Category: Southern Gothic

(It’s Going to Be a) Lonely Christmas

Merry Christmas to those who celebrate, and if you don’t–well, happy Monday off!

Yesterday was not a good day. I woke up feeling like crap, and it never really got much better until later in the day, when I realized it had started raining during the night. It rained all day, actually, and I was so tired and dragged out and felt so terrible that I didn’t put it together until late in the afternoon–oh, this is SINUS related, because of the rain–and took a Claritin-D, which made me feel somewhat better. I also slept super good and slept in, too. I did manage to get some things done yesterday too–I finished reading Buried in a Good Book (more on that later) and started reading another one. We also finished watching both Looking the series, and then watched the wrap-up film (more on that later as well). I am going to pick out my next read, spend some time with it this morning, and at some point today we are probably going to watch Saltburn. I also have to put the turkey breast in the slow cooker (pulled turkey is quite delicious) and put dishes away, but I also have tomorrow off, so am not overly concerned about getting things organized and cleaned up. I worked on the books some more and pruned some more out, and started learning how to use the microwave–which does make a difference.

Christmas is usually when I started looking back on the year, and 2023 was a bit of a rollercoaster for me (they usually are). My personal life really sucked balls this past year, but it was a very good year for me professionally. The year started with me behind on two deadlines, but I managed to get both books finally finished and turned in, once I was able to turn MWA over to my successor, which was part of the delay on the books. In late January I injured my arm, and got misdiagnosed by my primary care physician. As we rolled into Mardi Gras, Mom had a massive stroke and I drove up to Kentucky to see her one last time in hospice. She didn’t really know me, she was pretty much unresponsive unless she was in pain, and it was rough. I drove home that Sunday, and she died on Valentine’s Day, so I had to drive up to Alabama that last weekend of Mardi Gras for the funeral. Not going to lie, it was tough losing my mother, and it’s been tough all year. I have sublimated most of my grief into worry about Dad, frankly. I went up and met him in Alabama for their anniversary, and we convoyed up to Kentucky, where I stayed for a week. I met Dad at my aunt and uncle’s place in Panama City Beach in October for their birthdays. When my primary care finally recognized what was wrong with my arm (torn biceps), I got referred to a orthopedic surgeon–but I needed a specialist. I had all my teeth removed finally in September, right after Labor Day, but didn’t get my new teeth until the week before the arm surgery, so was on a soft diet for two months which sucked….and then had to go back on it after the surgery because I couldn’t really cut up food. I also got hearing aids, which was great and has helped dramatically.

I also finally realized what the core mental issue was, thanks to a conversation with Dad–when I found out she suffered from generalized anxiety disorder and the light bulb went on over my head: that is exactly what is wrong with me, and all these years what I thought was “normal” because I didn’t know any different and I just always thought I was like Mom…yeah, I am like Mom, and all these years all I’ve been doing is treating symptoms and not the root cause. In consultation with my new primary care doctor, I weaned off the old medication and started treating the anxiety and the insomnia (anxiety related) properly, and it has made such an amazing difference in my life. I think more clearly, and I can analyze myself better. I’ve also started thinking about how most of my life I’ve tried to avoid confrontation (like Mom) and whenever something has happened that hurt me…well, I’ve tried to avoid those kind of situations again. My trust issues come from the anxiety and being hurt before, and I also realized that my socialization as a child was delayed and/or stunted because of being unable to control my brain. I had undiagnosed ADD as a child, and I feel pretty sure that’s carried over to my adulthood, as well. I couldn’t focus or concentrate because I didn’t know how to shut my brain off or keep it until control. The only time I could find peace, really, was reading or writing.

Professionally, I started off the year by getting nominated for a Lefty for Best Humorous for A Streetcar Named Murder, which was a very pleasant surprise. I debated going, but the timing was bad and with all the traveling I was having to do for family stuff, I had to conserve and preserve paid time off. This was followed up by an Agatha nomination for Best Children’s/Young Adult for #shedeservedit, and this time I did go. I lost to Enola Holmes, but I also became friends with Elizabeth Bunce (we’d been nominated together for an Anthony the year before) and Frances Schoonmaker, who was an absolute delight. I was nominated for three Anthonys at Bouchercon this year–Children’s/YA again; anthology for Land of 10000 Thrills, and Best Humorous for Streetcar again. None of those nominations ended with a win, but for me the nominations alone were the real win. I never ever thought I would be shortlisted for mainstream mystery awards, and what a delightful surprise.

I did publish two novels this year–a new series debuting with Death Drop, and the ninth Scotty, Mississippi River Mischief. I also got an (undeserved) editorial credit for School of Hard Knox, along with Donna Andrews and Art Taylor, for publisher Crippen and Landru–which meant working with my dear friend Jeffrey Marks. I have a story in the book, too–“The Ditch”–which was something I’d been working on forever. I also published two more short stories, “Solace in a Dying Hour” in This Fresh Hell, and “The Rosary of Broken Promises” for Dancing in the Shadows. I’m pleased with both stories, but I also need to get more. I have any number of incomplete projects that are nagging at me that I would like to finish in the new year. SO MANY PROJECTS.

But I feel good today, and very rested. I’d intended to take today as a do-nothing day, but I will probably do stuff because I am not really wired to not do anything all day.

And on that note, I will wish you happy holidays for the moment and head into the…well, not the spice mines, but perhaps a spice resort?

If We Make It Through December

I finally slept last night, and it felt amazing. I could have easily stayed in bed for another two or three hours, but that 9-to-5 is calling to me (well, 7:30-4:30, but you know what I mean). I was worried that I was getting sick–surgery recovery, medication changes, not being able to sleep, dehydration, occasionally feeling slightly feverish, and some occasional nausea (while eating, so I wasn’t eating as much, either. My COVID tests were always negative (still are, this morning), so I have to put it down to simply being exhausted from not being able to sleep, because this morning I feel good, if a bit sleepy. Everything was dragging ass last night when I got off work; but I made myself run the needed errands on the way home, and thus today I am really delighted to know that I can come straight home from the office and get caught up on some other things. I also did some chores, despite feeling like I was at death’s door by the time I got home. (And I am so glad I bought that wagon; it makes life so much easier and I will continue to use it even after the brace is gone and my arm is healed.)

Insomnia is the worst. I don’t know how people who have it chronically manage, seriously. One night is bad enough, but a couple of nights in a row is enough to completely derail me, so I cannot imagine having it every fucking night. I mean, it wouldn’t really take much to drive me over the edge anyway–I always have such a delicate grip on my sanity as it is, without having further contributing factors. I was too tired to read last night, so I figured doing chores was the right way to go with everything last night. I did think about the new book I am writing, so even though I didn’t add to my word counts yesterday, I did think about where the book needs to go, and thinking about what I am writing and puzzling out the plot and where the book needs to go next counts. We also finished Big Vape last night, which was really interesting and made me think about a lot of things, and started A Murder at the End of the World while we wait for Prime to drop season two of Reacher, which is finally launching this Friday (huzzah! I love Alan Ritchson, and have since he first appeared as Aquaman on Smallville), and of course the bowl games are also starting this weekend–but there really aren’t many this early that I care about watching; most of the bowls end up serving as background noise while I do other things–clean, prune the books, write in my journal, read, edit pages–but seriously, now that I’ve slept well for one night, I feel like I can conquer the world again, and I’ve not felt that way in a very long time. It’s a nice feeling, really.

This year has been, as I said, a rollercoaster that doesn’t seem to be coming back to the station any time soon, and this wild up-and-down ride this year has made me reflect on who I am, why I am who I am, and reset my brain and attitudes about a lot of things because once I realized oh this is why you’re like this and that and so forth I could dissect, and rethink those attitudes–a lot of which was childhood training about how to approach life, which I inevitably took to extremes. Be humble and don’t brag became self-deprecating to the point that I would think or say things about myself or my career that would be horribly offensive if said by someone else…because in my chemically-unbalanced brain, criticism won’t bother you as much if you preempt it, which is the same weirdly off mentality that led to the complete lack of self-esteem about my body and my looks and my intelligence and well, pretty much everything….which means that I was always looking for affirmation from others, and when it didn’t come, it simply confirmed the negative things I was thinking and/or saying about myself.

There’s nothing wrong in being proud of yourself; as my friend Laura says, “Sing out, Louise!” because the obverse of the way I think about negative commentary (“need to fend this off by beating them to the punch”) also works the other way–“If I don’t believe in myself, why would anyone else?”

And I am proud of myself, and the writing career I’ve somehow managed to blunder and stumble my way into. As the tarot card reader told me when we first moved to New Orleans twenty-seven years ago, I did become an author but it’s nothing like I ever dreamed of, imagined, or considered possible. I’ve written so many books, short stories, essays, book reviews, blog posts, and edited so many anthologies that I am not even sure how many there are now–and it’s even more than most people know, because there are pseudonyms I’ve never publicly claimed and books that were ghostwritten or work for hire under a veritable plethora of other names. I think my last six (!) books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, A Streetcar Named Murder, Death Drop, and Mississippi River Mischief) are some of my best work, and the last few short stories to come out (“The Rosary of Broken Promises”, “This Thing of Darkness”, “The Affair of the Purloined Rentboy”, “Solace in a Dying Hour”, and “The Ditch”) are also some of my best stories. I am very pleased with how I’ve grown and developed in my writing, and I want to continue to grow and develop and keep getting better. My biggest fear is that my best work is behind me and I’ll keep going, getting worse with every new project until finally no one is buying anything I write anymore. I’d still write, anyway–I’ll be writing on my laptop on my death bed, and they will have to pry it from my cold dead fingers–and probably self-publish or something.

And on that note, I am heading into the spice mines on this cold morning in New Orleans. Have a marvelous Wednesday, Constant Reader, and I’ll check back in later.

Christmas Time Is Coming

Tuesday morning, up early and dark is pressing up against my windows. I slept better last night than I have since Friday night, but woke up out of a deep sleep to go to the bathroom around two in the morning and wasn’t able to get back to it–my body was relaxed completely and resting, but my mind was still working. I feel rested this morning but I don’t know how long that’s going to last…I imagine I am going to run out of steam at some point this afternoon, but I also have to get the mail and make groceries, too. I had also wanted to cook some things for dinner tonight–or to at least have something to take for lunch this week (today is a Lean Cuisine). I feel better, though, this morning than I have in a few days upon waking, so I am taking that as a good sign. It’s been nice having all this out of the office, but it’s kind of weird going back. Outside of unemployment periods, I don’t think I’ve ever not worked for this long since probably high school?

I hope I can remember how to do my job.

It’s also cold this morning–forty-nine degrees, according to my phone–which makes going outside less agreeable and certainly undesirable. I can put the brace on over a jacket, take it off to remove the jacket and put it back on, which makes total sense and I don’t understand why this is something I am initially hesitant to do? The PT went well yesterday and I have the full range of motion back for the elbow; and my fingers are getting more dextrous and ny hand grip stronger. (I kind of felt guilty when he said, ‘yes, keep doing your home exercises because they are working’–because I haven’t been doing them…I told you, I am a terrible patient.) I was exhausted from the PT and from not having slept for two nights, so I wound up not doing much of anything yesterday other than reading deeper into Calypso, Corpses and Cooking by Raquel V. Reyes, which I am enjoying–I really like her character, Miriam–and a likable main character is crucial in a cozy mystery. Nurse. Sparky spent most of the afternoon curled up asleep in my lap, which was comforting and calming and adorable, and then when Paul got home we started watching the Big Vape documentary on Netflix (I think?), which is interesting and got me started thinking about smoking. I smoked from ages 16 to 50, a whopping 34 years, before finally quitting, and frankly, I don’t miss it. I do remember how much i used to actually enjoy smoking, but I’ll never smoke another cigarette in my life. The cultural view on smoking certainly has changed over the course of my life–when I was a kid, you could smoke anywhere and pretty much most people seemed to smoke. My parents did, my grandparents did (not my maternal grandmother; Mom was the only smoker in her family, but pretty much everyone on my dad’s side did), and they used to smoke with the windows up with us in the car. No one thought much about it, of course; despite the surgeon general’s warning about carcinogens getting more and more explicit and fervent as the years passed. I tried smoking in junior high but didn’t inhale, and didn’t much care for it; I tried again the night I graduated from high school and essentially smoked for the next thirty-four years. I still smoked cigarettes when I started writing–which is why Chanse was a smoker and all of his friends were (I did get some pushback from readers about the smoking; a friend who was also a smoker joked that his favorite thing about Murder in the Rue Dauphine was that all the good guys smoked and all the bad people didn’t) but I never really addressed him quitting in the books; I just stopped writing him as a smoker after I quit–and the reason I quit was because Skittle died from cancer. That guilt–that I helped contribute to Skittle’s death–was all it took, even though the cancer he had wasn’t caused from second-hand smoke…just the thought that it could have been a contributing factor was too much for me and I refused to do that to another cat–because by then we were definitely confirmed cat people and it just doesn’t feel like home without a cat in it.

There will be more on Big Vape when we finish watching.

I also am going to be getting back to writing. I signed a contract for a sequel to Death Drop and need to get that finished and out of the way. I wasn’t able to get as much done during this lengthy time off because, well, I had surgery and the recovery–while not as painful as i feared–did drain a lot of my energy, and the enforced rest also made it a little harder to get motivated. I did manage to read more than usual, but the ceiling disaster and repair, the recovery, the physical therapy, and the just now changed medications to deal with my brain chemistry issues was a lot to deal with. I’m also not beating myself up over not getting more done because for fuck’s sake, even as mad as I get at myself for not getting things done…I’m giving myself a break on this. It’s not been an easy year, from beginning to end; but like I always say–if you’re going to have bad things happen, isn’t it best for them to happen all at the same time? That probably sounds insane, but in all honesty–when Paul was attacked and lost his eye? That was the best time for the Christian scum to come for me because I was so focused on getting Paul through what he was dealing with that I couldn’t give them very much attention, one way or the other. (At any other time, I would have been freaking the hell out.) And the weird thing is, professionally this was a great year. I was nominated for an Agatha and a Lefty for the first time, I was nominated for three Anthonys, and I have two books out, and I did some short stories that I am pretty damned proud of–it’s just weird that the highs always come with the lows…or maybe the highs make up for the lows? That’s probably the best way to look at it.

And on that note, I am heading into the spice mines. Have a great day, Constant Reader, and I’ll be back at some point.

Walking to New Orleans

I really need to start taking walks around my neighborhood in the early evening to look at, photograph, and document the Christmas decorations. New Orleans loves holidays, loves costuming, and loves holiday-themed decor; everyone just goes to town for every holiday, and it’s one of the things I love about New Orleans. New Orleans always feels somehow more Christmas season-y than any place I’ve ever lived before, even though we very rarely have a white Christmas here (we did back in 2004); the only place that seems more Christmassy to me is New York–and that has everything to do with Miracle on 34th Street and Macys. When I worked for the airline I used to go to New York for a day every December and buy my mom an ornament from Macys–their Christmas floor was so amazing, always–but now I don’t work for an airline and Mom is gone, so that’s just another one of those nice but bittersweet memories now.

I’ve really been falling down on the job since the surgery about doing blatant self-promotion for Mississippi River Mischief; having major surgery within a few weeks of having two new books drop was perhaps not the smartest decision I have ever made. I always feel weird and uncomfortable doing self-promotion, anyway; I always think people don’t want to hear about this constantly and as you can tell, I’m not really good at it. I know I should be out looking for reviews that are positive and sharing them; but looking for positive reviews inevitably leads you to finding negative reviews, and at this point in time especially I have no interest in reading about how I’ve failed at my job. My books aren’t for everyone–but that doesn’t mean they suck, either. (If I don’t like a book I’m reading, I don’t finish it and I don’t talk about it; I simply say it wasn’t for me when/if asked.)

This enforced rest from the surgery has been an interesting time. I’ve read a lot–mostly short stories, some novels–and streamed a lot of things to watch, but I’ve also been going down a lot of wormholes in my own brain; trying to remember things with a memory that was already starting to fade a bit with age, but it accelerated dramatically after my COVID experience in the summer of 2022…I had already come to realize, recognize, and accept that my memories were faulty all along anyway; we always remember things differently than other people remember the same things because of who we are and how our minds work and how our experiences–and all those little things that make up our personalities and our perspectives–shape us into who we are. I like to paraphrase Joan Didion and say we tell ourselves lies in order to live–we don’t see ourselves as bad or as the villain in any given situation; we reshape events and remember them in ways that exonerate ourselves and push the fault onto others. Over the last years–pre-pandemic, I know that is the case if I can’t remember precisely when–I know I’ve been trying to look at occurrences in my own personal history and trying to be more objective about them all.

In some ways, that was where the story of Mississippi River Mischief came from; I wanted to deal with something from Scotty’s past that I’d brought up in one of the first books in the series (the long out of print Jackson Square Jazz, which hopefully will be available again in time for its twentieth birthday next year) and I’d always wanted to go back and reexamine that incident from Scotty’s past, with an older and much wiser Scotty reflecting on it and how it shaped and developed who he is–only to have it not be how he remembered it in the first place. It crossed my mind briefly while writing Royal Street Reveillon that “oh, the aftermath of this is a good place to deal with this thing from his past1,” and given how and why the underlying case in the new book comes to the Scotty and the guys, and what happened in the last book, this was the book where I had to go there and bring it all back. Yes, Jackson Square Jazz had been out of print since 2010, so the only way anyone could get it was from second-hand sources or libraries, so a couple of pages about Scotty’s past in an unavailable book–well, I did think for a while I wouldn’t have to dredge that up in this most recent book, but it didn’t take long for me to realize that I had to–it was cowardly not to deal with it and pretend I never wrote about it in the first place (especially since I’ve always intended for the book to be rereleased), and it fit in with not only the new story but what happened in the previous book.

And the fact that it was an extremely loaded subject made it all the more important that I address Scotty’s past–being seduced by his wrestling coach in high school–so that he could see it for what it actually was rather than what he remembered it as.

And the fallout will continue into the next one. (Yes, there are going to be at least three more, and I promise not to go four years between Scotty books again.)

  1. Sorry, I’m trying not to give spoilers on a book that is almost six years old! ↩︎

You Got Lucky

It’s a gray Friday morning here in the Lost Apartment and I might need to turn on a light–that’s how gray it is this morning. I was also a lag-a-bed and didn’t get up until after eight; not sure what that was about but the bed was incredibly comfortable. I also forgot to turn the heat off last night before I went to bed…and that kind of was a smart thing to do as I am not shivering this morning as I sit here. The brace still makes typing awkward, but I’m getting more used to it, or something.

Yesterday was my first real day of physical therapy; the first was clearly simply an assessment, and yesterday the actual therapy started. It was almost an hour, and it was all mostly dexterity movement with my hand and fingers, as well as working on squeezing and flexing, and some little forearm curls with a two pound weight. I ran errands after, including making groceries and getting the mail. I was exhausted. I wrote some emails and then did my book reports on two of the three books I read recently (I still have one more to do, on the Donna Andrews Christmas murder mystery), and when I was done with that…I was done. I was so fatigued I couldn’t even read very far into my next read (Raquel V. Reyes’ Calypso, Corpses, and Cooking, an absolutely delightful cozy series set in a small town within Miami–check the series out if you’ve not yet), and wound up watching an episode of Moonlighting and my standard go-to; documentaries about history on Youtube, and episodes of Real Housewives (I am currently watching Salt Lake City and Beverly Hills), and then Paul came home later and we started watching The Curse, an odd show with Emma Stone and Nathan Fielder; per Showtime the series explores “how an alleged curse disturbs the relationship of a newly married couple as they try to conceive a child while co-starring on their problematic new HGTV show, Flipanthropy.” I wasn’t sure if it was supposed to be funny when we started watching–I did laugh a few times, but it’s also one of those “cringe comedy” shows where you’re kind of embarrassed and mortified for the characters’ behavior so you don’t feel comfortable laughing? But now that I know it’s supposed to be funny (laughing with instead of at)…I really shouldn’t go into shows blind anymore because I am too literal-minded. I’m hoping to get a lot done today around the house; I feel very rested this morning and I guess we’ll have to see how long that lasts, and how long before my energy flags. This week I’ve felt more myself than I have since the surgery–clear-headed and so forth–so I am hoping that’s a sign that I am slowly getting back to normal.

I’m also hoping to watch Indiana Jones and the Dial of Destiny this weekend. Hoping it ranks with the first and third movies in the series and not the second and fourth.

The construction work around the apartment seems to be finished; they reinforced the patio deck overhang (which is over our front steps) with steel and removed that horrible long wooden plank that was supporting it for like the last twelve years, which was ugly and annoying and in the way–and not particularly effective, either. The kitchen ceiling is repaired, and now all we need is to have the plasterboard painted and the ceiling fan rehung, which I’m hoping can be done after I go back to work Tuesday. I like our construction guys–super-friendly and nice, and very good at their jobs; they are also going to reinforce our living room floor, which is getting soft in places; also incredibly thoughtful and considerate of me being home while they were working on the place–apologizing for noise, checking to make sure I was okay (they asked about the arm brace and I had to explain, after which they became incredibly solicitous, which I never–no offense–expect from straight men), keeping me updated on progress and so forth. They even told me everything they’re going to be doing around the house for the next few months, which is great; I’d kind of gotten used to never being told anything by workers and having to work around them over the years.

The kitchen is also a mess and needs to be straightened up some; I need to empty the dishwasher, do another load, and get started on the bed linens (it’s FRIDAY! Laundry day!). Tomorrow I’ll run some errands; I am not going to make groceries again until Monday, since I have PT that morning and have to go uptown anyway. Tuesday I get to go back to the office, which will be interesting. I’d of course hoped I’d be able to get a lot more accomplished and done during my time out of the office, but…that proved to be overly optimistic. I am recovering quickly–everyone is amazed, at PT and the doctors–but even my recovery wasn’t as quick and easy as I had hoped. I tire easily–gee, it’s not like my body is recovering from a MASSIVE TRAUMA or anything–so I’ll be curious to see how things go when I return to work.

I also have Christmas cards to do, too, which should be interesting. I actually have the cards already and the stamps; I ordered some gorgeous Louisiana Christmas cards from a local photographer, and a box of funny ones on-line; I also ordered Mississippi River stamps, which will be super fun to use. I always put doing the cards off, then lose track of time until it’s too late, and then just think well it’s the thought that counts. This year, however, I am ahead of the game–everything was ordered and has been here since well before Thanksgiving, so if I don’t do it this year I literally have no excuse. Maybe this weekend; it’s something I can do while sitting in my easy chair.

And Sparky is really making himself at home. I am so happy we got his energetic hyperactive little fuzzy butt. He’s getting so big, and he’s so smart and determined. He now open the bathroom door (so we can’t shut him up in there anymore) and he literally climbs drawers now to get to the kitchen counters or on top of the dressers–he actually looks like he’s scaling a rock cliff as he climbs the drawers, and it’s hard to get aggravated at him for doing it because it’s so smart of him to have figured that out. He’s very determined, and he’s also starting to answer (or at least react) when we say his name. I also call him Boop sometimes; it’s hard to get out of the habit of calling the cat “Boot” (nickname for Scooter we used more than his real name) but I managed to start saying “boop” instead, and he likes that and answers to it. He still prefers boxes and bottle caps to any toys we’ve gotten him, but I would like to get one of those toys that entertains them for hours…but then I think but what if he doesn’t care about it and ignores it?

Always an issue with a cat.

And on that note, I am heading into the spice mines. Have a lovely Friday, and I’ll check back in later.

A Love Song

Yesterday was pleasant and relaxing. The kitchen ceiling didn’t leak from the torrential storms (but the leak over the stairs came back; it’s always something). I watched some football games (the Alabama-Georgia game was very entertaining, if the Texas-Oklahoma State one was a massive snooze-fest) while reading Christmas Presents by Lisa Unger, which I really enjoyed (more on that later), and then capped off the evening with the Florida State game on in the background while I did things–some more reading, some brainstorming, some cleaning and organizing. I didn’t finish watching, and went to bed early. It was a nice, restful, relaxing kind of day, and that was really nice. Being forced to recuperate and rest hasn’t been terrible, to be completely honest; it’s kind of amazing how quickly I have adapted to not being active and just keeping my mind free from stressors and relaxing. The house is a mess, of course, but I am not letting it get to me and am just doing the minimum I can, with the occasional big thing–dishes, laundry, something. I’m not going to say that I’ll be glad to go back to the office, but this has kind of given me kind of a taste of what retirement will look like, and it doesn’t suck. It’s still a long way off, to be sure, but it’s also making me rethink paid time off. Is it better to do dribs and drabs with long weekends, or is it better to save the time and take an entire week away? I kind of liked this long period of not going to work.

It’s also really easy to lose track of days and dates, too. I often find myself wondering what day it is, or what the date is, and have to check. I also slept deeply and well again, staying in bed late this morning, which is also fine.

Today I want to get some writing done. I’ve been doing a lot of thinking about this new book, and it’s really time for me to buckle down, put my ass in the chair, and really start writing this thing. I also want to get cleaned up today–I really need to shave my head; I’ve not done that since before the surgery and it’s getting frightfully long for me (does anyone else remember when the length of a man’s hair was something we were judged about? Like men with long hair was such a huge issue, one that would define our culture and society) and I also need to shave my face. I was a little worn down yesterday, too–it’s hard to remember sometimes that my body needs rest still because it’s not finished healing yet–and for someone who is pretty active (or restless, anyway), getting tired doing things I normally do is bothersome. But I have another week and a day before I have to get up to an alarm and head back into the office, which is going to be the real test: can I make it through a shift in the clinic? The jury is still out.

It’ll be interesting to see what the college football selection committee will do when it comes to picking the final four for the play-offs this year. Who will be included? We have three undefeated teams, two one-loss conference champions, and lots of noise. It will be weird to have no SEC representation in the last play-off series ever, given how many times the SEC has won it–and not just with the same team, either. This century has seen national titles for Auburn, Florida (two), Georgia (two), LSU (three), and Alabama (six). Five teams from the same conference, four of them winning more than one. (This is why I laugh when people talk about “SEC bias”–well, how many national titles has your conference won since 2000 and with how many different teams? The most is two–the Big 12 with Texas and Oklahoma, the ACC with Florida State, and Clemson1, and the Big 10 with just Ohio State. There’s a reason for the bias; it’s called success on the field.) But I can see how they would pass over Alabama for Texas; Texas beat Alabama in Tuscaloosa. On the other hand, the last four titles in a row were won by the SEC (LSU, Alabama, and Georgia twice), and the Big 12 hasn’t won a title since Oklahoma back in 2002. Texas is kind of SEC-Lite, though; beating the SEC champion this year and coming into the conference next year. I saw LSU’s schedule next year and it’s brutal; USC, UCLA, and Oklahoma on top of Florida, Alabama, Mississippi, Texas A&M, and Arkansas, with Vanderbilt thrown in on top as lagniappe. No Auburn or Mississippi State, but at least there are two easy FCS schools on the schedule. Talk about a brutal schedule–and we’ll have a new quarterback. Looks like another rollercoaster of a season. This last season’s defense was terrible, but still–LSU only lost to Florida State (undefeated, ACC champ), Alabama (one loss to another one loss conference champion AND SEC champ) and Mississippi (two losses, to Alabama and Georgia); which, given how shitty the defense was, is kind of impressive. So, not a bad season, really, if a bit disappointing. But I didn’t believe the pre-season hype, either; I thought LSU was overrated simply for beating Alabama last year, and was correct. And now the season is effectively over; I have idle curiosity about the play-offs and will of course watch whichever bowl LSU winds up in, whether it’s a New Year’s 6 game or not (probably not; there are a lot of good two loss teams–Missouri and Mississippi–and they need to find a high profile bowl for Georgia and possibly Alabama, too). But it was a fun season, even if a bit disappointing for LSU fans, but I’ll take 9-3 over Orgeron’s last two years as head coach any day of the week. I am not completely sold on Brian Kelly yet, either, but he’s better for the program than Orgeron was, and he’s not insane like Les Miles, either. (Kelly, at least, knows how to work the time clock, which Miles never quite had a grasp on.)

I’m hoping the Saints draft Jayden Daniels, to be honest. This was a truly dismal Saints season–and we won’t even talk about the disappointing Tulane loss yesterday, or that it looks like they are going to lose their coach to a higher profile program, either.

I think my next read is going to be David Valdes’ Finding My Elf, which is a holiday-themed young adult romantic comedy. I met David earlier this year (he’s also a friend of my friend Kelly) on the y/a panel at Saints & Sinners, where I didn’t really belong (my feelings about being considered a y/a writer are a subject for a different time; but the short version is I write books about teenagers now and then, and because the characters are teenagers they’re classified as y/a, but I don’t write them any differently than I write for adults. Maybe I am making too big of a distinction, and this doesn’t from any sense or mentality that y/a is somehow lesser, because it’s not–there’s some absolutely terrific y/a and middle-grade work out there. I leave categorizing my work to the industry because trying to make sense of it is too much for me and I don’t want or need my head to explode.) Anyway, David was absolutely marvelous; his book You Spin Me Round was already in my TBR pile, but I can’t pass up reading a Christmas y/a romcom during Christmas season, can I? I’m also considering writing a romance myself–a gay one, of course–and already have the set-up and the opening scene written up in my head. Maybe I’ll be able to find the time to write it this next year; stranger things have happened.

And on that note, I am heading into the spice mines. Have a lovely Selection Sunday, Constant Reader, and I’ll be back with some blatant self-promotion later.

  1. Miami also won a title in 2001, but they were not in the ACC at the time. ↩︎

House of the Rising Sun

This is probably one of the most famous songs about New Orleans of all times, and of course, doing a deep dive into the history of the song–which began as an English folk song, of all things–was a pleasant way to spend a few hours. I heard the recording by the Animals when I was a kid, and honestly never cared very much about it. I always thought it was about a house of prostitution in New Orleans–Storyville, probably–but never gave it much more thought than that. But when I was looking for titles of songs about New Orleans to use for blatant self promotion for Mississippi River Mischief, it was kind of an obvious one. And when it came up on my list for this next post, I realized I didn’t really know very much about the song other than I didn’t care for it very much. It originated in the 16th century as an English folk song, and gradually evolved into an Appalachian folk song called “Rising Sun Blues” (great title, I may abscond with it, frankly) before finally becoming a folk-rock hit for The Animals in 1964 with its current name. (Musicologists suggests it’s thematically related to the old English folk song “The Unfortunate Rake,” per Wikipedia.)

I do find that kind of thing interesting, even if I don’t have any use for that information. (Although Barbara Michaels did a great job of using classic traditional folk songs and their history as the foundation for her underrated but marvelous novel Prince of Darkness–which I would love to revisit.)

If you were playing Family Feud and the question “what is New Orleans known for”, the top two answers would probably be Bourbon Street and Mardi Gras. This annoys the locals and the natives to no end; and it’s understandable. Boiling New Orleans down to those two things is incredibly reductive. But they are major facets of the city, and both are responsible for a lot of tourist revenue, which the parish, city and state desperately need because our state and local governments (all of Louisiana’s cities and parishes) are complete and utter failures. When we moved here in the mid-90s, New Orleans had a strong base of tourism, but it was nothing like now. Since Katrina the city’s primary focus has been building the city into a tourist destination, putting all of the proverbial eggs into that particular basket. The pandemic wound up killing businesses that Katrina couldn’t; the St. Charles Tavern at the corner at Martin Luther King didn’t survive COVID, as one example. (They had amazing fried mushrooms; we used to get them every once in a while as a delicious greasy breaded and deep-fried treat.)

When I first decided to start writing about New Orleans (much as I hate to say this, but New Orleans really IS my muse, and I love that I live in the neighborhood of the Muses here), one of the things I was determined not to do was use clichés about the city in my work. It wasn’t until my fifth novel that I wrote about Carnival/Mardi Gras, which is where most writers about the city inevitably start (cliché as it may be, you also cannot write about New Orleans without eventually having to write about it); I wanted to get more established as a writer before I went there. Part of the reasons the first two Scotty books were set around Southern Decadence and (to a far lesser extent) Halloween was because those were also important holidays for the gays here. I did address Bourbon Street with the first Scotty; I knew that title (Bourbon Street Blues) would tell anyone that it was a New Orleans story, so yes, I took advantage of a cliché there. But I also realize now that most of my New Orleans writings were very provincial in a way; I mostly write about the “sliver along the river”–the Marigny, the Quarter, the CBD, the lower Garden District, the Garden District, the Irish Channel, and Uptown. There’s way more to New Orleans than these neighborhoods–sometimes I send them over the bridge to the West Bank or out to Metairie; there was a very vivid post-Katrina scene where I sent Chanse out to Lakeview, but for the most part I’ve not done much about other neighborhoods here. The West Bank, City Park, the East, Gentilly; all of these rich and vibrant neighborhoods–as well as the diverse ethnic make-up of the city–are very fertile ground for someone writing about New Orleans. Generally, the neighborhoods I write about are the neighborhoods writers who don’t live here focus on because they are the better known ones.

And of course, I’ve rarely, if ever, touched the history of the city–and it is rich, compelling, and fascinating…and super dark.

That’s kind of why I wanted to move this recent Scotty out of the city and into one of the rural parishes not far from the city limits. I have fictionalized these parishes before–I try not to fictionalize New Orleans, but have no problem inventing parishes and towns in the rest of Louisiana. St. Jeanne d’Arc parish is loosely based on St. John the Baptist and St. Charles parishes, known as “river parishes” because they run along the river north of the city. Redemption, also an invention I’ve used in other books, is based on the “bayou parishes”–not along the river, but between the river and the wetlands/Gulf of Mexico; those are Terrebonne and Lafourche parishes. Louisiana is just as interesting as New Orleans, and also has an amazing and interesting history of its own. Of course, the next Scotty will be back in the city–his next few, if they go as planned, will all be within the city–but that doesn’t mean I don’t want to keep writing about Louisiana and my fictional parishes, either.

There really is so much material here I could never run out of ideas.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

A Hard Knock Life

Tuesday night as I talked with Jean, Candice and Harry about my two latest books I suddenly realized–towards the end of the conversation–that technically I have a third book out in current release with my name on the spine.

To wit, this marvelous anthology:

Which, if you like, you can order right here! There are two options to choose from–the clothbound special edition with the cover page signed by all three of us, or the less expensive paperback. I believe there’s also an ebook option.

And look at this table of contents:

How is that for some amazing company to be in, eh? Not to mention the co-editor credit with Art Taylor and Donna Andrews, who are as equally lovely as people as they are insanely talented writers (and highly intelligent people). I mean, my story is sandwiched in between stories by Martin Edwards and Naomi Hirahara, for fuck’s sake.

Rarified air, indeed.

So, who is this Father Knox, and what are these commandments that had to be broken?

Father Knox himself

Father Knox was an early twentieth century mystery writer, who was also a member of the Detection Club, along with contemporaries like G. K. Chesterton and Agatha Christie–speaking of rarefied air–and he came up with the ten commandments for mystery novels:

  1. The Criminal must be someone mentioned in the early part of the story but must not be anyone whose thoughts the reader has allowed to follow.
  2. All supernatural or preternatural agencies are ruled out as a matter of course.
  3. Not more than one secret room or passage is allowable.
  4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.
  5. No (outdated racist term for someone of Chinese ancestry) must figure in the story.
  6. No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
  7. The detective must not himself commit the crime.
  8. The detective must not light on any clues which are not instantly produced for the inspection of the reader.
  9. The stupid friend of the detective, the Watson, must not conceal any thoughts which pass through his mind; his intelligence must be slightly, but very slightly below that of the average reader.
  10. Twin brother, and doubles generally, must not appear unless we have been dully prepared for them.

I mean, how fun would it be to write a story breaking any of these rules, let alone a book doing so (hmmm, tempting–this would be a great fun thing for a Scotty adventure)?

I chose commandment two: all supernatural or preternatural agencies are ruled out as a matter of course, so I wrote a suspense story that may (or may not) have a supernatural agency involved; “The Ditch,” which is also a Corinth County story and one I am particularly pleased with.

I am going to begin reading the anthology, perhaps a story a day, as part of my Short Story Project (always ongoing) as well as to help promote the anthology, which has as fine a collection of contributors as I’ve ever been associated with.

And the book itself? Gorgeous.

The One You Love

Tuesday and back into the office. My energy spurt after getting home from the pre-operation appointments didn’t last for very long, I’m afraid, and by the middle of yesterday afternoon I was groggy and tired; adrenaline crash from the anxiety rollercoaster, no doubt. We started watching Happy Valley, which is certainly a grim show (I said to Paul, “it’s like a British version of Mare of Easttown“–although obviously Happy Valley came first, but they are very similar in tone and mood: bleak). But the acting and the writing is first rate, and we both are really enjoying it. They called in some prescriptions for me that I’ll need post-surgery, but apparently in checking the CVS website, I have to call them about the pain pills. Terrific. It’s always such a joy trying to reach a pharmacy on the phone. But I have to swing by uptown to get the mail after work today, and so I might as well call so I can pick everything up on my way home from the office.

I am way behind on everything, but I feel a lot better about the post-surgery period. I don’t know how long it’s going to take before the pain goes away, but I imagine I am going to be in a painkiller stupor for at least a couple of days, at the very least. I’ve never really had the kind of surgery where you’re put under and cut on since I had my tonsils out when I was three or four. That’s not bad–going sixty years between surgeries–so I really have nought to complain about, but I kind of wish I had more experience with it so I knew what to expect more; it’s the not-knowing that really triggers my anxiety. Now I am wondering about putting on shirts with the arm-brace on; am I allowed to take it off to put on a shirt if I put it right back on again? Doesn’t the arm need to stay in the same position, even when I am showering? Heavy sigh. They did send me home with a packet of information to read over, so I’ll be doing that today as well. I also have to get the paperwork for my leave finished and turned into Admin today. Heavy sigh. I do have the letter from the surgeon that is required, and I think I have everything I need. (More anxiety, hurray.)

I also need to practice putting the brace on, too. The demonstration wasn’t enough to make me think oh sure I can do this easily on my own with a bent arm.

For the record, I tore my biceps muscle in my left arm back in January. For a number of reasons I am not in the mood to go into right now, I am now finally getting the surgery to have the muscle repaired. It’s a long and slow and painful recovery process; I need to wear the brace for at least three to four weeks, and then it’s physical therapy for months until I get the clearance that it’s all healed and working properly again. I got the distinct impression yesterday that it’ll take about a week for me to be weaned off the pain medications–again, that’s fine, what choice do I have? I don’t know how much, if any, typing I’ll be able to do that first week, and besides, if my brain is scrambled on oxycodone, I wouldn’t be able to write and/or create much anyway. But it didn’t sound like things were going to be as terrible or as worst-case as my mind always seems to want to come up with.

It was also a cold and wet rainy day yesterday; we’ve not had rain in quite some time–not nearly as much as usual in our tropical clime–so the whole day had that undercurrent and wet and cold that I’ve not experienced in quite some time (last winter, to be precise) and so that was also off-putting. I felt cold all day, was wrapped up in a blanket in my easy chair as I doom scrolled social media, watched some documentaries on Youtube (the wives of Charlemagne; the separation of power between the Church and the Holy Roman Empire; and the Black Death), and also caught an episode of Moonlighting, in which Maddie’s mother thinks her husband is cheating so David and Maddie investigate. I also saw some social media posts about Moonlighting not aging as well as I had originally thought, which was worrying. I have such fond memories of the show, and I’ve been enjoying rewatching it, and I thought I was paying attention to the “well it was a different time” things–but I didn’t really see the show as misogynist as I feared it would be, and there were other things that I was certain wouldn’t hold up on–casual homophobia? Casual racism? Casual misogyny? It was written and filmed in the same decade that gave us such great misogynist comedies as Porky’s, Sixteen Candles, and Weird Science (don’t @ me; I don’t make the rules), so how could it not be problematic on some levels today? I’m also a little disappointed that my rewatching didn’t somehow note the red flags (I actually posted at one point that I was surprised it wasn’t more offensive); but it’s also the classic set-up arrangement for old-style screwball romantic comedies–one prim and proper character, another who is spontaneous and always up for a good time and both learn from each other as they grow together into coupledom. I know there are some issues in the old movies too–but I still love them.

Perhaps that might make a good essay?

And today is the official release day for Mississippi River Mischief!

And on that note, it’s off to the spice mines with me. Have a great Tuesday, everyone!