Tuesday morning and ready to start my three days in the office for the week. Or am I?
Hard to say, really.
Yesterday wasn’t a bad day per se; I did my working-at-home stuff, went to the gym, and came home to edit my manuscript–the deeper into it I go, the more I regret turning this mess in as it was, but to be fair, I was fried–and the edits I am making are making the story better, deepening the characters and cleaning up some sloppy-ass writing. I mean, seriously sloppy ass writing. Heavy heaving sigh. But I am actually enjoying editing it, slow as it is going, and at least I am not feeling sleepy tired this morning. I woke up before the alarm, and as always, have about a million miles to go before I can rest.
But that’s fine; better a busy Gregalicious than a bored one with nothing to do.
It’s also hard to believe all the festivals are in just a few weeks–Tennessee Williams and Saints and Sinners; which is why I’ve seen so little of Paul lately. Someone dropped out yesterday and so now I have to fill in teaching a workshop about writing erotica–which of course I’ve done before, but I think this is slightly different:
Friday, March 25
2:30 – 3:45 PM—SAS Master Class
GREG HERREN: WRITING THE EROTIC
Writing about sex is more challenging than it appears. This master class will help writers produce erotic writing grounded in character, setting, and voice, with an eye on how erotica can contribute to, build, and/or resolve story conflict. We’ll explore how the implicit is often more effective than the explicit, and how to make explicit scenes compelling and authentic. With a focus on finding fresh imagery and an original approach, we’ll also look at how humor, bad sex, or even problematic sex lend themselves to a fuller—and more erotic—interaction between two characters. Questions addressed include: How can we make use of the erotic to create more exciting fiction that better reflects the real life and aspects of a character? How can the erotic be the center of a story without being explicitly so? What do we do about hyperbole and how do we grapple with the often hyperbolic feelings around the erotic? How is erotica different from sex writing or porn? And, how can we ultimately make the erotic fit naturally, as an integral part, into the flow of a good story. This workshop will encourage participants to take chances and experiment with building eroticism into their work mindfully and seamlessly, and/or give them the tools for creating a story that is primarily driven by the erotic, but that has a freshness and originality often lacking in the genre.
Hotel Monteleone, Lobby Level, Royal C
Which, of course, means I am going to have to prepare and sound like I know what I am talking about. It’s been a hot minute since I’ve written anything explicit, you know–I cannot even remember the last time I put together an anthology of erotica, it’s been at least ten years, minimum, and I also cannot remember the last time I wrote an erotic short story; probably at least not since Promises in Every Star and Other Stories. I used to have a nice sideline in erotica, writing stories and editing anthologies….oh! Wait! I wrote that erotic Todd Gregory novel Games Frat Boys Play, too…I wonder if that was before Promises? I don’t remember. But I think this workshop isn’t necessarily intended to be about writing erotic fiction but rather how to include erotica in your writing and integrate it so it’s not gratuitous….and of course, there’s always the joy of writing about bad sex….or bad writing about sex; always fun (note to self: visit the Twitter account “men writing women”).
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will talk to you again tomorrow morning.
Queer and Loathing in America 