Category: television

Act Naturally

Monday morning and there’s still dark pressing against my windows this morning. Mondays and Tuesdays are the worst two days of my week; long hours spent at the office and most of the day gone before I can retreat, as quickly as I can, to the safety of the Lost Apartment.

The gym yesterday felt terrific. I upped the weights as it was time (every Sunday) and while I’ve felt the workout before–even with a light, practically nothing weight, you’ll feel three sets of twelve–yesterday I actually felt like I was pushing myself for the first time. I didn’t up the weights on legs–I do that every two weeks instead of every week, because I go up in increments of ninety pounds; whereas with everything else I go in ten pound increments–but it still felt pretty intense on the lower extremities. I also got back on the treadmill–only fifteen minutes after the five minute warm-up because it’s been a hot minute since I’ve done the treadmill–and that also felt good. I watched more of the Anthony Minghella The Talented Mr. Ripley film adaptation because I couldn’t get my Disney Plus app to work for some reason (I want to start watching the Clone Wars series while tread-milling) so I decided to finish watching Ripley. I still have about another forty-two minute to go, so I should finish watching it on the treadmill on Friday.

And hopefully by next Sunday I’ll have this Disney Plus mess straightened out.

I have chosen Charlotte Armstrong’s Mischief as my next reread, for the Reread Project, and started reading Carol Goodman’s The Sea of Lost Girls yesterday; I didn’t mean to get as far into it as I did, either–but once I started reading, the book was moving like a speeding Maserati and I couldn’t stop until it was time to make dinner. Damn you, Carol Goodman! I’d intended to use that time to write! But now that things are sort of normal again–the first normal, full work week since Carnival’s parade season began–I am hoping to get back into some sort of swing of normalcy and get back into my normal, regular routine.

I didn’t get as much writing done this weekend as I had wanted to; those short stories turned out to be like pulling teeth without novocaine or anesthesia, but some progress is always better than none, as I always like to say. I seem to have not had a really good, long writing day in quite some time; but here’s hoping now that things are back to some sort of normal and I can reestablish a routine, that the words will start flowing again soon. I need to get to work on the story due at the end of the month; I’ve got it vaguely shaped inside my head, and so now I need to get to work on putting the words to paper, preparatory to getting them in the proper sounding voice and so forth. I’m excited about the challenge, to be completely honest, and I am relatively certain I should be able to get it moving relatively soon, if not a good strong first draft completed in no time at all.

One can hope, at any rate.

My goal for March is finishing: finishing that story, finishing the Secret Project, finishing some of these short stories. April I will return to Bury Me in Shadows with a fresh eye, and I am also hopeful I can get it finished that month, so I can move back on to the Kansas book to finish in May, so I can get started on Chlorine in June, spending the summer writing a first draft, before turning to the next Scotty/Chanse or whatever the hell it is I intend to spend the fall writing. It isn’t going to be easy, and I am going to have to fight off the distractions that always seem to be trying to keep me from getting things done–and my own personal laziness; the default always being to go lie in my reclining chair with a book or to watch television.

We streamed the entire series of I Am Not Okay With This last night; which is another teen show oddly rooted in the 1980’s–musically, esthetically, and visually; which is an interesting if weird trend (both It’s The End of the Fucking World and Sex Education also have the same vibe, as does, obviously, Stranger Things; it’s almost like Netflix is targeting those who were kids/teens in the 1980’s…hmmmm). After we finished it–we really liked it–we started watching Harlan Coben’s new series on Netflix, The Stranger, and we are all in on it; the first episode was kind of strange, with all the different concurrent plot threads, but episode two began to seamlessly sew the threads all together, and we are completely hooked. It’s also fun seeing Jennifer Saunders playing someone besides Edina Monsoon. Not sure when we’ll finish it–probably an episode a night until the weekend–but it’s great fun. I recommend it.

And now it’s time to get ready for my work day. Have a lovely Monday, Constant Reader!

 

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On the Other Hand

We made it to Friday again, didn’t we?

Huzzah, I think. I’m ready for things to calm down, or some semblance of what passes for normalcy to come back around, and the sooner the damned better. I slept well again last night–only have a half-day today–and so I am returning to the gym this morning. It’s also rather cold here in New Orleans this morning; my space heater is on and I’m getting nice and toasty warm here at my desk. Yesterday was another slightly off-kilter day; I know Mercury is in retrograde (I’m not entirely sure I believe in that stuff, but one cannot deny that weird things happen fairly regularly whenever this astronomical thing occurs) and so that might sort of explain how things are off-center. I still think it’s just the entire city currently is in a state of low energy.

I really do have to write another book about Mardi Gras.

It occurred to me the other day that I have probably written more books about New Orleans than anyone else; not that means anything, of course. But eight books into Scotty and seven into Chanse puts me at fifteen books about New Orleans, and i don’t think anyone else has written that many that is a contemporary? Frances Parkinson Keyes was very prolific, and she also wrote a lot about New Orleans and Louisiana, but I don’t think everything she wrote was about New Orleans. But she certainly wrote one of the biggest selling books about New Orleans of all time: Dinner at Antoine’s. (It’s interesting, because I just finished reading about Pere Antoine–another, not famous restaurant in the Quarter is called Pere Antoine’s, and I’d always wondered who he was–in City of a Million Dreams–interestingly enough he was a Spanish priest the local French called Pere Antoine; he was also an Inquisitor, and that eventually led to him being sent away from New Orleans by Governor Carondelet)

This weekend I hope to get back on track with the Secret Project as well as finish some of these short stories I’ve got floating around. I worked a little bit on “Festival of the Redeemer” and “Gossip” yesterday; I also did some work on “You Won’t See Me” that I can’t seem to find anywhere. Heavy sigh. I’ve also fallen behind on my reading. I need to finish the Ali Brandon, and I need to read Lori Rader-Day’s The Lucky One, preparatory to our panel at the Williams Festival towards the end of March. The kitchen and Lost Apartment are yet again a total mess; so tonight when I get home from work I need to get the kitchen and the apartment worked on so I can focus on writing and reading all weekend.

I plan on making white bean chicken chili this weekend as well; I may make it today, before I head into the office, so I can have it for dinner tonight. (Or maybe tomorrow. I don’t know. It depends on how much I can get done this morning around going to the gym, of course.) We’re also still watching the final season of Schitt’s Creek; I am going to be terribly sorry to see this show end. It really is funny and charming, and unlike anything I’ve ever seen on television before.

I do feel a little more like myself this morning; that feeling of being able to do anything and get everything I want out of life, which is kind of lovely. I miss feeling like that, to be perfectly honest, and I need to get everything back on track. It’s always difficult to get things going when Carnival is looming on the horizon, and the thing about Carnival is that it’s just long enough for everyone to be sick of it and ready for it to be over when it finally is; Carnival rarely leaves you wanting more.

It really is the perfect way to lead into Lent.

When I was at the grocery store on Wednesday night I saw someone with the cross of ashes on her forehead, which kind of took me aback–I’ve not seen that in quite some time. When we first moved here, New Orleans was still heavily Catholic, and seeing the ashes on people’s foreheads on Ash Wednesday was pretty common. With the influx of the new people after Katrina–they seemed to come in waves–the Catholicism of the city was diluted; that woman was the first person I’ve seen in years with ashes on her forehead–but then again, that may be because I am generally not out that much in public on Ash Wednesday as I used to be. I’d be curious to know if the percentage of Catholics in the city has dropped at all since the 2010 census.

And on that note, tis back to the spice mines with me. Have a lovely Friday, everyone.

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Family Tradition

Normal is an interesting concept–particularly when you live in New Orleans.

It’s hard to explain to people who don’t live here (or, as we say, Not From Here) to understand just how disruptive Carnival is, and how much harder it makes getting anything done, or accomplished. I live inside the parade box (in local parlance, “inside the box”) which means anything requiring the usage of my car has to be accomplished and the car has to be back “inside the box” no later than three-thirty on any parade day. This means, if you have to go to work you have to leave early, and try to schedule whatever errands you need to do accordingly–bearing in mind that you will also have heavier traffic to deal with. (Case in point: on Muses Thursday–a day when the parades were cancelled because of the weather) my five to ten minute drive home took almost forty minutes. It’s exhausting. When our office was on Frenchmen Street I used to have to walk to the office and back home on parade days–if I was able to walk straight there without detours, 2.3 miles going and 2.3 miles home (and there were always detours walking home during parades). And on the nights when I had to do condom outreach…yeah, was walking anywhere from six to ten miles per day; and then going out to the parades….why, you may be asking yourself, why on earth would you also go to the parades on top of that? Because you’re too exhausted and stressed about everything to do anything else–plus, enjoying the parades makes the work of living here around them sort of worth it.

I can’t imagine how miserable it would be to not go to the parades on top of everything else–especially when you can hear them.

But when it’s all over, readjusting to normalcy and getting your body back in sync is no easy task.

Plus, no more King cake. Womp womp.

I literally have no idea where I am at and what I should be doing with any and everything. Pre-Carnival life seems like it was a million years ago…it always takes the rest of the week of Mardi Gras to re-acclimate back to New Orleans normal.

It’s incredibly disorienting.

But Carnival–whatever you may think of it, no matter how much it may inconvenience you, no matter what–is wonderful. I absolutely positively love Carnival season, and I love the parades. I love seeing the families and kids having a ball along the parade route–and it crosses generations and ages. I love seeing grandparents dancing to  marching bands. I love our public school marching bands–every last one of them from Orleans Parish. I also love the Marching 100 of St. Augustine. I love the specialty throws and the stuffed animals and the bracelets and the medallion throws and the cups and all of that. I love that feeling of neighborhood and community that comes with hanging out on the parade route. I love getting an enormous corn dog, slathered with mustard and ketchup. I love funnel cakes, which are really just twisty beignets and are also covered in powdered sugar.

You can never go wrong with deep fried dough covered in powdered sugar, for the record.

Today I woke up early and feel great. I slept deeply and well–probably could have gladly stayed in bed another hour or two, but as I’ve been saying–Carnival has put me very behind, as it is wont to do, and as I am often paddling madly beneath the surface while treading water, a shake-up to the daily routine makes things ever so much worse. As much as I would like to spend the weekend relaxing and reading and writing, I’m afraid I’m going to have to spend some of it actually working on non-writing related things, which is terribly unfortunate; but it’s not like this was a normal week in the first place. I hated missing the gym yesterday morning, but I can go tomorrow and get back on track with my usual Sunday-Wednesday-Friday gym schedule. I did write for a while yesterday–not on the Secret Project, of course, which is what I need to be doing, but rather I wrote a bit on “Festival of the Redeemer” and a little bit on “He Didn’t Kill Her” and also a little bit on “You Won’t See Me.” Progress, of course, is progress and I am always happy to get any writing done at all these days, of course; I think my decision to simply go ahead with some of the short stories until this weekend, when I can spend some serious time with the Secret Project–which has been worked on very haphazardly, and you simply can’t be that scattered with something and expect it to be good–and make the decisions that need to be made with it. I think that I am probably very guilty of overthinking things with this; rather than going with my instincts and trusting myself. It’s something that’s completely outside my comfort zone, which is actually a good thing.

One should step outside their comfort zone from time to time, I think. It makes you a better writer–even if the project isn’t good, frankly; sometimes you need to do something like that to shake things up inside your head, clear the cobwebs and dust, and get a fresh perspective on what you write, your career thus far, and where you want it to go. (I also remember those glorious days when I actually used to plan ahead for my career. Man plans and God laughs.)

We are also slowly but surely watching the final season of Schitt’s Creek, and enjoying it, even if we know with each episode we watch that the end is nigh.

And on that note, I am going to head back into the spice mines. Have a lovely Thursday, Constant Reader!

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Kiss An Angel Good Morning

Ash Wednesday and solemnity has descended upon New Orleans, after two weeks of fun and frivolity. Carnival season actually begins on January 6th, on Twelfth Night–but it truly only kicks into major gear during parade season, which mercifully ended yesterday. Now I can drive my car without fearing I’m gone too late to get home or worrying about finding a place to park (the Carnival parking gods were definitely on my side this year; I was able to get groceries and park on my block AND made a Costco run and was able to park near the Lost Apartment, neither of which is a small accomplishment), and having to adjust my work schedule accordingly.

It’s gray outside the Lost Apartment windows this morning, and all is quiet on the Lower Garden District front. I haven’t checked the weather yet, but I am sure rain is part of the forecast; that’s usually what gray skies in the morning mean. I’m not as tired this morning as I thought I would be, and I’m also a little bummed I have to miss my workout today–the gym doesn’t open until noon, and there’s no way I could get home in time and make it to the gym before it closes after work tonight. But two workouts in one week is better than one workout, and so I guess missing the once isn’t really going to kill me. But I’ve gotten into such a great routine of following the regimen…again, I guess we’ll see on Friday morning if I don’t want to get up and go.

And yes, I started writing yet another short story yesterday evening, “You Won’t See Me.” It’s a similar tale, I suppose, to “Festival of the Redeemer”; unreliable gay male narrator who’s madly in love with someone who doesn’t return that affection–but at least that’s how they both start, at any rate. I have to get back to work on the Secret Project this week as well; so that’s at least five or six short story fragments I am working on in addition to the Secret Project. And yes, I am well aware that is complete madness.

We managed to watch McMillions over the past few days; we’d thought the entire series had finished airing so we were, needless to say, completely shocked to reach the end of episode 4 and realize we couldn’t watch anymore. I remember the scandal, vaguely, when the story broke; but I didn’t pay a lot of attention to it–and am amazed at how far-reaching and complicated it became–not to mention all the unfortunate people who got suckered into the con and played along, for various reasons. One of the FBI agents discussed how he was constantly amazed at how people didn’t think they had done anything wrong, and how they could justify and explain committing fraud to themselves–the bottom line was whatever the circumstance or the reason, they committed a crime.

True crime–you really can’t beat it for real drama.

I also got some incredible book mail on Monday–Blanche Among the Talented Tenth by Barbara Neely; an old children’s book about the Nazi invasion of Norway and the resistance, Snow Treasure, that I read when I was a kid; Alabama Noir, which I am really interested in reading; and the new Ivy Pochoda, These Women. I somehow managed to finish rereading Mary Stewart’s The Moon-spinners around the insanity (there will be more to come on that front), and got a little further into Ali Brandon’s Double Booked for Death, which I am really enjoying. I’m also still reading Jason Berry’s City of a Million Dreams, which is also quite good.

It doesn’t feel like Wednesday, which means this short work week is going to be weird, and feel weird, the entire time. I do have to put in longer days today and tomorrow than I usually do, because of the holiday yesterday and taking Monday off, but Friday will be my usual half-day and after that, we’re back to normal again. Huzzah? But February is on its way out and March is on its way in, which means the one-two punch of Saints & Sinners/ Tennessee Williams Festival is on its way as well. Kind of hard to believe that’s just right around the corner, but here we are, you know? And then at the end of April I’m off to New York and Maryland for the one-two punch of the Edgars and Malice Domestic. But after that, I’ll be done with travel until it’s time to head to Sacramento for Bouchercon, and then I won’t be doing much traveling unless I go visit my parents this year–which I kind of should. It’s just that the drive is so exhausting, but flying is equally awful, takes nearly as long, and is much more expensive. I suppose I could use Southwest points and fly into Louisville, but there’s no longer a non-stop flight from New Orleans to Louisville, and the things about connections is there’s always, always, a screw-up somewhere at that time of year that delays the return.

I also have an obscene amount of emails to read and reply to, which will engender more emails, of course–the endless cycle of cyber-communication–but I will eventually get dug out, slowly get caught up on everything, and somehow manage. I always somehow manage to do so, at any rate.

And now, back to the spice mines, Have a lovely Ash Wednesday, everyone.

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The Devil Went Down to Georgia

And just like that, it’s Friday. I have a lot of errands to run this morning–as well as go to the gym–before heading down to the Quarter for my condom patrol duty. My legs will undoubtedly be exhausted–I won’t do the cardio, obviously, as I will be getting plenty of that walking to and from the Quarter–but it’s fine; I’ll sleep extremely well tonight.

And one should never not appreciate a good night’s sleep. It’s been absolutely dreadful waking up early every day this week–usually, I only have to get up horribly early on Monday and Tuesday–but this week has been every day. In case you weren’t aware, I am really not a morning person.

Well, more like a “prefer not to get up to an alarm” person; my preference is to wake up organically.

Last night’s parades were cancelled while I was on my way home through horrendous pre-parade/rush hour traffic; ironically I was thinking as I rushed to my car from the office in the high cold winds and rain, “Hmm, if it’s like this I may have to skip tonight, shoe or no shoe”, so of course, when I got home everything was cancelled and everyone already camped out on the Avenue was decamping. How shitty to sit out in the cold and rain only to have everything cancelled–but then again, after the accidental death on Wednesday night it was probably for the best. Two of last night’s parades were rescheduled for tonight; I’m going to miss Muses because it rolls at 5:15 and I’ll be on condom duty in the Quarter, alas. So now it’s entirely on Paul to catch our shoe. But the fact there are five parades tonight means they’ll also probably run late; I’ll probably walk up Muses as it passes by when I get off work, and parades will be rolling probably until two in the morning.

It’s happened before, after all.

So, five parades tonight and five on Sunday. Madness.

The sun is out though, and it’s still chilly; right now it’s around 46 or so, with today’s high to be 53; which means once the sun goes down it’s going to be cold. Yay for the condom distribution, I guess? But I’m glad the rains and high winds of yesterday have moved on, at least; we’ll see how this weekend actually turns out. I have a lot of running around to do this morning before I head out on foot for the Quarter. Prescriptions, a library book, two different grocery stores, the mail…yes, it’s going to quite a morning of running here and there this am. Heavy heaving sigh. I haven’t even had a spare moment to read; last night after I got home I spent the evening getting organized, cleaning, doing dishes and laundry–I’d intended to watch the final two episodes–or final, I’m not sure how far along we actually are–of Rise of Empires: Ottoman, which will end with the fall of Constantinople, obviously. I did rewatch some favorite scenes from Game of Thrones again; I know, everyone hated the last season, but I still enjoyed the show. Was I completely satisfied with the ending? No, but part of what was so terrific about Game of Thrones was that it worked like actual history; heroes you rooted for died, bad guys won, good people got screwed over, etc etc etc. Rarely does any story in history end tied up neatly in a bow; kings who won great victories or wars died despised by the people who once cheered them. “The Bells” episode of that final season is an excellent case in point; an invading, superior force (which the previous episodes of the season and those of the preceding season served to convince the viewers wasn’t actually invincible and could be outsmarted, if not outright defeated) besieged the capital of the Seven Kingdoms, and easily overwhelmed the city’s defenses, and the city was sacked and destroyed with significant loss of life–which was often true to history. A lot was also made, in that episode, of the need to not mercilessly slaughter the inhabitants; but historically, the city would have been sacked. Strategically, it made sense: the invading Dragon Queen, seeking to take back her entire throne, would necessarily need to make an example of the capital to quell any possible resistance to her once she regained the throne. As for the people of King’s Landing–their refusal to abandon their usurper queen in favor of the rightful heir to the throne signed their death warrants. Maybe it disappointed the audience–obviously, as people were furious that Danaerys turned into what they called the Mad Queen–but as I read the outraged tweets and Facebook posts, all I could think was have you been watching this show? Did you really think we were going to get a happy ending all wrapped up in a bow?

I keep meaning to get back to reading the books but….it’s a lot of investment with no guarantee the series will ever be finished.

So, once I finish this coffee I am going to get dressed and run my errands–better to get them over with as early as possible, because there are five parades down the Avenue tonight; Friday is always an incredibly popular night for crowds down there; and with one of the most popular parades (Muses) moved to tonight, there’s no telling even this morning how far away I’ll have to park from my house. Heavy heaving sigh.

But happy last Friday before Fat Tuesday, everyone!

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Green Green Grass of Home

Monday morning, and the  warm-up weekend for Carnival is over. King Arthur/Merlin was a blast yesterday, as always–check out my Facebook page for the ridiculous amounts of beads we caught–and we also got two grails; mine is BURREES NUMBER 9, a combination Saints/LSU grail tribute to Drew Brees and Joe Burreaux! Easily the coolest thing I caught this first weekend.

And now for this week, which is utter and complete madness. I have to get up ridiculously early every day this week so I can get enough hours in to make a forty hour week and get off work early enough to get home to find a place to park before they close the streets. I suspect both Wednesday and Thursday aren’t going to be the easiest days to find parking–Wednesday night is Nyx; Thursday is Muses–and so I am resigned to not only having to walk a few blocks to get home from the car but having to trudge back to wherever I was able to leave it the next morning. Friday I have condom duty all night in the Quarter, and then I don’t have to go back into the office again until Ash Wednesday–but Fat Tuesday is, of course, a complete loss; trapped inside the parade route and nothing is really open anywhere, anyway.

I did manage to get some things done over the course of the weekend–I came up with a few more short story ideas because of course, exactly what I needed is more short story ideas–and actually worked on the Secret Project for a little while. I also spent some time reading Ali Brandon’s marvelous Double Booked for Death (I got the title wrong the other day), and also started working on my entry about Mary Higgins Clark’s Where Are The Children? I collapsed, exhausted and completely drained, into my easy chair last night and watched three more episodes of Rise of Empires: Ottoman. The siege and eventual fall of Constantinople is one of those dramatic events that changed the course of history, and forever altered the face of Europe and the Mediterranean Sea, also giving rise to centuries of Russian interest in the Black Sea and the Dardanelles, and desire for Constantinople and return it to the Orthodox Church. (The show is also giving me a final, deeper and better understanding of the geography of the city, which I’ve never been able to truly grasp before; I never really grasped where the Golden Horn was in relation to the city, nor that it was pretty much surrounded by water on a peninsula.) It’s very entertaining, and quite educational.

Whether I get anything done this week remains to be seen; I am still trying to figure out how and when to go to the gym on Wednesday, or how I am going to get the mail or make groceries, and when as well. #madness.

I also need to make a to-do list, but I think I’ll wait to do that for when I get to the office–I need to reschedule a doctor’s appointment, for one thing, and I also need to try to schedule Entergy to come replace our meter; I am going to try for Lundi Gras, which of course is ridiculous, but worth a try–I am going to have to spend that day getting the mail and making groceries, for one thing, and I making it to the gym because it’s closed on Samdi Gras (I just made that up; Fat Sunday) because there are parades literally all fucking day that day.

And on that note, I have to get ready to head into the spice mines. I slept deeply and well yesterday–combo of the gym and parades–and actually woke up on my own around four this morning, but naturally, went back to sleep for another two. One thing I’ve definitely noticed is an improvement in my sleep since I started back at the gym; and I need to keep going, if for no other reason than the improved sleep, you know? But I seem to be into it now, and I think I am going to be able to keep this momentum going.

One can hope, at any rate.

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Seven Year Ache

SATURDAY and the first weekend of parades! There are a ridiculous amount of them today: (Pontchartrain, Choctaw, and Freret this afternoon; Pygmalion and Sparta tonight), starting at one and following each other. Theoretically, there’s a break between afternoon and evening parades, but since they rarely start on time and are frequently delayed, I suspect there will be no such break today; or if there is one, it won’t be for very long.

Yesterday, despite getting off work early, the traffic home was horrendous. I had to run uptown to get the mail and had intended to get groceries as well, but I guess the parades were already started lining up on Tchoupitoulas, which forced all uptown/downtown traffic onto Magazine, Prytania, and St. Charles. I was unable to get to the grocery store–I’m going to try again this morning, despite the very real possibility I won’t be able to park anywhere near the Lost Apartment once I get back–but the first parade isn’t until one this afternoon, so I’m hopeful it won’t be an impossible task. I did get home, got started on the laundry and put a load into the dishwasher before heading to the gym–yes, that’s right; I made it to the gym during parade season and no, I don’t want a cookie. In the past my workouts always got derailed during Carnival–in fact, the last time I started going to the gym regularly Carnival broke the habit and I didn’t go back. So I am determined this year–no matter how difficult it might be–to get to the gym during Carnival this year. It will require some finesse, but I think I can manage to get it handled this year. I am really liking the way the working out is making me feel–and I’m sleeping better than I have in years. That, alone, makes it worthwhile. So, in a little bit I’m going to head uptown to get the mail–a package was delivered yesterday–and then I am heading to the grocery store; I only need a few things, so the entire trip–including the mail–shouldn’t be more than an hour, max.

I also got some more writing done yesterday–just a smidge, not very much–but I am hoping to get some more done today before the parades arrive. If the first starts at one, it probably won’t be here to the Neighborhood of the Nine Muses until around two-ish (which is why I think there really won’t be much of a break today between parades).

It was cold out on the parade route last night–it’s still chilly today, with a high in the low sixties–but it will be sunny, so all I need is a sweatshirt rather than a jacket, and of course a cap to cover my baldness, which feels the cold so much faster than the rest of me. We only were out there last night for about half an hour at most; we wandered up during Cleopatra (I was finishing the laundry during Oshun), caught some beads, and wandered back home, choosing to skip Alla and rest up for today’s insanity. It was much more crowded than I thought it would be–it’s never very crowded on the first night, but then it also usually rains on the first night–and everyone was having a good time and was very friendly. I think that’s one of the major parts of parade season no one thinks about or talks about–the fact that the entire stretch of the parade route is crowded with people and there’s never any problems or issues; if there are, they are few and far between and you don’t really hear about them. Everyone is in a good mood; people share their liquor with strangers; and it’s just a big genial party. That is almost as much fun as catching things.

Yeah, right. No, catching things is the BEST part.

At first, too, I wasn’t doing very well–I was misjudging throws and missing things. Someone from one of the floats threw a purple and gold LSU football at me–I was bedecked in LSU gear from head to toe–and it glanced off my fingers and bounced off a different direction. But I didn’t even have time to feel bad about missing the football because a handful of beads were coming right for my hand–and in true Wonder Woman bullets-and-bracelets fashion, my hand darted up and grabbed them.

I may start out rusty, but once I’m warmed up, I am plucking things from the air left and right.

So, I am hoping to finish the laundry that’s currently in the dryer, then I am going to get a cup of coffee to go and head uptown to get my package and then swing by the grocery store on the way home. I hope to have time to get some writing done this morning, and then of course it’s parades parades parades all day long.

I also started writing yet another short story this week with the working title “Smoky Mountain Rest Stop” (I will most likely shorten it at some point to “Rest Stop,” I don’t know. Maybe I’ll leave it the same.). I don’t know where it came from; I was busy doing data entry and work and happily listening to Spotify (I created a GAY DANCE MIX playlist on there, and it’s quite delightful, actually) when the idea came to me. I just envisioned a woman, driving from Chattanooga north on I-75, going somewhere she doesn’t want to, and  needing to stop because she has to use the bathroom–urgently. Incidentally, she isn’t from Chattanooga, but the story is set on the highway heading north between Chattanooga and Knoxville, through the Smoky Mountains. I am very familiar with that drive, as I have made it any number of times in the past twenty years since my parents moved to Kentucky; it’s a gorgeous stretch of road–the views are spectacular; the Smoky Mountains are quite beautiful–but it’s also extremely terrifying as well. The highway clings to the side of mountains and sometimes the climb is difficult, and then of course you have to be careful going down the other side because if you don’t pay attention suddenly you’re doing more than a hundred miles an hour and you don’t want to be doing that because of sharp curves and bastard eighteen-wheelers. It’s also very dark once the sun goes down, which makes it even scarier. I don’t know what the story is going to be–some amorphous form of it came to me last night as I relaxed in my easy chair with a glass of wine and mindlessly allowing Youtube autoplay keep showing me music videos. I’m not sure, as I said, which direction I want the story to go in, or where it’s going to go, but I have a very strong sense of my main character (Aimee), and that’s a good thing.

And on that note, I hear that the dryer has stopped, so it’s time to fold some laundry before I run those pesky errands. Happy Saturday, Constant Reader!

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Good Hearted Woman

Thursday, and Parades Eve in New Orleans. I have to work tomorrow from 9-2 rather than my usual 12-5, so that I can get home in time to get a place to park before they close the streets and the hordes from the rest of the city and the outer parishes descend upon my neighborhood for beads and other throws.

The gym is going well, thanks for asking. I’m trying not to get anxious about not getting instant results (seriously, you’d think I of all people would  know better) but my sleep is improving–IMPORTANT–and I physically feel much better than I have in years. I am still trying to go slowly, pace myself, and work my way back into it better–I suspect my impatience is what led to the constant re-injuring of my back–and I am starting to feel better about myself in general. That has been a constant battle with myself my entire life, but now that I am on the fast, downward waterslide to sixty, I think I am finally finding some sort of inner peace with myself.

It may have only taken me nearly six decades, but I’m getting there. Better late than never, right?

I watched another twenty-five minutes of The Talented Mr.Ripley yesterday on the treadmill, and I have to say each additional scene I watch makes me appreciate the script and Matt Damon’s performance as Tom even more. This is the sequence of the film in which Tom finally snaps and kills Dickie on the boat–and while certainly I don’t think Dickie needed killing, I do think he was a pretty awful person. The film sets this up in ways that Highsmith did not in the novel–by establishing Dickie as a player with a roving eye; the creation of the local village girl, Silvana, that he’s having an affair with, who ends up killing herself when she finds herself pregnant (although on my initial two viewings, I thought it was implied that Dickie actually killed her rather than her killing herself); the women he’s constantly ogling and flirting with; Marge’s tolerant acceptance of Dickie’s many many flaws because she just sighs and says “well, that’s Dickie”, which essentially turns her into a doormat who doesn’t think she deserves better–which really hurts Gwyneth Paltrow’s performance–Dickie has led Tom on (certainly in Tom’s mind) and while this isn’t really established so much in the film as it was in the novel, Tom is lonely and looking for friends and love while being torn apart inside as to who he actually is; so Dickie’s turning on him and cruelty in finally telling him to go away is so nasty and vicious Tom strikes him with the oar to shut him up–which results in further rage on Dickie’s part and Tom finally has to finish him off.

I know watching this film, after reading the book, is what is driving me to write “Festival of the Redeemer”–instead of what I really should be doing.

Ugh, creative ADHD is the absolute WORST.

But I finally got stuck last night on “Festival”, which means I can put it aside now while i think about how I want to structure it better. I also realized yesterday that it’s not a short story, but it’s also not enough story to be a novel; so a novella it is. I also have a kind of subversive idea about it not being a linear story; flashing back and forth from the present to the past.  It’s hard to get into details about it without giving too much away, but that’s the nice thing about short stories and, I suppose, novellas: you can play with things like structure and form that you can’t get away with in a shorter story or might not actually work, so best not to try it in a novel first, because if it doesn’t work straightening out the mess is a lot more work. I am rather curious about trying out more novellas, frankly; primarily because, as I often like to remind myself, some of James M. Cain’s novels, like The Postman Always Rings Twice, were closer to novellas than novels.

All of this speculation, of course, keeps me from actually writing, you know.

I started watching a series on Netflix last night about the fall of Constantinople, Ottoman: The Rise of an Empire, which was pretty interesting. I got a little bored, frankly, in the second episode, but I’ve always been interested in the old Eastern Roman Empire (rebranded by western historians as the Byzantine Empire, but it was the last vestiges of the Roman Empire. Western European historians managed to try, and succeed, for the most part, to erase that history by teaching that the Roman Empire ended when Rome fell in the fifth century–but the Roman Empire continued on for another thousand years until Constantinople fell in 1453. Westerners, attempting to claim themselves and their culture and civilization as the rightful heirs to Rome, began calling them the Byzantine Empire and referring to them as Greeks, but the Ottomans thought of them as the Romans. It was the Roman Empire. Lars Brownworth has done some wonderful histories of the eastern Roman empire and the history of the eastern Mediterranean; I highly recommend his work–he also appears with several other historians in the docuseries, which is a mixture of reenactment and documentary style filmmaking). The first episode was interesting, but my mind wandered during the second; so I shut it off about half-way through preparatory to going to bed.

So, here I am this morning with my first cup of coffee. The weather is supposed to be spectacular in New Orleans today and tomorrow–someone posted a picture of blooming flowers with the caption SPRING IN NEW ORLEANS and I wanted to comment um it’s February but then I realized, our spring IS in February and March and early April–and summer generally kicks into gear in late April and lasts till early October. This week has been hit-or-miss with rain and sunshine, but has been warm the entire time. I’ve not taken a jacket with me to work one day this week, and I’ve only carried my hats with me because my bald head gets cold in our building. (I forgot my hat yesterday and my head was cold all evening.)

And on that note, tis back to the spice mines with me. Have a lovely Thursday, Constant Reader, and I’ll catch up with you later.

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She’s in Love with the Boy

Well, good morning to you, too, Wednesday!

Last night after I got home and worked for a while–“Festival of the Redeemer” is coming along nicely, as well as some other things I’m doing–and when it was time to take a break for the evening, Romancing the Stone popped up on one of my streaming services (goal: determine cost-effectiveness of every streaming service compared to usage; and start canceling subscriptions–there’s far more to watch than I’ll ever be able to catch up on) and I thought, “ah, I’ve always loved this movie,” so I clicked play. I hadn’t thought about the movie in a very long time, but it’s one I remember fondly; I love Kathleen Turner and this was before Michael Douglas soured on me (I don’t know why, am aware that it’s completely unfair and based on nothing but raw feeling), I think it was one of Danny Devito’s first big roles in film after his big break as Louie on Taxi. It was clearly intended to be an attempt to reach the audiences that turned out in droves for Raiders of the Lost Ark (this was a big time for action/adventure films of this type), but while it’s not Raiders, it has a lot of its own charm and appeal.

If you’re not familiar with Romancing the Stone, it’s essentially another one of those movies about writers that shows how little screenwriters know about actual book publishing, or even how the novel-writing process works. It begins with a bizarre yet funny scene from a Western, with Kathleen Turner doing a voice over narration. As her heroine and her love interest finally evade the bad guys and ride off into the sunset together, the film cuts back to Kathleen Turner, sobbing at her typewriter, saying out loud oh that’s good, and then typing THE END. She then celebrates finishing her novel with her cat, Romeo–because she apparently has no friends, no love life, nothing, despite being an international bestselling author. (I will say, however, that one of the things I do appreciate about this film is that her apartment in Manhattan isn’t anything special; it’s not even remotely as nice as the one Monica and Rachel share on Friends–and one would think an international bestselling author could afford something nicer, but it was nice to see a relatively realistic Manhattan apartment.) She is kind of a nerdy girl; little to no make up, hair pulled back tightly, baggy clothing. Of course, over the course of the movie as she falls in love with the Michael Douglas character as they travel throughout Colombia (and there’s another flaw in the film; she has to rush off to Colombia to try to save her sister, and bring the treasure map her sister sent her in the mail–yet rather than flying from New York to Cartagena–where her sister is–she flies into some interior airport and then has to catch a bus through the jungle to Cartagena; Cartagena is a major city with an international airport. She could have just flown there–but then she wouldn’t have wound up in the interior, met the Michael Douglas character, found the treasure, etc etc etc.) We also see, as she falls in love with Jack (Michael Douglas) her blossoming into her full womanhood; she wears her hair down and lavishly styled, sexier clothes, make-up, etc.–because of course a successful career woman can’t be a complete woman without a man.

Not such a great message for a romantic adventure film, really. And once she returns to New York–and quickly bangs out a novel based on her adventures in Colombia–you can see the difference in her is also lasting, despite the fact she and Jack have been separated, but she keeps hoping–a “hopeful romantic”, as she describes herself to her only friend, her publisher, played by Holland Taylor–that he’ll show up; of course he does, complete with his dream sailing ship which they talked about in one of their getting-to-know-you, falling-in-love down sequences, and roll credits. The boat is even named after one of  her most popular characters.

I did enjoy watching the movie again, frankly; despite its weird misogynistic messages. It was a hit, and even spawned a sequel, The Jewel of the Nile, which I also remember enjoying, and it also made me think about how writers are often (incorrectly) portrayed in films and television programs–particularly romance writers. Joan, of course, is one; so is the wretched misogynist character Jack Nicholson plays in As Good as it Gets, and of course, one of my favorites–the character Meryl Streep plays in She-Devil.

But for the record, I’ve never once typed THE END when I finish a manuscript, and they also always make it seem as though writers write a complete and finished manuscript that is publishable the first time through.

If only that were the case.

I did manage, as I said earlier, to get some work done on that short story yesterday instead of what I should be working on, but sometimes something like “Festival of the Redeemer” gets stuck in your head and keeps insisting on coming out rather than what you should be doing. This morning I am going to try to get some emails caught up–I’ve already folded a load of laundry, emptied and refilled the dishwasher–and then I am going to try, desperately, to get some work done on the Secret Project, and maybe another five hundred or so words on “Festival.” I’m worrying it like a sore tooth, frankly, and for some reason I just want to write this story, give voice to this character, see Venice through his eyes, and slowly develop how poisonous the relationship he’s in actually is, and why he’s decided to do what he’s going to do in Venice. This is tricky–of course, it’s always tricky when trying to figure out motivation for killing someone, particularly when the relationship is as young as the one in the story. I don’t know if the story will actually work, and I’m not really sure I am telling it correctly, but I am deeply enjoying writing it, even if there’s no market for it anywhere.

Oh, well. I suppose I can try to talk my publisher into doing a second short story collection next year.

And on that note, tis back to the spice mines with me. Have a lovely Wednesday, everyone!

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Is There Life Out There

I slept well last night, so well that I didn’t want to get up this morning–yet these wasn’t another option, so here I am, with my first cup of coffee with darkness pressing against the windows as the sun slowly begins to rise in the east. It’s not terribly cold this morning in the Lost Apartment, so I assume it can’t be that cold outside. Stranger things have happened, though. And this is, of course, the first week that is going to end with parades this weekend on the Uptown route; the preview or prelude, if you will, to the six days of utter madness to come.

Thinking about it makes me feel very tired. I wonder which parade the LSU football team will be riding in? The last time they won the championship it was Rex; I wonder if that will hold true this year as well? I doubt Joe Burrow will be riding, though. I think he’s already departed from Baton Rouge.

It took me a while to decide what to read next, after finishing Tracy Clark’s sublime Broken Places. I finally settled on a reread of Mary Higgins Clark’s Where Are the Children? I’d be meaning to reread it for quite some time–I originally read it in its first paperback release when I was a teenager; it was one of those “phenomenon books” of the 1970’s, as I mentioned the other day; everyone was talking about Where Are the Children? when it was released, and it wasn’t as easy for a book to go viral back then as it is now. My memories of it were relatively vague since it’s been forty years or so since I first read it; I simply remember who the real bad guy was, and that the woman had successfully disappeared after the first trial–which probably would never happen today,, of course; her face, and videos of her, would be plastered all over the 24 hour news networks and the tabloids, so her disappearance probably wouldn’t work today–but I was relatively certain that she was the only point-of-view character, which, as i discovered as I started the reread yesterday, wasn’t quite true. The villain’s point of view is there, as is Nancy’s new husband’s, and you know what else? It’s even better than I remembered it; the pacing is genius, and the way Clark writes is also genius. I’m glad I picked it up again; it wasn’t easy to put it down, frankly, and I am itching to get back to it.

We also watched The Pharmacist yesterday on Netflix. I’d seen some local chatter about it on social media, and I knew it was a true crime documentary set here in New Orleans (or close enough nearby). It’s exceptionally well done, and it’s primarily set in Chalmette, in St. Bernard Parish, which borders the lower 9th ward of New Orleans. (Chalmette is also where the Battle of New Orleans took place, and the historic park is there.) I remember the story of the pharmacist trying to get justice for his murdered son from back in the day, but I didn’t realize Dan Schneider’s story had gone beyond that, which it did; exposing a pill mill office in New Orleans East, which helped lead to the opioid crisis as well as the new heroin outbreak. I do remember having to test at a clinic in Chalmette or Arabi in St. Bernard Parish once a month for several  years, and I never really tested a lot of people out there for HIV/AIDS, but on the rare occasions when someone would want to get tested, they inevitably would talk to me about how bad the addiction problem in St. Bernard Parish was–I remember one man telling, sadly, that “nearly everyone in the parish is addicted to something” and “you see discarded needles everywhere–in every parking lot, along the side of the road, pretty much everywhere you look.” Watching The Pharmacist brought back a lot of those memories of Mondays, heading down St. Claude Avenue to where it becomes the St. Bernard highway, crossing the Industrial Canal into the lower 9th and so forth.

Remember how I said the other day I am hardly an expert on New Orleans or Louisiana? This is a case in point. I think somehow I have to figure out how to write about the Louisiana opioid crisis at some point…no one else seems to be doing so.

I also went to the gym yesterday afternoon, and it was wonderful. I don’t want a cookie, but I would like it stated for the record that I neither had to force myself to go, and that once I was there, I enjoyed myself. It’s kind of nice to work my muscles again, and they feel like they are adapting to regular exercise again–this morning they don’t feel either tight or tired, which is kind of cool. I’m glad I resisted the urge to pick up like I hadn’t worked out in years, remembering to start slowly and work my way back into the routine. Right now I am doing a full body workout three times a week; this week is two sets of 12 reps on everything; next will be three sets; and then the week after that raise the weights. If I can keep this going–and right now, it doesn’t seem like there’s any reason not to–by about May I’ll be ready to go into a more concentrated, more difficult work out routine, focusing on specific body parts each time rather than the entire body.

I had started watching the Anthony Minghella version of  The Talented Mr. Ripley the last time I went, and so yesterday watched for another thirty minutes or so; I am close to halfway through the rewatch. The film is vastly different from the book, of course–a lot of the book was internal–and the homoeroticism, and Tom’s sexuality, are a lot more apparent in this film version than it was in the book. The book was more coded, the film, made in a freer, more accepting time, isn’t as afraid to delve deeply into the matter of Tom’s sexuality. In this second half hour of the film, the character of Freddy shows up, played perfectly by Philip Seymour Hoffman (he, along with Cate Blanchett and Matt Damon, definitely give the strongest performances in the film), and it’s also remarkable how beautifully the movie was filmed; it’s hard to go wrong with shooting on location in Italy. Watching the fracturing relationship between Tom and Dickie also makes more sense in the film than in the book; again, Damon’s performance is remarkably nuanced and sympathetic; you can’t help but feel sorry for Tom, so dazzled by this glimpse into a world he never knew before, and as someone who has been the “poor friend tagalong who can’t afford to make his own way,” I understand completely how Tom must have felt. In fact, I couldn’t stop thinking about that, and when I got home I started work on a new short story–“Festival of the Redeemer,” set in Venice. I’ve always wanted to write a story set in Venice (I did Tuscany in “Don’t Look Down,” and will eventually do Florence as well, I am sure) and I’ll probably work on that story some more this week.

I also worked on the Secret Project yesterday, which is finally starting to take shape.

And now, it’s time for me to get ready to head into the office. Have a lovely Monday, Constant Reader, and I’ll catch you on the flip side.

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