Category: New Orleans

It’s Beginning To Look a Lot Like Christmas

The insomnia came back last night for some reason, but I don’t feel exhausted this morning or tired, just like I could have gladly stayed in bed for another week or so. But it is what it is. Yesterday was a pretty good day, all around. I managed to get some more work done on the book again, and was able to do some relaxing last evening. I was tired by the time I had done a load of dishes, so I simply repaired to my easy chair for the evening, doom scrolling on social media with my iPad or reading some history of queer rep on television in The Prime Time Closet, which I think I’ve already read before, years ago–but it’s interesting to look at how we’ve been portrayed on television over the years, especially when televisions stations or religious bigots protested our inclusion.

It really is amazing how much progress we’ve made during my lifetime, even if we are still under constant attack from bigots.

I doubt homophobia and its evil twin transphobia will go away before I die, alas.

I hate being so busy and single-minded during Christmas, which makes it kind of hard to enjoy the holidays. Paul and I have decided to get a new refrigerator as a gift to ourselves–ours is on its last legs. I kind of want one with the freezer on the bottom, since bending down is getting to be an issue for me, but they are ridiculously expensive; even the ones that have side-by-side freezer/refrigerator compartments. But it will be nice to have one that works properly and seals properly when you shut the door, so I am going to take that as a win. The most important thing is having one that works, not getting the specific kind that I want. (I’d love to have one like my mom’s, but Jesus, those are expensive.)

I’m not going to have the time to do cards this year, either, which is unfortunate. Well, maybe. I don’t know. We’re going to Costco this weekend, so maybe I can get some cards there and take care of them over the weekend (again, no college football; I need to do a lot of writing this weekend). Hopefully I can get a lot done this weekend. It’s amazing what a difference no college football on Saturdays can make to my time availability. Anyway, I hope that I’ll be able to find some time to take, at the very least, a walk around my neighborhood to take pictures of the decorations for everyone to enjoy; New Orleans really does Christmas right. One of the reasons I set Royal Street Reveillon during the holidays was precisely because I wanted to write about Christmas in New Orleans–it may not be white, but it’s definitely Christmas down here once Thanksgiving has passed. The weather has remained oddly all right–lows in the 60’s, which is why I think my sinuses have been so out of control lately; the damp and mist and fog wreak havoc on them. I am also not sure what we’re going to do for Christmas day itself. I may drive out to Metairie to get a pizza from That’s Amore (the best deep dish pizza in the New Orleans metropolitan area); I don’t know. I could also order a turkey dinner from either the Fresh Market or Rouses, too. Decisions, decisions.

Apparently, we’re in a severe weather alert with the possibility of flooding through tomorrow night. That should make running my errands after work today rather interesting, don’t you think? New Orleans weather is so much a part of the city that not writing about the weather would be absurd. (That Elmore Leonard advice about not writing the weather, or opening with the weather? I break it all the time. Sorry, Mr. Leonard, but you cannot write about New Orleans and not write about the weather because it impacts everything here.) Imagine writing about New Orleans and not mentioning the heat and humidity, or talking about the torrential, street flooding thunderstorms that make you think you live in a tropical rain forest? Ah, well, I can just pay attention to the weather and in a worst case scenario, can run the errands tomorrow. I just have to mail something as well as pick up the mail, so there’s really not much of a rush for either, frankly. I am not expecting anything in the mail and Paul hasn’t said anything about any packages coming for him, so if it’s nasty today, I can skip it. I also have to wonder how the weather will affect the no-show rate with my clients. AH, well, it’s not like I don’t have plenty of work to do if we do have a high no-show rate today.

And on that note, I am heading into the spice mines. May your Tuesday be happy and joyous and fabulous, Constant Reader.

Rockin’ Around the Christmas Tree

Monday morning and back to the office with me! It was a pretty good weekend, overall; I got some work done on the book, made groceries, did all kinds of chores, finished reading my Wanda Morris book and started reading another, and somehow managed to get some rest around all of that as well. I was very pleased with the work I did on the book, and who knows? Maybe I’ll even somehow manage to get it turned in by the extended deadline. #madness

And now it’s Monday morning, and I am up earlier than I need to be. I really need to focus, as a lot of things have been slipping lately as I focus on the book and getting it finished, and there’s been a kind of malaise–the feeling that usually comes along when I’ve actually finished a book, and has never before come while I was writing one. These last few years haven’t been easy for writing, to be honest, and yet–I’ve also produced some of my best work somehow during this time. I think Bury Me in Shadows is one of my best works, and while I don’t think it’s as good, #shedeservedit was also one I was terribly pleased with. And all I’ve seen anywhere for A Streetcar Named Murder has been highly positive. Land of 10000 Thrills was also one of the better anthologies I’ve done, and some of the short stories I’ve been doing during these last few years have also been really good. I also think that some of the stuff I have in progress–“Never Kiss a Stranger,” “Festival of the Redeemer,” Chlorine, Muscles, etc.–are also really good stuff. Some of the work I did this weekend is pretty damned good. I don’t think I’ve ever felt this confident in my writing before in my entire life, to be honest, but as long as I keep confidence from bleeding over into ego, I should be okay.

We watched all four episodes of Three Pines last night, and i think it’s very well done. Alfred Molina is perfect as Inspector Gamache, and while I must confess to only have read the first Louise Penny novel, Still Life, I was very impressed with it and liked it a lot (not sure why I’ve not gone back and read more of them; I do have the first three or four, but it probably has more to do with time and the massive TBR pile than anything else). I thought the show didn’t have the same feel as the books, in some ways, but it’s also a different medium and there are always changes. When I was reading the book (and again, only the first in the series so I am hardly an expert on Penny’s writing or her series) I like the town, and enjoyed my visit there. It was a nice, quirky, small town–but translating that to the screen is an entirely different ball of wax. I think the producers and writers decided that because the show is about murder, it needed to be a little darker, and Three Pines comes across as a small town full of eccentrics in the show, more like Twin Peaks, Picket Fences, and Northern Exposure than Penny’s creation….but I think it was a smart direction to go with the show. Penny’s strength is offsetting the charm of the town against the darkness of the crimes committed there, and I don’t know how well Penny’s vision could have translated to the screen any better. We both really liked it. We also watched a true crime documentary about Charlie Cullen, the killer nurse–which was creepy as fuck.

I’m hoping against hope that this good feeling will last all week. I’m going to have to stop and make groceries on the way home from the office–heavy sigh–but no need to swing around uptown for the mail until tomorrow. I have to remember to buy a shipping envelope to mail a copy of Streetcar to the winner of the drawing from Mystery Lovers’ Kitchen–I should add that to my to-do list…which I need to make a new copy of it. The problem is I don’t remember everything I am supposed to be doing, and I need to get back into the habit of making a new list every weekend so things don’t get lost.

I also spent some more time with Nelson Algren’s (I was spelling it wrong in the last blog) bleak A Walk on the Wild Side, which I am enjoying but isn’t precisely a quick read by any chance. It reminds vaguely of another novel set in the same time period, A Garden of Sand by Earl Thompson, which I’ve started any number of times but have never managed to get very far into because it is also not an easy read. I am going to try to devote an hour to reading every night–an hour a day is far better than what I’ve been doing, which hasn’t been helping to budge the TBR pile at all–and I think tonight we are going to finally start watching Wednesday. I’ve been reluctant to jump into it, despite the great reviews, because the Christina Ricci version from the 90’s films was, at least for me, definitive. But we keep hearing good things about the show as well as Jenna Ortega’s performance in the lead, so I think tonight will be the night we take the plunge.

It rained all day yesterday–it was even raining when I went to pick up the groceries–and it seems a bit gray outside this morning as well. I have a lot of emails to write and a lot of emails to answer and all kinds of stuff to do today–one of the reasons I got up an hour earlier than I needed to this morning–so I am trying to be proactive and not laze in bed the way I usually do on the mornings when I don’t have to get up at six. I am getting used to getting up early for the first time ever in my life, and quite frankly, I don’t like it. But I also don’t see the clinic hours being changed any time soon, either; I fear my afternoon/early evening shifts are a thing of the remote past now.

And on that note, I have quite a bit to do today, so it’s perhaps best that I make another cup of coffee, some toast, and dive right in. Have a lovely Monday, Constant Reader.

It’s The Most Wonderful Time of the Year

Ah, yes, time for hot men in Christmas clothing. I usually wait and just do the twelve days of Christmas thematically here, but I have neither the time nor the inclination to figure that out. And why not do an extra couple of days of holiday cheer? We could always use more cheer and happiness and joy in this sometimes grim and grotesque world and life. Today is going to be dedicated to three things: more work on my book, picking up the groceries I ordered, and making potato-leek soup. I’m also going to spend some time this morning reading. I finished Wanda Morris’ marvelous Anywhere You Run yesterday, and started Nelson Ahlgren’s A Walk on the Wild Side. Someone on Facebook had posted they were going to watch the film (starring Barbara Stanwyck and Jane Fonda) and I, who have never seen it, vaguely remembered it was connected to New Orleans. I did some research and yes, sure enough, it was indeed a novel first; and since it’s about the demimonde here in the 1930’s, I figured it was a necessary read for my understanding of the past of the city and perhaps even a needed read for the canon of New Orleans fiction. No one ever talks about this book in connection with the city, maybe because Ahlgren wasn’t a native? One can never be completely sure, can one? So, I will probably read some of that for about an hour–I like the idea of dedicating one hour every day to reading; maybe that will help me get through the ever-growing TBR pile. I know I wanted to do some Christmas reading–I am saving Donna Andrews’ Dashing Through the Snowbirds for Christmas day as a gift to myself–and I have some Christmas crime short story collections on hand as well, so I could do a story a day–maybe that will be what I do for the Twelve Days? Not a bad idea.

I slept well last night, which was a lovely experience–Scooter cuddled and purred with my for most of the night, which helped me enormously; making us doze off is truly his super-power–and woke up at a decent hour this morning. I think I am going to be able to get a lot more work done on the book than I did yesterday. It’s finally taking shape and I know where I am going with it along the way now, so I have to revise and redo the first half of the book to get it in line with how the final act will play out. I got started on it yesterday, and the story makes a lot more sense now than it did (and that is not me being hard on myself, either; what I had already done wasn’t badly written, it was just disjointed and had a lot of info dumps that have to be put into the story in a more organic way). I pulled up Spotify yesterday and listened to music while I worked on the book–Paul wasn’t home–which was cool. I listened to the Liza Minnelli that was produced by the Pet Shop Boys (it is truly outstanding; give it a listen sometime) and then cycled through some Pet Shop Boys albums as that was clearly the musical theme of the day. Paul will be home today, so I’ll probably just put in my ear buds and listen that way–I’d forgotten what a difference having music on makes to my writing and productivity.

We watched another true crime documentary last night, The Lost Boys of Bucks County, which–similar to the ones we were watching about the Murtaugh family–shows again the difference in how the law treats the wealthy and powerful as opposed to people that are considered unimportant and disposable. “They were just trash to be thrown away,” someone said towards the end of this sad story, in which four young men were pointlessly murdered over the course of three days. I’ve been thinking about–toying with, teasing it around inside my brain for quite some time–writing a suburban serial killer in the 1970’s book, based on the suburb where I lived for five years and the life people lived there, and then grafting a serial killer based on Houston’s Candyman onto the story. I’d been calling it Where the Boys Die for quite some time now, which I don’t think is the right title for this story; Where the Boys Die is a spring-break revenge spree killing story, and I think this one should be The Summer of Lost Boys or something along those lines. I know, I know, I talk about books I want to write all the time and never seem to get around to…but I think 2023 is going to be the year of finishing things that aren’t finished and getting them out of the way. Groan, that’s going to be a lot of work…but the kind of work I love doing, so there’s also that–and yes, I am well aware that I always have to force myself to do things I love. What can I say? I love being lazy and doing nothing the most out of everything.

When I was at home for Thanksgiving, my recently retired brother-in-law asked me what my plans for Retirement were. I know what he was really asking–my family is nothing if not predictable (are you going to move up here to be close to us once you no longer have a job? because it does not compute to any of them on any level that it’s not my job that anchors me in New Orleans. I live here because I choose to live in New Orleans, and I love it here. They can’t imagine making any such decision that would keep them out of the bosom of the family deliberately.)–but I chose to respond with “Well, I can’t wait for it to come. Counting the days” and he replied, “Oh, you’re in for a big surprise–you might want to hold your horses a bit on that.” He meant well, and I know what he meant; he’s been bored since he retired and the adjustment to not having to be somewhere for a set amount of time Monday through Friday hasn’t been easy. It wasn’t easy for my father, either–still isn’t. They, and other men of their generations, were conditioned to work and to identify their selves with their job and the work. That isn’t me. I love my job, don’t get me wrong–it’s the perfect fit for me on every level, and even now the only thing I don’t like about it is we no longer have non-traditional hours. I miss not having to be at the office until eleven most of the week and having my mornings free to get things done before going into the office, and not having to be in bed by ten most nights. The only thing I truly dislike about my job is the forty hours I have to spend working at it–because I would much rather be utilizing that time to write. Will I be bored when I retire? Probably not. I am never bored and can always find something to do. There’s the TBR pile, for example, and I am always writing something anyway. There’s a shit ton of classic films for me to work my way through, and other films and television shows I would love to rewatch and revisit.

And there’s always going to be books to read, errands to run, dishes to wash, clothes to launder, and so on. I’d also probably go to the gym with a higher degree of frequency as well.

So, no, I won’t be bored when I retire from my day job. I’ll probably wind up working even harder once I do retire.

And now I am going to read for an hour, and get back to work on the book. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Time Is On My Side

It really isn’t, you know. Each and every day I become more and more aware of how precious time is, how quickly it can pass, and how finite it actually is. That makes the time I am forced to spend recharging my batteries or simply resting–something I need to do more and more of the more that goes by–into something I resent automatically and always have to remind myself that I am no longer not only forty but not even fifty and sixty is in the rearview mirror now, and don’t have the energy or stamina that I used to take for granted.

I’ve taken a lot for granted my entire life, in truth.

Yesterday was one of those work-at-home with tasks that are relatively mindless while doing chores that are also relatively mindless. This was a very tiring, up and down week (I always marvel at how whenever I should be having a good time and enjoying something, I inevitably end up having to deal with something unexpected and irritating. It does keep me grounded, I suppose, and my ego in check–those great reviews won’t pay for a new tire or change this one or heal your arm, will they? As though I actually need anything else to keep my ego in check. I am trying to actually develop more of an ego, and more of a selfish nature. Perhaps ego isn’t the right word? I don’t like it–for me the word has negative connotations–and I think confidence is a better fit and more accurate. I am working to increase my self-confidence, and my belief in my own value and the value of the work that I do.

I was talking to a friend recently about my future–what’s left of it, at any rate–and what I should be doing and focusing on. I’ve not made plans in years, or thought very far ahead much with my career; I think the lack of cogent plan with my writing career is fairly apparent from a quick glance at its history. I think after Katrina I made up my mind that making plans was a waste of energy and/or time, as one has no control over one’s future. Life is always going to be throwing spitballs and curveballs at you, no matter how good your stance or your grip on the bat and the technique of your swing, you’re going to miss more often than you hit one out of the park. It is very easy for me to get distracted and side-tracked–thank you, brain chemistry–anyway, and oft times I will be thinking quite enthusiastically about one idea when I get another and the first one is forgotten, lost in the mists and cobwebs of the farthest reaches of my imagination, only to be stumbled across years later with an oh yeah lightbulb going on over my head. But I am going to carve some time out this weekend to try to plan ahead a bit, or at least try to plan my writing year for 2023. I have so many things in progress already that need to be finished that it’s not even funny–which I should also make a list of; not the short stories (far too many of those unfinished to make a list–it was somewhere over eighty the last time I counted them) but the books and novellas and other things that I’ve made a start on that need finishing at some point.

I allowed myself to sleep in this morning until eight, and then over my coffee I finished reading Wanda M. Morris’ superlative Anywhere You Run, which was simply marvelous and superb and fantastic–it’s hard to believe she is only two books into her career; it will be interesting to see how she continues to grow and develop as a writer as she gets further into her career–and yes, there will be more about this book later. I feel marvelously rested this morning, and the coffee is doing a lovely job of waking me. I am going to do some futzing this morning–dishes, filing, cleaning a bit–before getting cleaned up and diving into my manuscript for the rest of the day. I really need to stop being so goddamned lazy and get on with it, you know? It simply isn’t going to write itself, and I am very hopeful that I can make some terrific progress on the book today. There’s not any college football today–the season is over except for bowl games and play-offs–and so there are no distractions to be had; no “Oh I’ll just turn on the television to check some scores” only to transition to “oh, it won’t hurt to watch the rest of this half” to “oh, well, tomorrow I can work on my writing.”

And the hilarious part of it is that I will always, always, feel enormously satisfied, pleased, and happy when I stop writing for the day. Every single time.

Oh! I also taped Susan Larson’s The Reading Life, which you can click here to listen to if you are so inclined.

And on that note, I am heading into the spice mines. Have a lovely Saturday. Constant Reader!

Tell Me

Friday and a work-at-home day, except for the morning department meeting I have to attend in person, which means I didn’t get to just roll out of bed, wash my face, brush my teeth, throw on some sweats, and get a cup of coffee just before nine…no, I have to be there at nine. I’ll run a couple of errands on my way home, which spares me from having to leave the house on Saturday; I may order groceries for pick-up on Sunday, but I don’t need to decide that right now.

This week wore me down and wore me out. I didn’t sleep terrific all week long to begin with, then of course it was one thing after another to have to deal with. But it’s Friday and I am relatively unscathed, methinks; I slept really well last night and think that could again be the case tonight. I was completely worn out when I got home from work last night, so I collapsed into my easy chair and watched a lengthy James Somerton video on Youtube called “What Ever Happened to Good Taste?”, which was about camp classic films, beginning with All About Eve before cycling through Whatever Happened to Baby Jane?, Mommie Dearest, and the drag queen road movies of the early 90s, The Adventures of Priscilla Queen of the Desert and To Wong Foo, Thanks For Everything, Julie Newmar. (I must confess to being enormously disappointed that Showgirls didn’t make the documentary; it is, after all, an all-time classic.) Paul got home shortly after I finished watching (it was two hours long) and we watched another episode of Welcome to Chippendales, which could have been just a movie and not a series I think; there’s a lot of padding out of the story to stretch it out into a mini-series. I have a lot to do this weekend; one of my tasks for today is of course a to-do list for the weekend. I need to get caught up on the book, I need to get caught up on a lot of things, and I want to finish reading Wanda Morris’ marvelous latest work. Perhaps after I get home from the meeting at the office this morning and get through my work-at-home chores today, I can spend some time with Wanda’s book and finish it. I am going to run some errands on my way home from work today, too–hoping that I won’t have to leave the house much this weekend so I can get things done.

My arm continues to get better every day, so I think it is something that didn’t necessarily require the emergency room costs or a forced-onto-the-schedule doctor’s appointment. It means I won’t be able to start back to the gym this weekend as I’d planned–I like to start going again before the new year when everyone’s resolutions crowd the place to within an inch of its life come January–but I cannot lift weights with this arm, which pretty much eliminates every upper body exercise. I could, I suppose, go a couple of times a week and simply focus on legs–but the weight plates would be a problem, too, you see. So, that’s going to have to go back on hold until my arm feels better.

I was very surprised and pleased yesterday to see that a couple of Instagram users did “reels” talking about A Streetcar Named Murder, and I have to confess this week–shitty as it was personally–has been a really terrific week for me professionally. It certainly was a good one for my writer’s ego, for sure. The outpouring of support and appreciation for my book from the cozy reading and writing community has been quite nice, rather unexpected, and I am enormously appreciative and grateful for it all. In some ways, it’s kind of validating; over the past few months I’ve really come to understand that I have an enormous chip on my shoulder when it comes to my own writing, and have tried unpacking that a bit. (I’ve spent quite a bit of time since turning sixty in the wake of a global pandemic unpacking my behaviors and the events that occurred that shaped those behaviors.) How different would my life have been had I gotten support and encouragement when I was younger? Had people taken my ambitions and desire to write seriously rather than dismissively? I honestly don’t know, can never know, will never know–the great pleasure of human life is you can never do anything more than speculate about how differently a shift in something, even a very small minor one, can alter the course of a life and a career.

The other night, before my Murder by the Book event with the marvelous John McDougall and my very dear Ellen Byron, John asked me “Now that I’ve read your book, Greg, I have to ask–why did it take you so long to write a cozy? Why haven’t you been doing this all along?” and my answer was “I really don’t know.” It absolutely gave me pause, and has lived rent-free in my brain ever since Tuesday. Why did it take me so long to write a cozy? I still don’t have an answer that makes any kind of sense. Let me see, I’ve always read them, always appreciated them, and have always done my best to fight the stigma attached to them by some elitists who need to feel better about themselves by looking down on a subset of other writers. I hate that, particularly because I know how it feels to not be taken seriously or be respected by your peers (there’s that enormous chip on my shoulder again).

But despite all the difficulties encountered during the time of its writing, I really enjoyed writing A Streetcar Named Murder. Sure, it was hard, and sure, I had to make myself do it (like always), but when I finally held the finished copies in my hands, I was incredibly proud of it. I have always said that I want to always be challenged by what I am writing, that I don’t ever want to fall into a familiar pattern of writing that feels like painting by the numbers (which is why I ended the Chanse series), which is incredibly easy to do. Writing a cozy presented me with a challenge, and yes, it was hard and yes, it was outside of my comfort zone. But I created likable, believable characters and an interesting story, with new situations and paradigm/life shifts that all played out throughout the course of the story. Now that it’s out in the world, it is an interesting question as to why I never tried to write one before, or even why I believed that I couldn’t write one in the first place.

And in some ways, it’s almost like starting my career over again. I am finding a new audience. I didn’t center queer characters and stories. I just wrote about New Orleans again but from an entirely different perspective, and it was enjoyable.

And I am proud of the book, and of myself. It feels weird to say that, but at the same time it also feels good to say it.

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

Little Red Rooster

Well, the tire cost almost three hundred dollars to replace (I also had them replace the rear window wiper blade, but I don’t think that was terribly expensive)–more, if you count the personal time I had to take in order to get the car taken care of–but as Paul said, “It could have been worse–what if it happened on the causeway, or when you were driving back from Kentucky?” A very good point, further emphasizing the fact that he is, indeed, the smart one in the Lost Apartment. I treated myself to Five Guys once the ordeal was finished and I could drive back across the river and head into the office–it’s been a very hot minute since I last was able to enjoy me some Five Guys–and that made up for the inconvenience and irritation….somewhat.

I do love me some Five Guys. Thank God the only ones in my area are a pain in the butt for me to get to, or I’d have it all the damned time and would weigh a lot more than I do now.

Bruises appeared on my arm yesterday, which makes me tend to think that I really do need to have this injury looked at because I am older and it might be something serious. Do I want to have it looked at? No, I really don’t. I also probably shouldn’t wait until my primary care appointment in January, either. But I am going to wait until this weekend and see how it goes. If it keeps getting better–yesterday it only hurt when I was trying to carry or lift something, or moved it in a particular way–I may just let it go until January. I know, I know, probably not smart and I do have health insurance, but…if it’s just a muscle pull or a strain…and I think what I must have done was turn my arm too far to one side as a result of the tire getting stuck, which strained the muscles and tendons.

And if I end up having to have my arm amputated, that’s all on me.

But I was exhausted yesterday by the time I got off work. And had a minor little drama once I was home, so even then couldn’t rest until about seven-thirty, eight o’clock. Heavy heaving sigh. But I think I slept better last night than I have all week; I may have only woken up once or twice during the night, and I do feel somewhat rested this morning. Just one more day to get through before my work-at-home Friday tomorrow, which will be delightful, I am sure. And there’s no college football this weekend–which seems weird, but it was a rather long season, after all–so I have little to no excuse to not get caught up on things this weekend. The handyman came by yesterday and fixed the garbage disposal (praise be) which I need to clean and deodorize this weekend (I may need to stop and make groceries on my way home tonight). But it’s really no surprise I am tired this week–it’s been quite a week, from the tire to my book release to trying to get my new book finished to everything else I’ve had going on this week, and so I should be exhausted. We did finish the Victoria’s Secret documentary last night, and I have to say, the “#metoo”/Harvey Weinstein/Jeffrey Epstein” reckoning was not only way overdue but it’s quite bizarre to look back at it now and think, how did they get away with this shit for so long?

It wasn’t just women, either. It happened to men, too–I’m thinking of Henry Willson’s casting couch, and how he basically pimped his beautiful male clients out to Hollywood bigwigs, hence the basis for Chlorine–and of course, famously Brendan Fraser, who is having a very lovely career comeback now. But it was mostly the women these awful things happened to, and it’s no surprise that the reckoning took down Victoria’s Secret. The documentary series is interesting–I’d love to know what Epstein had on Les Wexler, because it had to not only be seriously bad but incredibly damaging; which means it could have been underage girls but my money is on underaged boys, frankly.

But as I said I feel rested this morning somewhat, and it will be more of a regular day for me–which hasn’t really happened all week, to be honest; Monday was messed up and so was yesterday; Tuesday was normal but it didn’t feel normal because I had the tire situation hanging over my head as well as the injury to my left arm (which feels fine this morning; there’s some tightness in my forearm when I turn my arm a certain way, and we’ll see how it feels when I try to pick something up and/or carry it with the left arm today). I had kind of wanted to go back to the gym this week or weekend, but if my left arm isn’t functional…I suppose I could go do legs only and stretch some. I don’t know what to do, really.

Heavy heaving sigh.

And on that note I am heading into the spice mines. Have a lovely Thursday (!) and I will check in with you again tomorrow.

Carol

I have to go to the West Bank this morning to buy two new tires for the car. An active pothole destroyed my driver’s side front tire the other day, and so I need to get at least one new tire, probably two so their wear pattern will match. The tires are supposed to be good for 50k miles; I don’t even have 30k on my car yet, which makes this even more frustrating. Perhaps this is my punishment for writing about potholes the other day on the Wickeds blog, with “The Orange Cone”? I may have angered the pothole gods, and they must be appeased to the tune of several hundred dollars.

Ah, well, there’s nothing to do but go whip out a credit card and pay for new tires. At least I can take Wanda Morris’ Anywhere You Run with me to read while I wait for the tires to be mounted and put on the car.

I was very tired yesterday when I got home from work. I didn’t sleep well Monday night (did better last night, frankly) and so was already tired going into the day. I was monitoring my blog post at Mystery Lovers’ Kitchen so I could reply to everyone’s comments, and they were keeping me occupied between clients and the end of my shift. When I got home, I had a few hours to make the kitchen presentable before going live with Ellen Byron and Murder by the Book, which was a lot of fun. Paul came home as we were wrapping it up, so we could watch another episode of Victoria’s Secret: Angels and Demons, which moved on to the Epstein/Ghislaine Maxwell connection to Victoria’s Secret, and it seems as though human trafficking and models being pimped out by their agencies might very well have been happening in the industry before Epstein, from the looks of things. B

But the event went really well–it was nice seeing John from the store again, and he said very nice things about my book beforehand, including “After reading it and liking it a lot, I have to ask, why did it take so long for you to write a cozy?” which I thought was the highest compliment I could ever receive. There have been times that I have felt like a carpetbagger in the subgenre; poaching in territory not my own. But one thing I will say about the cozy subgenre–the authors and readers are incredibly kind, supportive and welcoming to new authors entering their territory. It’s been lovely seeing all the support from other cozy writers and readers on social media in the weeks leading up to the book’s release, and it’s also something I’m really not used to, to be honest. I don’t want to make it sound like I haven’t had support from colleagues and readers before–because that wouldn’t be the truth–but this entire experience, from the announcement of the contract to the cover reveal to the release, has been so incredibly lovely and affirming that like John, I wonder why it took me so long to join the ranks of the cozy writers? Ellen and I did agree on camera that my Scotty series was a more of an edgy cozy series that breaks some of the rules (profanity, sex, violence and blood on the page) than anything else; Scotty may be a licensed private eye but no one ever hires him–he just stumbles into bodies and mysteries all the time through no effort of his own.

Christ, I am so behind on my Scotty book. Heavy heaving sigh.

(Even in the midst of self-promotion, I can always feel guilty about the progress of whatever it is I am working on at the moment.)

After I get the tires put on the car and paid for, then it’s off to the office to finish my work day. This week has been a weird one; sick on Monday, flat tire, promotional events, book launch, and now a morning spent at the car dealership. Not exactly how I saw the week going Sunday morning while I was drinking coffee and planning ahead–which is another great example of ‘man plans, the gods laugh”–and now today is even Pay-the-Bills Day and I didn’t really notice because. well, I need to get to the dealership this morning and buy new tires…all the while hoping the spare makes it to the West Bank intact. (It’s supposedly good for fifty miles and I haven’t gotten anywhere close to that kind of mileage since changing the tire.)

But life always has a habit of interfering with your best laid plans, doesn’t it?

And on that note, I am hopping into the shower and heading over to the West Bank. Wish me well, Constant Reader, and that it’s quick and easy to get in and out. Fingers crossed, at any rate.

“They told me to take a streetcar named Murder…”

Obviously, that’s not the famous Tennessee Williams line, which actually is “They told me to take a streetcar named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at—Elysian Fields!”

The quote, incredibly poetic and evocative, is also wrong. Whoever gave Blanche DuBois those directions at the Greyhound station in the Central Business District, gave her bad directions. The Desire line ran past Elysian Fields–so there was no need for her to transfer to the Cemeteries line, which ran up and down Canal Street. The Desire streetcar would be the one she’d take to get off at Elysian Fields…not the Cemeteries. I’ve always loved that the directions were wrong; thinking that it was a sly little joke Williams played on playgoers, the cast, everyone; Blanche came to New Orleans and got bad directions, and it was all downhill after that.

I love the play, and I love the film. The performances of the entire cast are amazing; Marlon Brando is at his most bestial and beautiful, and Vivien Leigh is just stunning.

And of course, my partner is the executive director of the Tennessee Williams/New Orleans Literary Festival, and has worked there since 1998. So I have another connection to Williams, a more direct one than just appreciating his work. At some point in my career–I think maybe with Murder in the Rue St. Ann–I started using Tennessee Williams quotes as epigrams to my series novels set in New Orleans; maybe it wasn’t Rue St. Ann but rather Jackson Square Jazz; I used a quote from Orpheus Descending: “A good-looking boy like you is always wanted.”

SO, today my new book from Crooked Lane launched, and yes, I called it A Streetcar Named Murder. I still can’t believe no one else has ever used that title; it seems perfect for a New Orleans mystery novel. I came up with the title years ago–only it was A Streetcar Named Death, and when I started writing that one about eighteen years ago it was a Paige novel, set during the Tennessee Williams Literary Festival, and the victim was an Ann Coulter-like writer who came from a New Orleans political family, only her beliefs and what she writes about are anathema to her more progressive family. I got about four or five chapters in when I had to put it aside and move on to something else–I don’t remember what–and when I started writing those Paige novellas whenever the hell that was, I’d moved on from the title…because I’d used “A Streetcar Named Death” as a short story title.

But when Crooked Lane didn’t like my original title for this, and asked for another, well, I suggested A Streetcar Named Murder (they were also nonplussed than no one had used it before) and the rest was, as we say, history.

The first rule of life in New Orleans is any time you leave your house not looking your best, you’ll run into your nemesis.

You’d think as many times as this has happened to me, I’d know better by now. I guess I’m just a slow learner. But in my own defense, I was just walking the couple of blocks to Big Fisherman Market on Magazine Street to get a pound of shrimp fresh from the Gulf, and I figured the odds were in my favor.

It was obviously not the day to buy a Powerball ticket.

I was tucking my wallet into my purse and reaching for the bag of peeled, deveined shrimp resting on the counter when a voice behind me said, dripping with sugar, “Valerie Cooper! Is that you?”

I froze. My heart sank. I knew that voice all too well. I’d become very familiar with it over years of countless, seemingly endless parents’ association meetings and events. When my twin sons graduated last spring, I’d hoped I’d never hear it again.

I took a deep breath and choked back a moan. My chestnut-brown hair was pulled back into a ponytail. I hadn’t even put on lip gloss. I glanced down at my worn, ratty old sweatpants. The ancient, paint-stained Jazz Fest T-shirt I was wearing didn’t help either.

I steeled myself, plastering a phone smile on my face.

I turned around to face Nemesis.

Okay, nemesis is probably a bit harsh. Collette Monaghan wasn’t that awful. I’d managed to keep Collette at arm’s length through all the years of being active in the Loyola High School parents’ group, the Cardirents. (Cute, right? Short for Cardinals’ Parents. It started out as the Cardimoms until some moms guilted their husbands into joining. A unanimous vote changed the name to be more inclusive when my boys were freshmen.) I wanted to believe Collette Monaghan didn’t deliberatately try to make other women feel bad about themselves. Her rare compliments always seemed a bit back-handed.

I kind of like that opening.

Feel free to order it from your local independent bookseller, or from your favorite on-line site.

Which Way Is Up?

Whenever I am asked for advice regarding a visit to New Orleans by anyone, the first thing I always say is do not under any circumstances rent a car.

Driving in New Orleans is, at best, a horror for those of us who actually live here and expect it to be nightmarish; those Not From Here who expect some semblance of normality in driving situations become emotionally and intellectually scarred, suffering from flashbacks, PTSD, and nightmares for the rest of their lives.

I am not joking.

Everyone thinks wherever they live has the worst drivers in the world, and having lived all over the country, I can attest to the fact that yes, indeed, there are shitty drivers everywhere who put everyone else’s lives at risk. (The other morning on my way to the office, as I was in the turn lane in a row of cars waiting to turn left onto Calliope for the I-10 on-ramps, a jackass whose time was more important than everyone else’s drove around the cars in the turn lane and turned left from the center lane of St. Charles when we had the protected turn light. “Asshole,” I said out loud, and then when I made the turn I just missed witnessing a massive accident at the I-10 on-ramp. Yup, the asshole apparently continued driving like an asshole and hit another car. The car he hit was slightly damaged, his car–with dealer plates still on–was probably totaled because the front end crumpled up like an accordion. Once I saw that both drivers were okay, I will confess to a smug that’s what you get for being an asshole driver.) I’ve driven in Houston, Miami, Chicago, San Francisco, Atlanta, and Los Angeles. New Orleans drivers are in their own special class of bad driving.

One of the primary issues I encounter here is that most New Orleanians do not know the rules of making a left turn at any intersection that permits them. My theory of why this is the case has to do with our avenues and neutral grounds. Most of the major streets in New Orleans–Canal, St. Charles, Jackson, Napoleon, etc.–do not permit you to turn left off of them at intersections, unless there’s a turn lane and a protected turn light. So you usually have to pass the intersection, make a U-turn by turning left through the neutral ground, and then making a right turn when you get back to the intersection.

This becomes an issue at intersections that permit left turns but do not have a protected signal (like Oretha Castle Hailey at Martin Luther King) when there is more than one car turning left . You see, the way this is supposed to work is the cars coming from opposite directions should turn in front of each other, protecting each other from other oncoming cars. Most New Orleans drivers don’t seem to know this and try to turn left behind you, exposing you to oncoming traffic if you turn yourself. This drives me crazy.

It’s a wonder there aren’t more accidents here, really–and there’s no surprise that car insurance is a lot more expensive here than it is most other places–which is why there are so many cars here with Texas, Mississippi, Alabama, and Florida plates; people will go rent a post office box and register their car in that state to get cheaper insurance (and yes, for the record, this is insurance fraud). Parking is another issue in New Orleans. Most places don’t have parking lots in Orleans Parish and you have to know how to parallel park–and a lot of people visiting here aren’t used to parallel parking and aren’t very good at it. Our streets were also not built for cars but for horses and streetcars–so most aren’t very wide and cannot be widened; which is why there are so many one way streets in New Orleans. (The street I live on is one of the few side streets in the neighborhood that isn’t one way–but parking is allowed on both sides…so of course there’s not enough room for cars to pass each other, which leads to some aggravating stand-offs as neither driver will either back up or pull aside so the other can pass…)

And New Orleans geography doesn’t make sense, and God forbid you try to look at a map of the city. Apps do help some when it comes to that, but having used them to navigate around parts of the city I am not familiar with can be incredibly confusing because the directions may not make sense–but since the geography doesn’t make sense…how can directions? Streets follow the river, which doesn’t flow in a straight line. One block out of the Quarter, in the Faubourg Marigny, the river turns again and so do all the streets that run through the Quarter and into the Bywater, the lower 9th, and Holy Cross; which means the streets make an almost ninety degree turn. To connect the streets that now are running in a different direction, there are a couple of streets in the Marigny that only exist for a couple of blocks. What’s called the Marigny Triangle is his bizarre little area where Frenchmen Street begins at Esplanade on the river side of a pie-shaped block that holds the fire station. The lake side is Decatur Street, which makes that 90 degree turn to follow the river just past the fire station, crossing Frenchmen Street which continues in a straight line. (Trying to give directions to people on the phone to our old office on Frenchmen Street was always a nightmare.)

And you note how I said riverside/lakeside? Our directions are riverside, lakeside, uptown and downtown. Their meanings are self-evident, I should think; river side is the side closer to the river, while lakeside is the side closer to the lake. Uptown means up the river, downtown means down the river. North, south, east and west make no sense here; the sun rises over the West Bank, you have to go east to get to the north shore on I-10, South Peters is actually north of North Peters.

And the main streets that run away from the river? The closer you get to the river, the closer they are together. In my neighborhood, the streets go St. Charles, Prytania, Coliseum, Camp, and then Magazine. The further uptown you go, more streets fill in between them so that on Napoleon, Prytania and St. Charles are at least three blocks apart. Likewise, in my neighborhood if you drive towards the lake, Carrollton and Claiborne are parallel to each other…but in the Riverbend neighborhood uptown, they cross.

So, please; never rent a car in New Orleans. If you’re staying in the Quarter parking is at least $20 per day minimum, and the city is really small enough that Lyfts or cabs aren’t terribly expensive, and of course there’s always the streetcar.

It’s All Over Now

Well, it’s Tuesday morning and all I have to say about that is good. Monday was a dreadful day, and the less said about it the better. I woke up feeling ill, and it was just all downhill from there. The only good thing I can say about yesterday was I got to spend the entire morning lying down, covered up in blankets, reading Wanda M. Morris’ Anywhere You Run, which is fantastic. I didn’t get to finish reading the book–hopefully that glorious day will come soon–and losing yet another day of work on the book was quite a savage blow. Tonight after work I have to do an on-line event for Murder by the Book with the always delightful Ellen Byron, which will leave me exhausted as those things always do, so tonight is pretty much out. Heavy heaving sigh. But at least college football is over, which frees up my entire day Saturday, which is nice. And I feel well this morning–I knew taking Claritin and resting all day (sort of) would stave off the coming sinus infection (but I’ll take another one today just to be on the safe side). We also started watching the Victoria’s Secret documentary–I think it’s called Victoria’s Secret: Angels and Demons–because the owner of the company was weirdly involved with Jeffrey Epstein? It’s interesting enough. I vaguely remembered the collapse of the brand–and who knew there were so many other stores, all belonging to the same person? Remember Structure?–but I didn’t remember that there was an Epstein connection.

Oh! I am also guesting at Mystery Lovers’ Kitchen, with my slow cooker meatball recipe. Today is also the official release day for A Streetcar Named Murder, so happy release day to me!

It still seems a bit weird to me to have this book out in the world at long last. It feels like I’ve been waiting for this release date for a very long time, and now it is here. Will people like it? Will people buy it? Will my regular readers like this completely different (not really, but you know what I mean) type of book from me? Naturally, I hope so; I’ve been really surprised and delighted by the unexpectedly and overwhelmingly positive response to the book thus far. I’m not used to it.

But just as it occurred to me the other day that my perceptions of New Orleans have changed–i.e. that all the little oddities and eccentricities that used to amuse me and give me things to write about now seem commonplace and normal to me now–I think my perception on my writing has also started changing a little bit–which is really lovely and nice and long overdue. I’ve talked about this before–the dichotomy of how I was raised to always be humble and never, ever brag about myself–and how its really the exact worst way to raise any kind of artist. Being an artist (or writer) is difficult enough with those constant self-doubts and “do I really know what I am doing here” and everyone’s favorite, Imposter Syndrome. If you don’t know what Imposter Syndrome is, consider yourself very lucky. For me, it manifests itself in “I’m really just faking it and don’t really have any insights because I literally don’t know what I am doing, but as long as I can keep fooling people I’ll keep going until they realize the Empress has no clothes.” My perception of my own writing and my own work is slowly starting to shift–yes, Constant Reader, after twenty-odd years and over forty books, etc etc etc, I am starting to feel some confidence in my actually work. Rereading A Streetcar Named Murder the other week–I had to do so because I’d forgotten a lot about the book in the meantime, so I could do some more Blatant Self-Promotional blog entries–and realized it wasn’t, in fact, terrible but was actually an enjoyable read. (This may not seem like much to you, Constant Reader, but for me this was huge.) I do think that this book, along with my last three (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit) is some of the best work of my career thus far. And when I was rereading the old Scottys to prepare me for writing the new one, I was impressed with them rather than wincing. I think maybe I’ve managed to flip the “editorial” switch off when I read my books again? So rather than rereading them and catching errors or thinking oh I could have said this or that better, I read them as they were and for what they are. It was definitely some major progress, methinks, towards a better mental attitude for me, not only for my work but for my life in general.

It only took me over sixty-one years to start getting there.

A lot of it, I think, comes from my determination to not take myself seriously, which probably goes back to my childhood. I know the self-deprecatory shit comes from a mentality of if I make fun of myself I can beat everyone else to it which was a self-defense mechanism I developed to shield myself from being mocked, made fun of, and insulted by other kids. I can’t claim it as a gay experience because I would imagine every queer kid’s experience is different and there are probably some who never were bullied, were never made fun of, were never the butt of everyone else’s jokes as an easy target because I didn’t fit the societal image of what a little boy was supposed to be. I think I was seven or eight the first time someone called me a fairy? (At the time, I didn’t realize they meant fairy as in Tinkerbell and not ferry as in a boat that conveys cars over water; I couldn’t understand the ferry reference until a few years later when it was accompanied by such lovely terms as fag, faggot, femme, homo, cocksucker and so forth; when I was conditioned to be ashamed of myself and of who I was, through no fault of my own….and well, if I make fun of myself I can head them off before they go down that road.) This of course presupposed that people were going to make fun of me or call me names–and I can now see how toxic and self-destructive that actually can be. You should never default to the idea that other people will make fun of you.

You can see how that mentality can be damaging to a writer.

I carried a lot of baggage into this career that I should have discarded a long time ago.

I am, if nothing else, always a work in progress.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again tomorrow.