Sunday morning and I am feeling good, I think. I stretched yesterday a little bit and used the back roller thingee, which made me feel a lot less tense and tight and may have helped me sleep better. I feel good this morning, after a very deep and relaxing night’s sleep. If that was a result of a brief time stretching and using the back roller, well, I am more than willing to spend five or so minutes every morning doing just that. I don’t feel tense this morning, and I feel like a lot of stress stored up in tight muscles that have been ignored for far too long. Regardless, I will be doing some stretching again this morning once I’ve finished this.
LSU’s Gymnastics team didn’t do so great at the Nationals–fourth out of four– but hey, just the fact they made it to Nationals was a victory; they lost one of their major stars to injury, a secondary star to another injury, and several other solid performers were out for the season as well from a team that didn’t make it out of Semi-Finals last year. LSU is killing it in sports right now, and with football season just a few months away, this is a very exciting time to be an LSU fan, to be honest. GEAUX TIGERS! And next year’s team will be even better and stronger than this year’s. A very good time to be a Tiger fan.
I ran errands yesterday, mostly to the post office and to make a little groceries. I came home and spent some time rereading MRM until it was time for the Gymnastics. I also spend some more time yesterday morning with Scorched Grace, which I am taking my time with to savor every word and sentence; it’s that kind of amazing book with such extraordinary language choices and structuring and style. It’s hard to believe this amazing work is a debut, and more than a little humbling for someone who’s working on book forty-something. I really look forward to finishing it and sharing my thoughts and impressions with you, Constant Reader. After the Gymnastics and dinner, we started watching something new, since we’d finished our last show already, and Paul chose P-Valley, from Starz; which I remember hearing about when it debuted, but not much since. A strip club in the Mississippi Delta area–known for its poverty–wasn’t something I’d usually be interested in. But I’d also heard good things about it–what little I’d heard, that is–and so we started watching. At first it reminded me a bit of Showgirls, in its rawness, its insane dialogue and story-lines, but the second episode really pulled us into it and now we’re all about Mercedes, Uncle Clifford (the gender non-conforming club owner), and Autumn.
The plan for today is to put away some things in the kitchen (I got a little lazy about put away the sundries when I got home from the store yesterday) and then most likely spend some time with Scorched Grace this morning before getting cleaned up and diving headfirst into the book. I am, of course, as always terribly behind, which isn’t a good thing at all. But focus and a strong push should get me through this revision. Fingers crossed I stay not only motivated but rested, what do you think? It rained a lot yesterday–it even rained over night–so there’s this damp chill in the air this morning which makes me, frankly, want to get back into bed under the covers. But I am going to resist my natural inclination to laziness and get back to reading and writing and getting things done and taken care of and tearing through the rest of my to-do list. (And if I feel this good after some minor stretching yesterday, imagine how good I’ll feel once I start lifting weights again…)
So yes, I am behind on everything as always, but this morning I feel like life is full of infinite possibilities, and I am feeling very optimistic about everything and my capacity and capability of getting everything done that I need to get done. It’s amazing what a difference a really good night’s sleep can make, isn’t it?
And on that note, I am heading to my chair with Margot, my coffee, and Scorched Grace. Have a lovely day, Constant Reader.
Saturday morning. I was incorrect about the department meeting; it’s later this month (when I’ll be in Bethesda, actually) so I went to the health fair, was told I should increase my exercise (duh, since I do none now) and other than that, I appear to be perfectly healthy–or at least per my vitals and blood work, at any rate.
How fortunate they weren’t testing for mental stability, eh?
But it was a lovely day to work-at-home. It was still cold overnight, but the high yesterday hovered in the high seventies, topping out at a solid, spring-like eighty degrees at one point in the afternoon, which was also nice. I filed and cleaned when taking breaks from work; laundered the bed linens, finished off the dishes, and straightened the rugs as well as sweeping and vacuuming. We got caught up on Yellowjackets and The Mandalorian, and while I was waiting for Paul to come home from the gym, I rewatched this week’s Ted Lasso with the captions on so I could catch things I missed on first viewing (something I do with every episode, as I did with Schitt’s Creek), and I have to say I enjoyed it a lot more on the second viewing than I did on the first. I am very curious to see where the show is going and how it’s going to end–but unlike everyone else, I’ve decided to not theorize about it or jump to conclusions predicated on my interpretation of what I’ve seen; instead I just want to enjoy the ride and trust the writers to do their jobs, which they’ve done superbly on every step of the journey thus far.
I slept really well last night and feel very rested this morning. I have to get the mail today and I should make a small grocery run while I am out, but ugh, how I hate the grocery store lately. It saps my strength and will and makes me want to curl up with Scooter and pretend the rest of the world doesn’t exist anymore out there. There’s not much we really need, to be completely honest; but I need to know what I want to make for dinner this weekend and what I am going to be taking for lunch next week. Decisions, decisions–but it feels good to be rested and clear-headed this morning. I don’t know that I feel particularly inspired this morning, but that’s okay. Once I finish this, I am taking my coffee and repairing to my easy chair to read Scorched Grace, which I hope to finish this weekend.
Anne Perry, a very successful author, died this week. She had an unfortunate past, having committed the crime that Peter Jackson’s film Beautiful Creatures was based on (also known as the film that gave us Kate Winslet and Melanie Lynskey) as a teenager, and served her time. I didn’t know Ms. Perry, nor have I ever read any of her work. This wasn’t out of any sense of oh I can’t possible be supportive of her! She killed someone! but more because they weren’t the kind of stories I particularly enjoy. I did ride in an elevator with her once at a Bouchercon, and she was polite, reservedly friendly (understandable), and seemed kind. I’ve been thinking lately that I’d like to read more historical crime fiction, particularly around the first World War (looking at you, Charles Todd!), but that TBR stack is already way too deep and tall and wide. However, Ms. Perry’s death has, of course, brought all that about her teenaged crime back into the news and onto social media to be rehashed and discussed and, well, frankly beaten into the ground. Ms. Perry’s situation also is key to a broader discussion about criminal justice, and our criminal justice system and how it operates. (Ms. Perry’s crime was committed in Australia, I believe.) I see a lot of people talking about how they don’t believe in redemption, and how they could never bring themselves to support someone who’d done something so terrible, etc. etc. etc. And it’s very true; we as a society tend to look askance at people who’ve served time in prison–and tend to judge them harshly.
How can you believe in a criminal justice system if you don’t believe in the potential of human redemption? I’m not an expert on any of this stuff, let me make that very clear at this point. I am merely examining this from a layman’s perspective and coming from a logical place to try to dissect all of this with nuance and rationality; what can I say, I took Geometry in high school and was on the debate team. I don’t think you can believe in our criminal justice system if you don’t believe in redemption, which seems kind of Old Testament to me; once a criminal always a criminal is what that boils down to, and if there is never even the slightest possibility that someone can be redeemed, what is the point of jailing them? Punishment? That seems kind of draconian and not very humanist, frankly. The odds are stacked against convicts as it is when they are released; as most of us will always keep an eye at them in askance, just waiting for them to commit another crime to prove that they belong in jail and should never be released. I understand the sex-offender registry–women and children are vulnerable and should be aware someone who may be a predator is living in their area now–but at the same time, it feels….punitive. Sex crimes are horrible, to be sure, but if they are so horrible and the offender is statistically going to commit the same kind of crime again–why let them out in the first place? Getting one of those flyers back when we lived on Camp Street is what inspired me to write my short story “Neighborhood Alert,” which is one of my favorite stories that I’ve done, and tried to use the story to illustrate the potential consequences that can come from such alerts.
I also think it’s interesting that people are so unforgiving in real life while they will read–and root for–characters like Tom Ripley or Hannibal Lector or Dexter. But that’s fiction, they say in response, to which I say so you would be repulsed by them if they were real, but you root for them in fiction? Make it make sense to me.
Ultimately, she did her time for her crime, and then spent the rest of her life writing crime novels successfully. Enough people either didn’t know about her past, or didn’t care enough to make them give up the pleasure of reading her work. As I said, I’ve not read her work but it’s not out of any sense of moral outrage or superiority, but because they aren’t the kind of books I ordinarily read–although now I kind of want to read one, to see how good she was. If you don’t want to read her, or didn’t, because of her past that’s your choice and your decision. But please don’t think for one moment you have the right to tell me what I can or cannot read, or what I can or cannot enjoy–because then you are no better than right-wingers trying to ban books and close libraries, and that is something I will not, do not, and cannot, support on any level.
I also kind of believe that redemption is possible, but not unless there is atonement and a desire to change. If I didn’t believe that, well, I don’t know how I could live with myself. This is a question I explored in my nasty little story “This Thing of Darkness”–can you atone for something terrible you did as a teenager? Especially if you are never punished for the crime itself? How do you live with yourself with such a thing on your conscience? (This is also the theme for one of my favorite books of all times, Thomas Thompson’s Celebrity)
And on that note, I am making another cup of coffee and heading to the chair with Margot Douaily. Have a lovely Saturday, Constant Reader, and I’ll be back here again tomorrow, as always.
My people are from Alabama, as we say down here, but I didn’t grow up there. My parents moved north for better opportunities and for a better life for the two of them and their young children, and over the years since I’ve lived all over the country and grew up in vastly different places and cultures than that in which my parents were raised. I kind of have a love/hate relationship with the region; I am both proud of my roots and yet embarrassed and ashamed a bit at the same time. That’s really the thing with being a Southern white man of a certain age; how do you reconcile your family’s history, and the history of where you’re from, when there is so much ugliness and darkness?
Someone told me once I was a coward for never dealing with race in my work, and there was enough truth in that statement to make it sting a bit. Are there things in past works of mine that are problematic? I’ve never gone back to reread them with that in mind–when I do actually force myself to reread them–but I know I am more enlightened now than I was twenty years ago, so it wouldn’t be the least bit surprising to realize I wrote something that wouldn’t hold up to present-day scrutiny. But I also know that if someone ever told me I wrote something in the past that was an issue in the present I would listen to their concerns and not get defensive or double-down. I do not set out to upset people or hurt their feelings, but that doesn’t mean it can’t happen.
Which also leads to an ethical question I’ve often debated within my own head about: is it better when someone says something hurtful inadvertently, or if they do it on purpose? If it’s done on purpose, they had to put thought into it, which is bad…but isn’t it just as bad to be hurtful without thinking? To me, that reads as “I don‘t care enough to think about it” and how is that better?
But this weekend I finished reading Cheryl A. Head’s brilliant stand-alone novel Time’s Undoing, and what a joy it was to read.
Four hours ’til dawn. The single streetlamp at the alleyway splays veiled illumination on the wet pavement. The rumble and squeak of streetcars ended two hours ago, and the in-a-hurry owner of the diner hauls out the last of the garbage, which tumbles onto the slick red bricks as he slams the door.
Cress lifts the collar of his tight-fitting jacket against curly brown hair. Alert. Smoking. Shufting from one leg to the other. Leaning into the shadows every time he hears loud voices from the street.
I can’t feel the rain nor smell it, but I sense its fragrance misxed with the relentless forsythia creeping through every patch of dirt. Anna Kate often remarked that the flowers were her favorite part of living in Birmingham.
A car engine hums louder. Cress metls into the darkness when a blue sedan eases forward and idles under the lamp. The sight of it passes a shiver my body doesn’t recognize. Cress steps forward and drops his smoke, grinding the butt under his boot. He shoves both hands deep into the pockets of his dungarees.
I had the great pleasure of meeting Cheryl years ago at a Saints and Sinners, and shortly thereafter became a voracious reader of her Charlie Mack series. We were both nominated for Anthony Awards for Best Paperback Original at Bouchercon last year (neither of us won) but it was so cool to be sharing the short-list with another queer writer (I don’t think two queer writers have ever been nominated in the same category before, so we might have made some history together there, too) that I am still agog and aglow from the entire experience. Over the past few years while Cheryl was working on this book, we would do panels or readings together (pandemic ZOOM events) and she would talk about it–and every time she did I’d think girl you need to finish this because I want to read the hell out of it, so you can imagine my joy when my copy finally arrived in the mail.
Oh. My. GOD. This. Book. Is. Incredible.
The book was born of fact; Cheryl’s great-grandfather was murdered by a Birmingham cop back in the Jim Crow days, and the truth behind that murder remains a mystery. Cheryl took the family story and wrote a book around it, and it’s powerful and moving and beautifully written and structured. The love and care Cheryl takes with this painful family history and weaving it into a fictional tale with something powerful to say is evident on every page. The book focuses on main character Meghan, from Detroit, who is doing a series for the Detroit Free Press about Black Lives Matter, and how she uses that as a hook into the story of her great-grandfather’s murder, which brings her to modern-day Birmingham to do research and see if she can find the answers her family has never known for almost ninety years.
The story is structured with two time-lines; Meghan’s present-day investigation, and what went on back in 1929.
Time’s Undoing is one of the most powerful books I’ve read in a while. It’s brilliantly written, and Meghan is a likable, relatable character that is easy for a reader to connect and engage with, root for, and the 1929 sequences are also strongly rendered; bringing a by-gone age back to vivid and ugly life–but it’s also a story of resilience and recovery, and living with a back-breaking sorrow while still being able to find joy in life.
Cheryl has always been one of our strongest voices, getting better and growing more confident in her talent with each book. Time’s Undoing is going to be one of 2023’s strongest titles and will be making many short-lists when award season rolls around again.
Masculinity is something I’ve always felt I viewed from the outside.
It’s very strange; for someone who doesn’t look back very often and has a rather healthy disdain for nostalgia, for some reason since the pandemic started, I’ve been revisiting my past a lot. I don’t know, perhaps it was triggered by having dinner with an old friend from high school a while back (which also inspired me to write a horribly dark short story); or perhaps it’s because of short stories or novel ideas I’ve been toying with, but lately, I’ve been thinking about my past much more so than I usually do, and what it was like for me growing up. I wrote a Sisters in Crime quarterly column several years ago about the first time I realized, once and for all, that I was indeed different from everyone else–it centered the first time I heard the word fairy used towards me as a pejorative, as well as the first time I was called a faggot. I’ve also been examining and turning over issues of masculinity inside my head for quite some time (most of my life). #shedeservedit was itself an examination of toxic masculinity and how it reverberates through a small community when it’s allowed to run rampant and unchecked: boys will be boys. Some short stories I’ve published have also examined the same subject.
What can I say? My not being the American masculine ideal has played a very major part in shaping my life and who I am; how could it not? I used to, when I was a kid, pray that I’d wake up the next morning and magically be turned into the kind of boy I was supposed to be, the kind that every other boy I knew–from classmates to cousins to everything I watched on television and at the movies.
Society and culture have changed in many ways since I was a little boy who didn’t fit so easily into the conformist role for little boys; roles for male and female were very narrowly defined when I was a child, and children were forced into conforming to those roles almost from birth. Boys were supposed to be rough and tumble and play sports and get dirty and like bugs and frogs and so forth; girls were supposed to be feminine and play with dolls or play house, wear dresses and mother their baby dolls. Boys weren’t supposed to read or enjoy reading (but I was also supposed to get good grades and be smart), and that was all I wanted to do when I was a kid. I used to love Saturdays, when my mother would go to the grocery store and drop me off at the library on her way. I loved looking at the books on the shelves, looking at the cover art and reading the descriptions on the back. I loved getting the Scholastic Book Club catalog and picking out a few books; the excitement of the day when the books I’d ordered arrived and I could go out on the back porch when I got home and read them cover to cover. I was constantly, endlessly, pushed to do more “boyish” things; I played Pee-wee baseball (very much against my will), and later was pushed into playing football in high school–which I hated at first but eventually came to love…which just goes to show, don’t automatically hate something without trying it. But yeah, I never loved playing baseball. I was enormously happy when we moved to Kansas and I discovered, to my great joy, that my new high school didn’t have a team.
One less traditionally masculine thing for me to participate in was always a bonus.
The things that I really wanted to do weren’t considered masculine pursuits, and as a general rule I was denied them as much as possible. My parents forbade me from reading books about girls–Nancy Drew, the Dana Girls, Trixie Belden–which, quite naturally, made me want them more (my entire life the best way to get me to do something is to tell me either not to do it or tell me I can’t do it…either always makes me want to do it). Oddly enough, when my reading tastes became more adult–when I moved from children’s books to reading fiction for adults–they didn’t seem to care that I was reading books by women about women quite so much as they did when I was younger; either that, or they gave up trying as they finally saw me as a lost cause–one or the other; I don’t know which was the actual case. Maybe my embrace of football in high school overrode everything else suspect about me. It’s possible. My family has always worshipped at the goalposts…and I kind of still do. GEAUX TIGERS!
I spent a lot of my early life trying to understand masculinity and how it worked; what it was and why it was something I should aspire to–and never could quite wrap my mind around it. The role models for men always pointed out to me–John Wayne, etc.–never resonated with me; I always thought they were kind of dicks, to be honest. The whole “boys don’t cry, men never show emotions, men make the money and the entire household revolves around their wants and needs” shtick never took with me, and of course, as I never had any real sexual interest in women…the whole “locker room talk” thing was always kind of revolting to me, because I always saw girls as people. It probably had something to do with the fact that I was more likely to be able to trust girls than boys; I had so many boys decide they couldn’t be friends with me anymore because at some point other kids calling me a fairy began having an negative impact on their own lives all through junior and senior high school (to this day, I’ve never understood this; why were we friends before, and what changed? It wasn’t me…I didn’t suddenly switch gears from butch boy to effeminate overnight) it’s little wonder I have difficulty ever trusting straight men…but in fairness, I have trouble trusting everyone. But I never quite understood the entire “boys are studs girls are sluts” thing, but I also never truly understood the dynamics of male/female attraction. Yes, I dated in high school; I dated women in college before I finally stopped entirely. And yes, I also have had sex with women, back then–but never really enjoyed it much.
In all honesty, I still don’t understand masculinity, at least not as it was defined in my earlier decades of life. I’ve never understood the cavemen-like mentality of responding with violence (no matter how angry I get, I never get violent); I’ve never understood the refusal to recognize that women are human beings rather than life support systems for vaginas and wombs and breasts; I’ve never understood the mentality that a man’s desires should trump (see what I did there?) bodily autonomy for women. No man has a right to a woman’s body, nor does any man have a right to tell a woman what she can or cannot do with her body. Maybe always being an outsider looking in and observing has something to do with my mindset, maybe my difference and always having mostly female friends most of my life is what shaped me into understanding these things.
I also mostly only read women’s books, to be honest. There are some straight male writers I read and admire (Ace Atkins, Bill Loefhelm, Michael Koryta, Harlan Coben, Chris Holm, Stephen King, Jeff Abbott and Paul Tremblay, just to name a few) but I really have no desire to read straight male fantasies that reduce women to caricatures and gay men, if they do appear, as stereotypes; but after I recently read I the Jury by Mickey Spillane, a comment someone left on my post gave me a whole new perspective on how to read such books from the 40’s 50’s, and 60’s; the perspective of reading these books as examples of post-war PTSD…and that opened my eyes to all kinds of questions and potential critical analyses; that the horrors of World War II and what the veterans saw and experienced shaped the development of the culture of toxic masculinity that arose after the war (not that toxic masculinity didn’t exist before the war, of course, but the war experience certainly didn’t help any and it most definitely reshaped what “being a man” meant). I was thinking about doing a lengthier critical piece, on I the Jury, along with the first Travis McGee novel, and possibly including Ross Macdonald, Richard Stark and possibly Alistair MacLean. There’s certainly a wealth of material there to take a look at, evaluate, and deconstruct–and that’s not even getting into Ian Fleming and James Bond.
I’ve also always found it rather interesting that Mickey Spillane was Ayn Rand’s favorite writer. Make of that what you will.And on that note, I am off to bed. The last two days have been long ones, and tomorrow and Sunday will also be long days. I’m planning on driving back to New Orleans on Sunday–timing it so I get back after the parades are over so I can actually get home–regardless of what happens here. It’s not been an easy time here, and I am very tired.
Today I am off to Alabama. I’ve ordered groceries to pick up for Paul, which I will drop off on my way out of town. I am a bit excited about the trip–it’s always lovely to see Margaret and Tammy–and I just love this event. This is my fourth time going, and I’ve always had a good time whenever I’ve headed up there. I’ll be back here on Sunday evening, probably exhausted and ready for the incredible comfort and joy of my own bed. I am looking forward to the drive (lunch at the Arby’s in Toomsuba! Carol Goodman audiobook on the stereo!) and I’m not in a huge rush to get up there, either. I think it’s about six or seven hours? Never mind, it’s only five total– I also checked the distance and the timing it takes, and I realized last night that I don’t, in fact, have to get on the road by nine or ten. Since it’s five hours, give or take, without stops, so really, as long as I get on the road around noon I’ll be there tonight by six. So, why make myself crazy trying to rush out of here?so yeah, no need to put the pedal to the metal and speed or anything. I’ll probably just put the cruise control on after I get past Slidell and cross the state line into Mississippi. I also checked the distance and the timing it takes, and I realized last night that I don’t, in fact, have to get on the road by nine or ten. Since it’s five hours, give or take, without stops, so really, as long as I get on the road around noon I’ll be there tonight by six. So, why make myself crazy trying to rush out of here? I do have to go pick up those groceries, swing by the bank and post office, get gas, and run another errand. I can also take my time and make sure I have everything packed that I need as well–when I finish this I’ll probably go ahead and make the list after checking the weather. I slept extremely well last night, too.
I was exhausted when I got home from work yesterday, hence the great relief that I could just laze about and not do much of anything last night, which was helpful. I think the malaise really struck hard yesterday, and by the time I got home from the office I was exhausted, so much so that I collapsed into my chair without a second thought and pretty much stayed there the entire night, rather than packing or organizing or anything. Paul did come home so we could finish The Recruit–and I have to say, that was a season finale. It’s already been renewed for a second season, and I can’t recommend this show enough. It’s a lot of fun, has humor, a great plot and story, and the acting is top notch. I also rather like the cynical way the CIA works on the show–as well as its depiction of how Washington works–because I suspect it’s much more like this than people would like to believe. I did go to bed early, too, which helped with the sleep, and even though I woke up at six this morning I chose to stay in bed for another couple of hours like a slug. But it felt marvelous–last night I was thinking to myself I was too tired to make the trip this weekend if I didn’t get a good night’s sleep, and how fortuitous for me that I got one. Here’s hoping I can sleep for the next two nights at a hotel in Birmingham, shall we?
But I can feel my batteries recharging, if that makes sense? And that, too, feels good to me. I know I have a lot of editing work to do in front of me–as well as other writing–but this fallow period is needed to rest the earth of my creativity so it can spring back into action when I need it again. I think I was a bit too ambitious with thinking about my schedule for the year, too–but the schedule has kind of sorted itself out again, which is kind of nice. I’m not sure when I am going to get to some of the things I had planned to write this year–but I do still plan on writing them; I don’t think ambition is going to be a problem to get me motivated this year. In fact, I suspect motivation is actually not going to be a problem for me this year or any year going forward.
Then again, it isn’t summer here quite yet, either. Summer definitely takes its toll on me and my psyche; usually by August I am feeling relatively defeated by the heat and humidity, but I don’t think that’ll be as much of a problem this year as it has been. Now that we have the new HVAC system, it’s always cool in the house in every part of it. And by then I am hoping to have my return to the gym ingrained as a habit by then. 2023 is the year I want to take better care of myself and get things taken care of–hearing and teeth to start with–and of course going to the gym is integral to my health. I need to start stretching at home every day in the meantime, maybe even working my way back up to some push-ups and ab crunches before I start going back to the gym. It also has occurred to me that stretching at home before going to the gym is probably a better approach; I’ll be warmed up and the walk will keep me warmed up as I head over there and then back home again. I also think I’ll feel more like myself once I am going to the gym again more regularly. And feeling more like myself, returning my life back to what it used to be, is really kind of important to me. I feel in some ways like I’ve lost my sense of self and who am I and what really matters to me the most over the course of the last years because I’ve been so busy. It’s also been really tempting to think oh I have so much free time I should start volunteering again, but I cut those thoughts off very quickly and at the pass. This is how I become over-committed and stressed out and inevitably kicks my anxiety into high gear again–so I always have to take a step back and think whenever that impulse rears its head in my life again.
And I won’t feel bad for being selfish and more jealous of my time. I’ve been volunteering almost non-stop since 1998–twenty five years ago–and so see no reason to feel bad about not giving back for a while, if ever again.
And on that note, I need to start getting ready for the trip and ready to hit the road. Have a great Friday, Constant Reader; I probably won’t check in again with you until Monday morning.
I always forget this when I am asked about major influences on my life, writing, and career–but probably the biggest influence on me was the television soap Dark Shadows.
“My name is Victoria Winters…”
So began the first episode, with young heroine Victoria speaking over some rather spooky music, usually with a background scene of a light in the window at the great house of Collinwood in the fog, or waves crashing against the beach, or the family cemetery, or even the Old House.
Dark Shadows is probably the root or seed from which Bury Me in Shadows was grown from, now that I think about it more. A haunted old house, an even older house in ruins nearby in the woods that was the original family home, ghosts and secrets from the past–oh yes, the framework is absolutely there, and it never even occurred to me.
When my sister and I were kids, we moved to Chicago from Alabama. I was about two years old, give or take; I don’t remember moving up there nor do I remember ever living in Alabama; my sister was two years older. My parents both got jobs–the point of the move was for climbing the economic ladder; they both got really good jobs in factories while my dad finished his degree. But because they both worked (our friends and neighbors all felt sorry for us because our mom had to work; their moms all were housewives), we needed to be watched while they weren’t home. Our landlady recommended a woman down the street–a mother of six whose two youngest were in their last years of high school–and so we started spending our days with Mrs. Harris, who fed us breakfast and lunch, and Mom would pick us up on her way home from the bus stop. When we started school, we went there for breakfast and lunch but came home after school; school let out at 3:15 and Mom was usually home by 3:30. But it was Mrs. Harris–and my grandmother, who worked a night shift–who got me started watching soaps in the first place. One Life to Life and General Hospital sort of held my attention, but it was Dark Shadows I couldn’t wait for. I used to run home from school to try to catch the last five or ten minutes during school; it wasn’t a problem during the summer.
I loved Dark Shadows.
I was crushed when it was canceled.
I mean, look at that house!!!!
The show wasn’t canceled, although the ratings were starting to slide a bit in the later years. The truism that Dark Shadows‘ producers and writers discovered is one that practically every other continuing series having to deal with the supernatural and supernatural creatures has had to deal with: how do you keep topping yourself and raising the stakes? True Blood, Supernatural, The Chilling Adventures of Sabrina, and countless others have all run headfirst into that wall. Once you’ve done time travel and vampires and witches and werewolves and Frankenstein and other dimensions, what is left to do? I admire them for pulling the plug rather than getting more and more desperate to get the ratings up and eventually damaging the legacy of the show.
The show was a phenomenon the likes of which had never really been seen before in daytime–and the lesson learned from its success (go for the young audience!) would soon lead to the creation of youth-oriented shows like All My Children and The Young and the Restless–and of course in the mid-1970’s soaps would be forever changed when General Hospital introduced the character of teenager Laura Webber, played by an actual teenager, Genie Francis–and daytime was never the same. But Dark Shadows managed something that other soaps hadn’t–they created teen idols. Jonathan Frid as Barnabas, David Selby as Quentin, and even David Hennessey as David Collins were often on the covers of teen magazines like Tiger Beat and 16. The show even licensed FAN FICTION–a series of books based on the characters from the show, but thanks to all the fun stuff with time travel and parallel dimensions, Dark Shadows was perfect for spin-off books that took place in other Dark Shadows universe; one could even say Dark Shadows was one of the first shows to make use of a multi-verse.
The books were cheap–as you can see in the picture above (a copy sent to me by a friend with whom I bonded over our mutual love of the show) they ran between fifty cents and seventy-five cents a copy; they all had that same gold bordered cover with an oval image of characters from the show, and they were all written by “Marilyn Ross”, which was a pen name for a very prolific Canadian author named William Edward Daniel Ross; he wrote over three hundred novels during his career, and Marilyn Ross was the name he used for Gothics–and the Dark Shadows books. (He also wrote as Clarissa Ross, and I read some of those novels as well, including The Spectral Mist.) They also weren’t particularly well written, and while they did take place outside the show’s continuity, there were also moments in some of them that didn’t make sense; in one of them, in which Barnabas shows up at Collinwood in the 1910’s, the only son of the family dies in a tragic accident…but if he was the only son, where did the present day Collinses come from? (The earlier books were told from the perspective of Victoria Winters, and in some cases the gimmick was some member of the family was telling Victoria a story about the family history.)
That’s the kind of shit that drives me insane.
But I remember when one of the off-brand television channels in Chicago (not affiliated with a major network) started running repeats of Dark Shadows from the very beginning when we lived in the suburbs in the evenings while the networks ran the evening news–guess what I was watching instead? Yup, Dark Shadows. (I always found it interesting, too, that the young actress who played Victoria Winters originally–Alexandra von Moltke–eventually became infamous as Klaus von Bulow’s mistress Alexandra Isles, who was, in the prosecutor’s theory, the reason Klaus injected Sunny with enough insulin to induce the coma from which she never woke up. But I digress.
I always wanted to write a vampire story similar to that of Barnabas Collins; I have an entire idea for a rural Louisiana version called Bayou Shadows that I’ve tinkered with off and on since the early 1990’s…but then Charlaine Harris started the Sookie Stackhouse series, which was essentially the same thing. I still might write about Bayou Shadows–the town called that has popped up from time to time in my books about New Orleans and Louisiana; most recently in A Streetcar Named Murder, actually–and if people think I’m ripping off Charlaine, so be it.
I’ll know that I’m really ripping off Dark Shadows.
The show also spawned two feature films, Night of Dark Shadows and House of Dark Shadows, each featuring one of the show’s leading men, Jonathan Frid and David Selby, respectively; the first did far better than the second. The show was revived in prime time for a single season in the late 1980’s; I watched it and loved it, of course–even got Paul to watch when it became available on DVD and I rewatched. I wish that show had been given more of a chance, because it was really quite good, and I was curious to see where the story went from that first season. It also had an excellent cast, including Hammer Film star Barbara Steele as Dr. Julia Hoffman. I did watch the Tim Burton film from this century, which had some clever moments but wasn’t quite as good; it went for the silly parody thing The Brady Bunch movies of the 1990’s did, but it didn’t land. The actress who played villainess Angelique in the original series, Lara Parker, has also written some Dark Shadows novels (I have copies but haven’t read them; I really should). Kathryn Leigh Scott, who played the original Maggie Evans on the soap (and in the first film) also has written novels; she was at Long Beach Bouchercon, where I met her and got a signed copy of her book Down and Out in Beverly Heels. She was lovely and couldn’t have been nicer; I really should read that book someday.
I’ve had Dark Shadows on my mind lately because I bonded with Carol Goodman at Bouchercon over our mutual love of Dark Shadows, and the Scotty book still in draft form takes place mostly in a rural parish outside of New Orleans; not the same parish where Bayou Shadows is located, but the next one over.
Sometimes I think it would be fun to reboot the show again, retelling the original story, or picking up from where the television series ended, or even doing a new generation, some forty years later, with David Collins as an adult with children and so forth…Carol and I have joked about coming up with a concept and trying to sell it and be the showrunners…which would be a dream.
Well, well, well. This morning I woke up to the announcement of this year’s Malice Domestic Agatha Award finalists, and mych to my pleasant surprise, our very own Gregalicious’ #shedeservedit is a finalist for Best Children’s/Young Adult novel. It was a very pleasant surprise, as I figured the Agatha short-list wasn’t in my future for A Streetcar Named Murder (which was only eligible for Best Novel, and there is WAY too much competition for that category to even consider the possibility) and honestly, I didn’t think #shedeservedit, my only other release for 2022, had a prayer of getting enough votes (if any at all), but hey. I put up a couple of “for your consideration” posts on social media, figuring it certainly wouldn’t hurt anything to at least try, and here we are. Wow. Thanks to everyone who voted for me. It’s very exciting to start out the year with what hopefully won’t be my last Lefty and Agatha nominations. The nominations are a very lovely pat on the back, and will make even nicer additions to my author bio and CV. Added to the two Anthony nominations last year for Bury Me in Shadows, and it would appear that I am having a rather lovely period in my career, am I not? Perhaps a Gregnaissance?
Okay, yeah, I hate when people do that and make up words. Forget I ever said that.
It’s work at home Friday and I have data to enter. I also had to roll out of bed and head down to Quest Labs this morning for a blood draw for my bi-annual physical, so now I have a bruise on both arms since I had my PrEP labs drawn on Wednesday. I had a good day yesterday–I managed to get back into the book, but fell 500 words short of quota, so I need to do that today as well as today’s writing so I am back on schedule. I’ve been having some moments of doubts and imposter-syndrome lately, but that always happens at this stage in a book so I dismissed it and put it right back out of my head. I was very tired when I finished yesterday’s writing, and Paul went to the gym last evening, so I went down a Youtube wormhole of research (yes, yes, justify wasting your evening, Gregalicious) until Paul got back and we watched some of the US Figure Skating Championships, particularly the Rhythm Dance. (If someone would have told me back when I moved in with Paul in 1996 that my eventual favorite discipline in figure skating would be the ice dancing, I’d probably still be laughing…) I also was remarkably hungry yesterday, which really never happens. I was so hungry yesterday afternoon when I left the office that I actually came home and ate a piece of King cake, which kept me through the night, but it was still odd. I rarely ever get hungry–which is why I often will forget to eat, especially when I am on a trip (unless you go to New York with That Bitch Ford–I think I ate more that weekend in New York than I have on every trip I’ve taken in the last ten years combined)–so it bears noting when I actually realize that I am hungry. My weird relationship with food and my body is something I should probably write about sometime.
One of the problems I face when I think about writing personal essays (did you enjoy that segue, Constant Reader? I usually struggle with transitions) is, of course, Imposter Syndrome. Whenever I sit and think about writing a personal essay, I immediately start to doubt myself. What insights and perceptions and conclusions can you possibly draw about this that hasn’t already been said, probably better and more eloquently, by many others already? I can be pretty oblivious, too–something that is patently obvious to everyone else is something that startles me when I recognize it, mainly because I never think about it; it’s just something that already is, so I don’t think about it. Like one day when I was visiting my parents in Houston a news promo ran on the television calling Houston the “space city,” which was something I clearly was aware of since my parents lived two exits from NASA, and “Houston we have a problem.” But when I heard it that day, it connected in my head, oh, Houston the space city, that’s why the baseball team is the Astros and the basketball team is the Rockets. I said this out loud and my mother looked at me like I was insane (a look I am quite used to, so no worries on that score) and started laughing. I guess my obliviousness was amusing, but I just had literally never thought about it–they were the Rockets and the Astros, and that was that; didn’t matter why they were called that. But this is the kind of thing that makes me worried about trying to write personal essays–that, of course, and my faulty and failing memory, which is yet another reason why I don’t write a memoir…although I could write a really good one. But the problem–even if I trusted my memory–is that everyone remembers everything differently, so I could write about something the way I remember it but the other people involved could remember it completely another way. Who is right, and what is the truth? That hurdle is something I’m going to have to clear–after all, “I Haven’t Stopped Dancing Yet” is a terrific personal essay, and a piece of work of which I am particularly proud; so I know I can do it. I suppose the true fear is that I won’t strip naked and show myself to the world, and will color and/or distort things to make me not look quite as bad as I actually was in the moment. That’s one of the reasons why I love writing fiction; I can take personal experiences and twist them into something that can fit into a good story, or make them better in some ways.
And believe me, there was a lot of bad behavior in my past.
You learn to live with it.
Sigh. I do have a lot to get done over the course of this weekend–cannot forget the ALA event tomorrow morning–and of course, there’s a lot of writing to be done and the US Figure Skating Championships to watch. I’ll need to make groceries at some point, too, and I have prescriptions to pick up at CVS and of course, next weekend I am off to Alabama (yay!) for two of my favorite events of every year, Murder in the Magic City and Murder on the Menu, which will take me to Birmingham and Wetumpka. Yay!
So, I am feeling a little more confidence this morning about my writing and everything in my life. I’m enjoying my day job and my new responsibilities, my writing career is doing okay, and I can’t really complain about too much. I’m going to return to the gym in April and start working on that part of my physical self. I am getting the hearings aids process started, and at some point I am going to need to have another eye exam later this spring. I have a lead on a dentist to get my teeth fixed so I can stop looking like a hillbilly, and start getting things figured out with a plan for my writing future.
And on that note, this data ain’t gonna enter itself. Have a lovely Friday, Constant Reader.
Here we are on another gray weekend morning. It was supposed to rain off and on all day yesterday–it didn’t–but it turned out to be a pretty good day. I wrote about eight thousand words or so, give and take, and made groceries in the afternoon. I did take care of some chores around the Lost Apartment, too, and I spent some time yesterday morning with Other Horrors, which I should finish this morning as I only have three stories left. There have been a couple that puzzled me, but overall, I’ve enjoyed the collection for the most part. I’d be pressed to pick a favorite story, though. Reading it has again reminded me that I am not, no matter how much I wish I was, a horror writer. I just don’t have the imagination, I don’t think, to be a horror writer. I can write Gothic suspense–suspense stories with a touch of the supernatural in them, like Lake Thirteen and Bury Me in Shadows–but I just don’t have the kind of mind that goes to horror when I think about writing.
We also finished off That 90’s Show last night and started watching Mayfair Witches, an adaptation of Anne Rice’s Mayfair trilogy, beginning with my favorite of her novels, The Witching Hour. I am predisposed to like this, since I loved the book so much (the rest of the trilogy not so much), and of course I drove past the house they turned into the Mayfair house for filming on Prytania Street all the time. (They did not use the actual house at First and Chestnut; one thing I did have a problem with was the way they showed Dierdre’s porch, which was different on the actual house than how depicted on the show) There are two more episodes for us to get through tonight, which is cool. I slept extremely well last night again–it’s remarkable how well I’ve been sleeping since getting back from New York–and my psoriasis seems to be under control again for the first time in years. There are a few things I need from the grocery store, but I think I can safely put that off until tomorrow and can stop on the way home from work. This morning I did get up earlier than I wanted to–I am sleeping so well I could stay in bed all day without an issue, I think–but I eel good. My legs have finally stopped feeling sore and tired, thank God, and I think I can safely say that I have completely reacclimated to my day to day life again.
I’m still listening to the Hadestown score, but I also started listening to the Christine McVie-Lindsay Buckingham album the two recorded a few years ago, and it’s quite good. The harmonies! Although I can’t help but think two things while listening: first, I wish Lindsay Buckingham had produced one of her solo albums and second, the one thing missing is Stevie Nicks and this would have made an amazing Fleetwood Mac album, which I think was what it was originally intended to be but Stevie wasn’t available or something or another. It’s also sad to know there will never be another Fleetwood Mac album since Christine’s untimely passing last year (not with my favorite line-up, at any rate). I need to move her solo album from the 1980’s back into my rotation–it’s a great and always underrated record. It’s hard to imagine the band moving on without either Christine or Lindsay (whom they fired), and Stevie already has a band she tours with as a solo act…sigh. Fleetwood Mac was the soundtrack of my teens and twenties and it’s just very weird that it’s finally over after all these years for me. When I write about the 1970’s–which I probably will do either later this year or sometime next–it will indelibly have Fleetwood Mac music all over the score of my work.
When I finish this book, I have to spend February revising Mississippi River Mischief and should spend some time doing a massive copy edit of Jackson Square Jazz so I finally have all of the Scotty series for sale as ebooks at long last. Once I get that done, March will be spent revising the one I am writing now, and then finally come April I can get back to work on Chlorine at long last. I’d like to get a draft of it finished in April so I can write another first draft of something else in May (I already know what it is going to be) and then will probably spend the rest of the year writing short stories and novellas and revising everything to see what can happen with them. Next year I want to write yet another Scotty book and that’s when I am going to try to write my 1970’s Chicago suburb boys-are-disappearing novel, too. None of this is carved into stone tablets, either–things always come up along the way, new ideas or hey Greg want to write a book we’ll pay you xxx for it and I never ever say no to things like that. I’d also like to come up with a new short story collection at some time, or perhaps the three-in-one book novella collection; it’s hard to say. And I kind of want to try to write a romance. There’s always so much I want to write, isn’t there?
Heavy heaving sigh. I don’t think I’ll ever match the days when I used to write four or five novels per year, but I do think I am going to be able to get a lot more writing done now in the next few years. Next weekend I am doing a signing at the ALA event here in New Orleans at the Convention Center, and of course the next weekend I am off to Alabama, and then it’s Carnival. Utter madness!
And now I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will probably check in with you again later.
I have to say, it’s really difficult sometimes to be a pro-New Orleans person the way I am, but it’s not New Orleans that is the general problem, it’s some people. After the massive debacle around the Krewe of Nyx and it’s problematic and racist leadership (they defiantly paraded last year to non-existent crowds; maybe some tourists who didn’t know better were out there, but after the parade before theirs, everyone left the parade route), I thought it would be hard for any krewe to do a worse job of public relations or, for wont of a better word choice, reading the goddamned room. However, this past weekend the leadership of the Krewe of Endymion basically said to Nyx, “hold our beer” and named noted anti-Semite, misogynist, and homophobic racist Mel Gibson as celebrity monarch (co-monarch, to be precise).
I don’t go to Endymion–it doesn’t go past our corner; we’d have to walk to Harmony Circle (I keep calling it Liberty Circle since it was renamed, anything is better than Lee Circle) to see it–and I’ve only ever seen it on the rare occasions when it does come down St. Charles Avenue (rained out on Saturday; abbreviated route after Katrina), or when we used to go out that Saturday night, walking to the Quarter up the route (and getting buried with beads on the way)–so it’s not like I would be boycotting it anyway; but they did rescind the invitation but rather than admitting they made a HUGE mistake, decided to blame the outrage and cite concerns for their safety as the reason.
Fuck all the way off, Endymion, seriously. Yes, blame the outrage instead of your incredibly poor decision-making skills.
Nyx, by the way. went from 3500 members and riders to less than 200. And yes, that will wind up in a book someday–it’s too good to not use it, you know? Also of note: that last pre-pandemic Mardi Gras, back in 2020? Two people were killed by floats during parades that season–at Nyx and Endymion. Perhaps the gods of Carnival were letting us know in advance?
Then again, Carnival has a horrifically exclusionary and racist past we tend to gloss over a lot here (read Lords of Misrule sometime).
It’s dark out this morning and I didn’t sleep as great last night as I would have liked, which is fine. This is my last day in the office this week, and of course tomorrow morning I’m off to New York, so if I’m tired, I’m tired. I did manage another three thousand words on the book yesterday–it really is going well, and I am actually enjoying writing it, to be completely honest–and I managed to get some chores done yesterday when I got home from work–the dishes, mostly. Tonight I’ll need to pack; the flight isn’t until 12:15 tomorrow, so I don’t have to leave for the airport until almost ten, so I can sleep a little later than usual on a Wednesday; which will prepare me for the insomnia of the hotel…which I honestly am hoping won’t be the case this time. After doing the chores last night and writing, I watched a documentary about the Eastern Roman Empire for a while before switching over to the national title game–which was kind of boring and not much fun to watch; I mean, what the hell, TCU? And how on earth did they beat Michigan? Ohio State was a missed field goal in the closing seconds away from playing in the title game; and they lost to Michigan at home. I know it’s pointless to do comparative scoring and so forth because every game day is different, but I can guarantee you neither Alabama nor Tennessee would have gotten rolled 65-7. Hell, even LSU played Georgia better in the conference championship game and they played terribly. I guess the only teams capable of stopping Georgia from doing what no one else has ever done–three in a row–are from our conference.
But it will be fun watching Georgia fans become even more hated than Alabama’s this coming year. And they play in Knoxville this next season. The 2023 season, I think, is going to be even more interesting to watch than this year’s.
You heard it here first.
I need to make a packing list today, too. I already checked the weather for the weekend and it won’t be much worse than it is here when it gets wintery, so that’s bearable for me. Hat, jacket and gloves are all I need, and I think I can manage without getting super cold and whiny, so we’ll see how all that goes. I’m actually more than a little excited about the trip, to be honest. This may be my last trip to New York for quite some time and I am not going to be there for very long; That Bitch Ford has done an absolutely marvelous job of Julie McCoy-ing our weekend up there; we’re going to see a play (Hadestown), to Chinatown, and we’re going to a noodle place, too–I love noodles–and I am meeting others for drinks and so forth–it’s quite marvelous, really. I just hate the drudgery and getting to and from the airport, and the flights themselves–although usually once I am on the plane and have my book open in my lap, I don’t mind the flights quite as much–and I have no plans for tomorrow evening, so hopefully once I am checked into the hotel and unpacked, I can write for a while and then read myself to sleep…or watch a movie on my laptop, or something. It should be a great trip, and I even have the Monday holiday off so I can recover as well as do things to get ready for the week without having to do it around going to the office.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.
So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.
So, without further ado, here we go!
What inspired your book? Series premise and the specific story?
That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!
We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?
I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.
Tell us about your protagonist. Where did the inspiration for her come from?
My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.
Why did you choose the Irish Channel as the neighborhood?
My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.
Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.
Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.
You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.
I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)
How would you say your past experiences and jobs in life inform your writing?
I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).
I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?
As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…
Queer and Loathing in America 