by her condescending assumption that I’d lie about it? And again, what business was it of hers if I was or wasn’t? (I’m still not sure how to wrap my mind around this; two years later I am blogging about it in order to process it in my brain.)

AND WHAT IF I ACTUALLY WERE?

And then, finally:

DWW: Where are you from?

ME: New Orleans4.

DWW: (waving her hand, poo-pooing me) Oh, everyone’s mixed there.

Hoping this ordeal was over and still in shock, I turned back to my friends…only to hear her voice loudly asking me, “Are you gay?” I confirmed that yes, I was–and then she went on a long, incredibly tiresome (and repetitive) monologue about how she’s always been good with the “L and the G and the B and the T”, tried bonding with me over hot male asses (in horrific terms: think locker room talk), and just kept on until finally I was able to finally excuse myself. I got up and left my friends, never to return. Definitely made me uncomfortable, so yeah, it also counts as sexual harassment–what I do or don’t do in my bedroom, DWW, is none of your fucking business.

I still can’t believe that happened, that someone felt comfortable using that kind of language to, and about, me about my racial heritage (when I was a child in the 1960’s I knew you don’t use those words, and they usually only appeared in old racist books, like Gone with the Wind), not to mention trying to get into my bedroom and what I do there. It’s not okay for anyone to use those horrible, archaic old terms that were humiliating and degrading even when they were in common use…and I also felt like I’d failed. I should have stopped her, I should have called her out for using racist and homophobic language, not to mention the fact that she felt, in her drunken stupor, perfectly okay to treat me not as a person but as a thing.

That is the real shame I feel. Not that she used such language to me, but I allowed it. I have to do better than that. My silence was complicity.

And yes, I should have filed a complaint with the conference. I’m still ashamed that I didn’t correct her or say anything before I made my escape. But I sensed it also wouldn’t do any good. Alcohol brings your barriers down, after all.

It also wasn’t the first time this has happened–but at least the first time, it wasn’t so offensive.

This, for an illustration, was my second author photo.

Taken by Sylvester Q, a photographer in New York, he also loaned me the shirt and some other clothes for the shoot. It was my first professional author photo shoot, and this was the best image, in my opinion, to come out of the session. I used it for Jackson Square Jazz (when I got the book down to reread it for the new edit for the 20-year anniversary edition, I noticed the picture) and for several other books. I don’t remember which image I used to replace this one–I think it’s the black and white one of me sitting and hugging my knees–but I am very well aware that I need new author photos. The one I just referenced was taken in either 2008 or 2009; the one of me with my stack of books is from around 2013 or 2014 (and yes, old age has hit me very hard since those last ones were taken). I did a shoot at Sleuthfest with Morgan Sophia in the summer of 2022; the pictures look like me but I don’t like the way I look in them, so I’ve not really used them.

Anyway, this was the image I provided to the Louisiana Book Festival when I was on a New Orleans Noir panel for their program in 2007 (I think). I don’t remember everyone else that was on it, other than editor/moderator Julie Smith and the person I am about to mention.

I was a little taken aback when said contributor sat down next to me, and exclaimed after we were officially introduced, “But I thought you were Black!”

She’d only seen my photograph in the program.

I was more amused than anything else, and perplexed. But when I looked at my image in the program later, it had printed even darker than the image above, which was already pretty dark. I think it had to do with how the shot was lit more than anything else. It was kind of funny, and it became a story that I told sometimes over drinks.

That wasn’t the first time my genetic heritage has been questioned by someone.

White people have this strange curiosity thing about people’s backgrounds, always trying to figure out where you’re from. “Are you German?” “Are you Italian?” That sort of thing. I will comment on a name–“oh, is that French/Spanish/German etc.”–but I would never ask anyone what are you?

I’d never really thought about it before the LCC incident, but people have very often wondered–and asked–what I am.

And in all honesty, I’ve never liked being asked, mainly because I wasn’t entirely sure.

I guess I am what is I’ve sometimes seen referred to as “ethnically ambiguous5“; in other words, had I been a movie star in Hollywood back in the golden age I probably would have been cast in roles that today would be considered offensive for me to play. People have often–again, this weird thing white people have about trying to figure out “what” I am–taken me for everything from Greek to Italian to indigenous to Syrian to Persian to Latino. I’ve never given it much thought, and I don’t really see it. My skin tone is what is called olive, and I’ve always tanned easily, a very dark brown with some red mixed into it (I’ve only been sunburned twice in my life). My facial features are a curious mix of my family; I look like both my parents, and my nose was broken in high school, with the cartilage never reattaching to the bone. I also shave my head, which apparently adds to the confusion.

Almost all of the ancestors (that I’m aware of, but I only know my father’s side, and there’s not anyone left on Mom’s side who’d know more) were British (Scots, Irish, English and possibly some Welsh) but white people have this weird need to classify people. I don’t know if it’s an American thing, or what, but it happens. Not so much anymore as it used to–maybe people are finally starting to realize that it’s offensive or that it doesn’t matter or some combination of the two.

But still. Basically, the woman in Albuquerque othered me. She looked at me and was confused, so she just had to find out what I was.

What I am. “What ARE you?”

And for the record, what happened to me at Left Coast is the kind of horrifically racist and offensive behavior that racialized people have to deal with multiple times every damned day. In some ways I’m glad it happened; that I got to experience racism targeted directly at me, but at the same time…it shouldn’t happen. To anyone, regardless of who they are or how they identify. It also made me very aware of my own privilege, which is something I do need a reminder about periodically; I get so wrapped up in being marginalized as a gay man that I forget how horrible it is to be a person of color in this racialized country and society and culture.

And ultimately, white people? It’s really none of your fucking business in the first place!

And would people have considered me white in the antebellum South? is a question we might have to revisit at another time.

Part of the struggle in writing this all down and sharing it with you, Constant Reader, comes from not wanting to make myself seem like either a martyr or center the conversation about racist bigotry on me. Unsettling as this all was–the privilege on display, the language used, the shame in not putting her in her place–it was momentary, something that didn’t impact or effect my life in any way; another anecdote for cocktail parties or dinner conversation. The sexual harassment aspect of it, had that been all there was (oh yes, during the ass conversation she also talked about mine), would have merely been something I would have laughed about with friends later, but the racial component was horrible. All I could think about was, really, how lucky she was that I wasn’t biracial.

Which makes me squirm more for not reporting it to the conference–what if she does this to authors or readers of color at one of these events? Was I coward for not only not stopping her but not reporting her? It’s been two years now, and I still am not entirely sure what I think or feel about this, which is very unusual for me; it’s very rare that I am unsettled this way.

But putting it all down has helped somewhat. I probably should have written this years ago.

  1. I did buy her book that weekend, and once I read it became a fan. ↩︎
  2. If you aren’t aware of this word, it’s an old, ugly, and pejorative term used for biracial people during the human trafficking era and the Jim Crow time that came after it. I’ve not heard anyone say the word aloud in at least fifty or so years. AT LEAST. If you want to understand just how offensive it is, it’s root word is mule–the product of interspecies breeding. Go fuck yourself, you horrible racist. ↩︎
  3. Again an archaic deeply problematic word that actually comes from antebellum New Orleans, indicating how much Black blood someone had. These were the days of the “one drop” rule, which meant any Black ancestry, no matter how remote, made you Black in the eyes of the state and the law. Quadroon means one quarter, so the person had a single Black grandparent, the “roon” comes from “maroon”, which is another old and archaic racist term for Black people. Despicable, really. ↩︎
  4. Credit where it’s due, she was using racist language that originated in New Orleans. ↩︎
  5. Which I also find kind of offensive, really. ↩︎

Shame

I have really come to love Bouchercon, and it’s always a highlight of my year.

Things have seriously changed for the better.

Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski

Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.

When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.

And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.

It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.

I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.

Should be considered a gift.

A fucking GIFT.

(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.

But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.

I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.

Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)

I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).

And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!

And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.

That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.

Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.

I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.

I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.

Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.

And like water wearing down a stone, we have to keep relentlessly pushing.

(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)

I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.

Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.

So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?

Yo-Yo

A little bleary this Monday work at home morning–another good night’s sleep in the books–and my morning coffee should do the trick–and thus I will be reacclimated back to my normal life and some sort of what passes for my normal reality and real life again. I had a very relaxing day yesterday trying to unwind from the trip and get my land legs, as it were, back; I got some things done yet not enough, which is par for the course. Paul and I also finished Ozark–I imagine its ending is controversial; I wasn’t really surprised by it, to be honest–and dove back into Severance, which is truly bizarre and a very slow, unemotional burn–and then we both went to bed early. I have to work at home today and run a couple of errands at some point (Scooter needs to be retrieved from the kitty spa and I need to get the mail and groceries), as well as my work-at-home duties (data to enter, condoms to pack) and all kinds of others things. There never seems to be enough time in the day to get to everything i need to go to, but sometimes you just need to keep your head down and work your way through your to-do list.

The trip last week was invigorating and definitely raised my spirits; it was a needed and necessary reconnection with my crime community, which was marvelous. It is terrible and sad that I haven’t seen some of my friends in nearly (if not more than) four years; my last pre-pandemic appearance out of town was Bouchercon in St. Petersburg, so 2018. That’s a very long time to be away from connecting with the community and could be a significant part of the strange distance I’ve been feeling from…well, everywhere, to be honest. It was lovely dressing up (even if the pants I wore two weeks earlier in Albuquerque were suddenly strangely tighter in the waist) and putting on nice clothes; I also survived my brief stint at the podium on Edgar night. (The temptation to drink was very strong, but I declined all alcohol until I was off-stage.)

But now, it’s Monday morning after and the afterglow has somewhat faded and we are back to the cold harsh light of reality this morning. I have writing to do and chores and all kinds of other tasks and things to do. I am speaking as a guest at Spirit of Ink on Saturday; being interviewed by Jaden Terrell, whom I’ve known for years since we were both on the MWA board together. That’ll be nice, and I think at some point this week that Ira Levin ZOOM thing I did from my room in New York will be up and available somewhere on-line (I’ll share the link should I ever get one; it was a bit fun talking about Ira Levin and surprise twists). I am not feeling terribly overwhelmed this morning, or daunted; that will come soon enough, no doubt–it always does–but I am feeling a lot better about the non-stop Imposter Syndrome that is pretty much my entire life these days. It’s also gorgeous outside; it’s May so the heat is back and the humidity won’t be far behind; nor will the stinging caterpillars and the swarms of Formosan termites that generally return with Mother’s Day like the swallows of Capistrano.

And soon it will be summer, with the sweating and the misery and the high Entergy bills. But I want to also start working out again more regularly (it’s been a hot minute since I’ve set foot in the gym, so I am going to have to slowly start working my way back into it again, Jesus) and should probably start eating more healthy; the tightness of the waist of my pants at the Edgars was yet another signal that it’s only going to get harder to lose weight the older I get (which is sadly true for everyone–so don’t keep putting off your fitness regimen, people–don’t be Gregalicious) but I think discipline and dedication will do the trick.

And on that note, I think I am going to get another cup of coffee and try to dive into my emails before I have to start working. Have a splendid Monday, Constant Reader–I will be back here at the crack of dawn tomorrow as I ease back into my day job at the office.

Rainy Days and Mondays

Tomorrow we leave for New York.

I’m both excited and nervous for the trip, to be honest; nervous about having to speak at the banquet for one thing, excited to be in New York and to see friends for another. Today is going to be, around clients, last minute attempts to get ready for the trip, making a packing list to make sure I don’t run off tomorrow morning to the airport without things packed that i will need once I am there (I forgot something rather important for Alburquerque), and hoping, always hoping, that I will be able to sleep once I am there. I’ve slept well for the last few days, which has been really nice, and fingers crossed that will continue once I travel. The flight is nonstop on the way there; we have to change planes in Nashville on the way back. I always am hopeful that things will go smoothly whenever I travel; there was some delays involved on my last trip but I think everything ran on time the last time I went to New York.

I continue to obsess about both season 5 of Elité as well as Heartstopper. I actually went ahead and got the graphic novels the show (Heartstopper) is based on (more on that to come), and really enjoyed reading them yesterday. I guess I never realized how much I needed to see a sweet young love story between teenagers? I’ve tried reading the big gay y/a novels over the last few years without much luck; I never was able to really connect with the characters or the stories I was trying to read (without much luck) and even some of the films/TV shows based on them, but they didn’t really engage me. I am happy these books and stories and their adaptations exist–representation matters, believe me, it does–but there’s nothing wrong with my not being able to enjoy them, either. I didn’t like much y/a fiction when I was an actual young adult, and maybe I do somewhat try to write the stories that I would have liked to have read when I was that age with my own work–I don’t know if I succeed with that or not; the jury remains out and probably will remain out until long after I die–but I also enjoy writing them. (Not that I am enjoying writing anything these days, but you know what I mean.)

I also continued to work on my CV yesterday–it’s close enough to complete now to turn over to my friend for the favor they asked for, needing a bit of editing and moving things around–but it’s now eleven or twelve pages long, and I could easily (well, not easily; it would require digging through boxes in storage to get all the fitness columns and book reviews and author interviews out that I wrote over the early years in my career) fill up probably another three to four pages. That’s pretty fucking long, really; I am now up to almost forty novels (there, if you count novellas as novels) and I think I need to count my short stories again as well. I also know I have a lot more essays out there somewhere…but as I said, a twelve page CV more than meets the requirements necessary for this current purpose.

Jesus Christ, I’ve written a lot since 1996–and this doesn’t even count all the drafts, unpublished stories, false starts on books that only got a few chapters in before running out of steam, essays, and most important of all–this fucking BLOG. Even if these only average 500 words per (and many of them run much longer), I’ve been doing this almost every day since December 2004. Eighteen fucking years. Assuming that I miss at least forty-five entries per year, I’ve written 103, 680 words (assuming the blogs are all 500 words). That’s fucking insane.

But I think I am going to read Ernest Hemingway’s To Have and Have Not next; I picked it up and opened to the first page yesterday and kind of actually got sucked into it. So I will read that at the airport and on the flight tomorrow and have a back-up in my backpack. I picked out other books to take with me on the trip, of course–and of course, there will be giveaways after the banquet on Thursday night to bring home–so I am all set on that score. And we watched some more of Severance last night (after a really bad gay movie called The Pass with Russell Tovey; I do not recommend it. It’s full of self-loathing and toxic masculinity and while the actors are good… yeah, the story leaves a lot to be desired), which I am really enjoying. I don’t know what’s going on yet–and I doubt very seriously that any of the questions I have are going to be answered in one season (we’re three seasons in on Servant and still have no fucking clue what is really going on in that household).

And on that note, I am heading into the spice mines. Happy Monday of Edgar week, Constant Reader!

Doesn’t Somebody Want to Be Wanted

WARNING: POTENTIAL SPOILERS AHEAD FOR EVERY SEASON OF ELITE.

One of the most moving moments during Left Coast Crime came during Raquel V. Reyes’ acceptance speech for Best Humorous Mystery for Mango, Mambo, and Murder. Raquel spoke very eloquently about her love for the crime fiction genre, and why it was so important for her to write a Latina sleuth heroine in her series: “Representation matters,” she emphasized, her voice breaking a little bit. This naturally got me to thinking about representation and its importance. It reminded me of the weird little boy in Chicago (and later, in the suburbs and on the plains of Kansas) who believed he was so weird, unnatural, and anything but normal; and how those rare appearances of gay men in fiction–scattered here and there in paperbacks–meant so much to me and made me feel, even if just for a moment, that I wasn’t strange and weird and an outsider. There were people like me out there somewhere, and maybe, just maybe, someday I’d find them and my community and feel like, finally, I belonged somewhere.

I was thinking about this very thing as Paul and I binged our way through Season 5 of our favorite show, Elité, on Netflix recently (the new season dropped while I was in Albuquerque).

I don’t remember how, when, or why Paul and I started watching Elité, but I am so glad we did. I know it was pre-pandemic, because I do remember both of us being concerned about when the fourth season would drop and whether it would be delayed because of the pandemic. But regardless of when we started watching, this Spanish-language Gossip Girl type show (far, far superior to Gossip Girl, sorry, stans, don’t @ me) really captured our imaginations and we became full fledged addicts. (The best way to describe the show is as a terrific hybrid of Gossip Girl and How to Get Away with Murder, yet better than both). I think part of it was the great cast–everyone was not only gorgeous, but they were remarkably talented as well, and the writing/plotting/story construction was superb; take note, American television series. I also greatly enjoyed the Ander/Omar romance, which began with both deeply closeted and meeting guys on hook-up apps, which is how they met. They began building a relationship, coming out to friends and family–it didn’t go well with Omar’s Palestinian parents–and their romance was given equal weight to that of their straight cast members; I don’t recall many shows where that happens. It was handled very well, and they literally became one of the show’s “super couples”, to borrow a daytime soap term. Fans loved them, and their romance was handled so beautifully that I was impressed, all the way from the terrors of the closet to fears about acceptance to actually coming out and developing a romance, with all the drama and upheavals young straight couples usually have to deal with. Omar and Ander were no different from any other romantic couple on the show; their story was just as important as the others, and there was never any sense of “oh they’re just pandering because we’ll always watch something with gay representation on it.”

And it wasn’t just Omar and Ander, either. Polo and Carla were in a long-term relationship since they were children; deeply in love and yet somehow bored with each other, both found themselves attracted to sexy new student Cristian; and that progressed from Polo watching Cristian and Carla together to joining them! Polo’s sexuality became a bit more murky than it was at the beginning. Is he bisexual, pan, or are they all three polyamorous? Carla and Polo end up breaking up and Cristian left the show after a tragic accident; but the intricacies and intrigues from their long-term relationship continued to play out and affect their storylines as well as others along the way. A lesbian romance was introduced into season 4, as well as a new villainous gay character, whose entire purpose was simply to be rebellious against his father and try to come between Omar and Ander. Played by the strikingly beautiful Manu Rios, I liked the idea of a manipulative gay villain (think Erica Kane as a gay man), but hoped they would flesh him out more. I felt Manu Rios was more talented than the material they were giving him, and hoped that in Season 5 we’d get to know him better.

(There are many other reasons I love the show–the other characters are also incredibly well developed, and their behavior fits their characters as they’ve developed along the way; no one ever acts in a way that doesn’t feel realistic simply to suit a story-line, something else American show runners should pay attention to.)

Season 5 literally dropped the Friday night I was in Albuquerque, and as soon as I got back to New Orleans, Paul and I started watching, and binged the entire season in like two nights. Season 4 wasn’t as good as the first three seasons (the bar was set high, to be fair), but it was also a transitional season; at least half of the cast graduated at the end of season three and thus left the show–which I thought was probably a good thing, despite losing some absolute favorite characters from those earlier seasons. Season 4 transitioned the story as the show added new cast members to replace those who’d left; so we didn’t enjoy it as much as we could have (more original cast members departed at the end of season 4) and so I was worried that Season 5 wouldn’t be as good, either…but I am delighted to report I was totally wrong on that score. -With Season 5, the show is back at the incredibly high level/standard it set for itself in those first three seasons, and while it is very hard to compare the one season with the interconnected stories of those first three, I don’t know. Season 5 might just be my favorite.

And of course, now that we’ve seen Season 5, the stage has been set for a very strong new, sixth season, and I literally cannot wait.

But the primary strength of this most-recent season comes from the further development of the character of Patrick, played by the stunningly beautiful young actor Manu Rios, through a truly terrific storyline that let us see sides of Patrick we’ve not seen before.

I mean, look at that stunning face.

The body isn’t too shabby, either.

Patrick joined the cast of characters, as I mentioned, in season 4. The openly gay character was primarily brought in as an agent of chaos: self-absorbed, narcissistic and rebelling against his strict father (the new principal), his role in season 4 was primarily to cause drama and disruption between the long-running gay romance storyline between Omar and Ander (again, and it can’t be said enough, how lovely was the Omar/Ander storyline, where a gay couple in a soapy show got the kind of story usually reserved for opposite sex teen couples?), so he was kind of a villain character–striking out angrily whenever he was hurt but inevitably causing more trouble for himself than for others, but the role was played with such sensitivity and style by Manu Rios that we as viewers couldn’t hate him the way we should have, the way we wanted to; since he was really “the other guy” and causing trouble between the already fraught Ander/Omar relationship we were all rooting for. Patrick was really nothing more than the latest obstacle to their happily ever after; but when Ander also left the show after season four, I wondered if Patrick and Omar would pick back up–it didn’t seem likely, but they were the gay characters, so…

And even I didn’t fully appreciate how talented Manu Rios was during season four–but that changed in a matter of moments in Season 5. I mean, I could see he was beautiful–anyone with eyes can see that–but could he turn what was essentially a one-note character into someone who seemed perfectly real to the viewers?

The answer was yes yes a thousand times yes.

You see, there’s a new student at Las Encinas in season 5, who catches Patrick’s eye on his first day: Ivan Carvalho, played by André Lamoglia.

This picture doesn’t do him justice in the least, either. He’s beautiful. And the way his face lights up when he smiles–utterly irresistible. (Lamoglia is also a remarkably good actor.) His father is a world-famous soccer player, Cruz Catalho, and there’s no sign or mention of Ivan’s mother. But Cruz lives the good life of the hard-partying rich superstar, often telling his uptight son–who’s moved around the world following his father’s career, unable to make lasting friends or set down roots anywhere as a result–to loosen up. Ivan just wants a normal life–with Cruz always telling him to relax and enjoy the great life Cruz is able to provide for him.

And the character is so kind and loving and understanding…it’s easy to see why Patrick would not only be attracted to him for his looks but drawn to him as a person. He sees Patrick in a way no one else ever has before. It’s impossible not to root for them to fall in love with each other.

Ivan first comes to Patrick’s attention when he is looking for directions to the high school locker room–which, at the time, didn’t strike me as odd but now looking back, it kind of does; he was in his gym clothes and in need of a shower, but I SUPPOSE that it’s entirely possible he could have gotten turned around–new school and all, I guess. Immediately interested and attracted to this handsome stranger, Patrick not only gives him directions but offers to take him there “since I was on my way there anyway.” They talk as they shower–but Ivan is onto Patrick; after the shower he points out with a smile, “you just wanted to shower with me to see me naked” he teases, pointing out Patrick’s arousal. As I mentioned, Ivan is breathtakingly gorgeous. When he smiles, you can’t do anything but melt. And yet, the two boys have undeniable chemistry.

But Ivan is straight. He keeps telling Patrick this, over and over again, but…

We actually first meet Ivan as he is getting ready for school, climbing over the passed out bodies in the living room to see if his father will drive him to school. Instead, Cruz winds up hugging the toilet and telling Ivan to take the car. During his first initial meeting with Patrick, Ivan definitely points out that he isn’t gay, but he’s not put off by Patrick’s sexuality, either. They can be friends–but that’s all it’s going to be. He knows Patrick is attracted to him, and he’s a bit of a tease; sending mixed signals that confuse and anger Patrick.

This, too, is an old trope of a story, and I was really not overly thrilled with it; it’s clichéd and one of the tired old reasons the homophobes trot out whenever they want to deny us our rightful place in society and culture: we want to convert everyone.

Because it’s just that easy.

But at the same time, Patrick’s desperate crush on his new straight best friend isn’t played as exploitative. There’s more there than just him being a cocktease, really; Ivan clearly cares very deeply for Patrick, and their friendship means a lot to him. He cares, and this is a new experience for Patrick; he isn’t used to anyone genuinely caring for him. He’s a disappointment to his father, he loves his sisters but those relationships are very tense, and he really just wants to be loved. So the fact that he has found someone who genuinely loves him is confusing; he loves being loved, but he is also strongly attracted to Ivan, in love with him (at one point Ivan teases him, “you’ve fallen for me”) and isn’t sure how to react or behave or what. Ivan is attracted also to Patrick’s sister Ari–and the heartbreak when Patrick sees them together is completely believable; and it’s all done in his incredibly expressive face. After seeing Ivan and Ari having sex on a boat on the lake…heartbroken Patrick goes back to the dock and sits there, hating himself and hating his life. While he’s sitting there, Ivan’s father Cruz comes out there–they’ve already had a couple of run ins already, and Patrick is on to the fact that Cruz isn’t as straight as he acts–and as Cruz comforts Patrick–they begin to kiss!

Did. Not. See. That. Coming.

At the time, I was rather impressed with the writing, frankly. What better set-up for drama than having Patrick, in love with Ivan, wind up in a relationship with Ivan’s dad? (Yes, aware of the creepiness of an adult man sleeping with a high school student; yet I still thought it make an interesting story.) But the writers are even more clever than that.

Patrick winds up comforting Ivan after his brief little fling on the water with Ari–who no longer wants to even speak to him–and the two boys go back to the Carvalho household. Cruz isn’t happy with this–he has his own developing feelings for Patrick, so he acts homophobic, but privately he invites Patrick to join him later after Ivan falls asleep. Later, when Patrick cleans up before bed and walks into Ivan’s room, he sees Ivan watching porn and they come oh-so-close again to something physical happening…but Ivan pulls aways again. Frustrated and hurt AGAIN, Patrick goes to the guest room. While watching porn on his phone and masturbating, he gets a text from Cruz asking is Ivan asleep yet? Hating himself but hurt AND horny, Patrick gets up to go join Cruz–but when he walks out of the guest room Ivan is there in the hallway.

IVAN: I can’t sleep.

PATRICK: Count sheep.

IVAN: No, no, I want you to come back to my room with me.

PATRICK: You need to stop. I am going to get really angry with you.

IVAN: I can’t stop thinking that…what if…because of prejudice or fear or something…what if I am missing out on something amazing…with someone amazing…who makes me feel amazing.

PATRICK: Stop.

Ivan then tries to kiss Patrick, but awkwardly. Patrick pushes him away, and Ivan apologizes. “I’m sorry, I’m just really nervous but I want this.”

The look on Patrick’s face literally made me tear up as he said, “No, let me.” And then they kiss. When Patrick pulls away he says, “Are you okay?”

Ivan smiles and just nods, and the two boys go back to Ivan’s room.

What followed was the most amazing slightly longer than five minutes gay sex scene I’ve ever seen outside of gay porn. But it wasn’t raunchy (it’s definitely not gay porn); it was sensual and beautiful and erotic; an expression of love between two young men who’ve never been really in love before. It wasn’t all candlelight and roses; it was Ivan’s first time (at one point, he’s doing oral on Patrick for the first time, and Patrick stops him–“watch the teeth!” I defy anyone to find a gay man who has never said that or had that said to him once in his life. ) and while i know rimming scenes have become more commonplace on cable shows, I’ve never seen two males do it as realistically as it was done here. Patrick allows Ivan to top him, and even that was realistic, honest, authentic. The entire thing was beautifully shot and scored (EDIT: the song playing in the background is Brian Eno’s “By the River,” which is beautiful and perfect for this scene), and the acting was fucking fantastic (the pun was deliberate). I literally got tears in my eyes.

There were three more episodes in the season after this–with ups and downs and more pain and heartache for the two–but it all comes together in the incredible season finale, which again left me in tears.

This entire season could have simply focused on Patrick and Ivan’s story, and I would have been happy. But the other storylines of the season–which didn’t seem all that great in the first half–coalesced in the second half of the season, with twists and surprises and suspense; this show is fantastic at surprise twists that make you gasp.

But this story…wow. How much of a difference would it have made in my life to have seen something like this play out on a television series when I was a teenager? Even in my early twenties? Both young actors are fantastic. The acting is stellar, and I have to admit it’s one of the few times I’ve seen a gay storyline play out like this where I was absolutely 100% convinced they were in love with each other, was rooting for them, wanted them to end up together against all the odds.

Manu Rios and André Lamoglia steal the fifth season right out from under the rest of the cast–which is no small feat, as Elité’s biggest strength has always been its incredibly talented cast.

I loved this show already, but I love it all the more now. I have no idea what they are going to do with Ivan and Patrick for the next season; but whatever it is, I am here for it…and so are the rest of the fans of the show around the world. (Yes, I did a deep dive the other day on-line; Patrick and Ivan and their story are the breakout stars of season 5…as they should be.)

I would seriously write Patrick/Ivan fanfic.

Bravo, Elité and Netflix, and thank you.

Treat Her Like a Lady

Tuesday morning and I clearly should never go into the office the day after I travel. Lord, was I tired yesterday! But I was good Sunday night when I got home and unloaded the suitcase directly into the washing machine and even remembered to move them to the dryer. I stopped on my way home from work yesterday to get the mail and to make some groceries, and then had another load of laundry to do, and dishes to wash and put away…ah, the mundane that comes after the glamour. But there could be worse things. I was a little too tired to focus on finishing Catriona McPherson’s marvelous A Gingerbread House, which I really want to get to the end of because I am dying to know how it all turns out; but that will have to wait, I suppose. I think I am going to tackle Marco Carocari’s Blackout next; I should have already gotten to it, really. (Bad Greg, bad Greg!)

It’s very exciting that we have so many up-and-coming queer writers in the mystery genre, I have to say.

I slept really well last night; this morning I don’t feel tired at all (and yes, I woke up before the alarm went off this morning). I feel like I am actually settling back in to my life and rest and reality; we’ll see how it goes the rest of the day, won’t we?

We watched the first three episodes of the latest season of Elite on Netflix, and I think it is safe to say that it is clearly one of the gayest shows ever to air; and this season more so than any of the prior ones (or maybe it has been all along, and it just caught me off guard last night?). The show is centering gay Patrick more this season than last, and he’s falling for an absolutely beautiful young straight boy (I think we’ve all been there at least once in our lives) and their “friendship” is kind of nice to see; it’s one of the few times I’ve seen this dynamic played out on television. It could easily go the wrong way, so I am curious to see how this continues to play out. But as always, everyone on the show is gorgeous, the drama is way over the top, and we don’t know who this season’s murder victim is yet. There are some new characters (a wealthy Paris Hilton type who calls herself the “queen of Ibiza” and deejays; the handsome son of a soccer player I’ve already mentioned) and of course, no one is left from the original core cast except the characters of Samuel and Omar–and their friendship is already on the ropes. Sigh. I love this show so much.

I’m also feeling more hydrated than I have since I left for Alburquerque Thursday, and yes, that’s entirely on me; it never even crossed my mind that the higher altitude (five thousand feet!) and drier climate would have an effect on me. It did. I had a glass of wine Thursday afternoon when I ran into a friend in the bar and literally got tipsy from it, and my God, were my lips constantly getting dry and chapping? I also can’t remember the last time my mouth was so consistently dry, and drinking water didn’t help at all; maybe some blessed relief for a moment or two before my mouth went completely dry again. I guess desert climates are something you get used to when you live in one, but ugh, my skin was also so dry and of course, the dryness also triggered my psoriasis again (which has cleared up since I arrived back into the dampness of New Orleans.

So, overall, I feel much better this morning than I have in a few days; rested, rehydrated, and relaxed. Which is nice, since yesterday all I did was spin my wheels and keep everything level, rather than moving in a forward direction to get everything taken care of that is on my to-do list (hello, short story that needs writing!). I did make a stop on the way home to make a bit of groceries, but a more in-depth trip will be necessary once the weekend rolls around. Heavy heaving sigh. But…I should probably do an in-depth reorganization of the kitchen cabinets (yes, I have a deadline looming, can you tell?) but there’s undoubtedly some expired things in there that could be cleaned out, and yes, the other cabinets could stand a good reorganization as well. Maybe I should move the pots and pans from over the stove to over the sink? Decisions, decisions.

But tomorrow I get to work from home and it’s not a full eight hour day, either. I’m thinking about watching some movies while I make condom packs and break down some biohazard stuff (expired tests; they need to go into biohazard but aren’t dangerous to handle without gloves), and of course, there’s always data to enter as well. Huzzah! We now have to come into the office four days a week, so I guess this week that will be Friday since I am working at home tomorrow. I can’t decide which day would be best for me to come in next week–it will alternate between either Fridays or Mondays until we go back to five days in the office again–and as tempting as it is to stay home again on Monday, on the other hand I’ve never really gotten used to Tuesdays being my Mondays. So….we’ll see.

And on that note, tis time to head back into the spice mines. Have a lovely Tuesday, Constant Reader!

You’ve Got a Friend

Monday morning and back to reality. The bipolarity of my existence is just one of those things that, when I think about it, always kind of makes me laugh. But the one lovely thing about this bipolarity is that it keeps me humble, methinks. It’s hard to become an egomaniacal author when you spend your Monday thru Friday in a lower-level position in a sexual health clinic.

I am very tired this morning and could have easily stayed in bed for the rest of the morning–but at least I slept well last night. (My last night’s sleep in Albuquerque was the best night of the three I was there as well.) The trip home was relatively painless as well; every flight on time (well, there was a slight delay of about forty-five minutes in Albuquerque, but all that did was shorten the layover in Austin) and there was no irritations or annoyances on either of the flights. Delightfully, Meg Gardiner landed in Austin on her way home from some event in Florida while I was there, so I got to see her! That was pretty cool, frankly. I also started reading Catriona McPherson’s A Gingerbread House, which is creepy and weird and I have literally no idea where this book is going or how it is going to end. I hope to finish reading it tonight after I get home from work–and I may even go to bed early tonight to try to make up for all the rest I lost. I hate not being able to sleep. My work-at-home day this week will be Wednesday, so I’ll have to get up early tomorrow again, too. We’re back to four days in the office every week, so I’ll have to go in on Friday as well–but that’s cool.

I was a little overloaded this weekend; I’m not used to being around so many people anymore, and I am also not used to talking to so many different people in such a short period of time, either–but it was absolutely delightful. I can’t name everyone I saw and had fun with over the course of the weekend–I’d inevitably forget someone–and I also made a lot of new friends, too, which was awesome. There were a lot of highlights, and not really any lowlights. There was a bizarre thing that happened on Friday night–very very bizarre–but I don’t think I want to talk about it or tell the story, because it’s really embarrassing for someone I really don’t know and I’m really not into the “name and shame” thing when someone was, well, rather intoxicated, and therefore not in their right mind. But while it was weird and strange, I could at least see the humor in it–it was kind of funny–even if weird as fuck.

But I am feeling a bit invigorated and stimulated mentally, if physically exhausted, and I am hoping to carry this momentum into getting this short story finished this week. I read several great books on the trip that I’ll need to blog about, as well as a couple of others I won’t be blogging about as I didn’t enjoy them as much as the ones I loved–but it was delightful to get the chance to read a lot; one of the best things about air travel is the forced reading time involved.

But my own bed was lovely last night–and Scooter clearly missed me, as he wouldn’t let me out of his sight once I got home and kept demanding, as I loaded clothes in the washing machine and unpacked my bags, that I go sit in my easy chair to give him the lap to sleep in he’s been missing for four days–and hopefully, I will sleep well again tonight and be even more invigorated as I try to get adjusted back to the day to day.

Have a lovely Monday, Constant Reader, and I will check in with you again tomorrow morning.

Just My Imagination (Running Away with Me)

Saturday morning at Left Coast in Albuquerque and I am very tired. I didn’t sleep all that well again last night, and I am exhausted. I am having the best time. It’s absolutely been delightful seeing people again and meeting new people, and just laughing and having a great time. My panel yesterday was quite marvelous; all the other panelists had a lot of good things to say about creating characters, so it was educational for me as well–I also love listening to writers talk. I wish I hadn’t overdone everything yesterday! But I think maybe if I just rest and relax for most of the day in my bed, I’ll be able to face the banquet tonight. (After which I think I will repair to my room to get ready to leave tomorrow.) But what a lovely day it was. I had a marvelous dinner with excellent conversation last night with some wonderfully smart and witty people. I ended up staying up way too late talking to people in the lobby (the bar closed at ten, which is wild for a mystery convention), which is totally on me; I never want a good time to end. But..I don’t think I am back to my normal social interaction capabilities yet. And I did a panel yesterday, with all the attendant anxieties and stresses that come with that, so I suppose it’s not so surprising that I am so tired and worn out today.

But what a lovely evening it was! I haven’t laughed so much and so hard in such a long time, and it does feel absolutely marvelous. I just have to take it easier on myself and possibly ease back into these things and reserve my energy as well as recharged more regularly.

Well, it’s now Sunday morning and yes, I did wind up spending most of the day in my room; only venturing out to grab some snacks before coming back upstairs. I did make it to the Lefty Banquet last night–I had to get up and speak, which of course brought on all the usual anxieties and terrors and stage fright–but the banquet was a lovely time. Congratulations to the winners (Raquel Reyes for Best Humorous; Naomi Hirahara for Best Historical; Wanda Morris for Best Debut; and of course, William Kent Krueger for Best Novel), of course! There were some really moving speeches given, and of course, it was just amazing being around other mystery writers in a conference environment. But I was so damned tired all day yesterday, even going downstairs to get snacks was an ordeal. I spent most of the day in my bed, too tired to do much of anything besides whine and read (I read Vladimir by Julia May Jonas; it was very well written) and just rested, in general. After the banquet I socialized a bit in the lobby (the hotel has a very strange set up) and talked to some more people, then finally making a farewell lap around before coming upstairs and gratefully, happily, falling asleep.

And it was a good sleep at last; of course, the night before I am scheduled to fly home is the only night I got good sleep. But I also have to go in to work tomorrow, which means getting up at six; so the traveling home will wear me out again, and I’ll get home probably in time to just put the dirty clothes in the washer and get it going before having to go to bed again. Fingers crossed for another good night’s sleep. (This week my work-at-home day will be Wednesday, so I have to get up super early for the next two days only) Huzzah? And of course, once I am home I will have to start really getting dug into the things I am now horribly behind on–what else is new? I have to get my story finished by the end of the month, and I want to get some other writing done this month as well before I head up to New York for the Edgar awards (and yes, I am worrying already about the sleeping situation at the hotel in New York).

And I need to go forage for coffee, and I need to buy a book to read for the flight home which means a swing by the book room once I have achieved coffee status. Have a lovely Sunday, Constant Reader!

Me and Bobby McGee

Busted flat in Baton Rouge, waiting for a train…

Actually, I am in Albuquerque for Left Coast Crime. I have never been to either Albuquerque or Left Coast Crime before. As for the former, it’s very very dry and the air is a lot thinner here than it is in New Orleans. The trip wasn’t bad; the flight from Austin (where I changed planes) was delayed an hour and there was horrific turbulence on both the take-off there and the landing here that had me closing my eyes and making my peace with the Universe, but other than that it was relatively unremarkable. Lots of people everywhere, but neither flight was full and I had a bit of crowd anxiety at every airport I was in, but it was all okay. I managed to finish reading Mia Manansala’s marvelous Arsenic and Adobo and got halfway through Wanda M. Morris’ All Her Little Secrets (which is also marvelous) and once I got to the hotel I started running into friends I’ve not seen in years–which was again quite marvelous. I went to dinner with a friend (I hadn’t eaten all day, and then had a glass of wine–which, given the lack of food in my stomach, and the altitude, and being tired, wasn’t probably the brightest move to make), and then ran into even more friends when I made it back to the hotel. The hotel bar closes at nine (much to the disgruntlement of many a mystery writer), but it was probably for the best that I not imbibe any more alcohol. I haven’t really drank anything alcoholic since the pandemic shutdown–if I have, it’s been so few and far between that any tolerance I might have for it is long since gone–and so having a typical mystery convention weekend’s worth of drinking this weekend is probably not the brightest thing to do. Perhaps I am finally growing up?

As if.

I didn’t sleep well last night–first night in a hotel, not my own bed, yadda yadda yadda–despite my complete exhaustion last night when I turned out the light and got under the covers; I was too tired to read, even for a little to shut my mind down a bit. Part of it was overload, I think; I am not used to being around groups of people, plus seeing friends and acquaintances I’ve not seen in nearly four years–as well as meeting new people–caused a bit of overload of my circuits last night, which shoved me headfirst into punchy mode. I probably should have come to my room immediately after dinner last night–but I ran into people in the lobby, which is what always happens at these things, and yes, I probably shouldn’t have gone into the lobby at all and headed straight for the elevators. Lesson learned, although I’ll probably do the same damned thing tonight.

I never learn.

SIgh. And now to head out to the conference,

Tired of Being Alone

So, in a little while I’ll be loading up the car and heading to the airport to catch my flight to Albuquerque for my first-time ever attendance at Left Coast Crime! Woo-hoo! I’m excited as well as a bit trepidatious, as I always am whenever I am going to an event I’ve never been to before. I have my journal and I will have books, so I shan’t ever be bored if none of the cool kids will talk to me or let me hang out with them. I am a bit concerned about sleep and so forth; I never sleep well when I am traveling (for a long time I thought it was due to the absence of Paul and Scooter; since Paul has travelled with me and I still had issues with sleeping, it must be the lack of Scooter that must be causing it; because when Paul isn’t home and it’s just me and Scooter…I don’t have the sleep issue. Then again, making people fall asleep is Scooter’s super power…)

I also saw a lot of people had delayed flights yesterday to Albuquerque, which doesn’t exactly fill me to the brim with confidence, in all honesty. When I flew up to New York in November (and back from Boston), I didn’t have any delays on either flight, which was marvelous (and increasingly rare). I cannot say the same for the previous time I flew, when I went up to Kentucky earlier last year. (What a fricking nightmare that trip was; at least the return went smoothly.) But I am up at my usual hour, and my suitcase is packed already. I just have to pack my backpack and my carry-on, do some things around here, and hit the road for the airport around seven thirty. Yay.

I am already having anxiety about traveling–not COVID related, just the usual: will the flights be on time? Will I miss my connecting flight in Austin? How expensive will a cab from the airport to the hotel in Albuquerque be? Did I pack proper clothing for the trip? Did I forget to pack anything? Will I have to sit next to someone horrible on either flight?

And of course, the long held horror of being late to the airport and missing my flight. I also have to work on Monday when I get back–so the trip home hopefully won’t be delayed and/or late since I have to get up at six Monday morning after getting home. (A co-worker asked me to switch my at-home day with him because he has a doctor’s appointment, and I am always willing to accommodate a co-worker because I I always need someone to cover for me at some point.)

But I am hoping I will make some new friends and there will be others there I can hang out with–worst case scenario, I go to my room and read in bed–and I plan on attending panels to listen to writers talk about writing. I have very good books coming with me on the trip, and I am sure I will buy even more books in the book room because I can never resist more books, you know? I also will probably get some books when I check-in for the conference and get my bag–there’s always books in the bags–and thus reading will never be much of an issue while I am there.

And on that note, I need to get some things done before I get cleaned up and head for the airport. Have a lovely Thursday, Constant Reader, and I will check in with you later.