Ugh, I must confess I am one of those people who despise the time change. I forgot to reset my alarm clock last night when I went to bed, so of course this morning I didn’t remember that I’d forgotten (yes, well aware of what I just wrote)
Sunday and I am debating as to whether or not to run the errands today I’d originally wanted to run yesterday but didn’t because of the St. Patrick’s Day parade. Yes, we pretty much will throw a parade for any reason here in New Orleans, and for those of you who are unfamiliar with the New Orleans St. Patrick’s Day parade, they do indeed throw things from the floats. Just like Carnival, they throw beads and cups and plush toys. They also throw potatoes, cabbages and carrots; the idea being you could catch the ingredients to make dinner at the parade. As for me, I’d rather not stand beside the street while parade riders hurl hard objects at me that could bruise or injure; given that my heel was bruised because my shoe insert fucking slipped the other day, imagine what would happen to me at a parade throwing hard objects at me. But now that I’ve gotten up and realized the impact of the loss of the hour…I’m debating whether or not the errands can actually wait until tomorrow after my work-at-home duties. I mean, I can’t get the mail today anyway, right, so I am going to have to go uptown tomorrow or after work on Tuesday. I do need to finish the final two chapters of the book revision today–I made some great progress yesterday, did I not?–and worry that running those errands could wear me out and put me out of the mood to work on it. Of course, there’s also no rule that says when I should run the errands; I could run them late this afternoon after I get the things I need to get done today completed.
Ooooh, doing something different. How not like me, right?
Yesterday was relatively pleasant. I worked on the book after I got up, did some stuff around the house, started reading Donna Andrews’ The Twelve Jays of Christmas (one can never go wrong with Donna Andrews), and then last night settled in for a rewatch of 2010, the sequel to Kubrick’s 2001: A Space Odyssey, which I rewatched during the pandemic (I’d also already seen 2010; we rented it one night in the 1980’s but got incredibly high so I really didn’t remember much of it other than it made 2001 make a lot more sense; just as the book cleared up a lot of the stuff in the original that didn’t make a lot of sense). One of the things that I always enjoy about watching old science fiction movies is to see what they were able to predict right about the future and what they got wrong; just like in 2001, in 2010 Pan Am is still around, as is the Soviet Union. Part of the plot’s premise is that the US and USSR are on the brink of war over Honduras; at the time the book was written and the film made it was inconceivable to Americans–anyone of the time, really–that the USSR was actually on the brink of collapse and wouldn’t survive in that form for another decade. I also had to wonder, wouldn’t Jupiter becoming a second sun in our system dramatically alter our orbit around the sun and our climate? Even though we are much further away from Jupiter than we are from our actual star?
It’s kind of hard to imagine Earth going from a one-star system to a two-star without any other impact.
Then again, I am not an astronomer, so what do I know? I did enjoy the film the second time around; I’d forgotten that young John Lithgow was in it, as was Helen Mirren as the leader of the Soviet space team.
I also read a marvelous two-issue crossover between two comics, Nightwing and Superman: Son of Kal-el, featuring the bisexual new son of Superman, Jonathan Kent (which reminds me, I am way behind on Superman and Lois). Nightwing/Dick Grayson remains my favorite DC Universe character; I hope HBO MAX will drop a new season of Titans soon.
And on that note, I think I’m going to read some more Donna before I get back to my own manuscript. Have a lovely Daylight Savings Time Sunday, Constant Reader.
I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.
I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?
So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.
And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.
I have always been a fan of John Cena since the first time I laid eyes on him.
I am nothing if not shallow.
But his unique charisma, outstanding physique, and handsome, expressive face caught my eye the first time I caught a glimpse of him while flipping through the channels. Despite my lifelong passion for professional wrestling, however, I never watched any of his matches–my disdain for WWE, which began when they were WWF back in the day, has never abated, despite the hiring of so many heavily muscled guys with spectacular bodies–and was really happy to see him start making the transition to acting (following in the footsteps of Dwayne Johnson, Dave Bautista, and numerous others). I bought a DVD of his first film years ago relatively cheaply in a bargain bin (The Marine, if you are so inclined), and thought, at the time, “this dude could go far in films–he’s naturally charismatic and can act. He’s not Olivier by any means, but he can act enough to carry a scene and create a believable, likable character”.
But the film itself wasn’t good–it was produced by WWE, of course–and I hoped he would get another shot in something not WWE related. He has since proven he can carry a scene, and has done some really great character work in small roles over the years. I did keep thinking–I think this often–that he (and other professional wrestlers) should be cast as super-heroes; it’s not like they have to build up their bodies the way Henry Cavill or Chris Hemsworth had to, so was relatively pleased when he was cast as Peacemaker in the reboot of Suicide Squad–a DC Comic I had no familiarity with; likewise I knew nothing about the character of Peacemaker. But…as a Cena fan, I wanted to watch–and Paul enjoys a good superhero show/movie, too.
I didn’t realize the show was directed and written by James Gunn–whose Guardians of the Galaxy remains my favorite Marvel Universe film–but could immediately detect that Gunn sensibility I loved in Guardians in the very first episode. Not knowing what to expect, I was a little taken aback by the first episode–I thought the opening credits were strange, for one thing; and I wasn’t sure about the show’s tone, or if the characters were going to work or not. We were very close to giving up after the first episode, but decided to keep going.
I am very glad that we did.
It took about three episodes for us to completely buy into the story and the characters, but once the show gets its feet underneath it, it is actually quite fun and darkly funny. All the acting is good, the characters are clearly defined and their inner lives (and inner struggles) make them not only relatable but understandable and likable. They are, of course, on a secret mission to combat an alien invasion (code name: Operation Butterfly), and while the mission is kind of crazy, it works within the context of the show. Freddy Stroma–who is actually gorgeous–downplays his looks to play nerdy Vigilante, and Danielle Brooks is also fantastic. Robert Patrick is also perfectly vile as Peacemaker’s racist father, a super-villain known as the White Knight.
And yes, the opening credits eventually–as we got deeper into the show–became one of our favorite parts of the show.
And Peacemaker’s best friend, an eagle cleverly named Eagley, is also pretty hilarious.
We enjoyed the hell out of this show, and I highly recommend it. Can’t wait for season two–and may even go back and watch Suicide Squad.
Well, I managed to go to the gym after work yesterday–yes, I had to literally talk myself into it again, nothing ever changes with me–and it felt great. It was crowded, but I never had to wait for anything (miraculous in and of itself) and I was able to get through the whole workout quickly, work up a lovely sweat, and then walk home. It felt terrific, of course–and even this morning the stretched out and worked out muscles feel good, still. With parades this weekend I’m not sure when or if I’ll get to the gym this weekend, but I am going to do it, even if (as always) I have to make myself do it.
Yesterday was an odd day at work; odd in the sense that things didn’t go smoothly the way everything usually does. Obviously, we can handle odd situations or problems–one thing I am always proud of at the office is how well we adapt to situations that arise–but it’s really been an odd week at work. I suspect it has to do with Parade Season looming and that we’re in the midst of Carnival, which always tends to make things around the office a little off and weird. I’ve not really looked much at the parade schedule–I vaguely know it by heart anyway–but I do know that I am trapped in the neighborhood all day Saturday, all evening Friday, and until late afternoon Sunday. Then of course they take a two day break and start up again on Wednesday night for the big final weekend. I have a lot to do before the end of the month (where did February go?) but that’s fine. I’m overall pretty pleased with the work I’ve been doing (or thinking about doing) this month, but I need to get more done–which isn’t really going to be very possible with parades going on all the time.
Scooter apparently slept under my desk all night and is still there, so periodically when I move my foot I touch him and it startles me. He, of course, doesn’t even wake up. I slept pretty well myself last night and feel rested this morning; not to jinx anything but this really has been a good week for me to sleep. I may go ahead and get up early again tomorrow anyway, even though I don’t have to go into the office–I am finding that getting up early is actually proving to be more productive than sleeping later (go figure) but we’ll see how I feel tomorrow morning. The bed always feels so lovely and comfortable…but this week I’ve literally had no trouble rising when the alarm goes off (after hitting snooze twice, but not to sleep more but because I know the clock is set 16 minutes fast so I can hit snooze twice)…and I believe this to have been the case last week as well. I think my body clock has finally reset? Am I becoming, at sixty, a morning person at long last? Perish the thought.
I guess we’ll see how it goes tomorrow morning.
So this morning before i head into the office I am going to update my to-do list (make a new one), get some of my emails answered, and try to figure out everything important that needs to be done.
And on that note, tis off to the spice mines with me. I think tonight after I do all the chores and maybe write a little while, I may watch Nightmare Alley at last. Have a great Thursday, Constant Reader!
I’ve always considered myself to be a child of the seventies.
Sure, I was a child for during the sixties, but I turned nine in 1970. While I am sure that turbulent decade provided some (a lot of) influences on me, my personality, my likes/dislikes, and my future, I am equally confident that my values and thoughts and beliefs probably weren’t as shaped from that turbulent decade as they were by the 1970’s. The seventies are really the first decade for which I have a lot of recall (recently, a friend was amazed that I remembered those horrible Rag City Blues jeans for women that were, for some reason beyond my thought processes, popular in the latter part of the decade; what can I say–I do remember the decade fairly well for the most part–or at least as far as my memory can be trusted). I’ve always wanted to write books either set in the seventies completely or even partly; Where the Boys Die, my 70’s suburban Chicago novel, keeps pushing its way to the forefront of my increasingly crowded (and clouded) mind. (NO I AM WRITING CHLORINE NEXT WAIT YOUR TURN)
I remember Watergate and how the scandal grew. I remember the 1972 landslide reelection of Nixon, and the country’s negative reaction to the Ford pardon of the man who brought him to power; I also remember Jimmy Carter running for president out of seemingly nowhere and getting elected. There was The Brady Bunch and The Partridge Family and Archie Bunker and Mary Richards; Sonny and Cher and Carol Burnett and Donny and Marie and the Jackson 5 and Grand Funk Railroad. Top Forty radio ruled the AM airwaves; not every car came equipped with FM capabilities, and the only way you could play your own music in your car was with an eight-track player. I started the decade reading the Hardy Boys and Nancy Drew and The Three Investigators; by the end of the decade I was reading John D. MacDonald and Sidney Sheldon and Harold Robbins. It was a very weird decade…of odd color and fashion choices; avocado greens and browns and American cheese orange were ridiculously popular, as was shag carpeting, velour, clingy polyester shirts, corduroys, bell bottoms and slogan T-shirts. Baseball shirts and rugby sweaters also became popular later in the decade. People had feathered hair parted in the center, and there was this weird sense of, I don’t know, missing out? Movies were grittier, harsher, more realistic; actors went from the polished shine of the old Hollywood system glamour to warts-and-all realism. Television was also beginning to change but was still heavily censored. Boogie and truckin’ and shake your booty became part of the vernacular; the decade began with the break-up of the Beatles and ended with disco’s last gasps while new wave and punk and rap started their rise.
It was the decade I went through puberty and realized that I was attracted to other boys instead of girls; I wasn’t quite sure what that meant but definitely found out in the seventh grade it meant I was a faggot, fairy, queer, cocksucker, and all those other lovely words that were burned into my brain that year. It was the decade where I read Harold Robbins’ Dreams Die First (a truly execrable novel) over and over again because the main character had sex with both men and women, and if I am not mistaken, contained the first male-on-male sex scene I’d ever read (oral); it was also the decade where we moved from Chicago to the suburbs to the cornfields of Kansas and I graduated from high school. (Ironically, it was in Kansas that I discovered gay books with explicit gay sex scenes in them–the News Depot on Commercial Street not only carried The Front Runner by Patricia Nell Warren and her other novels, but also Gordon Merrick; and their magazine racks also had gay porn magazines–which, now that I think about it, meant there were others there in Lyon County and environs; I didn’t realize it at the time, of course.) It was when Norah Lofts’ The Lute Player made me aware that Richard the Lion-Hearted was like me, too; and Susan Howatch’s Cashelmara and Penmarric also had gay characters and plots involving them…
I’ve always thought the seventies was a much more important decade than ever given credit for; usually it is merely considered a connecting time from the 60’s to the 80’s…but almost everything that came after–socially, politically, culturally–got started in the seventies. So I was glad to see this book about that frequently dismissed time.
As I mentioned previously, the Seventies were turbulent; they were the decade that also saw the beginning of the end of the post-war economic/prosperity bubble. Gas shortages, skyrocketing inflation, and the insidious use of racism to break the Democratic coalition began–everything we find ourselves dealing with today had its roots in the Seventies–and it did seem, to those of us growing up in the shadow of the mushroom cloud, that the world had lost its mind and our country (or rather, its mythology) had lost its way. Schulman’s study of the decade, breaking down how the shifts in culture, politics, and our society began, were exploited for divisive purposes, and permanently changed attitudes moving forward was a fascinating, if chilling, read. I remember the terrorist attacks. I remember watching the Munich Olympics that ended in bloodshed on an airport runway and murdered Israeli athletes. The book brought back a lot of memories; I am not so sure I agree with all of Schulman’s assertions about the decade–there certainly wasn’t very much about the burgeoning gay rights movement, other than how it chased lesbians off into the Women’s Movement–but it was interesting to read the book and relive the decade a bit, as well as the memories it triggered.
I do highly recommend this book for people who weren’t around for the Seventies and might be wondering how the fuck did we end up in this current mess?
Saturday morning in the Lost Apartment and I slept fairly well. I will be spending most of my day on ZOOM with the new Board of Directors for Mystery Writers of America doing Orientation (we should be doing it in person in New York today, but yet another event is a victim of the coronavirus variants). I am not a fan of ZOOM, for obvious reasons–I cannot stand seeing myself on camera, and hate the sound of my voice–and while I can’t necessarily hear my own voice, I can see my face on screen, and I really don’t like that. I don’t really have space for a ZOOM studio in my little nook office right off my kitchen–and I need to make sure all the counters are cleared off and the cabinets are closed, etc.–and so I’ve avoided doing ZOOM things like the plague during these plague years. I am not an extrovert by any means (and yes, well aware that my claims to be painfully shy, socially anxious, and introverted are often greeted by laughter; but the appearance of calm and ease I project in these situations is always just pure dumb luck because I am always a twisted tangle of anxiety-ridden knots on the inside the entire time, and completely exhausted when it’s over), and thus these things are never easy on me. I imagine this afternoon when the calls ends I will adjourn to my easy chair with a drink and will spend the rest of the day there.
Yesterday we started watching Peacemaker with John Cena on HBO MAX; it took a minute for us to get involved in the story but we eventually got sucked in. It’s an odd kind of super-hero show, really; Peacemaker is theoretically a villain (I’m not familiar with the Suicide Squad and haven’t seen any of the movies) but he sees himself as a hero. John Cena is a very charismatic leading man; there’s something about him that is very watchable, and he plays comedy very well; which is surprising, since he comes from the world of WWE (then again, Dwayne Johnson and Bautista also did, and also play comedy very well, so maybe it’s not surprising), and he really shines in this part. I’ve always been a fan, and am glad to see his career outside of WWE taking off. I’m looking forward to seeing more of the show. We also started watching a docuseries on HBO MAX after we finished the three episodes of Peacemaker that have been loaded for streaming called Murders at Starved Rock, which is interesting enough but probably isn’t going to have a resolution.
I did started reading Alafair Burke’s Find Me yesterday and am enjoying it thus far–maybe when the meeting is over I can spend some time with the book, which would be marvelous and a definite reward for spending so much of the day talking to my computer (which is some seriously weird Jetsons shit). I started making a to-do list yesterday so I can keep track of everything I need to do and need to get done and with some sort of time-line involved; I am confident I can get everything done but it’s going to take some serious focusing on my part to get it all done. It’s a bit overwhelming and stressful to be sure, but as long as I can get a handle on everything I need to do, it can all get done. Over the next two days I am going to work, over my morning coffee, on getting my email inbox cleared out once and for all; I am going to get some filing in order; and I’d like to finish reading Alafair’s book. I think we’re probably going to watch some movies in the evening–Power of the Dog and The Tragedy of Macbeth are at the top of my list–over the next couple of days, and I am also hoping to start back at the gym tomorrow morning (after getting all my morning chores finished); hope springs eternal. My weight has climbed back up somehow, and so getting back to the gym is a lot more important than it has been. I hate that my weight is climbing again, and I am sure it has to do with me being more sedentary over the last few months than I had been in the months before. (Just thinking about how good it will feel to stretch and work my muscles out again just sent a shiver of delight down my spine.)
But making the list made me feel much better about things, honestly; I don’t know why I have so much trouble falling back into the habits that help me get things done and reduce my stress.
I bought our first King cake of the season yesterday–and yes, it’s quite delicious. I don’t think I bought any last year, since there were no parades or hardly anything Carnival-like; I doubt very seriously that Paul and I will be heading down to super-spreader central out on the corner this year. It’s a shame because we’ve always loved the parades and catching throws, even when the weather is bad; how many times have we stood out there in the rain to catch things? (It’s actually more fun in the rain because most people leave and there’s more room and they throw more because there are less people to throw to…) But I just can’t see taking the risk of getting sick out there–and you know there are going to so many unvaccinated people out there who won’t wear masks at all; the parishes surrounding Orleans are ridiculously defiant when it comes to taking measures to protect other people, which is terribly sad–but those are also the people who drive in to the city and hang out along our parade routes (while posting comments on news articles about how much they hate New Orleans and how the city is so dangerous and riddled with crime–keep your racists asses out in your paradise parishes then, trash), so yeah, no desire to put myself at that much risk, thank you very much. I can only imagine what Carnival is going to do to our infection rates.
Given how many people used to die annually in New Orleans AND Louisiana from malaria, yellow fever, and other pandemics that used to rage through the population, you’d think we’d handle things better as a state, city and parish, but nooooooooo….(if you ever want to read a great book about the horrors of a pandemic and massive death in New Orleans during the nineteenth century, Barbara Hambly’s Fever Season is pretty amazing)
And on that note, I am heading back into the spice mines. I have to hide things from the computer camera and do some straightening up as well as preparing. Heavy heaving sigh. And I will see you tomorrow, Constant Reader.
Friday morning and it’s not as chilly in the Lost Apartment as it has been. The sun is shining, the sky is blue, and all seems right with the world this morning. I have a lot to get done today–tomorrow is another work day, heavy sigh–and have errands to run later on. I am going to do some things this morning before I leave for the afternoon errands; hopefully once I return home from said errands I will be in the mood to do some writing/cleaning/filing/organizing. I’ve been remarkably productive thus far on this stay-cation (sob, I should be in New York right now); I need to keep that momentum going and I also need to make sure that I am getting properly rested as well. I feel like I’m getting decent sleep and I feel rested when I get up, which is always a plus.
Yay, well-rested Gregalicious!
And it’s a holiday weekend, which is theoretically marvelous. Monday was going to be my re-acclimate to reality after my New York trip, which is no longer necessary or needed, so I should be able to get my focus in order and write write write. I also want to get some reading done this weekend as well. I have Laura Lippman’s short story collection, the new Alafair Burke, and a massive TBR pile full of prospective treasures, which is very cool. I think maybe today when I get home from the errands I may curl up with a blanket and a book for the rest of the afternoon. It’s been a while since I’ve lost myself in a good book–or so it feels–and reading is a pleasure I don’t allow myself to indulge in as much as I would like. Partly because reading is compulsive for me; once I start reading a good book I really don’t want to do anything other than finish reading it, and will make endless excuses to justify or rationalize doing nothing other than reading until the book is finished. This is dangerous, obviously, when I am on deadline…I have enough trouble with deadlines as it is; I don’t need to add something else that will keep me from writing to the already crowded ADHD-addled brain inside my skull.
The kitchen needs to be cleaned, obviously, and of course the floors always need attention. I am going to try today to not be as awful as I have been about the upkeep on the Lost Apartment over the last few months; I am not certain how successful I will be with that, in all honesty. There’s been a lot of lethargy lately–not sure what that’s about, but it’s definitely not the post-book malaise, that’s for sure. I suspect it comes from being overburdened and overwhelmed a bit with everything I need to get done, which inevitably leads to the why bother I’ll never get this all done blues which includes paralysis and the inability to focus and get things done, when the answer is always make a list and start crossing things off. I need to make a grocery list this morning for sure; I am having some “Greg-time” today with an appointment for self-care and I intend to go get groceries once that is over. I need to empty the dishwasher, I need to take out the trash and recycling, and there are numerous other odds and ends that need taking care of around here–which is why the list is of utmost importance this morning. Putting it all down on paper makes it seem less scary and intimidating, and of course, once you have a picture of everything in your head that needs doing it becomes easier to get it all done.
So, after I finish this I am going to make a grocery list, a to-do list, and then I am going to start organizing and cleaning around the kitchen before showering and getting the day off to a good start. Sounds like a good plan, does it not?
And maybe this afternoon, after I read for a bit and while I wait for Paul to come home, I can watch a movie or a Marvel show on Disney Plus. I really liked Loki, despite its slow start, and would like to see some of these other shows as well. We did start The Book of Boba Fett but that first episode was really kind of boring, frankly; I don’t know that we’ll return to it. (I never got the Boba Fett fandom in the Star Wars fan-base; he was really not much of a character in the original trilogy but for some reason caught on, so Lucas made him a key player in the next trilogy…which didn’t play for me.)
And on that note, I am heading into the spice mines. Have a lovely pre-holiday weekend, Constant Reader, and I will check in with you again tomorrow.
The late Joan Didion famously said we tell ourselves stories in order to live. I’ve parsed the statement any number of times–it’s most commonly taken to mean that it’s important we tell stories of the human experience (the good, the bad, the mediocre and all the varieties in between) to better understand ourselves, our society and culture. I had never read Didion myself until several years ago; of course I knew who she was and what she had written–although if asked before reading her work, I would have only been able to name Play It as It Lays, which I still haven’t read. One of my co-workers had a library copy of her Miami in his officer a few years ago, and I idly picked it up when I was in his office. He recommended very strongly that I read Didion, and so it was with Miami I started; the opening line (Havana dreams come to dust in Miami) sold me on the book. I enjoyed it, and went on to read other works of hers: A Book of Common Prayer, Slouching Toward Bethlehem, and After Henry, among others. I loved the way she wrote; that the complexity of her work came from her poetic use of language and words rather than on complicated sentences. It was reading Didion’s essays (and Laura Lippman’s) that made me start thinking about writing essays myself; I started one trying to use a similar style to Didion–which was interesting–but think it’s rather more important to stick to my own voice, for better or for worse; there was only one Didion, and there should only be the one.
As I was being interviewed the other night I was talking about my re-education; about having to unlearn and relearn things from when I was a kid. I’ve been thinking about this a lot lately; part of it was turning sixty this past year, part of it was writing two books back-to-back that are sort of based in my own personal history–so remembering what Alabama and Kansas were like for me meant exploring a lot of my past, reliving and rehashing it with the perspective of time having passed and with a coldly sober, unemotional eye. I remembered, as I was talking about the Lost Cause and other American mythology we are taught as children (Washington and the cherry tree; Honest Abe the rail-splitter; and so many other Americans of the past we have deified) , the Didion quote and found a new meaning in it. When I was a child, I remember that in the South, for some reason, my cousins and their friends and the adults never would refer to someone as a liar; etiquette, perhaps, or politeness being behind this oddity. What they said instead of saying you were lying was “Oh, you’re telling stories.” If someone was a liar, you’d say “he tells stories.”
We tell ourselves stories in order to live.
Given this weird rural Southern thing about “telling stories”, this can be reinterpreted as we tell ourselves lies in order to live–and it all falls into place, because we do tell lies to ourselves in order to live with ourselves, within this culture, within this society. Never has this been more evident than is this strange battle the right has started about Critical Race Theory–which wasn’t being taught in any American public school below the collegiate level. If there’s nothing in American history that we should be ashamed of, why is there so much opposition to the truth? Why are we taught lies in order that we may live?
The war cry of the white Southerners who want to keep their monuments to white supremacy and treason has been “Heritage not hate!” But the heritage is hate, which was the entire point of Bury Me in Shadows. You cannot have it both ways: you cannot celebrate a history of treason against the United States, while claiming to be “more patriotic” that other Americans who do not celebrate the killing of American soldiers (ask Jane Fonda about how posing on an enemy gun goes over). The bare facts of the matter are that some (not all) of the states where it was legal to enslave people were afraid they would lose their right to enslave people, and as such they decided they were better off starting their own country. They wanted a war they couldn’t possibly win, and the fact that it didn’t end quickly has more to do with the incompetence of the Union generals and their political ambitions (there are reasons there are no statues of George McLellan anywhere to be found) than the righteousness of the Confederate cause and the brilliant leadership of Robert E. Lee. They abhor Sherman as a war criminal (“he waged war on civilians!” Um, we also firebombed Dresden during the second world war, and what were Nagasaki and Hiroshima if not the obliteration with atomic weapons of civilian populations? Sherman said “war is hell”–you cannot start a war and then complain about how the other side chooses to fight it.). They claim it had nothing to do with slavery and everything to do with “states’ rights”…when the reality is the only state right they were concerned about was the right to enslave people–they certainly wanted the federal government to enforce the Fugitive Slave Act against the wills of the free states, didn’t they? Their end game in Congress and the courts was to force the federal government to permit enslavement in every state of the union and every territory; this was the crux of the Dred Scott Decision of the Supreme Court, which more than anything else set the stage for the war.
If there’s nothing terrible about the actual history, why so much fear around the truth?
We tell ourselves lies in order to live.
If the truth is too terrible to be faced, then it absolutely needs to be.
There’s nothing quite so romantic as a lost cause, is there? Whether it’s the Jacobites in England with their toasts to “the King across the water”; the emigres from the French Revolution; or the Confederacy, losing sides inevitably always romanticize their defeat and the loss of a better world their victory would have created. An entire industry has developed in this country around the mythology of the Lost Cause; how could it not when one of the most successful American films of all time portrays the Lost Cause so sympathetically? The opening epigram of Gone with the Wind reads “There once was a land of Cavaliers and cotton fields known as the Old South…” And yet the movie depicts an incredibly classist society, predicated on the enslavement of Africans; the entire idea behind the founding of this country was the elimination of class distinctions–the equality of all.
But even Margaret Mitchell, when asked if the Tara in the movie was how she pictured it as she wrote about it, scoffed and said, “Tara was a farm.”
And not everyone in the old South was rich or owned a plantation. Not everyone was an enslaver, and not everyone was on board with the Lost Cause. But we rarely hear about the Southerners who fought on the Union side in the war; we never hear about Southerners who were abolitionists; and we never hear about the atrocities inflicted on those loyalist Southerners by the rebels, either.
And speaking of war crimes, what about Andersonville?
We tell ourselves lies in order to live.
We cannot celebrate our achievements without acknowledging our failures. It is far worse to not learn from a mistake than making the mistake in the first place. It is not unpatriotic to look at our history, culture, and society critically, to examine and evaluate how we are failing to live up to the ideals upon which our country was founded. The Founding Fathers were not mythical gods of infallibility; they were all too human, with all the concomitant jealousies, pettiness, arrogance and ego that comes with it. They were, for one thing, mostly unable to conceive of a society where women and non-white people were deserving of equality under the law. But they also knew they were not perfect, which was why they created a system that could adapt to the changing tides of history.
George Santayana’s famous quote, “Those who cannot learn from history are doomed to repeat it” is something I think about every day. I also love the George Bernard Shaw quote, “What we learn from history is that we learn nothing from history.“
We need to stop telling ourselves lies. The truth might seem to be too much to be faced; it might be ugly and hideous and shameful…but it will also set us free.
And so we have reached the last day of 2021 at last (it’s still hard for me to wrap my mind around the fact that it has been 2021 for a year; 2022 is going to seem even stranger, methinks). I’m on a holiday, so there’s no work for the day-job to be done today, but there’s plenty of other things that need to be done. I need to work on the book some more, I need to clean, I need to run some errands, and I’d also like to do some reading. It’s a lot, I know, and who knows how much I can or will actually get done around here? Yesterday I did data entry, made condom packs and rewatched the original Clash of the Titans (starring a very young Harry Hamlin and his nipples; seeing this in the theater made me a Harry Hamlin fan for life) while I did so. I also was able to pick up two boxes of home COVID-19 tests (the day-job procured you them for the staff as a preventive measure, which are apparently like gold these days.
It was a very challenging year in many ways. I suspect that if I looked back at a list of my goals for the year, two of the most key things–getting an agent and finishing Chlorine–would not be able to be checked off the list. My faulty memory–I keep, for one thing, conflating the last two years as one and the same mentally–has something to do with it. I know I wanted to write more short stories in 2021, and I don’t know that I succeeded at that. I know I had a couple of stories of which I am very proud come out this past year (my first ever attempt at writing a Sherlock Holmes story for one), and of course I finished writing two books while trying to finish yet a third under contract, and trying to get Chlorine done.
I always feel sort of weird at the end of the year when I compile my favorite things (books, movies, television) because I never limit myself to things that were new to the year, but rather new to me during the year; I am always so woefully behind on everything I read and watch that it doesn’t seem fair to leave off things that didn’t debut in 2021. Besides, it’s always kind of fun, I think, to remind people of things they themselves might have missed and forgotten about. But when I started thinking about all the books I read this past year, I would have sworn that I hadn’t read this much, or that I couldn’t have possibly read this many books–and I know I am also forgetting some, and these are the ones that stand out enough to be remembered. My favorite reads of the year were, in no particular order, The Turnout by Megan Abbott; The Collective by Alison Gaylin; Dream Girl by Laura Lippman; The Gift of the Magpie by Donna Andrews (I read three or four Andrews novels this past year, and loved them all, frankly); Velvet was the Night by Silvia Moreno-Garcia; Jar of Hearts by Jennifer Hillier; Razorblade Tears by S. A. Cosby; A Beautiful Crime by Christopher YBollen; Yes Daddy by Jonathan Page-Ramage; The Other Black Girl by Zakiya Dalila Harris; These Toxic Things by Rachel Howzell Hall; Invisible City by Julia Dahl; and By Way of Sorrow by Robyn Gigl. I also read a lot more cozies than I generally do, which were quite fun–I highly recommend checking out Leslie Budewitz, Vivien Chien, Sherry Harris, Ali Brandon, Miranda Harris, and Carolyn Haines, among many others–my TBR pile is nothing if not a treasure trove of terrific reading–and I am hoping to get even more reading done in the new year as well.
As for movies, I also watched a lot of movies. I saw a lot of classic cinema of the past I’d never seen before–my Cynical 70’s Film Festival had some marvelous entries this past year–as well as revisited some favorites. I greatly enjoyed Dune, which I thought was incredibly well done, and Shang-Chi and the Legend of the Ten Rings was a great super-hero film, with just the right amount of spectacle, humor, and humanity to ground it in enough reality that an audience could relate to it. I don’t remember any other new films that we saw in this past year, but I am sure there were some–the direct-to-streaming/limited theatrical release model for the pandemic ensured that I saw some things much sooner than I probably would have otherwise–but give me a break, I am still on my first cup of coffee after a lovely and deep night’s sleep.
Television again is something a bit blurry for me; the lines between 2020 and 2021 also blurring a bit here. I know we loved Mare of Easttown, Ted Lasso (a true gem of a show), The Mandalorian, Elité, Superman and Lois (probably the best version of Superman since the first two Christopher Reeve films), the original Gossip Girl (which is winding down now with a last season that is rather disappointing, alas), Hacks,One of Us is Lying, Cruel Summer, and Only Murders in the Building, which was also a jewel. But maybe my favorite show of the year was HBO’s It’s a Sin, which was not only well done, but powerful and thought-provoking. I had debated whether I wanted to see it or not; entertainment about HIV/AIDS, particularly about the height of the plague, has never sat well with me–either pandering nonsense or heavy-handed. The gold standard for me has always been Longtime Companion, but after watching I had to say It’s a Sin belongs up there. It was hard to watch at times–and I realized that the reason was the characters were all the same age that I was when it all started, which was a big part of it–but it also made me acknowledge and understand any number of things about myself and my past; namely that I had never grieved, just going numb at one point and deciding to keep moving forward and not think about anything. Watching the show brought back a lot of memories which, while painful at times, was necessary and needed.
I also spent time writing and working on two novellas, “Festival of the Redeemer” and “Never Kiss a Stranger”; one thing I really want to be able to do in the new year is get the novella collection together as well as another collection of short stories. Lots of plans for the new year, including a new Scotty novel I’ve been itching to get to, and another stand alone, in addition to Chlorine. I was able to visit my parents twice this past year, and I was also about to make it to New York and then Boston for Crime Bake, which was simply marvelous. I have lots of travel plans for the new year that I am hoping new pandemic variants aren’t going to jettison–I really do want to be around writers again, seriously–and over all, the year wasn’t as terrible as it easily could have been (2022, do not take this as a challenge). I got a new computer, paid off a lot of debt, and over all, I have to say, all things considered, 2021 wasn’t altogether terrible. I wish I had been more productive, but I also wish that every year.
And on that note, this next chapter isn’t going to write itself, is it? Have a lovely New Year’s Eve, Constant Reader, and I’ll talk to you next year!
It is now Christmas Eve–how lovely for everyone–and I do hope that everyone has the kind of holiday experience they want to have; whether it’s with actual family, chosen family, or just all alone and by yourself, may you have yourself the kind of day that will make you happy and relaxed and chilled out completely. I have to write again today–the joys of impending deadline–but that’s actually okay; I enjoy writing, so what better way for me to spend Christmas Eve? I’ll probably treat myself to a celebratory cocktail of some sort this evening; martini or margarita or Bloody Mary. I think Paul is going into the office for a few hours this afternoon anyway, so I can spend that time organizing and writing and cleaning and all of that fun stuff I get to do when Paul’s not home but I am. I was very creative last night, too–writing all kinds of notes about potential future projects and just letting my mind run a little wild; but that’s what happens when I allow my mind free rein to free-associate and start thinking of ideas. I even came up with a first last night; an idea for a gay romance called A Better Man, which might actually be fun to write. I also came up with a crime story about obsession (Missing White Woman, title gacked from Kellye Garrett on Twitter), and The Ones Who Walked Away, which is a title that could go in several different directions as far as length (short story, novel, novella) as well as what it’s about.
It’s actually kind of fun when I have the time to sit and think and come up with ideas and thoughts and so forth. The manuscript-in-progress is going to be a lot more fun now that I’ve taken some time to put some serious thought into it.
I am also taking a break from Blatant Self-Promotion because of the holiday. No one–well, certainly not me at any rate–wants Blatant Self-Promotion on Christmas Eve; hence a break from me, a respite as a holiday gift from me to you, Constant Reader (although making that decision has immediately caused that wretched little voice in my head to whisper this is why you don’t have a bigger career).
Well, to be fair it’s also a respite for me, since I hate doing it unless I can find a way to make it interesting.
And as the year winds down, I generally start looking back over the past year and thinking about the things I enjoyed, the things I didn’t, the progress made and the progress thwarted. But the pandemic years all seem to have run together somehow in my fevered brain; I don’t remember when I read a particular book or watched a particular movie or television show from the last two years. I also read so many damned good books and watched so much great entertainment (series and films) on my television that my picking some as highlights for the year would be incredibly, incredibly difficult–AND I would undoubtedly miss some. It’s also difficult for me to pick out a favorite (except Ted Lasso) of anything; I enjoyed so many different things for so many different reasons.
Although it would be interesting to go back and reread my blog entries from this same time last year. I know I was trying to get Bury Me in Shadows ready for submission at this time last year–one accomplishment of this past year was getting two books finished and turned in for publication, which was a big step past the previous year; my last book, Royal Street Reveillon, was released in the fall of 2019, so there was literally nothing from me in 2020 other than short stories here and there–and I cannot remember which ones, where and when, for that matter, either; I keep thinking, for example, that “The Dreadful Scott Decision” came out in The Faking of the President earlier this year, but it was actually last year. I think my Sherlock Holmes story and some others came out this past year, but it’s not something I’d be willing to testify about under oath, either. I do hate when that happens.
I’ve also been obsessively trying to locate two things (it’s actually more, but I am grouping many into one): several years back, while going through boxes, I found my old journals from back in the day, which actually inspired me to buy another one and start carrying one with me again (which has been wonderful), but I also don’t remember what I did with them so I’ve been trying to find them again. The other thing I am trying to find is a copy of an essay I wrote on the train from Florence to Venice (or vice versa). It was one of those “letters to myself at age sixteen”, and the other day I was trying to get a better handle on all the essays I’ve written over the years so I can compile them all into one (or more) collections; the fitness columns and essays on writing alone could probably be their own collections. Anyway, I remember having to write it on my laptop on the train–either to or from Venice, I honestly don’t remember, but I do think it was on the way–and it got a lot of engagement on social media, I do remember that but I can’t find a copy of the essay itself anywhere. It’s entirely possible it is one of those things that got lost over the years, and I also don’t remember what I called the file; but I am sure I saved it somewhere….only now I can’t find it and have been obsessively searching for it and realizing at the same time how messy and sloppy my computer files and all the back-ups actually are. I mean, neither thing (journals or essay) are particularly imperative that I put my hands on them immediately, but at the same time it’s really annoying and frustrating and I feel the obsessive side of my personality trying to come out.
So, I will probably spend some time looking for both at some point today–most likely when I am stuck on the book while writing.
And on that note, I am going to head into the spice mines. Have a lovely Christmas Eve, Constant Reader, whatever you are celebrating or not celebrating, and I will speak with you tomorrow.
