Wednesday morning and I am now halfway through my work-at-the-office week.
I slept well last night–it’s becoming a thing, although now that I’ve said that I’ve undoubtedly jinxed things–and didn’t really want to get out of bed this morning, but that was mostly laziness and feeling relaxed and comfortable in my bed and not wanting to deal with things I have to do today. Because, well, lazy. I did manage to get a lot done yesterday; Paul even came home last night before I went to bed, which was also really nice; we got to actually spend some time talking and hanging out before he went upstairs to get back to work. I hate being a Festival widow, frankly, and this time of year always has me a bit out of sorts because my normal isn’t happening–come home from work, go to the gym, make dinner, watch something on television with Paul–and I don’t much like that part of the year. Only a few more weeks, tho, and everything will be done for the year and we will return to what passes as normal around here again.
Heavy heaving sigh.
I am making progress on editing–it’s not going as quickly as I would like, but the manuscript is getting better–and I have a whole lot of other things I need to get done this month, too. STRESS. But I am trying to keep my head down and just stay focused and get everything done as efficiently as I can. What else can I do? Heavy sigh. But you know something? As time consuming as it is to edit my book the way I am doing it right now (old school, off a printed out copy I am marking up and then inputting) is actually working better for some reason than doing it in the word documents in my computer (probably because this is how I learned how to do it in the first place); more time consuming and more work, but it is working for me, and it’s helping me create a better book, which I really appreciate. I need to get to the point where I write and factor in time to edit this way, because it really does work better for me.
The weather is going to be chilly and damp today; it’s gray outside still even though the sun is coming up. Ah, bipolar late winter weather in New Orleans. It was cold yesterday morning when I left for work and yet was muggy and almost eighty degrees when I came home yesterday. But our new system works beautifully (although I hate that I have to manually switch it from heat to cool and vice versa), which means I actually use it more than I ever have before. Our power bill has actually decreased since we got the new system too–even in August, when it ran non-stop and our thermostat controls were messed up and it kept the temperature below sixty at times; I assumed the power bill that month was going to be over three hundred bucks, if not higher…and it wasn’t. And thus far this winter, even running the heat as much as we have (more than usual, because we never really HAD heat before) the bills have been lower than they used to be, or right around the same amount as previous winters.
And on that note, I am off to the spice mines. Have a lovely Wednesday, Constant Reader.
Tuesday morning and ready to start my three days in the office for the week. Or am I?
Hard to say, really.
Yesterday wasn’t a bad day per se; I did my working-at-home stuff, went to the gym, and came home to edit my manuscript–the deeper into it I go, the more I regret turning this mess in as it was, but to be fair, I was fried–and the edits I am making are making the story better, deepening the characters and cleaning up some sloppy-ass writing. I mean, seriously sloppy ass writing. Heavy heaving sigh. But I am actually enjoying editing it, slow as it is going, and at least I am not feeling sleepy tired this morning. I woke up before the alarm, and as always, have about a million miles to go before I can rest.
But that’s fine; better a busy Gregalicious than a bored one with nothing to do.
It’s also hard to believe all the festivals are in just a few weeks–Tennessee Williams and Saints and Sinners; which is why I’ve seen so little of Paul lately. Someone dropped out yesterday and so now I have to fill in teaching a workshop about writing erotica–which of course I’ve done before, but I think this is slightly different:
Friday, March 25
2:30 – 3:45 PM—SAS Master Class
GREG HERREN: WRITING THE EROTIC
Writing about sex is more challenging than it appears. This master class will help writers produce erotic writing grounded in character, setting, and voice, with an eye on how erotica can contribute to, build, and/or resolve story conflict. We’ll explore how the implicit is often more effective than the explicit, and how to make explicit scenes compelling and authentic. With a focus on finding fresh imagery and an original approach, we’ll also look at how humor, bad sex, or even problematic sex lend themselves to a fuller—and more erotic—interaction between two characters. Questions addressed include: How can we make use of the erotic to create more exciting fiction that better reflects the real life and aspects of a character? How can the erotic be the center of a story without being explicitly so? What do we do about hyperbole and how do we grapple with the often hyperbolic feelings around the erotic? How is erotica different from sex writing or porn? And, how can we ultimately make the erotic fit naturally, as an integral part, into the flow of a good story. This workshop will encourage participants to take chances and experiment with building eroticism into their work mindfully and seamlessly, and/or give them the tools for creating a story that is primarily driven by the erotic, but that has a freshness and originality often lacking in the genre.
Hotel Monteleone, Lobby Level, Royal C
Which, of course, means I am going to have to prepare and sound like I know what I am talking about. It’s been a hot minute since I’ve written anything explicit, you know–I cannot even remember the last time I put together an anthology of erotica, it’s been at least ten years, minimum, and I also cannot remember the last time I wrote an erotic short story; probably at least not since Promises in Every Star and Other Stories. I used to have a nice sideline in erotica, writing stories and editing anthologies….oh! Wait! I wrote that erotic Todd Gregory novel Games Frat Boys Play, too…I wonder if that was before Promises? I don’t remember. But I think this workshop isn’t necessarily intended to be about writing erotic fiction but rather how to include erotica in your writing and integrate it so it’s not gratuitous….and of course, there’s always the joy of writing about bad sex….or bad writing about sex; always fun (note to self: visit the Twitter account “men writing women”).
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will talk to you again tomorrow morning.
I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.
I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?
So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.
And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.
I was very lucky with my career, in many ways. Having a partner who got a job working for a literary festival–the Tennessee Williams/New Orleans Literary Festival–meant years of volunteering at the event itself: writing panel descriptions, working the check-in desk on-site, and giving authors rides to and from the airport and to various events for the Festival that didn’t take place at any of the French Quarter venues. I was able to meet authors who were personal heroes of mine; some became friends, and all were open to giving advice and tips to a personal trainer in his late thirties with aspirations of being a published writer. (I also met a lot of celebrities who came to the Festival; from Kim Hunter to Alec Baldwin to Patricia Neal to Shirley Knight to Dick Cavett to Rex Reed to Marian Seldes, Frances Sternhagen and Zoë Caldwell–a personal favorite.) One of the biggest thrills was Sue Grafton, who was was more charming and witty and kind than I could have ever hoped. Sue Grafton, of course, was the dream career for a mystery writer: enormous success, both critical and financial; an incredibly original character that became iconic; and crowds of fans eager to meet her. But after meeting her, it was her gracious kindness that I aspired to–I might get books published but that kind of enormous success was an enormous longshot (we all aspire to have a career like that), but being gracious and kind was something I could–with a lot of self-evaluation and work on myself–actually replicate.
But one thing she said to me, with her self-awareness and trademark sense of humor, has always stuck with me. I asked her some innocuous beginner’s question about writing a series character–something she had probably been asked a gazillion times–and she took some time to think before she answered.
“Well,” she said, “One problem with having a popular series is you become a one-trick pony. All anyone ever wants from me is Kinsey–a new book, or a short story, anything, really–and that can be a bit stifling.” Then she grinned, winked, and leaned in close to add, “But you know what? I’m still grateful people want Kinsey from me, and that there are an awful lot of those people.”
The series used to be the thing for mystery writers; very few people had long term careers in the genre without having a series. But over the last twenty years, I’ve watched as series writers began straying away from their series and focusing more on stand-alones; which has not only resulted in some amazing books but extraordinary career growth. Laura Lippman, Harlan Coben, and Dennis Lehane, among many others, switched from enormously popular series to writing stand alone novels that give them more room to breathe and be creative with plot and character and voice.
And now, Kellye Garrett has joined their ranks.
I found out my sister was back in New York from Instagram. I found she’d died from the New York Daily News.
Her post was just as attention seeking as their headline. Hers came at midnight. Look back at it. #birthday #25 #grownfolksbusiness #home #nyc–all over a behind-the-back shot of her in nothing more than a black silk dress and no bra.
The article came less than twelve hours later. FORMER REALITY STAR DESIREE PIERCE FOUND DEAD IN LINGERIE IN BRONX WITH COCAINE AND NO SHOES.
I’d come straight here–to where they found her–as soon as I’d seen it.
Why? I don’t know. Maybe to confirm it was real. Maybe to hope it was not. Maybe to get one last glimpse of her even though I knew her body was long gone. Whatever the reason, I’d arrived at this particular playground in the Bronx on autopilot. The place my sister had come to just hours before. It looked how I felt–all reds and blues and worn down. It would never be accused of being the happiest place on Earth.
FORMER REALITY STAR DESIREE PIERCE FOUND DEAD IN LINGERIE IN BRONX WITH COCAINE AND NO SHOES.
I hated it. For what it said. For what it represented. For what it really meant.
Despite a lot of communication over the years, I don’t recall if I have ever actually met Kellye in person. We’ve been at many of the same events–but I don’t think we’ve ever actually met in person; if we did, it was one of those nights/afternoons in the bar at Bouchercon where alcohol has killed memory cells in my brain. But I read her first novel, Hollywood Homicide, which was the first in a series about Dayna, a struggling actress in Los Angeles who stumbles into a murder investigation. I enjoyed it tremendously; I loved the voice and the character of Dayna as well as her friends; I somehow managed to land an ARC of the sequel, Hollywood Ending, and in my inimitable Greg way, I was saving it for when her next book came out, so I would always have another Kellye Garrett book to read. Then, disaster. Midnight Ink, the publishers of the Dayna series, was sold and shuttered. I knew Kellye was still writing, so I kept holding on to Hollywood Ending, waiting for the new book. Her agent generously sent me a print ARC of her new book, Like A Sister, which I had already pre-ordered; (I entered a Goodreads giveaway Kellye tweeted; I replied “Done! (I never win anything.)” It arrived during a very busy Greg period–finishing my own book, Christmas, MWA board changeover–and so it sat on top of the TBR stacks in the living room, glaring at me when I was too tired in the evening after work to read anything. Then, last week, my preordered copy arrived–and what a gorgeous looking book it is. (Look at that cover up there!)
And yes, sometimes you can judge a book by its cover.
I started reading it this past week after work on Wednesday. Thursday night I was too tired to read; Friday was another busy work-at-home day for me, and so yesterday morning, after finishing my on-line duties for the day, I decided to treat myself to a few hours of the book before moving on to other chores and things that needed doing.
Five hours later I finished the book. It literally was one of those “oh, another half-hour won’t hurt” over and over again until “Well, I might as well finish; there’s only a hundred pages left.”
Wow. What a fun ride this book is, from start to finish. Garrett grabs your attention with that opening above, and never lets go.
The plot focuses on Lena Scott, who lives in the Bronx and is attending Columbia while living in the house she inherited from her grandmother. (Her grandmother’s long time partner also lives there in one of the two apartments inside–more on her later, and yes, I said her.) Her own mother is dead; she is estranged from her music mogul father and his wife; and she has also been estranged from Desiree, her half-sister, for two years. The guilt that she never made up with Desiree before she died eats at Lena, who doesn’t believe for one moment that Desiree overdosed on heroin–she was always afraid of needles–and of course, no one really listens to her, so she starts investigating on her own. There are a lot of twists and turns here, as well as the mystery serving as an self-realization journey for Lena–who begins finding out that a lot of the truths about her family she has always believed aren’t necessarily the truth. Along the way she meets a reporter who may or may not be a love interest; becomes close to one of Desiree’s best friends (the Instagram hashtag #likeasister is where the title of the book comes from); and the incredibly dysfunctional family pieces begin coming back together along the way. I particularly loved the relationship between Lena and her father; Garrett is wonderful at depicting these family relationships and how delicate they can be, and how easy it is for family to fall out and stay apart over misunderstandings.
The pacing of the book is remarkable; you become so deeply vested in the story and the characters you want to keep reading to find out what happens to them. Lena’s voice alone is reason enough to read the book; it’s powerful, vulnerable yet strong at the same time. We understand her, root for her, feel for her, want everything to work out for her, and we also feel her pain–pain born from years of fraught family relationships in a dynamic so complicated and delicate that it’s no wonder it went off the rails. But the writing is also strong and witty; some lines were so clever I shared them on social media, and would have shared even more had I been willing to take the time to put the book down to type on my phone. Character, story, and dialogue are all there at the highest level as well.
And being familiar with her former work, I am even more amazed at how easily Garrett was able to shift from a cozy mystery series into something else; a stand alone crime novel that also explores questions of privilege, celebrity, stardom, and family.
I also loved loved loved that Lena’s closest family attachment is to her grandmother’s widow, Aunt E. I loved that a long-term lesbian relationship was Lena’s only real role model for a successful romantic relationship. I loved that the fact her grandmother had a female partner was portrayed as not a big deal and normal (thank you thank you thank you for this) and that no one had a problem with it within the family. I love that an older lesbian character is the moral compass for the family. This, folks, is a master class on how to include queer characters into your work–and inclusion matters.
I was bummed to see the Dayna series end–but delighted this incredible growth as a writer was the result. I cannot wait to see what Garrett does next, and watching her career grow and develop further is going to be incredibly exciting for me as a reader and a fan.
Highly recommended, everyone. Jump on this one and thank me later.
It’s Ash Wednesday and before dawn as New Orleans crawls out from under and returns to what passes as normal around here–which by the standards of everywhere else, ain’t normal.
I’m kind of glad to see it over this year. I’m sort of glad we had it–it felt like a return to normalcy of a kind, even if I didn’t feel excited about it or participated in it much–but I’m also happy it’s over. I feel very weird having been essentially trapped inside the house for the last six days or so, with small windows of opportunity here and there to run necessary errands and get things done. I spent a lot of the time tired–I’m not sure what that’s all about it, but “low energy” has been a thing around here for quite some time–and last night I went to bed at nine. I did submit a story to that magazine that asked for one–I finally gave up on “Parlor Tricks” yesterday morning–it literally was like pulling teeth–and instead edited what. I have on “Never Kiss a Stranger” down to about 4000 words, tacked on an ending, and turned it in as “To Kiss a Stranger (Summer of 94)”. I doubt they’ll use it–hell, I may never even hear back one way or the other; professionalism when it comes to short story submissions, with some exceptions, seems to have gone the way of the dodo over the years–but at least I tried. I now also am wondering if this story needs to be a novella or not; slicing all that extra stuff out of it felt really good, and while the ending wasn’t necessarily stuck (that can always be fixed, of course), the story itself wasn’t bad in its trimmed down state. Which naturally puts me on the horns of a dilemma: keep it as a short story and fix the ending, or leave it as a novella and finish revising/writing it?
Or…why not both?
We finished Toy Boy last night (I keep calling it Boy Toy, which is incorrect) and….not as good or as interesting as the first season, alas. By the time the final episode rolled around I realized I hadn’t been paying as close attention as I did during the first season and thus had literally no idea what was going on in the finale–which ended remarkably well, given how dull the season actually proved to be–and set up the next season quite well…which means we will probably watch the third season, if there is one. Paul’s late night schedule and Carnival has thrown me off on everything we watch; I don’t remember what series that are currently airing that we were watching–but it should show up on my up next on Apple TV.
At least I can hope.
I also have to pay the bills today–always a joy–and probably should go back to the gym tonight. I’ve not been since Wednesday night–Friday was one of those horrible low-energy days where everything was sore and achy; going to Muses Thursday night, even briefly, was undoubtedly a mistake. And I also need to start digging out from under because I am so far behind now I don’t even know what’s what. I know I have a story due sometime in April that I need to start writing; I need to get caught up on my MWA stuff and the anthology I am editing; and I need to start a significant final revision edit of my book coming out in December. So first things first: make a to-do list, go through my notebooks and look through my notes about pending things that need addressing, and try to get my energy levels high and stop allowing myself to feel defeated before I even try.
And on that note, tis off to the spice mines with me. Have a lovely Ash Wednesday, Constant Reader, and I will talk at you tomorrow.
Happy Mardi Gras! Everywhere else it’s just Tuesday.
It’s a beautiful day and I feel rested this morning. Granted, I’ve felt rested every morning for the last six or seven days upon arising only to run out of proverbial steam and become exhausted by the late afternoon–yesterday was another one of those; once I ran my errands and did my work I was burned out and worn out by five pm; there was no Orpheus for us last night–so we’ll see how things go today. Ukraine still seems to be standing this morning, which has been on my mind non-stop these last few days since the invasion started, and I really need to block that out. I’ve been thinking a lot these last few days about the other places in the world being visited by the horrors of war and oppression (the Uyghurs in China, Yemen) and how those stories aren’t (or weren’t) being covered with the same kind of blanket 24/7 reporting. That saddens me, as it does send the signal that Americans don’t care about Uyghurs or Yemenis, but do care about white Ukrainians.
Even when it comes to foreign policy, we can’t escape racism, can we?
Today is a day off, obviously and I am going to take full advantage of that. I am going to try to finish writing that story this morning–it’s been a struggle–and I am going to be productive and effective today; which means closing social media completely and only checking in periodically when I take a break from working. The house is a mess, filing needs to be done, and I am going to use today as an organizing/writing/get caught up day. I am going to not bother with emails this day because that is exhausting and I don’t want to get off track. I don’t hear either Zulu or Rex down at the corner–I’ll probably wander down there at some point–probably when I am barbecuing lunch–to get an idea of crowds and so forth.
Paul and I watched Toy Boy last night after he got home from work–I was actually half-dozing in my easy chair when he got home–and we have only two episodes left. It’s very strange and different this season from the last; there’s a new villain (and he is sexy as fuck) and the restructuring of the corrupt wealthy people who run the city in order to deal with this new threat has been interesting. Lots of sex and nudity, lots of male strippers in bikinis, but some also seriously strange side subplots that indicate that the producers and writers may not have a real idea of what they are doing. The gay couple from season one is hardly in this at all, and their relationship doesn’t make any sense this season at all; them meeting and falling in love while dealing with rejection and mental illness and disability was quite powerful in season one; this season they aren’t doing much of anything and are hardly in the show at all, which is disappointing.
Tomorrow is Ash Wednesday and while I am always sad to see Carnival end, this year was a bit bittersweet. I only went out to King Arthur to see friends; we went to Muses to get Paul’s shoe (mission accomplished) and I went to Iris on Saturday; a significant difference from our usual “out there every night” type parade season. But I never felt entirely comfortable out there in the crowds–it’s going to take a while before I stop thinking everyone is contagious–and of course, this year was a more difficult one for Paul with his events at the end of this new month; people having to cancel because of nervousness about traveling, etc. I always look forward every year for the festivals to be over–I worry about Paul’s long hours and stress levels–but I think this year more than any other year I really want to get to April intact. I tested myself for COVID this morning and I am not infected; I will test myself again tomorrow before I go into the office just to be certain, and probably will again this coming weekend. I always wear masks in public anyway, so even if I am contagious the odds of giving it to anyone else are decreased; and I wash my hands (or use hand sanitizer) a lot. But I will be really glad and happy once the threat has finally passed, you know? I don’t know if this is how we are going to be living from now on, or if work is going to continue to change or evolve or go back to what it was before the pandemic (which I rather doubt); everything is still uncertain, and uncertainty isn’t something humans–especially this one–cope with very well.
And on that note, I am going to get cleaned up and get to work. Happy Mardi Gras, everyone!
It’s a work at home Monday, and it’s also Lundi Gras. Orpheus rolls tonight, and tomorrow is the Mardi Gras holiday. Yesterday was one of those days that started with good intentions, but somehow exhaustion took over at some point and nothing got done. We did end up starting the second season of Toy Boy on Netflix–which is even more insane in its second season; you’ve got to hand it to Spanish Netflix–and I spent most of the day glued to my chair watching war coverage from Ukraine. While all of my sympathies are entirely with the Ukrainian people and their amazingly courageous president, at the same time I am disturbed by scenes from the border where white Ukrainians are being given priority to cross while non-whites are being held back. This doesn’t seem to be an issue with the country they would be crossing into, either–it’s Ukrainian border guards doing this.
But American exceptionalism and white supremacy weren’t born or created on this continent, it’s a disease the European colonizers brought with them, and it has flourished here ever since. It saddens me to see that even in a terrifying time such as this, with their cities under attack and the Russian military within their borders that Ukrainians can still perpetuate such behavior…although it’s really not all that surprising. I don’t know how bad or widespread the problem is; but I believe that it has happened at least on a small scale, and I hope once the situation is better there we can get to the bottom of what happened at the borders.
Today I have errands to get run, data to enter, emails to send and a short story to work on. We may go out for some of Orpheus tonight–it depends on how we feel, how the weather is, and numerous other factors are involved as well, but we’ll see. Orpheus is one of my favorites, and it will feel strange to not see it, but…it will depend on my energy levels, how cold it is, and how much of this story I get finished today. I also need to start editing my manuscript; that’s going to the top of the to-do list I am going to make today (I never got around to it yesterday–I told you I was in a malaise yesterday for some reason I cannot understand) and I am also going to start making notes on it. I think there’s a better way to tell the story–to get the reader involved sooner–and there are other things I need to strengthen in it as well. I have to get to work on the Bouchercon anthology this week, and there’s always MWA stuff to get done. But hopefully I can kick it into gear. I’ve not been eating a lot lately–I usually have been eating things in the morning and perhaps snacking later–and that has to change. A lot of that has to do with Paul’s insane schedule currently; I never know when he’s going to be home or if he is, whether or not he’ll want to eat or not and, as always with me and my eating issues, if I don’t eat when I am hungry the hunger fades and I wind up not eating. That. Has. To. Stop.
If for no other reason than I need to eat for energy.
I have had a bagel with cream cheese already this morning, and I also need to go through the refrigerator as I make a list for the grocery run to come this morning. I have some cheese-stuffed chicken breasts wrapped in bacon to make for tonight’s dinner, and tomorrow I will probably fire up the barbecue and make burgers. I also am feeling weirdly at sea the way I always do during the crank-up of parade season–disconnected from the world–because everywhere else everyone is going about their usual normal Monday while here…it’s an entirely different subject. It’s disquieting, to say the least, but it only lasts until Wednesday. And yes, we have a strangely truncated work week–Wednesday will feel like Monday; making it even more difficult for me to adjust to my new “in the office” schedule, which I still hadn’t quite gotten used to yet. Sigh.
Ah, reality.
And on that note, I am going to start digging through everything and getting my day going. Thanks for checking in, Constant Reader, and I will check in with you again tomorrow.
It’s raining on Bacchus Sunday. I’ve not checked whether parades are being delayed or canceled or postponed–who knows? I’ve also not checked the weather forecast for the rest of the day. I literally got out of bed about half an hour ago, made a cup of coffee, and then went Internet searching to see if Ukraine was still holding onto their independence and sovereignty. (They are, thank the heavens.) I need to walk over to Walgreens in a moment–I am debating having another cup of coffee before going out into the chilly drizzle conditions out there–and then I probably won’t go back outside today. Paul and I have never really been much of the Sunday parade crowd; if anything, if the weather was nice we might go out for Bacchus. In the olden days, when we were younger and more apt to go partying every weekend, we’d walk up the parade route to the Quarter for Sunday tea dance, which inevitably turned into staying out much later than we’d planned and hangovers on Mondays–which was okay, because all I had to do work-wise on Mondays was go down to the Quarter and pass out condoms for four hours and walk home for Orpheus.
Funny how things change.
I have lots to do today–my priority is working on that short story, of course–and I need to make the to-do list I’ve been meaning to make for quite some time now. I’ll have to make an errand run at some point during the day tomorrow–mail and grocery store are definite musts; anything else can wait until Friday–and I’ve need to start making progress on the things on that to-do list. I also keep forgetting that the rest of the world isn’t experiencing Carnival; Lundi and Mardi Gras mean nothing to the rest of the world, who will be going about their usual Mondays and Tuesdays and everyone will be wondering why I am not answering emails or responding and…every year. Of course, Carnival was canceled last year which felt very weird–I think my lack of feeling connected to New Orleans has everything to do with the imposed isolation of the pandemic along with the lack of a Carnival in 2021; I didn’t get my annual reminder of how wonderful and fun and magical it is when the city all comes together every year for it.
Okay, so I walked over to the Walgreens and as such no longer have any need nor desire to leave the house for the rest of the day and I do think that is very wise on my part. It’s not raining now but it’s gray and the air is wet and heavy and chilly; there’s standing water and mud on the neutral ground and the wind is cold and damp. The sun may come out, but the damp chill in the air means more rain at some point in additio to the ground not drying out. There are a lot of people outside already–I’ve always been grateful to live in close proximity to the parade route so I never have to spend hours out there waiting (we call it “passin’ time” here) for the first floats to arrive–and the first parade won’t be here for hours yet. I do admire their persistence, determination, and commitment; but just standing out there for the parades wears me out, and having a place to sit wouldn’t make that much of a difference.
And now, I think I am going to go sit in my easy chair and read my what’s in my “to edit” file before getting cleaned up and getting to work on writing some things. Have a happy and safe Bacchus Sunday, y’all, and see you tomorrow on Lundi Gras.
Not sure what the weather is like out there today. I actually allowed myself to sleep late this morning (it’s the weekend) and even attacked the potential of insomnia with full force: breathing strip on my nose, aromatherapy thing on with sleep formula sprinkled into the water, sleeping pill, NyQuil, melatonin, and Deep Sleep pillow spray from This Works! (It really, really does.) The end result was ten hours of beautiful, dreamless sleep and feeling rested this morning. I did feel tired most of yesterday, to be honest, and when the day-job work-at-home duties were completed for the day I was tired, bone-tired, and I never made the errand run yesterday–an indication of how tired I really was; we’re out of things with no way to really replenish supplies until Monday. But there’s the Walgreens on the corner (if I get there early enough in the day before the crowds descend on St. Charles Avenue–I should probably walk over there once I finish this) as a stopgap–or actually, I could go to day after Tucks, when the crowds move to Egalité Circle for Endymion. Come to think of it, I could actually move my car and go to the grocery store this evening….no, it can wait till Monday.
Life inside the parade route.
Despite being tired last night, I did write a short story in my head last night for this deadline on Monday, so I am going to try to get a draft written today so I can polish it and rewrite it over the next two days to make the deadline on Monday. It’s a longshot, anyway, but the pay is good and who knows, they may actually like my weird story about a séance being conducted by a fake psychic while a real one is also there and senses that someone at the table is planning a murder. I just wrote a story with this psychic (“The Rosary of Broken Promises”) and some of the other characters in the story are characters I’ve used in stories before–“An Arrow for Sebastian,” and the hostess also appeared in one of the Scotty books–Garden District Gothic, I think–but that also goes back to my “Greg’s New Orleans Multi-verse” theory from the other day. So, I did accomplish something last night, and I feel good about that.
You have to cherish every win, no matter how small. But now I have to physically write the thing.
Just start typing, Greg, and soon enough it will be finished.
And on that note I am going to do just that. Have a lovely day, Constant Reader, and I’ll talk to you tomorrow.
Friday and working at home. I don’t have to return to the office until Wednesday. I don’t know if I am going to attend any of the parades tonight, but I will most definitely attend Iris tomorrow, and Orpheus on Monday. Sunday is a madhouse out on the corner, with four parades running and the last two (Thoth and Bacchus), so Paul and I will sometimes go out for the earlier ones–but it’s so crowded by the time Thoth comes down the avenue we can’t stand it so we come inside. It’s weird. I intellectually know that it’s probably not a good idea to go out there–no one masked, everyone drinking and in close proximity to each other–and if I get sick I have no one to blame but myself. I still go back and forth on it–there’s a pandemic! But it’s Carnival!–so I may end up not attending rather then severely curtailing my parade attendance (I certainly don’t ever want to get Bad Carnival Karma); we’ll see how it goes.
I did spend some time last night filing, cleaning and organizing so I don’t have to do any of that this weekend. I have a short story to finish by Tuesday, a thousand emails to answer, another thousand tp generate (you think I’m kidding; I quite literally am not) and I’d like to get the floors done. I also have to run some errands at some point today–mail and make groceries (not much, just to get through the rest of the weekend)–and I also don’t have to go back into the office until Ash Wednesday (thank you, Fat Tuesday paid holiday), so I am hoping to get caught up on all kinds of things that will help ease off the pressure I feel like I am constantly under. One of today’s chores is to make that updated to-do list I’ve been meaning to get written all week, and to try to gather all my scribbled notes and idea scattered over various notebooks and legal pads compiled into one place. Once I get this short story finished, I am going to start working on Chlorine again–the goal is to have a workable first draft by the end of March, fingers crossed–but it’s going to be a shorter book, fast-paced with machine-gun like word rhythms. I am also becoming more and more fond of my main character–a not particularly talented but incredibly hot and sexy closeted film actor, cynical about using his face and body to get ahead because he is really only out for himself…understandable, given the climate of the times and his backstory–and creating him is probably the most fun I’ve had creating a character since, well, Scotty.
But he ain’t nothing like my Scotty. At all.
I also need to start pulling together the various threads of Mississippi River Mischief together; figuring out the various subplots to gel around the main story of the book, and I also have to map out Redemption Parish a bit more than the amorphous bounds I’ve already given it. I think it first appeared in Murder in the Arts District–no, not entirely correct; it was where my story “Rougarou” was set, and I think that was my first time writing about Redemption Parish and the town of Bayou Shadows–and I know The Orion Mask was also set there. I should probably go through everything and make notes for the sake of continuity–ha ha ha, just checking to see if you’re asleep–but yes, I think I originally envisioned Redemption Parish as being further upriver than where I want it to be for this book; I’ll definitely have to recheck Arts District and The Orion Mask to get a better idea of what I wrote and where I placed it so I can figure out how to finagle moving it and how to justify it…but….this is a different series than Arts District, and Orion was a stand alone, so…I definitely can get away with moving the parish if I need to. (As much as I want my books to all be connected together in some amorphous way–a la Stephen King’s Maine–I can also look at Scotty and Chanse and every other New Orleans thing I’ve written as different universes, like a multi-verse; so I can use characters from across all the books as well as places, but it’s a different world.
I also tend to worry about things no one else notices in my work, so there’s that.
But it wouldn’t hurt me to start a reread of the Scotty series. I am having trouble focusing on reading these days–it comes and goes–and so why not reread the Scotty books? Why not spend some time putting together the ultimate Scotty Bible, so I have an easy reference to check things? This actually sounds like a good idea, and it’s been so damned long since I wrote the first books I probably wouldn’t even remember who the killer was…so it would almost be like reading something new? And it could help put me back into the Scotty mindset. (Also, for the record, Mississippi River Mischief is set in the spring after the Christmas of Royal Street Reveillon, which will make it spring 2019. The next Scotty will be Twelfth Night Knavery, set just after Christmas 2019–January 2020–followed by French Quarter Flambeaux (Mardi Gras 2020) and finally Quarter Quarantine Quadrille, April 2020. So, the plan is for there to be at least four more books in the series, if I live that long. But I also reserve the right to change my mind and discard any of these books along the way–but this is what I am currently thinking.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader.
Queer and Loathing in America 