I slept late this morning, which is a latter-day miracle. I’ve been waking up at five for over a week now, which, while not entirely unpleasant, has resulted in me not necessarily feeling as rested and energetic as perhaps I could and/or should. I am hoping this is a good sign, and the fall back this weekend (which I resent every spring when we have to give the hour back) will give me an extra hour of sleep every morning until I adjust, which is also incredibly lovely. It’s another work-at-home day for me, and the data is glaring at me from the stack of forms I have to input today. But getting this finished and the forms out of the house is yet another step in the right direction in my attempts to get everything around here under control at long last.
I also need to get some more work on the book done today. Yesterday wasn’t a good one, frankly, so I tried going over the page proofs for #shedeservedit, which are due on Monday. In fact, I think I will try to get that finished this evening so I have the weekend completely free to write. LSU plays Alabama this weekend, which will undoubtedly be a tragedy in four quarters–and last year I stopped watching at half-time when the score was like 100-0. I don’t see this year being much more promising, frankly. Tomorrow morning I think I’m going to take a walk to scope out the neighborhood for the book a bit more–I am going to have to be a lot looser with the Irish Channel’s actual geography than I prefer to be in my books about New Orleans, but moving a house a few blocks really isn’t that big of a deal, as long as I get other things about the city right. New Orleans will have to be a character in the book, of course; my settings generally inevitably are characters in their own right–setting and atmosphere is probably my biggest strength as a writer, actually (someone shouts you have no strengths as a writer from the back; shut up, Imposter Syndrome! How very dare you!)–and I also really need to start getting more and more into who my point of view character is. She’s the key to the whole story, isn’t she? As well as her community of friends and family?
We shall see.
We got caught up on this week’s episodes of Dopesick and The Sinner last night once Paul got home from the gym. Dopesick, like the documentary Crime of the Century, sicken and disgust me; it’s impossible to watch either without feeling utter disgust for the billionaire Sackler family–still trying to evade any punishment for their crimes against the country, all in the name of greed and power–and for the corrupt system that allowed them to create an addiction crisis. Their intent was never helping people; it was about getting rich and doing whatever they could, including bribing people in oversight positions, to push this horribly addicting drug on unsuspecting pain patients, or people suffering from chronic pain. Pain is exhausting; the times when I’ve suffered through it–usually something relatively minor at that, like an abscessed tooth or a pulled/strained muscle–has been completely debilitating, and was always in the short term, over quickly with me only losing a few days to it. It’s impossible to think or work through pain; let alone function as a human being. I cannot imagine chronic, constant pain–and I can see how something like this drug could have seemed like a miracle to sufferers at first.
But things that seem to be too good to be true inevitably prove not to be.
Addiction is one of the things that absolutely terrifies me. I am terrified of developing a dependence on something, particularly at my age, and I feel relatively certain I wouldn’t have the strength to fight through it and recover. I’ve always worried about this at various times in my life; I certainly have a weird relationship with alcohol that I should probably write about someday. Currently I do worry about some of the medications I take daily, but I think I’ll be okay.
At least for now, at any rate.
And on that somber note, I am heading into the spice mines. I am kind of dull this morning–it’s also gloomy outside, but not “it’s going to rain” gloomy, but simply “lots and lots of white clouds” gloomy,
Thursday and working at home today. Data to enter and condoms to pack; but at least I don’t have to go out in public today, which is a blessing both for me and the public when it happens. I decided to stop and make groceries on the way home from work last night, to make this possible, and it’s an absolutely lovely thing to contemplate that I was smart enough to think ahead so I can just work from home and not go anywhere today, other than to the gym later on. My body isn’t happy that I’ve not been to the gym in weeks, and it is most definitely letting me know of its deep disapproval of this conduct. I may not even lift weights–but stretching is definitely on the agenda. I need to really stretch every day, to keep my muscles from tightening and knotting, and all the knots and tightness and tension I am feeling this morning is yet another example of why self-care, particularly in trying times, is so absolutely necessary.
I also really need to get back to writing more regularly. I always feel better when I’m working, writing, than when I am not. You’d think after over twenty years of writing, this would be firmly imprinted on my brain: writing and creating are imprinted into your DNA and when you aren’t doing it, you’re making yourself miserable. I’ve always believed the the so-called trope of “writer’s block” is actually a symptom of depression; there’s something else going on in your brain that is preventing you from creating. (I cannot, as always, speak for writers other than myself; this is my belief and my experience. I’ve also come to recognize that I don’t want to do it mentality when it comes to writing for me is my own personal version of writer’s block–the depression and the imposter syndrome insidiously doing its work on my brain: why do something you love to do when you can not do it and feel bad about yourself and question your ability to do it?) There have been a lot of distractions lately–really, since The Power Went Out–and I need to stop allowing shit to take me out of the mindset that the most important thing to do in my free time from now until January is to write the fucking book.
The book is the most important thing right now.
I did spend some time revising the first chapter last night, despite having the usual “third day in a row up at six” tiredness last night. It felt good, as I knew it would, and spending some doing something I truly love really gave me a rush of sorts; I was able to sleep deeply and well last night, I feel very even and stress-free this morning, and some of the knots in my shoulders, neck and back seem to have relaxed this morning, and I feel rested, more rested than I have felt in quite some time. Untangling the thorny knots of problems in a manuscript–while forcing me to think and use logic and reason while being creative–is perhaps the best cure for anything I have going on at the time. Escaping into writing has always been my solace, going back to the days when I was that lone queer kid in Kansas, and it still works to this day.
It’s actually an interesting challenge for me–writing a book set in New Orleans that doesn’t center a gay man or any gay issues. (There will be queer characters–I can’t write anything without including some; sue me.) The book is also centered in a neighborhood with which I have some familiarity, but I obviously don’t know it as well as the Lower Garden District (where Chanse lives, and where Paul and I have always lived) or the Quarter (where Scotty lives); it’s the same neighborhood where my main character in Never Kiss a Stranger also lives, so I need to get more familiar with how it is NOW…I tend to always think of neighborhoods as they were not as they currently are; which means I need to go walk around and take some pictures and get a sense/feel for who lives there, what it’s like now, etc. This neighborhood used to be considered sketchy when I first started coming here/when we first moved here; the price ranges for rentals and properties now (well, every-fucking-where in New Orleans now) are hard for me to wrap my mind around. (When I was writing my first book, Murder in the Rue Dauphine, I made a reference to “million dollar homes in the Garden District; this was in the late 1990’s. My first reader–beta reader, they’d call it now–highlighted the sentence with the note there are no million dollar homes in New Orleans. The Internet then was not what it is now, of course, so I was surprised to look in the real estate listings in the Times-Picayune to see she was correct. Now, homes in neighborhoods that used to be considered ‘dangerous’ go for over $400k; I just looked at “houses for sale” on Zillow in the neighborhood I am using and was not in the least bit surprised to see that a house like the one my character lives in is listed for 1.15 million…which is actually a plot point I am going to use in the book. And while verifying this just now didn’t surprise me, per se, it did make me shake my head and wonder, who is paying this for a house in New Orleans?)
I don’t see how any working class people can actually afford to live here anymore, really. Sure, there are still neighborhoods that “affordable” when compared to the neighborhoods adjacent to the levees, but the fact that our original apartment, that we paid $495 per month for, now goes for $2100. And that’s something I think I should address in an upcoming book–whether in this new series, or in a Scotty.
I’ve also found myself going down wormholes about Louisiana and New Orleans history a lot lately; I’ve never been conversant in either other than the basics–Bienville arrived and set up camp; why English Turn is called English Turn; Spain takes over from France, and so on. Both city and state have a deep, rich and sometimes horrifying history; it’s little wonder the city is so haunted. So much ugliness, so much violence, so much criminal activity! (Which kind of thematically what I was exploring in Bury Me in Shadows–how the history of violence and ugliness in a particular area can poison it) It’s why I am always amused that the white-supremacists-who-don’t-want-people-to-think-they-are will always cry and whine about crime in New Orleans–when they haven’t lived here in decades and were part of the white flight when the schools were desegregated–they left because of crime, not because they didn’t want their kids to go to school with black kids, oh no! It was the crime! (But if you give them enough rope, they will always bring race into it eventually). New Orleans has always had a dark past, has always had high crime rates, has always had corrupt politicians…but the crime here is why they left…even though the white politicians were also always criminals, and there has always been a lot of violent crime here.
Anyway, I went into a wormhole the other day about the possible murder of Louisiana’s first Black lieutenant governor, Oscar Dunn–who may or may not have been murdered in 1871. What a great historical true crime book that would make, wouldn’t it? Post war, the racial tensions in the city, Reconstruction going on…and on the other hand, it could also make a great historical mystery novel as well! Yet another idea, yet another folder, yet another possibility for the future.
It never ends.
And on that note, tis time for me to head into the spice mines. Have a lovely day, Constant Reader!
Wednesday and it’s all downhill from here into the weekend, isn’t it?
It’s been an interesting week, to say the least. But I am handling everything and getting some good rest at night; getting a handle on everything that needs to get done in the next few months, and am rather excited about everything rather than intimidated–which is an absolutely lovely change, frankly; it’s been awhile since I’ve seen a lengthy to-do list as an exhilarating challenge rather than a depressing reminder of not being able to keep up with things, and I am glad there has been a mental shift for me. Huzzah!
One of the hardest things for me, as a writer who has an appalling amount of creative AHDH, is having to put aside something I am already working on to work on something that has a contract and a deadline, plus I am a bit of a completist; I don’t like leaving something unfinished once it’s started (hence all those files of unfinished stories and fragments and so forth). I had planned originally to spend this fall writing Chlorine, but another book opportunity dropped into my lap and I got a contract, so Chlorine–being written on spec–has to be put to the side for the actual contracted work. The two books are completely different in everything, from voice to tone to style to setting, so I am having to shift from one mindset to another. This used to be incredibly easy–switching back and forth from Chanse to Scotty and back again was incredibly good training–but it’s not as easy as it once was. (For that matter, what is?) And when you take into consideration that I was also in the midst of revising a novella when the storm came ashore and The Power Went Out…yeah, my creative mind is definitely all over the place….and all three are, as I said, completely different in style and tone and voice and plot.
And I keep getting more and more ideas every day! It never ends, really.
I also have a short story to finish at some point as well. AUGH.
But I will not allow myself to fall into the trap of being overwhelmed–you see in the last sentence how I almost began backsliding into it? NO. I can do it, and I will do it.
But first, I need to make a to-do list. I think one of the biggest problems I’ve had over the last two years–the reason I have been primarily feeling so overwhelmed–is the utter lack of organization I’ve been dealing with. I never seem to be able to get a handle on everything I need to get done (recognizing that I am older and no longer have the energy I once did) primarily because when the pandemic hit, I got out of my routine last year and stopped making to-do lists…which got me behind, and I never really have been able to sit down and get a real handle on everything again. My office space at home is getting sorted–there’s still a lot of work to get done around there, too–and I am hoping that by the end of this year I will see the light at the end of the proverbial tunnel and maybe, just maybe, 2022 will be the year I am able to manage things a lot better for myself.
Interesting thoughts before the sun comes up on a Wednesday morning in November, eh?
Trying to focus has been one of the biggest challenges for me during the pandemic, frankly. I am used to being scattered–of the necessity of multi-tasking rather than trying to simply do one thing at a time, which would ultimately be disastrous for me–but with the addition emotional drain of the pandemic, that’s become a lot more difficult. Still. I’ve managed to get some writing done–I finished rewriting two novels, there were some short stories along the way, and I did write drafts of the novellas–but I feel for the most part like the last two years were lost somehow. I’ve also reached the point where I don’t believe that any of this is ever going to go back to anything like it was two years ago, before the pandemic started. The world, our society, everything has changed–whether that’s for the better or not remains to be seen, I think.
But today I am going to try to get a thorough–and undoubtedly long–to-do list finished; in fact, I am most likely going to make three; one for the short term, one for the rest of the year, and one for long term. It is essential for me in order to get organized, for me to have some idea of what needs to be done and by when, and I also need to clean out some files. I think, if I can get some serious writing done during the rest of this week, I may take Saturday to clean out the filing, and get some of the boxes of files in the living room cleared out and up into the attic. There are a bunch of files in the filing cabinet I can put away into storage; I rarely go into the file cabinet for anything, after all, and I really do not need easy access to contracts I signed twenty years ago. It’s just such a huge job that I really haven’t been able to face it for quite some time, but I think I need to just bite the damned bullet and take a day (probably this Saturday, LSU plays Alabama which will be a horrifyingly painful to watch mismatch) and get it done. Some of this stuff can also probably be thrown away at some point as well…sure, it’s great to have hard copies of things in case electronic files get lost (which can happen, and is my biggest fear) but at the same time…well, it’s already happened a few times already and hasn’t really had a great impact on anything going on for me.
And maybe, just maybe, it’s time for me to come up with a five-year plan, personally and professionally. In five years, after all, I will be retirement age, and retirement is beginning to look a lot better to me the more time passes–despite the gutting of social security and Medicare, as well as the lack of enthusiasm by politicians to fix them–and so I need to figure out how to make that possible. The plan was always that a strong income from writing would correlate nicely with my social security and retirement; but that plan isn’t looking very good at the moment. Granted, not having to give my office forty hours a week would–and should–free me to do more writing, which means income increase from that part of the my life, but the insurance is terrifying…which is why I try not to think about it or look into it too much.
Sadly, I think our retirement will mean having to leave New Orleans and live somewhere a lot less expensive. Disappointing, to be sure–I assumed I’d die in New Orleans–but…as living costs continue to escalate here and rents/property values keep sky-rocketing, I don’t see how it’s even going to be possible.
Ugh, that’s a road of depressing thinking I didn’t want to take this morning, so on that note, I am going to cleanse my mind and get on with my day. Have a lovely one, Constant Reader.
Here we are on a Tuesday morning with the time change coming and the weather shifting into big-time fall. Yesterday was simply beautiful outside; the sky that magnificent shade of cerulean I’ve never seen anywhere else (Italy has the most beautiful skies) and you can go for a walk without getting drenched in sweat. It’s hard to believe Thanksgiving is right around the corner, with Christmas and New Year’s hot on its tail; and whatever Carnival is going to be is right behind.
Yes, it is that time of year again. HOLIDAYS.
Sigh.
I loved the holidays when I was a kid. Christmas meant presents and a tree and turkey and dressing and decorations and candy and no school for at least two weeks. Thanksgiving didn’t mean presents, but I always always loved that meal (we always had turkey and dressing for both Thanksgiving and Christmas, and got to eat the leftovers for days after). As I got older the thrill of the holidays slowly began to wane. By the time I moved in with Paul I was almost completely over them. Almost six years with an airline–which meant working on the holidays if they fell on your scheduled day to work; the airport never closes and neither do the airlines–had kind of robbed the joy from them for me; I could only see family sometime around the holidays, depending on open seats on flights, which were scarce, and spending them with friends wasn’t quite the same thing. We stopped putting up Christmas decorations when we got Scooter–Skittle wasn’t an issue; he’d go knock a ball off the tree, lose interest and go away; Scooter saw Christmas tree and decorations and thought amusement park! And since he loves nothing more than chewing plastic–the first time I caught him trying to chew on a string of lights, that was it for the Christmas decorations. And every time I go up into the attic, I see the box of decorations and think, should I throw them away? We don’t use them, and even–God forbid, knock on wood–when the day comes that we no longer have Scooter with us, will we use them again?
Given our history, it’s very unlikely. And while the Lost Apartment isn’t as festive around the holidays as it could be, as we’ve gotten older it’s just not as important to either of us as it once was. Sure, we enjoy buying each other gifts, and sharing them–Paul always wins Christmas, no matter how hard I try to get him something absolutely perfect, he always gets me something that is so incredibly thoughtful I get teary-eyed–and we enjoy the new traditions that we have come up with together.
And really, the true gift of the holiday is spending it together, unplugging from the world, and just enjoying each other’s company.
But it’s after Halloween now, so the Christmas stuff is coming out in the stores, and the music will start playing everywhere (thank God I don’t listen to the radio anymore). The Christmas specials and movies will start airing again, every television series will have a Christmas episode of some kind (thank you, Ted Lasso, for doing it in the summer time), and advertising will have a distinctive green and red flavor to it. I will inevitably start grumping about the serious overkill–and I am also not looking forward to this year’s noxious and untrue revisitation of the right-wing “war on Christmas” narrative.
My latest Scotty book, Royal Street Reveillon, was an actual Christmas book, set in New Orleans during the Christmas season. One part of Christmas I never get tired of is the way New Orleans dresses herself up for the holiday–and seriously, if you are in town and can get a chance to go look at the lobby of the Roosevelt Hotel, it’s breathtakingly beautiful; which is why I had the book start with Scotty getting Taylor his first sazerac in the Sazerac Bar of the Roosevelt Hotel. I wanted to talk about how beautifully the hotel is decorated, how gorgeous the city is in its Christmas finery, and of course–I got to talk about a particularly New Orleans Christmas tradition–reveillon dinner. It’s funny, because I have tried to write about Christmas before–I do, at heart, love Christmas and everything it is supposed to stand for, even if I get Scrooge-like about the overkill in mid-December–but I’ve never really had much success with writing an actual Christmas story. I tried writing Christmas short stories before, but coming up with something original that is also sweet and about love and kindness is incredibly difficult; it’s like every possible idea has already had every bit of juice squeezed out of it already (how many versions of A Christmas Carol or It’s a Wonderful Life do we really need, anyway?). I wrote three first drafts of Christmas stories–“Silver Bells,” “Silent Night,” and “Reindeer on the Rooftop”–but the first two turned out incredibly sad and depressing and the latter so saccharine sweet it made my teeth ache. I’d always thought of doing a Scotty Christmas book, once I decided to keep the series going past the original three; the original idea of the first trilogy was the gay holidays–Decadence, Halloween, Carnival–and then I thought I would tie all future Scottys around holidays; when I revived the series with Book 4, Vieux CarréVoodoo, opened on Easter Sunday and the end of Lent–which seemed appropriate since the previous book was set during Carnival (I’d actually forgotten about that). Of course, I moved away from that with Who Dat Whodunnit (which was around the Saints Super Bowl win, but also included a Christmas scene with the other side of Scotty’s family, the Bradleys, now that I think about it) and Baton Rouge Bingo…so maybe actually doing a Halloween Scotty book might be in order (I have mentioned this before, of course) since Jackson Square Jazz was set the week before Halloween.
And thinking of the kind of trouble Scotty could get into over Halloween puts a little smile on my face.
I need to buckle down and get to work on my book. It’s due in January and time is slipping into the future…so on that note, dear Constant Reader, I am going to finish this and head into the spice mines. Have a lovely Tuesday!
My booster shot threw me for a loop. My arm is still sore this morning, but at least today I feel good. Yesterday I had a reaction of sorts–I felt slightly feverish and low energy all day. I also had a lot of day job stuff to get done, so I basically shut off the Internet and spent the day doing my day job stuff while watching The Lost Symbol on Peacock. As the show reaches its inevitable conclusion, it is kind of going off the rails a little bit, but it’s entertaining enough to see through.
Unlike this past season of American Horror Story, which we have not finished. All that’s left is the season finale, but I honestly don’t care one way or the other how it ends; neither does Paul, which means we will inevitably only end up watching if there is literally nothing else for us to watch. (There are several past seasons we never finished, either.) We got caught up on The Morning Show last night before bed; I’m not really sure how I felt about this past week’s episode other than, well, distaste? I mean, I think I get what they were trying to do with it, but it really didn’t come across the way they intended. Or maybe it did come across the way they wanted to, but I have to ask, why would you want to do this?
I don’t even know if I am going to bother turning on the television today. Sure, there are some good games today–and maybe, just maybe, I can take a break after meeting my word quota this morning/afternoon and turn it on to see what’s going on in the world of college football; I can also just google college football scores today and be done with it, not risking the comfort of my chair and the ease of watching suck me in and end my productivity for the day. But even if that is the case and it does happen, at least none of today’s games will involve LSU–which means they won’t be stressful in the least and I won’t get worked up. The Saints play tomorrow afternoon–Tom Brady and Tampa Bay–which is late enough in the day that even if I do end up watching it, it won’t wreck my day; I should be able to get a lot done before the 3:25 kick-off time.
I wanted to go to the gym last night and again today, but the soreness of my arm has taken that off the table. I’m not really sure when I became such a delicate flower, but yeesh. I bruise deeply whenever I have blood drawn; my arm is still sore two days after a shot; and it took me a couple of days to recover from last week’s anesthesia. Maybe this is a part of getting older I wasn’t warned about (there was an awful lot I wasn’t warned about, frankly, and am starting to get a bit bitter about it all), but it’s unpleasant and it’s not something I really want to get used to or have to plan around, but I am obviously going to have to change that mindset and accept it as yet another unpleasant surprise side effect of aging.
The weather has finally turned cooler here, what other parts of the country might not see necessarily as cooler but compared to the summers, oh yes, it’s much cooler here now. It was absolutely gorgeous outside the last two days; I suspect today is going to be equally lovely. I may even take my laptop outside and work out there (the power washing of the house and concrete walk still catches me off-guard whenever I go outside; the disappearance of those layers of grime accumulated over years has completely changed how it looks out there on the side of the house), which would be crazy but kind of fun. Might as well take advantage of the weather, right? And it never hurts to get fresh air, be out of doors…
And I cannot believe tomorrow is Halloween, which makes Monday November. The earlier part of this year seems like it was a million years ago; I can barely remember what 2019 and pre-pandemic life was like. (The Morning Show’s current season takes place as the pandemic is beginning; the shutdown hasn’t yet happened but it’s weird watching it all play out again; gutsy call by the show to deal with it, I think; there has been a lot of discussion–I don’t remember when, frankly–about whether we as creative artists should address the pandemic in a book. If I do, it will definitely be through Scotty’s eyes.)
But this morning dawns bright and hopeful, as always. I slept decently (despite being up much earlier than I would have hoped) and feel rested this morning. I am going to clean the kitchen and do some organizing once I’ve finished this and posted it; I need to clean out my inbox of email; and there’s some other business I have to address this morning. It makes for a busy Gregalicious, but I feel like I can handle anything and everything this morning (which is something I shouldn’t put out into the universe, really; it rather seems like tempting fate, doesn’t it?).
OH! We watched The Way Down last night, a three part documentary on HBO about Gwen Shamblin Lara, the controversial evangelical minister who tied weight loss to Christianity (“bow down to God, not your refrigerator!). It was incredibly fascinating to watch; you cannot make this shit up in a novel, seriously. It was of interest to me because Gwen was raised in the southern version of the Church of Christ, (‘churchachrist’ is how it’s said) as was I, and after I said, “Oh, my family is Church of Christ” in the first episode when it first was mentioned…and as they went on to talk about how conservative and restrictive that sect is, with me nodding and saying “yep” over and over again, Paul finally said, “wow, you said it was bad but I had no idea HOW bad it was” which just made me laugh. We all carry scars, don’t we, from our pasts and our childhoods?
And on that heavy and somber note, I am heading into the spice mines. The dishes ain’t going to wash themselves, after all. Have a lovely Saturday, Constant Reader, and I will check in on you all tomorrow.
I got my boosters shot yesterday; other than some arm soreness, I seem to be okay–no gills have developed, no wings, and no scales–but the day is young. The weather here turned very cool yesterday, which was incredibly lovely; fall and spring are so divine here, it makes us forget the swampy hell of the summer every year. Yesterday wasn’t a bad day; I managed to get a lot of work-at-home duties done, while watching Foundation (I am all in on the show now) and then started, of all things, Peacock’s original series adaptation of Dan Brown’s The Lost Symbol (more on that later). I have quite the busy day ahead of me now; lots of work at home duties and as always, the Lost Apartment is a disaster area. I am actually up much earlier than I have been getting up on my non-going-into-the office mornings, and it kind of feels good. The light outside is different than it has been–another indication that the world’s turning has shifted and daylight savings is looming on the horizon (next weekend)–and it’s a nice morning here with my coffee here in my kitchen-office.
The house was power-washed this week, and despite the fact we’ve been living here on this property since 2003, I had always thought under all the accumulated grime from the air here (our air quality is something I try not to think about very often, but it’s hard when you see how much of it gets on your car and windshield) the house was painted a pale blue; turns out it is pale coral. Who knew? They also power-washed the concrete sidewalks around the house; the difference is very startling. I am taking the power-washing as a hint that the apartment needs an even deeper dive cleaning. There’s no LSU game tomorrow (thank God, really; I am dreading the Alabama game next week), so I have the entire day free. There are some good games airing, but there’s no need for me to sit in my chair and spend the entire day watching college football, either. There is a Saints game on Sunday–Tampa Bay and Tom Brady–but that’s late enough for me to watch so I can get things done during the day; and a 3:25 start time is also a nice time to call it a day on everything else I am doing around here.
I haven’t started Scott Carson’s The Chill yet, either; ironically I got a copy of his new release. Where They Wait, this week (as well as a copy of Lucy Foley’s The Guest List), so I should probably crack the spine of The Chill at some point today. Scott Carson is the name Michael Koryta (one of my favorite authors) uses now to write horror (he used to write it under his own name. Not sure why the switch/rebrand, but probably has something to do with Koryta being branded for top notch crime fiction; seriously, check out his work if you haven’t. I recommend starting with The Prophet, and if you’ve not read Megan Abbott’s Dare Me, they pair together very nicely).
I also really, really need to write this weekend. I need to write a lot. I also have to do the page proofs for #shedeservedit, but they aren’t due until a week from Monday, and I think the more time I take away from that manuscript the better job of proofing I will do on it. I am a shitty shitty shitty proofreader, which is probably why there are more mistakes in my finished books than there should be in anyone’s printed books. But at least there’s time for me to let them sit and percolate before I jump on them; I am usually so heartily sick of any book at the proofreading stage that I don’t pay as close attention as I might. On the other hand, it’s also entirely possible that I am being too hard on myself, which is something of which I am frequently guilty. No one is as hard on me as I am on myself. At some point in my life I pretty much decided if I was super-critical of myself, other people’s criticisms wouldn’t hurt me as much as they had before–and it became deeply engrained into my psyche, and it’s actually more damaging to me than accepting criticisms from others.
Many years ago I decided to stop being unkind to writers and their books on my blog. If I read a book I didn’t care for, I wasn’t going to dis it on the Internet–because I don’t want to hurt anyone’s feelings, primarily, and I am not always highly receptive to negative nastiness about my own work. (I tend to say “I’m not the right audience for this book” now.) I didn’t want to be become like those professional reviewers who hate everything, and make their reviews about how smart the reviewer is and how bad of a book they are destroying in print. At the time I made that decision, I also decided there were two exceptions to my rule: Stephenie Meyer and Dan Brown. What was my small voice, after all, in the chorus of critics and readers worldwide who loathe their writing? It did strike me as hypocritical from time to time, and so I stopped even doing that. They are, no matter how much success and money they have, still human beings with feelings, and there’s a sense that mocking and insulting their work, no matter how small my platform or voice, is just piling on.
Having said that, I will admit I greatly enjoyed The Da Vinci Code when it was released, enough so that I went back and read the first Robert Langdon novel, Angels and Demons (which I actually thought was better). It was a great ride, and I already had some familiarity with the idea of the Christ bloodline, having read Holy Blood Holy Grail at some point in the 1980’s, with its outlandish (if interesting) claims that were eventually turned out to have been based in a great fraud. It combined a lot of things that tick off boxes for me: treasure hunt based in history, actual historical events, the Knights Templar, the Cathar heresy, the Crusades, and of course, making the Catholic Church the great villain of the story (the only better villains are Nazis, really). Was it greatly written? I honestly can’t say now, it’s been so long since I read it. But I did read The Lost Symbol, his follow-up, when it was released and absolutely hated every word of it. I tried to read the next, Inferno, and gave up after the first chapter. I’ve never watched any of the films–although now I am thinking it might be interesting to do so. When I saw the Peacock was adapting The Lost Symbol, I actually (thank you, faulty memory) thought it was the Brown novel I hadn’t finished. After I got caught up on Foundation but still had at least another couple of hours’ worth of condom packing to do, I decided to try The Lost Symbol. Even as I watched the first episode, none of it seemed familiar to me, and it wasn’t until they mentioned the painting “The Apotheosis of George Washington” (that may not be the actual name; but it’s the painting in a government building ceiling where it looks like Washington is being greeted into heaven as a god) that I began to suspect that I had actually read the book; by the time they descended into the tunnels below the city and met the Architect of the Capital I thought, oh yes I did read this and didn’t much care for it. But the show itself held my attention–it’s an adventure story, after all, and Ashley Zukerman was very well cast as Langdon. I look forward to continuing watching it–at least while I wait for the new episodes of everything else we are currently watching to be loaded for streaming.
And on that note, it’s time for me to head into the spice mines. Have a lovely Friday, Constant Reader–I’ll come back tomorrow to check in.
Working at home today, but heading into the office this afternoon to get my booster shot. Yay, booster shot!
It’s hard to believe that Halloween is this weekend. WHERE THE HELL DID OCTOBER GO? Granted, when I think back to the summer or spring (let alone the winter) it does seem like it was a million years ago; time seems to slip past very quickly but when looking back, I don’t think, “wasn’t it just Labor Day?” This year has certainly been something–but I much prefer 2021 to 2020, any day of the week, and maybe, just maybe, 2022 will be better than 2021.
Fingers crossed, at any rate.
This has been a strange week. My fuse has been shorter than usual; I don’t know what that is about because I’ve been sleeping really well and have been productive, but at the same time I’ve not actually been writing, and that always causes trouble for me in the long run; if I don’t write, my mood darkens (something I always seem to forget). I’ve not been tired this week–at least not until I get home from the office, at any rate; I generally have been running out of steam around six or so in the evening, which means neither writing nor reading anything; although I’ve been going over my edits in the evenings and will probably do my proofing in the evening as well. I want to step away from the book for a few days anyway; there have been so many drafts and so many changes that I was slowly beginning to not completely trust my memory for the edits (I couldn’t remember if something was in the current draft or I was remembering a former one; I eventually gave up on my memory and trusted that my editor was getting things right because there was no way I could be certain….this memory thing is really becoming problematic).
The memory thing is becoming enough of an issue that I may need to end the Scotty series because I can’t remember what has happened in the past books…I keep meaning to make a series Bible–even took the time to go through a set of the series with little post-it notes, color-coded by character and location…just never got around to extracting the information. Maybe one of these days when I am really tired, or really bored…it probably wouldn’t be a completely terrible idea to reread the entire series from beginning to end, either. Sigh. I really don’t like rereading my own stuff because inevitably I will always find things I want to fix or correct and revise…and of course, it’s too late.
Last night we had the most terrifyingly powerful thunderstorm. The thunder sometimes seemed it wasn’t going to end, and there was more of a downpour than we had during Hurricane Ida. I mean, I was watching television (Paul had gone to the gym) and if I notice that it’s raining–if I can hear it–that means it’s literally getting close to time to build an ark. I actually wondered if I should move the car…and am still a little nervous about getting into it later to drive to the office for my booster to find out it flooded or something. It ended before Paul came home from the gym, but I was worried about him–the lightning and thunder was so intense, and the downpour so strong…it was pretty bad in the parishes so damaged by Ida, too, particularly in Lafourche and Terrebonne.
Louisianans don’t get near enough credit for toughness and resiliency, methinks.
I started watching Foundation again last night, and am really glad I did, as the action and story begin to seriously pick up in episode 4. There’s a weird gap of time between the second and third episodes–definitely a risk by the producers and writers–which isn’t really explained; episode two ends on a major cliffhanger and when the third episode begins, it’s like thirty or more years later, with no explanation or follow-up to the second episode–which was jarring to me as a viewer. But enough happens in episode four that I started to finally get sucked into the story, and episode five was spectacular; I am definitely all-in on the show now. It’s incredibly well-done; visually it’s gorgeous and stunning and epic in design, and it also expands heavily on the original stories. (I read the Foundation trilogy–it was originally a trilogy–back in my brief scifi/fantasy period of the 1980’s; I also read all the follow up Foundation novels, and loved them all. I don’t remember an awful lot of the books, but I do remember being very impressed by them and the universe they created; I loved them so much I went back and read much of Azimov’s past science fictions–the robot books, the Lije Bailey/Daneel Olivaw novels–and really came to an appreciation of Azimov as a visionary writer.)
We also watched the most recent episode of Dopesick, and what a stunning indictment of our capitalist system it is. The fact that the Sackler family’s greed resulted in our current opioid crisis and I don’t even know how many deaths and addictions and crimes…and the fact they are going to not only get away with it but keep most of their ill-gotten gains is sickening and disgusting to me. Sure, Purdue Pharma is bankrupt and going out of business, but the real evil here is the family that owned it–and the fact they are not going to have anything happen to them other than losing a few billion (out of over a dozen)–gosh, how will they fucking sleep at night? The Sacklers certainly make me understand why people so fervently believe in hell.
And on that note, it’s back to the spice mines with me. Have a lovely day, Constant Reader, and I will check in on you again in the morning.
Tuesday morning and I feel like I had a good night’s sleep; I certainly am not feeling groggy or tired this morning; at least not yet anyway. I was very tired yesterday, though–I started the day out pretty well but around ten in the morning started to drag, and then just managed to hang on by my fingernails for the rest of the day. I ran some errands on my way home from the office, made dinner for Paul, and then watched a bit of the Saints game for a bit before we watched two episodes of Dopesick, which is really quite good. (It also makes me angry.) We switched back over to the Saints game for a bit before I went to bed; I am very glad to see they did go on to beat the Seahawks 13-10 in what may be the lowest scoring Saints game that I can remember.
I still have a lot to do this week, and so I really need to be certain I am getting the rest I need so I can get the work done I need to get done.
I finished going over the final third of #shedeservedit last night, and it’s better than I remembered it being; it’s hard, really, for me to tell because the manuscript has gone through so many iterations on its path to being published. I started writing this book way back in the summer of 2015, when I was feeling incredibly burned out and was trying to take a break from the non-stop grind of deadlines. 2010-2015 was probably the period when I published the most work, from novels to short stories to anthologies, and I was exhausted, frankly. That was also the time when I did my first service on the Mystery Writers of America board, and with all that writing and all that volunteering on top of my day job I was worn down, exhausted, drained. I’d been wanting to write this book for a while, but at the same time wasn’t terribly confident that I would be able to write it properly, so I decided to take that summer and work on it; I literally wrote the ninety-six thousand word first draft that July. I wasn’t certain how to end it, so I never wrote the last chapter, figuring I would figure out the right way to end it when I was revising it. It went through any number of revisions and redrafts over the years that followed; more drafts than anything I’ve published since Murder in the Rue Dauphine, actually–and that didn’t exactly make me feel any more confident. I tried to get an agent with this manuscript; only one agent I queried actually bothered to reply with a ‘not interested but it sounds good’ brush-off email. This was obviously disappointing (every time I’ve looked for an agent has been disappointing; I try not to let it effect my confidence anymore, and evolved to the point where generally I make a joke out of the fact that I’ve never had representation. I’ve not done badly for myself, really, without one; I probably wouldn’t have the career I do now had I had an agent, but conversely it’s also possible I would have a much better one.
You never know.
I’d intended to start reading Scott Carson’s The Chill last night, which has, at its core, a concept that’s always interested me and one I’ve always wanted to write about: a town submerged by the rising waters of a dammed river. Alas, I had to read those last chapters of my own book to sign off on the edits, and alas, by the time I was done with that I was too fatigued mentally to really focus on reading anything. I am hoping to be able to either make it to the gym for a quick and easy workout this evening or to read the book some before Paul and I settle in for more episodes of Dopesick.
One more day of getting up before dawn this week. When does the time change again this fall? Ah, not this weekend but next, the seventh of November; that’s the night we get an extra hour to sleep in. I suppose it is an improvement having it start getting darker an hour later than it does already, or is it the other way around? My mind has gotten so mushy these days I have trouble remember time zone differences if I don’t sit down and think about it really hard–which is truly tragic for a former airline employee who used to have to not only know the time differences but which zone what cities were in, and to know it so well I didn’t even have to think about it. Heavy heaving sigh.
But I am hoping to get back on track with everything today. I do feel more rested and awake than I did yesterday, and am equally hopeful that the energy won’t flag in mid-morning today, either. I managed to sleepwalk my way through a pretty good level of productivity yesterday, all things considered–I did get some things done that needed to be done–and my fingers and toes are crossed that today will follow suit that way as well. And there’s the sun, too; so perhaps it is time for me to head into the spice mines this morning. Have a lovely Tuesday, Constant Reader, and I will check in with you again before dawn tomorrow.
It was a good weekend, really, overall; I’m just inevitably always sad when Monday morning rolls around and that horrible six am alarm goes off, ripping me out of the comfortably deep sleep I generally finally achieve shortly before it’s time to get up. I don’t think I will ever live long enough to reach the point where the alarm won’t annoy the fuck out of me every morning, or that I won’t resent having to get up to one. Alarms are my bête noire, I suppose, and always will be.
I did manage to get through the edits of the first two-thirds of #shedeservedit this weekend; I’m still waiting for the final third to look over, and then next step will be the page proofs. As I reread the book, it’s much better than I remembered it being–in all honesty, I know I am my own harshest critic, and all I see whenever I go over something I’ve written is all the flaws rather than what is good about it; I really wish I hadn’t been trained from earliest childhood to be so hyper-critical of myself and everything I do because it is incredibly difficult to shake that training as an adult, you know? But Bury Me in Shadows is getting a pretty decent reception, as best I can tell, and that makes me really happy. I think both books actually might be my best work to date, which isn’t (ah, the joys of self-loathing!) saying an awful lot. But it’s nice to have a book out in the world that I am actually proud of, and another one coming along shortly thereafter that, when I am going over the edits, I think to myself this is actually really good.
We spent most of yesterday watching Skate America, followed up by the world men’s gymnastics finals for the all around and then event finals; we eventually gave up to watch the most recent episode of The Morning Show, whose story this season has really taken a turn we didn’t see coming. I also like how they chose to time this season–in the time leading up to the pandemic, so even watching as the pandemic begins and starts spreading throughout the world slowly (and isn’t really seen as anything to be concerned about) as well as everything else that was going on at that time…my God, 2020 was a chaotic year, wasn’t it? 2021 doesn’t seem to be a whole lot better, in all honesty; it’s kind of been a shit show of a year, too, really; every year of the last decade was kind of a shit show, to be honest, and it doesn’t seem like it’s going to turn around any time soon (Paul and I often grimly joke to each other after watching the news, “well, at least we’re old and don’t have children”–grim to be sure, but also 100% accurate.
I finished reading Paul Tremblay’s marvelous Disappearance at Devil’s Rock yesterday; after a slow start, it took off like a train afire and I couldn’t really put it down. I do think Mr. Tremblay (this is the third novel of his I’ve read) may be one of our best writers currently publishing; I’ve loved everything I’ve read that he’s written. I think I only have one more of his books, and it’s an ebook edition at that, of Survivor Song; and I think before he switched over into paranormal stuff he wrote crime fiction; I could be wrong, but I am definitely going to be going back and rereading his back list when I can. I am going to read Scott Carson’s The Chill next, for one last shot at Halloween Horror; I cannot believe Halloween is this coming Sunday, and suddenly it’s November, you know? Crazy ass shit, the way this year has flown by (2020 seemed to last decades; this year seems to be flying past…but then again, January seems like a million years ago, doesn’t it? So it looks like I will only have two horror novels read for the Halloween season, which is enormously disappointing, but seriously, isn’t almost everything these days? Anyway, the book was fantastic and will get its own entry at some point this week.
I have a lot to get done this week, as always, but at least I am not feeling tired this morning. I also think the procedure last week might have actually lost some more weight for me? It’s not surprising, really, giving the “purging” aspects of the preparatory stuff I had to do. (I just checked and yes, I lost about seven pounds–not a recommendation for that as a weight-loss option, however) I’ve not been to the gym in over a week now–I didn’t go the weekend before the procedure, and I certainly didn’t go this past week or weekend–so I need to be getting my ass back in there. I’ll be traveling a bit in November–the New York/Boston trip, with a later drive to Kentucky for Thanksgiving)–which is going to make keeping up with the training harder, but I will get back on track, goddamnit. I am not going to go months without working out again, unless something terrible happens to prevent me from doing so.
And on that note, I am heading into the spice mines. I will check in with you again tomorrow, Constant Reader.
Reality television goes above-and-beyond to convince the viewers that it’s “real” and “authentic”; but it’s kind of weird to me to think that people can actually go about their day-to-day lives with a camera crew following them, constantly having to set up and break down, without that having some sort of impact on their behavior and relationships with each other. In the case of the Real Housewives shows, obviously they aren’t being followed 24/7 the way The Real World always claimed they did with their casts…which was exposed for bullshit to me when MTV was filming The Real World: New Orleans and they lived in the Bellefort mansion on St. Charles Avenue–essentially in my neighborhood. Periodically I would see a group of them–young people I assumed were the cast–walking around in the neighborhood with a camera crew following them on their way to someplace they were going to film…which meant that obviously they weren’t being filmed 24/7 as the camera men were not filming them as they walked. That breaking of the fourth wall for me was kind of a spoiler in some ways (I never really spent a great deal of thought on the show or how it was made; if I had spent a minute or two thinking about it rather than just blindly accepting what I was told I would have realized how ludicrous the 24/7 filming thing they claimed actually was–but I never cared enough to question anything). After that fourth wall was broken for me, I wasn’t as into The Real World as I had been previously; plus, the longer the show went on, the more it became focused on blackout drinking, sex, and violence–none of which I particularly wanted to watch, really.
When Bravo–which used to be a more higher-minded channel showing Inside the Actor’s Studio as well as syndicated repeats of Law and Order and The West Wing–chose to capitalize on the success of their first forays into reality television with Queer Eye for the Straight Guy and the great reality competition shows Project Runway (we were obsessed with it) and Top Chef by going for something a little more Real World-ish with The Real Housewives of Orange County, I wasn’t particularly interested. As Sonja Morgan was told by Bethenny Frankel in one memorable encounter on the New York franchise, “it’s a cheater brand”–something branded similarly to something vastly more successful as an attempt to piggy-back on that success; in this case, they were copying ABC’s breakout hit Desperate Housewives AND The OC. The ubiquitous previews–run constantly during the syndicated repeats we watched as well as the competition programs–did nothing to inspire me to want to watch even a little bit. The show was successful enough to spawn another franchise in New York, and then another in Atlanta. These shows became part of the public consciousness, really; you couldn’t get away from them, particularly if you watched anything else on Bravo–you began to learn what some of the women’s names were; began to know who was friends with whom and who couldn’t stand who; who was fighting with who and why and so on. Sometimes on weekends while Paul slept on the couch and I sat in my chair reading a book or revising something I was working on, I would just put the channel on Bravo because they always ran marathons on the weekends–whether it was The West Wing, Law and Order, Project Runway or a Housewives franchise–primarily because I always need some sort of noise in the background whenever I do anything. Occasionally Paul would wake up and watch for a few minutes, or I would look up and watch for a while, slowly figuring out what was actually going on with the show, but not interested enough to watch as they aired or become heavily involved. Paul and I actually started watching Atlanta when it started airing–we were drawn in by previews featuring NeNe Leakes, who was hilarious–but I wasn’t very comfortable with it, to be honest; my liberal white guilt made me wonder whether this was a kind of “look at the how funny and weird Black women are!” kind of show. I also didn’t like that the first show to feature Black women had a token white woman on it–none of the other shows with all white casts ever added a minority to the mix; why couldn’t Black women have a show that was all about Black women without needing a white woman to round out the cast? And I was definitely not a fan of Kim Zolciak, so we gradually stopped watching regularly; after all, there was always a marathon going to be aired at some point on a weekend.
I also gave Beverly Hills a whirl when it first aired, primarily because I remembered Kim Richards from her days as a child actress and wanted to see her as an adult. Seeing what she’d become was a bit of a shock, but I watched that entire first season as it aired in amazement, falling in love with Lisa Vanderpump (as so many did) and kind of liking Camille Grammer. She was a bit unfiltered and came across as a very spoiled, privileged white woman…but she was fun to watch and I couldn’t stand Kyle Richards, who was her primary antagonist. But I stopped watching when the show became too dark in the second season, dealing with spousal abuse of one of the cast-members and her husband’s eventual suicide.
A little too real, frankly.
But some friends got me to start watching New York again as it aired in a later season, and this time, I embraced the lunacy and the madness, seeing it for what it was: entertainment. Sure, there was an element of people being rewarded for behaving badly, and whether the madness I was watching was authentic and real, filmed as it occurred, or was “produced” really didn’t matter. I didn’t need to see how the cheese was made, nor did I care; but as I started watching the others so I could talk about them with my friends, dissecting characters and behaviors, I began to realize that these shows were the nighttime soaps of this new age; addictive shows about people with money behaving badly that we talked about (I used to watch Dynasty with a huge group of friends, every Wednesday night: Bong Hits with the Carringtons and the Colbys). Each new edition/franchise of the show was uniquely different from the others; some I never got into (DC, Miami) and others I watched religiously (New York, Atlanta, Beverly Hills), and others I’d keep up with generally (Orange County, Potomac)–my viewing habits for the ones I didn’t watch religiously eventually evolved into simply watching the reunions–which essentially summed up the highs and lows of the season without all the filler.
But I also became interested in watching from a sociological point of view as well; it wasn’t just entertainment, the shows actually provided all kinds of looks into things like group dynamics, how some minor understanding could become blown completely out of proportion, how betrayals of trust are difficult to come back from with a friend, and watching how these women’s evolution was potentially altered, even contaminated, by exposure on camera to a wide audience. Success on the shows might lead to success away from the cameras, but primarily in business more than anything else; these shows were not a jumping off-point into any kind of scripted acting, other than stunt casting on Broadway in shows very late in their run (see: NeNe Leakes, Cinderella; Erika Jayne, Chicago). Bethenny Frankel, seen as the primary success story to arise from the shows (I’ve never cared for her, to be honest), has never managed to translate her popularity as a Housewife into anything successful that wasn’t linked, in some ways, to her original show (her talk show failed, her ripoff of The Apprentice for HBO also failed); and like Trump, her business is really now just licensing the “Skinnygirl” label to other companies marketing products since she sold the alcohol company for a lot of money to Jim Beam years ago.
This interest eventually, as always, evolved into fiction for me. I had always been interested in writing a Scotty book rooted in a season of a Real World-type show filming here; that gradually evolved into my own version of the Housewives shows, The Grande Dames. That eventually worked its way into Royal Street Reveillon, which might be one of my personal favorite Scotty books. I still do watch New York, although I’ve had to back away from Beverly Hills because I cannot stand to see alleged criminal conspirator and ruthless narcissist Erika Girardi on my television; I feel that giving them that extra streaming view somehow condones the fact they didn’t fire her and continue to give her a platform to spin her lies and evade prosecution and restitution.
So, I was very interested when I saw this book talked about on one of the Facebook fan pages I belong to:
As a reward for the procedure the other day, I decided to download this, and in my exhausted state Thursday evening, I started reading it on my Kindle.
If you’re a fan of the shows, you will definitely enjoy this. Essentially, it’s an oral history, with Quinn interviewing not only actual Housewives but also members of production and people from the network about the casts, things that happened on the show, and the controversies. It’s fascinating; production and the network people are always very quick to justify their own questionable behavior in the actions they did or did not take when something bad was happening in front of the cameras (which was to be expected). What was truly interesting to me was the women themselves, and their commentary on their castmates, and the absolute zero fucks they give about lifting the curtain and letting us all see how the sausage was made. What’s particularly weird, though, is you do find yourself wondering–just as you do when you watch the shows–how much of it is real and how much of it is the women either covering their own asses or staying in “character” from the shows; Sherée Whitfield makes absolutely no bones about how much she loathes NeNe Leakes…and actually, nobody spoken to from the Atlanta cast, past or present, says anything nice about her other than she makes good TV. (Likewise, New Jersey castmates are very quick to point out that cast-mates Teresa and Melissa, sisters-in-law, still very much hate each other despite the “reconciliation” for the cameras.)
But again, are they just playing a part still, or are their answers authentic? It’s hard to say. I do think some of the former cast members who are bitter about their experiences (looking at you, Carole Radziwell and Heather Thomsen) are being honest, since they have nothing to lose; the ones who are still on their shows perhaps not so much. (Props to Teresa Guidice, too; she literally is who she appears to be, both on television and in this book–so either she’s very good at playing “Teresa” to the point of staying in character all the time, or she basically is that person. I’m not sure she’s a good enough actress to pull off a performance, though.)
Reading the book was a lot of fun, though, and I think if you are a fan of these shows, you’ll also enjoy it. I greatly enjoyed reading it, and it also reads, as oral histories tend to do, very quickly. Does it actually give the reader an accurate view behind the scenes, or any insight into who these women really are off-camera and in their own lives? I don’t know, and that, I guess, is part of the fun; it’s a very good extension of the shows for fans.
I have recently begun to wonder about whether I should continue to watch these shows. I go back and forth between embracing the enjoyment I get from watching (there’s no such thing as a guilty pleasure; we should never feel guilty about finding joy in anything in life; one of the producers even says towards the beginning, that guilty pleasure thing pisses me off because it’s always directed at things women enjoy–a man can sit in front of the television all day watching football yet no one calls the NFL a “guilty pleasure”–which is a very good fucking point) and wondering if I am part of a system that glorifies and rewards bad behavior. do the shows demean women, make them look bad and infantile and childish?
Reading this book gave me no answers other than I should continue to enjoy what I enjoy without spending a lot of time questioning or over-analyzing both myself and my motivations. I also don’t care if people judge me for anything I get enjoyment from; after all, I get judged by people for my sexuality and I really don’t give two shits about the people who do that, either.
But if you don’t watch the shows, I wouldn’t suggest or recommend you read this book; none of it will make any sense to you once they start talking about what happened during the seasons and the conflicts/relationships between the women.
Queer and Loathing in America 