Category: horror

Friday I’m in Love

Well, Constant Reader, we did it. We’ve made it through yet another week of work, and the weekend looms, with big games on deck for both the Saints and LSU.

The weather change has come at long last; with cooler temperatures, and now when I wake up early in the morning, it’s still dark outside. I dislike immensely rising when it’s still dark–or at least murky–outside; it feels like I am getting up in the middle of the night, and rightly or wrongly, my body rebels against that. One has to hate that.

Last night I finished revising Chapter 15, which puts me at three-fifths of the way finished with the revision. Once you’re over that midway hump, it always seems to go much faster. I do think I’ll be able to get this finished by the end of the month and turned in, which is lovely, after which I can focus on Bury Me in Satin as well as deconstructing the WIP. I am itching to get back to that as well as get started on the new y/a, so that makes the revising of Royal Street Reveillon even more tedious for me. I’m also gathering all kinds of research materials I’m going to need to get through relatively soon, so I can get started on those projects as soon as I finish with Scotty.

I am really liking the idea of putting together a collection called Monsters of New Orleans. I’ve done very little horror; and a lot of what I do write probably wouldn’t be considered true horror, but like mystery there are many shades of horror. I do have some stories already that would fit into this collection, but the point is also to fictionalize true stories as well–and there are many murderers and ghosts and horrible people in the city’s history to write about…and putting a modern, fictional spin on them would be all kinds of awesome.

So much to write, so much to read, so little time.

I’m still working my way through Empire of Sin, which is really terrific.  I am now at the part of the book where jazz is being born in New Orleans; and in all honesty, it’s really interesting to me. This surprises me. I like jazz, but I don’t love jazz; and I’ve never written about the New Orleans music scene primarily because I don’t know much about it and it’s a kind of music–jazz–that’s never resonated with me. I also fully accept that this probably makes me seem like a barbarian or a philistine to some; this is also perfectly fine with me. But if I am going to write about a gay prostitute in the days of Storyville, this is stuff I need to know…and I should probably start listening to the music, so I can get a grasp of how it sounds and how it makes people feel.

I am also almost finished with The Man in the High Castle; I’ll probably finish watching Season 3 tonight. It brings up a lot of interesting questions.

And now, back to the spice mines.

Have a lovely Friday.

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Beauty and the Beast

Thursday and the work week approaches its end.

Yesterday was Payday, or rather, Pay the Bills Day, which is always an odious chore. Ironically, the one bill I never mind paying is my car payment; don’t get me wrong, I deeply hate making that payment every month, but I love having a newer car (I guess I can’t really call it new anymore) with all of the lovely bells and whistles and the ability to not worry every time I get in the car if it’s going to break down–not that I don’t always worry about that, it’s just not as present as it was in the Buick.

I have to say, American Horror Story has been a rollercoaster for me to watch over its many seasons; some seasons–“Murder House,” “Cult”–are fantastic, others a little disappointing, others such an enormous mess that I never bothered to finish watching. This season, “Apocalypse,” has been teetering on the edge of probably one more episode and I’m done. The storytelling has just been all over the map; the performances have been entertaining, and the first episode’s opening was pretty intense…but most of the time I’ve just been sitting in my easy chair, rolling my eyes and saying really? This makes no sense. But this week…they returned to “Murder House,” along with Dylan McDermott, Connie Britton, and most importantly, JESSICA FUCKING LANGE, and the episode was amazing. It also firmly reestablished in my mind that 1) “Murder House” was, by far and away, the best season of the show; and 2) I don’t care what you have to pay her, Jessica Lange is worth every penny and needs to come back once and for all. If she doesn’t get an Emmy for last night’s episode, they need to stop giving them out. Period. The episode was also directed by Sarah Paulson, had some extraordinarily beautiful shots, and wrapped up so much of the “Murder House” story…it may have been my favorite episode of American Horror Story ever.

My own writing continues apace; I worked on the Scotty revision a bit more last night, and I am also thinking about how to structure the final revision of the WIP; I also tried to work a bit on my short story “A Little More Jazz for the Axeman,” which is going to be the lead off story in Monsters of New Orleans. I still plan on writing Bury Me in Satin next; my mind is currently swimming in ideas and thoughts and plans. The fact that my sleep schedule has become somewhat consistent at long last is an enormous help in that regard; it makes a huge difference when you feel rested every day.

I’m also looking forward, with a little trepidation, to LSU’s game with Mississippi State on Saturday evening. One of the lovely things I’ve noted about switching from cable to Hulu Streaming Live TV is that I don’t spend all day Saturday in my easy chair watching college football games all day; I literally used to spend the entire day with my eyes glued to the television watching games that don’t matter to me in the least, usually, to be fair to myself, while I was reading a book or scribbling notes. I don’t do that anymore; not that Hulu TV isn’t easy to negotiate–it is, just in a different way than cable was–but the beauty of Hulu TV is that what tyranny cable television had left on me has been broken; case in point–last night’s American Horror Story episode. It is one of the few shows that Paul and I would make a point of watching live as it aired; Paul had a board meeting last night and didn’t get home until about nine fifteen; fifteen minutes after it had started. But because Hulu TV sort of works as a kind of DVR, I could queue it up and it started at the beginning. This is marvelous, and now it’s weird to think that we ever scheduled our lives around the airdate and time of some television show. This means I don’t ever have to rush home from work, or think rats, can’t stop at Rouses on the way home because our show is starting.

This was amazingly helpful during this last season of Real Housewives of New York.

And now I am going to jump back into the spice mines for a bit before I head into the office. Have a lovely Thursday, Constant Reader!

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Warm It Up

Well, the weekend turned out to be a total bust as far as getting anything writing-wise accomplished; this means I didn’t actually sit down at the desk and revise or write. I did scribble ideas in my journal, though, which while not counting as actual work, does count as something. I did manage to get the apartment cleaned during the LSU-Georgia game on Saturday (GEAUX TIGERS!) but on Sunday, I relapsed a bit into whatever-it-was I had last week; fevers came and went along with headaches and some nausea, some post-nasal drip. So, I curled up in the easy chair, covered myself with a blanket, and finished watching The Haunting of Hill House.

I will say that I thought the finale was a bit of a disappointment, but I thoroughly enjoyed this show. I knew going into the final episode that it would most likely be disappointing; the ending is not something Shirley Jackson would have written or done, and up until that moment, the show had done an excellent job of channeling Jackson. It was thoroughly involving from the very first moment, the writing was superb, the production values excellent, and the acting perfectly en pointe. It was chilling, eerie, creepy and terrifying; everything I would want from a Jackson adaptation. The show also had a lot of shout-outs to the original and to Jackson–I loved where in one scene one of the kids was reading The Lottery–and actually gives me hope that the film adaptation of We Have Always Lived in the Castle might be good.

So much of Jackson’s brilliance was about the internal, not the external–which is what the people involved with the hideous 1999 remake of The Haunting got so completely wrong. And while in Jackson’s novel you never see and never know what is haunting Hill House, seeing some of it in this mini-series didn’t spoil it in the least; it was done minimally, and in such a way that added to the creepiness.

But this morning I feel better. My head feels clear, my sinuses aren’t full, there’s no drip going on in the back of my throat, and I don’t feel feverish. So I am hopeful that the whatever-that-was is over and done with, history, archived, collecting dust in the file rooms. And that I can focus this week on getting the things done that I need to get done.

Here’s hoping, anyway.

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The Way I Feel About You

Well, my plans on how to stay calm during an LSU game most emphatically did not work yesterday.

I do, however, have a very clean apartment.

It was, on the whole, a most exciting game–if you’re an LSU fan, but it also had a lot of stressful moments, momentum swings, and tension. And yet, when the smoke cleared and the game clock ran down, LSU upset the second ranked team in the country and the national championship runners-up from last year decisively, 36-16. Hardly anyone gave LSU a chance, and even those who only made Georgia a seven-point favorite were doing so half-heartedly; as I watched the pre-game show it was so clear no one really thought LSU had a chance, or would even meet that seven-point margin; they were trying to hype up the ratings–if they said what they really believed, that Georgia was going to humiliate LSU–only die-hard fans would watch.

Which would have been a pity. LSU was dominant in retrospect–at the time it didn’t feel that way. We went up 3-0, stopped a fake field goal attempt on fourth down by the Bulldogs, and then drove down the field to go up 10-0. Two more field goals followed, along with some lights-out, tenacious defense, and the score at half-time was 16-0, LSU. Georgia had never trailed this season for more than fifteen seconds, and had not been held scoreless in a half in God knows how long. But it was really only a two-score game, and I was concerned about having to kick three field goals instead of touchdowns…then again, LSU had four scoring drives in the first half; it could have been 28-0. I worried those field goals might come back to haunt us in the second half. And I was wrong. LSU scored twenty more points in the second half to put the game away–although Georgia scored 16 points of their own–but the final score was 36-16, and the biggest win for LSU since the Alabama game in 2011; certainly one for the history books, and one that will go down in LSU lore as one of the great Death Valley wins.

Suddenly, after the Florida loss, with LSU looking slow and lackadaisical and almost mediocre, now LSU looks like a championship team who can compete with anyone. And while I don’t want to get my hopes up–Alabama looks completely unbeatable–how exciting would it be if we got to play Florida again for the SEC championship game? Florida has already lost to Kentucky; Georgia already has a conference loss with both Florida and Kentucky yet to play; all the contenders in the East have a loss already (Kentucky to Texas A&M; Georgia to LSU; Florida to Kentucky) so the stakes for the Florida-Georgia game are really, really high in two weeks.

Yes, it was a very exciting day around the Lost Apartment yesterday. GEAUX TIGERS!

I also watched another two episodes of The Haunting of Hill House, which is probably one of the best horror television shows I’ve seen in a while. I am quite frankly loving this television horror renaissance, which is producing such amazing programs. The Haunting of Hill House, of course, still can–and might–go off the rails, but so far it is terrifying, eerie, and mesmerizing; the call-backs to the original source material are enormously satisfying, and yet it could stand entirely on its own with a different title; it’s almost like a revisitation of the Lutz family twenty or so years after the original story of The Amityville Horror–how do you experience something supernatural and terrifying, particularly if you’re not really sure what it was you were experiencing, and deal with that trauma for the rest of your life? The Crain children, now adults, have dealt with this in varying ways, but they are definitely all suffering from PTSD and trauma. The first four episodes told the same story from different points of view of the adult Crains, their present reality juxtaposed with their memories of their stay at Hill House. All the characters are compelling, well-written and defined, and the acting is absolutely stellar. I said in a previous entry it’s reminiscent of the best of Stephen King’s It and Paul Tremblay’s A Head Full of Ghosts; I am also going to throw in the first season of the television adaptation of The Exorcist as well–an excellent show that only lasted two seasons but I wish it could have gone on for longer. This is some excellent story-telling, and it is astonishing how true to the mood of the novel this show is.

I won’t deny it–at first I thought, when I heard of this and how it was going to be done, I rolled my eyes. You can’t do this better than Shirley Jackson, I thought dismissively, remembering the horrible 1999 film version (the original film version, in black and white, directed by Robert Wise and starring Julie Harris–who should have at least gotten an Oscar nomination–was superb and terrifying). But I was absolutely, positively, completely wrong. The show is amazing and fantastic, and I can’t wait to watch more; I might even do so today before getting started on writing–since there’s no Saints game today, and of course being sick last week put me desperately behind.

I also read some more in Empire of Sin yesterday–Storyville is now up and operational. I’ve always avoided reading about Storyville, or even considering writing about it; for me, I was thinking it was almost cliche to do so. David Fulmer has already done a series set in that time–Chasing the Devil’s Tail, Jass, Rampart Street, Lost River–with his detective, Valentin St. Cyr; he also had a story in New Orleans Noir, and since he has done so well with the period and the area I didn’t really see any need to cover that same ground. But now….now I am thinking I could, and differently. “The Blues Before Dawn” might actually turn into a novel rather than a short story, and it’s a great title, if I do say so myself. But once I get this revision under control, I’ll have some more time to play around with the story and see where it goes.

I’m particularly interested in Tom Anderson, the unofficial mayor of Storyville.

I’m also thinking I should watch Pretty Baby again; it’s been decades.

And on that note, I think I am going to take my coffee into the living room, ensconce myself in my easy chair, and watch the next episode of The Haunting of Hill House preparatory to heading into the spice mines.

Have a lovely Sunday, everyone.

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One

GEAUX TIGERS!

Yes, second ranked Georgia rolls into Tiger Stadium today to take on the twelfth-ranked Tigers, reeling from the first loss last week at Florida. I’m trying not to get to invested in the stakes of the game; I just want the Tigers to play better than they did last week and be competitive. I want them to win, I will be rooting them on–but I will also likely be cleaning and keeping myself occupied to handle the nerves.

Sigh.

I slept in this morning–I did wake up around seven, but chose to stay in bed for another hour, before finally getting up and getting a load of laundry started. I feel extremely well-rested this morning; which is absolutely lovely. I have a lot of cleaning and organizing to do today in order to clear my plate so tomorrow can be all about writing and editing and reading. I am greatly enjoying Empire of Sin; it’s giving me all kinds of ideas about stories to write and maybe even a novel or two…I’ll probably read Herbert Asbury’s The French Quarter next.

Lisa Morton once suggested that I do a New Orleans version of her book Monsters of LA. I am thinking that might just be something I can do, now that I’m reading all this New Orleans history.

I also started streaming the Netflix series The Haunting of Hill House last night; I got through the first two episodes, which I greatly enjoyed. I was tempted to watch  yet a third but stopped myself as it was getting late. There’s been, since the trailers for the show dropped, a lot of anger and disgust from Shirley Jackson fans as well as horror fans, since obviously the show was going to be different from the novel, and why does this even need to be? Well, I am a huge fan of both Jackson AND this particular novel; one of my proudest moments was when Night Shadows was a Shirley Jackson Award finalist. (I love the rock I got for being a finalist.) The show is good. It didn’t have to be Hill House; it didn’t have to be The Haunting of Hill House, but that’s what it is, and it is inevitable, as such, that it’s going to be compared to the original. Jackson’s structure is there; Hill House, the Crain family, the Dudleys; even some of the things that happen in the book happen in the show. It’s being told in a parallel structure; when the Crains moved into Hill House, a young couple with five children, ostensibly to renovate the house and flip it. Something horrible happened while they lived there, and the parallel story being told in modern times is about the Crains today; all five of the kids grown up into severely damaged adults. The children are Steve, Shirley, Theo, Nell, and Luke–the names of the characters from the novels plus the novelist’s name–and the parallel story structure works. The performances are good, and I also like the concept–it’s very Stephen King’s It, because clearly they are all going to have to return to Hill House and face not only the house but their own demons. As I watched and began to understand the story structure, I also thought to myself, ah, this is a great direction modern horror is going in; not only dealing with the paranormal elements but the also dealing with the psychological aspects of having dealt with something so traumatic as a child. It reminded me somewhat of Paul Tremblay’s novel A Head Full of Ghosts in that way. I am really looking forward to continuing to watch and see how it plays out. I don’t see how this can become a regular series…but then again Netflix turned Thirteen Reasons Why into a multi-season show and the second season just wasn’t very good.

I’m also still watching season three of The Man in the High Castle, which is sooooo good. The first season was terrific, the second kind of mess, but they’ve really hit their stride in Season 3.

And now, I have laundry to fold, dishes to put away, spice to mine.

Have a lovely lovely Saturday, everyone.

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Bohemian Rhapsody

Is this the real life? Is this just fantasy?

Sorry, couldn’t resist.

Tuesday and my second long day of the week; just like last week, Mondays and Tuesdays coming in as long days. When we move into our new building in October (I am still in denial about that) my schedule will probably be long days on Monday and Tuesday every week, so I am trying to get used to it ahead of time. I wasn’t tired at all yesterday; but remember, Sunday I was drained and worn out from the game Saturday night and went to bed relatively early that night. I’m not necessarily tired today, but more a little on the drained side. Hopefully, I won’t be too tired to finish editing/revising two Scotty chapters tonight when I get home from work.

If so, I’ll try to read some more of Circe. I hate that it’s taking me this long to read it! Not an indication of its quality, people! Buy it! Read it! Savor it!

I’ve always loved Greek mythology, ever since I was a kid and I read a library book, when I was about eight or nine, called The Windy Walls of Troy. I’ve also always wanted to write about the Trojan War; it’s a tale I’ve always loved, and one I have always wanted to try my hand at telling. (Which is why the Troy: Fall of a City series on Netflix was so disappointing; as was the Brad Pitt film Troy.)  I’ve been toying with the idea of writing a y/a set during the last year of the war; the part that the Iliad primarily focuses on, from the point of view of one of Priam’s bastard sons, promised to the priesthood of Apollo and raised in the temple, but still a part of the royal family. (I’ve also tried tracking down a copy of The Windy Walls of Troy, to no avail.) Madeline Miller also covered the Trojan War with The Song of Achilles, one of my favorite novels of this century; it made me weep, and I kind of want to read it again, now that I am enjoying her Circe. She did a really interesting job of weaving the gods and demigods into her narrative; how does one write about the Trojan War without including the gods? My thought, of course, was to try to do it as real, without the gods actually appearing in the story, but rather things that happen being seen as their work. But how do you do the Judgment of Paris without the golden apple and the three vindictive, spiteful, jealous goddesses?

Something to think about, at any rate.

I’m also having a lot of fun doing some slight research into the history of both New Orleans and Louisiana; I had another book idea the other night as a result of a Twitter conversation with Clair Lamb and Rebecca Chance (so it’s THEIR fault), but I think it actually applies and will fit into a paranormal series I want to write set in rural Louisiana in the parish I invented, Redemption Parish–doesn’t that just sound like a perfect name for a parish where supernatural stuff happens? It’s a matter of tying in all the stories and things I’ve already written set there…it also occurred to me the other night that even the novels and stories I write that aren’t connected to others actually are–I realized that my character Jerry Channing, who appears in the Scotty series AND appeared in The Orion Mask, also writes for Street Talk magazine and that awful editor who Mouse worked for originally in Timothy, which ties Timothy to the Scotty series as well. I always thought Timothy was the one book that stood on its own…not so much, as it turns out.

And now back to the spice mines.

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Don’t Let the Sun Go Down On Me

Thursday morning, and my quest to readjust to, ahem, civilian life is getting there gradually. I no longer feel like my batteries need to be recharged–at least, not for the moment–and there is some semblance of order to my kitchen. There’s a load in the dishwasher that needs to be put away, and once again there are dishes in the sink, but the situation is neither as dire nor extreme as it seemed the other day. I’ve still not finished catching up on my email, nor have I had the mental fortitude to get back to reading Circe (which is killing me), nor have I written a single word of fiction this week…but I will. I am almost to the end of my latest journal, which means I’ve been carrying around two with me this week–the almost-finished, and the new one–which means I need to make sure that ideas and story fragments inside of it must be marked or retyped or scanned or something, so as not to be forgotten.

I came up with the idea for a hilarious Nancy Drew type spoof one morning while hanging out with Dana Cameron; actually it’s a little more complicated than that, but that’s the easiest way to describe it, which I happily scribbled away about in my journal, and I also came up with an idea for a crime short story which I am interested in exploring at some point; I have the WIP to work through, and the rewrite of the Scotty manuscript as well. I need to buckle down, don’t I? But I think that this week of readjustment and recharging my brain is necessary. I am inspired and I want to work hard on my writing again, I just haven’t the energy or creative strength to do it this week.

I have to run errands this morning; I don’t have to be at work until later this afternoon.

I am just fascinating this morning, aren’t I?

I am also toying with the idea of writing a supernatural-style series; it’s been on my mind for a while, and while I was in St. Petersburg I thought of a way to make it work, and combine some of the short stories I’ve written about that area of Louisiana already (and yes, The Gates of Evangeline helped with that). I am also becoming more and more interested in the history of Louisiana, and the possibility of a historical series, maybe New Orleans in the pre-WW1 era, or the 1920’s. I can’t decide.

But even though I am not putting words down, I am thinking, and that kind of counts as working, doesn’t it?

And now back to the spice mines.

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Sleeping Bag

Saturday morning and a lovely night’s sleep was had last evening; today is, I think, going to be a lazy day. We’re in a heat advisory, and I do want to go to the gym this morning, but after that I might have to just stay inside the rest of the day. The heat can be so oppressive; I worry about just how high my power bill is going to be, and it feels like my car never completely cools down when I’m driving here or there, hither and yon.  New Orleans summers are quite brutal; it’s hot and above all else, damp. Hydration is vital because you lose a lot of body fluids through sweating. Just walked to the car from the Lost Apartment, my socks get damp and so do my underarms and forehead. The wetness of the air is, naturally, wonderful for wild plant life; part of the reason New Orleans is so lush with vegetation is nature’s determination to return the city to what it was originally: a swamp. The sidewalk alongside the house is covered in pink crepe myrtle blossoms, like it snowed pink overnight.

I really don’t want to go outside.

But I will always prefer heat to cold. That will never change. I don’t, after all, have to scrape humidity off my car or shovel it off my sidewalk. And really, the anticipation of dealing with the heat is always worse than it ever turns out to be.

The kitchen is a mess this morning, so I definitely need to unload the dishwasher and do another load of dishes this morning. I’ll probably do the floors as well; in for a penny and all that. I may just wind up spending the day reading Lou Berney’s brilliant November Road. My reading has slowed down a bit; I’m not sure why that is, and I also need to read some more short stories this morning, as I only have two that I’ve read left to blog about; but the lovely thing about short stories is they are short, and don’t take a long time to read. I can read three or four in less than an hour, and I’ve got all kinds of anthologies and single-author collections piled up all around the house and in my iPad.

Or…I could just blow everything off and deal with it tomorrow. I’m going to have to make a grocery run anyway.

Weekends.

Next up in the Short Story Project is “The River Styx Runs Upstream” by Dan Simmons, from his collection Prayers to Broken Stones and other Stories:

I loved my mother very much. After her funeral, after her coffin was lowered, the family went home and waited for her return.

I was only eight at the time. Of the required ceremony I remember little. I recall that the collar of the previous year’s shirt was far too tight and that the unaccustomed tie was like a noose around my neck. I remember that the June day was too beautiful for such a solemn gathering. I remember Uncle Will’s heavy drinking that morning and the bottle of Jack Daniels he pulled out as we drove home from the funeral. I remember my father’s face.

The afternoon was too long. I had no role to play in the family’s gathering that day, and the adults ignored me. I found myself wandering from room to room with a warm glass of Kool-Aid, until finally I escaped to the backyard. Even that familiar landscape of play and seclusion was ruined by the glimpse of pale, fat faces staring out from the neighbor’s windows. They were waiting. Hoping for a glimpse. I felt like shouting, throwing rocks at them. Very deliberately I poured the red Kool-Aid into the sand and watched the spreading stain digging a small pit.

They’re digging her up now.

Dan Simmons is a terrific writer. The first of his I read was Carrion Comfort, which I remember fondly, before moving on to (among others) Song of Kali, Summer of Night, and Children of the Night. There was also a really terrific one set in Hawaii whose name I cannot recall right now; but it was about volcanoes and Pele, and I also really enjoyed it. The television adaptation of his The Terror was simply phenomenal television, and while I disagree strongly with his politics–I try as hard as I can to separate the artist  from the work.

This story is absolutely fantastic, and chilling, and creepy. Humanity has developed the technology to revive the dead, but rather than going into any explanations of how that works or why you would do such a thing, Simmons focuses on the point of view of a child whose mother has died and is being brought back…and how other people react to such a thing. This could easily make a terrific novel; and the themes of isolation, being viewed as outsiders and being ostracized by your community, is handled beautifully and can be extrapolated into symbolism about any outsiders. It’s really quite terrific.

And now on to the spice mines.

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Rumors

I wrote a short story the other day; or rather, I finished writing one. It’s called “This Thing of Darkness” (I love that title. It’s from Shakespeare; The Tempest, to be exact.) and it’s one I started writing several months ago and then set aside to work on other things. I’ve always wanted to finish it, and while the story I should have been working on was kind of stalled out for me, rather than trying to force it or work some kind of voodoo magic somehow, I thought, oh, I should just finish “This Thing of Darkness” and soon enough have the first draft banged out. It needs work, of course, but I am very pleased, as the writing has been very slow going this month.

The second story I am writing, the one I really need to finish, continues to be a slog. Heavy sigh. But I am hoping to have a breakthrough on it really soon; otherwise I am just going to have to push myself to write through it.

I really hate when the writing stalls, don’t you?

I also started another story this week. It was one of those things where it came to me Monday night as I was sitting in my easy chair watching the news unfold, and shaking my head in disbelief, frankly. It’s called “Please Die Soon” and I think it’s kind of a clever idea; we shall see if I can deliver on its original promise, shan’t we?

Our anniversary–the twenty-third–is this Friday, and to celebrate we are going to go see a movie on Saturday and go out to dinner. There’s no end to the living large, is there?

And hurray for Thursday! I’ve almost made it through the week.

Today’s short story is “Prey” by Richard Matheson, from The Best of Richard Matheson:

Amelia arrived at her apartment at six-fourteen. Hanging her coat in the hall closet, she carried the small package into the living room and sat on the sofa. She nudged off her shoes while she unwrapped the package on her lap. The wooden box resembled a casket. Amelia raised the lid and smiled. It was the ugliest doo she’d ever seen. Seven inches long and carved from wood, it had a skeletal body and an oversized head. Its expression was maniacally fierce, its pointed teeth completely bared, its glaring eyes protuberant. It clutched an eight-inch spear in its right hand. A length of fine, gold chain was wrapped round its body from the shoulders to the knees. A tiny scroll was wedged between the doll and the inside wall of its box. Amelia picked it up and unrolled it. There was handwriting on it. This is He Who Kills, it began. He is a deadly hunter. Amelia smiled as she read the rest of the words. Arthur would be pleased.

The thought of Arthur made her turn to look at the telephone on the table beside her. After a while, she sighed and set the wooden box on the sofa. Lifting the telephone to her lap, she picked up the receiver and dialed a number.

Her mother answered.

“Hello, Mom,” Amelia said.

“Haven’t you left yet?” her mother asked.

Amelia steeled herself. “Mom, I know it’s Friday night–” she started.

She couldn’t finish. There was silence on the line. Amelia closed her eyes. Mom, please, she thought. She swallowed. “There’s this man,” she said, “His name is Arthur Breslow. he’s a high-school teacher.”

“You aren’t coming,” her mother said.

Amelia shivered “It’s his birthday, ” she said. She opened her eyes and looked at the doll. “I sort of promised him we’d…spend the evening together.”

Every one who was old enough to watch television in the 1970’s knows this story, because everyone watched the made-for-TV movie Trilogy of Terror, which starred Karen Black. Trilogy of Terror was an anthology film; three short stories adapted into thirty-minute stories, all starring Karen Black, and “Prey” was the final story. It was completely unforgettable, because it was absolutely terrifying. It gave me nightmares for weeks, and I had to sleep with a night light on for months. All three were stories by Matheson; Matheson only wrote the screenplay for the third segment. It’s equally chilling as a short story as it was a short film; Amelia buys a fetish doll for a male friend with whom she has a date that night. She has to cancel a visit to her mother, who is very controlling, but while she is on the phone with her mother the gold chain that keeps the spirit of the fetish doll imprisoned and trapped falls off….and the real terror begins.

Absolutely unforgettable.

The movie was also produced by Dan Curtis, of Dark Shadows fame, who also produced and directed Burnt Offerings.

And now back to the spice mines.

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R.O.C.K in the USA

Happy Sunday and a good morning to all y’all.

I didn’t get as much done yesterday as I would have liked; running my errands in the pre-rain humidity literally wore me out, and then when I got going again I started cleaning and doing laundry and well, once I start doing that–as well as going through and trying to organize the books–I am pretty much done for the day….especially after I discovered Burnt Offerings was available for streaming on Prime. Oliver Reed! Karen Black! Bette Davis (who was totally wasted in her role)! I’d seen the movie years ago, I think when it first aired on television after it’s theatrical run, and while it’s still has some moments, it overall doesn’t hold up as well as I would have hoped. I read the book for the first recently in the last few years, and it was wonderful. But watching Burnt Offerings put me in mind of an essay about horror in the 1970’s; the 1970’s was a time when the suburbs really developed because of ‘white flight’ from the cities and desegregation; this was this whole movement of back to the country from the urban centers, and at the same time, there was horror that specifically focused on this phenomenon (without the racism and white flight issues); namely this book, Harvest Home by Thomas Tryon, The Stepford Wives by Ira Levin, and even Stephen King lightly touched on this in ‘salem’s Lot; the dangers of the country to people from the city.

One could even argue that James Dickey’s Deliverance also belongs in this category, and it put me in mind of an essay that I may never write. I also thought up another yesterday while running my errands, after car after car after car violated traffic rules and almost caused me to be in in accident (three times, to be exact; which might be a new record): “Right of Way,” in which I would extrapolate the American contempt for traffic rules and laws for everyone’s safety can be directly correlated to contempt for law and order, the system, taxes, everything. I made some notes, and this is one I may actually write. Essays are fun and I do enjoy writing them but I don’t very often, unless one is requested of me for something, and perhaps that’s the wrong approach.

Today I am going to go to the gym and I am going to start rereading Royal Street Reveillon and make notes for the big revision that is coming. I’m also going to start reading Jackson Square Jazz out loud for copy editing purposes, and I’d also like to work on “A Whisper from the Graveyard” today. I should at some point also work on finished “Never Kiss a Stranger,” which means I should also make a to-do list for everything I want to get done in July.

Hmmm. Perhaps not a bad idea, at that.

I also remembered I have notes on a short story I need to read and decide what revisions I need to be make.

It never truly ends, does it? But I am looking forward to Sharp Objects tonight on HBO; I actually liked this book by Gillian Flynn better than Gone Girl, which of course made her hugely famous and hopefully hugely rich. I still haven’t read her Dark Places, but that’s because I still subscribe to the “if I don’t read all the canon then I still have something by her to read” mentality, which is partly why I still have not read the entire canon of either Daphne du Maurier or Shirley Jackson or Patricia Highsmith.

So, I have a lot to do today–only one more day after today before I return to the office, but at least it’s only a four day work week–and so I should probably get back to the spice mines.

The next story up in Promises in Every Star and Other Stories is “Bloodletting”:

The damp air was thick with the scent of blood.

It had been days since I had last fed, and the desire was gnawing at my insides. I stood up, and my eyes focused on a young man walking a bicycle in front of the cathedral. He was talking on a cell phone, his face animated and agitated. He was wearing a T-shirt that read Who Dat Say They Gonna Beat Dem Saints? and a pair of ratty old paint-spattered jeans cut off at the knees. There was a tattoo of Tweetybird on his right calf, and another indistinguishable one on his left forearm. His hair was dark, combed to a peak in the center of his head, and his face was flushed. He stopped walking, his voice getting louder and louder as his face got darker.

I could smell his blood. I could almost hear his beating heart.

I could see the pulsing vein in his neck, beckoning me forward.

The sun was setting, and the lights around Jackson Square were starting to come on. The tarot card readers were folding up their tables, ready to disappear into the night. The band playing in front of the cathedral was putting their instruments away. The artists who hung their work on the iron fence around the park were long gone, as were the living statues. The square, so teeming with life just a short hour earlier, was emptying of people, and the setting sun was taking the warmth with it as it slowly disappeared in the west. The cold breeze coming from the river ruffled my hair a bit as I watched the young man with the bicycle. He started wheeling the bicycle forward again, still talking on the phone. He reached the concrete ramp leading up to Chartres Street. He stopped just as he reached the street, and I focused my hearing as he became more agitated. What do you want me to say? You’re just being a bitch, and anything I say you’re just going to turn around on me.

I felt the burning inside.

Desire was turning into need.

I knew it was best to satisfy the desire before it became need. I could feel the knots of pain from deprivation forming behind each of my temples and knew it was almost too late. I shouldn’t have let it go this long, but I wanted to test my limits, see how long I could put off the hunger. I’d been taught to feed daily, which would keep the hunger under control and keep me out of danger.

Need was dangerous. Need led a vampire to take risks he wouldn’t take ordinarily. And risks could lead to exposure, to a painful death.

The first lesson I’d learned was to always satiate the hunger while it was still desire, to never ever let it become need.

I had waited too long.

“Bloodletting” is an unusual story for me in that it’s actually a short story that bridges the gap between my novella “Blood on the Moon” and the novel Need; I eventually used it as the book’s first chapter. I have always wanted to give vampire fiction a try; I created an entire world that I first wrote about in the novella “The Nightwatchers,” which I always intended to develop into a series. I still would like to develop that series, and when the opportunity came to write “Blood on the Moon” I realized I could simply still use the world I’d created for “The Nightwatchers” and move on to different characters. The second book in the series, the one that was to follow Need, Desire, was going to tie the two story-lines together but Need didn’t sell as well as the publisher would have liked and so Desire died in the water. I may still go back and write it, of course, but I have no publisher for it and I am not particularly interested in self-publishing that much. But…I never say never. I wrote “Bloodletting” for Blood Sacraments, and only had to change the original concept a little bit; in the original idea Cord, my vampire, was actually sitting on the roof of St. Louis Cathedral watching the crowd for his next victim. I still love that image, and may use it sometime, but I did eventually change it to how it reads now.

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