Category: Southern Gothic

American Heartbeat

Well, I didn’t get my blatant self-promotion done yesterday, so I will have to work extra hard today to make sure it does get done; cannot go two days without any, after all. I do feel tired this morning, and I am going into the office tomorrow. I have appointments for the surgery all morning on Monday, so I am going to take the day off–which means staying at the office after the department meeting to get all the things done for the next week that I would ordinarily do on Monday. I keep hoping the dentist will call about my dentures; it would be so awesome if I could get them on Friday, but surely they will come in by next week. I know things have slowed down with deliveries to New Orleans thanks to the visibility issues we’re having down here in the mornings. There’s a swamp fire in the East (which is why the whole city smells like burning rubber), and that mixes in with the heavy fog and visibility is relatively non-existent. Yesterday morning every bridge into New Orleans was closed except for the causeway, and there were some bad accidents before the bridges were closed. I-55 still hasn’t recovered from that insane massive pile-up in the same conditions last week, and I think it still closed southbound. As you cannot get into New Orleans from anywhere else in the state (other than Metairie and Kenner) without having to cross a bridge, you can see how closing all the bridges1 could cause delays in deliveries to the city–which is also probably why the grocery stores all look so picked over all the time.

I did manage to do some chores last night when I got home–finished a load of laundry and started another; emptied the dishwasher and reloaded it to run again, with another load waiting to go–and I made groceries on Carrollton before heading uptown to get the mail. My new copy of Chris Wiltz’ The Last Madam2 arrived yesterday, along with shaving accoutrement that I’d ordered, which was lovely. I think I am probably going to come straight home from work today. I’ve picked up the mail every day this week so far, it can wait again until Saturday when I take books to donate to the library sale. I really need to get back to work on the book and some of the other writing I am trying to get done before the surgery knocks me out for a while. I don’t know how much writing I am going to be able to do during the three-week post-operative hard cast to keep the arm immobile period, but in a worst case scenario, I should be able to sit in my easy chair and read and watch movies, right?

I watched a documentary last night on Youtube about how Egypt survived the Bronze Age Collapse (which is a period which really interests me–all the civilizations crumbled around the same time but we don’t really know why), and I also watched another episode of Moonlighting, and it just so happened that my all-time favorite episode was on deck, “Twas the Episode Before Christmas”–which also is one of my favorite series Christmas episodes of all time. This was the episode where the show fully committed to breaking the fourth wall regularly (they’d flirted with it before, with the occasional joke about the run time of the show or the viewers), but this is the episode where Miss DiPesto finds a baby in her apartment right before Christmas, and from thus the mystery was sprung. I also absolutely loved that the three FBI agents looking for the baby were all named King (hence the Three Kings looking for the baby at Christmas), and other little clever touches like that. It’s also an incredibly well-written episode, anchored by a truly beautiful and sensitive performance by Allyce Beasley as Miss DiPesto–who was robbed of an Emmy for this episode. This also, along with getting the new Donna Andrews Christmas mystery (Let It Crow! Let It Crow! Let It Crow!) and David Valdes’ new y/a romance Finding My Elf, had me thinking about Christmas again, and my weird bipolar feelings about the holiday, and also had me thinking about how little I’ve written about Christmas in my vast array of work; as far as I can remember there’s one short story (“The Snow Globe”) and one book (Royal Street Reveillon), but that’s really it. I’ve written other Christmas short stories, but have never shown them to anyone or wrote additional drafts, because they were gushingly sentimental, and I despise cheap sentiment. (Oh yes, years ago I edited an anthology of gay Christmas stories, Upon a Midnight Clear, which has been out of print for at least fifteen years, if not more.) I am going to try to read more Christmas-set books this year during the holiday season, much as I read horror the entire month of Halloween.

I’m also thinking I should write more about Christmas, and another Christmas book isn’t a bad idea, either.

I just wish I could get my mind to focus on something, you know? But I suspect that has to do with the looming surgery. This weekend, LSU plays Florida on Saturday night, and I am not sure I’ll watch much else–I’ll have the games on in the background but fully intend to get shit done around the house, and read, and write. I am not going to be able to do much around the house for at least three weeks, which has me a little concerned about the laundry–but I’ll cross that bridge when I come to it. One nice thing about football season is that once LSU is out of contention for anything, I don’t really have to pay much attention to anything else other than them for the rest of the season. I do love football, but not enough at this point to justify wasting an entire day watching games.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I am going to try to get some more blatant self-promotion out today, too.

  1. Ironically, I talked about how you always have to cross water to get into or out of New Orleans in Mississippi River Mischief; and here we are. ↩︎
  2. More research into gay prostitution and the history of sex work here. ↩︎

Lady Marmalade

He met Marmalade down in old New Or-leenz, strutting her stuff on the street, she said “hello, hey Joe, you want to give it a go?“

That classic song by Labelle came out while I was in high school, during the early to mid-1970’s, and there was a lot of prurient young teenager thrill in knowing that the French lyrics translated to “do you wanna have sex with me tonight?” But the song–essentially about a hooker in New Orleans and a man’s experience with her–was an introduction to another side of New Orleans–one you wouldn’t find in the World Book Encyclopedia.

It was very important to me, for a variety of reasons, to make Scotty someone who embraced his sexual orientation and sexuality. I wanted to write someone who LOVED having sex, loved beautiful men, and felt no Puritan-American based shame about enjoying sex. Those kinds of characters were few and far between in gay fiction, let alone in gay crime fiction. After writing the typical miserable cynical bitter gay man with Chanse, I didn’t want to do that again. I wanted Scotty was to be the obverse of Chanse in everything, except their mutual love of New Orleans.

(This was, in part, in response to being briefly dropped by Alyson when I signed the Scotty series with Kensington, being told “two mystery series set in New Orleans would be too alike.” I took that personally, as an insult to my talent, ambition, creativity, and abilities…and I think I proved my point. Once Murder in the Rue Dauphine and Bourbon Street Blues were released–and Rue Dauphine sold super well for them and was nominated for a Lammy–Alyson changed their minds. I’m still mad at myself for not asking for more money.)

But while Scotty was highly sexually active, he never got paid for it. He also never did porn–although I did consider that at one point as an option; I thought a murder mystery built around a porn shoot would be interesting and kind of fun. And of course, in this book he mentions that he and the guys have recorded themselves having sex, and have sexted each other.

Scotty always preferred to keep his status amateur–but he was a go-go boy (stripper, exotic dancer, dick dancer, whatever you prefer to call the guys who dance for dollars in gay bars wearing various kinds of male undergarments), and he was certainly someone who was not averse to having a sexual encounter with a handsome stranger. (There’s a joke about this in Mississippi River Mischief where Frank comments after they’ve met someone, “I’ve been with you for almost twenty years. If you think I can’t tell by now that you’ve recognized someone but you’re not sure from where, which means you’ve probably slept with them, think again”–a paraphrase, but you get the gist; Scotty is often running into men who look vaguely familiar, and that usually does mean he slept with them a long time ago.)

New Orleans, despite it’s rather prim-and-proper high society set (on the surface, anyway), with the Pickwick Club and the Boston Club and the mysterious Mystick Krewes of Rex and Comus and so on, has always been a city of loose morals and freewheeling attitudes towards sex and sexuality. We had a zone where prostitution was legal for three decades or so (Storyville) and I wouldn’t be surprised if there were several bordellos operating within the city limits as we speak. There was the arrest of the Canal Street madam; and of course local author Chris Wiltz wrote The Last Madam, a biography of notorious Norma Wallace–the last well-known madam in the city. (Which I need to reread…) Bourbon Street was known for its strippers and vice for decades; there are still strip clubs on the infamous strip running from Canal downtown to Esplanade–and there are usually men in bikinis or something equally scanty on the bars of the gay clubs down down around the St. Ann/Bourbon queer nexus of the Quarter. When I was starting my deep dive into New Orleans/Quarter history, I wasn’t surprised to find out there were “stag” bars down along the riverfront along the levee; and if someone at one of the fancy houses in Storyville had a predilection for the Greek vice that needed scratching, the madam would send one of her bouncers down there to find someone willing to turn a trick, with a fair share going to the house, of course.

I think that’s fascinating, really; and something I want to explore in a story. I’ve started the story (it’s “The Blues Before Dawn” which I’ve mentioned from time to time) but can’t quite nail down the crime part of it. The set-up is great, though, he typed modestly.

I didn’t intend for Scotty to wind up in what is now known as a throuple–a three way couple, or a relationship of three people–on purpose. I wanted to create the dynamic of two men being interested in him at the same time, and have some fun with that in the first book. I absolutely did, and when I sent Colin away at the end of the first one, that was deliberate. I couldn’t decide who Scotty should wind up with, and I wanted Frank to be really who he logically should end up with–but this bad boy with a mysterious background who was so hot and sexy? I couldn’t NOT bring him back, and so I decided I had three books to wrap up the romantic dilemma. I wasn’t certain what the backstory of the dilemma would be, or how it would turn out, or how it would go–but when I was writing Jackson Square Jazz I found the perfect place and perfect way to bring Colin back. That book ended with them deciding to try a throuple to see how it works out. It was going pretty well until Mardi Gras Mambo–and I tried really hard with that book to not end the romantic story the way it ended in that book…and finally decided, since the series was actually turning out to be popular, that I would finish it by the end of the fourth book.

I’ve also not talked about it in the books or on this blog at all, but….they also have an open relationship. (Someone asked me about this at some point after the last book came out.) Nothing else would work for Scotty–he may not take advantage of the opportunities that pop up now the way he used to, but that’s because he has the freedom to make that choice. If he was forbidden from outside sexual relationships, he would cheat–and he doesn’t want to do that because that’s hurtful and wrong. He never wants to hurt Frank or Colin–but both of them are also away from New Orleans for long periods of time; Colin off doing his international agent stuff, while Frank is on the wrestling tour doing shows and promo events; so they are on their own a lot and temptation is always there–after all, all three of them are gorgeous–so while it is unspoken on the page, it’s an open throuple. And usually, Scotty finds outside sex to be kind of dull, unemotional, and not nearly as much fun as it is with one or both of the guys. That’s a character development arc. I also don’t show Scotty going out to clubs or waking up with hangovers with a stranger in his bed anymore, either. He does still go out–he loves dancing–but the gay bar scene has changed since he was younger and he doesn’t find it to be nearly as much fun as he used to.

Though he won’t say no to a hit of Ecstasy during Carnival or Decadence.

How subtle are the changes in Scotty as he has grown, aged and evolved? I think they are miniscule, but a revisit of the first two books in the series has shown a lot of change and growth over the years for him. He is definitely not that same flighty twenty-nine year old who booked a gig dancing at Southern Decadence all those years ago to make rent and wound up kidnapped by neo-Nazis deep in a swamp–I think he’s a little less flighty and a lot more responsible than he used to be…though he’s not as responsible as most people his age. Turning him into a property owner in the Quarter from a renter–and letting Millie and Velma ride off into the sunset in Florida as retirees–has also made him grow up, as now taking care of the property is his responsibility.

I will always be fond of my Scotty, though, and hope to keep writing him till I can no longer type into a computer or speak into a word-to-text app.

my neighborhood is so beautiful at night, isn’t it?

Born Naked

RuPaul likes to say we’re all born naked–everything else is just drag, and she isn’t wrong here.

Everything we wear is a form of drag. We always try to dress properly for whatever occasion, but yes–there’s work drag and formal drag and casual drag and gym drag and sports drag and around-the-house drag and pretty much any way you want to look at clothing…it’s all kind of a costume, really. And those costumes also depend on the time period.

I used to always think that I had no fashion sense–straight women and other gay men have often been astounded at how little I care about clothes or fashion or style. I have slight color-blindness, too–it’s hard for me to differentiate between darker shades; the darkest shades of blue and purple and brown and gray and green all look black to me. I also have some difficulty determining whether colors actually go together or not–which is why when it comes to formal/dressier clothing I tend to stick to black, white and red; I have so many red dress shirts, Constant Reader, you have no idea–so as I got older, I tend to go with what is easiest and less anxiety-inducing for me.

Of course, I also worked at an airport and had to wear a uniform for over two years: airline work drag. And after years of being a personal trainer, where all I wore was workout clothes or sweats, so yeah–my fashion sense has always been untrained and severely lacking for the most part.

Louis XIV, the Sun King–but those tights! That wig! Those shoes! More like La Reine Soleil, am I right?

I also always used to deplore the fact that men’s clothes gradually became so incredibly boring from the heydays of Beau Brummel-type male fashion icons. Look at the above painting of Louis XIV. Now imagine a man wearing that outfit to an awards show or a film premiere. Even our own Founding Fathers wore tights, powder, wigs, and heeled shoes.

But somehow, those clothing items became feminized and gender swapped–of course, women in the past also wore heeled shoes, wigs, powder and tights beneath their skirts and bustles and hoops. But even in the 1930’s and 1940’s, men’s clothes were far more stylish–trench-coats and linen pants, fedoras and other hats, spats and Oxford shoes, argyle socks. I hated the “traditional” styles of dress for men that developed in the post-war period. and the utter rejection of those same styles in the 60s and 70s. Men’s clothing began to evolve a bit more during this period–and some serious fashion faux-pas were prevalent during the last decades of the century.

As I said the other day (and as so many others have pointed out), men have always dressed as women for one reason or another that had nothing to do with gender expression or identity for years. The Sun King’s gay younger brother (he also had a gay bastard son by Louise de la Valliere; homosexuality was rampant at the Sun King’s court) Philippe duc d’Orleans (whose son was the namesake for New Orleans) had many male lovers and often dressed as a woman for appearances at court. I’ve always wanted to write about Philippe, who has always fascinated me–the young gay bastard son of Louis XIV, who died young, was Louis duc de Valentinois; I’ve also had some minor interest in writing about him as well, or just gay life at Versailles in general.

There is a long-standing drag tradition in New Orleans as well. The Red Dress Run, for example, may not be full drag as we know it, but it’s essentially all about men in red dresses for charity.

One of the things I really enjoy about the modern young generation is they don’t subscribe to the antiquated rules of fashion for men and women. I love seeing young actors and celebrities showing up at red carpet events in daring outfits instead of that tired old tux look. Yes, men look dashing in tuxedos; I’ve always wanted to go full tuxedo with hat, cane, tails and gloves–but again, not the ordinary or expected.

I wore a kilt twice when I went to the Edgars, and wore it again at Bouchercon in Albany for our Real Housewives of Bouchercon panel. I loved wearing it–skirts are sooooo much more comfortable than pants–and it was definitely a fashion risk; people who didn’t know me but saw me wearing it undoubtedly thought ah, that one must be gay. I love the way the Musketeers dressed in The Three Musketeers–I think the seventeenth century was probably my favorite era for men’s clothes; I also love a pirate look from the early eighteenth as well.

One thing I definitely need to explore more with Jem is not only his sense of fashion for his clients, but for himself–both in and out of drag. Those are critical decisions for a queen–because while a particular look or style for a queen can evolve over the years, it’s very unusual for them to do something radically different than their usual; again, it probably has to do with ease more than anything else; it’s much easier to fall back on a regular look and color palette than to reinvent yourself every time or to come up with something new every time. I do think I am going to have Jem do the Madonna constant reinvention thing–mainly because it’s more interesting that way for me–because it is part of who he is as a person; Jem thinks he’s boring but he’s actually quite adventurous. Jem has very little confidence in Death Drop, which is easy for me to write because I know how that feels. One of the goals of the series is to show him develop self-confidence and self-assurance and becoming more comfortable with himself, and part of that is going to come from performing in drag and another part from actually solving crimes…which makes him start believing in himself more.

And that is always fun to write–character growth and development.

Cover Girl

Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.

My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”

But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.

I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?

And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.

But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”

There’s an essay in that, methinks.

The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.

But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.

And of course, once I moved to New Orleans, there was Bianca del Rio.

The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)

There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.

I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.

I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.

Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.

And yes, I will share the pictures when and if it does happen.

Born on the Bayou

Whenever I am writing or creating a character, the first step I need to accomplish in order to keep going with them is that I need to know what they look like in my head before I can start. The first step is for me to know what they look like. I generally use real people are models for a starting point for my characters–but they do evolve from that initial “how they look” base and extrapolate the rest of their appearance from there. I also don’t base characters on real people, for the record–because you can’t. You can never base a character completely on someone else because you can’t get inside their head or know all of their life experiences and the things that shaped who they are and why they do the things they do.

This is the base-line physical model for Scotty I used when creating him. Scotty’s evolved since then.

This wasn’t the base model for Frank, but you get the idea; he’s pretty close to what I pictured.
And this is where I started from with Colin.

I don’t base characters on real people because it’s impossible to do–you can only base a character on your perceptions of who that person is; you cannot know every experience they’ve had, every trauma, every event that occurred that shaped and changed and evolved them into who they are. This is why people–even ones you think you know really well–will always surprise you at some point. I’ve lived with Paul for twenty-seven years and he still surprises me. I didn’t know any of these men–all models for BGEast.com–at the time and of the three of them, the one I actually know is the one whom I didn’t actually use as the physical model for one of the three, and I didn’t meet him until the first three books were already in print and available.

But when I was creating Scotty, I wanted the readers to have fun with the books. I didn’t want to write anything dark or tragic or heavy; I already had the Chanse series to do that with. Chanse was a six foot four two hundred and twenty pound mass of neuroses, insecurities, cynicism, and bitterness; I really didn’t want to do that again because what would be the point of doing two series that were exactly the same? I wanted them both to capture the feel and spirit of New Orleans, but from very different perspectives. Chanse wasn’t happy about being a gay man; he was still struggling with it in the first book and slowly became resigned to it, rather than embracing it. Once Scotty told his parents and came out to them, he never looked back and started looking for his joy. Scotty’s family loved and embraced him as he was, and other than both sets of grandparents cutting off his access to his trust funds when he flunked out of college–which has nothing to do with him being gay; that was an attempt to get him to go back to school. The trusts were originally set up to become his when he turned thirty anyway, so he never really had to worry about the future–which is an incredible privilege. Even working as a personal trainer and some-time go-go boy for the money wasn’t that big of a deal; his landladies were family friends who’d never evict him in the first place and his parents would always come through for him anyway.

I also made his siblings the same as Chanse’s–I don’t know if that was intentional or not, but while Scotty is the youngest with an older brother and sister, Chanse was the eldest with a younger brother and sister he isn’t close to. Scotty’s family was tight, while Chanse’s was not. Chanse’s sister is married to an accountant for an oil company and lives in Houston; his brother still lives in their hellhole of a small city, Cottonwood Wells (small city, large town; I am never sure which is the right one) and I broached their relationship in the short story “My Brother’s Keeper.”

And I had Scotty live in the French Quarter as opposed to Chanse’s apartment on Coliseum Square; Scotty is that rarity in New Orleans–someone born and raised in the Quarter. Chanse was an import from Texas who moved to New Orleans after graduating from LSU; Scotty has always been here other than the two failed years in Nashville at Vanderbilt.

I wanted him to have absolutely no hang-ups or issues about being a gay man. I wanted him to embrace his sexuality and enjoy his sex life and have that Auntie Mame mentality of “life’s a banquet and most poor suckers are starving to death”; Scotty wants to have fun and enjoy his life. He doesn’t think he’s ever destined to find a boyfriend or life partner in the first book–he’s too unabashed a slut1 who loves getting laid and doesn’t want to tie himself down, plus most men he meets tend to be too serious for him. Scotty has no hang-ups or issues about his body, either. As a wrestler in junior high and high school his body became strong, muscular and lean; he never says whether he thinks he’s attractive or not–he says other people seem to find him irresistible in the first book, and he admits he doesn’t see what others see but they see it so okay. He’s become more serious as he’s gotten older and as he’s dealt with bad things–but he doesn’t go into a depressive state or withdraw from the world when bad things happen; he faces them head-on, and his motto (life doesn’t give you anything you can’t handle–it’s how you handle it that matters) is one we could all aspire to, really.

While taping Susan’s show last week I did say that Scotty was the idealized version of myself and the life I would love to have–sans the murders and kidnappings and shootings, of course–and naturally a lot of his traits have come from within my own mind; but while I find his mentality and life view aspirational, I often fall short. Scotty has a genuine kindness to him as his inner core that I don’t always default to, much as I wish I could and did. I am a lot more like Chanse than Scotty, even if they are kind of different aspects of my personality and who I am.

It’s sometimes hard for me to wrap my mind around the fact that I’ve been writing Scotty now for twenty years. Bourbon Street Blues came out on May 1, 2003. Twenty years of Scotty books, but only nine–like one every other year rather than every year.

And I also sometimes wonder if my subconscious somehow keeps track of Scotty, because I keep discovering things about him that I wrote years ago that were just kind of throwaways that now I can circle back to and create story arcs for these character traits and personal histories for the newer books.

  1. There’s also a scene in Bourbon Street Blues where he proudly states he doesn’t have sex for money because he “prefers to keep (my) amateur status.” ↩︎

You Can Do Magic

Today already feels off. That’s the time change, no doubt; it’s hard to believe I slept as well as I did last night–I went to bed early so I could get up earlier by the clock than by the body, figuring that was the easiest way to transition into getting up early for work this week. The weekend, which held such promise, was derailed by having to deal with getting my delivery items that were supposed to come Friday night delivered yesterday; they finally did come and it was taken care of–but the delivery window was 1-3, which fucked up the rest of the day for me to run the other errands I wanted to get done, which now have to be done this morning. It’s fine, but any change to routine triggers the anxiety so I am trying to not let it defeat me this morning. But the change in plans did kind of end up wasting my Saturday; the delivery came around two-thirty, and it was already too late for me to go out running errands. Of course this morning I am thinking no it wasn’t too late for you to start your errands but my mind works a certain way and usually I can’t see these things except in highsight.

I did read some of the novellas I have partially finished that have been lying around for years, which begs the question I could have sworn I’ve worked on these things more recently than the files I am finding, so have I lost track of all time completely? But for the one I am thinking of, it absolutely makes the most sense, as I now remember I’d actually submitted it to an anthology, which meant trimming it down from the length that it originally was. I have found a call for submissions which includes novellas–which was why I was looking at them again yesterday–which has me thinking about revisions and rewrites and what can be done with these manuscripts. One is slightly longer than forty thousand, and only needs a minimum of twenty-five thousand more to become an actual novel. I reread it yesterday, and it does center a bad trope that would have to be super-creatively pulled off to work, but I also think recentering the main character from a straight cisgender white high school girl to a gay teenager could easily help with that. (It also needs a name change, “Spellcaster” doesn’t really work and was also a drawback to what I had done.) The one I was looking for was “Fireflies,” which is another Corinth County story (I feel like I should always explain that the locals pronounce it “carnth”) and is one of the more disturbing county stories I’ve done, but I also think it’s one that works for the submission call. Or not; we shall see.

The other one I was able to read was “Festival of the Redeemer,” which is another attempt at a du Maurier-like story set in Venice. Rereading “Don’t Look Now” recently, of course, put me in mind of this story, which is one of the few novellas that has an actual full draft done. (Several of the others are incomplete–“The Scent of Lilacs in the Rain,” “A Holler Full of Kudzu,” and “Once a Tiger”.) Rereading it yesterday reminded me of what I was doing with it–or trying to, at any rate–and I could see where I lost the thread and the voice, which was the most important thing about the novella. I also need to get organized on the next book project I am going to work on, but I need to write a proposal first. That’s the big goal for today; get better organized, run those errands, get the proposal organized, and start pulling the next book together. One step to getting things better organized is to complete a thorough to-do list and actually pay attention to it; these lists do no good if you don’t consult them at least once a day. I had gotten a great start on one this past week, so I think I am going to work on pulling that together.

I also need to measure the workstation windows before I head to Lowe’s.

The Saints are playing today at noon, but I think that’s the best time for me to be running errands and potentially hanging window blinds, so I think that’s enough stress and anxiety for me today–I can follow the Saints game on social media. A Haunting in Venice is streaming now, so we may go ahead and watch some movies later on, as we are all caught up on the shows we are watching (I am episodes behind on Foundation, but the beauty of streaming is you can always catch up at some point), and there’s another movie streaming now I am interested in seeing even if I can’t think of its name at the moment. I’ve already made a grocery list for today–I am making ravioli for dinner tonight and need to pick up some bread to go with it–and am hopeful that sometime either this week or next I will get my teeth at last and I can bid adieu to the soft diet…just in time for my surgery. I’ve done some research–which I’d been avoiding–on the recovery time from this type of surgery and mine is more complicated than the basic one I am finding out about on-line, so this is bare-minimums I am looking at–probably at least three weeks on medical leave from the office, which I will need to go talk to Admin and HR about at some point this week so I can get it taken care of, or at least get the process started. I will also need physical therapy for three to four months. Yay. Ah, well, at least I have the resources that this won’t bankrupt me, which is a good thing.

And on that note, I am going to get to work on things this morning and take advantage of this extra hour I have this morning rather than wasting it. So, have a lovely Sunday, Constant Reader, but be warned–there’s more blatant self-promotion coming along at some point.

Nobody

Sunday morning and I managed to get a lot done yesterday while watching games occasionally. I got bored watching Georgia throttle Florida, laughed about the Kansas win over Oklahoma, watched Tulane almost blow a significant lead and lose to Rice, and got bored with Tennessee-Kentucky so switched over to Elité on Netflix–and this seventh season is simply terrible. We have one more episode in this season and it’s over, and I can’t say I’m sorry to see it go.

But I did get a lot done yesterday. I cleaned. I ran errands,,,and I worked on the filing. Yes, there’s still work to be done, but my workspace no longer looks like I need to. just take a flamethrower to it, and even the laundry room is beginning to look like it’s more together than it should be. I do have to do some refiling, but everything is properly sorted and where it needs to be, if not alphabetized properly. I also discovered a lot of duplicate files–I am sure there are even more to be found, once the filing truly starts getting compiled and sorted properly. I also need for some of these files to just go away; I am never going to get to all of these ideas and I am never going to write all these stories and novels or essays and nonfiction books, either. But which ones to keep, which ones to abandon for good? I’ve been saving ideas and files and stories and scenes and characters for well over forty years now; you can only imagine how much I’ve forgotten about that are buried deep within this insane file-hoarding situation; it’s almost as bad as my book situation.

But getting all this clutter and debris sorted and put into a semblance of order also helped me get focused more–I think perhaps that’s been part of the problem with focusing on writing anything, really; knowing how out of control the filing had gotten and not knowing where anything was, or what I was working on could be found, and so forth. I’m going to try to get back to work on my next book today–after I get some more of these blog entry drafts completed and posted–and I am also going to try to work on the files some more. I decided that I am not, after all, going to be able to get my story “The Blues Before Dawn” finished in time to submit to the Bouchercon anthology, so it’ll go back into the files for now for a while. I never could quite get the story write, but that opening–my main character walking home in the misty morning hours of the Quarter while listening to someone playing the blues on a saxophone on a balcony, hidden away in the fog. I love that image, and I know that my main character is an apprentice waiter at Galatoire’s and sometimes turns tricks for money at Ma Butler’s bordello in Storyville; I also know it’s a Sherlock Holmes story from the perspective of someone who has a crush on Mr. Holmes–and now has to depend on Sherlock to save him from wrongly being accused of murder. The rest? Not so much…and it’s due on Tuesday, so that’s not going to happen. A pity, yes, but a Sherlock story from the perspective of a sometime male harlot was a long shot for the Bouchercon anthology anyway.

I did start reading The Lonely Ghost by Mike Ford, which is quite delightful, along with a reread of Ammie Come Home by Barbara Michaels (also one of my favorite books of all time, and definitely one of the greatest ghost stories of all time) when I had a few down moments to spend (I’ll get back to The Lonely Ghost later on this morning), and I also have to make a cheesecake this morning and get the white bean chicken chili started so it’ll be ready for tonight and the rest of the week, of course. Halloween is going to be one of those frantic unsettling days, but that’s okay; I can make it through it all.

I slept really well last night, which was lovely; my sleep lately has been pretty marvelous, honestly. Relaxing in the evenings last week, letting the anxiety not get to me, and getting good night’s sleeps this past week was really kind of lovely and nice. I also slept late this morning, opting to stay in bed later than I usually do because it frankly felt nice, you know? Today I am also planning some self-care and grooming, which will be nice. Maybe even take a walk later in the day, when it starts cooling down? Although without the humidity yesterday’s low eighties felt marvelously and delightfully cool.

And on that note, the spice ain’t gonna mine itself, so off I go. Have a marvelous Sunday, Constant Reader, and I’ll check in with you again.

Brass in Pocket

Imagine my delight and surprise to discover that the meeting I thought I had to go into the office for later this morning had a virtual option, so I am not leaving the house today–other than to run a necessary errand later.

I may even put that off until tomorrow.

Yesterday was a lovely day at the office. Everyone was in a pleasant mood, and everything flowed well. I enjoyed all my client interactions and everything ran smoothly the way it is supposed to always run, and that was lovely. I wasn’t even terribly tired when I got off work, but knew I’d be in a mood by the time I got home. Why? Because there was a Saints game last night in the Superdome, and traffic in the CBD was going to be a nightmare. It was, but it wasn’t nearly as bad as I thought it would be, and I made an impatient decision about the route home that was a big mistake. It took me about forty-five minutes to get home from work–what usually takes at most fifteen minutes; Wednesday night, for example, I detoured up to the Carrollton corridor to go to the Rouses, and still managed to grocery shop and everything and get home less than an hour after I left the office. Saints game also meant crowd at the bar on the corner, which meant difficulty finding a place to park. No big deal, I did find a place to park and then came inside.

Heavy sigh.

So, we have guys here working on the roof and the gutters. There’s also a bridge from the patio upstairs over to the carriage house gallery. It had apparently rotted; so they’ve been working on that. The patio is directly over my kitchen. I came inside, and there was debris all over the stove and that counter. “Weird,” I thought, and actually said out loud, annoyed, “well, I’m glad I cleaned in here” before looking up to see a blue sky. Yes, while they were working on the bridge yesterday, they were trying to do something and the kitchen ceiling/patio floor gave way. Unable to help myself I yelled, “Oh, fuck!” Well, the thing about a hole in the ceiling is the poor workers–who hadn’t really done anything wrong; it wasn’t their fault that portion of ceiling/floor had rotted out, of course–heard me. And then I went outside to see what they were doing and one of them sheepishly asked me how I was doing, and I replied in full candor, “well, I’m not thrilled about the hole in my kitchen ceiling” which led to apologies and explanations and they even came by several times to apologize again. They also cleaned up the mess in the kitchen and put up a piece of plywood to cover the hole, reassuring me this was a stopgap measure and they’d repair it. It was amusing–well, it is now, not so much at the time–but I then found myself reassuring them I knew they didn’t do it on purpose, thanking them for cleaning up the mess and covering the hole, etc etc etc. I had intended to work on my short story in progress, “The Blues Before Dawn,” when I got home and maybe read some of Angel Luis Colón’s Infested, but that of course disrupted the entire evening so I grabbed Tug and he slept in my lap while I watched the last episode of the first season of Moonlighting (it was a late midseason replacement and the first season was only six episodes, including the pilot). Paul came home, he went through the stages of grief about the kitchen ceiling that I already had, and then we watched The Morning Show and Our Flag Means Death before I went to bed (I actually fell asleep during OFMD so have to rewatch at some point today or tomorrow).

I slept deeply and well, not arising this morning until eight (other than the usual “Tug needs food NOW” daily five a.m. wake-up) and now am facing my day. I am going to get this done and posted, probably work on some emails before starting my work-at-home duties, which will also include chores around the house (laundry’s first load already going in the laundry room) and hopefully, I will get some work done on that short story. I had decided to write this as a Sherlock-in-New-Orleans story, but not told by Watson–which is a risk on top of a risk–and then see how it went. In talking to a friend yesterday I also realized part of the reason I am having trouble writing and/or getting started on a new project is because everything is in limbo because of my arm surgery. I don’t know how long the recovery process is going to be and I also don’t know how much writing I’ll be able to do in a cast and sling (and not the good kind of sling, either–see what I did there?) I’m afraid to commit to a deadline knowing that I can’t even self-delude myself that I’ll make that deadline (I never do, but I never agree to one knowing ahead of time I won’t make it). It’s also been an extremely rough year for me, and there’s nothing wrong with not being as productive as you would like because other things are going on in your life that you simply can’t avoid dealing with–which is usually my preference, immature and childish as it is–and recognizing patterns of behavior within yourself. I’ve done a lot of self-examination and reevaluating my past as well as who I am along with why I am who I am, if that makes sense. A lot of that had to do with Mom dying, as well as me recognizing that probably my absolute best work inevitably always winds up being set in Alabama. That Alabama tie, those roots, run so deep inside me that they’re inescapable, really.

I also started reading Death Drop last night. Reviews are starting to come in, and friends are reading it and telling me they’re enjoying it, and the truth was I couldn’t really remember a lot about the book so thought it was probably a good idea to reread it. So much was going on during the process of writing the book–it and Mississippi River Mischief, which doesn’t even take into consideration the fact that I was actually writing two books at the same time (not recommended, aspiring authors, don’t be a Greg; be smarter)–that I couldn’t really remember much of it (I may need to reread Streetcar too) and being familiar with your own work that you’re promoting is usually smart. Now that my memory isn’t what it used to be, rereading my work is like reading something new by another author because I don’t remember anything about the book itself other than the drudgery of writing, editing, and revising the damned thing. But I was very pleased with it–I wasn’t able to finish the reread, but got pretty deep into the book–and it flows well and there are parts that are seriously funny. Of course, like always I started nitpicking at it, but after about chapter three I turned off the internal editor and just read it as though I was reading it for pleasure rather than reminding myself of what I had written. The characters are likable and all of them–even the minor ones–seemed fully realized and with their own agency; by which I mean they aren’t always just dropping everything to rush to help Jem out at the expense of their own lives and aren’t there to simply feed him information or help him work through his problems. I also liked the voice, and I really like my main character Jem Richard, the glam artist just dipping his toes into the world of drag performance. I intended it to be a drag queen origin story–the answer to the question “so how did you start doing drag?”–and it absolutely works in that regard.

And the book itself is gorgeous, simply gorgeous. I couldn’t be more pleased.

It’s also weird having two new books drop in such a short period of time. It certainly wasn’t planned that way, and entirely happened because my life blew up and I didn’t make deadlines for either. But I promised myself I would be better about promotion and so forth, so here we go.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again later or perhaps tomorrow.

Cupid/I’ve Loved You For a Long Time

My, what a gorgeous day it was yesterday–the kind that reminds me why I love it here so much and helps me forget the horror that is July-August (although I believe the summer horror began in late May this year). I made groceries in the morning and also retrieved everything from the carriage house to put in the new refrigerator; it’s lovely. I hadn’t realized what a pain in the ass it was making do with the shitty old one. I didn’t get all that filing worked on, but I did make some material progress that will help get me started working on it all again this week. I have more appointments this week–primary care doctor on Wednesday afternoon, and I have to actually go into the office on Friday for a benefits meeting. Our insurance is changing to a new carrier in the new year, which is why it was so important for me to get all this medical shit out of the way while I still have insurance that will take care of everything, or at least I understand how it operates. I absolutely hate the idea that I will have to relearn all my insurance stuff again in the new year.

It makes me tired.

I slept well today, and don’t have to go into the office at all. We’re having a “professional development day”, which starts at City Park at ten this morning and goes all day, from place to place–we go to Dillard University and later to Ralph’s on the Park–before coming home at six pm. Tomorrow goes back to normal. I didn’t want to get up this morning–Tug also wanted me to stay in bed; he followed me downstairs and is sleeping in my lap while I am typing this (Paul has started calling him Sparky, which kinds of fits…) but is also very sweet. He spent most of yesterday either chasing the laser light, playing with an old catnip toy of Scooter’s (catnip didn’t affect Scooter; Tug/Sparky is an entirely different story), or sleeping in my lap. I spent most of the day in my chair finishing Elizabeth Hand’s marvelous A Haunting on the Hill, which I will talk about in more detail in another entry. I also started reading Rival Queens as my new non-fiction read; it’s about Catherine de Medici and her daughter Marguerite de Valois, Queen of Navarre (aka Queen Margot) and of course, this is one of my favorite periods of history and two of my favorite, most interesting sixteenth century queens; Catherine de Medici is fascinating. A version of Game of Thrones played out in France between 1559 and 1594, and I’m always kind of amazed that it’s not written about more–but Americans are always more interested in English history, if they have any interest in history at all.

It’s a pity, because I’ve always found French history more interesting.

While I was reading A Haunting on the Hill yesterday an old idea of mine–a sort of sideways sequel to Bury Me in Shadows started developing in my mind; another Corinth County novel, only this time with Beau, Jake’s boyfriend from the University of Alabama and an archaeology/Alabama history major, as the main character. I’ve had this idea for a short story for a very long time–set in Corinth County–called “Children of the Stone Circle”, which I think I may have even written an entire first draft a long time ago; just could never tell how to make it work and make it real. It came to me while reading the Elizabeth Hand–I always get inspired when I read books that are well-written that I enjoy–and I made copious notes in my journal. That felt good–it felt good to power down my brain for most of the weekend and kind of relax. I am delighted to have finished the Hand–and for reasons that I will explain when I write about the book, I decided the reread of The Haunting of Hill House–which I still want to do–wasn’t a necessary follow up to the Hand. I am going to read Angel Luis Colon’s Infested next, and perhaps some more y/a middle-grade horror. I do want to reread King’s The Dead Zone, too; it’s been quite a while.

I also watched another episode of Moonlighting last night, which I am really enjoying the rewatch of. There were some cultural references to the time that don’t work–last night’s episode had Addison make a reference to a highly popular ad campaign that was already over but still very much a part of the zeitgeist when the show started–but overall, it’s still a great show. Cybill Shepherd was just stunningly beautiful, and she made a great straight man character for Willis to bounce his antics and humor off, and the chemistry between the two of them was simply off the charts. I had also forgotten how utterly charming the character of Miss DiPesto (“My name’s Agnes, but my friends call me Miss DiPesto”) as played by Allyce Beasley was; I was already a fan of hers when the show started because of her turn in one of the best episodes of Cheers, where she played Coach’s daughter.

“But Gregalicious, I thought you were rewatching Friday the 13th the Series this month in honor of Halloween?” I was, but the episodes are on Youtube, the quality of some are terrible (they were clearly uploaded and digitized from old VCR recordings, and for those of us who remember using VCR’s, we also still remember how bad some of those recordings were–especially when you were re-using cassettes) and it became annoying, and then Moonlighting dropped. So yes, I am not devoting myself to all things horror this month the way I had intended to, and no, I’ve not been taking the walks every night like I wanted to when the weather turned. Partly because I am tired when I get home every night from work, and partly because Tug/Sparky needs attention when I walk through the door and I am more than willing to give the adorable little kitty whatever he wants. He fell asleep in my lap yesterday once while still sitting up–his head was still up, not resting on anything, and he was sound asleep, which I’ve never seen anyone or anything do before.

And when he gets comfortable and is deep in dreamland, he sprawls in the most adorable ways. He also was happy in his sleep at one point, too–he started making biscuits on the arm of my easy chair while purring, but was sound asleep.

Yes, he’s adorable and yes, he is now master of the apartment.

And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will see you later.

Stomp

And here we are at work-at-home Friday again today. I have an MRI scheduled at Tulane Institute of Sports Medicine this morning, but other than that I will be here at home, getting prepared for the refrigerator to arrive and doing other chores around my work-at-home duties. It was an exhausting week, both for me personally and for the world politically. I generally don’t comment on world events, primarily because I am at best a distant observer who depends on news reports and because I don’t feel informed enough to have an opinion. I do know that I abhor brutality and think all death is unnecessary, especially in the name of politics, religion, and racism. The situation in the Middle East–volatile for my entire life–is one without answer, I fear. I also remember how foolishly we all were for thinking the Camp David Accords would bring peace to the region. The only peace it brought was between Israel and Egypt–and that has lasted. I don’t have any answers, and I feel making comments that are uninformed without solutions does not add to the discourse nor move anything forward in a positive manner, so I just keep my mouth shut and hope for an end to the death and slaughter and trauma.

Yesterday was an exhausting day overall. Everything at the office was some kind of haywire in an almost “Mercury must be in retrograde” kind of way, and most of it went on while I was the only person there–which was kind of unsettling. It was also Mom’s birthday so my subconscious was already raw and on edge. But I worked through it, there wasn’t a body count, and I stopped to get the mail on my way home–where I picked up the Box O’Books for Death Drop (yay!) and my Ben Pierce Photography calendar “Beneath the Waters: Images of the Atchafalaya Basin Drawdown”. Ben Pierce is an extraordinary photographer of the natural beauty of Louisiana. I follow him on Facebook and often share his work because it’s so breathtakingly beautiful and evocative; and doesn’t Atchafalaya Basin Drawdown sound like a Scotty title? I’ve been meaning to look into what precisely that means and why they are draining the basin since he started sharing images from it earlier this year; I should perhaps put that on the to-do list? While I was waiting for Paul and playing with Tug (trying to wear him out, in all honesty; he was wired like a circuit party queen last night), who met the laser light/magical red dot for the first time last night. He soon figured out where it was coming from, but still chased it none the less, and eventually when I set it down it also became a toy so there’s no telling where it is this morning. I watched another episode of Moonlighting last night which didn’t seem to hold up as well as previous ones–too much speculation about Maddie’s sex life, which was completely untoward and bothered me–and I also got caught up on Real Housewives of Salt Lake City, which I’ve never really watched very much but started this season at the urging of friends. I’ve yet to watch the reboot of New York, either. I think there’s a blog entry I need to write about reality television shows like these, which I had already started after the completion of the most recent season of Beverly Hills. The out-of-touch narcissism of the SLC women still seems fun and funny to me, while the other franchises have kind of gone off the rails with repugnant behavior (looking at you, Lisa Rinna)–but I’ll save that for the blog post about reality television; which is why I don’t really talk about these shows much on here.

I also read some more of Riley Sager’s Final Girls, which I am enjoying–even if it doesn’t seem like it. One of the casualties of the pandemic was my ability to read quickly; I don’t know what happened, but it’s entirely due to my attention span and not the quality of the books I’m reading; look at how long it took me to read Shawn’s book, which was fucking brilliant. It’s going with me to Tulane this morning so I can read more of it, and then I am coming home to work for the rest of the afternoon. I slept really well again last night. I woke up at six (I do that every morning now, regardless) but the alarm was set for seven so I stayed in bed for another hour, which felt marvelous, really. I feel very rested and centered this morning–which is lovely after the chaotic yesterday I had–and am looking forward to the weekend. I have my to-do list, which is necessary; the refrigerator is being delivered tomorrow, so there’s no point in making groceries until after it arrives (so probably Sunday morning, most like); and of course there’s always, always, always housework to do. Boxes started accumulating again in the living room in front of where the bead chest sits (and the floor’s not terribly stable), so those have to go, and I can do some cleaning before the refrigerator is delivered (we currently have an 8 a.m. to 8 p.m. window, which I assume will change tomorrow morning). The LSU game isn’t until Saturday night, and I am not certain there are any other games of interest this weekend…which doesn’t mean I won’t have a game on all day from eleven a.m. on, of course; I most likely will. (Of course, I just looked, and yes, several games of interest–Notre Dame-USC, Alabama-Arkansas, Texas A&M-Tennessee, and of course Auburn-LSU.)

And on that note, sorry to be so brief but I think I am needing to get headed into the spice mines this morning. I may be back later, I don’t know; but stranger things have indeed happened, so one can never rule anything out. If not, for sure tomorrow morning. Have a terrific Friday, Constant Reader!