Category: Southern Gothic

Take a Chance On Me

Ah, Murder in the Rue Dauphine.

It’s always weird for me to talk about my writing and my books and so forth on here; I always worry that I am either contradicting and/or repeating myself. When you’re as self-obsessed as I am, that can be a problem; talking about myself is probably my favorite thing to do–on here, at least. And I feel like I’ve told the story of where Chanse came from and how the series developed from the very beginning many, many times.

It was when I was living in Houston that I rediscovered crime fiction, and the old love was even deeper once it was rediscovered. This was the period when I read most of the Perry Mason novels, discovered Paretsky and Grafton and Muller, and decided to give Travis McGee and John D. MacDonald another try. (I had read The Dreadful Lemon Sky when I was a teenager, but I hadn’t liked it; I was more into the classic detective mystery, with lots of suspects and a denouement with everyone gathered in a drawing room as the identity of the killer was unveiled–the McGee series was definitely not that. But MacDonald had written a superb introduction to Stephen King’s first short story collection, Night Shift, and I had always wanted to give him another chance–pun fully intended.) I devoured the McGee series this time around; and I really admired the character and how fully rounded and developed he was (I should give the series a reread; I’d be curious to see how they hold up now)…and armed with all these new private eye novels and Perry Mason puzzles, so I started coming up with my own version. Even the name was a shout out to McGee. My character was also tall with sandy/dirty blond hair, a former college football player, and he lived in Houston, with an office downtown and a secretary named Clara. The title of the first book was going to be The Body in the Bayou, and I started basing the case on the tragic Joan Robinson Hill case, immortalized in Tommy Thompson’s Blood and Money (the premise of the story was that the character representing Joan’s father hires Chanse after Joan’s death to find dirt on John–and then John is murdered; fictionalized, of course.) I wrote about six or seven really bad chapters long hand before giving up. I didn’t know how to write a novel then nor did I understand the concept of rewrites and revisions and drafts. (My ignorance was truly astounding.) The hurdle I couldn’t clear was typing. I was a terrible typist. I’d had a job in California working for an insurance brokerage that was computerized, and had a word processing program that I used to write short stories on; it made such an incredible difference that I knew I would have a much better shot at actually making my dreams come true if I only had a word processor…

In 1991, after I moved to Tampa, I managed to get a word processor, and that was what I wrote my first two and a half young adult novels on–the original drafts of Sara, Sorceress, and Sleeping Angel–and used it happily for several years until it finally died on me. But by then, I was living with Paul and had swung back around to wanting to write adult crime fiction again, and I wanted to write the Chanse character that I’d already created…so I picked back up on The Body in the Bayou, moved it from Houston to New Orleans, got rid of the office and the secretary, and made Chanse gay. I kept the title, but threw away the story; I wanted it to be a gay story, too. I don’t really remember the plot, but it had to do with the murder of a beautiful boy-toy for a wealthy closeted gay man in New Orleans…and Chanse knew the boy-toy from his days working as an escort before he landed the rich man, I wrote about six or seven chapters of this before we moved to New Orleans….and I realized I’d have to throw it all out again because it was all wrong; I’d made the classic mistake so many writers make when writing about New Orleans: writing about it having never lived here, I only had tourist experiences–which are vastly and dramatically different from the actually “living here” experiences. So, once again, I threw it all out and started over, this time calling it Tricks instead of The Body in the Bayou.

The title morphed again to the less saleable Faggots Die after the first draft; and I remember talking to Felice Picano–he was coming into town for the Tennessee Williams Festival, and I picked him up at the airport. As we drove back into the city from Kenner, we talked about my book and the series, and he nixed the new title as well as the old one. “No one, ” he wisely said, “will pick up a book called Faggots Die, and Tricks sounds like a pornographic memoir of your sex life.” Felice was actually the one who suggested I mimic titles for the series from a classic writer…and we were throwing titles around in the car when I said, “You know, the streets in the Quarter are technically rues–Rue Bourbon, Rue Royale, Rue Dumaine–and the murder happens on Dauphine. Maybe Murder in the Rue Dauphine?”

“That’s perfect,” Felice said, and then we played with Poe titles the rest of the way into the city–incidentally, one of them was The Purloined Rentboy, which became my short story “The Affair of the Purloined Rentboy”, so never throw anything away.

And thus was Murder in the Rue Dauphine titled; and the plan for the series titles was also devised–the branding was changed by the publisher, but I can honestly say my first book was titled by Felice Picano.

Murder in the Rue Dauhoine has had three covers in its 21 years of existence. This center one is the current.

Never come to New Orleans in the summer. It’s hot. It’s humid. It’s sticky. It’s damp. It’s hot. Air conditioners blow on high. Ceiling fans rotate. Nothing helps. The air is thick as syrup. Sweat becomes a given. No antiperspirant works. Aerosols, sticks, powders, and creams all fail. The thick air just hangs there, brooding. The sun shows no mercy. The vegetation grows out of control. Everything’s wet. The build­ings perspire. Even a simple task becomes a chore. Taking the garbage out becomes an ordeal. The heat makes the garbage rot faster. The city starts to smell sour. The locals try to mask the smell of sweat with more perfume. Hair spray sales go up. Women turn their hair into lacquered helmets that start to sag after an hour or so.

Even the flies get lazy.

My sinuses were giving me fits as I left the airport and headed into the city. It was only 7 o’clock in the morning but already hotter than hell. The air was thick. I reached for the box of tissue under my seat and blew my nose. The pressure in my ears popped. Blessed relief.

As I drove alongside the runways I could see a Transco Airlines 737 taxiing into takeoff position. I saluted as I drove past, thinking it might be the flight that my current lover was working. Paul looked good in the uniform. It takes a great body to look sexy in polyester. He does.

He’d be gone for four days on this trip. I was at loose ends. I’d wrapped up a security job for Crown Enterprises the previous Wednesday. The big check that I’d banked guaranteed I wouldn’t have to worry about money for a while. I like when money’s not a concern.

And so began a series that lasted for seven titles and about twelve years or so; I don’t remember what year the last book in the series was published. I never expected anyone would publish it; it was intended to be a “practice novel” so I would get used to rejections and learn. It was also the first manuscript I ever wrote that went through multiple drafts before I thought it was finished enough to send out on query. It was supposed to be an exercise in learning humility and getting experience with the business while I wrote the book I did expect to get an agent with and sell–which was what I’d always called “the Kansas book” for over a decade at this point. (It eventually morphed into #shedeservedit.) But you never really learn what you’re supposed to when you’re stubborn, thin-skinned, and used to being demeaned and talked over and not taken seriously, for any number of reasons. I sent the manuscript to three agents: two sent me lovely but form rejections, which was disappointed but not surprising. I took this well, put the manuscripts away to send to three more once the final rejection came.

It came on a Friday, if I recall correctly. I went to pick-up the mail and my manuscript was there. Not a surprise, of course, but still a little disappointing. I went out to my car and opened the package…and paper-clipped to the title page of the rubber-band bound manuscript was a torn piece of used paper, with a note in ink reading I find this manuscript and characters neither interesting or compelling with the agent’s initials at the bottom.

It was like being slapped in the face.

By the time I got home I was in a raging fury. I was literally shaking with rage when I came inside. How fucking unprofessional, I thought as I sat down at my computer to check my emails, trying to decide how I would enact my vengeance on this rude piece of shit.1 There was an email there from the editor I was working with on an anthology which had taken my first-ever fiction short story and thus would be my first publication. I had never read the signature line–mainly because I was so excited for my first fiction sale (NARRATOR VOICE: it was porn). This day, he concluded his email with Please send us more work. We definitely want to see more from you and as my ego preened, slightly soothed from the insulting agent note from earlier in the day2, I also looked down at the signature line and realized I was communicating with the senior editor at Alyson Books! I immediately wrote him back a very short note: I’ve written a novel with a gay private eye set in New Orleans, would you be interested in that? and before I could talk myself out of it, hit send.

He wrote back immediately and said please send it to me ASAP!

I put the same manuscript back in a new envelope, and drove back to the postal service to get it in the mail before I changed my mind, and breathed a sigh of relief once I got back to the car–and immediately forgot all about it.

Six weeks later I came home to a phone message from the editor. I called him back, he made me an offer, and my career leapt forward much faster than I expected…and it started a roll of good luck and “being in the right place at the right time” that has kept me publishing almost non-stop since Murder in the Rue Dauphine was released in 2002.

It sold really well, got mostly favorable reviews, and scored me my first Lambda Literary Award nomination.

Not bad for a manuscript and characters who were neither interesting or compelling, right?3

It also took me a long time to realize–or rationalize–that the note wasn’t meant for me. (I was most offended that I wasn’t even worthy of an actual form rejection letter; that was the truly insulting part for me.) I realized when telling this story on a panel somewhere, that the note was probably meant for an intern or a secretary or an assistant, who just shoved the whole thing in an envelope to do the rejection and through some wild Lucy-and-Ethel office shenanigans, it went out without the rejection letter and with the note intended for internal eyes only…and made me wonder, how different would my career and life be had that fuck-up not happened?

We’ll never know, I guess.

  1. Not really proud of this reaction, but I did get the last laugh. ↩︎
  2. Said agent died a few years later. I may have smiled and said good, a la Bette Davis vis a vis Joan Crawford’s death. ↩︎
  3. I may be more forgiving about a lot of things these days, but I will always be petty about that hateful agent. ↩︎

Hurting Each Other

Friday morning after Muses, and I am a little tired–physically. Mentally I am alert as ever and feel great, but I am not used to standing on the sidewalk for so long anymore. Chaos last night was my first parade (the floats were hilariously inappropriate; all I will say is the theme of the parade was “balls” and leave it at that), and we came home to rest before Muses arrived. We didn’t stay out for long, I was tired and sleepy and it got here around ten; we lasted out there for about an hour before I started flagging and came back inside. However, I realized I should have gone to parades to warm up for this weekend; I forgot that it takes a parade day to warm you up and get you in the proper spirit; I should be good to go tonight if my PT this morning isn’t too vicious.

And yes, we got a really cool shoe.

I had a good day at work yesterday, got a lot of things done and caught up and feel confident not being in the office again until Ash Wednesday will not be disastrous for me or put me really behind on things. I came home early (it took me an hour), and I came inside and watched this week’s episode of Capote v. the Swans, which was done in documentary style, which was an interesting take. I’m not quite as obsessed as I was about Capote when I first started watching, but I do want to read the Gerald Clarke bio of him, and maybe even George Plimpton’s Capote. It’s taken me awhile to get interested in Capote, and while I wouldn’t say it’s an obsession anymore, I am still very much interested in this incredibly famous openly gay man in the middle of the twentieth century. I have added Deliberate Cruelty, a true crime narrative about Ann Woodward’s feud with him by Roseanne Mantillo, to the books I am reading and I finished it last night.

And yes, I am beginning to understand precisely why he wrote “La Côte Basque 1965” and why he published it, but more on that when the show is finished and I give it, and Capote, an entry of their own.

As for me and the weekend, I have taken Monday off and so I am hoping that I’ll be able to get some reading and writing done today, Sunday and Monday (I will always take Saturday off from everything to go to Iris). I want to finish editing this one short story and finish writing another, and perhaps get them submitted somewhere. I have laundry going already and a dishwasher to unload and reload. I have PT this morning, a prescription and the mail to pick up, and then the car won’t move again until Monday at the earliest, as I will need to probably make a grocery run. I also should be able to finish reading Deliberate Cruelty so I can focus on Lina Chern’s Playing the Fool, which I am greatly enjoying. I also have some blistering blog entries to write, so this weekend should be fun on that score.

And hopefully I’ll be able to get this place ship-shape and get myself caught up on everything that needs catching up on.

And on that note, I am heading into the spice mines. Have yourself a lovely Friday, Constant Reader, and I may be back later.

Oh Very Young

So, are you ready for some MORE blatant self-promotion?

During the Bold Strokes Book-a-thon, the other panel I was on had to do with writing young adult fiction (the other panelists were amazing, I might add), and once again, I am answering the questions sent to us by the moderator to turn into an interview with JUST me (because it’s all about ME ME ME) but I do urge you to seek out the video of the panel. It was terrific, and I was definitely the most uninteresting person on the panel, seriously; this is NOT self-deprecation. (I bought everyone’s books during the panel, I might add; definitely check out Lauren Melissa Ellzey.)

What is the definition of Young Adult? How does it differ from other genres?

I think it’s primarily an age distinction, to be honest, which is something that always makes me uncomfortable. Growing up I read far above my age level; when I was in seventh grade I was reading at a college level, per the tests and so forth. I mean, I did read The Godfather when I was ten; my parents, despite their conservative religious beliefs and values, let me read whatever I wanted without having to ask permission–I think when I asked Mom if I could read something the last time she replied “Read whatever you want, I don’t care” and after that I never asked again. When I was a kid, there was no such thing as young adult; everything was either for adults or “juvenile.” The juvenile category contained multitudes, beginning with the Little Golden Books and picture books to kids’ mysteries to Judy Blume. I think sometime in the 1980’s the genre was separated into “juvenile” for kids 8-12 and “young adult” for 12-18.

But there are kids like me, who can read above their age/class level and others who can’t read at their age/class level, and I think in some ways that differential could be harmful for those who are below-average readers–reading is the most crucial aspect of education, because if you can’t read…and no matter how many ways they try to make the language around slower readers more accepting and less stigmatizing…it doesn’t really help kids to be told they’re below average or not as smart or quick as the other students. (One of my primary problems throughout my education is I would understand something the first time, while others inevitably didn’t, and as the teacher explained for a second or third or more time, my ADD would kick in and my mind would wander because I didn’t need to listen and then wouldn’t be listening when the teacher moved on.

Ah, well. 

Oh, and all subgenres of fiction also have the middle grade/juvenile and young adult sub-sub-genres.

Why or how did YOU choose YA?

I don’t know that I chose y/a so much as it chose me.

I started writing when I was a child (all my childish scribblings are lost to moves and time passing), and I wrote about kids my age. My first attempts at writing were always some kind of kids’ mystery series, a la The Hardy Boys and The Three Investigators (I’d still like to do this, frankly), and when I became a teenager, I started writing about teenagers. I wrote a bunch of short stories while in high school about the same group of kids going to the same high school. Those stories slowly but surely grew into a sprawling, handwritten novel about the county with plots and subplots and main characters and minor characters and all of this history; a “Peyton Place in Kansas kind of thing”. I worked on it for like five years, and eventually had this enormous sprawling mess that needed to be revised and rewritten and typed…and since I didn’t know how to type, made that part of it a problem. So I shoved it into a drawer and started pulling from it rather than revising it; taking out plots and characters and using them in other books and other stories.

After I finished that, I spent the next five years mostly working on short stories. I started another book, more horror than anything else, but never got further than the third chapter. I finally decided to write a horror novel built from my old manuscript and those short stories from high school. I was about three chapters into it when I discovered two things: there was a big market in y/a horror at the time (Christopher Pike and R. L. Stine were HUGE during this period) and so I bought some of them. When I finished, I thought, “You know, I should turn Sara into a y/a novel” (because I thought somehow that would be easier? Foolish, foolish rookie) and so… I did. I was right in that thinking of it in those terms made it possible for me to finish a draft, but I wasn’t very happy with it so I put it aside and started writing another one, Sorceress, which was also horror but also had some strong Gothic moments in it. When I finished that one, again I wasn’t pleased with it so I started another–Sleeping Angel–which was the one I thought really had potential. I never finished that draft–by this time I’d discovered that gay fiction and nonfiction existed, so I started reading that and trying to write about gay characters instead.

Those manuscripts remained in my drawer for well over a decade, until a friend of mine took a job as a young adult acquisitions editor, and she wanted to work with me. I told her I’d written three (although it was technically two and a half), and gave her a brief synopsis of them. She liked Sorceress the best, so I started revising and editing it and turning it into something publishable. Once it was all done, she’d left that publisher, but started her own small press for y/a books for underrepresented teens, and she wanted to launch the press with Sorceress. I said “okay” and we were off. I eventually realized I needed to let Bold Strokes know, and when I did, I got an email back saying you know we do y/a, too? And so I sold the other two to them, and have never looked back since then.

Are there specific rules for writing YA (things you can’t do)?  Does Bold Strokes add on or impose specific or additional rules?

I don’t pay too much attention to rules, frankly. There’s no graphic sex in my books, but it’s hinted at. I also try to swear less in young adult books than I do in adult fiction, which is probably not as big of a deal as I think it is? The society I grew up in was a lot more puritanical–believe it or not–that the one we live in today. So I always default to that setting, and then have to shake it off. Swearing isn’t as big of a deal as it used to be. No one thinks they’re marrying a virgin anymore, and on and on. And having been attacked for daring to accept an invitation to speak to queer high school students, I tend to tread softly. There have been a couple of times where I’ve had to change language, or how a scene went, because my editor thought it might be problematic; and frankly, I never want to be offensive, so I have no problem with it. I don’t see it as a free speech issue the way so many intentionally offensive writers claim it is. I shouldn’t take offense to someone calling me a faggot? Grow the fuck up. The so-called free speech “crusaders” are always defending hate speech as well as trying to shut up the people who find it objectionable. You do not have a constitutional freedom from consequences or getting a negative response to things you say and do, period. It’s really not hard to understand unless you want to be passive/aggressive and childish and a moron.

How do you remember back to these days, specifically how it felt or feels? (this is coming from your moderator who is much older than you are)

Well, for one thing, I’ve always kept a journal and I still have them all. (I was insufferable when I was younger, seriously.)

My sister has a theory that we forget a lot of the pleasant memories from our childhoods, but remember the traumas in great detail. I believe the truth of that, because school was a nightmare for me from the day we moved to the suburbs until I was done with it. I remember how it felt to read Greg Herren sucks cock on a desk at school. I remember how it felt to be mocked, laughed at, and bullied by assholes. I do remember the good things, though I tend to always focus on the bad.

The first thing I always do is abandon whatever “wisdom” about life I’ve theoretically learned since leaving high school, and put myself into the teenager mindset: they think they are the main characters in everyone they know’s story, and everything is the end of the world or their life is ruined and you are the most horrible parent ever! I’m not entirely sure I’ve escaped thinking that way, to be brutally honest: I am horribly selfish.

How do you come up with your characters?  Your stories? 

I am weird in that I inevitably always start with a title. I hear something or read something and think, that would make a good title. The next question is what story would fit that title? And it kind of goes from there. The title may change, the character names and story might change and evolve, but I can’t write anything that doesn’t have a title. Bizarre, I know. Usually with my young adult stuff it’s an idea I’ve had for a number of years and finally decide to explore whether it’s a novel or a short story, and go from there.

Dark Tide was originally called Mermaid Inn, Bury Me in Shadows was originally Ruins, but the others pretty much stayed the same from beginning to end.

I wrote #shedeservedit because I was angry about the Steubenville/Maryville rape cases, and remembered stories and gossip from when I was in high school and college…and rethinking them through a more evolved brain about women and misogyny… well, it made me angrier. I had already planned on writing a story set in the same town with the same characters and opening with the same murder (I always referred to it as “the Kansas book” for years), but the motive was something I always had trouble grounding in reality. After those cases…it clicked in my head. You need to write this story about small town misogyny, protecting the star jocks from the girls at all cost, and make that the plot. It was easy to write because I was angry. Making it a compelling read was harder, because the subject matter was sickening to me.

I needed to write that book, and I don’t regret doing it, either…but it’s not exactly a feel good story people can escape into, either.

Why do you think YA is so popular?

It’s more accessible, I think. I mentioned reading ability before, and I do think that most readers aren’t into the Great Literary Tomes, hundreds of pages of beautiful writing with no real point or story. People kind of want to escape their cares and worries, and y/a books tend to be really entertaining. We’re competing with phones and tablets and streaming, so we need to write entertaining and engaging books.

Any specific must do-s or must-haves to get your writing each day?

I’m not nearly as anal about that as I used to be, before I returned to work full-time. I am very aware that I have little time to waste when I write, and thus must seize whatever opportunities to write show up. But if pressed, coffee. I can’t write unless I’ve had coffee when I got up.

I think this is all of them, but I could be wrong.

Amazing Grace

Wednesday and the parades are rolling again tonight. I don’t think I’m ready to deal with this, to be honest. I can’t believe it’s the final weekend of Mardi Gras madness already, can you? I have to run a couple of errands today after leaving work, trying to get it all accomplished and get my ass home while it’s still possible to find a place to park. Much as I don’t want to deal with the errands tonight, tomorrow would be even more difficult as it’s Muses Thursday, and going straight home from work is no guarantee I can park within a mile of the house. Sigh. The pleasure of living inside the box, right?

I was super tired when I got home yesterday, and I never did feel like I was fully awake all day, to be honest. I was finally able to get my night time prescription refilled again, after the first pill bottle mysteriously disappeared (all fingers point at Sparky, and it’s probably under the dishwasher or the couch), and so I had to adjust back from one medication (I still had my old night time medication) to the right one again, which would explain why yesterday I never felt like my brain escaped the fog. Today is, in fact, the first day in a long time where I’ve felt mentally alert again, which is great. It’s terrible when you’re not on your game, and you aren’t sure why; now that I am in my sixties mental things are much more alarming than they used to be–and some memories I’ve forgotten are so forgotten even when I am reminded, in great detail, I don’t remember anything about it. That’s disturbing on a very deep level; my mental acuity is something I do worry about as I get older. We don’t have any mental deterioration diseases in the family as far as I can remember–I need to ask Dad about that, along with any other genetic conditions he and Mom might have or know about within the family (we aren’t a family that talks about that sort of thing much; I think it’s mostly because we have so much genetic tendency to faulty wiring in our brains to begin with)–but I think I’d know about it if it was in the immediate family.

Anyway, tonight when I get home from work I need to do some laundry and the dishes. I don’t know if I’ll go out to the corner tonight or not, but all signs point to not. Nyx is the final parade tonight, and as far as I know, Nyx is still a horrific white supremacy krewe (last year my mind was not on Carnival), so I don’t know if I’d want to go to that even if I didn’t have to get up so early in the morning tomorrow. I do need to write about that at some point, don’t I? The great thing about being a crime writer is you never run out of prejudice, bigotry and hate to write about.

It looks like I’ll be going to Alabama to see family and visit Mom’s grave next weekend; Dad is going down for the anniversary of losing her, and I’ll go up and meet him up there for the weekend. It’s just easier, really, for me to go instead of my sister, and I don’t think Dad should do these grave visits without one of us there for him. It’s also kind of for me; it’s just easier mentally and emotionally to focus on Dad’s loss rather than my own. It’s probably not the healthiest way to deal with it, but this is how I generally deal with any kind of personal loss or tragedy in my life: focus on the grief of others. I also suppose that the impending anniversary (today, I think, is the anniversary of her final stroke? It’s all murky to me other than knowing she died on Valentine’s Day) has probably also been working on me subconsciously (subconscious BASTARDS!!!) and could have something to do with the foggy funk I’ve been in lately, in addition to the unfortunate medication change of the last couple of weeks.

I didn’t watch the Grammys the other night, but I did watch the Tracy Chapman/Luke Combs “Fast Car” performance on Youtube, which brought back a lot of memories. “Fast Car” was a very important song in the development of my life and my adulthood; the lyrics of feeling trapped and needing to escape a toxic life situation resonated very deeply with Double Life Gregalicious, and helped start the process of finally merging those two very separate mentally unhealthy existences, which is something else I should blog about–but it was amazing seeing the audience reaction to a middle-aged out Black lesbian, and I’m going to have to listen to her album again; it’s been a hot minute. But thanks again, for your voice and your music and your soul, Ms. Chapman.

I did edit a short story–or started editing, at any rate–last night, and it really is amazing what you don’t see when you’re in the midst of writing it and when you come back to it again after a lengthy period of time. “How the hell did I not see how clunky that sentence is?” was constantly running through my mind, and I also realized what the point of the story was–he’s reached his breaking point, and I need to communicate that to the reader more clearly than in the original draft. It felt good, you know, to work on something, and feel like I was doing some good polishing work on it. I really do love writing.

And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will most likely check in again with some more blatant self-promotion later.

Every Day I Write the Book

Okay, that’s technically not true. I don’t write fiction every day, and I don’t work on a book every day. I generally don’t count the blog as actual writing, but it is writing, I suppose, so I do write that pretty much every day. But I’ve never included the blog in daily word counts or anything; just as I wouldn’t (and didn’t) consider emails, text messages, and social media posts as being part of the daily production output (although I suppose I should; I estimated how many words of blog I’ve done since starting this nineteen years ago–twenty in December–and it was a staggering amount, especially since it was probably dramatically under-counted), and never will.

I do think about writing fiction every day, even the days when I am so exhausted and brain dead I don’t think I’m capable of much of anything creative. I am always thinking, and it’s very rare that the brain turns off, unless I go to sleep (thank you, sleeping pills!); as long as part of my mind is awake and alert my mind will eventually wander into creative thinking. It’s just how my mind works.

During the Bold Strokes Book-a-thon last month, I was on a couple of panels, and as usual have decided to turn the questions sent by the moderators as the basis for self-promotional posts. It has been a hot minute–I’ve not done a hell of a lot of promotion since the surgery knocked me off my tracks for a few months–and while I know many other books have come out since and the Greg has a new book excitement amongst my readers has already died down long since, but what the hell, right? I’m nothing if not a narcissist (or have, at best, some narcissistic traits at any rate), and let’s face it, one of my favorite subjects is ME, so why not? No one has to read these self-promotional posts, either. Just scroll on by, if that’s how you feel; my feelings will not be hurt in the slightest, and I no longer have the anxiety of oh my god no one likes me how can I make everyone like me?

Thank GOD.

This is from the Prolific Authors panel1.

How do you ensure that your latest work is not similar to something you have written before? Can you even remember everything you have written before?

After the eighth (?) Scotty book, someone on social media commented on one of my posts asking how many car accidents has Scotty been in? I’d never really thought much about it, but in that moment I realized quite a fucking lot, and that doesn’t include my other, non-Scotty books, either. I realized that I had been in a car accident in 2008 (the first in decades, and I wasn’t at fault) and my car was totaled. It was so weird, and so different from anything I’d ever imagined being in a serious accident like that would be; it took me days to get the taste of chemicals from the airbag out of my throat and my voice was scratchy and husky for about a week or so after. So, of course, I wrote about it in my next book…and then I think I started having a car accident in a lot more of my books. There was also a car accident in one of the earlier Scotty books–Jackson Square Jazz–and so…I didn’t put one in Mississippi River Mischief.

I had never truly worried about repeating myself until that moment of oh my God do I have a car accident in every book? And so now, I try to be really careful. Am I just rewriting a scene I’ve written before? Scotty is on book nine now; I don’t think it’s feasible for me to sit down and reread the entire series every time I am about to write another one. I have always intended to make a Scotty Bible–what all the regular characters look like, their relationships to each other, where they live, little tidbits I’ve dropped over the years that are clues to their personalities–so that I could verify the information in the series and not have to go looking for it (because I am nothing if not lazy, so I’d put it off and forget it and then realize it’s too late to change that now! FUCK!). I also should go back and outline the books, too–just to have something easy to reference when writing another one.

Since I write more than one series and I also write stand-alone novels, I just realized I should probably do this with all of my books…but I am way too lazy to ever get that done. So I will go on trusting my brain and my memory…which is clearly a mistake!

When naming your characters, do you completely avoid names which you have used in the past or do you feel that the characterization alone is enough to differentiate?

I have names I always fall back on–I also tend to like names that start with L’s and J’s for some reason–so I have to be careful with that. I don’t keep track of all character names I’ve used, and I suppose it’s possible that I could “recreate” a character with a name I’ve used before, and even make them the same…but I also re-use characters; they cross over from series to series and back and then to the stand alones. When I was writing Death Drop, I was originally going to have Blaine and Venus be the cops; they were the cops in both of my previous series with a gay male protagonist, so why not keep expanding my New Orleans universe? I eventually changed my mind–I don’t know why, really, or remember, which is probably a more accurate statement–and changed the names; I think I wanted to differentiate the Killer Queen series and make it more distinct from Chanse and Scotty.

I’m worried more about creating characters that are similar to others I’ve written about more so than the name. I was thinking about starting another series–one with a true crime writer as the main character, and he’s already appeared in both the Scotty and Chanse series; I even had an idea for the story. But when I started creating him, I began to realize he was like a mash-up of Chanse and Scotty, so I abandoned the idea. Now that I am thinking about it again, so what if their backgrounds are similar? He’s nothing like either one of them, and it was a good story idea, so…you never know. I try not to ever conclusively rule anything out. I even think about bringing Chanse back every once in a while.

A question I’m sure most of you have received—do you ever worry that you will run out of ideas?

That’s the least of my concerns. I am more worried I won’t live long enough to write everything I want to.

After all these books, do you still enjoy the writing process?

The primary goal of my life has always been to try to surgically remove anything I don’t enjoy from my existence. I am very blessed in that not only do I get to write and tell my stories and people want to read them but I also have a day job that I enjoy and can feel good about the work I do there. So, the only way I would ever stop writing if I stopped enjoying it, and I can’t ever see that happening. Sure, I’ve had times where I had to step away because of burn out or exhaustion, but I always knew it was a break and I would come back to it again. It’s been difficult for me since my surgery in November to get back into it, but I am making progress. I love writing, and am so grateful this childhood dream came true.

  1. I used to bristle a bit when people called me prolific; I just love to write. But I finally stopped that nonsense and accepted the descriptor when I hit my tenth book…which was over thirty books ago. If that’s not prolific, I don’t know what is. ↩︎

A Horse With No Name

Monday morning has rolled around again and no, I didn’t want to get out of the comfortably warm cocoon of blankets yet again today. It was a nice, relaxing weekend. I didn’t go out to see any parades yesterday because I felt exhausted on Saturday and while i felt much better yesterday than I had, I thought it best to stay inside and rest for the day rather than push myself by going to stand on or around the corner for a few hours. This weekend is the big final push (I have to leave work early both Wednesday and Thursday), and I decided it was wisest to take Lundi Gras (Monday) off; Orpheus is that night and there’s no way I’d ever be able to find a place to park anywhere near the house. I do have PT that morning, so I’ll go to that and run some errands before heading back home and parking the car for another two days.

It actually turned out to be the best choice I could have made for the day because a friend called that I hadn’t spoken to in nearly two years (a myriad of reasons, mostly due to health concerns and my own insane rollercoaster life) and had I been out at the corner, i would have missed the call. It was a lovely conversation, and I realized once again how much I’ve missed, not only her, but so many others of my friends. I have always had the misfortune to have the majority of my writer friends not live anywhere near me, so it’s not like I can meet someone for a drink or lunch or anything at any time we so please. This has always been fine with me, but every once in a while it gets a bit lonely, so the few local friends I have are very precious to me. It was absolutely delightful to hear from her, and we were on the phone for nearly an hour, which was marvelous. (I’d been watching the Philip Seymour Hoffman Capote at long last when she called, which was really quite good and Hoffman deserved his Oscar, I think.) So yes, I kind of went down a Truman Capote wormhole yesterday. I am thinking Other Voices Other Rooms needs a reread, and maybe even a dip back into his short stories wouldn’t be a bad thing to do. My former antipathy for Mr. Capote (still processing it) has now turned to fascination; who was he behind that mask, that persona, he developed to hide behind? It’s also been years since I saw the film of In Cold Blood, too; it might be worth another look, too. This newfound obsession with Capote is multi-layered, too; it might take more than one lengthy post once I work my way through the way I’ve always reacted to Capote’s public face. (The self-loathing is coming from inside the house!) But after the call and after the film, I pretty much spent the rest of the night scribbling in my journal while watching an endless stream of Youtube videos, just to see what the algorithm thought I’d be interested in (Constant Reader, I was not interested in most of them, but I wound up watching a series of short histories of Eleanor of Aquitaine, one of my favorite historical women of all time.).

I didn’t write as much as I would have liked this weekend, either, but it’s also Carnival. Very little gets done during Carnival as I am too busy juggling and planning around parades to have much energy left to devote to writing. I did write some really good notes in my journal, though, which was fun; I always forget how much fun it is to freeform scribble in my journal and see where my subconscious mind takes me. It never matters if anything ever comes of it; it’s just playing around with words and ideas and names and form. I’ve been joking with myself that I should write a memoir called I Wouldn’t Normally Do This Kind of Thing, which is a terrific title for something like that (shout out to the Pet Shop Boys, because almost every song title is unabashedly clever and brutally honest and would make for a great title for essays or something), but as I always say, my memories lie to me all the time–which can be a problem when writing a memoir. Maybe personal essays would be a better idea than an actual memoir…and really, has my life been interesting enough for a memoir, anyway?

But I suppose that’s always in the eye of the beholder. I don’t think my life is anything special, or even unusual other than I am out of pace with traditional society with my sexuality and my chosen profession…but then other people will be amazed at some story of my past that I tell (usually after a few drinks) and I guess I never really think of me or anything that happens to me as anything other than normal and I always think everyone else has the same sort of things go on in their lives so it’s nothing out of the ordinary. But I have met a lot of important people and important writers. Larry Kramer used to call me periodically at Lambda Book Report to yell at me, but that was just Larry–he always seemed to be angry about something, but was actually also a really nice man (your mileage might vary, of course, but he also always made me laugh). Barbara Grier also used to call me about once a month to yell and swear at me, but I found her terrifically amusing and I could listen to her all day (and Barbara loved nothing more than a captive audience). There were only a few people in the business, actually, who were terrible to me when I worked there; I always seemed to have the ability to listen to everyone politely and was always pleasant and never argued with anyone….but there were a few I’d rather run over with my car and then back over them again rather than ever deal with them under any circumstance for any reason.

You know who you are, trash.

But I survived the first weekend of Carnival, and I am now thinking I want to watch the other Capote film, the one with Toby Jones–and maybe even revisit Murder by Death, which was another one of those after-church matinee movies Mom used to take my sister and I to. I just need to get through today at the office, and then I need to do my errands and go to PT before settling into my easy chair for the evening. I may go back to Lina Chern’s Play the Fool, which I am really enjoying, or my reread of Edna Ferber’s Saratoga Trunk, or Rival Queens, or even some short stories. I have some of Capote’s, and that might be interesting to reread. My friend who called yesterday afternoon recommended pairing Other Voices Other Rooms with To Kill a Mockingbird, which is a book I have issues with (more on that later at some point), but reading them as parallels to each other; the same childhood from different points of view in the same small Alabama town; it’s been a hot minute since I read the Capote novel but I did love it when I did. I don’t think I still have a copy of it, though.

And on that note, I am heading into the spice mines. It’s a windy, gray wet day in New Orleans, and so I don’t think I’ll have a lot of issues sleeping tonight, either. Have a lovely Monday, Constant Reader, and you never know–I may be back later. Stranger things have indeed happened!

Love’s Been a Little Bit Hard on Me

Wednesday pay-the-bills day, and I am a bit groggy this morning, but that’s okay, really. I slept well and didn’t want to get up, and there’s nothing wrong with that (why I’ve always felt like not wanting to get out of bed in the morning makes me a lazy slug is something else I clearly need to work on). But the weekend draws nigh, which is always a lovely thing, and of course…parades. Yes, the parades start this weekend, with three on Friday night, six (!!!) on Saturday, and another three on Sunday. It’s also supposed to rain all weekend, so I don’t know how much time I will actually spend out at the corner this weekend risking getting sick and/or tired. I was also very tired last night, to the point that I really didn’t do much of anything once I got home from work yesterday afternoon. I didn’t do any chores, I didn’t run any errands, and I didn’t get the mail.

I did work on the story more and it’s starting to take a better shape than the mess that it originally was. I’m not certain why it’s taking me so long to get this draft finished, but I am instead going to think of it in terms of your writing muscles are as rusty as your actual muscles and so yes, they need to be used a bit more so I can get back into the swing of using those muscles every day. I really should think about writing now as writing therapy; the same mindset as my physical therapy. I am slowly but surely getting back into the spirit of writing after a deeply traumatic year, and the more I do it, the stronger and more lithe those muscles will get–and the less warm-up they will need. Having so many of the conflicting voices in my head stilled at long last also helps me with the focus and stuff; the problem is the lack of use and working out the kinks and the doubts. I think the story is going to make better sense and be much stronger than it was going to originally be in this draft version, and I did think about it a lot last night, too. I have always had a powerful imagination, and so last night I was using it to imagine what it would feel like out in the Manchac Swamp on a night in early October–and the kinds of risks college students will take that older people probably wouldn’t. If it weren’t for the parades–and maybe after the season is over I can do this–I should drive out to the swamp and check it out; there are a lot of places around New Orleans and in Louisiana in general that I really should go visit and experience.

Time, and exhaustion, is always such an issue. I do remember driving somewhere–I’m not sure where or why–that required me to cross the lake to Slidell on my way; I was writing something that required me to take a look at that far reach of New Orleans east that heads out to the bridge over the Rigolets, and so I detoured on my way to get a good look. (I also used that visit to base a scene in Royal Street Reveillon on as well; two for the price of one!) I’ve also noticed that, now that I have take up my proverbial quill again, my process of writing is a little different than it used to be; again, rusty out of use muscles might have something to do with it, but it could also be a change, who knows? My process has evolved and changed so much since Ye Olden Days when I first starting treating writing as a job and a vocation as opposed to a dream. (It’s also why I hate process questions, mine is rarely ever the same, especially when it comes to writing short stories.) I do like this story and like where it’s going; I really like the idea of my four unsuspecting, slightly drunk and high college students out visiting a supposedly haunted location in the Manchac Swamp (putting some of those New Orleans-area history wormholes I’ve gone down since the pandemic started) and I think it could be a terrific (if macabre) little story. And it’s something I am actually writing, not something I’m just thinking about. The story will probably always be special to me for being the first thing I wrote and finished after the surgery.

I’ve also been watching, with no small amount of amusement, as the right wing anger cancellation machine (you know, the thing they bitch about from the left while doing themselves because they are nothing if not the biggest hypocritical pieces of shit in recent American and world history) has decided to come for Taylor Swift and Travis Kelce. I have enjoyed so many cruel laughs at their expense over the last few months! Why stop there? Why not come for Beyonce, too? They never learn, do they? Their refusal to look at factual history–even factual recent history–showed itself when Ron DeSantis chose to follow the Southern Baptist playbook and come for Disney to bolster his dead-before-it-started presidential campaign? The Mouse is undefeated, and remains undefeated. Taylor Swift is the biggest pop culture star in the world right now whose fans absolutely worship her–and her fans are of all ages, and they protect her from scavenging low-life scum whenever and wherever someone tries to come for her. The irony that this romance is actually the culmination of every Taylor Swift longing teenaged love songs–she’s dating the star football player AT LAST–does not Fox or Newsmax in their quest to humble Taylor Swift, who is laughing at them as she sits on her piles of gold and the love and admiration of millions around the globe. I wouldn’t call myself a Swiftie1–I do like her music, and listen to it occasionally, but it’s not my go-to–but I do admire her as an artist, a businesswoman, and a person. She stands up for the underprivileged, she supports queer people and queer rights, and above all else she fights misogyny (which a lot of the right-wing hate is predicated upon) whenever she encounters it, calls it out, and is not afraid to go to court to fight it, either. The way she outsmarted the douche who bought her original masters deserves a five minute standing ovation.

I may not know a lot about Ms. Swift, but I do know better than to fuck with her or activate her fans. And frankly, the profas (if the the left is antifa, then it stands to reason that their position makes the right profa, right?) are soooo stupid and blindly wrapped up in their cult of Golden Calf worship that their rage makes me like her all the more. I listened to her Red album in the car on my way home from the office yesterday and it’s still a banger (“Red” is my favorite Swift song, don’t @ me), and I’ll probably be listening to more of her music in the coming days as well. I also love that the derangement extends to rooting against the Kansas City Chiefs in the upcoming Super Bowl–which means they have to root for San Francisco.

(laughs evilly in gay.)

And on that note, I need to head into the spice mines and start paying the bills. Have a lovely Wednesday and you never know–I may pop in again later.

  1. Although I did start writing an essay during the pandemic that I called “A Sixty-Year Old Swiftie.” ↩︎

Let It Whip

Tuesday, and we survived Monday again! I believe in celebrating even the smallest of achievements, so here we are. I left work early yesterday for PT–I beat the kettlebell this time, and some of the exercises that were dreadful last time were much better this time; still dreadful, but more easily borne than before. I easily could have slept longer this morning, but alas, it was not to be. I also worked on the story some more last night and I was correct; the missing piece of the puzzle I’d worked out over the weekend was exactly what was wrong with the story and why it wasn’t gelling, but the revision is working quite well, which is very pleasing to our eyes. I am slowly waking up–the coffee is quite marvelous this morning and most definitely hitting the spot for sure–and while I didn’t want to get up, I think it’s going to be a terrific day.

The other day I came across something while wandering around on-line which caught me off guard and yet was kind of cool at the same time–Ann Patchett doing a tiktok or a Facebook reel or something like that, in which she was talking about how she’d recently read So Big by Edna Ferber and really enjoyed it. Edna Ferber! I’d had a Ferber phase the last two years of high school, when I read everything I could get my hands on that she’d written–So Big, Come and Get It, Cimarron, Giant, Ice Palace, Saratoga Trunk, Show Boat–and I really enjoyed her work. Ferber was a very successful and very well known writer of the early to mid-twentieth century; many of her books were made into Oscar winning films; and they were mostly Americana, books set in some region of the US during its history and shining a light on the time. She was very well-regarded also as a playwright and short story writer. She was also a member of the Algonquin Round Table. So I thought, “I should reread Saratoga Trunk, which is partly set in New Orleans and I barely remember it” (although I also remember enjoying the film, with Gary Cooper and Ingrid Bergman) so I went on ebay and found a decent old copy.

Because I don’t already have enough to read on my plate, right?

I also met Ann Patchett a very long time ago, before she published Bel Canto and became ANN PATCHETT. She was very kind, very nice, and I liked her an awful lot. I think her only book at the time was The Patron Saint of Liars, which I read and enjoyed. I doubt very seriously she remembers me, of course; she’s become a huge literary star since I met her and I was just another face among many others that she’s met over the year, but I can say that I met and liked Ann Patchett very early in her career. Watching her success explode has also been a pleasure because it’s always lovely when someone super-nice actually finds enormous success. It restores my faith in humanity and the world.

I also started reading something over the past couple of days–exhausted brain, really–that I am enjoying for its bitchy wit but am not quite ready to talk about just yet, but it’s not anything I’ve been talking about reading on here lately. It’s also not that I am not enjoying the book I was reading–which I was, and look forward to diving back into when I can get it my full and not tired attention–but this is an easier read, if that makes sense? I already know the characters and the story because it’s one of my favorite films, and that’s all I will say about it at this time.

I also made the Saltburn connection that I’d been trying to make since seeing the film the first time–everyone keeps talking about it in reference to either The Talented Mr. Ripley or Brideshead Revisited, and while I could see that, there was always a nagging sense that there was another, more obscure film that it was more like than either of its regular comparisons/influences, and then this weekend it hit me between the eyes what film it was–because in rearranging the books, I discovered the book the film was based on, and the proverbial lightbulb went on over my head. Yes, yes, this film is more Saltburn than the others, and I did wonder if Emerald Fennell had seen the bizarre little film I watched during the pandemic while making condom packs and revisiting (or watching for the first time) /classic films from the Cynical 70’s–and now I have the hook for my essay/blog entry on Saltburn, so watch this space because I’ll eventually get around to writing it; I inevitably do, and I do think this conversation about the film is actually timeless, so there you go.

But it’s time to start getting cleaned up, pack my lunch box, and head out on the highway to the office to start my work day. I get to come straight home from work tonight, which is lovely, and maybe can get some chores done as well as some writing before Sparky bonding time. Until my next appearance, have a lovely one, Constant Reader!

Even the Nights Are Better

Constant Reader, I didn’t write a damned thing last night.

It rained pretty much all day, and the city was in a flash flood warning for most of it (again today as well), and I managed to make it through the work day fine. I got off work early because of PT, left and got the mail on the way to PT, and then made groceries after PT. PT amped up yesterday and was not easy the way it had been; there was even an exercise at the very end I simply could not do. As I also despise failing at something, that was a needed exercise in humility. At the same time, it was also the first time I’ve tried any exercise since the surgery that I wasn’t able to do–and the surgery was two months ago this week. So, rather than being hard on myself about it, I chose to accept it as a milestone and something I need to overcome rather than a failure. (See how the meds are working for me now? In October that would have sent me into a funk of depression and “I’m such a loser” thinking, so I am not sure if I just have a better mental attitude, if its the meds working, or a combination of two. Regardless, I am counting it as a win.) So, I got home from work, did a few things around here, and eventually fell asleep in my easy chair, which is where I was when Paul got home. He woke me up and I went to bed and slept beautifully all night–partly because of the rain–and so here we are, with me feeling rested, it’s gray and gloomy and rainy outside, and I am working at home so I do not have to leave the house unless I want to. Huzzah!

I have to say I’ve really not been tired or groggy all week–I haven’t been that way in the morning in a very long time, but I do start falling asleep around nine-ish every night. I guess my body has not only adjusted to the lovely new meds but also to my work schedule. There’s really no chance I’ll stay up later than I should on a weeknight now because I am conking out once the clock strikes nine. I hope to get a lot of things done today around the house and around work-at-home duties; I feel really good and energized this morning. Sam the handyman came in and painted the kitchen ceiling yesterday (it looks so nice this morning!) but left the giant ladder in the kitchen so he could come in and do some touching up, and needless to say, the massive ladder is a delightful playground for Sparky–who not only loves to climb but also has figured out how to climb down, too. I told you he’s a very smart boy…and so big! Not full grown yet, either. I think he is going to be bigger than Skittle, who was also a very big boy.

Yikes!

I’m hoping to get a lot done this weekend, frankly, but I am also not going to worry about holding my feet to the fire should I not. I do want to finish this story I’ve been working on this week, and I do want to do some more writing along the way. I also want to spend some quality time reading Lina Chern’s Playing the Fool and maybe finishing off some of these other posts I’ve been playing with for quite some time. I would like to finish my analysis of Saltburn (which I can also rewatch again, which is marvelously possible thanks to streaming services), as well as my analysis of the latest volume in Heartstopper, and why it made me a bit uncomfortable, just as the show’s second season was questionable in some ways. I still like and appreciate it very much, but at the same time, nothing is above criticism and critique, especially when it’s approached in a positive way. Because the bottom line is I do think Heartstopper, both book and show, are vitally important works; there’s just a couple of things I find questionable, which is also a broader question for the community as a whole, too.

And on that note, I am heading into the spice mines. Have a lovely Friday wherever you are, Constant Reader, and stay safe and dry, New Orleans!

Hurts So Good

Ah, Monday morning back to work blog today. I have to leave early as I have a PT appointment at four today, but that’s okay. I also have to run errands, and I will already be uptown, which is terrific. (Mail and make a little groceries, for those who are unsure what I mean by errands.) I’m usually in a good mood when I finish PT (it’s the endorphins), so hopefully that will make running the errands in the cold a little easier. It should get up to the sixties by the time I leave the office today. Parades begin next weekend (not this coming one, but the next) and I am not even remotely in the slightest prepared to deal with all the aggravation, exhaustion and fun that comes from living inside the box1, as we call it here. While it does mean having easy access to parades and catching throws, it also makes navigating every day life incredibly difficult.

Sigh.

I feel very rested this morning, after a weekend spent feeling tired most of the time. I managed to do very little this weekend other than rest and cleaning and chores. Maybe the strength PT on Friday wore me out far more than I had originally suspected; after all, it’s the first taxing kind of exercise I’ve done in over a year. (I also have to leave work a little early today as well for a session later this afternoon.) I didn’t get much done this weekend, sadly, but I consider progress on the house to be progress of a kind at any rate. I also started reading Lina Chern’s Play the Fool, which I am enjoying; the voice is quite original and delightful. We also watched another episode of Lupin last night, which is also quite good.

I was struggling there for a moment to remember what precisely I did yesterday while Paul took calls and worked upstairs; I just remembered that I spent most of the day finishing the original BBC series of Brideshead Revisited. I can see why the show was so popular back when it originally aired and why it own so many Emmys–Americans have always thought British productions of anything to be vastly superior to anything produced here–and it did remind me a lot of Downtown Abbey, which also led me to wonder why Americans are so fascinated by the British upper class. I know I certainly used to be, but my lack of knowledge regarding Brideshead seemed like a missing cultural touchstone for me, and now that I’ve seen it–yes, I can see how influential it was. There would be no Downton without Brideshead, but the original is far less soapy than the later show….and of course, Upstairs Downstairs was truly the original Downton, a soapy show about a wealthy family’s ups and downs as well as their servants. I don’t imagine the occasional thoughts I would have while watching–deep criticisms of the class system and the disproportionate division of wealth in British society of the time; how it would have sucked to have been one of their servants–would have occurred to me had I watched when I was younger. I also felt that there was more to the relationship between Charles and Sebastian than mere friendship; which is another thing it has in common with Saltburn; an ambiguous love relationship between two men. I was also rather disappointed that Sebastian disappeared from the show about halfway through so it could focus on Charles and Julia, which I felt was giving Sebastian, whom the show really centered at first, very short shrift indeed. I will go ahead and read the book–my education in Evelyn Waugh was sorely neglected–but I feel that watching the series has given me enough grounding to explore Saltburn again through that experience.

It’s chilly again this morning but nothing terribly unbearable, thank the Lord. I do feel rather good this morning, and hope I can ride that feeling through the work day, into PT and making groceries again after work tonight. This is an actual full work week, of which there have been few for quite some time for me, so we’ll see how I feel when Friday rolls around again, shall we?

It’s been an interesting and slightly uneven January so far, bit of an up and down month, in all honesty. Life is always a rollercoaster, isn’t it? Ups and downs and never certain when the next curve or sudden drop is coming, all at great speeds that sometimes never give you a chance to catch your breath. There’s nothing life can give us that we can’t handle, as Scotty always says, it’s how you handle it that matters. I’ve always found that emotional responses or reactions are often counterproductive and exhausting, and if you can somehow switch the emotional component down or off or mute it so you can engage your logical brain and figure out how to handle it and what you need to do next to start the getting through it process might not be the absolute healthiest way to handle anything, but it has always worked for me and is why people always think I am so good in a crisis–I am very good at ignoring the macro while focusing on the micro. The problem with that, of course, is that you never go back and process the feelings and emotions; they’ve been securely buried for the moment and inevitably, that results in me thinking oh I don’t need to process that after all!

When in fact I really do need to.

That’s been happening a lot for me since the concurrent COVID pandemic/shutdown coupled with me turning sixty and eventually losing my mom. I’ve been thinking about things from my past a lot more than I ever allowed myself to, identifying the lessons I’ve taken from bad experiences and how I turned that into I don’t ever want to feel like this again s so I will never do that again which may not have been exactly healthy. I don’t think I’ve ever gotten over that sense of not belonging anywhere when I was a kid, which was partly being a gay kid (I didn’t know that specifically, but I also knew I was different from the other kids) as well as having some chemical issues in my brain (ADHD, anxiety, etc.), added to the sense of not belonging because I was from Alabama and living in Chicago. New Orleans was, in fact, the first place I’ve ever felt like I belonged, and that’s part of the reason I love it here so much. There wasn’t any single one thing to blame; I always thought it was this or that or the other, but rather the combination of everything that made my childhood so incredibly difficult for me (and pretty much my life until about thirty-three or so).

I think the real reason–I was asked this on the young adult panel this weekend–I write about teenagers is I am still trying to make sense of my own experiences. I also think that my past is also filled with very rich material for my writing. I learned that with both Bury Me in Shadows and #shedeservedit–writing about things that I have had trouble understanding in my own life fictionally has not only made my work better but also has helped me process things in a healthier way than I ever have before.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader.

  1. “The box” means inside the parade route for Carnival; the box being formed by Canal, Napoleon, St. Charles and Tchoupitoulas. Once parades have started you cannot cross any of those streets, and yes, I live just inside the box on the St. Charles side of the rectangle. ↩︎