Category: revising

What About Me

Well, here we are on Monday morning after my surgery, and I’m not really sure what I’ll be doing today. I really need to pick up a prescription in Uptown, and we need to pick up the mail at some point, but I’m not really sure how I’m going to do that. I don’t know that I should risk driving yet, because New Orleans drivers are so horrible, but it has to be done and I need the prescription. I suppose I could take a ride service, but I hate spending the money as well. I guess I don’t have a choice though, so I’ll deal with that later. I also need to make groceries.

We had had an issue a few weeks ago with the apartment. They were doing some work on the patio deck above my kitchen, and unfortunately there was rotten wood up there. The ceiling kind of gave way; they ended up nailing up a piece of plywood over the hole in the ceiling. Unfortunately the next time it rained, of course, it leaked , but they finished the work up there and never came back to repair our ceiling. We had a massive thunderstorm Saturday night, and so i woke up Sunday morning to water on the floor in the kitchen, on the stove, and on the counter. The carpets in the kitchen were also  wet; so I got out towels and a bucket for the dripping and hoped that the ceiling wouldn’t cave in. About two hours later, yeah, some of the plaster came down with a loud, startling crash, and so now there’s another hole in the ceiling. The insulation up there is soaked, so I had to leave the bucket for the dripping to continue. Needless to say, this is a really shitty time for this to happen and it spiraled me into a really bad depressive state yesterday. I have noted already that my emotions have been all over the place since the surgery — so something like this really sent me into a spiral. The anxiety really ramps up, so yeah, yesterday was just not a good day for me.

So, I repaired my easy chair with a Gatorade and Nurse Sparky and put on one of my comfort movies, Indiana Jones and The Last Crusade. I’ve always loved Indiana Jones, but I haven’t seen the most recent movie yet. I’ve always wanted to write an Indiana  Jones type book; I love historical treasure  hunts and have always thought that it would be fun to write those kind of stories with Colin as the main character — away from Frank and Scotty, to kind of fill in the blanks when he’s away from New Orleans. I have an idea that’s tied into the 4th crusade and the sack of Constantinople; a treasure hidden away in the Hagia Sophia since the Nicaean Council that established the dogma of Catholic Christianity. The Orthodox patriarchy had been keeping this treasure secret from the Pope and the Vatican for centuries, at least since the schism of 1052. My idea is that the Venetians and the Crusaders knew that the Pope would be furious to learn they had sacked Constantinople, but the Doge, Enrico Dandalo, not only knew about the secret but also knew presenting it to the Pope would get them forgiven. The primary problem with this is that I have never figured out what precisely was hidden in the Hagia Sophia; but I wanted to tie it into the Assassins and the Old Man of the Mountain. I thought that would make for a fun adventure, particularly setting it in a fictional Middle Eastern country. However, with everything that’s going on in the world nowadays, writing about the Middle East is probably not a good idea at this point.

I also read a lot of short stories over the weekend. I read all the stories in one of my Alfred Hitchcock Presents anthologies, Stories That Scared Even Me, and that was a lot of fun. The book was published originally in the 1960s or early 1970s and it is amazing how much attitudes in society and cultural attitudes have changed since that time. The contributors were almost entirely male — all of these anthologies are underrepresented with women — and there are a lot of really racist and patriarchal  tropes in some of the stories. Several, for example, are set in Mexico; I’ll let your imagination do the rest rather than quote what they said so casually. I’m also writing a story set in Central America — I was writing it to submit to a horror anthology — and it was one that I had started writing back in the 1990s, I believe. I was kind of horrified by what I wrote — I feel like by the 1980s I should have known better about these kinds of tropes  — but the story is salvageable; with some strong changes and a fictional country. But you can still get into trouble, even with that, and the last thing I ever want to do is write something problematic that will offend people. (I have already mentioned the story that I submitted to a anthology that’s not going to happen now about the South, which I recently  reread and was horrified by.)  A lot of these stories have those twisty type of endings that I always loved; that little hint of irony that really made the story sing. I always try to give my stories those kinds of endings because that’s what I grew up reading as far as short stories are concerned, and I often have to struggle to not try that with every story, because it’s not right for every story and I have a bad tendency to try to force things to work the way I want them to, instead of the way that they should work organically.

Dictating is much slower than typing, as I’ve noted before; this is taking me a lot longer to dictate then I would like. Where I actually typing this entry, I would probably already be finished by now. But you do what you have to do. I also started dictating my next book, figuring it’s better to get started on it while I’m at home recovering from the surgery, rather than waiting until such time as my left hand can be used for the keyboard. I’m still not having any pain  — my primary issue is mobility, not being able to use my left hand for  much, occasional nausea from the antibiotic, and the mood swings and depression. I wish I had already started on my anti-anxiety medication protocol before the surgery, but what can you do? Yesterday morning, I was thinking that I made a lot of bad decisions about this surgery and that I didn’t do it knowing everything that would result from it; but I was worried about not ever being able to go to the gym and workout again unless  and until this was done, and pushing it back to next year wouldn’t have changed any of these issues, I don’t think, other than possibly better planning on my part. But that’s also part of the anxiety—I always question my decisions, and never really believe that I made the right choices afterward. I guess it is just a part of that hindsight being 20/20 thing that always drives me crazy. I never really am confident in the decisions I make, so I always try to not second-guess or doubt myself afterward; there’s no point in rehashing things that you can’t change. Why obsess over something I have no control over anymore? That’s the easiest way to drive yourself crazy, I think.

We’re also really enjoying the show Bodies on Netflix. It has everything that I like; a bit of science fiction, crime, surprise twists, and gay content. You can never go wrong with me when you have gay content. (That’s not entirely true; there are some really terrible shows in movies with gay content that are basically unwatchable) I also finished watching a Jane Seymour series on Acorn called Harry Wild, which wasn’t great but was entertaining enough. I don’t know what all I’ve been watching to be honest with you, Constant Reader, but I’ve been watching  an awful lot of television.

I did watch a terrible adaptation of Agatha Christie’s The Mirror Crack’d, and the less said about that the better.

I’m hoping today or tomorrow to be able to read a novel; I’m really enjoying the one that I was reading before the surgery and would like to finish it, but my mind is all over the place and has been since coming home from the surgery. I haven’t even been able to focus on the TV I’ve been watching as much as I would like. Part of it is the depression, part of it is the holiday without Mom, and of course, the surgery. You see how I am? I’m being hard on myself after a major surgery for not getting anything done or being productive. Heavy sigh. Welcome to the wonderful world of what goes on inside my head.

And on that note, I am going to bring this to a close and see if I can figure out what I’m going to do for the rest of the day, and what I can do about these errands. I hope you have a lovely Monday and as always, thank you for checking in and thank you for reading.

Blame It on the Edit

I love Alyssa Edwards. She’s the perfect reality star; a completely delusional human living in her own reality, yet also funny and witty with a highly expressive and thoroughly meme-able face, and basically harmless. I’ve always meant to catch her reality show on Netflix about her dance studio–which is so fricking cool that she does that–but have never gotten around to it. I was amused by her on her initial season, but really hated her feud with Coco Montrese, and of course that was also the season won by the marvelous Jinkx Monsoon. Alyssa was also terrific on All Stars 2, which made the rigging of the season all that much more disappointing. (We also gave up on Project Runway after one season where it was clear they’d already decided who was going to win at the start of the season. Don’t give me a rigged competition, thank you very much; if I want that, I’ll watch professional wrestling, thank you very much.)

Which makes it interesting for me to write a book about a drag pageant. I already have tons of ideas for the book, and it’s going to be very brutal in how it approaches the homophobes who have wrested control of Florida from the sane people (hey Moms4Liberty, how’d those elections turn out for you, you pathetic soulless pieces of shit? Your tears are as delicious as mimosas at a gay Sunday drag bunch, you miserable fucking bitches.) and have taken the state, once a beautiful place with scenic beaches and lovely weather, on its final steps to a complete and utter hellhole. Bravo, by the way; nicely done.

Anyway, back to drag; sorry about that sidebar. But that kind of shit will always enrage me. Nothing makes me angrier than misplaced self-righteousness. I may no longer be a practicing Christian, but I know that faith far better than many–if not most–of its most ardent public proselytizers and purveyors.

Gender-bending, of course, is nothing new. For centuries, women weren’t allowed on the stage so female roles were always played by men. This was certainly true in Shakespeare’s day, and often he wrote plays with characters pretending to be the other gender. So there’s a long, proud history of men doing drag in theater and performance art. Who decides what is masculine and what is feminine, anyway? As I have said numerous times, I love this new young generation of leading men and actors who are abandoning traditional black-tie male drag for new and inventive outfits that showcase their youth, beauty, creativity, and personal style; there’s nothing quite so stifling as toxic masculinity and it’s regular insistence that there is only one way to be a man–which is not only stultifying but incredibly limiting. Film and television (and theater, to a far lesser degree) have long influenced what is considered masculine in this country–the prototype being, of course, John Wayne. (Probably the funniest scene in both La Cage aux Folles and it’s American version The Birdcage is when the more butch of the gay couple tries to get the more feminine partner to be more masculine–telling him to walk like John Wayne…which was the first time I ever noticed how peculiarly John Wayne walked. Also amusing is that Mr. American Macho Man John Wayne–and Mr. Patriotism Ronald Reagan–didn’t serve in World Was II…but played war heroes in movies about it. Style over substance.)

But the history of the colonizing of this continent is very queer. Do we really believe those frontiersmen, trappers, hunters and explorers simply went for months and even years without having sex? There weren’t enough women to satisfy the need–and cattle drives? Pshaw. In any purely male society like that–the cattle drive, the explorations, etc.–there is always male/male sexual contact; “helping a buddy out.” This has been erased from history as effectively as if it had never happened–as though homosexuality is some modern thing that never existed before.

It’s always struck me as odd that the masculine ideal (as shown to us by Hollywood, at any rate) inevitably is depicted in all male environments–war movies, cattle drive movies, Westerns–with the occasional token female thrown in as a supporting love interest. These women are often set up to be abused–spanking was often popular in these films; how many times did John Wayne spank a woman in a movie?–and mocked and made fun of; if they had any kind of mind of their own, well, they had to be tamed.

Anyway, I digress.

I also know there are women who despise drag, see it as mocking women and misogynistic. I can actually see how they could feel that way, and far be it from me to tell a woman–any woman–how she should or shouldn’t feel about something, particularly when it comes to misogyny. (I sure don’t want anyone telling me what to think is homophobic or not.) I don’t think drag is misogynistic; if anything, it’s critiquing the misogyny of society. Dolly Parton also exaggerates femininity to the point of being a drag queen–she even says it about herself. Mae West was so good at this exaggeration that people believed she was an actual drag queen for years. Marilyn Monroe, Jayne Mansfield, and Jane Russell became sex symbols (and stars) by exaggerating their bodies and the way they dressed and their make-up and hair; how is that not female-drag as the converse of over-exaggerated masculinity (John Wayne, Charles Bronson, Clint Eastwood); establishing exaggerated norms of masculine and feminine that subconsciously altered what the over-all culture thought in terms of gender roles.

If I had a dollar for every time someone has told me to be more manly…

But the reason gender roles exist are because they are more comfortable for most people than thinking about it at any great length. You were born with a penis, so you should be interested in sports and guns and hunting and wear pants; your parents don’t have to think about it and neither do you. But for those of us who weren’t comfortable in those comforting boxes society so gladly constructed for us all to fit into–it’s not quite that easy. I hated having to do “boy” things and hated the expectations that since I was a boy I should like something in particular–and being incredibly stubborn, being told that I should like something was much more likely to make me disdain it. I didn’t want to play sports or even watch them when I was a kid; I just wanted to read. My struggles with wrapping my head around my gender and my sexual identity as a child were difficult, and those scars are still there–some of them are still scabbed over and not healed. All the messages I was being sent through popular culture, school, and society were telling me that something was wrong with me–and you don’t get over that overnight. I’m still unpacking a lot of that to this very day.

Writing Death Drop forced me to start thinking about these things again–gender markers, gender identities, the duality of our natures (no one is 100% one or the other, I think; I will always believe that gender and sexuality are a lot more fluid than anyone thinks)–and what makes one male and what makes one female. I hope, in writing more about Jem in the future, that it will help me understand myself better as well as society.

And what more could a writer ask for?

The One You Love

Tuesday and back into the office. My energy spurt after getting home from the pre-operation appointments didn’t last for very long, I’m afraid, and by the middle of yesterday afternoon I was groggy and tired; adrenaline crash from the anxiety rollercoaster, no doubt. We started watching Happy Valley, which is certainly a grim show (I said to Paul, “it’s like a British version of Mare of Easttown“–although obviously Happy Valley came first, but they are very similar in tone and mood: bleak). But the acting and the writing is first rate, and we both are really enjoying it. They called in some prescriptions for me that I’ll need post-surgery, but apparently in checking the CVS website, I have to call them about the pain pills. Terrific. It’s always such a joy trying to reach a pharmacy on the phone. But I have to swing by uptown to get the mail after work today, and so I might as well call so I can pick everything up on my way home from the office.

I am way behind on everything, but I feel a lot better about the post-surgery period. I don’t know how long it’s going to take before the pain goes away, but I imagine I am going to be in a painkiller stupor for at least a couple of days, at the very least. I’ve never really had the kind of surgery where you’re put under and cut on since I had my tonsils out when I was three or four. That’s not bad–going sixty years between surgeries–so I really have nought to complain about, but I kind of wish I had more experience with it so I knew what to expect more; it’s the not-knowing that really triggers my anxiety. Now I am wondering about putting on shirts with the arm-brace on; am I allowed to take it off to put on a shirt if I put it right back on again? Doesn’t the arm need to stay in the same position, even when I am showering? Heavy sigh. They did send me home with a packet of information to read over, so I’ll be doing that today as well. I also have to get the paperwork for my leave finished and turned into Admin today. Heavy sigh. I do have the letter from the surgeon that is required, and I think I have everything I need. (More anxiety, hurray.)

I also need to practice putting the brace on, too. The demonstration wasn’t enough to make me think oh sure I can do this easily on my own with a bent arm.

For the record, I tore my biceps muscle in my left arm back in January. For a number of reasons I am not in the mood to go into right now, I am now finally getting the surgery to have the muscle repaired. It’s a long and slow and painful recovery process; I need to wear the brace for at least three to four weeks, and then it’s physical therapy for months until I get the clearance that it’s all healed and working properly again. I got the distinct impression yesterday that it’ll take about a week for me to be weaned off the pain medications–again, that’s fine, what choice do I have? I don’t know how much, if any, typing I’ll be able to do that first week, and besides, if my brain is scrambled on oxycodone, I wouldn’t be able to write and/or create much anyway. But it didn’t sound like things were going to be as terrible or as worst-case as my mind always seems to want to come up with.

It was also a cold and wet rainy day yesterday; we’ve not had rain in quite some time–not nearly as much as usual in our tropical clime–so the whole day had that undercurrent and wet and cold that I’ve not experienced in quite some time (last winter, to be precise) and so that was also off-putting. I felt cold all day, was wrapped up in a blanket in my easy chair as I doom scrolled social media, watched some documentaries on Youtube (the wives of Charlemagne; the separation of power between the Church and the Holy Roman Empire; and the Black Death), and also caught an episode of Moonlighting, in which Maddie’s mother thinks her husband is cheating so David and Maddie investigate. I also saw some social media posts about Moonlighting not aging as well as I had originally thought, which was worrying. I have such fond memories of the show, and I’ve been enjoying rewatching it, and I thought I was paying attention to the “well it was a different time” things–but I didn’t really see the show as misogynist as I feared it would be, and there were other things that I was certain wouldn’t hold up on–casual homophobia? Casual racism? Casual misogyny? It was written and filmed in the same decade that gave us such great misogynist comedies as Porky’s, Sixteen Candles, and Weird Science (don’t @ me; I don’t make the rules), so how could it not be problematic on some levels today? I’m also a little disappointed that my rewatching didn’t somehow note the red flags (I actually posted at one point that I was surprised it wasn’t more offensive); but it’s also the classic set-up arrangement for old-style screwball romantic comedies–one prim and proper character, another who is spontaneous and always up for a good time and both learn from each other as they grow together into coupledom. I know there are some issues in the old movies too–but I still love them.

Perhaps that might make a good essay?

And today is the official release day for Mississippi River Mischief!

And on that note, it’s off to the spice mines with me. Have a great Tuesday, everyone!

Southern Cross

Monday and back to the office.

The time change is always so weird to me, really. I always understood it had something to do with kids and not catching the bus in the dark in the mornings or something like that, but if they’re all walking home after school in the dark, how does that make sense? I always appreciate the extra hour, but always resent giving it back (or having it taken away?) in the spring. I kept finding clocks I hadn’t reset in the apartment (after thinking, wow, time has flown–wait a minute), and I did do some things. I did manage to make it to the West Bank, but it was really a wasted trip; Sundays are clearly not the day to do shopping over there as almost every place was out of almost everything. I got my wagon but couldn’t get the wheels to lock in place (I am so not handy) and I also got the wrong size blinds–so I get to go back. Hurray. But I did get some things for lunch this week, and I made ravioli last night for dinner for something different (I even managed to eat some bread softened with red gravy), which was nice. I watched the end of the Saints game–which they tried very hard to lose–and then another episode of Moonlighting. I found a much later and much more revised version of one of the novellas, “Fireflies”–which needs a lot of work, but is a very good idea and the kernel of a terrific novellas is there, if I can stick the landing–and also was put in mind of Chlorine yet again by coming across Matt Baume’s Tab Hunter1 documentary on Youtube (another great job, Matt!)–and I had a germ of an idea for how a part of the plot would work–another piece fell into place, as it were, and so I scribbled it down in my journal (huzzah for journals!) to wait for the day and time I can get back to work on it and give it my full attention.

I realized yesterday–once again astonishing myself with my own obtuseness–that part of what’s going on with me lately–the moodiness, the surliness, the self-destructive inability to get anything done, and the anxiety that comes with all of the above–has everything to do with my coming surgery. The compartmentalization doesn’t always work, you see, when something is creating a lot of anxiety for me. I have very little idea of what to expect and what it’s going to be like–or how restricted I am going to be as far as movement and so forth or for how long. I know I shouldn’t consult Dr. Google, but in lieu of any other information that I can recall, what else is there to do? And Dr. Google was right when I looked up the information on the injury when it was finally correctly diagnosed, after all. So I can look at about three weeks out of the office on medical leave, and then possibly some limited mobility after that. It sounds like if I am going to be able to type at all it will be one-handed, which is limiting, so I am hoping that if I am not drugged out to the gills I can spend time getting caught up on my reading as well as doing a lot of editing work on my own stuff. I am not going to be able to lift or carry things, which is going to make the whole grocery situation interesting for a couple of weeks, but I guess I can have things delivered. Probably the best way to compartmentalize all of the concern and anxiety about the surgery would be to start planning and preparing so I can be as ready as I can, right? It’s been a year, really. I suppose my end of the year round-up blog post on New Year’s Day will be a bit morose and melancholy.

I think one tends to be a bit more morose and melancholy as one gets older.

I also started watching A Haunting in Venice and while it was shot beautifully and had a great cast–it didn’t really hold my interest. The Agatha Christie novel it’s loosely based on–and I do mean loosely–is not one of the more better known ones; Halloween Party was a perfectly adequate Christie novel but it wasn’t anything spectacular. I do remember it, and I do have a hardcover book club edition of it, too. It probably belonged to my grandmother, or else I picked it up at a second hand store or a flea market or somewhere like that. I took a break about halfway through and then went back…and kind of dozed a bit through the second half. It’s a shame; I watched because I had Venice on the brain after rereading “Festival of the Redeemer” Saturday afternoon, and rethinking how to rewrite and revise and improve it. But it was beautifully shot, and made me wish I could live, even if for a brief month or so, in Venice for a while. I did go back and finish it–but I found it disappointing. Beautifully shot, yes, and Venice is always beautiful on film, but such a waste of so much remarkable talent.

I went to bed early–it was a struggle staying up until ten, which felt like eleven, and slept really well. I feel rested enough to actually face the day and potentially be productive–crazy, I know–but I generally feel well rested on Monday; it’s the rest of the week when my ass starts dragging. I also have to keep pushing forward on some things, too–progress must always be made, even when I don’t feel like making progress on anything. (Watching Tug get used to having his nails trimmed and not being able to use thing to climb–me, in particular–has been rather cute, but then again he is world’s most adorable kitten.) I didn’t read very much this weekend, either, more’s the pity; but I am thinking I’ll be doing a lot of reading once the surgery has taken place and I am no longer living on pain medications–maybe I can even read while on painkillers; I know they are going to give me oxycontin or some version or derivative of it, which makes watching all those movies and documentaries and mini-series based on the crimes of the Sackler family against the American public perhaps not as smart as it seemed at the time; I am terrified of becoming addicted to a pain medication–but that’s also an excellent time to wean myself off the Xanax, too.2

And on that note I am heading into the spice mines for the morning. Have a great Monday, Constant Reader, and I’ll be back to check in on you again later with undoubtedly more blatant self-promotion.

  1. I actually met Tab Hunter, which is something that amazes me to this very day; I actually met him and his husband several times. How cool is my life, really? ↩︎
  2. While I’ve been taking it to control mood swings all these years, it’s really not something you’re supposed to take on a daily basis but rather as needed; now that I know it’s anxiety I can treat it appropriately. Most of my medications are now wrong, and need to be changed. ↩︎

Cover Girl

Drag is a part of queer culture I’ve always known about but has also been something primarily on the periphery of my gay life and world; I’ve only occasionally ever thought about perhaps doing it–as a gag or as a costume at some point; a very dear friend has always wanted to dress me up as Joan Crawford (narrow waist, big shoulders, enormous eyebrows), which is something I would consider doing if it wasn’t so much work–I am way too lazy to ever do drag properly and respectfully. I did a very poor attempt at drag many years ago, for a Showgirls themed birthday party for a friend; the result was far from pretty. I did sometimes used to use mascara and eye liner when I would go out; it emphasized my enormous and expressive eyes which most people have always considered my best feature (although aging has deprived me of my eyelashes). Drag was just another part of the community and culture, like leathermen, bears, and gym queens–another patch on the quilt that makes up our queer world.

My primary interest in drag has always been historical and cultural; drag culture has always been a part of the gay bar scene, since time immemorial, it seems. I have always been interested in every aspect of gay culture since coming to terms with my own sexuality and recognizing that not coming to terms with it meant a lifetime of guaranteed misery, and shouldn’t I really take a chance on being happy? There was always a lot, for me, of misunderstanding about drag culture and its place in the gay community; but that also primarily came from people outside of the community and therefore didn’t have the slightest grasp of it–i.e. ignorant slurs that all gay men dressed like women whenever they had the chance, you know–not “real men.”

But seriously, who wants to buy into the cult of toxic masculinity? No fucking thanks.

I don’t know the history of drag, but I did know–from the very beginning–that there was a significant difference between drag and the trans experience; there’s definitely crossover, but the Venn diagram of drag and trans is not a complete circle. I understood this always, even when I knew very little of either. This was always the issue I had with To Wong Foo Thanks for Everything Julie Newmar–the queens in the movie didn’t just do drag for performance or pageants, but dressed as women in their everyday life…which made them transwomen who also did drag. The failure of that film to define the difference between the two, I think and believe, has a lot to do with the current-day conflation by the Right of drag queens with transwomen. Likewise, was the Nathan Lane character from The Birdcage (and the French original) a transwoman or a drag queen?

And the fact that I, knowing as little about gay life and culture as I did in 1994, knew that the Wong Foo movie was conflating two completely different things as the same certainly means that other, better-educated people should have, as well.

But it’s also important to remember that the movie wasn’t made for the queer community–no Hollywood studio film with queer characters is intended for a queer audience, and thus there’s a falseness to them that rings hollow to me (don’t even get me started on Philadelphia); what Sarah Schulman once (paraphrasing) described as “the creation of a fake public homosexuality that will play in Peoria.”

There’s an essay in that, methinks.

The first time I went to a gay bar in Houston is my first true memory of seeing someone in drag performing on the bar in person. She was doing Liza as Sally Bowles from Cabaret, and as I walked in the door with some co-workers from That Airline, the first thing I saw was her up on the bar, with a musclebound dancer on either side of her in bikinis or thongs, and I can remember thinking wow this is decadent like Isherwood’s Berlin–but I liked it. I felt at home there, in a way I never did in gay bars in Fresno (or anywhere else I was able to sneak away and visit one), and felt like that night was when my gay life actually began: I was with co-workers, I was going to a gay bar openly, and the co-workers knew I was gay but had never really experienced being gay as anything but misery and depression and a curse. I don’t remember the name of the queen, but ever since then, “Mein Herr” always brings a nostalgic smile to my face.

But again, I didn’t go out much or do much during those two years in Houston as I still wasn’t completely comfortable being totally out. I moved to Tampa in 1991 and started living as an out gay man…and started spending more time in gay bars. A popular night for airline employees as Tuesday Nights at Tracks, where cocktails were only fifty cents and no cover before ten. There was also a drag show at midnight, with an actual stage in a show room, and that was my first real experience watching drag queens perform. There was a gay paper there–I cannot remember what it was called to save my life; I know the one in Texas was This Week in Texas, called TWIT by everyone–but it often had information about performances and other night life ads and so forth. I began to get a better understanding of drag, its place in the community, and its importance to gay culture, period.

And of course, once I moved to New Orleans, there was Bianca del Rio.

The mainstreaming of drag actually began in the early 1990’s, with RuPaul having a surprise hit record out of nowhere, “Supermodel (You Better Work)”, which started exposing more people to drag who ordinarily would have never seen one. RuPaul was everywhere in the early 1990’s, and even had her own talk show on MTV for a while. The Adventures of Priscilla Queen of the Desert and its homogenized American version To Wong Foo, Thanks for Everything, Julie Newmar were both incredibly popular. (I enjoyed Priscilla, and I’ve already touched on my issues with Julie Newmar–which will probably become an essay at another time.)

There were, of course, other successful queens out there before RuPaul’s big breakthrough and later, comeback with Drag Race, but few had as large a profile in the culture as RuPaul. Lady Bunny, Miss Coco Peru, Miss Richfield 1998, and Varla Jean Merman were all making a pretty decent living as performers before the drag explosion that followed the launch of Drag Race.

I’ve met numerous drag queens on the local scene both in and out of drag–I’ve always been fond of Princess Stephaney and Blanche Debris (who is retired now), and the drag community of New Orleans was always incredibly supportive of the NO/AIDS Task Force. I met Bianca out of drag a couple of times, but I doubt he remembers me…but Drag Bingo at Oz on Sundays with Bianca and Blanche (I just realized their first names both translate into English as white) was always a blast–and I made a point of never trying to get Bianca’s attention because she was always quick and that tongue was sharp as a scalpel always.

I also work with several co-workers who either did drag or have started doing it while I’ve known them, which indirectly helped me with the writing of Death Drop and my original story for a drag queen. Jem is sort of patterned in some ways on one of my former co-workers who actually went to a drag school here in New Orleans–and eventually quit his full-time job to do drag full-time. He’s been in Queer as Folk and numerous other shows filmed here, and has been booking gigs all over the country–check out his Instagram, isn’t he fucking gorgeous? So that gave me the idea to make the first book with Jem his drag origin story.

Learning about drag to write this book–and its sequel–has been an enjoyable learning experience for me. At some point I know I am going to have to do a transformation; I need to know how it feels to have the make-up and the padding and the wig and the dress and shoes on. I can imagine it all from doing theater in high school, but it’s not the same.

And yes, I will share the pictures when and if it does happen.

You Can Do Magic

Today already feels off. That’s the time change, no doubt; it’s hard to believe I slept as well as I did last night–I went to bed early so I could get up earlier by the clock than by the body, figuring that was the easiest way to transition into getting up early for work this week. The weekend, which held such promise, was derailed by having to deal with getting my delivery items that were supposed to come Friday night delivered yesterday; they finally did come and it was taken care of–but the delivery window was 1-3, which fucked up the rest of the day for me to run the other errands I wanted to get done, which now have to be done this morning. It’s fine, but any change to routine triggers the anxiety so I am trying to not let it defeat me this morning. But the change in plans did kind of end up wasting my Saturday; the delivery came around two-thirty, and it was already too late for me to go out running errands. Of course this morning I am thinking no it wasn’t too late for you to start your errands but my mind works a certain way and usually I can’t see these things except in highsight.

I did read some of the novellas I have partially finished that have been lying around for years, which begs the question I could have sworn I’ve worked on these things more recently than the files I am finding, so have I lost track of all time completely? But for the one I am thinking of, it absolutely makes the most sense, as I now remember I’d actually submitted it to an anthology, which meant trimming it down from the length that it originally was. I have found a call for submissions which includes novellas–which was why I was looking at them again yesterday–which has me thinking about revisions and rewrites and what can be done with these manuscripts. One is slightly longer than forty thousand, and only needs a minimum of twenty-five thousand more to become an actual novel. I reread it yesterday, and it does center a bad trope that would have to be super-creatively pulled off to work, but I also think recentering the main character from a straight cisgender white high school girl to a gay teenager could easily help with that. (It also needs a name change, “Spellcaster” doesn’t really work and was also a drawback to what I had done.) The one I was looking for was “Fireflies,” which is another Corinth County story (I feel like I should always explain that the locals pronounce it “carnth”) and is one of the more disturbing county stories I’ve done, but I also think it’s one that works for the submission call. Or not; we shall see.

The other one I was able to read was “Festival of the Redeemer,” which is another attempt at a du Maurier-like story set in Venice. Rereading “Don’t Look Now” recently, of course, put me in mind of this story, which is one of the few novellas that has an actual full draft done. (Several of the others are incomplete–“The Scent of Lilacs in the Rain,” “A Holler Full of Kudzu,” and “Once a Tiger”.) Rereading it yesterday reminded me of what I was doing with it–or trying to, at any rate–and I could see where I lost the thread and the voice, which was the most important thing about the novella. I also need to get organized on the next book project I am going to work on, but I need to write a proposal first. That’s the big goal for today; get better organized, run those errands, get the proposal organized, and start pulling the next book together. One step to getting things better organized is to complete a thorough to-do list and actually pay attention to it; these lists do no good if you don’t consult them at least once a day. I had gotten a great start on one this past week, so I think I am going to work on pulling that together.

I also need to measure the workstation windows before I head to Lowe’s.

The Saints are playing today at noon, but I think that’s the best time for me to be running errands and potentially hanging window blinds, so I think that’s enough stress and anxiety for me today–I can follow the Saints game on social media. A Haunting in Venice is streaming now, so we may go ahead and watch some movies later on, as we are all caught up on the shows we are watching (I am episodes behind on Foundation, but the beauty of streaming is you can always catch up at some point), and there’s another movie streaming now I am interested in seeing even if I can’t think of its name at the moment. I’ve already made a grocery list for today–I am making ravioli for dinner tonight and need to pick up some bread to go with it–and am hopeful that sometime either this week or next I will get my teeth at last and I can bid adieu to the soft diet…just in time for my surgery. I’ve done some research–which I’d been avoiding–on the recovery time from this type of surgery and mine is more complicated than the basic one I am finding out about on-line, so this is bare-minimums I am looking at–probably at least three weeks on medical leave from the office, which I will need to go talk to Admin and HR about at some point this week so I can get it taken care of, or at least get the process started. I will also need physical therapy for three to four months. Yay. Ah, well, at least I have the resources that this won’t bankrupt me, which is a good thing.

And on that note, I am going to get to work on things this morning and take advantage of this extra hour I have this morning rather than wasting it. So, have a lovely Sunday, Constant Reader, but be warned–there’s more blatant self-promotion coming along at some point.

Louisiana Moon

As if you weren’t sick of my self-promotion already, now I get to start promoting Mississippi River Mischief!

It’s hard to believe that this is Scotty’s ninth adventure. Not bad for someone who was just supposed to be a one-off, a stand-alone comic madcap adventure that took place during Southern Decadence. The idea for it came to me at Southern Decadence in 1999; on Saturday afternoon I somehow managed to get a prime spot on the balcony at the Parade to watch the massive crowd of sweating shirtless men partying down below at the intersection of Bourbon and St. Ann. I noticed a really hot guy wearing sweats and carrying a gym bag fighting his way through the crowd to get to the Pub downstairs, and I recognized him as one of the dancers for the weekend. In that instant, I had a mental flash of a dancer being chased through a crowd of shirtless sweating men at the corner by bad guys with guns and the dancer only wearing a lime-green thong. I held that idea in my head, and sometime later that weekend Paul said to me, “you know, you should write a book set during Decadence,” and I grinned and replied, “I already have the idea.” I had started writing a short story called “Bourbon Street Blues” a year or so before this; but realized that would make a better title for the stripper crime caper during Southern Decadence, so I made a folder for it and kept it in my files and in the back of my mind. Several years later, when talking with an editor about something else when I worked at Lambda Book Report, I asked if that might be something he’d be interested in. He said send him a proposal, which I did–having no clue what I was doing–and they offered me a two book deal, turning my stand-alone into a series. Having no idea how to write the second book in such a series, the money was too good for me to say no or to quibble, figuring I’ll figure it out when I need to–which is really the motto of my career.

The Scotty series has always had a bit of a “pantser” feel to it for me because I’ve always pantsed it. I knew that the first adventure–Bourbon Street Blues–was going to be that Southern Decadence story, and I also knew I was going to fictionalize a governor race, basing it on a senate race that occurred when we first moved here and we couldn’t believe that one of the candidates was actually a serious candidate (sadly, he was just a harbinger of what was to come in Louisiana; now he’d seem like one of the fucking sane ones), and I kind of borrowed, a bit unconsciously, from the Stephen King character of Greg Stillson from The Dead Zone. Bourbon Street Blues was a prescient novel in so many ways–and I had no idea of that at the time, seriously. There’s a scene where the Goddess shows Scotty the potential flooding of New Orleans after a levee failure (in the book it was deliberate though) and of course I predicted the Right’s move into full-bore hardcore neo-Nazism as well in that book…never dreaming it would become a reality.

Scotty has always been a fly-by-the-seat-of-my-pants series; I’ve never really outlined or planned the books or the series in any way, other than an amorphous idea that the love triangle situation I created in the first book would take three books to resolve. During the course of the third book I realized I needed at least one more book to resolve that story, and so it went from stand-alone to trilogy to quartet…and then Katrina happened. Katrina created an unplanned gap in the series, and I never really knew how to do Katrina from a Scotty perspective. It struck me that they wouldn’t have evacuated, but Scotty wouldn’t have ridden the storm out in his apartment, nor would his parents have done so at their place; they would have all gone to the Garden District where Papa and Maman Diderot have a generator. I just didn’t see how I could write a funny Scotty book about the levee failure and the city’s destruction. Also, we learned something about Scotty in the second book (Jackson Square Jazz) that I meant to deal with in the fourth book. By the time I was ready and able and willing to write that fourth book in the series…well, I forgot that I’d planned on dealing with that issue from Scotty’s past in it, and never did ever circle back around to that resolution of something from his youth.

I did remember when I decided to write Mississippi River Mischief, though. I kind of wrote myself into a corner with Royal Street Reveillon, in which something happened in Scotty’s personal life that was tied into the case, but I couldn’t write another book and pretend that never happened, even though it would be hard to deal with in the text of the book and story. But then, as I was trying to work it out in my head, I realized now you can circle around back to that issue from Scotty’s teen years because this is the right place and time for him to be reminded of it because of what happened to Taylor.

And you know what? I think it made for a better story now than it would have almost fourteen years ago.

Scotty has grown a lot over the twenty or so years (!!!) I’ve been writing him, but who he is at his core has never changed. Scotty is a good person, with a genuine sense of kindness, and is pretty level-headed and never really lets things get to him the way I let things get to me–and God knows, he’s dealt with a lot more shit than I have in life. I like his sense of humor, I like his spirituality, and I like his untrained, he-doesn’t-know-how-it-works psychic abilities, and of course, I love his family. His parents are amazing, his older brother and sister are also pretty cool characters, and of course Frank and Colin are also fun to write. I also never knew how subversive I was being by creating a throuple long before anyone ever talked about these kinds of relationships within the queer community–and it’s lasted all these years. There have been ups and downs, of course, but they always wind up coming back together again no matter what happens–and a lot has happened. Both Scotty and Frank have been shot a few times, not to mention all those car accidents–and he’s also helped cover up a crime (no spoilers here, no worries!).

You can order it here, if you were so inclined…

Brass in Pocket

Imagine my delight and surprise to discover that the meeting I thought I had to go into the office for later this morning had a virtual option, so I am not leaving the house today–other than to run a necessary errand later.

I may even put that off until tomorrow.

Yesterday was a lovely day at the office. Everyone was in a pleasant mood, and everything flowed well. I enjoyed all my client interactions and everything ran smoothly the way it is supposed to always run, and that was lovely. I wasn’t even terribly tired when I got off work, but knew I’d be in a mood by the time I got home. Why? Because there was a Saints game last night in the Superdome, and traffic in the CBD was going to be a nightmare. It was, but it wasn’t nearly as bad as I thought it would be, and I made an impatient decision about the route home that was a big mistake. It took me about forty-five minutes to get home from work–what usually takes at most fifteen minutes; Wednesday night, for example, I detoured up to the Carrollton corridor to go to the Rouses, and still managed to grocery shop and everything and get home less than an hour after I left the office. Saints game also meant crowd at the bar on the corner, which meant difficulty finding a place to park. No big deal, I did find a place to park and then came inside.

Heavy sigh.

So, we have guys here working on the roof and the gutters. There’s also a bridge from the patio upstairs over to the carriage house gallery. It had apparently rotted; so they’ve been working on that. The patio is directly over my kitchen. I came inside, and there was debris all over the stove and that counter. “Weird,” I thought, and actually said out loud, annoyed, “well, I’m glad I cleaned in here” before looking up to see a blue sky. Yes, while they were working on the bridge yesterday, they were trying to do something and the kitchen ceiling/patio floor gave way. Unable to help myself I yelled, “Oh, fuck!” Well, the thing about a hole in the ceiling is the poor workers–who hadn’t really done anything wrong; it wasn’t their fault that portion of ceiling/floor had rotted out, of course–heard me. And then I went outside to see what they were doing and one of them sheepishly asked me how I was doing, and I replied in full candor, “well, I’m not thrilled about the hole in my kitchen ceiling” which led to apologies and explanations and they even came by several times to apologize again. They also cleaned up the mess in the kitchen and put up a piece of plywood to cover the hole, reassuring me this was a stopgap measure and they’d repair it. It was amusing–well, it is now, not so much at the time–but I then found myself reassuring them I knew they didn’t do it on purpose, thanking them for cleaning up the mess and covering the hole, etc etc etc. I had intended to work on my short story in progress, “The Blues Before Dawn,” when I got home and maybe read some of Angel Luis Colón’s Infested, but that of course disrupted the entire evening so I grabbed Tug and he slept in my lap while I watched the last episode of the first season of Moonlighting (it was a late midseason replacement and the first season was only six episodes, including the pilot). Paul came home, he went through the stages of grief about the kitchen ceiling that I already had, and then we watched The Morning Show and Our Flag Means Death before I went to bed (I actually fell asleep during OFMD so have to rewatch at some point today or tomorrow).

I slept deeply and well, not arising this morning until eight (other than the usual “Tug needs food NOW” daily five a.m. wake-up) and now am facing my day. I am going to get this done and posted, probably work on some emails before starting my work-at-home duties, which will also include chores around the house (laundry’s first load already going in the laundry room) and hopefully, I will get some work done on that short story. I had decided to write this as a Sherlock-in-New-Orleans story, but not told by Watson–which is a risk on top of a risk–and then see how it went. In talking to a friend yesterday I also realized part of the reason I am having trouble writing and/or getting started on a new project is because everything is in limbo because of my arm surgery. I don’t know how long the recovery process is going to be and I also don’t know how much writing I’ll be able to do in a cast and sling (and not the good kind of sling, either–see what I did there?) I’m afraid to commit to a deadline knowing that I can’t even self-delude myself that I’ll make that deadline (I never do, but I never agree to one knowing ahead of time I won’t make it). It’s also been an extremely rough year for me, and there’s nothing wrong with not being as productive as you would like because other things are going on in your life that you simply can’t avoid dealing with–which is usually my preference, immature and childish as it is–and recognizing patterns of behavior within yourself. I’ve done a lot of self-examination and reevaluating my past as well as who I am along with why I am who I am, if that makes sense. A lot of that had to do with Mom dying, as well as me recognizing that probably my absolute best work inevitably always winds up being set in Alabama. That Alabama tie, those roots, run so deep inside me that they’re inescapable, really.

I also started reading Death Drop last night. Reviews are starting to come in, and friends are reading it and telling me they’re enjoying it, and the truth was I couldn’t really remember a lot about the book so thought it was probably a good idea to reread it. So much was going on during the process of writing the book–it and Mississippi River Mischief, which doesn’t even take into consideration the fact that I was actually writing two books at the same time (not recommended, aspiring authors, don’t be a Greg; be smarter)–that I couldn’t really remember much of it (I may need to reread Streetcar too) and being familiar with your own work that you’re promoting is usually smart. Now that my memory isn’t what it used to be, rereading my work is like reading something new by another author because I don’t remember anything about the book itself other than the drudgery of writing, editing, and revising the damned thing. But I was very pleased with it–I wasn’t able to finish the reread, but got pretty deep into the book–and it flows well and there are parts that are seriously funny. Of course, like always I started nitpicking at it, but after about chapter three I turned off the internal editor and just read it as though I was reading it for pleasure rather than reminding myself of what I had written. The characters are likable and all of them–even the minor ones–seemed fully realized and with their own agency; by which I mean they aren’t always just dropping everything to rush to help Jem out at the expense of their own lives and aren’t there to simply feed him information or help him work through his problems. I also liked the voice, and I really like my main character Jem Richard, the glam artist just dipping his toes into the world of drag performance. I intended it to be a drag queen origin story–the answer to the question “so how did you start doing drag?”–and it absolutely works in that regard.

And the book itself is gorgeous, simply gorgeous. I couldn’t be more pleased.

It’s also weird having two new books drop in such a short period of time. It certainly wasn’t planned that way, and entirely happened because my life blew up and I didn’t make deadlines for either. But I promised myself I would be better about promotion and so forth, so here we go.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again later or perhaps tomorrow.

Steal Away

Thursday morning and the week is almost over.

I withdrew a short story I had submitted to a magazine in September of 2022; thirteen months is more than enough time to decide whether or not you want a story or not, and if you haven’t gotten to it by now, well, how long do you need? There’s a serious conversation about short story publishing that needs to be had at some point–but I think that aspect of the business isn’t taken as seriously as “book” publishing, and there aren’t many people who primarily focus on the short form for the abuses of writers that occur in that small part of the business to really be brought to public attention because, let’s face it, nobody really cares. I know that one of the big name prestigious crime short story publishers always takes twelve to fourteen months to respond to submissions…and when you know that going in, that’s one thing. This market I’ve published in before and it’s never taken even a fraction of this long to get a response to a submission; it had been pending on Submittable since the day after I clicked “submit.” It may be right for another market I am looking at right now–and I had wanted to include it in my next short story collection as a republished story. Heavy heaving sigh.

Maybe someday I will do a blog post about the slog publishing short stories can often prove to be. I was in one anthology that sat on my story (and everyone else’s) for at least three years (more like four, if not five); finally released the book but never sent me a print copy (I did get the electronic one) and I never did get the really nice check they offered me to get me to write the story. There were rarely any updates, either–and certainly none since it finally saw “print.”

Sigh. The glamorous life of a writer is mostly spent tracking down payments and author copies, seriously. Well, maybe not mostly, but it takes up a lot more time and energy than a non-writer might think.

I slept really well last night, with Tug making his usual five a.m. supplication, and I’ve already discovered a quirk: if I give him food, he will squeak at me until I dump out his water bowl and refill it–every single time. He won’t even start eating until he hears the water running in the sink. Granted, I always change out the water every time I feed him–but it’s part of his routine and he won’t eat until he knows he’s getting fresh water to go with the food. I think he’s completely settled into our lives as our house cat, too. He certainly believes he’s Lord of the Manor, and when he’s full grown he’s going to be a terror–because even pint-sized as he is now, he can get up to places you wouldn’t think; he’s a climber, so any possibility of a Christmas tree again is completely gone; which is fine, really. I do love Christmas, but it’s really for kids, and the older I get the more I care about the time off than holiday joy and gifts and things like that.

I made groceries on the way home last night at the Carrollton Rouse’s, which is becoming my favorite Rouse’s; the ones on the CBD and on Tchoupitoulas are convenient, but the one on Carrollton has more selection; which means going there I can get everything in one stop, whereas at either of the others I need to go to another vendor to get the rest of the things I need, which is very frustrating; and so even the extra time it takes to get up there and back is actually made up by the times savings of only going to one store. I was also very tired when I got home–we’d had a rather busy day at the office–so I didn’t read or do anything much other than put the groceries away; Paul had a board meeting so he didn’t get home until late, either. I did work on my story “The Blues Before Dawn”, and made some decent headway on it; the question is whether I want to make it another “Sherlock-in-New-Orleans” story, which I kind of want to do; I think I’ll do that for a draft and then do a second where the detective isn’t Sherlock, but I like the idea of writing a Sherlock story from someone else’s perspective, as well. I really like the idea of writing a bunch of Sherlock short stories in 1916 New Orleans, with Storyville (cliché, I know) and the Italian immigrants in the Quarter and the little Chinatown district on either side of Canal and illicit queer bars servicing sailors and so forth; how fun is that? And of course the Opera House was still there in the Quarter too–and people still spoke French in New Orleans, or at least the bastardized Louisiana version of it. I think my goal for the weekend is to finish a draft of the story and do some more work on the second Valerie novel.

And I have to go into the office tomorrow for my work-at-home day; which I may switch over to Monday; I’m not sure and I haven’t really decided yet, to be honest. I have to go in for a benefits meeting, and was thinking that maybe the thing to do would be to work in the office since I have to go there anyway; but….now I am thinking I should just go for the meeting and maybe work at home around it; I am not sure, and I suppose I will decide tomorrow morning when I get up–depending on when I get up, that is. Frankly, I am leaning towards just going in for the meeting and being done with it and coming back home. I like not having to get up on Friday mornings–even if I rarely sleep past seven as it is–but the lack of alarm going off is actually quite lovely.

And on that note, I am heading into the spice mines for the day. Have a great one, Constant Reader, and I’ll check in with you again later.

Sexy Eyes

Well, we survived a Friday the 13th in October–terrifying!

It was actually a rather beautiful day in New Orleans, in all honesty. I had a bit of a morning–there’s been some anxiety building inside my head since I got home from work on Wednesday to discover a jury duty summons in the mail. (For the record, I am not one of the majority of Americans who hate doing this little part of their responsibilities as a citizen; I always think, these are probably the same people who bitch constantly about our flawed criminal justice system–which is not incorrect–but you don’t get to complain about juries and the system when you resent serving on juries or try to get out of doing it. The system is only as good as the jurors selected, after all. Anyway, I digress. I got the summons on Wednesday afternoon, and I was supposed to report this morning. Obviously, it was delayed or went out late or something, but the last thing I need to do is deal with jury duty between now and my surgery; all those tests and appointments and so forth that i have to do before the surgery, etc. etc. I decided to fill out the form on-line and ask for a deferment; alas, it wasn’t until I finished registering that I found out if I wanted to be excused, I needed to go to the courthouse and ask in person as well as provide a note from my doctor. Wow, I thought, kind of like being back in high school. I had an MRI scheduled Friday morning, so I figured I’d ask them then. Well, my surgeon wasn’t in the office and no one else wanted to do it, suggesting I check with my primary care. As my primary care office is near the courthouse and I had to pick up a prescription there anyway, I went by. Primary care wans’t in, and was advised to try my surgeon. Jesus fucking Christ, apparently I woke up in a Kafka novel. So, I decided to go to the courthouse and see what happened….and they literally told me to have my doctor email it to the court clerk, gave me a card with her name and email address, and sent me home.

Who knew the Orleans Parish Courthouse would be the easiest, “no big deal” part of this? Certainly not one Gregalicious, that’s for sure.

I came home and did my work-at-home chores, as well as my laundry chores, and then Tug settled in for a nap in my lap while I finished reading the Riley Sager (which I enjoyed; more on that later) and started Elizabeth Hand’s A Haunting on the Hill and am quite liking it as well. Paul and I watched a horror film from 2007 called Trick r Treat, which was kind of clever yet neither of us had heard of it before. That was in honor of both Friday the 13th and it being spooky season and all. I do love fall in New Orleans. It was lovely running around this morning doing all that stuff with lovely sunny but cool weather; the kind where you can wear sleeves and jeans outside comfortably.

The refrigerator is being delivered today, so I have to make room for the delivery guys and hope that they come earlier rather than later. I have no control over this whatsoever, so I am just going to roll with it and see where things wind up. While I wait for the refrigerator I am going to try to get this done as well as some other things; trying not to get anxious or worry about things that cannot be controlled. They have my cell phone number, after all, and if I keep it with me…it’s really irrational to get anxious about things like this, isn’t it? Just like it was irrational to get so worked up and tense over the jury duty thing this morning. It’s just wasted energy and it just leaves me tired, and I really don’t need anything else in my life to make me tired; I can do that quite well and need no further assistance with that, thank you very much. UPDATE: it is out for delivery and expected between 3:30 and 7:30, which means most likely groceries will have to wait until tomorrow and I can actually spend the morning cleaning up down here and making it not quite the disaster area it currently appears to be. A quick glance at Twitter shows that Tulane won at Memphis last night, and apparently Colorado blew a big lead and lost to Stanford.

I slept really well last night–and woke up at five, like always. I fell back asleep until Tug (Paul has started calling him Sparky because he gets the zoomies–but the next time he does I’m getting the laser light out–nothing like the red dot to wear your kitten out of his BIg Kitten Energy.) wanted his breakfast at six–can’t blame him, and I’m kind of awake already anyway. I stayed in bed until about seven before rising, thinking that was a lot m rore rational than trying to stay in bed–especially since I knew the delivery window was between eight and eight; hope springs eternal that it was going to be a morning delivery. DENIED. Tug now is completely at home and curious about everything; there are bottle caps everywhere from him chasing them around, and of course I always have to be careful with what I leave on surfaces. It’s also election day here in Louisiana, and I must go vote so I can vote against our evil attorney general’s bid for governor, which would be a disaster so great people would start remembering Bobby Jindal’s disgraceful tenure in Baton Rouge with nostalgia.

The salt intrusion has been slowed significantly–the last I heard the salt water wouldn’t be here until around Thanksgiving–a month later than projected, and there was a chance it would dissipate before then, too. I should probably pay more attention, but I have a flat of water and a two-gallon jug (which I will save for hurricane season in the attic, if the salt doesn’t get up here after all, and I should always be prepared for hurricane season anyway), but probably won’t have to buy any more of that.

And on that note, I am heading into the spice mines. There’s a lot I can get done this morning, and I intend to do it before curling up with my book with whatever game is on at eleven in the background. Have a lovely Saturday, Constant Reader; I’ll probably be back later.