Category: movies

Thank God It’s Christmas

And now it’s Christmas morning, with tidings of great joy and all that. It’s thirty-six degrees in New Orleans and our Hard Freeze Warning doesn’t let up until nine this morning, but it’s still not exactly going to be warm or anything. But that’s fine. I have lots to do today and I slept in again (it’s been marvelous, sleeping late this long weekend but it’s going to make getting up Tuesday morning in the cold difficult, I fear) and feel rested this morning. Which is a very good thing, don’t get me wrong on that. But when I finish this I need to clean up the dishes from yesterday before I dive back into my Donna Andrews Christmas read for a bit before I dive headfirst back into the book. I did get some writing done yesterday–didn’t make the quota, so will have to make up for that today as well as meet today’s–and I am enjoying Donna’s book tremendously. After Paul got home from his trainer, I gave up on reading and we settled in to watch some movies: See How They Run (great cast, clever concept, not completely executed properly); The Banshees of Inisherin (not seeing how that was nominated for comedy Golden Globes, unless it’s such dark humor that I completely missed it. There are some terrific performances in it, though); All Quiet on the Western Front (a remake of the Oscar winning classic; perhaps one of the grimmest and darkest looks at how miserable war really is and definitely an Oscar contender); and finally–well, I don’t remember the fourth film we watched last night before going to bed, which is probably not a good sign of either its memorability or my memory. Maybe it’ll come to me as I write this, who knows?

I made pulled turkey for Christmas Eve, with an eye to not having to cook anything today, and I bought too much. I usually get one of those small boneless turkey breasts from Butterball, but I couldn’t find one anywhere this week, but Friday they had turkey breasts at Rouse’s, so that’s what I got. It was twice the size of what I usually get–and we can never really finish eating–and it had bones. It barely fit into the crockpot but…it was delicious when it was finished, much better than those boneless ones, and I can’t help but wonder if the bones somehow make a difference? It was a time shredding the meat (since there were bones), and I made some Stove Top to go with it (I can make real cornbread dressing from scratch like my mom makes, but it’s a shit ton of work and it makes a shit ton of dressing, which we would never be able to completely eat). But today I shouldn’t have to cook anything, other than maybe a grilled cheese for lunch or something, and once I finish this I am going to clean the kitchen and read for a little while before getting cleaned up and diving back into the book.

It’s also a very short work week at the office, since tomorrow I have off as a holiday and so only have three days in the office this week preparatory to another three day weekend this coming weekend. There will be football games to watch over that weekend, which will make it much harder to get writing done, but the book must be turned in on January 1. I am trying not to feel guilty about not getting any more writing done yesterday and for leaving the apartment in such a mess, but one of the things I’ve become more aware of as I get older is that I need more down time to recover and regroup and recharge. There’s nothing wrong with it, of course, other than I think I used to not need the recovery time nearly as much as I do now. Then again, it’s also entirely possible I simply don’t remember and it’s merely yet another memory lie my mind is telling me, allowing me to look backward through rosy lenses to see things as markedly better in the past than they are in the present. That’s always the trick of getting older–your mind always wants you to believe that things were better or easier or made more sense in the past, when that wasn’t true; the struggle was simply different back then than it is now, but there’s always some kind of struggle going on in people’s lives. We are also masters at hiding our struggles from other people–I know there have been many times in the past when I wondered how other people managed to do so well while I was doing so poorly; now with the “wisdom” of age and experience I know they were probably all struggling too, I just didn’t know it or was too self-absorbed to notice.

Probably more of that latter part, actually.

The Saints did win yesterday, which was lovely–I had the game on in the background while I read, and then once Paul and I started watching See How They Run I followed it on my iPad and Twitter–but I am finding I am not caring much about the post-season for college football. I’ll watch LSU’s bowl game with Purdue, but other than that, I don’t care very much. I always say that, but inevitably always end up watching the national title game, regardless. I have no stake in the game, other than wanting SEC dominance to continue, and quite frankly, I’ve turned a bit on Georgia–their decision to go for two when up thirty against LSU in the conference title game so they could hit fifty left a sour taste in my mouth; enjoy your run while it lasts, Bulldogs, because your day will come again. And if you think LSU’s players, coaches and fans won’t remember that for the rest of time, think fucking again.

Then again, Joe Burrow did make the Dogs look like a high school second string in 2018 and 2019, so maybe there was some payback there from them, I don’t know. But Cajuns and Louisianans have long memories and will carry a grudge to the grave; and on that score I am definitely an honorary Cajun. (I said to a friend the other day, “I may not remember the reason, but I remember the grudge.”)

So, on that cheerful holiday note, I bid you adieu as I head into the spice mines, Constant Reader. Have a lovely day, whether you celebrate the holiday or not; at least have a lovely free day from worry or care, and I’ll check in which you again later.

You Make It Feel Like Christmas

Christmas Eve! It’s warmer today than yesterday by a full six whole degrees; it’s 32 degrees instead of 26, as it was yesterday. The The apartment is over all toasty and warm–but the kitchen and upstairs bathroom are not. They are a bearable degree of cold, but I do have the space heater going this morning in here as I type this and swill coffee and wake-up gradually. I slept magnificently last night, and feel very rested and relaxed this morning, which is quite marvelous. I hit my word count somehow yesterday–three thousand words–and hope to do the same today. Today has a higher goal–I’m feeling rather ambitious this morning–and Paul has his trainer this afternoon and is working on a grant proposal, so I should have the solitude I need to bang out the count I need to achieve today. I picked up the mail and ran some other errands yesterday–including taking Paul to Michaels on Claiborne to pick up a gift for me. You’d think by now I’d know he’s going to flout the “no gift” rule every year, because he has and yet every year I think he’s going to stick to it. I think it’s part of that failing memory thing I have going. Anyway, he had the front page of the New Orleans Times-Picayune/Advocate from the morning after the 2020 National Championship game framed and mounted; it’s a full page shot of Joe Burrow running downfield holding up both hands with his forefingers extended, with the headline PERFECT. It’s mounted on gold paper and the frame is purple, and I absolutely love it. Paul always won Christmas when we used to get plan on getting each other gifts, primarily because he pays attention to things I say and takes notes all year to plan for Christmas; I’ll never forget that marvelous year he got us tickets to see the Monte Carlo Ballet Company’s Romeo and Juliet, which I absolutely loved–all because I’d casually mentioned once that I loved ballet and wanted to write about it one day, despite knowing next to nothing about it. (Aside: I keep thinking I want to write a Sherlock Holmes story built around a Nijinsky performance in New Orleans; someday perhaps.)

We also watched, and greatly enjoyed, Glass Onion last night. I actually liked it better than Knives Out, in all honesty, and I love that this is turning into a film series. It reminds me so much of Agatha Christie at her best, and is there a better compliment to give a mystery film than a Christie comparison? I think not. I think Daniel Craig (whom I’ve loved since he emerged from the surf in that square cut swimsuit in Casino Royale, and quickly became one of my favorite James Bonds) is simply fantastic. The Southern accent grated a bit on me at first in Knives Out, but by the end of the movie it didn’t bother me anymore and it didn’t even make me recoil the first time I heard it last night. I think I’d like to write something along the lines of these films sometime–the big cast of suspects, the great detective unraveling the case–because I’ve always wanted to do an Agatha Christie style/classic vintage mystery type house party murder mystery. (Note to self: reread The Affair of the Blood-stained Egg Cosy)

But mother of God, it was cold yesterday when we were out in it. As I said to Paul–the entire world was out shopping yesterday because of course it was; we had to park a very long way from Michaels–“I can hang with this cold for a couple of days, but months of it would make me homicidal.” My grocery pick-up order ended up being canceled; they were unable to get it together for the time I’d selected, and the message was up to two hours minimum delay. At first I was a bit stunned, but then realized everyone and their mom is ordering groceries for pick-up today, and I bet the orders are a lot larger than usual. So I stopped by Rouses, they had a turkey breast in the freezer section, so I picked it up and carried it to the small order register, canceled my pick-up order (all I really needed with the turkey breast; everything else could wait) and then when I got home, put in another order for pick-up on Monday, since I have the day off.

Picking up the mail also ended up with a great gift to the Lost Apartment from the President: there was a stack of envelopes in the mailbox from the IRS for Paul, thirty in all. Turns out his student loans had all been forgiven, retroactively to 2017; the stack of envelopes were refund checks for every payment he’s made since then. So, yes, only more proof that our votes for President Biden and Democrats down the line was the right choices (and always have been for queer people). So keep your “how fucking dare you forgive student loan debt” shit to your fucking selves, you selfish assholes. This did, and will continue, to make a significant difference in our lives going forward; and can I just say, I can’t remember the last time any government policy had such an impact on us directly? Obviously, the Lawrence v. Texas and Obergefell Supreme Court decisions had a macro impact on us, but this is an intimate micro effect that made us both very happy yesterday. And what lovely timing, too–right before Christmas. Let’s go, Brandon indeed.

I get a text from Entergy this morning warning of potential brownouts because of high demand for energy with the cold weather; I would imagine this is because the cold is effecting everywhere, so there’s nowhere Entergy can borrow power from if the supply runs low. That’s kind of scary, really, because people could literally freeze to death down here; imagine that! How weird would it be for someone to freeze to death down in southeastern Louisiana? It does make me a bit concerned about the homeless population here–we have a considerable one–so I hope they all found shelter and a place to stay warm.

And I think as soon as I finish this I am going to get the turkey started in the slow cooker, and curl up in my easy chair with my coffee, a blanket, and Dashing Through the Snowbirds by Donna Andrews. I think my new Christmas tradition every year will be just that; I’ll read Donna’s Christmas mystery for Christmas every year.

Rockin’ Around the Christmas Tree

Monday morning and back to the office with me! It was a pretty good weekend, overall; I got some work done on the book, made groceries, did all kinds of chores, finished reading my Wanda Morris book and started reading another, and somehow managed to get some rest around all of that as well. I was very pleased with the work I did on the book, and who knows? Maybe I’ll even somehow manage to get it turned in by the extended deadline. #madness

And now it’s Monday morning, and I am up earlier than I need to be. I really need to focus, as a lot of things have been slipping lately as I focus on the book and getting it finished, and there’s been a kind of malaise–the feeling that usually comes along when I’ve actually finished a book, and has never before come while I was writing one. These last few years haven’t been easy for writing, to be honest, and yet–I’ve also produced some of my best work somehow during this time. I think Bury Me in Shadows is one of my best works, and while I don’t think it’s as good, #shedeservedit was also one I was terribly pleased with. And all I’ve seen anywhere for A Streetcar Named Murder has been highly positive. Land of 10000 Thrills was also one of the better anthologies I’ve done, and some of the short stories I’ve been doing during these last few years have also been really good. I also think that some of the stuff I have in progress–“Never Kiss a Stranger,” “Festival of the Redeemer,” Chlorine, Muscles, etc.–are also really good stuff. Some of the work I did this weekend is pretty damned good. I don’t think I’ve ever felt this confident in my writing before in my entire life, to be honest, but as long as I keep confidence from bleeding over into ego, I should be okay.

We watched all four episodes of Three Pines last night, and i think it’s very well done. Alfred Molina is perfect as Inspector Gamache, and while I must confess to only have read the first Louise Penny novel, Still Life, I was very impressed with it and liked it a lot (not sure why I’ve not gone back and read more of them; I do have the first three or four, but it probably has more to do with time and the massive TBR pile than anything else). I thought the show didn’t have the same feel as the books, in some ways, but it’s also a different medium and there are always changes. When I was reading the book (and again, only the first in the series so I am hardly an expert on Penny’s writing or her series) I like the town, and enjoyed my visit there. It was a nice, quirky, small town–but translating that to the screen is an entirely different ball of wax. I think the producers and writers decided that because the show is about murder, it needed to be a little darker, and Three Pines comes across as a small town full of eccentrics in the show, more like Twin Peaks, Picket Fences, and Northern Exposure than Penny’s creation….but I think it was a smart direction to go with the show. Penny’s strength is offsetting the charm of the town against the darkness of the crimes committed there, and I don’t know how well Penny’s vision could have translated to the screen any better. We both really liked it. We also watched a true crime documentary about Charlie Cullen, the killer nurse–which was creepy as fuck.

I’m hoping against hope that this good feeling will last all week. I’m going to have to stop and make groceries on the way home from the office–heavy sigh–but no need to swing around uptown for the mail until tomorrow. I have to remember to buy a shipping envelope to mail a copy of Streetcar to the winner of the drawing from Mystery Lovers’ Kitchen–I should add that to my to-do list…which I need to make a new copy of it. The problem is I don’t remember everything I am supposed to be doing, and I need to get back into the habit of making a new list every weekend so things don’t get lost.

I also spent some more time with Nelson Algren’s (I was spelling it wrong in the last blog) bleak A Walk on the Wild Side, which I am enjoying but isn’t precisely a quick read by any chance. It reminds vaguely of another novel set in the same time period, A Garden of Sand by Earl Thompson, which I’ve started any number of times but have never managed to get very far into because it is also not an easy read. I am going to try to devote an hour to reading every night–an hour a day is far better than what I’ve been doing, which hasn’t been helping to budge the TBR pile at all–and I think tonight we are going to finally start watching Wednesday. I’ve been reluctant to jump into it, despite the great reviews, because the Christina Ricci version from the 90’s films was, at least for me, definitive. But we keep hearing good things about the show as well as Jenna Ortega’s performance in the lead, so I think tonight will be the night we take the plunge.

It rained all day yesterday–it was even raining when I went to pick up the groceries–and it seems a bit gray outside this morning as well. I have a lot of emails to write and a lot of emails to answer and all kinds of stuff to do today–one of the reasons I got up an hour earlier than I needed to this morning–so I am trying to be proactive and not laze in bed the way I usually do on the mornings when I don’t have to get up at six. I am getting used to getting up early for the first time ever in my life, and quite frankly, I don’t like it. But I also don’t see the clinic hours being changed any time soon, either; I fear my afternoon/early evening shifts are a thing of the remote past now.

And on that note, I have quite a bit to do today, so it’s perhaps best that I make another cup of coffee, some toast, and dive right in. Have a lovely Monday, Constant Reader.

It’s The Most Wonderful Time of the Year

Ah, yes, time for hot men in Christmas clothing. I usually wait and just do the twelve days of Christmas thematically here, but I have neither the time nor the inclination to figure that out. And why not do an extra couple of days of holiday cheer? We could always use more cheer and happiness and joy in this sometimes grim and grotesque world and life. Today is going to be dedicated to three things: more work on my book, picking up the groceries I ordered, and making potato-leek soup. I’m also going to spend some time this morning reading. I finished Wanda Morris’ marvelous Anywhere You Run yesterday, and started Nelson Ahlgren’s A Walk on the Wild Side. Someone on Facebook had posted they were going to watch the film (starring Barbara Stanwyck and Jane Fonda) and I, who have never seen it, vaguely remembered it was connected to New Orleans. I did some research and yes, sure enough, it was indeed a novel first; and since it’s about the demimonde here in the 1930’s, I figured it was a necessary read for my understanding of the past of the city and perhaps even a needed read for the canon of New Orleans fiction. No one ever talks about this book in connection with the city, maybe because Ahlgren wasn’t a native? One can never be completely sure, can one? So, I will probably read some of that for about an hour–I like the idea of dedicating one hour every day to reading; maybe that will help me get through the ever-growing TBR pile. I know I wanted to do some Christmas reading–I am saving Donna Andrews’ Dashing Through the Snowbirds for Christmas day as a gift to myself–and I have some Christmas crime short story collections on hand as well, so I could do a story a day–maybe that will be what I do for the Twelve Days? Not a bad idea.

I slept well last night, which was a lovely experience–Scooter cuddled and purred with my for most of the night, which helped me enormously; making us doze off is truly his super-power–and woke up at a decent hour this morning. I think I am going to be able to get a lot more work done on the book than I did yesterday. It’s finally taking shape and I know where I am going with it along the way now, so I have to revise and redo the first half of the book to get it in line with how the final act will play out. I got started on it yesterday, and the story makes a lot more sense now than it did (and that is not me being hard on myself, either; what I had already done wasn’t badly written, it was just disjointed and had a lot of info dumps that have to be put into the story in a more organic way). I pulled up Spotify yesterday and listened to music while I worked on the book–Paul wasn’t home–which was cool. I listened to the Liza Minnelli that was produced by the Pet Shop Boys (it is truly outstanding; give it a listen sometime) and then cycled through some Pet Shop Boys albums as that was clearly the musical theme of the day. Paul will be home today, so I’ll probably just put in my ear buds and listen that way–I’d forgotten what a difference having music on makes to my writing and productivity.

We watched another true crime documentary last night, The Lost Boys of Bucks County, which–similar to the ones we were watching about the Murtaugh family–shows again the difference in how the law treats the wealthy and powerful as opposed to people that are considered unimportant and disposable. “They were just trash to be thrown away,” someone said towards the end of this sad story, in which four young men were pointlessly murdered over the course of three days. I’ve been thinking about–toying with, teasing it around inside my brain for quite some time–writing a suburban serial killer in the 1970’s book, based on the suburb where I lived for five years and the life people lived there, and then grafting a serial killer based on Houston’s Candyman onto the story. I’d been calling it Where the Boys Die for quite some time now, which I don’t think is the right title for this story; Where the Boys Die is a spring-break revenge spree killing story, and I think this one should be The Summer of Lost Boys or something along those lines. I know, I know, I talk about books I want to write all the time and never seem to get around to…but I think 2023 is going to be the year of finishing things that aren’t finished and getting them out of the way. Groan, that’s going to be a lot of work…but the kind of work I love doing, so there’s also that–and yes, I am well aware that I always have to force myself to do things I love. What can I say? I love being lazy and doing nothing the most out of everything.

When I was at home for Thanksgiving, my recently retired brother-in-law asked me what my plans for Retirement were. I know what he was really asking–my family is nothing if not predictable (are you going to move up here to be close to us once you no longer have a job? because it does not compute to any of them on any level that it’s not my job that anchors me in New Orleans. I live here because I choose to live in New Orleans, and I love it here. They can’t imagine making any such decision that would keep them out of the bosom of the family deliberately.)–but I chose to respond with “Well, I can’t wait for it to come. Counting the days” and he replied, “Oh, you’re in for a big surprise–you might want to hold your horses a bit on that.” He meant well, and I know what he meant; he’s been bored since he retired and the adjustment to not having to be somewhere for a set amount of time Monday through Friday hasn’t been easy. It wasn’t easy for my father, either–still isn’t. They, and other men of their generations, were conditioned to work and to identify their selves with their job and the work. That isn’t me. I love my job, don’t get me wrong–it’s the perfect fit for me on every level, and even now the only thing I don’t like about it is we no longer have non-traditional hours. I miss not having to be at the office until eleven most of the week and having my mornings free to get things done before going into the office, and not having to be in bed by ten most nights. The only thing I truly dislike about my job is the forty hours I have to spend working at it–because I would much rather be utilizing that time to write. Will I be bored when I retire? Probably not. I am never bored and can always find something to do. There’s the TBR pile, for example, and I am always writing something anyway. There’s a shit ton of classic films for me to work my way through, and other films and television shows I would love to rewatch and revisit.

And there’s always going to be books to read, errands to run, dishes to wash, clothes to launder, and so on. I’d also probably go to the gym with a higher degree of frequency as well.

So, no, I won’t be bored when I retire from my day job. I’ll probably wind up working even harder once I do retire.

And now I am going to read for an hour, and get back to work on the book. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.

Tell Me

Friday and a work-at-home day, except for the morning department meeting I have to attend in person, which means I didn’t get to just roll out of bed, wash my face, brush my teeth, throw on some sweats, and get a cup of coffee just before nine…no, I have to be there at nine. I’ll run a couple of errands on my way home, which spares me from having to leave the house on Saturday; I may order groceries for pick-up on Sunday, but I don’t need to decide that right now.

This week wore me down and wore me out. I didn’t sleep terrific all week long to begin with, then of course it was one thing after another to have to deal with. But it’s Friday and I am relatively unscathed, methinks; I slept really well last night and think that could again be the case tonight. I was completely worn out when I got home from work last night, so I collapsed into my easy chair and watched a lengthy James Somerton video on Youtube called “What Ever Happened to Good Taste?”, which was about camp classic films, beginning with All About Eve before cycling through Whatever Happened to Baby Jane?, Mommie Dearest, and the drag queen road movies of the early 90s, The Adventures of Priscilla Queen of the Desert and To Wong Foo, Thanks For Everything, Julie Newmar. (I must confess to being enormously disappointed that Showgirls didn’t make the documentary; it is, after all, an all-time classic.) Paul got home shortly after I finished watching (it was two hours long) and we watched another episode of Welcome to Chippendales, which could have been just a movie and not a series I think; there’s a lot of padding out of the story to stretch it out into a mini-series. I have a lot to do this weekend; one of my tasks for today is of course a to-do list for the weekend. I need to get caught up on the book, I need to get caught up on a lot of things, and I want to finish reading Wanda Morris’ marvelous latest work. Perhaps after I get home from the meeting at the office this morning and get through my work-at-home chores today, I can spend some time with Wanda’s book and finish it. I am going to run some errands on my way home from work today, too–hoping that I won’t have to leave the house much this weekend so I can get things done.

My arm continues to get better every day, so I think it is something that didn’t necessarily require the emergency room costs or a forced-onto-the-schedule doctor’s appointment. It means I won’t be able to start back to the gym this weekend as I’d planned–I like to start going again before the new year when everyone’s resolutions crowd the place to within an inch of its life come January–but I cannot lift weights with this arm, which pretty much eliminates every upper body exercise. I could, I suppose, go a couple of times a week and simply focus on legs–but the weight plates would be a problem, too, you see. So, that’s going to have to go back on hold until my arm feels better.

I was very surprised and pleased yesterday to see that a couple of Instagram users did “reels” talking about A Streetcar Named Murder, and I have to confess this week–shitty as it was personally–has been a really terrific week for me professionally. It certainly was a good one for my writer’s ego, for sure. The outpouring of support and appreciation for my book from the cozy reading and writing community has been quite nice, rather unexpected, and I am enormously appreciative and grateful for it all. In some ways, it’s kind of validating; over the past few months I’ve really come to understand that I have an enormous chip on my shoulder when it comes to my own writing, and have tried unpacking that a bit. (I’ve spent quite a bit of time since turning sixty in the wake of a global pandemic unpacking my behaviors and the events that occurred that shaped those behaviors.) How different would my life have been had I gotten support and encouragement when I was younger? Had people taken my ambitions and desire to write seriously rather than dismissively? I honestly don’t know, can never know, will never know–the great pleasure of human life is you can never do anything more than speculate about how differently a shift in something, even a very small minor one, can alter the course of a life and a career.

The other night, before my Murder by the Book event with the marvelous John McDougall and my very dear Ellen Byron, John asked me “Now that I’ve read your book, Greg, I have to ask–why did it take you so long to write a cozy? Why haven’t you been doing this all along?” and my answer was “I really don’t know.” It absolutely gave me pause, and has lived rent-free in my brain ever since Tuesday. Why did it take me so long to write a cozy? I still don’t have an answer that makes any kind of sense. Let me see, I’ve always read them, always appreciated them, and have always done my best to fight the stigma attached to them by some elitists who need to feel better about themselves by looking down on a subset of other writers. I hate that, particularly because I know how it feels to not be taken seriously or be respected by your peers (there’s that enormous chip on my shoulder again).

But despite all the difficulties encountered during the time of its writing, I really enjoyed writing A Streetcar Named Murder. Sure, it was hard, and sure, I had to make myself do it (like always), but when I finally held the finished copies in my hands, I was incredibly proud of it. I have always said that I want to always be challenged by what I am writing, that I don’t ever want to fall into a familiar pattern of writing that feels like painting by the numbers (which is why I ended the Chanse series), which is incredibly easy to do. Writing a cozy presented me with a challenge, and yes, it was hard and yes, it was outside of my comfort zone. But I created likable, believable characters and an interesting story, with new situations and paradigm/life shifts that all played out throughout the course of the story. Now that it’s out in the world, it is an interesting question as to why I never tried to write one before, or even why I believed that I couldn’t write one in the first place.

And in some ways, it’s almost like starting my career over again. I am finding a new audience. I didn’t center queer characters and stories. I just wrote about New Orleans again but from an entirely different perspective, and it was enjoyable.

And I am proud of the book, and of myself. It feels weird to say that, but at the same time it also feels good to say it.

And on that note, tis back to the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

You Better Move On

I woke up not feeling so hot this morning. There was a touch of fever, a lot of sinus, and just over ickiness. I did take a COVID test that came back negative–praise the Lord–but I am achy and not feeling myself, so I bit the bullet and called in sick. Yay. And then to add insult to injury, my Internet went out. Grrrreeeeeeaaaaattttt. I turned my phone into a Hotspot, and Cox is quite generously sending someone out today between 5 and 7 because unplugging it and resetting the modem simply isn’t doing the trick the way it is supposed to. In fairness, I think we’ve had this modem since we moved back into the Lost Apartment just before Christmas of 2006, so I suppose it has lasted a really long time. But it is still fucking irritating to risk a data overage on my phone simply because Cox has a shitty customer service mentality. I’d switch to another provider but…I’ve heard terrible things about all of them, so maybe this is yet another case of the devil you know. I expect Cox to suck, so it’s frustrating but not a surprise.

My Apple TV router is also getting up there in years, too. Probably will need to replace it sooner than I’d prefer as well. Heavy heaving sigh.

I feel a little better now than I did this morning–I took a Claritin and it seems to have helped some–but I still have stomach upset and everything feels a little more tired than it should. I also have a mild headache–it was a major one before I took the Claritin, so it’s sinus-related. Our weather has been weird the last few days–very humid but not super-hot, even coldish–so we’ve had a lot of foggy mornings and nights which are never good with my sinuses. So I am assuming I’ve developed yet another sinus infection (hurray!) which hopefully the Claritin will spare me the worst of. But at least I didn’t feel good this morning, so I was at home for the Internet shenanigans. Imagine if I had gone to the office, come home to this after their hours, and had to deal with it? Who knows when they would deign to come fix is? I probably would have had to call out for work on another day, so at least this is all going to be handled today.

Sigh.

I’ve spent part of the morning under my blanket in my easy chair reading Wanda M. Morris’ Anywhere You Run and Constant Reader, it is marvelous. It’s even better, I think, than her debut All Her Little Secrets and if I’m not mistaken, I believe the two books may actually be connected, which is super cool. I had the great pleasure of meeting Wanda this year, and she’s just as kind and warm and lovely in person as she is a talented writer, which is amazing.

I was feeling off yesterday–which I guess was the start of this whatever the fuck it is–and so I wrote for a while yesterday morning before collapsing into my easy chair around three yesterday afternoon. We watched Kiss Kiss Bang Bang, which has been recommended to me by several people whose opinions I respect, but I didn’t enjoy it as much as I would have hoped, predicated on the enthusiasm with which it was recommended to me. I do love Robert Downey Jr. (pre-Iron Man; I never cared for his Tony Stark but hey, congrats, it made you richer than you could have ever imagined) and I thought the story was clever. I don’t really care for the breaking of the fourth wall so much, but I also loved that it was sort of based on a Brett Holiday novel (i’ve never read Holiday; I should rectify that sometime but I am not really a huge fan of the tough-guy books that proliferated in the pulpy post-war era. I absolutely hated I the Jury, and there’s not enough money in the world to persuade me to read another Mickey Spillane novel, and I suspect his Mike Shayne books fall into that category–the hard-nose tough guy, sexy two-dimensional “broads” who are devious, and so on) and it did have a lot of clever things that I appreciated. We then moved on to watch another episode of Welcome to Chippendales, which is interesting but could be better, and last night we watched The Texas Killing Fields docuseries about the I-45 murders between Houston and Galveston, which I vaguely remember from when my parents lived in Houston. (I also thought it was interesting that the first batch of killings, mostly young girls, teenaged or younger, was going on at the same time the Candyman was killing teenaged boys in another part of Houston. Houston: serial killer capital of Texas, clearly.) I was dozing off during the docuseries, so I missed a couple of important pieces to the story, but it wasn’t hard to stay up on the story and get caught up when I’d wake. We also got caught up on Andor and some of the other shows we’re watching.

Okay, I am feeling a bit woozy again so I am going to go back to my chair and Wanda’s book. Hope you have a better Monday than me, Constant Reader.

I Wanna Be Your Man

Apparently Utah stomped USC last night in the Pac-12 championship game, which throws the college football playoffs into a bit of chaos. At this point I am rooting for chaos, frankly. Since LSU is out of it, I want everyone in the Top 4 to lose today (with apologies to all of their fans) simply because I do want this to be as insane as the entire season has been so far. This has been easily the craziest college football season since 2007, which has made it a lot less predictable and a lot more fun to watch. Do I think LSU has a chance to beat Georgia today? Probably not, but…the last time LSU went to the championship game with three or more losses, they played a one-loss Tennessee team that was ranked second in the country and heading to the national championship game. No one gave LSU a chance–but somehow they won, 31-20, without their starting quarterback or their star running back, going on to trounce Big 10 champion Illinois in the Sugar Bowl. So there’s precedent for it happening again, but as I said, I find it highly unlikely.

I slept late this morning–all the way until eight thirty, a miracle–and it was sound. I got up once during the night to go to the bathroom and immediately went right back to a deep, restful sleep that felt absolutely marvelous. I feel very rested this morning, and feel like if all goes well this could be a highly productive day. I do have to get the mail and probably stop at Fresh Market for a few things, and I also need to order groceries for pick-up tomorrow morning, but other than that I plan on being here, parked in front of my computer, for most of the day. I don’t care much about today’s football games other than who wins, and I can follow that on Twitter (as I did the USC-Utah game last night), so I should be able to get writing work done today as well as some necessary and needed cleaning and filing and organizing.

Last night, Paul and I watched Bros, and I feel like I kind of owe Billy Eichner an apology for not going to see it in the theater. I’ve never much cared for Eichner, in all honesty–the mean-spirited bitchy persona he’s always personified as his schtick is one that I’ve never connected with, and so my reaction to the trailers and press about the movie was always, why would I pay this much money to go see him be an asshole for two hours? And yes, the character he plays is very similar to the comic persona he’s developed over his career–the difference is Bros fleshes him out as the character Bobby (Bobby/Billy; see what I mean?) and makes him three-dimensional and yes, dare I say it? Relatable and likable. Luke McFarlane is also incredibly likable as Aaron, his love interest–and of course the fact that he’s beautiful makes him, I suppose, that much more relatable. Both are emotionally unavailable and have no desire to deal with the drama dating entails, but as they spend more time with each other and keep challenging each other to be better versions of themselves, it actually is a charming, sometimes funny, and all too human romantic comedy–the kind we gays have been begging Hollywood to make for decades. I don’t know if publicly admonishing the audience for not turning up to the theater opening weekend was perhaps the smartest public relations move or not, but I really enjoyed the movie. A lot. It was very smart, had a lot of things to say about being gay or queer in this modern age of hookup apps and computer dating, and I actually felt like I was watching two real gay men fumbling their way towards an actual relationship–and rooting for them to get there. It was a very pleasant surprise, and is one of the best gay romance movies I’ve ever seen.

So, I’ll say it again: I’m sorry, Billy, for not seeing it in the theater on opening weekend. I don’t see many movies in the theater–I think the last one I did see was either Aquaman or Wonder Woman 84, and I probably should have supported Bros. My apologies. There are also some incredibly real moments in the movie that I could actually relate to–the soliloquy on the beach on Provincetown about how being so unmistakably gay as Bobby was altered and changed the trajectory of his life, going so far as to destroy his dreams and force him to reevaluate and come up with new ones. That resonated with me–my experience with the college writing professor is never far from my mind–and it also made me think about how many other gays or queers have had that same experience with an authority figure?

It’s a good movie when it makes you think and reevaluate your own life, you know? So well done, Mr. Eichner, and again, I’m sorry. I enjoyed your movie, think it’s one of the best gay films I’ve ever seen, and you were right to chastise us for not supporting it during it’s theatrical run.

Interestingly enough, I’ve been thinking over this past year that I actually may want to write a gay romance. I’ve been toying with the idea for at least that long, and I know writing a cozy has something to do with that. I also have an idea, I just am not sure how to execute it–but I am going to put it on the list for potential 2023 projects.

And on that note, I am going to get cleaned up and get my day started. Have a lovely Saturday, Constant Reader.

Red Rover

It’s cold in the Lost Apartment this morning–it’s only forty-two degrees outside; it was fifty when Paul got home from the office last night–and the bed felt marvelous and comfortable and warm so I didn’t want to escape its clutches, seriously–and my coffee cup feels rather lovely in my hands as I sit here in my breakfast nook this morning. The sun is shining, though, and the high for the day is a stunning 56. Hurray!

LSU won despite terrible play yesterday over Arkansas, 13-10, and then Alabama managed to come back to beat Mississippi right after (30-24), which clinched the West division of the conference for the Tigers in perhaps one of the fastest and most surprising turnarounds of all time in college football. LSU was picked to finish fifth in the division (out of seven teams), and the predictions of a maximum of seven wins looked overly optimistic in October. Yet here they are, sitting at 8-2 and going to Atlanta to play Georgia for the conference title. Oregon lost last night, which means LSU would likely move up at spot to the Number 6 ranking, despite how poorly they played–I was actually thinking they might drop a bit, until I saw that Oregon lost–and still have a very outside shot at going to the college football play-offs, if they can win out and somehow defeat the defending national champions the first weekend of December. Paul, who figured out how LSU could play for the national championship in 2007 and predicted every loss that was necessary for it to happen correctly, was mapping it out for me again last night. It’s very tempting to believe, given the impossible, implausible, and improbable season LSU is having, that their luck and this magical season can continue to hold…but regardless of how the season ends, this one was already a win for Tiger fans and Louisiana. (And I still can’t believe we beat Alabama.) But the most amazing thing about this game was true freshman Harold Perkins Jr.’s play. How is this kid a true freshman? He’s basically the reason LSU won yesterday. He is going to be a lot of fun to watch as he matures and develops and gets better.

I also managed to get some work done on the book yesterday–not actually writing, of course, but the planning and working out of the plot so that I can go back and finish revising the first half of it so I can get the second half written. It is highly unlikely at the moment that I will make the 12/1 deadline–but next weekend there aren’t many games on that I think I’d want to watch (the weekend before Thanksgiving is rarely a good football weekend) so I am hopeful that I will have that day to spend writing on the book in addition to the rest of the week. The Thanksgiving trip to Kentucky is going to wreak havoc on my writing schedule, but I am still rather confident that if I buckle down and shut off distractions, I can still make my deadline.

Hope springs eternal.

Today we are having lunch at Lula, a restaurant in our neighborhood, with friends in from out of town. Ordinarily I would have a drink or something with lunch, but alas, I have to come home and get to work, little as I want to–I’d much rather do nothing for the rest of the day, frankly; its cold, which makes it a perfect day for watching television under my blanket in my easy chair with a purring kitty in my lap, but alas and alack, that won’t be possible until this evening. Paul wanted to watch the Falwell documentary God Forbid which I’d watched while he was gone, so it was on while I idly scrolled through social media–by the time Paul got home I was exhausted, and the Auburn-Texas A&M game was on but I wasn’t paying much attention to it. I guess exhausted is the wrong word to use, as I didn’t do anything that could have exhausted me yesterday–maybe fatigue is more correct? I get fatigued much easier than I ever used to before, since having COVID this past summer–and it’s often very sudden. One moment I will be fine, the next I am falling asleep in my chair and am so tired getting out of the chair requires almost too much effort. Maybe it’s an after-effect of the COVID, maybe I am just getting older, maybe it’s a combination of the two. I do have a doctor’s appointment in January for my biannual check-up, and I should probably ask him about it. Advocate for yourself with your doctor, dumbass.

We also started watching the second season of Young Royals on Netflix, but somehow it defaulted to the dubbed version, which I hate. I don’t like it when what they’re saying doesn’t match the lip movements. I was too tired to figure out how to switch it to Swedish with American subtitles (it still amuses me to remember how much I didn’t want to read subtitles in the olden days), and maybe I can get that done before we continue watching tonight.

And on that note, I am heading into the spice mines. Have a lovely Sunday, everyone, and GEAUX SAINTS!

Miranda

Monday morning and it’s very bright this morning. The time change–I’d forgotten that it means getting up in the light and coming home from work in the dark. It’s also interesting how much that changes in one day. It was already getting dark before four yesterday, and was completely night by five. I don’t like the change, to be honest; it doesn’t help me get up in the morning and it makes me feel like the day’s been wasted by the time I get home because there’s no more daylight. It’s another one of the reasons I don’t like winter, to be honest, but at least down here in New Orleans it never gets super cold or snows, which does make it somewhat more bearable. I still don’t like coming home after dark, though.

Yesterday wasn’t a great day for me. I was very tired all day, despite sleeping really well, and never really felt like I had any energy. I tried to write for a while yesterday morning but got nowhere with it, which is causing me more than a little bit of stress today, and so I ended up watching a lot of television. We finished off the first season of Interview with the Vampire (more on that later), the first season of The Serpent Queen, watched the most recent Andor, and got caught up on American Horror Story. We also watched a movie called Nobody with Bob Odenkirk, which was interesting and a bit of a different approach to the usual “Dad gets vengeance” movie before finally toddling off to bed. I didn’t sleep especially well last night either–I kept waking up and had trouble falling back asleep, but it was a better night’s sleep than Saturday’s, so I will take it.

I think I had trouble sleeping Saturday night because I was so emotionally caught up in the LSU-Alabama game; I was a bundle of nerves and raw energy and anxiety the entirety of the game (which I still can’t believe we won; who would have ever thought we’d beat Alabama this year; everyone is very high, obviously, on Coach Kelly now). And now, of course, that we’ve actually beaten Alabama (first time in Baton Rouge since 2010) people are talking about LSU running the table this year and making it to the play-offs as the first-ever two loss team to get that far. One thing for sure is that LSU could certainly mess things up for the play-offs this year; who do they take if LSU does the improbable and hands Georgia its first loss of the season and wins the SEC? One loss Tennessee, who lost to Georgia and didn’t win their division? Georgia, defending national champion with one loss but didn’t win the SEC and lost to LSU? A two loss SEC champion LSU that lost to Tennessee? How do you decide between the three of them? And if you take two, as has been done occasionally in recent years, which two? This year is very reminiscent of the chaos of 2007–when a two-loss LSU team won the BCS title over Ohio State; the only two loss team since 1960 to be crowned national champions, and the only one of the championship game era (Georgia also only had two losses that year, and were highly ranked; they had a good argument but losing their division and not playing for the conference championship ruled them out–although both Alabama and Georgia have both won the national title without being SEC champions). It will be interesting. I am that Doubting Thomas still; certain we can win out the regular season by staying focused and disciplined, but I don’t know if LSU could match up with Georgia. I still think it likely that both Tennessee and Georgia are the most likely two to go to the play-offs, if the SEC winds up with two; but I also didn’t think LSU would beat Alabama this year, either.

Which shows how much I actually know, you know?

I wasn’t able to finish this before leaving the house for work this morning–I told you, the time change, combined with some insomnia and low energy days, have really messed with my mind; I was so tired this morning I even considered hitting the snooze button a third time–so here I am on my lunch break, trying to get it finished and posted so I don’t miss a day. (Being a completer can sometimes be a real problem, you know?) After I get off work today I have to run uptown and get the mail as well as pick up some groceries from the store–nothing much, just a couple of things, but might as well stop and get it over with, you know? I also hope to get some serious work on the book done tonight as well. I hate having lost the weekend, but low energy is low energy.

I did manage to read some of Wanda Morris’ new book this weekend (at the rate I’m going I won’t finish it until probably my trip to Kentucky), but also managed to read a new-to-me Daphne du Maurier short story, included in the collection Not After Midnight and Other Stories (it also includes, as every du Maurier collection does, “Don’t Look Now” and “Not After Midnight”). I’d gotten the book from eBay after finding out that it included “A Border-line Case”–which I enjoyed–as well as two other stories I’d not read, “The Way of the Cross” and “The Breakthrough.” This weekend during Georgia’s mauling of Tennessee I read “The Way of the Cross”, and really liked it. It’s long, as all du Maurier stories often tend to be, and it’s actually quite a nasty little story that spins out over the course of a twenty-four period with a small group of British tourists visiting Jerusalem and the Holy Land, most of them from a small village. Their vicar was supposed to be their tour guide for this visit; but he was taken ill and another available minister-type, who doesn’t know any of them and isn’t really completely comfortable taking over, has been asked to fill in. It’s one of du Maurier’s nastier little stories, but the reason it is so nasty is because of its brutal, unflinching honest view of the characters, none of whom really come out of the story well. What is particularly interesting is how illustrative this story is of du Maurier’s own cynical view of humanity, but her gifts make the characters so absolutely real it feels like the reader is literally looking inside their souls. The characters all have definite opinions of who and what they are; as well as their own histories. What happens throughout the course of this story is everyone is gradually humbled and made to take off their own rose-colored glasses and inevitably are forced to look at themselves and their lives very clearly–usually by overhearing two of the other characters talking about them. It’s a terrific story, and one I will definitely be revisiting at some point. (I also like they are visiting the Holy Land but definitely are not very Christian…)

And now it’s time to head back into the spice mines. Have a lovely Monday, Constant Reader–and oh yes, for the record: the reaction to Jayden Daniels’ overtime touchdown and later, the two point conversion did, indeed, register on the seismograph on campus. So, it, like the 1988 Auburn game, qualifies not just as an “earthquake” game but a double earthquake game.

GEAUX TIGERS!

Black and White

I don’t remember how old I was the first time I saw Robert Wise’s film The Haunting; all I do remember was it was late at night–in Chicago, one (maybe more) of the local affiliates always ran films after the news at 10:30; they also ran afternoon movies at 3:30 Monday thru Friday–which is where I got most of my education in classic Hollywood movies. But The Haunting was probably the most terrifying movie I’d ever seen; it wasn’t until a rewatch later in my life that I realized that perhaps the most terrifying and unsettling thing about the movie was you never saw whatever it was that was creating the happenings at Hill House–and they were never really explained, either. I had nightmares after watching it the first time, and those nightmares became recurring. To this day I am not comfortable climbing a metal spiral staircase…

One afternoon when we were at Zayre’s for whatever reason–we went there almost weekly, although I am not sure why–I found a copy of Hell House by Richard Matheson on the paperback racks. It sounded, from reading the back, similar to the movie that had scared me so when I was younger, and I couldn’t help but wonder if the movie was taken from the book? I bought it and read it–loved it, in fact–but while it was similar to the story of The Haunting, it was also different enough for me to be certain they weren’t the same. (Hell House was filmed actually as The Legend of Hell House, which was also a terrifying film–more on that later). It wasn’t until years later, when I was in a used bookstore in Emporia, that I stumbled across this:

It was only a quarter, and looking at the back I recognized the characters–Nell, Theo, Dr. Montague, Luke–and of course, the name of the haunted house–Hill House. I bought it and a couple of others, and I started reading at the first opportunity, and was completely mesmerized. It quickly became one of my favorite novels of all time–I already knew Jackson’s story “The Lottery”, because at some point in school I’d been shown the film (why was this appropriate school viewing? Imagine trying to show it to students today!) and in a Drama class we’d actually read the stage adaptation and even put it on for the school (I think I had one line in our production?). Reading Stephen King’s Danse Macabre also told me more about both Jackson’s writing and the Robert Wise directed film, which was my first exposure to Julie Harris; I also remembered that the opening of Jackson’s novel was used by King as an epigram in ‘salem’s Lot; he also dedicated a book to her “because she never had to raise her voice,” which is a very poetic way to describe the softly macabre writing style and voice she used in her works. I lost my original copy at some point during moves over the years, and I acquired another copy after we returned to New Orleans in 2001 from our brief, preferably forgotten interlude in Washington DC–and have made a point to reread it every year since.

And no matter how many times I reread it, I never tire of its haunting, terrifying beauty.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Dr. John Montague was a doctor of philosophy; he had taken his degree in anthropology, feeling obscurely that in this field he might come closest to his truest vocation, the analysis of supernatural manifestations. He was scrupulous about the use of his title because, his investigations being so utterly unscientific, he hoped to borrow an air of respectability, even scholarly authority, from his education. It had cost him a good deal, in money and pride, since he was not a begging man, to rent Hill House for three months, but he expected to be compensated for his pains by the sensation following upon the publication of his definitive work on the causes and effects of psychic disturbances in a house commonly known as “haunted.” He had been looking for an honestly haunted house all his life. When he heard of Hill House he had been at first doubtful, then hopeful, then indefatigable; he was not the man to let go of Hill House once he had found it.

Dr. Montague’s intentions with regard to Hill House derived from the methods of the intrepid nineteenth-century ghost hunters; he was going to go and live in Hill House and see what happened there. It was his intention, at first, to follow the example of the anonymous Lady who went to stay at Ballechin House and ran a summer-long house party for skeptics and believers, with croquet and ghost-watching as the outstanding attractions, but skeptics, believers, and good croquet players are harder to come by today; Dr. Montague was forced to engage assistants. Perhaps the leisurely ways of Victorian life lent themselves more agreeably to the devices of psychic investigation, or perhaps the painstaking documentation of phenomena had largely gone out as a means of determining actuality; at any rate, Dr. Montague had not only to engage assistants but to search for them.

That opening paragraph alone is a masterpiece.

I parodied it for the beginning of one of my Scotty books–it gave me great pleasure to write the words New Orleans, not sane, stood by itself within its levees–and of course, this book was a pretty heavy influence on Bury Me in Shadows. The book reads almost like a fever dream, with its rhythms and poetries of language, and the story itself is as mysterious as one could possibly hope. The genius of Jackson is knowing that the biggest fear of all is the unknown; so we never know what is actually going on at Hill House–is the house actually bad, or just unlucky? The house’s history is bad and tragic from the very beginning, as we are told in Jackson’s spellbinding voice; who precisely was Hugh Crain, who built the house for his wife and family but never knew any kind of peace within its walls? What went wrong? Jackson never lets us know anything other than that the house is bad. Her primary point of view character is perhaps the must untrustworthy and unreliable of narrators, Eleanor Vance, Nell. Dr. Montague invited Nell because of a strange occurrence that happened when she was a small child; stones rained down on their house out of clear blue sky; her mother darkly blamed it on the neighbors (this also happened to Carrie White’s house when she was a little girl in Stephen King’s Carrie–in the newspaper write-up included in the book Mrs. White also blamed it on “the neighbors”), but other than that, Nell is pretty ordinary and small. She’s wasted most of her adult life taking care of her invalid mother; she’s now in her early thirties and living with her sister’s family, sleeping on the couch. She’s meek but capable of anger–she has a lot of anger and rage buried deep inside of herself–anger at the world, at the injustice of her wasted life, at the lack of a viable future; she has no prospects, no job, no friends, no nothing. The invitation to Hill House awakens a joy in her that she’s never known–she’s wanted somewhere. Her sister and brother-in-law refuse to let her take their mutual car; she gets up early and rebelliously takes the car anyway and heads to Hill House. As she drives she daydreams and observes everything along the road, making up a lovely fantasy for herself about living in a house with stone lions at the foot of the driveway; she stops for lunch and observes a little girl who refuses to drink her milk because she doesn’t have her special cup with stars on the bottom she can she as she drinks. Mentally, Nell urges the little girl not to give in, to not surrender to the injustice of not having her proper cup–as it will be the first of many surrenders of herself she’ll end up making throughout her life until she, like Nell, becomes invisible.

And then, hopeful and happy and excited, she arrives and gets her first look at Hill House:

The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.

Which then gives Jackson the opportunity, as the next chapter opens, to describe Hill House:

No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until was destroyed.

Nell’s sanity, never the strongest, is affected deeply by the house–she both hates and loves it, separate parts of her nature begging her to flee while the other telling her she’s come home, to stay. The other three in the party–Dr. Montague, Theo the lesbian with some psychic ability, and Luke, due to inherit the house one day–become aware very quickly that the house is having an odd effect on her; they also hate and fear the house, but that welcoming feeling Nell experiences, that desire to never leave, is for her and her only. The rest of the book is quietly terrifying–the noises in the night, the realization that whatever is going on in the house has a sly intelligence of a sort–and the scene where Nell is terrified in the night and holds Theo’s hand…until Theo turns on the lights and Nell realizes she was across the room so whose hand was I holding? is one of the most horrifying moments in horror fiction. And then, the chilling, tragic end.

I also always see the house the way it was shown in the movie.

I also rewatched the movie while I was rereading the novel–not the execrable remake but the original–and it holds up just as terrifying and unsettling as it was the first time. Julie Harris is fantastic as Nell, fragile and frayed and slowly unraveling; in the movie isn’t not quite as left to the viewer as it is to the reader the notion that Nell herself is the one haunting Hill House; the house gains its power through her. (This was done beautifully in the Netflix adaptation, The Haunting of Hill House, which is loosely based on the book but updated and adapted and changed significantly; I thought the series was fucking fantastic and an excellent homage to both the book and the original film. You can’t improve on what came before, so why not reinterpret it? I know Jackson purists were outraged, but having seen the dreadful 1999 remake…yeah, this wasn’t that, for sure.)

Also, because of the movie, whenever I read the book I see it in my mind in black and white. The film wouldn’t work in color, either.

If you’ve not read the book, you really should. It’s a masterpiece on every level.