Category: short stories

You Only Tell Me You Love Me When You’re Drunk

And just like that, it’s Friday again.

Not that the day of the week matters anymore, frankly; yesterday I thought it was Friday all day and even when corrected (I sent an email to the MWA Board of Directors and opened with HAPPY FRIDAY!) I still continued to think it was Friday.

I’m stubborn that way.

We finished watching We Are the Wave last night, after I did one of those on-line promo reading/discussion things for The Faking of the President. I recognize that these things have become a part of what is reality these days, but I’m still uncomfortable doing them. I hate the sound of my own voice, and being able to see myself staring back at me from the computer screen is far worse than any mirror I’ve ever looked into. But I suspect that even once the pandemic has come to its inevitable end–even bubonic plague eventually ran its original course–these things will become part and parcel of promotion for writers henceforth. For one thing, publishers would much rather you “tour” virtually than having to pay to send you, for one, and for the vast majority of writers, virtual touring is much more, obviously, affordable than an actual tour.

But last night I slept extremely well, which is lovely; I actually feel very rested this morning and not tired, mentally or physically, and it’s been a hot minute or two since I could say that. There are some errands I have to run today–most importantly, a prescription refill that needs to be picked up–but I am going to be spending a lot of the day doing my day job stuff here at the Lost Apartment, and yes, that includes more hours of condom packing, which means finding some movies on HBO MAX or Disney to watch. The TCM app on HBO MAX is quite marvelous, actually; there are a lot of wonderful films on there I’ve always wanted to watch, and since I spend several afternoons a week making condom packs, I can now watch them while my hands work. Alas, there are a lot of films I want to see that aren’t on there; there’s some great Hitchcock movies (I really enjoyed Foreign Correspondent, despite how dated it was) and there are some lesser known Hitchcocks which will be fun to watch as well (I could also go through Amazon Prime, but their app on Apple TV is not user friendly in the least). I was looking to rewatch Rebecca and Notorious the other day, but neither were on the TCM app, and neither was Suspicion, which was my next default. I think Shadow of a Doubt is on Prime–that’s the next one I’m looking for–and there might be some on there that aren’t on the TCM app.

I’ve also been thinking a lot about the films of the 1970’s a lot lately as well; watching Eyewitness made me think more about that decade, and we talked about it some on the virtual event last night–and there are some terrific films from the 1970’s I’d like to rewatch or see for the first time. I’d like to see Chinatown again, despite my aversion to Roman Polanski and his work–which is a whole other conversation, the old artist vs. the art thing–and there was a darker, grittier aspect to the films of the decade, despite it also being the decade that gave us Star Wars. I’d actually like to watch Cruising again, and numerous other Pacino/De Niro/Scorsese films of the decade.

I also am going to spend some time this weekend writing, and I am also going to spend some time with S. A. Cosby’s Blacktop Wasteland. I also have some anthologies and short story collections I’d like to start dipping into; I hate that I’ve allowed myself to let the Short Story Project collapse by the wayside. I also want to spend some time this weekend trying to get organized; I have so much going on, between various writing projects and volunteerism and so forth that I am always playing catch-up, and I much prefer, as Constant Reader is very well aware, planning; the problem is that I am always juggling things as they come at me (bullets-and-bracelets from the old Wonder Woman comics is a very apt analogy) with the result that I always feel like I am getting dragged down into quicksand.

And don’t even get me started on emails. Jesus.

But it’s a good morning, I have energy and feel rested, and am hopeful this will help carry me through the rest of the day and I can get a lot done.

Have a terrific Friday, Constant Reader.

Tonight is Forever

Well, it’s more like weeks are forever in this pandemic-riddled world in which we live these days, but onward we go.

As I often say–and you may perhaps be tired of hearing–the best writing and the best television/films always somehow give me inspiration–whether it’s to do better as a writer myself, or with story ideas. I’ll Be Gone in the Dark, as previously mentioned, has flooded me with memories of life in suburbs and in California ones, specifically. I’ve never done a lot of writing about California–the Frat Boy books are my primary novels set in California, and both Sorceress and Sleeping Angel are also set there (the latter, though, are set in a small town in the mountains rather than a small city, like Fresno, which is what I converted to the small city of Polk in the first two Frat Boy books; the coastal small city in the final Frat Boy novel is based on Santa Barbara)–so maybe I’ve done more writing than I would have initially thought about California. But I’ve never done anything suburban in California, I guess, which is the correct way of phrasing that.

And as I said to my friend Megan once, what is more noir than the suburbs?

I did finish reading Cottonmouths finally last night; more on that later, but for now I will say it is wonderful. I greatly enjoyed it, and I am really excited to sink my teeth into Blacktop Wasteland now.

I also decided to change the title of “After the Party” to “A Dirge in the Dark,” which is creepier. I didn’t like that original title, and this was a most unusual story for me in that I had started writing something that not only didn’t have a title, but one didn’t leap out at me–and for me to save the document I needed to name the file. I know, it’s insane, but that’s just how my mind works around here in the Lost Apartment; I think I have two folders in my entire computer that are “untitled noir story” and “untitled haunted house story”; which really tells me nothing so when I go in search of the files to work on them some more I would never find them–especially if I had about a million other folders with “unnamed” in the title somewhere.

Today is my work at home day–one of two–which is nice, which means I don’t need to shave or even shower, if I don’t want to–but I probably should, as it always makes me wake up and feel better just in general. I’m a bit groggy this morning, certainly more groggy than I have been the last two mornings–which is NOT a good sign by any means–but I am hoping the coffee will take care of that. I’ve not had a good deep sleep now for several nights running–I have slept, but I’ve not gone deep into the sleep; I wake up sporadically and then it takes me a while to get back to sleep, and I noticed, for example, yesterday that my legs were tired when I was climbing the steps in the house. I am sure a lot of this had to do with lack of physical activity since my gym closed, but with our cases going up again here in New Orleans (thanks, stupid people!) I am pretty confident the city is going to be shutting back down almost completely again soon, and it simply doesn’t make a lot of sense to spend the money to join a gym that may only be open again for a few days.

I guess I can start stretching here at home, doing crunches and pushups and weightless squats. It’s a thought–and seriously, anything that will help me to sleep better is certainly going to be welcomed.

It’s just so disappointing because I was really making progress at the gym before it closed for good.

And on that note, I am heading back into the spice mines. Have a lovely Wednesday, one and all.

Suburbia

So, of course rather than working on Bury Me in Shadows, yesterday I spent some time writing the opening scene of a short story inspired by watching I’ll Be Gone in the Dark. This is why nothing ever gets done around here, seriously. It’s called “After the Party,” and I’m not really sure where to go with it from where I got to with it–about nine hundred words in, actually, which isn’t bad, really. But I always have to write these snippets down; they nag at my brain the way your tongue will worry a loose tooth, and nothing will get it out of my head other than to write it down.

I don’t know if it’s the show that haunts me so much as it is seeing those suburban middle class cookie cutter houses where so many of the victims of the East Area Rapist–later upgraded to the Golden State Killer–lived; having lived in a similar style house in Clovis, a suburb of Fresno, and of course, our suburb of Chicago was essentially housing developments all in the same area; Bolingbrook was never a town but was rather incorporated as a “village”; the “village of Bolingbrook”–which always struck me as a little too cutesy for words. The developments all had model houses that were “modern”–split levels, ranch houses, etc–and they had folksy names; the original one was Westbury , and I honestly don’t recall what ours was called; there was another that was townhouses and I don’t recall its name either. But the newer ones had names like Winston Woods (more expensive) and Indian Oaks (same area, less expensive) and then the newest, which start going up down the street from us a few years after we moved there: Ivanhoe, which was fancier and the most expensive of them all; the 1970’s version of McMansions, I suppose. The village of Bolingbrook grew up so fast with all those working class and middle class white people fleeing the city to get away from “crime” (read: desegregated school systems) that parents were willing to commute an hour or so up the Dan Ryan Expressway to get to work. We were bussed ten miles or so over to Romeoville for junior and senior high school; the “village” grew so quickly that Romeoville High School couldn’t accommodate everyone, and even my junior high school went to a split schedule: kids from Romeoville started junior high at 7 and classes ran till 12; the Bolingbrook kids had class from 12-5–no lunch period, homeroom, or study hall. My freshman year we got our own high school but it wasn’t finished in time for school to open; so the high school went to the same schedule: RHS from 7-12 in the morning; BHS from 12-5. It was rough for sports teams and after-school activities for both schools; pretty much everything but sports was suspended until BHS was ready for us–the gym wasn’t finished, and neither was the cafeteria and an entire wing of the school, so some classes had to make do.

It was very strange, and made even stranger because we were on a “track” system of schooling as it was, so the school could handle the student load; the village was divided into four sections, and where you lived determined which track you were on; either A, B, C, or D. Three tracks were in at all times, one track was out. You went to school for nine weeks, then rotated out for three, then back in for another nine. We were in B Track, which was kind of the best–the school system shut down for two weeks at Christmas and two weeks in the summer, and those two weeks always began right as we cycled out–so B track got five weeks in the summer and five weeks in the winter.

It was different, and for the most part, I didn’t thrive in that educational environment.

But it would also be interesting to write about.

I spent some time with Cottonmouths yesterday and am really, as I have said all along, enjoying it. But that story was nagging at my brain, and I finally had to put the book aside to write it. But I think I am willing to put aside at least an hour or so a day for reading going forward, and I look forward to not only finishing the book but giving you all the glowing book report it so richly deserves.

I’ll Be Gone in the Dark continues to enthrall–we watched another two episodes last night–and I’m already, with two episodes to go, wondering about what we will watch next. Hopefully, there’s insanely fabulous Spanish-language show just waiting for us on Netflix; perhaps something else German or French; there’s bound to be something on there somewhere.

And on that note, it’s back to the spice mines with me. Have an awesome Tuesday, everyone.

Sexy Northerner

So, who had “this revision won’t be as easy as Greg thought it would be” on their Gregalicious trials-and-travails bingo card?

Well, congratulations, you were correct. This reminds me of the time when I thought, oh I’ll just turn this Scotty manuscript into a Chanse, it’ll be easy and no, it really wasn’t. It was actually a nightmare, but eventually, after much anguish, stress, and aggravation, I did get it done and I was pretty pleased with the final outcome. I got up early yesterday morning and wrote an entirely new first chapter of Bury Me in Shadows, and one that was much better than any of the original attempts, so there’s that. Chapter Two was more of a slog, since I was trying to save more material so I wouldn’t have to write new material, but it’s going to need some going over again to make sure the transition from the old original story to the new is seamless. On the plus side–there’s always a plus side, even if I have to really dig deep down for it–the new material I am writing is good, and I like this iteration of the character much better than I did in the previous drafts; and his backstory is much better than it was originally. I also love the new opening. And making these changes actually eliminates a big hole in the story–something I could never really quite figure out–it was one of those things that had to happen for the story to happen, but it only made sense in THAT context, and that was driving me completely insane.

You can’t do that. It’s called “contrivance,” and there’s nothing that makes me more irritated or annoyed with a writer (or a movie or a TV show) where something happens only because it’s necessary for the story and only makes sense in that particular context. (I mean, obviously you can, and plenty of writers do, but it’s fucking lazy, and you shouldn’t, and if you do, and your editor doesn’t stop you…yeah, well.)

I also spent some time with Kelly J. Ford’s Cottonmouths, which I am really enjoying. I just wish I had more time to read, you know? I am so fucking far behind on my reading.

We also started watching HBO’s I’ll Be Gone in the Dark, which is very well done and very creepy. One of the things that terrifies me–which therefore also interests and fascinates me–is the concept of not being safe in your own home; that we all have this incredible illusion of security and safety in our homes–and neighborhoods, for that matter–and so we often are caught off-guard or by surprise by violence, or, as the theorists would say, the introduction of a Dionysian element into our safe, secure worlds. “The Carriage House” is that kind of story; so is “Neighborhood Alert” to a degree, as is the one I just sold, “Night Follows Night,” which is about not being safe in a supermarket because that was something I thought was interesting; you never think you aren’t safe in a bright public place full of employees and other shoppers until you actually aren’t. This is something Stephen King does very well; the introduction of something Dionysian into an ordinary, sedate, everyday kind of environment, and how normal everyday people react in those kinds of situations; some rise to the challenge, others do not.

Anyway, I’ll Be Gone in the Dark is just that–a true crime documentary based on the book by the late Michelle McNamara about her investigation into the Golden State Killer, and how that all came about. When you listen to the stories of the victims, and remember what it was like in in the 1970’s for women who were raped (not that things have gotten much better since then, but at least as bad as it is now it’s not as bad as it was then–not a laurel we as a society should be resting on any time soon, frankly), but how the rapes and murders happened in these quiet middle class suburban type enclaves where no one ever expected anything bad to ever happen (I’ve always wanted to write a book based on a murder that happened in the suburb of Chicago I lived in during my early teens; the killer and one of the accomplices were students at my high school; I knew the accomplice’s two younger sisters quite well); and I also lived in Fresno during the later part of the Golden State Killer’s run–but he had moved on to Southern California by then. I was stuck by the old footage of these neighborhoods in Sacramento, and how like our neighborhood in Fresno (Clovis, actually; a suburb of Fresno) and how closed off the houses were from their neighbors and the street–with small front yards and an enormous garage in the very front of the houses, which were in U shapes. My bedroom was the other side of the U from the garage and there were bars on the windows so no one could ever come in. My curtains were always closed so I could never see out onto the street or no one could see in; every once in a while on nights when I couldn’t sleep I would scare myself by thinking if I opened the curtains someone would be there–because it was very easy to get to, even if the bars precluded anyone from getting inside. Sliding glass doors were also very popular in houses back then, if not the most secure thing to have in your house, really.

And naturally, I started writing a short story in my head while I watched, about a bickering couple who come home early from a party because they got into a fight and are still fighting as they pull into their driveway and arguing still as they go into the house where they find their fifteen year old daughter bound and gagged in the living room with the sliding glass door to the backyard and pool area open, the curtains blowing in the night breeze. I don’t know the whole story, or how it ends, or even where it goes from there–which is why I have so many unfinished short stories in my files.

Heavy sigh.

There’s a tornado watch in Terrebonne and Lafourche parishes this morning, which probably means rain for most (or part) of the day here as well. It seems kind of gloomy and overcast out there, but brighter than it has been the last three mornings–when it rained a lot–so we’ll see how this day goes.

But it’s Monday, the start of a new week, and here’s hoping that I’ll be able to find time to not only read this week but time to work on the manuscript. Perchance to dream, I suppose.

Have a lovely week, Constant Reader!

What Have I Done to Deserve This?

It’s Saturday, and how lovely that feeling is. I am going to try to avoid social media as well as email interactions this weekend, as I want to be productive and I really don’t need any help with getting distracted. I was a condom packing machine yesterday, and Scooter was happily cuddled up to my feet as I had my lap desk and was working. I finally came up with the working system for maximum efficiency, and ultimately I was able to double my productivity in the same amount of time, which was quite impressive. It had been bothering me that I wasn’t as fast at home as I was at the office–or rather, in my old office on Frenchmen Street–but I also didn’t have the proper set-up until yesterday. I also had taken some time on Thursday to fold inserts, which also sped up my time yesterday. I also watched this week’s Real Housewives episodes, rewatched “The Bells” episode of Game of Thrones season eight (it’s quite a spectacle; more on that later) and then Dangerous Liaisons and The Maltese Falcon on the TCM menu on HBO MAX (which I love; there’s so much excellent film on that menu–things I want to rewatch and things I’ve always wanted to see). After dinner we finished off watching Into the Night, which had a lovely cliffhanger, and then started a Mexican Netflix drama, Control Z, which is quite intense. I do have to run an errand today, and I do have to spend some time cleaning out my email inbox–it’s ridiculously out of control again (doesn’t take long!)–and then I am going to reread Bury Me in Shadows and make notes on what to keep and what has to change. I’d also like to spend some time with “A Holler Full of Kudzu,” but there’s only so much time in one day and I only have so much attention span, really.

It’s gloomy and overcast out there this morning; we’re expecting rain off and on for most of the weekend because of now-Hurricane Hannah. I slept fairly decently most of the night, but still woke up feeling a little tired this morning. As much as I would like to be lazy for the day–and really, rereading a manuscript is the epitome of lazy, since I’ll be doing it in my easy chair–but it’s quite interesting and sort of amazing how much of a difference a good night’s sleep makes in my productivity when it comes to writing. The more tired I am, the more snappish I become–so it’s always a good idea to not be on social media or answer emails, as little things really get under my skin when I’m in that condition–but hopefully that won’t be an issue this evening. We shall see, I suppose.

I’m not really sure why I got the bug in my ear to rewatch that episode of Game of Thrones–it’s really amazing, given what a cultural phenomenon the show was while it was airing, how little anyone talks about it anymore. I think this is primarily due to the enormous disappointment the majority of viewers felt with its conclusion, and I certainly can’t disagree with those disappointed feelings. I, too, wasn’t terribly pleased with how the show ended, but at the same time, I wasn’t expected this world–which mirrored actual history with all its gore and good-doesn’t-always-win and evil-sometimes-goes-unpunished reality–to come to a happy ending; although Sansa did wind up as Queen of the North, so at least there’s some sense of justice in that, after everything she went through. And with her red hair, and all the suffering she endured, an argument could be made that she was sort of based on Queen Elizabeth I–who against incredible odds and twenty-five years of living in the shadow of the executioner–finally climbed to the throne. But I want to talk more about “The Bells” and the sack of King’s Landing–which was another episode that had fans disappointed and outraged. I was one of the few fans who was all about the city being destroyed; and I was also really pleased that they showed it from the ground for the most part–with Daenarys and Drogon only seen from below as the city burns and people die. It was exactly how I imagined the sacking of cities throughout history to look–rape and murder, blood in the streets, pillaging, hysterical terrified crowds running for their lives and praying for sanctuary as their world collapses around them. Conquerers never showed mercy; the concept everyone was hoping for that to happen once the bells were rung is very modern. Cities have historically been subject to such sackings throughout history; maybe not with a dragon involved, but read accounts of the many times Rome fell, or the fall of Constantinople–this wasn’t a modern world by any means, and modern concepts of justice and mercy weren’t in play. Cersei herself said it in Season One: “when you play the game of thrones, you either win or you die.” She played, she died, and she took her capital city with her. Power politics in medieval history–the closest proximation to the world of Game of Thrones–were bloody and cruel and merciless, and the Popes and the Church were just as involved and as ruthless as any king or emperor. Arya even alluded to this when she was wearing the face of Walder Frey and wiping out his entire house: “You didn’t kill all of the Starks. You should have ripped them out, root and stem. Leave one wolf alive and the sheep are never safe.” Ergo–if you don’t kill all of your enemies, you have no one but yourself to blame when they kill you.

Dangerous Liaisons is a great movie, and a great story as well. When the film came out, I bought a copy of the novel and was enthralled by the petty games of seduction and revenge that played out in its pages. (I didn’t see the film until years later, when I rented the video; I’ve seen both the Glenn Close version and the Annette Bening, Valmont; and of course the modern day remake with Ryan Philippe and Sarah Michelle Gellar, Cruel Intentions. There was an earlier, modern day version made in the 1960’s I’ve not seen; it’s in French and I’ve always wanted to see it.) The novel is exceptional; originally published (and banned) in France in 1782, it was quite a cause celebre at the time; depicting the immorality and debauchery of the aristocratic class, it has sometimes been described as being one of the initial steps on the road to revolution in 1789. It’s an epistolary novel; you are reading the letters the characters all write to one another, so you see how the Marquise and the Vicomte are playing with their innocent, naive friends and relatives quite well. They are only honest with each other–although, of course, in this modern age the lesson I took from it was never put anything in writing, which is just as true today as it was then–and I had always wanted to do a modern, gay version. I eventually did, with Wicked Frat Boy Ways, but while I am proud of the book I also wish I could redo it some, revise and add to it more.

The film is extraordinary, and Glenn Close was certainly robbed–as she has been many times–of the Oscar for Best Actress.

As for The Maltese Falcon, it’s still a great movie, but I didn’t finish watching–and would prefer to rewatch when I can give it my full attention. It really is marvelously written, acted, directed, and filmed. I should probably reread the novel someday.

And on that note, I am going to dive back into the spice mines. The kitchen and living room are both a mess; I have errands to run, and of course, that manuscript to read. Have a lovely, safe Saturday, Constant Reader, and I will see you tomorrow.

Young Offender

Looks like we made it to Friday again, Constant Reader, and believe you me, these small victories matter.

I kept thinking, last night, for some reason all evening long that it was Friday, and I’m not exactly sure why that was, to be honest. I was well aware all day, as I made go-bags for syringe access for three hours and then came back home for more condom packing (it’s not as dirty as that sounds) that it was Thursday. I’m really not sure at what point in the evening my mind decided it was Friday. AT some point while Paul and I binged this marvelous Belgian/Netflix scifi thriller called Into the Night (a Scandinavian show called The Rain didn’t last an entire episode) I realized that tomorrow (today) was actually Friday and it was quite a jolt.

It’s raining this morning–there’s a tropical storm out in the Gulf heading for Texas–Hannah, I believe is her name–and it’s heading for the southern coast of the state. We’ll be getting rain from the system apparently all weekend–they’re thinking it’ll be spread out over the weekend rather than all at once so there’s no chance of flooding, or very little, at least–so it’s a good weekend for camping out inside. I am working from home today–lots of condom packing to do (again, not as dirty or fun as it sounds)–and some other things I need to get done today for the day job. I slept pretty well last night–although at some point Scooter cuddled up to me and woke me up with his purring, and he never stopped the entire time he was lying curled up inside my arm. The coffee is helping, as it always does, but I always wonder what it’s like to be one of those people who wake up instantly.

I will never know, apparently.

Into the Night is quite entertaining, I have to say. The episodes are all between thirty-three and forty minutes long, and the premise is relatively simple. A flight to Moscow at Brussels Airport has started it’s boarding procedure when a crazed man grabs an automatic (or semi-automatic) weapon from a military guard and runs down the jetway and forces the pilot to take off, with about ten or so passengers on board. He has a crazy story that is hard to believe–he works for NATO, and something has happened to the sun so that when it rises, everyone dies when exposed to the sunlight. It sounds crazy, but slowly they begin to realize he is right, and they have to keep flying west to stay in the dark. They also face almost every possible crisis an airplane could face–I told Paul at one point, “This is like every Airport movie ever made”–but it’s done incredibly well, and the tension is completely dialed all the way up. There are only six episodes to this first season, and we made it through the first four–and stayed up later than we should to watch the fourth (hence my shock when I realized it wasn’t Friday night, but then didn’t care and watched the fourth anyway), and I am looking forward to finishing it tonight.

This weekend I intend to reread Bury Me in Shadows and also work on trying to sew together all the pieces of “A Holler Full of Kudzu.” I still want to finish reading Cottonmouths–and I have S. A Cosby’s Blacktop Wasteland on deck as well. I was also thinking I might want to reread a Travis McGee novel this weekend; those novels were a huge inspiration to me when I was creating Chanse, after all, and I really enjoyed them when I first read them. I know there are sexism issues with the books–as there is with most everything from that time period–but I think it will be interesting to reread one and catch it this time; plus I loved the writing style and the voice of Travis McGee so much I want to see if I still feel the same way now that I am thirty-some books into my own career.

I also want to reiterate that my inability to finish reading Cottonmouths is not an indication of its quality at all; it’s amazing, but I only have a very short period of time to read every day, and I am always afraid that if I start reading it I won’t want to put it down–and that is very likely, as it is very good and I know myself–and if I do that I won’t get the things done I need to get done which will cause me stress. I used to do this thing where I would read for an hour and then write for an hour and go back and forth…well, would try anyway, because as soon as the book grabbed me it was all over.

And on that note, I’d best head into the spice mines.

West End Girls

Well, we made it to Wednesday, did we not? It’s also Payday, aka Pay-the-Bills Day, which of course is always a popular day around here–NOT.

But I managed to write another 1300 words yesterday on something–not Bury Me in Shadows, I am putting that off until the weekend, when I will have time to sit down and reread the entire manuscript (I am already rewriting the first chapter in my head; it’s main character is transitioning from a high school student to a college student suffering from depression); instead I had a thought about a bunch of fragments, ideas and the occasional scene, of a something that needs to be stitched together and an ending tacked onto it called “A Holler Full of Kudzu,” which I’ve been fragmentally writing for several years now. It’s a Corinth County, Alabama story; set in the distant past of the mid to late (vague, will depend on the music choices) 1970’s, in the point of view of a thirteen year old. I don’t quite have the voice or tone right yet; that’s going to have to wait until I have the entire thing stitched together. It’s already well over 6000 words and I did originally think it might be the seeds of a novel, but I don’t think there’s really quite enough story to flesh out a novel but a length of somewhere between twenty and thirty thousand might just be right for it. My publisher does publish ebook novellas, and that might be the right place for it–plus it can always go into the anchor position of a collection.

It’s weird to feel so good about so many things.

I was hesitant to write the story, because I’ve already gone to that well twice already–“Smalltown Boy” and “Son of a Preacher Man”–but I have also realized all of my stories don’t necessarily need to be connected, but there’s also a way at some point to connect all of these stories together. I’m not certain why I am always so determined to connect my stories together; my young adults–Sorceress, Sleeping Angel, Sara, Lake Thirteen and others–are all loosely connected; I’d wanted to do an entire series of young adult horror/suspense that were connected together by threads; Laura in Sorceress was from the same place in Kansas where Sara took place; one of the characters in Sara was from the Chicago suburb the main character of Lake Thirteen was from; and of course, both Sleeping Angel and Sorceress took place in the same California mountain town. There’s another I’ve written that’s been languishing forever in a drawer that is also set in Woodbridge, and I keep forgetting about it, to tell you the truth. This is why I had that OCD moment a few weeks back and counted how many things I had in progress, in a vain attempt to get a handle on it all.

I suppose I could create a spreadsheet. But Lord, another thing to do? Then again, it could keep me from writing–that weird dichotomy of hating to do something I actually love to do. I am sure my great mood lately has everything to do with having written, and doing good work recently; I actually am looking forward to getting all my work done today so I can dive back into the story. I’d love to have it finished by the weekend, but I don’t necessarily have to have it finished in order to start the reread of Bury Me in Shadows; with the sweeping changes I am going to making to it, it will be mostly to see what I can actually keep and still works with the age changes for the main character.

We are almost finished with Dark Desire, and I have to say I am quite impressed with the writers of this show; it has so many twists and turns! Every time we start to think we know what the truth is we get shocked by an out-of-nowhere twist, and the personal stories are so complicated and messy! We had started to get a little bored with it around the sixth or seventh episode (maybe?) because it seemed relatively predictable; boy, were we ever wrong! Tonight we’ll polish off the last four episodes–they are only about thirty-three minutes long–and then we’ll have to decide what to watch next. There are so many choices!

It seems like it was just yesterday we were complaining about the trouble finding something we wanted to watch–but realitically, I was just thinking last night how we’ve watched so much stuff we can’t even remember it all.

And on that note tis back to the spice mines with me. Have a lovely morning, Constant Reader.

Up and Down

Tuesday morning and here we are. Life continues to move forward, the world keeps turning, the sun rises and sets, and I continue to wake up every morning…which, let’s be fair, some mornings is a victory in and of itself.

I managed to get the Secret Project sent off yesterday, so we now we play the waiting game to see if it’s actually wanted. It was, quite actually, a lot of fun to do (I say now that it’s done) and I actually wound up taking 8000 words, polishing and revising, and wound up with 16,000. That was a lot of work to get done in one weekend, if I do say so myself, and I am feeling rather smug about it right now, thank you very much; it’s been awhile since I’ve felt smug about writing, so bear with me and let me have this for today, thank you very much.

And now, of course, I am free to get back to work on those pesky unfinished manuscripts that are just lying around, thank you very much, Baby Jesus.

I was exhausted yesterday and so slept really well last night; so I think today will be a better day than yesterday was. Yesterday wasn’t a bad day, per se, but I was tired all day and when I’m tired I’m more prone to being emotionally on edge, which means I am constantly biting my tongue because I don’t want to snap at people for something that I wouldn’t ordinarily snap at someone for when I am not tired, which is a rather long run-on sentence. When I got home from work I retired into my easy chair to relax, which is what I pretty much did the entire evening (other than some filing, which I did when I got home). Dark Desire took a sudden turn in the episodes we watched last night, which was cool as I was beginning to get bored with its Fatal Attraction-type plot; these turns made it into something entirely different, which was very cool, and sparked my interest in watching again.

So, now it’s back to Bury Me in Shadows this coming weekend; this week I’m going to rest up my creative novel energies while messing around with some of the many short stories I’ve been thinking about but haven’t finished writing. It’s actually been a lovely year or so (not calendar, twelve months) of short story writing for me; even since I started the Short Story Project several years ago, where I decided to seriously focus on my short story writing while reading as many as I could, I’ve been doing fairly well with my short story writing–so much so that when I start thinking about the stories I’ve sold and published since turning in my last collection to my publisher, I inevitably forget some; I know when I was listing them the other day I forget a couple that were published last year–which puts me even closer to another collection than I thought I was. Maybe I’ll start making a more comprehensive list of those stories this week; and then go through the unfinished ones to determine which to include, so I’ll have a starting place and a plan–and you know, Constant Reader, I am all about having a plan.

And having the proposal finished has felt enormously freeing; I certainly feel as though a burden has been lifted from me this morning (I was too tired to really feel the relief yesterday) and I am excited to get back to my other writings again. I want to finish reading Cottonmouths so I can move on to the new book on the very top of my TBR pile: S. A. Cosby’s Blacktop Wasteland, which I’ve been dying to read since its publication was first announced. I loved his novel My Darkest Prayer, which I read last year and thought was quite marvelous; and this new one has been getting raves everywhere, which is most exciting.

There are tropical things out there forming; one off the Texas coast, one deep south in the Caribbean Sea, and one out in the Atlantic. We’re going to feel their effects here in New Orleans undoubtedly; we always get something from them if they enter the Gulf of Mexico. One of the things I always dislike intensely about hurricane season is how it exposes our innate selfishness; we always want the hurricanes to go somewhere else–which means we are wishing death and destruction on faceless others. I’ve never been comfortable completely with that, nor with the relief that comes when a storm turns into a direction that means we’re out of danger.

But that’s all a part and parcel of life in the storm zone; the hurricane belt or whatever you want to call it (I don’t recall at the moment if they’ve ever given those of us on the Gulf Coast who are always in danger during the season a name, like Tornado Alley) and God knows I certainly am not in the mood or have any desire to deal with an evacuation of any kind this season–although it’s always a possibility. This year is the fifteen year anniversary of Katrina.

And yesterday was Paul’s and my twenty-fifth anniversary, which we celebrated by doing absolutely nothing other than bingeing episodes of Dark Desire.

And on that cheery note, tis back to the spice mines with me.

The View from Your Balcony

And here we go, Sunday and a new week. Huzzah, I suppose.

Yesterday was actually a very good day. Not only did I manage to get some work done on the Secret Project, I got some excellent work done on the Secret Project. It was quite a relief, actually; I’ve tried this first fucking chapter I don’t know how many times and could never get it right; plus I could never get the voice right, it seemed. I despaired, in fact, that I would ever get this under control. But yesterday I opened the most recent draft of the first chapter, started reading it, and thought oh no this will NOT do at all and started fixing it; reordering things, and finding the character’s voice in the process. Before I knew it several hours had passed and not only had I gotten the first chapter under control and whipped into shape, I’d managed to do the same with the second.

This was, as you can imagine, an enormous relief. I can’t speak for other authors, but I always fear it’s going to go away–the ability to construct decent stories and realistic characters and how to write something good, quite frankly. It’s why lovely feedback, like I got recently with the two short stories I sold, is so beneficial and helpful; it also always seems to come around when I need it the most.

It also helps that I wasn’t distracted, and could absolutely focus on what I was doing. Focus is so crucially important, and I have so little time where I can actually sit at my computer, ignore the cat’s whines for attention, and focus on what I’m doing; whenever I can I see everything so clearly and the work is so much better. The times, alas, this year when I have that ability, that clarity of focus, to write, seem to be few and far between.

I did also realize this morning as I lay in bed lazily waiting for the mood to get up to strike, that I am well on my way to having another collection of previous published short stories ready. Granted, some of them haven’t seen print yet–and might not until next year–but some of them have: “The Silky Veils of Ardor”, “The Affair of the Purloined Rentboy”,”This Town”, “The Carriage House”, “Night Follows Night”, “The Dreadful Scott Decision”–and there are three more still out on submission, although one has already been accepted, but I have no idea when that will ever see print–“A Whisper from the Graveyard”–and the other two–“Moves in the Field” and “This Thing of Darkness” will inevitably and undoubtedly be rejected; those two were submitted to literary fiction markets and we’ve already ascertained , numerous times throughout my life, that I am not a literary writer. There may even be more that I am not even thinking about right now–I’m still on my first cappuccino, don’t you dare judge me–but that’s nearly ten stories, and I generally think of a collection being somewhere between sixteen to twenty; unless there’s a novella included. (I’ve decided that “Once a Tiger,” the Chanse short story, is really a novella, and if I ever do finish writing it–and the other novellas–I’ll probably just bind them all into one volume.)

Last night we finished watching Dark, which is superb (it’s so good it deserves its own entry) and then we watch Andy Samberg’s Palm Springs on Hulu, which was a cute little piece of fluff with some truly funny moments, and then moved onto another Mexican crime show, Dark Desire, which also stars Alejandro Spietzer, the gorgeous actor (pictured below) who was also the star of The Club–and is also dating Ester Exposito, who played Carla so superbly in Elite. It’s quite interesting so far–we’re two episodes in–and will continue with it. It’s so weird how we pay more attention to foreign language shows because of having to read the subtitles, while if whatever we are watching is in English, I’ll periodically reach for the iPad.

I’m also having dinner with a writer friend tonight who is in from out of town; so I need to make sure I get all the chores finished and get the rest of these chapters done on the Secret Project, so I can start writing the proposal and then it’s out of my damned hair.

And on that note, it’s back to the spice mines with me. Have a lovely Sunday, Constant Reader.

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To Face the Truth

Friday afternoon and I am taking a bit of a break. Non-stop emails, it seems, today, along with laundering the linens and doing some cleaning and about five minutes ago I realized dude, you’ve not had anything to eat today, so maybe take a break and eat something.

There’s been a watermelon sitting on the kitchen counter for a few days now, and it sounded like the right thing, so I went ahead and cut that sucker open and am currently in the process of eating an enormous slice. I’ve always loved watermelon, and one of the (few) things I miss about spending the summers in the back country of Alabama was watermelon right off the vine. There’s just nothing better on a hot, sticky summer afternoon in the Alabama countryside, really. I was also remembering the other day about how we used to go into the woods behind my grandmother’s house to pick wild blackberries.

Ah, for simpler times, when I didn’t have to worry about cleaning the house or paying the bills or cooking.

You know what, though? I prefer my life now. I’ve never really understood nostalgia for the past, really.

But I’ve gotten a lot done today, although I kind of feel like I’ve run out of steam. I took out the recycling; cleaned my new milk frother (now I can’t wait to use it; my old one wasn’t working right, in other first world problem news); I am laundering the linens; I shaved and showered; and like I said, I got a lot accomplished via email. I’m also feeling fairly rested–my shoulder is still sore from the vaccination, but that too shall pass. I also have a massive bruise from where they drew blood from me yesterday; but hey, I’m happy to settle for a bruise. My veins always used to roll; maybe that’s changed as I’ve grown older and the veins have gotten too lazy–and just lay there now with a “fuck it, go ahead and pierce me” attitude. But seriously, they used to have to dig around trying to get the needle in the vein, and trust me, I can live with them going right in and just leaving a bruise.

Such as the ways my mind meanders on a restful vacation day at home.

But I signed the contract for my Sherlock story and emailed it off (I just love my title: “The Affair of the Purloined Rentboy”) and I am now working on the filing, trying to resist the siren song of my easy chair.

But the watermelon and memories of summers in Alabama also put me in mind of Bury Me in Shadows, which has been languishing while I should be working on the Secret Project; which must be finished this weekend so I can get back to work on that book, else I may not have a book out again next year. THE HORROR! And I know how to fix it now, which makes all the difference in the world.

And now I am heading to the easy chair and taking an email/social media break other than blogging all weekend.