Johnny Be Good

I love Stephen King, and have since I first read Carrie when I was thirteen.

I will also go out on a limb and say that while he has written some amazing fiction and novels in the last forty years, the run of novels between (and including) Carrie and Misery in the 1970s and 1980’s was probably one of the greatest runs of incomparable work ever accomplished by any writer in any sub-genre or genre of fiction, period. There wasn’t a single stinker in that run, and even the one I personally dislike ( Pet Sematary) isn’t bad–it’s actually a testament to King’s skill that I’ve refused to reread it since that first time; it made me incredibly uncomfortable in so many ways viscerally that I’ve really never wanted to read it again.

And isn’t that the real point behind horror?

I also saw something recently about how people who suffer from anxiety often rewatch movies/television shows and reread books when they are anxious because there’s comfort in knowing how something ends. It had never occurred to me that this was a thing, but I used to reread books all the time when I was younger, often picking one up and just opening it at random and diving into the story again. I reread most of the earlier Stephen King novels countless times, as I have also reread books like Gone with the Wind and kids’ series books and other particular favorites. I still reread some periodically, like Rebecca and The Haunting of Hill House. When I picked up The Dead Zone to reread it–I realized that I don’t really reread the way I used to when I was younger. On the rare occasions when I thought about it, I figured it was because I don’t have the time and there are so many unread books around the house that I shouldn’t revisit something when I have unread books collecting dust and moldering on the shelves. But reading that about people with anxiety made me recognize myself and I also realized that I don’t reread as much as I used to (or rewatch) because I don’t have as much anxiety as I did when I was younger. (Don’t get me wrong, I still have too much of it for me to be comfortable going forward without doing something for it, you know.)

I’d thought about rereading The Dead Zone in the wake of the 2016 election; I had posted on social media early on during that campaign season, “Is anyone else reminded of Greg Stillson?” But I couldn’t, just as I couldn’t go back and revisit Sinclair Lewis’ It Can’t Happen Here or The Handmaid’s Tale or any of the other great collapse of American democracy novels. But this reread…made me truly appreciate all over again what a literary genius Stephen King actually is–and an American treasure.

By the time he graduated from college, John Smith had forgotten all about the bad fall he took on the ice that January day in 1953. In fact, he would have been hard put to remember it by the time he graduated from grammar school. And his mother and father never knew about it at all.

They were skating on a cleared patch of Runaround Pond in Durham. The bigger boys were playing hockey with old taped sticks and using a couple of potato baskets for goals/ The little kids were just farting around the way little kids had done since time immemorial–their ankles bowing comically in and out, their breath puffing in the frosty twenty degree air. At one corner of the cleared ice two rubber tires burned sootily, and a few parents sat nearby, watching their children. The age of the snowmobile ws still distant and winter fun still consisted of exercising your body rather than a gasoline engine.

Johnny had walked down from his house, just over the Pownal line, with his skates hung over his shoulder. AT six, he was a pretty fair skater. Not good enough to join in the big kids’ hockey games yet, but able to skate rings around most of the other first-graders, who were always pinwheeling their arms for balance or sprawling on their butts.

Now he skated slowly aruond the outer edge of the clear patch, wishing he could go backward like Timmy Benedix, listening to the ice thud and crackle mysteriously under the snow cover farther out, also listening to the shouts of the hockey players, the rumble of a pulp truck crossing the bridges on its way to U. S. Gypsum in Lisbon Falls, the murmur of conversation from the adults. He was very glad to be alive on this fair, winter day. Nothing was wrong with him, nothing troubled his mind, he wanted nothing…except to be able to skate backward, like Timmy Benedix.

So begins the prologue to The Dead Zone, a King classic that doesn’t get nearly the respect it probably should–especially in wake of the 2016 election. Johnny does, in fact, learn how to skate backwards, but is so excited about it he doesn’t notice he is heading right into the hockey game, where he gets hit broadside by a teenager and sent sprawling, hitting his head on the ice and knocking himself out. As he slowly comes back to consciousness, he starts muttering things that make no sense to the worried kids and adults gathered around him, including saying to “stop charging it’ll blow up”. But then he wakes up, is fine, goes home and doesn’t even tell his parents what happened (imagine a child knocking himself out and the parents not even being told today–never happen). A few days later one of the men’s car battery is dead, he jumps it–and it blows up in his face; only no one remembers the things Johnny was muttering; everyone’s forgotten about it.

The second part of the prologue introduces us to the other main character of the book, or the person who is fated to have the biggest impact on John’s existence, which also begs the question of fate and destiny; these two men’s lives are going to intersect, and the rest of the book follows their lives–primarily focused on Johnny’s, with the occasional swing over to see what’s going on with Greg Stillson and his climb to power and success. That prologue introduction to the traveling Bible salesman in Oklahoma who kicks a dog to death lets us know who he is right from the very start–he’s the bad guy, the reason all these things are happening to Johnny so their lives will cross.

Johnny’s story has three acts: first, the car accident that leaves him in a coma for five years (and introduces us to him, his love interest Sarah, and his parents) and inevitably ends with him catching the Castle Rock Strangler, using the abilities that he woke up from the coma with; the second, which concludes with the vision about the graduation party ending in fire and mass death; and the third, where he realizes he is the only person who can stop Stillson’s political rise, the country’s descent into fascism and a final cataclysmic nuclear war (which was an every day reality for us all back when this book was written, by the way).

The most interesting character to me, always, from the story of The Trojan War (I loved mythology and ancient history as a child) was Cassandra, the princess who was given the gift of prophecy accidentally (her ears were licked by one of Apollo’s temple snakes; he cursed her by having no one believe her and this frustration drove her mad); I always wanted to write from her perspective. John Smith is a modern-day Cassandra, a young man who unwillingly was given the gift to see the future as well as have psychic visions, and his story plays out very similarly to Cassandra’s, and asks the big question: if you had the knowledge and foresight to stop Hitler in 1932, even if it meant killing him, would you do it? The personal good vs. the collective good?

I thoroughly enjoyed this reread, and it definitely holds up, even if it is a time capsule of the 1970s, which also made it a big more fun.

(Oh, and that fall he took as a child? While it is never really explained where his abilities come from, King implies that that first head injury awakened the talent in him; the later head injury and coma woke it up again and gave it more power.)

Nobody

Sunday morning and I managed to get a lot done yesterday while watching games occasionally. I got bored watching Georgia throttle Florida, laughed about the Kansas win over Oklahoma, watched Tulane almost blow a significant lead and lose to Rice, and got bored with Tennessee-Kentucky so switched over to Elité on Netflix–and this seventh season is simply terrible. We have one more episode in this season and it’s over, and I can’t say I’m sorry to see it go.

But I did get a lot done yesterday. I cleaned. I ran errands,,,and I worked on the filing. Yes, there’s still work to be done, but my workspace no longer looks like I need to. just take a flamethrower to it, and even the laundry room is beginning to look like it’s more together than it should be. I do have to do some refiling, but everything is properly sorted and where it needs to be, if not alphabetized properly. I also discovered a lot of duplicate files–I am sure there are even more to be found, once the filing truly starts getting compiled and sorted properly. I also need for some of these files to just go away; I am never going to get to all of these ideas and I am never going to write all these stories and novels or essays and nonfiction books, either. But which ones to keep, which ones to abandon for good? I’ve been saving ideas and files and stories and scenes and characters for well over forty years now; you can only imagine how much I’ve forgotten about that are buried deep within this insane file-hoarding situation; it’s almost as bad as my book situation.

But getting all this clutter and debris sorted and put into a semblance of order also helped me get focused more–I think perhaps that’s been part of the problem with focusing on writing anything, really; knowing how out of control the filing had gotten and not knowing where anything was, or what I was working on could be found, and so forth. I’m going to try to get back to work on my next book today–after I get some more of these blog entry drafts completed and posted–and I am also going to try to work on the files some more. I decided that I am not, after all, going to be able to get my story “The Blues Before Dawn” finished in time to submit to the Bouchercon anthology, so it’ll go back into the files for now for a while. I never could quite get the story write, but that opening–my main character walking home in the misty morning hours of the Quarter while listening to someone playing the blues on a saxophone on a balcony, hidden away in the fog. I love that image, and I know that my main character is an apprentice waiter at Galatoire’s and sometimes turns tricks for money at Ma Butler’s bordello in Storyville; I also know it’s a Sherlock Holmes story from the perspective of someone who has a crush on Mr. Holmes–and now has to depend on Sherlock to save him from wrongly being accused of murder. The rest? Not so much…and it’s due on Tuesday, so that’s not going to happen. A pity, yes, but a Sherlock story from the perspective of a sometime male harlot was a long shot for the Bouchercon anthology anyway.

I did start reading The Lonely Ghost by Mike Ford, which is quite delightful, along with a reread of Ammie Come Home by Barbara Michaels (also one of my favorite books of all time, and definitely one of the greatest ghost stories of all time) when I had a few down moments to spend (I’ll get back to The Lonely Ghost later on this morning), and I also have to make a cheesecake this morning and get the white bean chicken chili started so it’ll be ready for tonight and the rest of the week, of course. Halloween is going to be one of those frantic unsettling days, but that’s okay; I can make it through it all.

I slept really well last night, which was lovely; my sleep lately has been pretty marvelous, honestly. Relaxing in the evenings last week, letting the anxiety not get to me, and getting good night’s sleeps this past week was really kind of lovely and nice. I also slept late this morning, opting to stay in bed later than I usually do because it frankly felt nice, you know? Today I am also planning some self-care and grooming, which will be nice. Maybe even take a walk later in the day, when it starts cooling down? Although without the humidity yesterday’s low eighties felt marvelously and delightfully cool.

And on that note, the spice ain’t gonna mine itself, so off I go. Have a marvelous Sunday, Constant Reader, and I’ll check in with you again.

Rock This Town

As Constant Reader is aware–because I am nothing if not repetitious–I spent ages two to nineteen in the midwest, and the last five of those in rural Kansas. I’ve blogged endlessly about it, have written several books set there, and often blame (some of) my emotional scarring on the experience. It’s one of the reasons that stupid fucking song from earlier this year (“Try That in a Small Town”) was so ridiculous and offensive; yet another tired round of ammunition from people who equate cities with evil and rural life with purity and goodness–to which I always say “Someone’s never read Peyton Place, let alone lived in a small fucking town.” Big cities certainly don’t corner the market on crime and sin and lawlessness; small rural communities can be just as vile and horrible as any metropolis.

Shirley Jackson didn’t set “The Lottery” in Times Square for a reason.

There’s an entire essay to be written about the moral rot of the Bible Belt and rural America–and make no mistake, rural America is every bit as corrupt, sinfully evil, and dangerous as the worst neighborhood in any big city–but this is not the time, as I am here to talk about this marvelous novel I read very quickly last night.

“Can you see me?” Cole yelled over to them. He was standing on the south shore of the reservoir, barefoot and facing the water. He looked like he was thinking, but Janet knew better. The scrunch in Cole’s expression came from trying to keep his belly in a six-pack.

“I’ve got you,” Victoria yelled back as she framed her brother. She was using his phone and struggling with the device. “How do you zoom on this thing?” she asked as she shuffled to the edge, not looking at her feet and focusing on Cole. Janet could see a pink stamp of tongue at the corner of Victoria’s mouth as she tried her best to get the shot her brother wanted.

“You’ve got to be in portrait mode when you go live.”

Janet meant it as a polite pointer, but as the words came out of her mouth, they sounded like a dig. SHe didn’t mean it to be a dig, but she couldn’t help it, either. Her tone was why people thought she was such a bitch. Her tone and that she kind of was. Whatever–it was fun to watch the sheep quiver.

I don’t remember how Adam Cesare and his y/a horror thriller Clown in a Cornfield first came to my attention; if it was a suggestion from a website or if I saw someone talking about it on social media or I don’t know where, but I am very glad it did. The book is absolutely right up my alley–young adults, horror, small town Midwestern America (you know, “the REAL America,” right, Sarah Palin?), and terrifying clowns. I’ve never been afraid of clowns–although many people are, and I can respect that. The white greasepaint, the garish hair and eye make-up, the clothes–it’s not hard to see how something intended to entertain children (remember, fairy tales in their original form are horrifying) can easily become something that is absolutely terrifying. John Wayne Gacy, notorious serial killer who preyed on children, worked as a clown for kids’ parties–which is very unsettling, and of course, who can ever forget Stephen King’s masterclass of clown horror, It? Killer clowns have become kind of a cliché…but they still work.

Clown in a Cornfield works on its basic surface level–it’s a scary story that reads quickly and raises the adrenaline and is chockfull of surprises and twists; like the novel version of a slasher movie. (Something I’ve always wanted to do, frankly.) It takes place over the course of a couple of days, and is set in the small dying town of Kettle Springs, Missouri, where main character Quinn Maybrook and her father have just moved from Philadelphia; it’s hinted early on that the tragic death of her mother is why they moved during her senior year: a fresh start in a wholesome rural small town in the REAL America…which turns out to be all too real. The town is dying because the corn syrup processing plant shut down, and the town is losing population. The above few paragraphs are from the prologue–which sets up the rest of the book. There’s a tragic death at the reservoir that day, which changes the kids and changes the town–as though they’ve finally crossed a line they were dancing very close to the edge of and there isn’t any turning back.

The willful and wild teens of the town have planned a surprise during the Founders’ Day parade which Quinn witnesses when the prank goes haywire, and she learns there’s a lot of anger directed at the town’s teenagers–the kids from above who have a Youtube channel where they film themselves playing pranks on people around town–and the idea is that the pranks have become dangerous and the kids are out of control. The next night there’s a party out in a cornfield, and that’s when the corn syrup company’s mascot, Frendo the Clown, shows up with a crossbow and the body count starts to rise.

I really enjoyed this book. It was well written and works very well on all of its multiple layers, from the basic story which is well paced and exciting, to the layers of social critique, satire, and politics that it also manages to be. I found myself caring about the main characters and rooting for them, and while I saw one major surprise coming way ahead of time, there were a lot of other shocks and surprises along the way that made up for the telegraphing.

There’s also a sequel now, and I am looking forward to the second installment. I think you’ll like it, too, Constant Reader, so give it a whirl–thank me later.

Heartlight

Saturday and no LSU game, so the day stretches out in front of me a yawning empty chasm. But I feel incredibly well rested after a very relaxing deep good night’s sleep, which is simply marvelous. I have things to do this weekend–out of the ordinary things, different from the usual to-do list–so I have to figure out when to get those things done. I’m going to need to make a grocery run at some point–I have to make a cheesecake for a work potluck this week, and I am thinking it’s probably smart to make some white bean chicken chili in the crockpot at some point (soft food, after all); regardless, I need more ice cream and microwave ramen. I really like that super-hot ramen, and am also very low on yogurt. Maybe I’ll get up tomorrow and head for a grocery run on the West Bank or to the Rouse’s on Carrollton–which I could also just do this afternoon, depending on how I feel. I want to really clean up the house and get stuff done–filing, organizing, and so forth–and I can always have the football games playing on my computer while I am in the kitchen, which desperately needs work. I also want to go for a walk around the neighborhood later on today, to get a look at how the neighborhood has dressed up for Halloween.

Yesterday was a pretty good day. I managed to get my work-at-home duties taken care of and made it to my pain management appointment, which was unnecessary as I am not in pain–I think my surgeon thought I was in pain from the injury, which is cute–I wouldn’t have let it go this long had I been in actual constant pain from it. But it was one more box to check off on the list of things that need to be done before the surgery, so that makes it one step closer to when I am going to be rehabilitating the arm. I think having this hanging over my head isn’t helping much with my anxiety or getting things done; I can try to compartmentalize all I want, and try not to think about things, but the truth of the matter is I cannot control my subconscious–especially when I don’t know what’s going on with it. I think I’ve been more relaxed and rested this week because I’ve not been trying to get much done or worrying about anything; I just came home, sat in my chair with Tug sleeping in my lap (Paul is calling him Puma now, because his claws are so sharp), and read or watched television. I did watch another episode of Moonlighting yesterday while doing work-at-home chores (“My Fair David”) and then finished reading The Dead Zone but also Adam Cesare’s marvelous Clown in a Cornfield (more on both later), and am now trying to decide what horror to read next before Tuesday–which is the end of Halloween season as All Hallow’s Eve itself falls on Tuesday. I am leaning toward Mike Ford’s middle grade The Lonely Ghost, which has been in the TBR pile for far too long, and then maybe something by Chris Grabenstein if I get that done quickly–The Hanging Hill looks like it could be quite fun, or perhaps a reread of my favorite ghost story of all time, Ammie Come Home by Barbara Michaels. I also have a kids’ ghost story anthology–Alfred Hitchcock Presents Ghosts and More Ghosts, actually edited and compiled by Robert Arthur, who created one of the best kids’ series of them all: The Three Investigators. After Paul got home from the gym we also watched this week’s The Morning Show.

And just looking at the college football television schedule, I am not seeing anything other than Georgia-Florida to watch with any degree of interest, and it’s tough–I despise Florida with every molecule of my existence, but I also kind of want Georgia to lose…but I just can’t root for Florida. (Georgia always winds up being my default team in the East because I hate Florida and Tennessee both with the white-hot intensity of a dozen burning suns, and pretty much everyone else is kind of irrelevant. Kentucky and Missouri never break through, nor does South Carolina, and Vanderbilt is…well, Vanderbilt.) I’m trying not to get overly worked up for the LSU-Alabama game, which is a must-win for both. I don’t get nearly as worked up over college football as I used to, which is a good thing–as I have slowly began to recognize that while they may be athletes, they’re also kids, and they shouldn’t be subjected to the scorn from fans. The coaching staffs and administrations, on the other hand, can have all the scorn, as can the conference hierarchy AND the NCAA. I’m not overly excited about all the conference expansion because I’m not so certain that the needs of the student-athletes are being taken into consideration as much as they should be in the pursuit of the almighty television deal dollar, and that NIL stuff isn’t something I quite understand other than that college athletes are now getting paid.

I can’t get over how good I feel this morning, and how good I felt all week, frankly. I’ve got to get all this filing under control and work on the kitchen, too–the living room and the laundry room are complete disasters; although I did start working on the laundry room shelves a bit yesterday. I do get to go for the final fitting for my dentures on Tuesday morning (the same day I am taping Susan Larson’s “My Reading Life” at UNO), so I am hoping to get back to solid food in a couple of weeks–and I am definitely going to reboot my eating habits once I have teeth again. I now am down to somewhere between 205-209 pounds, depending on the day and what is in my pockets, and I’d like to get down to 200 again; but until I am able to exercise again I am going to have to do that by changing the way I eat. I’ve frankly enjoyed the ramen (and the Velveeta shells and cheddar) and may continue to eat it going forward–same with the yogurt–but the calories from Haagen-Däzs will need to be replaced by something healthy. It wouldn’t hurt me to go back to having turkey sandwiches and salads for lunch occasionally. It’s the heavy steady diet of red meat I need to dial back on, mostly; and some of the other fatty stuff I eat far more regularly than I should–and go back to looking at Five Guys as an occasional treat for good behavior.

I can but do better in the future.

And on that note, I think I am going to indulge myself in some self-care this morning and get cleaned up before taking on the rest of the day. Have a great Saturday, Constant Reader, and I’ll be back soon enough, no worries–I have blog posts on “Don’t Look Now”, The Dead Zone, and Clown in a Cornfield to finish writing, too.

Heart Attack

Work-at-home Friday and here we are. Tug is still snoozing upstairs, and I have to go to my appointment at the pain management clinic later this morning during a break from work-at-home duties. I managed to somehow make it through the entire week without being completely worn out and exhausted by last night–a first–and I’m not entirely sure what that means? Am I getting used to this schedule? Was going in at eight on Monday better than going in at seven thirty? Maybe, but it may have been the evenings spent with a kitten donut sleeping in my lap while I watch an episode of Moonlighting and reread The Dead Zone. It’s actually been kind of a lovely week, honestly, one of the better ones in recent memory.

Last night’s episode of Moonlighting was “The Dream Sequence Always Rings Twice,” one of the more legendary episodes and one that really made everyone stand up and pay attention to what they were doing. (I’d be curious to know if the guy who created The West Wing was influenced by it as well; while the shows were vastly different they also had a lot of similarities–the rapid fire overlapping dialogue, for one.) It’s a very simple premise; in the course of a job Maddie and David hear a story about an old LA club where a very noirish type murder grew out of a love triangle, in which the band’s singer and the horn player have an affair and eventually her husband is murdered. Naturally, David and Maddie put their own spin on it–Maddie convinced she loved the man who killed her husband and it was all for love, while David is convinced the woman was a Phyllis-type from Double Indemnity type femme fatale who suckered her lover into killing her husband and taking the fall. They argue, go home, and both fall asleep–to dream their own versions of the story. The episode was also introduced by Orson Welles–which I’d forgotten–and this is probably one of the best episodes of television ever produced. (I also realized, while watching “The Lady in the Iron Mask” episode, that the entire plot of my aborted fourth Scotty book, Hurricane Party Hustle, was directly lifted from this episode.)

I have to say, I am enjoying the hell out of my rewatch of this show, which is exceeding my wildest hopes and memories that it was as good and classic as it was when I originally watched and fell in love with it back in the 1980’s when it aired. It’s definitely one of the three most influential television shows on me and my writing–along with Dark Shadows and Scooby Doo Where Are You?–and I am so delighted that it’s streaming at long last.

I also read more of The Dead Zone last night and have reached the third and final act, in which almost all of the storylines introduced throughout the course of the book have wrapped up to set up the final denouement between Johnny Smith and Gregory Stillson, the monstrous populist politician. It’s really remarkable, you know, that King was so amazingly gifted and able to structure a novel so brilliantly so early in his career. I also remember that King wasn’t taken very seriously either by critics or the Academy in the those earlier days of his career; he got roasted pretty regularly by critics even as he was selling books in the millions; horror not being taken seriously as a genre, for one, and the enormous popularity he enjoyed naturally meant “well, he can’t actually be any good, can he?” But he was. Yes, there are some problematic stuff in his earlier work (the depictions of queer people aren’t great–but are there; he seriously has an issue with overweight people; and he does have a tendency to only use people of color as “magical” characters), but the world-building, the character building, the internal monologues of the characters, and the completely realistic way he develops and reveals the characters to the readers all the while telling a very compelling and fast moving story you cannot put down is all there from the very beginning. (Of course, the Straight White Male Literary Icons were the only people getting critical acclaim back then, your John Updikes and Saul Bellows and John Gardners and Philip Roths and William Styrons and so on…and the bestseller lists were peopled with mostly straight white men like Harold Robbins and Sidney Sheldon and Arthur Hailey and Irving Wallace and Herman Wouk–things are better now, I ‘d say) I’ve just finished the second act, in which Johnny is working as a private tutor for Chuck Chatsworth, with the inevitable call back to the lightning rod salesman’s futile foreshadowing attempt to sell the owner of Cathy’s, a steakhouse/hang out that always hosts Chuck’s high school graduation party. Johnny has a vision of the place being struck by lightning and burning rapidly to the ground with celebrating teenagers trapped inside. He tries to convince Chuck not to go, and even Chuck’s father, not quite believing, offers to host everyone at the Chatsworth house instead–getting about half the crowd…and it is during this get-together that Johnny’s horrible vision comes true and the news of the tragedy breaks. It’s really an incredibly powerful, well constructed scene, and the character of John Smith, the victim of fate who never really understands why he has been so cursed, is really one of King’s best.

I wish I could write a novel half as good as this one, which I am looking forward to finishing tonight. I think next up will be Clown in a Cornfield by Adam Cesare.

And on that note, I need to get back to work and. get cleaned up for my appointment. Have a lovely Friday, Constant Reader, and I’ll check in on you again soon.

I Can’t Help It

Yesterday afternoon’s doctor visit went fairly well, all thing considered–I certainly feel much better after that visit than I ever felt after visiting my former primary care physician, who should lose his license (more on that later at another time, but I will share that story at some point not to shame my former physician but as an example of precisely why we have to advocate for ourselves with medical professionals)–and I have to say I am in a good place about everything medical this morning. I don’t have gout (yay!), but rather have psoriatic arthritis in my toe, which isn’t great–but it’s not so painful that I need medication for it. I just know that the toe joint hurts whenever I bend it. Better that than gout, right? And my blood sugar is high, but not quite pre-diabetic, so I do need to cut back on rich and fattening foods (which I should do anyway) and increase my exercise (well, once the arm is healed I will be all over that, thank you very much). On Halloween I have an early fitting at the dentist’s–meaning the day when the soft food diet becomes history and a bitter memory is nigh, and eventually the surgery will be here and then it’ll be recovery time.

Nothing like spending the holidays recovering from a surgery.

I spent some more time with The Dead Zone last night, and got through the part where Johnny’s psychic gift is actually exposed to the world at last, even as he is still recovering and going through horribly expensive surgeries (King was also ahead of the curve in that he was writing about how medical bills can bankrupt people long before it was in the public discourse). This was when he touched his physical therapist and saw that her house was on fire; it was witnessed by several people at the hospital and of course, someone leaks it to the press and reporters descend on his hospital. I am really enjoying this book this time around–I always do–but the days when I could just pick up an old favorite and revisit it are in the past; now I always think about the others in the piles and on the bookshelves that I’ve not gotten to quite yet. I also saw yesterday that rereading books was yet another example of anxiety functioning; drawing comfort from the familiar–you know how the book is going to end already, so the anxiety that comes from not knowing how it will end–which makes me read faster and unable to put a book down–is absent and you can just enjoy it. This is precisely why Paul and I used to always rewatch the rebroadcast of LSU football games on Sunday–so we could actually watch the game without the stress of worrying about the outcome; and there were often things we’d missed in the heat of the moment.

I also watched another episode of Moonlighting, which I am enjoying very much the second time around. It’s held up pretty well, outside of the occasional misogyny; and there’s a lot less of that than you’d think, given it was the 1980’s and misogyny was still rampant everywhere (not that it’s ever stopped, but shockingly things are better now than they were forty years ago). The chemistry between young Bruce Willis and a gorgeous Cybill Shepherd was off the charts–even if her character was a bit over-the-top angry sometimes; it’s easy to see why Addison was a fan favorite, even though she came into the show as the bigger name and no one knew who Willis was. But the show was going for the rapid-fire dialogue of the great screwball romantic comedies of classic Hollywood–His Girl Friday, The Philadelphia Story, Bringing Up Baby, My Man Godfrey–that I absolutely have always loved.

Paul got home after I went to bed, and I was so dead to the world I couldn’t tell you when that was or what time, which is my way of saying I slept super well last night. We have a relatively light schedule at the office today so I should be able to catch up on all my work. Tomorrow I have an appointment at the pain management clinic–more surgery prep–but it’s also my work-at-home day, which means I made it through the week and to the weekend again. There’s also not an LSU game this weekend (it’s the pre-Alabama bye week) and I also looked at what games there are this weekend and yeah–nothing I particularly want to watch, so I should be productive this weekend, even if that means just reading.

I also watched the season premiere of The Real Housewives of Beverly Hills, and doing some more thinking about my reality television viewing and why I am drawn to these shows about horrible people behaving badly. They used to be just a pleasurable, turn my mind off kind of entertainment; much as soaps used to be (and I watched plenty of those back in the day, which is a topic for another time as well) but something’s changed in the last few years, even before the pandemic, really; my mentality about these kinds of people has shifted in some ways that I can’t quite put my finger on. I mean, I know they’ve always been terrible people–even the ones I liked–but I guess before I was able to just see them being horrible to each other and it was entertaining in a weird, performative way–like how you can’t help but look at a car crash when you pass one. The 2016 election and all that followed in its wake made me realize that these are terrible people and that probably spills over into other parts of their lives as well–including things like politics and social justice.

And do I really want to spent my off-time encouraging and feeding into the machine that makes these terrible people famous? And what does it say about me that I watch these shows so I can sit in judgment on them and their behavior and feel morally superior to them? It’s one thing when they’re fictional characters designed specifically to prey on your emotions–judging Monica Quartermaine on General Hospital for bad choices is one thing because she’s fictional. Her trials and tribulations are scripted for maximum drama, nor do they matter outside of the context of the program…it’s not real. It’s an entirely different thing to watch Real Housewives of Beverly Hills and judge Erica Girardi (which I’ve done plenty of, believe you me) when her life and behavior actually have real life consequences. She’s a real person, and what we watch on television is some of her reality but not all of it; we only see what the producers want us to see as they shape her narrative and influence how she is viewed. “Blaming the edit” has become widely mocked–you can’t get a bad edit, really, if you haven’t said or done something that can be used to make you look bad, but the reality is anyone can cherry-pick anything to make someone look bad–Fox, Newsmax, and OANN made a fortune doing that very thing. Don’t get me wrong; I have judged her many times and found her wanting, but at the same time…there is that element of well, she put herself out there to be criticized and judged, but does that make it okay? Does she deserve it?

So sometimes, even as I judge and roll my eyes, I do feel a bit squicky about watching. And that doesn’t even take into consideration the lie that the shows are real. They remind me of professional wrestling before Vince McMahon outed the sport as entertainment with predetermined results (to avoid the federal regulations of actual competitive sport and escape culpability for steroid abuse); fans swore it was absolutely 100% real, when those who weren’t fans could clearly see it was not.

And on that note, I am heading into the spice mines. May your Thursday be as marvelous as you are, Constant Reader, and I’ll check in with you again tomorrow.

Gloria

Wednesday Pay the Bills day has rolled around yet again! I slept well again last night–I’ve been getting very good sleep lately, which has been lovely–and I don’t feel tired the way I generally do on Wednesdays, which is kind of nice. I have a doctor’s appointment this afternoon so I have to leave work a little early, but not a big deal–this is a routine follow-up to all the tests she had ordered when I switched primary care physicians, which was a huge relief to my mind about everything–and I am going in for my next fitting for my teeth on Halloween morning. We’re having a pot luck at the office that day, so I am making a cheesecake–which I will probably do on Sunday so I don’t have to mess with it on Monday night, which I won’t want to do, guaranteed. It has been a hot minute since I’ve made a cheesecake, and I think this weekend I am going to make white bean chicken chili, too.

And no, I am not wearing a costume to work that day. I also have to go tape “My Reading Life” with Susan Larson that day, and yeah–not wearing a costume to the studio at UNO for this. I also can’t believe that it’s already almost November. LSU has a bye week this weekend, so technically there’s not any real reason to watch games this Saturday, but I will have it on in the background as always and hopefully there will be some good games on this weekend; I haven’t looked yet to see who is playing.

I also spent some time with The Dead Zone again last night, and marveling at the way the novel is constructed; I don’t think anyone today (other than perhaps King) could get away with structuring a book the way he did this one, but it actually, absolutely works 100%. One of the things I’d forgotten in the years since I’ve read the book the last time is how many point-of-view characters there are, and how King uses them to build the structure of the book. I don’t think it’s a spoiler to say the main character–John Smith, the most simple and basic male name of all time, no middle name, either–is in a terrible car accident and is in a coma for nearly five years, only to wake up with some psychic abilities. This is compelling and interesting enough–the concept of losing five years, how much the world and society can change in that short a period of time (even now, if you think about it, if someone went into a coma in October of 2018 and just woke up this month…think about everything that happened in that five year span, and then imagine having to get caught up on all of that after suffering a traumatic head injury and spending five years in a coma–with a psychic gift/curse of some sort on top of it. But that structure he uses–the first person point of view of the Castle Rock Strangler (Castle Rock’s first appearance in a King novel, too); the lightning rod salesman, and of course the book’s big bad, Greg Stillson (and yes, the similarities between Stillson and a real life politician struck me as far back as 2015)–all of these things are set-ups for story that comes later–the Castle Rock Strangler pov was something else–even all these years later the the words I’m so slick raise goosebumps on my skin. I’d also forgotten how sad the story actually is; Johnny’s mother’s descent into religious mania, in part triggered by his accident; his broken father, crushed by his son’s accident and losing his wife to insanity; Sarah, who was falling in love with him and would have married him but for the accident; and so on. As a teenager reading the book I marveled at how real all the characters were, how fully realized and actualized and developed; they seemed like people I would know and King’s marvelous skill at depicting the conflicting thoughts and impulses through internal monologues was something that blew me away, something I as a writer wanted to try to emulate.

I worked briefly on a short story last night; I wasn’t really tired when I got home, but Tug wanted to sleep in my lap and the story was a struggle, so it wasn’t hard for me to walk away from the computer, in all honesty. Tonight I am going to let him play with the red dot; he needs to play and exercise as he is a kitten, and I have to break myself of the oh Scooter just wants to sleep and never wants to play mentality; he had the zoomies again this morning and it amazes me how he can just leap and bounce off surfaces to launch to a new spot and then flies off the counter and gallops into the living room. My arms and legs are, of course, all scratched up (I also have a long scratch next to my nose; he launched onto my face from the ledge above the bed one night last week), but he’s so cute and adorable; it’s hard to stay mad at him even as he scampers over my keyboard and fucks things on the screen up.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and sorry I am so dull this morning. My life generally tends to be not all that exciting, really. Maybe tomorrow will be better.

Truly

Tuesday and back to normal around here. Yesterday was kind of nice, actually; I felt rested and was able to get a lot done at the office, and wasn’t exhausted when I got home after running errands. This was unusual, particularly because not only did I do things over the weekend I actually left the house and was social. I assumed that I would be, naturally, quite tired and exhausted–but it was actually kind of lovely. The weekend itself was lovely, and yesterday was really nice at work. I felt rested all day-to the point I was a bit worried I might not be able to sleep. But I did sleep, fairly well, and now that I am up at the hour I usually am, well, I’m thinking that maybe getting up this early every day isn’t necessary? Leaving the office at five instead of four thirty doesn’t really spare me much traffic grief on the way home, and staying in bed yesterday until seven didn’t stop the world from turning on its axis. If I didn’t have appointments this week and thus needed to make up time at the office, I might actually start getting up at seven to be there for eight thirty every morning from now on.

Last night was nice. I stopped on the way home to get the mail, which was very lovely. I got the Christmas cards I’d ordered, for which I already have the stamps, and I think I am going to get a jump on that this year and have them all ready to go and to drop into the mail in early December. I got home, finished the laundry I’d started in the morning, and then we started watching the new season of Big Mouth–I felt like I wanted to laugh rather than enjoy the high camp drama of Elité, so that’s what we did. The show is so wrong on so many levels, but so hilarious about the sex obsessions of raging hormones during puberty and dealing with those physical and emotional changes that I laugh out loud multiple times per episode. It was a lovely evening to spend with a cat donut in my lap.

I do love a kitten donut.

I also did some things yesterday that I’d been avoiding–avoidance is always a sign of depression for me, I’ll look at an email I need to answer and think ugh I’ll deal with it later or if I answer this then they’ll answer and I don’t want to deal with that, either and so…yeah, it’s always been a problem for me. But at least I recognize the problem, right? I always think that should count for something, whether it actually does or not. I feel like I’ve kind of come out of the funk I’ve been in for a long time? I feel like myself again for the first time in a long time, and that’s a good feeling, frankly. Maybe having to leave the house this past weekend and be social shocked my system back into place? I did spend a lot of Sunday reevaluating my life and my attitudes and so forth; and some harsh truths were also brought home to me at the wedding itself. I realized, among other things, that the people I work with, while no fewer than twelve years younger and as many as forty–well, I’ve kind of kept myself aloof from them for a number of years now. My mentality was, oh, you’re sixty and if you show any interest in them they’ll think you’re a creepy old gay–something I’ve never wanted to be seen as–and so I let them do their thing and I do my thing and while I am deeply fond of all of them, I don’t really mix with them outside of work and don’t really know much about their lives. When two of them showed up, they said “Oh, we were wondering if you’d come” and I replied, “If for no other reason than to prove I do exist outside of the office” and they both started laughing–because they’d made the same joke in the car on the way there. I also commented to one of them how much I love the way they dress when they aren’t at work; some of my co-workers have the most amazing sense of style, which I love to see (just like I’m thrilled to see young celebrities pushing the boundaries of male fashion and formal wear on red carpets besides the traditional, incredibly stuffy and tired tuxedo. Don’t get me wrong, I’ve always loved a tuxedo, but the reason I never developed a sense of style and fashion is because I always found men’s clothes to be boring, and I try to liven it up a bit with things like shoes. But when I was younger, you could never get away with going different stylistically, and so I never bothered to care or try) and I made that very observation to one of them, who joked about how I always just wear jeans and work T-shirts every day…which I do because it’s easy and I don’t have to think about…which made me think about it and so this week I’ve been wearing the collared polos that have been collecting dust within the closet for years now–even tucking them into the pants rather than just letting the shirttails hang free.

And oddly, it does make me feel better about being in the office and more participatory in my life.

I also realized, as I watched my co-worker marry his partner, that I’ve only been to same-sex weddings over the last decade (I don’t go to a lot of weddings; I hate them for any number of reasons that will be a subject for another time). I got a little misty during the ceremony, which never happens, and realized it was because I was delightedly happy for my co-worker. Standing there in the beautiful but simply decorated back yard, I started thinking about Paul and me getting married, where we would have it and what that would be like, who would we invite and who would we not, and what it would look like and I think that played a little part to my being misty during the vows and ceremony?

Having dinner with my friend Ellen on Sunday night was also incredibly helpful. Sure, I interact with other writers in emails and social media, but there really is something lovely about a face to face conversation–with wine–and conversation about publishing and writing and so on and so forth. It kind of brushed away the cobwebs that have been in my brain since the last Bouchercon, and woke me up a bit about writing and procrastination and depression and so forth. Dealing with the anxiety is also tiring, but the strategies and coping mechanisms are working. (For example, I am always early; ridiculously early in some cases, because I get anxious about getting there and anxious about being late and work myself up into quite a state until I leave early and then wind up arriving at parties and events waaaaaaaaaaaaaay too early, which is awkward and embarrassing. So Saturday the wedding was 4 to 9; I didn’t summon a Lyft until 4. Sunday the reservation was for 6:45; I got there at 6:39 and walked around the block taking pictures and came back at 6:45; Ellen was early! That was a good laugh)

And ultimately, this week I feel better about myself, my life, and my career. Of course tomorrow I could slide back down into the Pit of Despair, but for today…I’m gonna roll with it. Have a great Tuesday, Constant Reader, and I’ll check back in with you again tomorrow.

Who Can It Be Now?

Monday morning and I decided to go in later than my usual Monday morning time–I don’t have to be there at seven-thirty if I am not working in the clinic, nor do I need to leave before five, so I made the executive decision last night to sleep an extra hour this morning and go in at eight-thirty instead and stay till five. So what if running errands after work now will get me home around six instead of five thirty? Again, these arbitrary “this is how you always do things” mentality, which is part of the whole anxiety issue and so forth, and trying to cope with it and defeat it.

I had dinner with my friend Ellen last night at San Lorenzo, in the old St. Vincent’s Orphanage that was turned into a very cheap hostel and then was completely renovated and reopened as a hotel with a nice restaurant and an outside pool bar. (St. Vincent’s was where they filmed Candyman II: Farewell to the Flesh many years ago.) I always wanted to write about St. Vincent’s; surely an old orphanage converted to a hostel would be haunted, or a great place to set a ghost story wrapped up in a mystery from the past. I do have a New Orleans ghost story I want to write set in my neighborhood. I don’t think I’m going to get to it any time soon, though. It’s been weird, writing has been very hard for lately, and I’m not feeling particularly inspired these days. It has been a rough year for one Gregalicious, of course; between my Mom and Scooter dying, my own health issues, and the long hot brutal dry summer (we’re still in a Burn Notice, or whatever it’s called) and we still haven’t gotten much rain as the Louisiana drought continues.

I started my reread of The Dead Zone yesterday, and it’s very well done. It was one of my favorite King novels for years; I have reread it dozens of times over the years since it was first released. King was on fire during the 1970s and 1980’s; he released one classic after another for years between Carrie and Misery; it wasn’t until The Tommyknockers that I can honestly say I read a King book I neither liked nor enjoyed. (Pet Sematary creeped me out so much I could never reread it; but that was my discomfort with the story and what it was about and I don’t think I was ready at that age for a lengthy exploration of grief and death; I may view it differently now. I always knew, for example, that “Don’t Look Now” was a meditation on grief and the loss of a child; but reading it in the wake of my own grieving process gave the story even more levels and layers than I originally recognized–and I already thought the story was genius. I watched another episode of Moonlighting–it really was marvelous when it was firing on all cylinders; everything worked and the chemistry and the writing and the acting was just aflame. When I got home from dinner Paul and I watched another episode of Elité, and are getting sucked into the story–it’s really a great soap, but it’s best days are still behind it, alas; I just have to recognize the show has changed and moved on from what it originally was–and I do appreciate the fact that characters grow up and graduate and move on….a lesson American shows (could and) should learn.

I feel rested and relaxed this morning for a change; that extra hour of sleep this morning certainly made a difference. Maybe I should recalculate when I come into the office? I’ve always come in at seven thirty since I went to this schedule so I can beat rush hour traffic home, but…do I really need to be here at seven thirty? Can’t I just come in at eight and work until five? I don’t know. I am rethinking a lot of things lately, and the stress and exhaustion (and anxiety) have been wreaking havoc on my mind and mental state lately. I’ve felt very tired and unfocused for a long time now, and that’s affecting me adversely. I’ve not been able to seriously target any one writing project, but just having dinner with Ellen and talking about writing and commiserating about the business helped me focus and clarify a bit; I’ve been feeling at loose ends by not having a contract in place for anything, and not really sure what I should be doing right now, with the surgery hanging over my head. I have no idea how long I’ll be on painkillers and I also have no idea how long the recovery process will be; I suspect I will find that all out on my 11/13 pre-surgery appointment–which is actually coming up pretty quickly. I know having that on the horizon has undoubtedly affected me in a subconscious way; no matter how much you try to compartmentalize your brain–something I’ve always managed to do since turning thirty-three and rebooting my life–things that weigh heavily on you will still impact and affect you regardless. I also realized that trying to control my anxiety is part of my mental fatigue; recognizing it as it starts to happen and then controlling it can be exhausting, and that probably has a lot to do with the malaise I’ve been experiencing for the last few months on top of everything else with the surgery.

It’s kind of been a rough year for me personally, if a good one professionally.

Heavy thoughts for a Monday morning.

And on that note I am heading into the spice mines. May your Monday be glorious and terrific, Constant Reader, and I’ll be back tomorrow.

And The Walls Came Down

When I was a kid, I lived for the Scholastic Book Fairs. There were always more books I wanted than I can afford (still a problem for me with books to this very day), and it was through them that I discovered my love for mysteries as well as deepened my love of history. I bought anything that was history or mystery; very rarely did a book combine both.

This is part of the reason I was so appalled and disgusted by Scholastic’s cowardly abandonment of its commitment to education and diversity by giving book fairs the options to opt out of carrying books–you know, the ones that teach kids empathy for people who are different from them or show kids that they aren’t alone or books they can see themselves in–because they might upset some bigoted parents in Brotherfuck, Arkansas or Sisterfuck, Tennessee.

When I think about what a difference a book like Annie on My Mind by Nancy Garden or Trying Hard to Hear You by Sandra Scoppetone or Rainbow Boys by Alex Sanchez would have made for young Gregalicious, this Scholastic decision makes me shake with rage. (I have pointed out any number of times that Scholastic also publishes the Bitch-Queen of TERFs, so their cowardice is really no surprise. Can’t piss off their massive cash cow, now can they?)

I was thinking about this as I read Angel Luis Colón’s book, Infested, because it would probably be one of the books shoved into that Diverse Books To Not Be Included box Scholastic uses to warn schools about “subversive” and “dangerous” books. The book, by the way, is not only is superb but something any kid who enjoys horror would love.

However, it centers a main character who is a teenager of Puerto Rican descent, and while it never disparages white people…it doesn’t center them, so I can easily some Daughter of the Confederacy getting her panties into a nasty twist over her precious child reading something that doesn’t uphold White Supremacy. How dare young Hispanic readers have an option to read about a Hispanic teenager’s hero’s journey?

The NERVE of MTV Fear to publish such a book!

I can’t remember a time I hated my mother and my stepfather more than the summer before my senior year.

And it wasn’t the normal kind of Oh man, these people don’t understand me bad Disney movie kind of throwback hate. This was mortal-enemy-level hate. It was deep and pitch-black and enough to make me nearly consider getting into death metal.

While I knew I’d change my mind as the emotions scarred over, the laundry list of offenses was too much to bear.

Let me start by saying how much I really enjoyed this book. The main character, Manny, is very realistic and both relatable and likable. The pacing is excellent, and it builds beautifully to its thrilling climax and resolution. The stakes are high but grounded in reality, and the authorial voice is so strong and memorable that I was sorry to finish and bid Manny and his friends and family farewell.

I was also a little amused because the original opening line of Bury Me in Shadows–back when it was called Ruins still–was My mother ruined my life the summer before my senior year.

Obviously, that changed–a lot changed as Ruins morphed into Bury Me in Shadows–but great minds, right? I’ve admired Angel’s work for a very long time–I really need to go back and finish his backlist–and so was excited to see what he could do with a young adult horror thriller.

Great things, it turns out.

The story focuses on the first person perspective of Manny, a seventeen-year-old with a baby half-sister whose stepfather has taken a job in the Bronx managing an apartment building that’s about to open. Manny doesn’t want to leave San Antonio, but it’s more resentment that he wasn’t consulted (no one wants to change schools before their senior year; I can relate because I changed high schools after my sophomore year) rather than anything else. He doesn’t really have a lot of friends back there, but it was home and familiar to him. He also struggles with identity issues; he’s Puerto Rican, but a blanquito–someone who is Hispanic but white (which could lead into all kinds of sidebar conversation which would be inappropriate for now)–and he doesn’t really speak much Spanish anymore; he did when younger but is losing it as he gets older, which is also concerning to him. He’s angry about the move–they didn’t discuss anything with him, just told him it was happening, and he really didn’t want to leave San Antonio–but once he’s in the Bronx, he begins to see that it’s really not a bad thing to have moved there. There’s a variety of Hispanic/Latinx cultures there he can learn about, and he likes that. There’s also other issues touched on here–gentrification being a major one, and as there are no easy answers to that question in real life, one isn’t provided here but both sides of the issue are addressed and Manny sees the good and bad in both.

But the building has a roach problem–and it’s not just your usual roach problem, either. Something very strange is going on in that building, and Manny isn’t entirely sure if these things are really happening, or if he is losing his mind. If you’re like me and hate insects of all shapes, sizes and varieties, your skin will crawl repeatedly throughout this book. It’s up to Manny and his new friend Sasha to figure out the truth about what is really going on in the building, and as I said, it’s terrific and fast-paced and very hard to stop reading once the story starts going great guns.

Highly recommended–unless you’re truly squeamish and triggered by insects. Colón made my skin crawl–no small feat!