Category: writing

Ain’t It Funny

I was, somehow, on two humor panels at this past Bouchercon. I moderated one of those panels, which was a great time and one of the best experiences I had moderating a panel because of the amazing wit and talent of my panelists, whose work I look forward to reading. I was a last minute step-in, so I didn’t have time to read their books ahead of time or prepare anything; so the entire panel was extemporaneous–which is incredibly hard for a panelist because you literally have to think on your feet–and they rose to the challenge magnificently. However, I couldn’t use those questions as a self-interview, so instead, I will share the questions marvelous Leslie Karst came up with as the fill-in moderator for the Best Humorous Mystery Anthony panel, which I got to share with Ellen Byron, Jennifer J. Chow, Raquel V. Reyes, and Catriona McPherson…and a lovely time was had by all.

(You can only imagine how thrilling it was to be nominated for an award with these oh-so-talented and wickedly witty women. The imposter syndrome was strong in me on that panel.)

But, with a strong and heartfelt thank you to Leslie for these questions, away we go.

Did you set out to write a humorous (whatever that means) book?

I don’t. That would trigger my anxiety, I think, and I’d second-guess myself constantly. I’m not really sure how funny I actually am–and it’s not self-deprecation for me to say that I don’t think I’m being–or trying to be– funny most of the time. But people always have laughed. It took me a long time for me to realize that they weren’t laughing at me, but with me.

I believe humor should come out of the characters and how they react to, and/or see things, around them. New Orleans is a very easy city to write funny about because the daily paper is an endless source of unintentional humor. Our city government is weird and crazy, as is our history. Something that would draw stares and a crowd anywhere else isn’t even blinked at here. I tried mightily to resist, but have to shamefully confess that I, too, have walked to the Walgreens on the corner in pajamas and house shoes. Are the Scotty books camp? I’ve been thinking about that a lot lately, as I have been watching and reading about the camp aesthetic in the queer community, and I think they are, based on all the definitions I’ve seen and heard and read about. Scotty exists in a very close to reality as I can make it world, but the situations he and the other characters find themselves in are often over-the-top and ridiculous but normalized in that world, much as they are in real life. No one bats at an eye at any of it, because it’s normal. I think that makes my Scotty series camp.

The book that was nominated, A Streetcar Named Murder, was one in which I didn’t even think about being funny. I had the over-the-top character of the neighbor/best friend, Lorna, for comic relief, but my main character was supposed to be the one who sees and recognizes the ridiculousness but accepts it as reality. Catriona McPherson tagged me on Facebook because one scene in the book made her laugh for several minutes–which I took as a great compliment, because she is one of the funniest people I know–but I didn’t even think about writing that scene as funny; it’s actually when Valerie discovers a dead body, and the dying woman–wearing a pirate wench costume–says her last words, trying to identify who killed her. I remember making the conscious choice as to what those last words would be and tying it into her costume, but that seemed to me how it had to be, if that makes sense? And of course, when you’re writing a book and revising and reediting and rewriting and copy editing and page proofing…you do get so heartily sick of a book and its characters that it just seems tedious and tired and dull to you. Any humor I may have deliberately thought up and wrote into a manuscript no longer is funny to me by the final pass…which is worrying. I am never sure the book is funny or not.

What’s the most challenging thing about writing humor?

Being funny! The thing that always gets me about humor is how quickly and easily it’s dismissed when it comes to books–books aren’t supposed to be funny, you know; they’re supposed to be serious–which always puts funny books at a disadvantage, especially when it comes to awards, particularly juried ones. How do you say one book is funnier than another? Do you judge just the humor, or is that just a factor in the overall quality of the book? The odds of five to seven judges all agreeing on the same thing being funny are exponentially greater than the odds of five to seven judges agreeing on something tragic. Humor is harder than tragedy, and it’s even harder when you’re trying to find the humor in a tragedy.

Humor is incredibly subjective, and difficult to agree on. I’m one of the few people who thought Seinfeld went on for too many seasons and had stopped being funny long before they stopped; likewise with any number of other highly popular comedies, from Friends to Modern Family; shows that remain consistently funny for a long run are very rare, and I’ve always appreciated the comedies that went out before the quality began to decline (The Mary Tyler Moore Show, All in the Family, The Bob Newhart Show).

Have you ever gotten the giggles in a highly inappropriate setting, and how did that go?

My grandmother’s funeral. In fairness, my eldest cousin is one of the funniest people I know, and I made the mistake of sitting next to her and she kept whispering to me and I couldn’t help it. It did NOT go over well, and we’ll leave it at that?

Have you ever had to change anything in a book (funny or not) because of pushback from your editor?

Nothing major or significant, really; there was never anything like “this scene! What were you thinking?”

Is writing humor difficult for you, or does it come naturally? Any tips on writing humor for those writers in the audience?

Like I said, I don’t really try, it just happens. So I guess I would have to say it’s easy, with the qualifier being if I am not trying to be. The Scotty books were my first experience with really writing humor, and for me, it was more about him and his reactions to all the crazy things happening around him–which is why I’ve been wondering if the books are camp or not lately. The original idea for the first one did strike me as funny; I just saw one of the dancers working at the Pub during Southern Decadence weekend maneuvering through the big crowd in the street to start his shift. I had a mental flash of a guy wearing only a day-glo lime-green thong being chased through the crowd with bad guys with guns also trying to fight their way through the enormous crowd of scantily clad partying gay men. Likewise, the original idea for Vieux Carre Voodoo came to me when I was walking through the Quarter and passed under a balcony just as they started watering their plants–so got wet. (It’s a regular hazard in the Quarter.) I then had an image flash into my head of the same thing happening to Scotty–only he was wearing a white bikini that became see-through when wet. Why would he be walking through the Quarter in a bikini? Because he’s going to ride in the Gay Easter Parade dressed as a sexy gay bunny–white bikini, cottontail, and bunny ears. There was one scene in Jackson Square Jazz where he finds a dead body, and sighs resignedly and says, “not again.” I wasn’t sure if that would get past my editor, but it did.

I think it’s easier when the humor comes organically out of the characters and the situations they’re in. I don’t write jokes, but I do imagine a scene that I think is amusing and then fit it into something I am working on, if that makes sense?

Humor is hard.

Is there any type of humor that you would deem inappropriate for your books?

No. I’m a sixty-two year old gay man who lived through the 1980s and has been doing HIV/AIDS work for the last twenty years, so my sense of humor is very dark. I’ve been told I have a very dry, caustic wit; but there’s a very fine line between dry wit and being bitchy and cruel. I don’t like to cross that line, but have.

A Streetcar Named Murder was nominated for both the Lefty and Anthony Awards for Best Humorous Mystery. It was a thrill, an enormous compliment, and a complete surprise in both cases. I’m sorry the ride had to end….

Here we are–the Best Humorous Mystery Anthony nominees and our moderator. (And why do I look at myself in this picture and hear Bianca del Rio saying “horizontal stripes are not a good look in your third trimester, sir.”)

Hell is for Children

Years ago, there were things you’d never write about in books for teens and pre-teens. Now, though, many more topics are fair game. BUT are there some things you’d never write about? Because of your own feelings, or because you don’t think your audience is ready for it?

On the panel I said I’d never write about cannibalism, but of course ever since then I can’t stop thinking about cannibalism–and that’s entirely on me. I can’t even imagine writing about that.

I’m not going to say there’s anything I won’t write about because I don’t want to limit myself. If I can think of some way to write about something that isn’t pandering or exploitative or offensive, I will. I was recently reading some of my short stories because I am pulling together another collection and one of the stories–I was like, oh yeah, you can’t publish this without a major revision.

I don’t think I would ever write from the perspective of a person of color or a trans-identified individual because while I know I have a very vivid imagination and am capable of empathy, I am also a sixty-two year white cisgender male. I think I could probably do it, with help from a sensitivity reader and my editor, sure; but we need more trans writers and writers of color, not another old white man writing from their perspective. I will include those characters in my work, but not as point of view characters, because we need to make room for those with the lived experience to write those stories. I may not live long enough to see it, but hopefully in about thirty years we’ll have reached the point where exclusion of non-white non-straight non-cisgender writers will no longer be an issue, and what a wonderful world tht will be.

No offense, but none of you is in your target demographic any longer. What challenges does that present and how do you overcome them? How do you ensure that the language your characters speak is reflective of how teens and pre-teens speak today?

How very dare you! I am still a sprightly young man of…um, sixty-two. Point taken. I try to avoid slang and current language because it becomes dated very quickly; akin to how, when I was a child, I saw books and movies and television shows that tried to appeal to the youth market by trying to use current slang and it never turned out well. I mean, once The Brady Bunch kids are saying “groovy” excitedly every other sentence…it kind of killed the word and I never heard it in real life ever again. The time between when a book is written and when it’s released is long enough for current kids’ language to change. My sister’s grandkids are always saying things I don’t understand…but the next year they are speaking a different language, so I don’t try. It’s hard enough keeping up with technology, which also gets dated very rapidly.

What percentage of your readers do you think are adults? Do you consider these crossover readers when writing?

I honestly don’t know, but I wouldn’t be surprised if mine were primarily adults. I don’t set out to write books for kids, really; I write novels where the characters are teenagers. They get marketed as young adult books, which is something I have no control over. I’d like to think both adults and younger readers can enjoy my books that are so classified. If I think about the audience I am writing for when I am writing, it makes the writing more stressful and harder. I trust my editor to make sure I don’t write anything offensive or way off-base or too adult for a young adult audience–which is where my books would be shelved in the library. No one’s complained about mine yet.

Greg, your book tackles multiple contemporary societal problems. How do you balance writing about such tough topics with ensuring that your work is compelling and hits the right mystery/suspense notes?

The objective, for me, when writing about societal problems and issues is to put a human face on them, by making it personal. Societal problems are easily dismissed or ignored when they are simply abstract principles. If my characters are fully rounded, are relatable and seem real to the reader, then the reader will see, through the characters, what it is like to experience and go through these issues; and to develop a sense of empathy, so we aren’t so quick to judge and blame and not try to understand. #shedeservedit was very important to me, because with the Steubenville/St. Marysville rape cases, it made me look back over the course of my own life and remember situations I witnessed or heard about in a completely different light. For example, one of the cheerleaders at a nearby town had an experience similar to what the girls in Steubenville and St. Marysville went through…but in the 1970s, the blame solely went on the girl. When I heard the story she was a willing participant–the story was told to me in hushed whispers by another girl–and all the elements of the modern stories were there: pretty and popular cheerleader; a party with alcohol and football players; the town football team was successful and beloved in the town; and a bitter ex-boyfriend. As the story was told to me, she got drunk and “pulled a train” (a disgusting phrase, really) with five of the football players, including her ex. I was shocked at the time– to think she’d done this willingly, at a party where it was bound to get around (as it obviously did). But now, looking back–how willing was she, really? But that was how things were back then. I’d like to think things are changing, that we are valuing young girls and women as human beings more now…but are we?

Technology changes very rapidly, and teens—and younger children—are often at the forefront of these changes. How do you handle that in your writing?

Like slang, I try to use as little of it as possible. I do realize everyone is addicted to their phones now, and spend most of their lives texting and facetiming and everything else, but while I will use some basic technology–texting, emails, DM’s–I try not to get into the entire app/social media weeds too much because it may change before the book is published and I don’t want to publish a book that’s already dated. I think that if the reader really cares about your characters and the story…they won’t care so much about the slang and tech.

How has your writing evolved since you first got published? If a reader is new to your work, which book would you recommend starting with?

I’d like to think I am a better writer than I was back then. I know I’m a different writer than I was when I started; more life experience, with the concomitant increased empathy, understanding, and sympathy that comes with it. I try to push myself with every new work; it’s the challenge of doing something new and different I really enjoy.

If we’re talking my y/a, I’d started with the first, Sleeping Angel, and go from there. If we’re talking my career in general, I’d say Bourbon Street Blues or Murder in the Rue Dauphine. It’s always good to start at the beginning. If the length of both series is daunting, try either A Streetcar Named Murder or Death Drop (drops October 31!) and then move into the stand alones.

There are a small number of popular writers who spark controversy in their “real” lives. How do you reconcile a great writer with a bad person? Do you read that writer’s work?

Ah, the old “artist vs their work” question. There are writers with enormous talent whose books I’ve loved that social media has exposed as incredibly horrific people with “values” (I have a hard time using that word in reference to such abhorrent beliefs) and I have stopped reading them. I will never have time to read all the books I want to read, and if I’m able to prune my stack by removing racists and homophobes and misogynists and transphobes? Thank you for making my choices easier. I’ve always believed one should be widely read–I used to read nonfiction books about politics and social issues by conservatives because I thought it was important to listen to and evaluate their positions. After we were lied to as a government and a nation to drive popular support for a war we didn’t need to be fighting in order to drive more profits for military suppliers and oil corporations, I no longer needed those perspectives. I don’t need to read excuses and rationalizations for bigotry and prejudice and other indefensible positions for any human being to hold.

The vast majority of my one-star reviews on-line are from conservatives deeply offended by the “politics” of my books. Yes, because a book about gay men by a gay male author is where you should go to get your bigoted world-view validated. If you want that, read Andrew Sullivan. His nonfiction diatribes about social and political issues is some of the best fantasy being published currently.

Who are some of your biggest writing influences?

God, there are so many. I think my y/a is very strongly influenced by Lois Duncan, Christopher Pike, R. L. Stine, Caroline Cooney, and a long forgotten y/a crime writer named Jay Bennett. He won two Edgars for Juvenile, and was nominated a third time. His work is extraordinary; I’ve not read many other writers with that same extremely tight, terse, and taut style. Jay’s books put teenagers in terrible situations where they had to decide what is right and wrong and what to do. They read very quickly, too. I describe him as the y/a James Cain.

As for adults, everyone I read is an influence; even the books or writing styles I don’t care for, because they make me think how would I have done that differently? But definitely John D. Macdonald, James M. Cain, Charlotte Armstrong, Daphne du Maurier, Phyllis A. Whitney, and the old Alfred Hitchcock Presents anthologies, which I am revisiting. The old Three Investigators and Encyclopedia Brown series for kids, too.

Latest trends in Middle Grade and YA fiction?

Diversity, which is fantastic, and hot social issues!

The Anthony nominees panel for Best Children’s/ Young Adult panel at Bouchercon, with moderator Alan Orloff, Fleur Bradley, your humble author, and Lee Matthew Goldberg.

Don’t Throw It All Away

Well, we made it to Hump Day again, which is a lovely thing.

I think I may also be losing my mind? I could have sworn one night in the last two weeks I sat down with my journal and hand-wrote the next five or six hundred words of my story “Parlor Tricks.” Last night after running errands and getting home, I promptly sat down, opened the Word document for the story, pulled out my journal and started flipping through the pages.

Constant Reader, those two or three pages I could have sworn I wrote in my journal? Were not there. I turned page after page, growing more and more confused. How could I have not written it down? I specifically remembered words and phrases I’d used in the scene, describing how my main character’s psychic ability to read someone else’s thoughts sometimes created a psychic bridge between the two, which has just happened. The bad part of it is she read his thoughts and knows he’s planning on killing his wife later that night. I even got into the weeds with the psychic stuff, but no–I must have thought of it all, planned to write it down, and then…just never did. I’ve also somehow lost my belt and my Crescent Care hoodie, too.

Or Paul is gaslighting me. I’d prefer to believe that, of course (who wouldn’t?), but much as I want to believe that, I’d only be gaslighting myself. Heavy heaving sigh.

I was very tired as I ran my errands after work last night–needing more soft food, although I can eat stuff now that isn’t quite as soft; macaroni and ramen and soups and things. But the primary need was for things I could make for lunch at work; microwavable things. I also didn’t eat dinner last night, so this morning I am a bit on the hungry side. Yogurt and oatmeal and protein, oh my! But the end is nigh; next Friday I got get the molds for my new teeth made, and I am hoping that will only take about a week or so for the final to be ready for me to wear and use. (I’m also hoping there will be temporary ones I can use in the meantime, but I rather doubt it. But the thought of being able to swing back Five Guys on the way home next week is almost overwhelming.) I also weighed myself yesterday with shoes and keys and belt and wallet on and came in at 205, which is fine and something I can live with. I’d love to get below 200 again, but I’d rather that happen through diet coupled with exercise once I can go back to the gym.

But I did manage to get Jackson Square Jazz printed, three-hole punched, and put inside a three ring binder, meaning the editing just got real. I had gone back and forth over it, you know; should I re-edit/revise the book, or just do the basic copy edit? I didn’t have time to do any work with the Chanse book or Bourbon Street Blues before the ebooks went up, and at the time I didn’t know how I felt about redoing the books for republication; it was more along the lines of the old writer’s adage you can keep fixing it forever but sometimes you just have to say “fuck it it’s done” and it didn’t seem right. I wanted the print editions to be available as they were originally published…which seems now like a silly hill to die on. Why wouldn’t/shouldn’t I revise them? Jackson Square Jazz I think is the longest of the Scotty books, and probably has one of the most convoluted plots of the entire series; there was a lot fucking going on in that book. As I was putting the new printed-out pages into the binder, I came across the scene where Scotty is drugged and loopy in the penthouse on top of Jax Brewery when Colin scales the building to rescue him…and I started reading. I got rather caught up in the story–that scene is rather amusing and was a lot of fun to write–before stopping myself and getting back to what I was doing. I did think that was a good sign.

This week I’ve been letting the anxiety control me rather than the other way around. My supervisor is on vacation this week, which amps up the anxiety for me as I have no one to go to for decisions and/or questions; I kind of have to decide for myself and I really don’t like that. I think that was why I had trouble sleeping on Monday night, frankly. And I noticed it Monday night when I got home from work as well as last night. Granted, I was also tired last night, but I got very little done once I got home. Sure, I printed out the manuscripts (frontside and backside), and made groceries and picked up the new Lou Berney novel Dark Ride, which was very quickly moved up to the top of the TBR pile, but once the book was in the binder and the groceries all put away…I just literally did nothing else. I should have worked on “Parlor Tricks” while I still remember the continuation I didn’t write down but is only in my head; I should have read more of Shawn’s book; I should have done the dishes or folded the clothes that are still sitting in the dryer this morning. More to do this evening, I suppose. I am also seeing my new primary care physician this Friday morning, which will be nice, and then of course LSU’s game is Saturday night in Death Valley, which gives me the day free to run errands and clean and write and get things done around here because I don’t much care about the other games, although I’ll probably have them on as I clean and do things. Then again, I just looked at the games this weekend, and Florida State-Clemson, Auburn-Texas A&M, and Alabama-Mississippi are also on Saturday…so I’ll be paying more attention than I was thinking that I would.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Statues Without Hearts

Tuesday and we have survived another bleak and grim Monday. Huzzah! The Saints won last night–though it could have gone either way for most of the game, before they finally scored two touchdowns late in the game to put the Panthers away. Huzzah! They are also off to their first 2-0 start since 2013, which has been a hot minute, really. I also didn’t expect the game to end before I had to go to bed, so that was also a nice bonus.

I didn’t sleep great last night but I feel rested this morning. I imagine at some point this afternoon I will finally run out of steam and hit the wall, but my new glasses arrived yesterday and I can see better than I had before. I did some dishes when I got home from work, was terribly confused that my hooded Crescent Care sweatshirt (that I wear at work because they keep the building at about the temperature of a meat locker) and my only black belt have seemingly disappeared into the ether (note to self: order belts on-line today). I don’t understand how both could have disappeared from inside the apartment, but that seems to be what has happened. I don’t have any errands to run on the way home tonight, praise be, so I can come straight home and chill after work. Last night I sat down and started reading my latest short story collection, This Town and Other Stories, and I have to say, I’m pretty good at this short story thing. They have always been a sore spot for me, something I feel like I have trouble doing, primarily because of that asshole college professor who told me I’d never be a published author (shows how much he knew, right?) but seriously, some of these stories are quite good, and the voices! The language choices!

I recently realized that part of the reason I am so dismissive of my own work is because I can never turn off the “must make this better” editorial mentality with my own work, even when it’s in print. I usually only read my own work in order to critique or improve it, so subconsciously my mind becomes critical when I am reading my own work and consciously look for things that are wrong that need to be improved…despite the fact that when it’s in print it’s too late. I’m working on that, at least trying to get better with it. I don’t know if I’ll ever be able to turn off my inner critic, but I know I’m going to stop listening to that bitch and letting him under my skin.

I transcribed what I had written of the next book I am going to write in my journal, and it only turned out to be about five hundred or so words…but that’s five hundred or so words I didn’t have before. I’m going to try to get three chapters done before stopping, since the contract hasn’t been signed yet or an offer made. I know I have some more freeform writing on my story “Parlor Tricks” in there too; I am going to get that transcribed at some point this week. I like that I’m over the don’t wanna mentality when it comes to writing; all it ever takes is for me to do some and the dam bursts. So, I am writing “Parlor Tricks” for the collection; “Whim of the Wind” for something else, and “The Blues Before Dawn” for another anthology. I think with the two new stories and the loss of one unpublished one that I’ve decided to pull because I’m not comfortable with it and it may be borderline offensive, it’ll come out to around eighty thousand words, which is even closer to being finished that I had hoped. I just need to finish a few more, in addition to the ones I need to finish for submission. I think “Death and the Handmaidens”, “Parlor Tricks,” and maybe “Please Die Soon.” We’ll see, I suppose.

It feels good to be producing work again, you know? It always makes me happy.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and you never know; I may be back later.

Uncloudy Day

Monday morning and back to the office with me once I’ve woken up, cleaned up, and showered. It was a good weekend for the most part, mostly anticlimactic feeling after the visit with the surgeon on Friday morning; I’d say the best word to describe the weekend would be relief. I slept well last night, and yesterday was a nice, relaxing one. I cleaned and read my own works in progress and made some revising notes; I also started writing the opening of the next Valerie book in my journal, which was kind of fun. There’s a bit of a mess that needs to be cleared up before the book really starts going, but that’s what rewrites are for. At some point this week I’ll need to transcribe what was written into a Word file– I also need to do that with “Parlor Tricks,” a short story I freeform wrote some stuff in my journal for–and I also want to get back to writing again. I’ve been lazy lately–burnout maybe from the back-to-back writing of the most recent two–but I need to start working again.

But it’s always nice to revisit works-in-progress you’ve not progressed on or thought much about in over a year other than the occasional idle thought: oh, I should probably finish that novella or short story or whatever and then make a note or something and promptly forget about it. I’d not realized how far I’d gotten with a Chanse (!) novella until I read it yesterday, and even as i was reading it I was thinking tweak this or this would be a good place to go into this and oh you can restate that paragraph to make it a lot more powerful , which was nice. I also reread the starts of several short stories in progress, several of which I’d forgotten about, like “A Little More Jazz for the Axeman” and “Please Die Soon”–a really fun exploration of gaslighting as well as unreliable narration, and even the main character isn’t sure if she’s being gaslit or if her mind is fucking with her, which is a super-fun concept to work with. I also looked through “Festival of the Redeemer” and “A Holler Full of Kudzu” and “Spellcaster”; all of which have a lot more potential than I remembered or would have thought.

We got caught up on The Morning Show last night–it really is a strong show, kind of like The West Wing about a television network, in some ways, and the cast is simply superb–and then started watching Suspect on Britbox, which I am not sure I am sold on, to be honest. It’s a great concept and has a great cast, but…I’m so tired of “something happens to child of bad/absent father and so angry father must appease feelings of guilt by tracking down killers/rapists/kidnappers/etc. to avenge child they neglected while alive.” I fucking hate this trope because they always portray the dad as some sympathetic hero. Sorry, if you beget children, you need to be a good parent to them and present while they are alive, and “avenging” said child doesn’t make up for it. (I really think S. A. Cosby ended this trope forever with Razorblade Tears; Shawn took a very tired trope, breathed new life into it, and wrote the definitive book on the subject; no one else need bother anymore unless you do better than Shawn…and good luck with that.) Was Liam Neeson not available to play Super-dad in this? Someone needs to do a lengthy critical essay book about the trope of the super-father in fiction, the societal problems they mask, and their unrealism bordering on fantasy to the point of being inadvertent straight male camp. (Which really is what James Bond, Mission: Impossible, and The Fast and the Furious franchises are, just like the Marvel/DC comic book movies are–there’s a dissertation for a PhD in Women’s Studies for someone. You’re welcome.)

I also, in reading the stacks of paper-clipped drafts in one of my stack of inboxes, found another draft of “Whim of the Wind” I’d forgotten about–see what I mean about my shitty memory?–where I’d undertaken a thorough rewrite, and I’m not certain I don’t prefer this opening to the most recent attempt to revise the story. So I am going to compare/contrast the two of them, and see what comes out of it. I also am not certain I like the new ending I came up with, because it doesn’t really work with the tone and voice of the story (it’s also very reminiscent of how I’ve ended a couple of other stories lately, and I don’t like being repetitive, which I find in short stories a lot more frequently than I’d like, to be honest), so I am going to give it yet another old college try to see if I can’t finally whip this damned story into publication strength (after forty years, it’s the least I can do for it). Writing freeform in longhand yesterday in my journal also seemed to unlock something in my mind–the creative stall or whatever you want to call it–but I feel like writing again, and I don’t dread it or even think meh not doing anything today isn’t going to hurt anything, which is incredibly stupid (but one of those lies my brain tells itself to get out of writing).

And on that note I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll check in with you again later.

A Song in the Night

Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.

LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.

So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.

So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.

I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.

I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.

And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.

And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.

The Rains Came

The weather has cooled down (Those Not From Here would scoff at the idea that temperatures ranging from 82-90 during the day signals a “cooling down,” but they can be forgiven because they clearly didn’t live through what was the hottest summer in New Orleans history. We broke records for everything. It was so hot and it hadn’t rained for so long we were in a wildfire alert, being cautioned not to cook outside–although why anyone would want to if they had another choice is beyond me. But yesterday morning when I left the house I thought, ah, this is lovely as I walked out to the car. As I indicated, the appointment went well, and now I know the backside of Tulane’s campus as well as where the football stadium is. I probably should explore that part of town more. I had an idea for (yet) another mystery series that would be set in the University area, or at least anchored there, but I am not as familiar with that part of town as I should be. I am very neighborhood limited here in New Orleans, but my own neighborhood and the one right next to it are so interesting and fun to explore that it’s hard to get out of my own neighborhood. Now that the weather’s nicer I think I might start taking walks after work when I get home. It’s Halloween season, after all, and New Orleans does like to decorate.

I was tired yesterday when I finished my work-at-home duties, and curled up in my chair while watching a gay critique of Barbie and the camp aesthetic by James Somerton before falling into a mindless wormhole of football highlights, reaction videos, and the occasional news clip. I am very tired of these times in which I find myself living this last third of my life. I did not have the potential collapse of American democracy and society on my life BIngo card; I’m not sure anyone really did. I think part of the reason I was so tired yesterday was the release of the inner tension and stress I was experiencing leading up the appointment. I was doing a pretty good job of handling the anxiety, I thought, refusing to let my conscious mind spiral (the curse of having a very fertile mind and a tendency toward pessimism is just how convincing the absolute worst I can imagine happening can truly be), but I also forget that the subconscious is also affected, and I’m not sure I can learn how to control that part of my mind, or if that’s even possible. Anyway, the reassurance that I am in very good hands and he has done the procedure many times successfully released all that stress and tension, and I think it left me drained and exhausted.

I was able to read more of Shawn’s book at the appointment while I was waiting to be seen (a book is such a better diversion than doom-scrolling social media on your phone) and my initial fear about the direction the book was taking–a mass school shooting–were unfounded. Shawn’s writing style is so rich and vibrant, too. I can almost hearing him reading the text aloud in my head as I read along, and I am very interested to see where the book is going to go. Shawn is one of those authors whose books I like to go into knowing nothing; all I know is who the author is and the title of the book. I don’t read reviews, I don’t read the jacket copy, I don’t read anything. (There are a handful of these writers; I also only have to know they are the author to buy it as well.) I hope to spend some more time with it this weekend. The LSU game is on at the ridiculous hour of eleven in the morning, which is the absolute worst time for an LSU game for me. I hate when they play early; if they play poorly it casts a pall over the rest of the day, and even if they do win, the rest of the day always feels anti-climactic. Anyway. So, maybe I will get to spend the rest of the day reading; stranger things have happened.

Tomorrow I have to spend doing some work; I’m not even going to try to pretend that I am going to get anything written or revised or edited today after the LSU game. I did manage to launder all the bed linen yesterday, and I also unloaded the dishwasher and cleaned the kitchen last night, too. So that’s something, right? If the game is at a decent hour next Saturday I’ll take these surplus beads to the donation bin, drop off all these boxes of books at the library sale, and maybe I’ll be able to eat something a bit more solid by then? I’m worried about losing weight because I’m afraid I’ll lose weight after the surgery too. Never thought I’d be worried about losing weight, but I also never thought I’d make it to my sixties, either. I have to eat something besides protein shakes and ice cream, so tomorrow I am going to try baby food again, and maybe mashed potatoes. It’s so exciting to be me these days, isn’t it?

But the kitchen and workspace area looks better organized this morning, which is pleasing to me, and I have another load of dishes ready to go in the dishwasher. I also figured out how to end two in-progress short stories that have stalled, so I call that a win, too. And on that note, I am going to head into the spice mines.

Married, But Not To Each Other

There’s really nothing like a country adultery song, is there?

The stitches in my gums are starting to dissolve, which means healing is happening. I don’t know if and when I can eat something a little more solid–like bananas and watermelon–but trust me when I say I cannot wait to eat something I can gum a bit. That really doesn’t sound appealing, does it? But much as I love protein shakes and ice cream (please note the lack of mentioning baby food), I really want something else. I really want Five Guys, to the point where I’d buy one and puree it if I wasn’t aware enough to know that it would be disgusting and still inedible for me.

In a little bit I’ll be heading to the Tulane Institute of Sports Medicine where I am finally meeting with the kind of specialist who can potentially work on my left arm injury. It’s a very long and tragic story, how I got here at any rate, and I’ll probably go into more at another time, but it’s not something I feel like talking about at the moment. The primary problem is I don’t remember if I’ve talked about it here already or not? The joys of getting older and having a much more slippery memory than I used to have, I suppose. I slept really well last night–certainly could have slept longer, so I think this weekend will entail a lot of sleeping in, quite frankly. I don’t feel tired and worn out the way that I remember feeling before on Friday mornings, so I guess that’s a good sign. I’ll run some errands on the way home and hopefully won’t have to go out much this weekend. I also need to get back to writing something other than emails and blogs, to be honest. I was thinking about this last night, and since I’ll take Shawn’s book with me this morning to read in the waiting room, hopefully that will crack the trouble I am having reading since coming home and I think the answer to cracking the writing issue is to start the actual editing of Jackson Square Jazz. Why not? It needs to be done and it’s just been sitting there waiting for me to do it for years now. I also think I’m going to pull that short story collection I’ve been wanting to get into print, and see how close it is to being finished and what unpublished stories there are on hand that need more work on them. I think those are both valid projects for me to make some progress on this weekend around cleaning and watching football games, I think.

We got caught up on both Ahsoka and Only Murders in the Building last night, which was nice. I was tired when I got home from work last night–very tired–and was actually able to come straight home from work for once. I finished a load of laundry–still sitting in the dryer, actually–and a load of dishes that need to be unloaded once I get the kitchen back into some kind of decent shape.

As I sat in my chair last night waiting for Paul to come home while watching a documentary on Youtube about the final collapse of the Hapsburg dynasty, I wondered if my ability to now recognize anxiety for what it actually is as it starts (I just always thought everyone’s brain worked that way before) and fend it off had anything to do with with my not writing? I think I may have burned myself out a little bit with all the writing work I’ve done this year; juggling two new novels at the same time wasn’t the smartest move I’ve made in my career–but I had no way of knowing what my life situation was going to be like last fall, winter and spring either. I also think if I can get over the reading hump, the writing hump will melt away like nothing before my very eyes. It’s a lovely thing to believe (we tell ourselves lies in order to live), and it may very well be true–reading always inspires me and makes me want to get back into my chair at the keyboard and working away at something. I also just checked and my new glasses are scheduled to arrive on Monday, which is great, as my prescription has grown stronger but I am still wearing my old ones. This is, if you will recall, the year of getting things done–hence the hearing aids, the mouth surgery, and following up on getting my arm taken care of. I am looking forward to being able to see properly again, and chew again, to go along with my new ability to hear, which is lovely and something to which I’m still adapting.

So my big plans for this weekend involve cleaning the house (as always), revising and reediting Jackson Square Jazz, and reading All the Sinners Bleed, which has a very strong and powerful opening. I may do other things–I do have a hefty to-do list to take care of this weekend, but nothing I can’t really handle–and of course I’ll be watching the LSU game tomorrow morning as well; using the nervous energy LSU games always give me to clean the living room. If it weren’t for the early start time of that game, I’d take some boxes of books to donate to the library sale, but that will have to wait until next weekend, alas. (They’ve been in the living room since Labor Day, and I’ve not pruned the books again since because, well, there’s already too many boxes in the living room.)

And on that note, I’m going to get another cup of coffee and head into the spice mines to start getting ready to head uptown for the doctor’s office. Wish me luck, Constant Reader, and I will chat at you some more probably later on. Have a great Friday!

I’ll Do It All Over Again

Well, it’s Thursday and my week at the office–a very shortened one–will be over this afternoon. Yesterday getting back to work was a challenge. I didn’t have a problem getting up in the morning–I didn’t sleep well the night before–but late in the afternoon I started feeling tired; the low energy from not eating real food is also a thing (I’ve literally lost nine pounds since last Thursday, and nine pounds in five days is not good. If I continue to lose weight at this rate, within two more weeks I’d be down to a weight I’ve not seen since the aughts… I do not recommend this diet to anyone), and I think I may go to bed a little earlier than usual tonight. We were busy at work yesterday and I also had to catch up all my work from the days I was out, but I managed to get it all done and it was indeed a lovely thing. I mailed some things at the post office, stopped and made groceries (more ice cream and yogurt), and then came home to a protein shake for dinner. Yay, more soft food.

I cannot wait to go to Five Guys when this is all over. And pizza. Mmmmm.

I slept well last night, certainly more deeply than the night before, so I feel better this morning. Tomorrow is the visit to the Tulane Institute of Sports Medicine (more on this later), and I also have my hearing aids follow-up appointment. We’re going to be busy at the office today, and I have to stay later than I usually do, which will be interesting. I’ve got a to-do list I need to finish, and hopefully I won’t be so tired when I get home from the office tonight; I’m coming straight home after work for a rare change in the routine. I’m still way behind on the housework and I really need to start writing again; outside of the blog (which counts; I no longer pretend it doesn’t count as writing–which is what I always do when I am not writing fiction: “count the blog!”) and emails I’ve not really written much of anything since getting back from Bouchercon. SO much for all that inspiration I had from attending and being in the company of writers! But I think I will be able to get to work on some stories that need finishing this weekend, and some need revision and polishing. I also need to get back to work on Muscles, and writing those proposals that need writing. I don’t have to make a grocery run this weekend, and I am probably going to have to have some things delivered over the weekend, but that’s fine. I paid all the bills yesterday, too. So, it may not have seemed as productive as perhaps I would have preferred yesterday to be, but I did get some things done that needed to be done.

And it would be so lovely to get some more of these short stories done, you know, and out on submission? I only have one story out on sub, and it’s been almost a year since I sent it in to them. I don’t know why it’s taking so long, but that’s also publishing for you. While I do appreciate the convenience of using Submittable, at the same time it makes me wonder how it works on the other side. I was thinking last night, and have been ever since the Anthonys, about writing a post about editing anthologies. I have done over twenty of them at this point–there aren’t many people who can say they’ve done more in the genre, frankly, although they weren’t all crime; most were erotica, and I ain’t apologizing for that. I think only a few were actually crime and/or horror, which is kind of surprising. You’d think I’d have edited more crime anthologies than I have, but that is not the actual case. I think I’ve only done five crime anthologies–the three Bouchercon ones, and the queer noir ones I did with J. M. Redmann (Jean). I also want to do some more self-interviews; I have the questions from two of the other Anthony nominee panels I was on–best children’s/young adult. and the marvelous questions Leslie Karst came up with for the best humorous category–and I can use them to do self-interviews like I did with the queer crime panel John Copenhaver moderated for Outwrite back in August.

I was a little surprised by the positive response to my post about conference homophobia endured and how things have gotten better since the bad old days when I first started going to the mainstream mystery events. I generally don’t bother with paying much attention to response to blog posts, in all honesty; I try not to think about people reading it because I worry that will trigger anxiety and make me think about what I can and cannot say because of worries about giving offense (I never really want to offend anyone accidentally; I do not care about homophobes, misogynists, and racists being offended by my blog because that’s a bonus for writing it. But one core tenet of my life is to never hurt anyone’s feelings through carelessness; I know what that feels like and frankly, carelessness is worse than deliberate offense, I think, because the person puts no thought into being careless, which means you’re not even worth thinking about or your feelings simply are irrelevant; I prefer planned hatefulness because as least thought and effort went into it, if that makes any sense at all. It does in my fevered brain). But it did get a rousing response. Why was it time to write it now? I’d been considering writing that post for a long time. It’s been sitting in my drafts since Pride Month, which was when I wanted to post it, to strike another blow against homophobia and homophobes, but got sidetracked by all the boycott bullshit. Then I was going to post it before Bouchercon–the morning of the trip actually, but couldn’t get it finished before i had to leave the house. Being at Bouchercon–and being around my Queer Crime Writers–made it seem even more important than it was before I left because I do not want my Queer Crime Writers to ever be made to feel the way I felt when I encountered the homophobia at Bouchercon. I do feel very protective and paternal of the group, which I know is infantilizing them; they are adults who’ve faced it before and will face it again, but I want to spare them the ignominy of being belittled and demeaned by colleagues and bigoted programmers. That was what I meant by my presence making a difference at these things over the years–if I was the lightning rod that drew the homophobia out so it made things easier for this new generation of queer writers, I can actually live with that. If some good comes out of my hard times for other people, that’s something I can get on board with, really. I’ve never considered myself a ground breaker; while I think I’ve accomplished some terrific things with my writing over the years, I don’t think future generations will be studying my work for insights into the time in which I lived and what it meant to be queer in the late twentieth/early twenty-first century. You never know, but I think it’s highly unlikely.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check in with you again soon.

Paper Rosie

Wednesday morning and back up at an ungodly hour to make it back to work. But I was also kind of tired of lolling around the apartment on pain meds, doing very little to nothing, including not much thinking. It’s nice sometimes to not have to think, but I always worry that not using my mind is making it lazy, if that makes sense? Probably not, but I know what I meant. I always worry that my brain will atrophy if I don’t use it. Well, that made more sense. See what I mean? You see why I am concerned?

I didn’t sleep well last night–not bad, just not great. I’ve gotten used to ten to twelve hours of sleep per night since the surgery, so I wasn’t sure how getting up this morning would go. Not bad, to be honest; I don’t think I had a good night of sleep because of anxiety about not waking up, but I feel okay so far. I’m just so tired of soft food. Today I’ll be taking baby food with me to the office, and I am not really looking forward to that, in all honesty. I think I’ll take ice cream for lunch–I will miss eating ice cream every day when my mouth finally heals, but I am so ready for solid food you have no idea. I am so going to Five Guys when this is all over!

I didn’t get much accomplished yesterday. The pain pills don’t make me loopy the way the ones they used to prescribe (the highly addictive oxy family of opiates), but they do something to the wiring in my brain that doesn’t quite make sense to me. I did get a load of laundry done, another load of dishes, and I filed and straightened up the workspace–which looks a lot more bearable this morning than it did yesterday morning–but I didn’t get as much accomplished as I would have liked because my mind was spacy and I kept losing track of time. Paul got home late last night and we watched another episode of Painkiller, which is such evidence of how broken our entire system is (I still get angry at the Sacklers just thinking about it) that I don’t know how anyone could watch it and not fall into despair.

I did find myself–I blame the pain meds–falling into a pit of anxiety yesterday afternoon, spiraling and everything, but once I realized what was happening I thought use this nervous energy and that’s when I started cleaning. I put the kitchen rugs in order and swept, put away dishes and started filing and organizing. My computer files are a disaster that will take days, if not weeks, to sort out; I did make some attempt at it yesterday to no avail. I also went into another research wormhole about the Filipino community of southeastern Louisiana–I love that there’s always something new and startling to learn about this region–and I really would like to write about Manila Village, or St. Malô; it was known by both names. It could be another Sherlock story, I think, since I so strongly established him in 1916 New Orleans; Manila Village/St. Malô was destroyed in the hurricane of 1915 (which also wiped Freniere off the map, and I want to write about Freniere as well; the witch’s curse and all)–a lot was going on in the New Orleans era during the twentieth century teens decade (there was also an outbreak of bubonic plague and the last really bad yellow fever epidemic during that decade, and then of course there’s the banana wars, which is also endlessly interesting) and of course, I would love to write about it all.

I want to write about everything.

It’s also Pay-the-Bills day; time slipped past me while I was recovering from this oral surgery mess–and of course Friday is my appointment with the Tulane Institute of Sports Medicine about my arm (I’ll talk more about that later)–and I do think that I am going to need to work on the filing system this weekend. The LSU-Mississippi State game is at the ungodly hour of eleven a.m., so I can probably get some work on the filing done during that. I have duplicate files and the problem–the primary problem–is I allowed the files to get out of control during the pandemic and the system I’d been using completely broke down. The file cabinet itself has been a mess for years, and what I really need to do is decide on a new system or figure out if the old one can still be used, despite how much work it’s going to take. I also need to take stock and figure out what needs to be worked on and what needs to be done, and where I am at with everything. I don’t have any contracts currently in place (which is usually a very scary place for me to be, frankly, but I am not letting the anxiety about that make me do what it usually does; throw out a bunch of proposals only to end up with too many deadlines and more stress than any writer needs.

And on that note, I am heading into the spice mines. Here’s hoping my energy doesn’t flag and I make it through the day safely. I hope you also have a lovely day, Constant Reader, and I’ll check in with you again probably tomorrow.