Category: New Orleans

It’s a Heartache

Thursday morning, and my first night spent alone here has passed. It’s so eerie and quiet around here without Paul and Scooter. It’s also weird having that big old bed to myself–Paul is rarely, if ever, not home; I’m the one who’s always traveling–and of course, the apartment always grows exponentially in size somehow when it’s just me in the house. Go figure, right? But I hope to get some things done around the house–I can, for example, spend an entire day upstairs on the weekend cleaning, using Paul’s computer to work on and I can stream stuff through the television upstairs while I clean and organize and try to get it into some semblance of order. I can also work on the downstairs every night and over the weekend, etc. I always plan to get a lot done and I inevitably end up not getting a lot done, which is part of my perpetuation of me being incompetent and lazy and so on; make so many plans there’s no way in hell you can complete them all even if you’re super motivated and driven, and thus can castigate myself once again as a lazy loser.

Lather, rinse, repeat.

So, I am planning on making the best of being a temporary widow. I am not going to be a slug, and I don’t have Scooter’s demands for a lap to sleep in to blame it on, either. SO THERE ARE NO EXCUSES. I doubt very seriously that Paul will come home to an apartment so sparkling clean and organized he’ll think he’s in the wrong house, but I can certainly make it all look better at any rate. I may even move furniture. I know, madness, right?

Stranger things have happened. And will again!

I was mostly productive last night; I decided to not really do a whole lot of anything much more than chores. I did several loads of laundry and several loads of dishes, picked things up, reorganized a bit and wiped things down–one would almost think I was on a very strict and tight deadline or something. I had a few pleasant down moments, because when doing laundry and loads of dishes sometimes you have to wait–and there’s not the time to start watching something or writing something, so it’s short little videos on Youtube time, and avoiding wormholes there is sometimes difficult, but it wasn’t last night. I spent some time moving and organizing computer files, and frankly, it was a nice and easy relaxing evening. I got things done, didn’t get sidetracked, and made a great start on the thorough cleaning the apartment needs. I am probably going to spend the weekend mostly working on the upstairs, because we are having work done on the downstairs; when I got home last night there was an enormous ladder and some other tools and things in the living room; and the work on repairing the walls had begun. I have no idea how long that is going to take, but obviously, there isn’t much point to doing a lot of work in the living room while that is happening. And…being forced to focus on the kitchen, laundry room, attic, and upstairs isn’t a bad thing at all. I can always take plug a flash drive into Paul’s computer and write while I am up there working, too.

The theory here is staying busy will keep me from feeling lonely or missing Paul and Scooter. (We really need to get a cat as soon as he gets back, seriously.) Hopefully tonight when I get home from work (and running errands) I can work on the book and do some more cleaning and/or organizing. I may even try to repair that wobbly drawer myself. The file cabinet itself needs a serious purge, as do some of the file boxes I have accumulated around the apartment in my tragic paper hoarding need. As I was looking around at the books last night and thinking about the next serious pruning, I kept coming across books where I would think at first oh, that can go, I’ll never read that again but as I reached for it remembered, oh yes, you wanted to read that because its hardboiled crime fiction set in Los Angeles in the same period as Chlorine is set, and there was a really horrific scene where a gay man is abused by the cops, and that could be helpful in getting into the mindset of how MY queer characters would view the LAPD in that period and so I moved on to the next book on the shelf. It was literally funny how almost every book in my apartment, on my shelves or yes, in the stacks on the floor, I could remember a distinct reason for wanting to read the book and in many cases, it involved writing something; whether a short story, a novel, or an essay about themes or characters or whatever within the book, there was some writing-related reason I wanted to read that book for the first time, or in some cases, like The Lords of Discipline or The Last Picture Show, for maybe the fiftieth time because I wanted to revisit it and see how I felt about it now, at this point in my life as a reader.

I’ve been trying to remember my influences, the cultural moments that resonated or impacted me in some way that changed the way I write because my perspectives had also changed. I recently acquired a copy of a juvenile mystery I remember reading, either from the library or from buying a copy at the Scholastic Book Fair, which I lived for when I was a kid, because I wanted to read it again–and already, just from seeing the image of the original cover and reading the description, I can still remember details from a book I read over fifty years ago; and those were the mysteries I read before I found the series mystery books for kids; once I started with the series, that was all I read…before moving onto novels for adults, which I read voraciously. I’ve talked about and written about books that I loved reading when I was a kid or a teenager, books that made an impression on me in some way and that I remember very fondly, like The Thorn Birds or Green Darkness or The Other Side of Midnight, and sometimes I wish I had the time to go back and revisit those books–but there is so little time and those books are all so long. Everything back then seemed to be incredibly long–The Winds of War, everything by James Michener, Captains and the Kings, Rich Man Poor Man, and even Dress Gray, the West Point murder mystery I always wanted to reread back to back with The Lords of Discipline. Genre fiction–mysteries, romance, scifi–were shorter books as a general rule. Even Harold Robbins wrote some door-stoppers of novels, like The Carpetbaggers and A Stone for Danny Fisher. Irving Wallace churned out incredibly lengthy books that ultimately really were thrillers at their beating heart; Irving Stone mastered the historical biography; and Irwin Shaw also wrote novels the size of leviathans.

And somehow I managed to read them all.

I am not the voracious reader I was when I was younger and had more energy and somehow more time (no cell phone or Internet, more like), and I also read a lot faster than I do now. Heavy sigh. But today is the last day in the office of the week for me, and the last time this week I have to get up this early–I did wake up several times during the night, but I feel rested this morning, if a little spacy–and that’s very nice.

And on that final note, I am heading into the spice mines. Have a lovely day, everyone, and I’ll check in with you again later.

The Wurlitzer Prize (I Don’t Want to Get Over You)

And here we are on yet another Pay-the-Bills Wednesday. Paul is leaving today, and won’t be back until a week from Saturday. I also don’t have Scooter for cuddles and company. Will I go mad living under conditions of absolute reality? Even larks and katydids are believed by some to dream.

Yesterday was a much better day than I’ve had in quite some time, all things considered. I slept incredibly well, so didn’t start off my day either sleepy or groggy or tired, which is always a plus. The work day was relatively low-key; we were slow in the morning but busy in the afternoon, and frankly, I prefer it that way; busy in the morning inevitably means tired in the afternoon, and if we’re so it’s agony. But over all, a good day at the office and an auspicious beginning to the month of August. (I also didn’t note that it was the anniversary of both of our moves to New Orleans; first in 1996, then again on August 1 2001 when we moved back home from That Horrible Year Away.)

I ran errands on my way home–mail, prescriptions, groceries–and then came home to a sink full of dirty dishes which needed attention, so I took care of that as well as another load of laundry, and then sat my ample buttocks into my desk chair and banged out the revision of Chapter 3 I’d been stuck on for a little less than a week (not so much stuck as tired and didn’t want to bother with it, in brutal honesty) and got it finished and under control before moving onto Chapter Four. I also worked on “Whim of the Wind” for a little while, and also did some more research into the history of the city I am fictionalizing for the WIP, which I continue to fail to discuss. Perhaps this weekend? Perhaps. I kind of want to see if I can get past Chapter 4 before I talk about the book publicly, but that’s nothing more than my own superstitions, which is pretty stupid. As a general rule I don’t believe in things like jinxes and curses and so forth, but I do believe you can actually speak things into existence sometimes. The only takeaway I got from Psych 101 in college was the concept of visualization; that picturing something in your mind can make it happen–but not like winning the powerball or anything like that, but more along the lines of why you always spill something full when you’re carrying it no matter how careful you are…because your mind cannot picture a negative–you can’t see yourself not spilling it; so when you think about not spilling it, you will because you see yourself in your mind actually spilling it. (It’s like how you cannot prove a negative–you can rarely prove you aren’t something; but it is incredibly easy to prove you are. I use this example: someone drinks a lot. They don’t think they have a problem, they don’t wake up in the morning feeling like death warmed over twice and wanting another drink. But once someone says, “You have a drinking problem”, you can’t prove that you don’t. You can say you aren’t, but that’s denial. You can stop drinking for a time period—but if you start drinking again, well, there, you see, you were in recovery and then relapsed! You cannot win, so why bother trying?) It is much harder to prove something isn’t true than it is proving something is. Guilt is the same way–how do you convince the cops, who are convinced you are, that you aren’t?

I will say this about the WIP–it’s more hardboiled and noir than what I usually write, I am having a lot of fun with it, and it’s been a long time since I wrote anything set in Florida, if I ever have? Dark Tide started as a Florida panhandle novel, but I moved it to the Alabama coast; “Cold Beer No Flies” was a panhandle story, too. But this is me fictionalizing Tampa–come to think of it, my main character in The Orion Mask lived in a fictional Tampa I am using again for this one–and I’ve not set foot in Tampa, other than flying in and out for Bouchercon in St. Petersburg, since I moved away in December 1995 to once again reboot and restart my life.

I was tired after all my errands yesterday–the thermostat in my car let me know it was 101 when I left the office yesterday; it is insane for it to be that hot, even in New Orleans. It’s exhausting dealing with this insane summer heat this year. But I did get some writing done yesterday, which was a good thing, and of course Paul finished packing. Heavy heaving sigh. Ah, well, I have Superman and Lois to catch up on, and My Adventures with Superman, and so many old classic films to watch, so I shouldn’t have any trouble keeping myself entertained so I don’t feel lonely or bored. And of course I could be writing, which is always difficult in August…I also think about how about eighteen years ago I was finishing (finally) Mardi Gras Mambo at long last in that last, fateful August before Katrina. It really was a completely different world all those years ago; maybe I ‘ll go back and read those old Livejournal entries from August of 2005, so I can remember the world before once again. I also have a lot of reading to get caught up on, as well. I have some errands to run this evening on the way home from work, and then I am going to be inside for the night. We did watch another episode of Gotham Knights last night–very intense, as the season finale moves closer–but now I have to wait for Paul to come home to finish. Heavy heaving sigh.

But perhaps I’ll use all this solitude productively. One never knows, and on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.

Tishbite

And suddenly it’s Sunday, and I go back to the office tomorrow. Paul leaves on Wednesday for ten days, so Wednesday night is going to feel really weird and off when I get home from work. No cat, no Paul, and that has the potential to be incredibly sad and lonely, if I allow it to go that way. I don’t think I’ll be able to manage just goofing off when I get home from work while he’s gone; not to mention the time we usually spend together every night. I will most likely finish watching My Adventures with Superman while he’s gone, and I’ll probably watch Heels on Starz, with Stephen Amell; obviously, it’s a drama series built around a local wrestling promotion–and since my current WIP does the same (it’s not about the promotion, but the promotion plays a part in the book), it couldn’t hurt to watch, right? I just have to be careful not to steal, er “borrow”, anything from the show. (I doubt I will; the promotion is really back story more than anything else.)

But yeah, next weekend is going to be weird as shit around here. I’ll have to get used to sleeping alone–always an issue for me; changes to sleeping situations never are particularly easy for me to adapt to, ever–and without Scooter to cuddle up next to me in the bed, it’ll be particularly lonely. Ah, well.

I started reading Kelly J. Ford’s The Hunt yesterday, and I have to say wow. From the very first page she pulls you into the story, and the authorial voice! Magnificent. I still haven’t read Real Bad Things, her previous novel, yet; I don’t want to not have another book by her to read (my usual author-fan neurosis kicking into gear) but I am also thinking I may read it on the plane to Bouchercon, depending on how far along I am with my TBR pile by then–I have, after all, books by Eli Cranor, S. A. Cosby, Alison Gaylin, Laura Lippman, and Michael Koryta to get through yet as well–but with Paul gone, I will either be reading or writing every night when I get home from the office, so maybe I can get a lot of this reading caught up on. I also want to read this original text version of The Mark on the Door (The Hardy Boys) so I can write about it, too. I was also thinking it might not be a bad idea to take some of these really old blog posts I never finished and copy them into Word documents…because they really are longer form personal essays that require more work than just what I think off the top of my head–I actually have to look things up and do research to be effective, and I can save them in a folder called blog essays so I know where they are when and if I decide to ever look at them or try to finish them because it bothers me that I have all these unfinished drafts saved on the blog–many of which I tend to forget about until I’m reminded when I see the draft, which isn’t exactly conducive to finishing it. There’s one particularly old one where I wanted to read and talk about Uncle Tom’s Cabin, probably one of the most famous books ever published in this country and one that actually effected societal change…but it’s undoubtedly, from the modern lens, incredibly problematic, which is why I wanted to read it. I also have an electronic copy of The Clansman, which is the book Birth of a Nation was based upon, which clearly is a problematical text; perhaps someday I can do a lengthy personal essay about both of those books, along with Gone with the Wind, in the context of the Lost Cause mythology I was raised to believe (never really did because I could never get past the evil that was chattel slavery, no matter how much any of the latter two authors tried to convince their readers that it was benevolent and better for the enslaved than freedom…even typing that, I can’t wrap my mind around the fact people believe that bullshit, or even more insanely, some still clearly do).

I also spent some time doing research into Filipino immigration to Louisiana (because I am looking into writing about them) in the eighteenth century as escapees from enslavement on Spanish galleons in the Gulf of Mexico. Louisiana truly is the melting pot I was taught growing up as a part of American exceptionalism; Louisiana had immigrants from all over the world and from every imaginable “race” (which is not biology but a social construct, and no one will ever convince me otherwise), from the Isleños from the Canary Islands to the Filipinos who settled at St. Malo just off the coast-line on the opposite shore of Lake Borgne from New Orleans–I am also interested in the idea that there was also a settlement of escaped formerly enslaved people in the East called “maroons”–not to mention the enslaved people brought here unwillingly from west Africa as well as the Caribbean islands. Europeans were well represented here by French, English, and Spanish; Jews also came over in the eighteenth century, as well as Germans (There’s a town called Des Allemandes–the Germans–on the west bank of the Mississippi, and an entire stretch of the river called the German Coast), and of course there are Cajuns, Armenians, Greeks and Americans, too. There is a quite large Vietnamese immigrant community in New Orleans East, too. I’ve always felt New Orleans had a darkness to her; the slave trade flourished here (New Orleans was what they meant by being “sold south” or “sold down the river”–and it was so bad those words and phrases were considered threats)…which also reminds me I should revisit Barbara Hambly’s Benjamin January series, which I always recommend to people interested in reading about New Orleans and its history. All of the former slave states have a darkness to them, which is what I am exploring in my Alabama and Louisiana researches on now; how to incorporate that theme, of the suffering embedded in the blood-soaked soil and how so many souls cannot possibly be at rest.

That’s kind of what my revision of this nearly forty year old short story is becoming, and that’s kind of why I am stuck in the part I am at now; when the two boys are told the Civil War legend about the ghost of the cemetery. The original story was one that has since turned out to be apocryphal, a story my grandmother told me as truth when I was a child. I have found an equally bloody and horrifying legend based in the actual grisly history of the region from whence I sprang, and I am trying to get the tone right. I think the man telling the story to the boys would not have been a Union sympathizer but a Lost Cause believer, which makes telling the story and getting the tone right much more difficult. I think I’ve figured out the way to do it right–I don’t really care if Lost Cause sympathizers are ever offended by my writings about the South, to be perfectly clear if it wasn’t already–but I am of course worried that I’ll blow it so had to rest my brain and think about it some more yesterday. I also scribbled some backstory on my main character for the book I just started writing in my journal, which was very cool. After getting the mail and the groceries yesterday I was just drained–the heat really can suck the life right out of you–and so I just sheltered in the apartment and did some cleaning and organizing and thinking, really.

We watched two movies, Renfield and They Cloned Tyrone, both of which were quite enjoyable but completely different. I wasn’t so sure about Renfield, which I assumed was simply a modern take on the Dracula story from Renfield’s point of view, which I thought was a clever idea–but I didn’t realize it was intended to be a comedy. The female lead is Awkwafina–which I did not know and didn’t see her once in any preview of the movie I ever saw, which was some peculiar marketing. I wouldn’t have even thought twice about watching the film had I known she was in it–and she was amazing, as always. I am really becoming a fan. They Cloned Tyrone was a tech horror movie, filmed like a 70’s blaxploitation film, and it was interesting and clever and really smart (although part of it reminded me very much of an Edgar award winning novel from a few years ago that I loved) and we really enjoyed it before watching some more Nora from Queens before turning it in for the evening.

Today I am going to get cleaned up a bit, get ready for the week and do some writing. I want to get this short story revision completed as well as taking another shot at revising the third chapter of the WIP. I do need to do some more straightening and organizing–as always–and there’s a load of dishes in the dishwasher that need putting away. I am feeling better rested, which is lovely, and I am hoping to carry that energy, along with some positivity, into this new week. I do have some errands that will need to be run this week, alas, but I think most nights I’m probably just going to come straight home from work and either read or write or clean and organize. There will of course be nights when I am horribly lazy and won’t do a thing, but I am getting bored with being lazy and am feeling like I need to be producing in one way or another–making myself useful in my spare time. That of course is a neurosis in and of itself; the refusal to accept and allow myself to have down time where I am not doing something or anything or even thinking; sometimes I just need to mindlessly go down Youtube wormholes for the evening, and sometimes I even learn something when I do.

And on that note, I am heading into the spice mines. Have a lovely Sunday however you choose to spend it, Constant Reader, and I will check in with you again later.

Ups

Saturday morning in ye olde Lost Apartment. Yesterday was a productive one, yet I was tired. I slept better Thursday night than I had all week, and yet… tired, emotionally, intellectually, and physically. I got my work done, though, managed to get laundry and dishes taken care of, and finished page proofing. I was watching (listening) to a documentary on MAX about DC Comics (which was essentially a three hour informerical about DC entertainment–comics, movies, games, graphic novels, television shows, etc.), which I kind of enjoyed besides the obvious puff piece approach. They were brutally honest about bad decisions and down-turns in popularity, as well as the insane boom of the early 1990’s with the collectors’ stuff. I had that on while I page-proofed, and it was interesting. I’ve always been a DC guy (who has nothing but respect and admiration for Marvel; I love Spider-Man), so seeing all the previous incarnations of the heroes and the stories as they evolved and changed over the years. They did, in fact, bring up the weird period where Wonder Woman gave up her powers and just became Diana Prince, which was also the same period where Supergirl was poisoned and her powers came and went; were no longer reliable, so they dreamed up some tech to help her out when her powers failed her. I was already planning on writing about DC again, thanks to the breaking news of the casting of the new Superman and because I’ve started watching the animated series My Adventures with Superman, which I am loving. We also finished The Crowded Room (a bit disappointing overall, I think) and watched the new Minx as well as some more Awkwafina is Nora from Queens.

It was extremely hot yesterday and I did not go outside. Even with the air conditioning on, I could tell everything outside was roasting. The air had that weird texture to it still, like it was almost scorched a bit from the heat. Today we have extreme heat advisory from eleven to seven, and I am considering not running my errands today if I can’t get it done this morning. I don’t want to be out in that if I don’t have to be, and if I do, at a time when it isn’t terrible outside. It is definitely the hottest summer I can remember in my life–and I do not just think that ever year and this year is no different. This year is VERY different, so hot it’s almost scary. The water in the Gulf is so hot, how can that be good for aquatic life? For the ecosystems of the shorelines? How hot are the rivers and lakes and creeks and streams? I have to run the cold water tap for quite a while every day before the water actually cools down to merely lukewarm. It’s very easy to get dehydrated, and it’s very easy to get heat exhaustion. Seriously, people, if you have to be out in this today, make sure you stay hydrated and out of the sun as much as possible. I also think it can’t be good for the car to be operating in this heat, either. But people in places like Palm Springs and Arizona drive and go out into the heat when it’s 114 or more outside. Maybe it’s just my natural anxiety, I don’t know. There’s always something to be anxious about.

Today I want to get some writing done. I want to finish revising that short story and I want to try to get that next chapter of the WIP revised as well. I may even try to write a story for a deadline in a few days, but even I am not arrogant as to think I can write a story that can get through an anonymous read in just three days. I also want to read a bit, and I want to work some more on the shelves in the laundry room. There’s just so many books, and I know I need to keep pruning. I need to be brutal and heartless, but so much I want to read and still think, hoping forlornly, that I will get to them…even as I buy more and more and read less and less. My mind is kind of all over the place right now, as it usually is when I don’t have something to focus on fully. Deadlines do impose some a forced focus onto me, but they also bring anxiety with them and I really don’t want to deal with any more anxiety right now, you know? Why invite chaos in, when you know damned well there will be anxiety no matter how much you convince yourself that this time it will be different? (It never is.) This love/hate relationship I have with writing is something I was actually thinking about yesterday as I put clean sheets on the bed. I was thinking that there are definitely parts of this I love–I love the creative aspects, I love working it all out in my brain, I love creating the characters and setting the mood and finding the voice. I enjoy revisions, too, but the element of despair is always added to the process when you are doing the revisions. By the time you’re doing what you hope is a final polish with almost every error excised or string tied up, you are heartily sick of the book, the characters, the story, writing in general and wondering why you ever thought you could do this, and would it really be that horrible a loss if you just walked away from it all? Then you hold your breath and click send, and then the agony of waiting starts, with all its paranoid imposter syndrome spirals and fears that this is the time you wrote something for which there is no editorial hope.

I mean, that happens every time I write a book, whether it’s on a deadline or not. The additional stress of the ticking clock a deadline adds to the entire process is what I’m getting to the point now where I can’t handle it or at least would prefer not to at the moment. I kind of just want to enjoy this moment where there’s no writing pressure and I can just work on stuff without being stressed about it at all, enjoy the process and the writing and creating itself. This is, after all, what I love about doing this. So why not do it under circumstances where I can savor the experience and enjoy myself? I mean, I do love writing, and I think I should be able to enjoy myself doing something I love all the time rather than being stressed out and anxious about it.

And I am enjoying writing again, being creative, feeling like yes I’m an author again, which is nice and frankly, a feeling I’ve missed. And it isn’t that things are so much better now than they were by any means, it’s just that now I don’t have to try to cram things into every day. Our civilization is crumbling around us and the world is on fire, but I don’t have to rush for anything other than being on time for work–and that I can live with. It seems wrong to be so calm and settled while the world is burning and our government is collapsing, but there it is.

I’ve always been selfish.

I slept well last night. I did wake up a couple of times, including the always every night five and six am wakes, which was just as annoying as it always is, but managed to go back to sleep both times and not get up until eight, which was really nice. I feel a lot more rested this morning than I have all week–naturally on a day when I don’t have to go to the office–and I am probably going to go ahead and run those errands today and get them out of the way. If I am making groceries, I don’t necessarily have to get the mail today; I can go to another grocery store rather than all the way uptown, for instance, and I do have to swing through Midcity on Monday to pick up a prescription, so I might as well do the mail that day anyway. I have other prescriptions that will also be ready in Uptown by Monday as well, so might just do a grocery run today and get that out of the way and then stay indoors as much as possible the rest of the day. It’s also kind of hard to believe Bouchercon is looming, as is my birthday. I made a to-do list this week, but I am so out of practice with using one that I never look at it anymore once it’s made and I need to stop doing that.

I am going to start reading Kelly J. Ford’s The Hunt this weekend, and I’d also like to watch some more of My Adventure with Superman. I should probably also finish that blog entry on Superman and his evolution on film/television over the years, and how I will go to my grave a Superman fan. I may also finish Hi Honey I’m Homo by Matt Baume this week, giving me the opportunity to move on to another non-fiction tome, and will also need to post a review of it. And of course there are other entries I need to finish as well. Someday I will be caught up on this blog, you’ll see, Constant Reader!

And on that note, I am heading into the spice mines for now. Have a lovely Saturday, Constant Reader, and stay hydrated and be cautious in this heat because I would miss you.

Evangeline

One of the great joys of my life has always been history. One of the many reasons I love New Orleans so much is because the city has never completely paved over and replaced its history; on a foggy night in the French Quarter, the sound of mules pulling tour carriage clopping on the streets can make you feel like you’ve somehow stepped through a window into the past, and I love that. I’ve never known much beyond some basics of New Orleans and Louisiana history; and I’ve been going down rabbit holes since right around the start of the pandemic, learning more and more about the history here. It’s humbling to realize how little I actually did know. I knew when the French arrived; I know how English Turn got its name and when Louisiana was turned over to Spain (1763, to be exact) and when it became American (1803). I also know Napoleon sold Louisiana to the Americans before he succeeded in forcing the Spanish to return it to France….so he could sell it to the Americans. I know New Orleans fell to the Union in 1862 during the Civil War; I know a little bit about Storyville and Huey Long; and I know that the landing boats used for the Normandy invasion in World War II in 1944 were built here. I know a smattering of things post-war about New Orleans–but the gaps in my knowledge are staggering, and I know even less about the rest of the state’s history.

I know that the Cajuns are actually Acadians, from French Nova Scotia, kicked out after the French and Indian War and forced to resettle elsewhere–many of them, after a long and mostly horrific journey, arrived in the swampy wetlands of Louisiana and made their home here. I know that Longfellow’s epic poem “Evangeline”, about two lovers tragically separated during what is called le grande derangement–the Great Expulsion–who promise to find each other once they reach Louisiana. It’s a tragic poem, and of course the Evangeline Oak in St. Martinsville is supposedly the”place” that the fictional lovers finally found each other after so many years, but their pairing was simply not meant to be–the story is a tragedy, after all–but that was how the “Cajuns” came to be Louisianans, and even after they arrived it wasn’t easy for them here. The Creoles of New Orleans looked down their aristocratic noses at the lower class farmers, and so they settled in the part of Louisiana still known as Acadiana to this day.

I have a copy of Evangeline somewhere. I really should read it.

One of these years, I am going to explore my state more. I’ve lived in Louisiana now for almost twenty-seven years, and I’ve never done much in terms of exploration, sight-seeing, and research. The Atchafalaya Basin fascinates me, as does Acadiana. The more I read about the history of both New Orleans and Louisiana, the more I realize how little I know (I always laughed off being called a “New Orleans expert,” because there’s literally a library filled with information about the past of both the city and the state to completely humble me and make me realize I know actually very little about either, and definitely do not qualify to be called expert on anything Louisiana.

I’ve slowly started writing about the rest of Louisiana, but I often fictionalize the places I write about; they are loosely based on the reality but I get to play around with that sort of thing and that’s better for me than trying to write about the real places and making it all up. My first time outside of New Orleans writing about Louisiana was really Bourbon Street Blues, when Scotty is kidnapped by the bad guys and winds up deep in a swamp. “Rougarou” was when I came up with a fictional town and parish outside of New Orleans, which I’ve used since then again. Need had portions that were set in the rural parishes outside of the New Orleans metropolitan area. The Orion Mask and Murder in the Arts District also were heavily reliant on being set (at least partially) in a fictional parish between New Orleans and Baton Rouge. “Solace in a Dying Hour” is another one of these stories. Oh, and Baton Rouge Bingo also had a lot of action outside of New Orleans as well.

I probably should have majored in History for college, but what would I have done with that kind of degree other than teach? Ah, the paths not taken, since I never had any desire to be a teacher, probably my subconscious saying um, you cannot be a teacher because of who you really are which was probably smart. Besides, I wouldn’t have ever been able to pick a period to specialize in; I would have had to be like Barbara Tuchman, interested in everything and picking certain periods that intrigued me for study. How could I ever choose between the Wars of Religion and seventeenth century France, or the Hapsburgs in Spain and Austria? Although I suppose I could have specialize entirely in the sixteenth century, primarily because it was such a tumultuous transitional century. I wish I was a trained researcher, but I suppose I could still learn how to do research properly despite my great age; the problem is time. Fall Saturdays are given over to college football (and I am not giving up one of the great joys of my life) and of course Sunday I watch the Saints. But if I am going to write historical fiction set in New Orleans or Louisiana, why wouldn’t I avail myself of all of the magnificent research facilities here in the city? UNO, Tulane, Loyola and I’m sure Xavier all have archives in their libraries documenting the past here; there’s the Historic New Orleans Collection and the Williams Research Center and really, so so very much. I also need to explore the bayou parishes and the river parishes, and make my way further north to explore Acadiana…and if I ever want to write a book based on the Jeff Davis Eight, I would need to go visit that parish and look around, get a grasp for how it feels and looks there.

So much to do, so little time…and one of the great problems about Louisiana and New Orleans history is trying to decipher what is fact and what is fiction; as so many “historians” and “writers” (looking at you, Robert Tallant and Harnett Kane) often wrote legends and lore as historical fact. I’m not sure how much of Gumbo Ya-Ya is actually true or not, but for writing fiction…perhaps it doesn’t matter as much how right it is? I have this idea for a story, predicated on something I recently discovered again–I have a tendency to forget things–but there was a community just outside of New Orleans called St. Malo, which was settled by Filipinos who’d escaped bondage on Spanish sailing ships. Filipinos in Louisiana in the eighteenth century? But it’s true; and the community was mostly houses and buildings built over the water; the 1915 hurricane destroyed it completely and it was never resettled, with those who survived moving into the city proper. I have an idea for a story called “Prayers to St. Malo” that would be built around that, but the story is still taking shape. There is always more to learn about regional history here…and since I am doing such a deep dive into Alabama history, why not continue diving in regional here?

Louisiana is unique and special and different–which is why I think I felt at home here that fateful thirty-third birthday when I came to New Orleans to celebrate it. New Orleans was the first place I ever felt like I belonged, and I’ve never regretted moving here. I just wish I’d started diving into the local history sooner.

Eperdu

And it’s a work-at-home Friday, which means we’ve somehow managed to survive yet another week of going into the office whilst living through more heat advisories. Hurray! Hurray! I slept much better and more restfully on Wednesday night, so I didn’t start the day off yesterday dragging and tired. I think I am finally getting used to getting up so early, as I get sleepy earlier than I ever have and even on days off, I wake up at six before going back to sleep for another hour, maybe even two if I am particularly lucky. Paul got his plane ticket to visit his mom, and so he is departing this coming Thursday for ten days. No Paul, no cat? What the hell am I going to do for ten days without Paul or a cat to entertain me? Hopefully, I’ll apply the lesson learned Wednesday night, where I come home and rest for a little while before springing into action. I want to get a lot done this weekend, if at all possible.

Paul and I had a lovely long chat the other night, which was nice. We’re often both so tired and worn out by the time he gets home we generally end up just watching television and not really talking all that much. But it was in the course of that conversation that I had a brilliant insight into the Scotty series and why I’ve been so hyper-critical and tough on myself with the most recent one, which will be coming out this fall. I’m not going to get into that here, but it was yet more evidence of how “not talking about your work in progress or how you feel about it” is bad advice; because in talking to him and saying it out loud and hearing it seemed to unlock some door in my mind where BLAM, now I know the answer, and so my questions over the last few years about whether I should keep the series going or not kind of became moot. Sometimes you really can’t see the forest for the trees, so talking it out, saying things out loud, actually is an enormous help.

I’ve been thinking a lot lately about myself and my work; and it’s been invigorating, really. I was telling Paul, during the course of that conversation the other night, that the main thing I remember feeling over the last few years was defeated; I felt defeated and run down and like I was always behind, which only amplified my own stress and anxiety and made me feel even more defeated to the point where I often felt helpless and paralyzed in the face of everything. Losing Scooter was the final jolt that just kind of made something in my head snap, for want of a better way to describe and/or say it. Everything has just been so miserable for so long, and so much completely out of my control, that it’s very easy to feel defeated, beaten down, and thinking well at least I’m old and have had a good life now that the world and civilization is burning to the ground isn’t really much help in picking up my own spirits, inspiring me and motivating me to get back to work. Reading Megan Abbott’s latest was, as ever, not only an inspiration for me to work harder and do better work but her brilliance was also kind of a kick in the pants for me; the depth of thought and perception she puts into her characters is what, for me, makes her books so powerful and special (the language usage and choices are also exceptional) and made me think I need to dig more deeply into my own characters, and perhaps spend more time carefully crafting sentences. I think I do that in my short stories, but because a novel is so much longer and I am always behind, I may not do it as much in the longer form as I should. (I did, I think, succeed with that in Bury Me in Shadows and #shedeservedit.)

I was tired when I got home yesterday in the broiling heat, but still managed to do some laundry and clear out the sink as well as put away the dishes in the dishwasher. So, I am coming into this weekend slightly ahead of the game. I tried getting to work on the laundry room shelves–which are absolutely disgraceful–but it was too much for me so I gave up on it and went back to the sink to wash everything now that the dishwasher was emptied and I could reload it (and yes, I wash my dishes before putting them in the dishwasher). I also worked on revising an old short story of mine. I hadn’t reread it in quite a while, and the last time I tried to do anything with it was a revision with severe tweaking to fit the theme of an anthology call (it was a terrible attempt I regretted submitting almost immediately after sending the email), and I realized several things. This is the story that never quite worked completely but my professor from my second attempt at taking a college level writing course praised so highly and told me was publishable, finally reawakening the dream and the goal again, made me believe, if only for a little while. I’ve thus kind of always thought of the story as sort of holy in some way; beautifully written and poignant, with a strong voice and so forth that I would always just kind of skim it and think, no, I still can’t think of any way to make this better. Yesterday evening I opened the document again and started reading…and started making changes. It seemed suddenly very bare bones and simple, which worked…but didn’t go deep enough, if that makes sense? Anyway, the story was about 2130 words when I started working on it (much shorter than I remembered as well) and am not even halfway into it and it’s at almost 3000 now, and its actually working. Yes, it’s lovely and simple in its original form, but it didn’t work because of the central core of the story–the late night visit to the graveyard to look for a supernatural occurrence that happens every year but only on that night. The legend, the ghost story if you will, was predicated on a “family history story” that I now know is apocryphal to the point of being trite (having addressed this very issue in Bury Me in Shadows), so I had to change that–and in changing that, the rest of the story started falling into place in my head. I hope to finish working on the story tonight after work. I also have page proofs to finish going over this weekend, and I want to work some more on the book I am currently writing. Hopefully, I can get the laundry shelves taken care of this weekend and the laundry room itself; Paul’s looming visit to his mother and absence for ten days frees up a lot of time for me to purge and clean and get shit done around here.

Excellent timing, too. I’d love to have the place shipshape in time for my sixty-second birthday.

I also want to spend some time reading this weekend. I know I am being overly ambitious and the weekend is only two days–which is how I always end up feeling like a failure; by setting myself up to feel that way by placing unrealistic expectations on myself that I somehow convince myself (I’m doing it right now in my head, even as I type this) that those expectations are not only realistic but feasible. It’s always a fun time inside my head, isn’t it?

I watched a documentary while waiting for Paul to get home (he had a board meeting), and it was about an app I’d never heard of that was apparently a thing but I was completely oblivious to while it was going viral. (You know me, always with my finger on the pulse.) It was interesting but weird; when it finished I wasn’t really sure what the entire point of making the documentary was since there really wasn’t a cohesive story. Some weird shit happened, sure, but nothing that made it stand out so much from the rest of the weird shit that is always happening to deserve a documentary on MAX (which I always pronounce the way Carol Burnett doing Norma Desmond would), but it held my interest for stretches of time, therefore keeping me from doom-scrolling social media. Twitter, er X (I changed my name on there to “Madame X”, just for shits and giggles) is literally burning to the ground right in front of us; I don’t precisely remember what evil thing Facebook did but it’s not much fun anymore, and while I do appreciate visuals a lot, looking at pictures will only hold my interest for so long. In a way it’s kind of good, because the more it bores or enrages or produces any kind of negative reaction from me the less time I spend there…and that time can be better utilized doing things that are productive. I understand its uses–and the continued belief that a presence there can somehow move books for you–but I don’t like how being on there for a prolonged period of time makes me start thinking and reacting. That kind of negativity and toxicity is something I’ve always, since I started recognizing it for what it was, been trying to cut out of my life, so why am I participating in something that not only envelopes me in it, but makes me want to behave or even just think in ways I’ll not be terribly proud of later? There are enough random blows in life that come at you out of nowhere that you have to deal with; so why would you invite more chaos into your life?

It doesn’t make sense. And I really don’t need to waste the time there. I’ll still use it, of course, to check in on friends and post my blogs and about events and things I am doing and books I am hawking, but I am trying to limit it. I’d rather stay in touch with people I genuinely care about in other ways that liking or replying to a post or tweet or x or whatever the fuck it is this week.

And on that note, I am getting another cup of coffee and heading into the spice mines. I’ll probably be back later on at some point; I seem to have gotten into the habit of multiple posts per day somehow lately. Not sure what that is about, either, but rolling with it.

Half-Gifts

Thursday morning and the last day of in-office work for me. July is coming to a close, and we are slowly inching our way to the end of the dog days, when a sweat-bath is no longer included with any venture outside. For those who wonder how we can stand to live with the heat of summer, it’s primarily because, with the rare occasional cold spell, it’s beautiful here from mid-September to mid-May. It wasn’t so bad yesterday, in all honesty. When I got in my car in the morning to go to work I thought this isn’t so bad and checked my phone. The heat index said it felt like 97 degrees and I thought it was cool.

Ah, summer in New Orleans. Even when I came home, it was still high–but was a “feels like” in the low 100s, so I was actually okay with it. I was tired, though, when I got home from work. I had a ZOOM meeting but it was canceled, and I hadn’t slept well again last night. I’ve not had a good, deep sleep since around Saturday night, I think. It’s no wonder I’m feeling a bit tired. I collapsed in my chair and watched some informative Youtube history videos on the Apostolic Majesty channel; a particularly good one about Charles V’s failure of his primary goal–the creation of a unified Burgundy under his control. I love this shit, seriously. Then I got up, put on some classic dance music from the “dance all night days” (seriously, Jonathan Peters’ remix of Whitney Houston’s “My Love is Your Love” is one of the greatest dance recordings of all time) which gave me some nostalgia from the years I spent the weekends haunting the bars in the Quarter, listening to great music and dancing and just enjoying myself thoroughly. I did some dishes while listening (and dancing, and performing–I always perform) and some laundry. The dance music picked up my lagging spirits and put me in a good mood. (I was a little bummed by some things I found out yesterday, which made my spirits sink to the bottoms of my feet; I’ll talk about them both at some point, but it was a rather dispiriting day with bad energy.

But without a purring kitty sleeping my lap, I couldn’t just sit in my easy chair all evening and wallow in misery and disappointment–not when there’s fun gay dance music to dance to while I clean and do chores and so forth. Lesson learned and note taken: there’s nothing gay dance remixes can’t make better. Looking around this morning, I realize I am heading into the office for the last time this week, and I am going into the weekend with the laundry and dishes caught up, but the kitchen organized and yes, there’s still some clean-up and filing necessary to be done–but without having to worry about doing laundry and dishes and so forth? Easy-peasy. I’d like to get some writing done this weekend; some short stories need work, I need to write another one from scratch, and I want to keep working on this new work-in-progress which I’m not quite ready to talk about just yet; I want to get these first four already written chapters edited and revised and see how easy the next few chapters come before I am going to talk about it publicly yet. I do like the story, and I do like the concept behind it; I like the main character who’s a good guy but kind of a loser–well, maybe not necessarily so much a loser but someone who can never really catch a break of any kind; just one would have completely changed and transformed his life and who he is into something completely different. He’s had a hard life, been burned by lovers, and now just is kind of coasting into whatever happens next. This is more hardboiled noir than what I usually do, but I am trying not to replicate someone else’s style this time so much as to kind of create my own, if that makes sense? A friend, a fellow writer far more successful than I could ever dare hope to be, once told me, your blessing and your curse is that you can write anything and everything. It was probably the most penetrating insight anyone has ever give me about anything in my life, and I think about that all the time. Do I have a distinct authorial voice? Am I not more successful because I write all over the place, without a structured and detailed plan of what to do next and where to go and so forth.

But I also don’t know if that’s me. It was me, before the Time of Troubles when everything derailed, and since then I’ve not really just ever taken the time to sit back and really put some thought into what I want out of my writing career. Since I started writing again after the Time of Troubles, I’ve just kind of bounced from this sounds interesting to oh I think I’ll write about this next rather than, what kind of books do I really want to write and what kind of career do I want to have in the time that’s left to me, and what do I need to do to get there? I do think somehow my work has matured to another level over the last six or seven books, and I know my short stories are getting better as I write more of them. I am so fucking proud of “Solace in a Dying Hour” and “The Ditch” (forthcoming in that terrific anthology School of Hard Knox that I posted the TOC from the other day) I could just burst. I really want to write something for the Malice anthology, and there’s a couple of deadlines looming on open calls I am sort of interested in.

A rather ambitious program for the weekend, methinks. But definitely do-able.

And on that note, I am heading into the spice mines. Have a great Thursday, Constant Reader, and I’ll check in with you again later.

One More Chance

My first series will always be special to me, even though I’ve retired Chanse MacLeod…at least for now, at any rate; I’ve learned (sometimes the hard way) that I shouldn’t ever say never when it comes to my writing career. Chanse will always be special for me in that he was the main character in my first book to be published as well as the first series of mine to see print. I originally created Chanse in 1989–can you believe that? Thirteen years from the time I first started constructing the character and him getting into print.

When I left California and moved to Houston that year, I decided to put the miseries of the 1980’s behind me, forget the past, and try to move on to the future I wanted for myself. I still had no idea what I wanted to do to make a living, but I knew I was never going to become a writer unless I actually, you know, wrote. When I moved to Houston, I moved away from reading mostly epic fantasy and horror to reading crime and horror. Sue Grafton’s F is for Fugitive had just been released, and the bookstore–Bookstop?–I frequented in Houston had a store catalogue that had book reviews and author interviews, and Sue Grafton was on the cover. I thought the alphabet titles was a great idea, so I bought the first three and took them home. I loved them, and started diving back into the crime fiction genre headfirst. I also started reading the Erle Stanley Gardner Perry Mason novels again–I’d read some when I was a kid–and I also started reading the rest of the Travis McGee series (I’d read, and not liked, The Dreadful Lemon Sky when I was thirteen; I wasn’t old enough to appreciate the series) and absolutely loved them. I loved McDonald’s writing style more than anything else, and the descriptions of McGee sounded, well, hot.

I started creating Chanse MacLeod as a blend of Kinsey and Travis McGee, really; I was driving to work one day and crossed a bayou. noticing the sign for the first time, and thought “The Body in the Bayou would be a great title for his first book” and so i started constructing the character and his world. He was a former cop turned private eye in Houston; he’d played college football at Auburn but suffered a career-ending injury his senior year and so he went into law enforcement, eventually going out on his own. He had a secretary named Clara that he shared with a couple of lawyers in an office suite in downtown Houston, and most of his work involved trying to get evidence of adultery for wealthy and suspicious spouses. In 1994. after I fell in love with New Orleans, I moved Chanse to New Orleans and his college experience to LSU; I also was discovering gay crime novels around this same time, so I decided to make Chanse a gay man; from a small town in Texas with homophobic parents and family, playing a sport where homophobia is rife, and he too discovered and fell in love with New Orlean…so he became a cop when his football career ended, eventually becoming a private eye. I started rewriting the four or five chapters I’d written with the story set in Houston…but once I moved to New Orleans and began to grasp what it was actually like to live here, I threw the entire thing out and started over.

That manuscript I started over became Murder in the Rue Dauphine, and the first place I submitted it to offered me a contract six weeks after I mailed them the manuscript. Alyson was home for the first five books in the series…before Alyson Books went belly-up, without paying me the advance for the fifth book and no longer paying me royalties on the others (the entire series was still in print when Alyson folded).

Burn in hell, corporate trash who bought Alyson.

(The company had been doomed for a while, and the unfortunate last minute attempt to rescue it failed, which I thought was horrifically unfair to the person who they brought in to save it. The final collapse was hardly his fault; his predecessors had made so many unbelievably stupid mistakes there was no saving the business, really. And ebooks and so forth started eroding away at the reader base, at the same time the business began to crumble. I’ve always felt bad for the poor dude who was the last to hold the title of publisher. I don’t think he had any staff and he was the only person working there by the bitter end.)

But when Alyson went belly-up and chose to stop honoring their contractual obligations to pay their writers, I’d already moved the Scotty series to Bold Strokes Books and was doing not only anthologies for them but also editorial work for them, so moving the Chanse series there was a no-brainer.

The last two books in the series were done with Bold Strokes Books.

As with anything with my career, I had a plan for the Chanse series but of course, man plans and the gods laugh. I had always intended the series to be seven books, from the very beginning, and I had this emotional journey for him all mapped out: the series would chart his progression from lonely, damaged and scarred loner with a snide sense of humor to more centered, more grounded, more mature and more settled into his life. So, when the series opened, he was–against his better judgment–seeing a hot flight attendant, and wondering if he was actually falling in love and had the opportunity to be happy for once in his life. I really did give him a miserable backstory; alcoholic mother, abusive drunk redneck father, grew up living in a trailer park in a snotty small Texas town where no one would let him forget he was trash until he showed some football playing ability–and he was just cynical enough to understand they still considered him trash, but trash with a skill they appreciated. He went to LSU and joined a fraternity in a final attempt to banish the homosexuality from his brain (it didn’t work), and then was injured in a bowl game so his career was over–he’d been considering going for the NFL draft. He was a big man, as such; and spent a lot of time in the gym working out and keeping fit. I also had to make a horrific decision while writing the second book–with every intention of walking that ending back in the third.

And then Katrina happened, and everything changed.

My editor at Alyson Books at the time, Joe Pittman, was new. He had come on board shortly after my previous editor was let go (I had a different editor for each of the first three Chanse books, and in fact had a different for the last two–so the Chanse series went through five editors at Alyson…now I would see that as a sign), and I was assigned to him as a gay mystery writer. He got in touch with me after Katrina to check in on me and of course, to encourage me to write about Katrina, which I did NOT want to do whilst I was in the middle of experiencing the aftermath still. I was still unhoused at the time, staying with my parents in Kentucky, before moving back to Hammond, Louisiana, just before Rita to housesit. Paul and I talked on the phone one morning and suggested we do a fundraising anthology for Katrina victims…but I wasn’t interested. Joe called me that afternoon and with the same suggestion, so I told him Paul wanted to do one and that was how Love, Bourbon Street came to be. Joe also kept insisting to me that I should write a post-Katrina book as the next Chanse book, and despite my reluctance I decided to go ahead and do it. Part of the problem, as I saw it, was, how do you end a book on a hopeful note when the city is still in ruins and most of the population still displaced? Joe kept pushing me, and I finally agreed to write Murder in the Rue Chartres–and I really don’t remember anything about writing the book other than I did actually write it, and it turned out to be one of my best books. It won the Lambda, for one thing, and got great reviews everywhere.

The fourth Chanse novel was, in my opinion, the weakest of the series. They’d fired my editor before I signed a contract for the fourth book, and when that finally happened, they needed me to write in like eight weeks. I asked for a two book contract so I would never have to write another book in eight weeks again (LOL at my naivete), and they were so desperate for the fourth they agreed. (I had already written a Scotty book that was just sitting in a drawer; I turned it into the fourth Chanse and to this day I think it was a mistake.) Of course, they did publish the fifth, but they never paid me a dime for Murder in the Garden District. The only money I’ve made off that book is from the ebook Bold Strokes put up–I gave them the entire Chanse backlist for ebooks, and those Chanse books still sell.

Maybe I shouldn’t have ended the series at seven?

But it felt like the right place to stop. Chanse’s personal story of personal growth and how it happened kind of got lost along the way; he grew and changed as the series progressed, but writing the last two–which I also think are good–felt a little paint-by-the-numbers for me; I felt that writing the sixth and when I felt it again in the seventh, I decided to stop there. I wasn’t getting any satisfaction for writing the books anymore, there was no joy derived from doing them, and since I’d already planned to stop at seven…I stopped at seven.

I still get ideas for Chanse books, of course. I have an LSU fraternity murder that would be a perfect Chanse story–I planned it as a novella–and of course, I’ve always wanted to fictionalize the Jeff Davis Eight murders as a Chanse novel, too. Maybe I could do three Chanse novellas published in one book?

That would make a lot more sense, and could be even more fun to write than one long single story novel.

Or I may not do anything with Chanse at all, and use those stories/plots for something else.

Rilkean Heart

Wednesday morning and all is well in the Lost Apartment. We’ve reached mid-week successfully, which is always a plus, and have survived thus far. Yesterday was another good day, in which I got things done. I finished revising the first two chapters of the new work-in-progress, adding about 1500 words in total; the end result both chapters now clock in at a total of eight thousand words combined. I don’t know many words I deleted, though, so I am going to just round it up to 2000 words written over the last two days, which isn’t stellar but isn’t bad, either. I didn’t sleep well again Monday night, but it was better than Sunday’s sleep, so I was dragging by the time I got off work and had to head uptown to get the mail (the new Laura Lippman and Michael Koryta were waiting for me there) and then made some groceries before heading home. I feel very good about this book.

I also am feeling good about writing again. Go figure. I’m kind of enjoying this lessening of my anxiety, too. Being able to breathe, being able to not have to rush through things because there’s so much else to do always, but the truly tragic part is that it took loss for me to slow down and step back away from everything. I know I am in a weird place right now, with the grief, with the acceptance of the realities I’d prefer not to face, but I also don’t think it’s ever a bad thing to be introspective and really think about, well, everything. The work I’ve been doing on the new project is very good, don’t get me wrong; the writing itself is kind of satisfying me in some way it either hasn’t before, or that I simply don’t remember (yay for memory loss!) from before, which is also lovely. In a way, it almost feels like I am discovering a new way to think and process and write? I don’t know what it might be, but I know I am enjoying myself writing in a way I feel like I haven’t in a while.

On the other hand, I could also be completely insane and not remembering anything.

But the absence of anxiety could be what is making the difference. I am anxious about everything–driving, paying the bills, cleaning the house–and it’s also interesting to dissect how being anxious about everything somehow translated into a kind of rigid stance to keep from having anxiety about being an author–not reading reviews, never looking at the reviews posted on Amazon or Goodreads, staying away from things I know will make me feel beaten and utterly defeated. It’s also like finally recognizing and realizing that most of my neuroses are based in anxiety I inherited from my mother has also somehow loosened the power of the anxiety to control and run my life? I was a bit tired yesterday when I got home from work–I am not sleeping as deeply this week as I usually do, but it’s not insomnia so I am not complaining–but I still got the writing done, and did some more dishes, and was going to do more laundry but stopped myself since there wasn’t a full load. Paul was late getting home last night so we didn’t watch much television. Instead, we talked about his trip home to visit his mom (he booked the ticket and will be gone for ten days), the refrigerator issue, and about getting a new cat. We need to get a new refrigerator–ours never fully recovered from the power outage during Ike (or was it Isaac?) in 2008…so we’ve been living with a not fully operational refrigerator for quite some time. (It’s not that bad, only over the last year has it really started having ‘we need to replace this thing’ vibes.) The problem is the kitchen cabinets run above the refrigerator, so there’s only so much room for the height–and of course, I can’t find one anywhere on line that will fit and that I want. I want the freezer on the bottom, since I don’t go into as much I wouldn’t have to bend down as much (aging issue), but those are inevitably an inch or two too tall; I can’t even find one with a freezer on the top that will fit. So, we either have to keep looking, or we need to have those cabinets taken down. I am all about taking the cabinet down–it’s above the refrigerator so it’s impossible to use anyway, and anything in there hasn’t been needed for years so can be tossed out–but I don’t know how easy that would be or what kind of pain in the ass it could be to remove. All I need is a single inch more clearance, and we’d already have a new one. I also managed to get a couple of extra entries done yesterday; one about Nancy Drew and another about writing my book Need.

Tonight I’ll be coming straight home from work, and maybe tomorrow night the same. I’ve a ZOOM meeting tonight, so when I get home I’ll need to put the dishes in the dishwasher away as well as do another load (they’re soaking in the sink now), and then can probably relax for a bit before the call, maybe get my words in for the day as well. Maybe I’ll start another blog essay about another teen sleuth character. Maybe I’ll finish some of these others I’ve already started and have yet to finish. I’m feeling super-productive, and of course once Paul leaves on his trip I’ll have nothing but time on my hands when I am not at the office, so there’s no reason why I can’t get a lot of things done while he’s gone other than pure laziness, which is always a possibility. I’ll also not have a cat to keep me company, which is deeply unfortunate. But I have chores and books to read and things to write, so that I have no excuse other than pure laziness for not getting anything done while he’s gone.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again later.

Need

Ah, vampires.

I never really meant to write a vampire story. For one thing, Poppy Z. Brite and Anne Rice had already done the New Orleans vampire story and set the bar super-high for anyone else wishing to write about vampires in New Orleans; Charlaine Harris also kind of cornered the market on Louisiana supernatural novels, too. It really seemed cliché to do New Orleans vampires, and I never would have, had I not been asked, and offered a lot of money, to do so. I make no bones about writing for money; if that renders me an unreadable hack, so be it.

I was initially asked to write a New Orleans vampire novella for a collection of four to be called Midnight Thirsts, which Kensington was publishing. Once I signed the contract and got paid half the advance, I decided to adapt a vampire short story I’d written, probably in or around 1997 or 1998, called “The Nightwatchers”; the main character was a young wannabe actress with a lot of talent but a lot of insecurity, who discovers that the reason she hasn’t been getting good roles in her theater company is because the woman who does is fucking the director. The story wasn’t good–she is easy prey for a vampire looking for a companion, who kills the director and the competition actress before turning her–but there was some lovely stuff about the French Quarter in the fog and her crumbling apartment–this was when you could still get a decent enough apartment in a crumbling old building in the Quarter for a price that seems unbelievable and unrealistic today–that I thought I could use. I also like the title, and as is my wont, when I started world-building and creating, I went overboard on back story. There were two point of view characters; the main, Philip Rutledge, who works as an escort, and his best friend Rachel, an aspiring singer who works in a coffee shop on Frenchmen Street, as well as a third; an older man who is a “nightwatcher,” member of an ancient society that reins in supernatural threats to humanity all the while keeping them in the dark about the reality of supernatural creatures and beings in the world. He has followed a rogue vampire to New Orleans, who has set his sights on Philip. I left the ending open, because I thought there was more story–if not a book, if not an entire series–in this idea. I decided I was going to write the vampire novel after finishing Mardi Gras Mambo…which wound up being delayed over a year. Then Katrina happened, and by the time I was ready to write about vampires again, too much time had gone by, alas. But they were doing another collection of vampire novellas, and asked me to do a Todd Gregory story for them (they had started publishing the Todd Gregory fraternity novels by this time), and that story became the novella “Blood on the Moon.” But rather than starting fresh, I used the same structure and world I’d created with “The Nightwatchers”–and tied it into the fraternity novel world as well, making the main character a member of the fraternity’s University of Mississippi chapter, visiting New Orleans for Carnival and winding up getting turned (it’s a longer, more complicated story than that, but that’s the bottom line). I brought Rachel and the old man from “The Nightwatchers” back–and when I was doing the anthology Blood Sacraments, I wrote a short story “Bloodletting”, that basically picked up where “Blood on the Moon” left off.

So, when Kensington asked for an erotic vampire novel rather than another fraternity book, I decided to use “Bloodletting” as the first chapter and build on the story from there, also using “Blood on the Moon” as the foundational story and the supernatural world I’d created for “The Nightwatchers.” This was to serve as an introductory work to a new supernatural Todd Gregory series.

It’s working title was A Vampire’s Heart. The powers that be didn’t like that title, thinking it sounded more like a romance novel title (which wasn’t wrong), and suggested Need, which was a recurring theme in the book.

And I really loved the cover.

The damp air was thick with the scent of blood.

It had been days since I had last fed, and the desire was gnawing at my insides. I stood up, and my eyes focused on a young man walking a bicycle in front of the cathedral. He was talking on a cell phone, his face animated and agitated. He was wearing a T-shirt that read Who Dat Say They Gonna Beat Dem Saints? and a pair of ratty old paint-spattered jeans cut off at the knees. There was a tattoo of Tweetybird on his right calf, and another indistinguishable one on his left forearm. His hair was dark, combed to a peak in the center of his head, and his face was flushed. He stopped walking, his voice getting louder and louder as his face got darker.

I could smell his blood. I could almost hear his beating heart.

I could see the pulsing vein in his neck, beckoning me forward.

The sun was setting, and the lights around Jackson Square were starting to come on. The tarot card readers were folding up their tables, ready to disappear into the night. The band playing in front of the cathedral was putting their instruments away. The artists who hung their work on the iron fence around the park were long gone, as were the living statues. The square, so teeming with life just a short hour earlier, was emptying of people, and the setting sun was taking the warmth with it as it slowly disappeared in the west. The cold breeze coming from the river ruffled my hair a bit as I watched the young man with the bicycle. He started wheeling the bicycle forward again, still talking on the phone. He reached the concrete ramp leading up to Chartres Street. He stopped just as he reached the street, and I focused my hearing as he became more agitated. What do you want me to say? You’re just being a bitch, and anything I say you’re just going to turn around on me.

I felt the burning inside.

Desire was turning into need.

I knew it was best to satisfy the desire before it became need. I could feel the knots of pain from deprivation forming behind each of my temples and knew it was almost too late. I shouldn’t have let it go this long, but I wanted to test my limits, see how long I could put off the hunger. I’d been taught to feed daily, which would keep the hunger under control and keep me out of danger.

Need was dangerous. Need led a vampire to take risks he wouldn’t take ordinarily. And risks could lead to exposure, to a painful death.

You see why they suggested we rename it Need? That opening pretty much says it all.

I had never really put a lot of thought into writing about vampires, in all honesty. To date, I have only published two novellas, one short story, and the novel, of course, but while I was writing Need that world began to expand and grow in my head as I worked on the story. I wanted to tie both “The Nightwatchers” and “Blood on the Moon” together, with Need as the continuation, so I brought back both Rachel and Nigel from the former, while keeping Cord from the latter as the main character. Cord Logan (how is that for a gay porn star name) was, despite being young in terms of being a vampire, quite powerful and growing in his power exponentially by the day. Headstrong, he’d broken away from the coven of vampires that turned him during Carnival, without learning everything he needed to learn first. What he didn’t know–and his former coven also didn’t–was that because of the circumstances involved in his own turning–when a male witch also tried to steal his power from him, he inadvertently wound up transferring his own power to Cord, who was then turned into a vampire to save his own life. This combination of witch/vampire is actually quite dangerous–as are any vampires Cord himself might create, which was the entire problem he faced in the story “Bloodletting” and didn’t understand.

The Supreme Council wants Cord summarily executed, but Nigel wants to keep him alive, to study and learn from, as well as to try teaching him how to control his powers. For me, Need was the introductory tale to a much longer story, where I’d be able to bring in vampires and shifters and witches and faeries and pretty much every kind of supernatural being. The next book was going to be called Desire, and every book was going to have a one-word title. I had a lot of fun with writing Need, and was really getting excited and writing lots of note for Desire…but the book didn’t do very well. It did okay, but not in the kind of numbers that would make a sequel a no-brained, and by then I had already moved on to writing the young adult books. The reviews weren’t great, either–but I never really care or pay much attention to them. The real problem is that there were sex scenes, and I don’t write the kind of gay sex scenes people want to read anymore. Mine are physical, lots of sweats and smells and experiencing how it feels and so on…most people want the sex scenes to be more esoteric and romantic and sweet.

I don’t think I’ve ever had sweet, romantic sex. I’ve certainly never written it.

Every once in a while, when I am writing something more along the lines of horror or with a supernatural tones, I remember my vampires and the world I created for them with a slight ping of sadness.

Maybe someday I’ll write Desire, but it’s highly unlikely at this point.