Category: horror

Walking in the Rain

And we’ll make it to Wednesday.

So, in less than one week Bury Me in Shadows will officially be out into the world. I’m not sure which book of mine this is—somewhere between thirty-five and forty, I think; I am so tired of counting and I inevitably forget something—and I suppose I should qualify that by book I mean novel; there are also twenty-two anthologies, and I am working on the twenty-third, Land of 10000 Crimes,even as we speak. So, in all, there are close to sixty books with either my name, or that of a pseudonym, on the spine; not bad for the last twenty years.

That said, I should probably talk a bit about Bury Me in Shadows, so you, my very dear Constant Reader, can decide whether or not you wish to bite on this opportunity to read it or not. As I have mentioned before, this story began as a short story called “Ruins” that I wrote while I was in college, on an IBM Selectric with corrective ribbon; remember those? I still have the original draft I typed…(sidebar: I hated typewriters, and freely admit that had computers not evolved and become common place, I’d still be a wannabe writer and unpublished)…but anyway, as I said the other day, I always knew there was more story there than could be contained in a short story, so I put it aside and figured I’d eventually come back to it at some point when I had the time and mind-space to turn it into a novel. It was always there in the back of my head—maybe this year I’ll do the Alabama ghost story—and I’m not sure what finally drove it to the forefront of my mind to start writing the book; I know it happened sometime after the pandemic shutdown, and I had a deadline in January of this year to get it finished. (My memory has become so terribly faulty, you see.)

I really like my main character, Jake Chapman—I know, I know, I always like my main characters, and they usually, inevitably, always have a lot of similarities to each other, in temperament and attitude and intelligence; what differentiates them all is their back stories. When I originally started writing this as a book, Jake was still in high school, attending a fictional Chicago Catholic high school, with plans to work at the school pool over the summer because a boy he had a huge crush on was also going to be working there. (Actually, scratch that; it originally was set in a suburb and he had gotten a job at a fast food place for the summer to be closer to his crush; how could I forget that? And then I moved him into the city when I couldn’t get that story to work; I kept the suburban component but for his father’s second family) Originally I had him flying to Birmingham from Chicago, and being picked up at the airport by Kelly (another one of the characters)…but those original chapters felt very fake to me or something. It just didn’t work. It felt very much like something I had read before many times, and while I originally made Jake very strong and secure in who he is, I also thought it might not work—he needed to have insecurities, he needed to have flaws. And while I know things have changed, I still think an openly gay kid at a Jesuit high school, even in Chicago, would have issues…but am willing to admit I could be wrong about that. But my Jake does, so there.

So, I decided to advance his age a bit and have him attending Tulane here in New Orleans, and I needed a stronger trigger for his mother to send him to Alabama for the summer—especially given her feelings about her past and her family and its history. And that, I realized, was what I needed to establish with the back story; if she kept him away from there since he was a child, why would she send him there now? He couldn’t be a well-adjusted young man, completely secure in himself and his sexuality…and then he started forming in my head. He doesn’t remember his parents being married; they divorced when he was too young to remember. He doesn’t fit into his father’s second family and their suburban life. His mother has been through several husbands—including the most recent, whom she is shedding as the book opens, and he is much younger, a tennis pro. His mother is the only real stability in his life, and she, as a hugely successful lawyer who also teaches law, wouldn’t be around very much. He loves his mother, admires and respects her, but also doesn’t feel as close to her as he thinks he should. Then being a lonely out gay kid at the Catholic school, socially awkward because he isn’t used to having friends, becomes the lonely gay kid at Tulane—shy and awkward and not sure how to meet someone, make friends, even how to be gay. (And yes, I am aware of the Internet and apps and so forth so he could easily educate himself that way, even have encounters with strangers…I do address this a little bit; he does use apps to get laid, but always feels cheap and empty when it’s over.) At Tulane he gets picked up by a gay guy at a party, and lonely, he latches onto him (Tradd) and thinks they have more of a relationship than they really do; it makes him very unhappy and miserable, and one final fight between them with Tradd walking out on him sends Jake out drinking and doing drugs on a binge that ends, finally, with him collapsing in a gay bar and being rushed to the hospital. His mother’s concerns about him—he tried suicide in high school—is what overrides her aversion to Alabama and her home place, and she decides to send him there for the summer. His grandmother has come home from the hospital to die in her own bed—she’s had a massive series of strokes and is bedridden, mostly—and his mother, Glynis, figures someone from the family should be there in the house with her. A distant relative, an orphan named Kelly, who is a senior in high school, has been living there since his own mother died the previous year; Glynis doesn’t quite trust the kid, and once the old woman dies—well, there needs to be an inventory of everything in the house done, so why not pay Jake to do that while spending the summer there?

That, to me, was a much more interesting back story and set up for the book, and so when I started working on it in earnest, that was what I went with.

So, we have a young man who has spent most of his life in cities—Chicago and New Orleans—coming to rural Alabama for the summer. He has faint memories of his grandmother and the old house; the ruins of the original plantation house are still on the property, but over the years as the family lost their money and had to begin selling off all the land, the woods have grown back up so the ruins are actually hidden from the road and from the main house by trees. Jake is recovering from a broken heart and from an overdose.

I like the set-up, and it worked, at least for me, in terms of writing the story. As I said, I really became vested in Jake; I wanted to get to the root of who he is, the traumas he’s endured, and wanted him to learn things about himself now that he has the distance from his life to reexamine the things that have held him back from becoming the best Jake he can be. I really wanted to show his emotional growth and development over the course of the summer.

I guess we’ll see how well I succeeded, won’t we?

And on that note, tis back to the spice mines. Have a lovely Wednesday, everyone.

Together We’re Better

Yesterday actually turned out to be quite lovely.

I was a little bleary when I got up yesterday morning (my Fitbit advises me I only slept deeply for 3 hours, 48 minutes; the rest was “light sleep” and I woke up three times), but for whatever reason, I decided to start getting to work on things. I started answering emails (I am very careful with email. I refuse to let it control my life, which it easily can; so I answer emails over the weekends and in the mornings, save my responses as drafts, and send them all after lunch. I do not send emails after five pm CST; I do not read them, either. Email at one point took over my life, which made getting anything done impossible and raised my stress levels to unbelievable heights. I realized anyone who absolutely, positively needs to reach me has my cell phone number…and if I don’t trust you with my cell phone number…you don’t really need an answer right away. And guess what? The world didn’t end, I didn’t miss out on anything, and nothing became harder) while reading coverage of the LSU debacle from Saturday night (one thing I did mean to mention and didn’t yesterday; I try not to be overly critical of college athletes because they are basically kids. It’s easy to forget that when you’re watching on television, but when you see them on the sidelines with their helmets off, or while walking down Victory Hill to the stadium in their suits and ties…you see a bunch of teenagers and young men in their early twenties. They are kids—and those baby faces on those big muscular bodies is a very strange juxtaposition sometimes). I decided on the way home from Baton Rouge that while I do, indeed, love football, I really shouldn’t give up my weekends to it all fall. Now that LSU is definitely out of the running for anything, I’ll probably not watch as much football as I would if they were still in contention for anything. I’ll still watch LSU, and occasionally I may spend an afternoon watching a big game—the SEC title game, the play-offs—I am not going to spend every Saturday pretty much glued to the television all day, flipping between games all day. And I also rarely enjoy watching the Saints—I love them, they’re my guys, my team, my heart—but their games are so damned stressful it’s hard to enjoy them, and when the games is over I am always, win or lose, emotionally and physically and mentally exhausted. So, I decided it made more sense to get things done, check in on the score periodically, and not sweat it too much. (Good thing. Like LSU, the Saints led the entire game, folded like a newspaper in the fourth quarter and wound up losing.) I made groceries, filled the car’s gas tank, and before going, I started weeding shit out of my iCloud and saving it all to my back-up hard drive.  I wound up freeing up over four hundred and seven gigabytes in my flash storage, and suddenly my computer was running very quickly again.

And yes, it’s my fault.* I have a gazillion pictures files, going back to digital camera days. I used to back up my hard drive and my flash drives regularly to the cloud—and those folders are enormous. I don’t probably need all of it—I was weeding through bits here and there as I moved the files over to the back-up hard drive (eventually planning on copying them up to Dropbox), and started finding all kinds of interesting things. Story fragments I’d forgotten, book ideas and anthology ideas and essays I’d started; some of these things are in very rough, first draft form—and got left behind as my addled, AHDH-like brain moved on to the next thirty or forty ideas for all of the above. I also was kind of amused to see how I often I plagiarize myself; I had a completely different idea for the book I wanted to call A Streetcar Named Murder fifteen years ago—which I can still use at some point, just have to come up with a new title. I’d forgotten that all the way through the process Need was called A Vampire’s Heart; my editor suggested changing it after I turned the book it. It was a wise choice; my title was very romance sounding and Need was hardly that. It was also interesting seeing, over the years, how many different ideas I’ve had for a gay noir set in the world of ballet (damn you, Megan Abbott!). I discovered that Murder in the Garden District actually began as Murder on the Avenue (a title I can repurpose for an idea I had last week); I found the original files for Hollywood South Hustle, the Scotty book that turned into a Chanse MacLeod, Murder in the Rue Ursulines; I found the files for the Colin book that tells us what he was doing and where he was between Mardi Gras Mambo and Vieux Carré Voodoo; I found the original Paige novel I started writing in 2004, in which an Ann Coulter-like pundit from New Orleans is murdered; I found the first three chapters of the Scotty Katrina book, Hurricane Party High,  in which they don’t evacuate during a fictional hurricane, and the chapters where I rewrote it, had the, evacuate to Frank’s sister’s in rural Alabama (and we meet Frank’s nephew Taylor for the first time—and I also remembered that they belonged to some weird kind of religious cult and that Taylor was going to come to New Orleans in the future to visit during their version of rumspringa, but eventually abandoned the idea completely and never did a Scotty/Katrina book; was reminded that Dark Tide began as Mermaid Inn; that I wrote the first chapter of Timothy during the summer of 2003; and if I even tried to list all the iterations that wound up being #shedeservedit, we would be here all day (Sins of Omission, I think, was my favorite earlier title; again, a completely different book with some slight similarities…I may have to take a longer look at some of those iterations because being reminded of them all, I also remembered that I really liked all the versions).

I also found many, many nonfiction pieces I’ve written over the years—many of which I’d long since forgotten about—so maybe that essay collection won’t take quite as long to pull together as I had originally thought. Huzzah!

And I also discovered something else that I knew but had slipped out of my consciousness: that Bury Me in Shadows was called, for the first and second drafts, Bury Me in Satin—which gives off an entirely different vibe, doesn’t it? I wrote a very early version of it as a short story while in college, called it “Ruins,” but never wrote a second draft because I knew it wasn’t a short story; it needed to be a book, and one day I would write it. I was never completely comfortable with the story, to be honest; I wasn’t sure how I could write a modern novel built around a Civil War legend in rural Alabama. I absolutely didn’t want to write a fucking Lost Cause narrative—which is what this easily could have become, and people might come to it thinking it is, and are going to be very angry when they find out it is not that—but I really wasn’t sure how to tell the story…and in my mind, I thought of it as Ruins—which I freely admit is not a great title, and has been over-used.

As luck would have it, I was watching some awards show—I can’t begin to try to remember what year—and one of the nominated groups performed. I’d never heard of The Band Perry before; and the song they performed, “If I Die Young,” absolutely blew me away. (I just remembered, I kind of used the title as guidance when writing Need—always trying to remember he became undead very young) The first two lines of the chorus are this:

If I die young,

Bury me in satin

And I thought to myself, Bury Me in Satin is a perfect title for the Civil War ghost story! Melancholy and sort of romantic; I’ve always thought of hauntings as more about loss than being terrifying (you do not have to go full out jump scare, use gore or blood or violence to scare the reader, and if you doubt me, read Barbara Michaels’ Ammie Come Home), which is why I’ve always loved the Barbara Michaels novels that were ghost stories. That was the feeling I wanted to convey, that sad creepiness, and longing—I wanted a Gothic feel to the book, and I felt that line captured what I wanted perfectly. But as I wrote it, it didn’t quite feel as right as it did in that moment (I still love the song—and the video is interesting and kind of Gothic, doing a Tennyson Lady of Shalott thing), and then one day it hit me: changed ‘satin’ to ‘shadows’, and there’s your perfect title.

And so it was.

Oh dear, look at the time. Till tomorrow, Constant Reader! I am off to the spice mines! Have a lovely Monday!

*I will add the caveat to this that anything stored in the Cloud should not affect the flash storage in the actual computer and its operating system, and yes, I am prepared and more than willing to die on that hill.

I Woke Up In Love This Morning

Sunday morning and I am still trying to adjust to everything that has changed–primarily the weather change is what has me a bit off-balance this morning. I overslept, as I am wont to do these days now that I don’t seem to have the insomnia problem quite as much as I used to before, this morning–I’d intended to get up early so the six a.m. alarm wouldn’t be quite so horrific tomorrow morning, but best intentions and all that.

LSU won yesterday 28-25 over Mississippi State, but the win wasn’t terribly impressive and the season remains questionable still as to how it will go. A win is a win, however, and as Paul rightly pointed out, LSU lost to Mississippi State last year in Tiger Stadium, so this inevitably is better. The SEC West got a lot more interesting yesterday than it was looking on Friday; Auburn got incredibly lucky to win at home against Georgia State, while at the same time Arkansas was handing Texas A&M their butts in Dallas–the Razorbacks, who’ve been dwelling in the SEC West cellar for quite some time, are now ranked in to the Top Ten with two impressive wins over programs (A&M and Texas) that were supposed to be much better than Arkansas…but next week they are going to Georgia to take on the Number 2 team in the country, so it’s another test for the Hogs. They win that game and they might even jump into the Top 5; lofty heights for their long-suffering fans. Clemson got beat again yesterday, effectively ending any hopes they might have of a return to the national play-offs, barring this becoming another one of those completely weird years, like 2007….and this year is definitely looking like a weird year. Oklahoma somehow managed to eke out another squeaker of a win; any less lucky and they’d be 1-3 right now. Clemson’s out of it already. Ohio State cannot lose another game if they have any hopes of reaching the play-offs, either. Alabama is sitting pretty right now–I don’t know who might have a shot of beating Alabama–and Georgia’s got a tough schedule ahead of them, too, with Florida next month and surprising Arkansas this week. Florida cannot lose another game, either, if they want a shot at the play-offs; Georgia could lose to Florida but still make the play-offs as a one-loss SEC team if Florida loses a rematch with Alabama in the SEC title game. A&M’s loss to Arkansas pretty much ends their shot at the play-offs, unless they run the table, making their game with Alabama a must-win….which is not exactly the best scenario for anyone.

Like I said, an interesting year of college football.

Last night we watched the first three episodes of a documentary called The Curse of the Chippendales, which was interesting. I knew there had been a true crime connection with the strip show, of course; what I didn’t remember (but I had known at one time) was that Dorothy Stratten’s husband/murderer had been involved in their creation, and I had also forgotten how BIG the Chippendales were at their height, with clubs in New York and LA and two tours running at the same time. Chippendales was a social phenomenon that hasn’t really gotten as much attention as it should, given its societal and cultural impact; while the shows were for women-only, they certainly couldn’t control who bought their calendars, posters, and merchandise, or who tuned in when they appeared on Donahue or Oprah or whatever local area talk show would book them on. There was definitely an impact on how we as society and culture see male bodies and male sexuality; Chippendales took what we had been doing to women for centuries and flipped the script, making men the objects of desire, fantasy and lust. Would we have beefcake calendars or as much sexualization of the male body as we have today, had Chippendales (with an assist from Playgirl) never existed.

The Saints play at noon today, but I think I am going to the gym during the game. I love the Saints, but watching them causes me almost too much stress for me to enjoy the game, frankly. I’ll sit and watch LSU stink up the stadium till the bitter end, but I can’t do it with the Saints for some reason. I get too into the game; too agitated and stressed.

I did get some things done around here yesterday–surprisingly enough–and our “new releases” ZOOM thing went really well last night. It also reminded me I should probably be pushing Bury Me in Shadows a lot more than I have been; the book releases in just a few more weeks (preorders ship on October 1, if you order directly from the publisher, hint hint) but I am a lot more nervous about this book than any other I’ve done before, for any number of reasons–which would be something I can actually explore here on the blog to promote it, couldn’t I?

Heavy heaving sigh. And on that note, I am heading into the spice mines. Have a lovely, restful, wonderful Sunday, Constant Reader, and I will chat with you tomorrow morning again.

Morning Rider on the Road

So, going back to the office wasn’t a terrible experience. We didn’t see any clients yesterday–we’re hoping to get the supplies we need delivered today, so we can get started again tomorrow–but I was able to go into the office and get some things done before coming home and doing some more work at home as well. I am going in again today–good to get the routine back on track again–and am hopeful that tomorrow will be another step forward in returning to normality.

It looks like we’re going to feel something from Hurricane Nicholas, which looks to be following a particularly strange path for a tropical disturbance, but the majority of whatever it may be won’t be until Thursday. It’s gray outside my windows this morning, but I think overall the weather should be fairly decent today? I suppose I should check.

Yes, it’s supposed to rain all day today, with the heaviest fall around eleven this morning. Yay. But I kind of like gloomy, rainy days, to be perfectly honest. My preference for them is to be at home under a blanket with a book, but you can’t always get what you want.

When I visited my parents a while back, one of the books I took with me was James Jones’ unabridged From Here to Eternity, which apparently included the scenes referencing gay bars and gay activity amongst the soldiers–and how some weren’t averse to making some extra money getting paid for sex. It’s always been one of my father’s favorite books (and movies), but I had never read it. I started it a few times when I was a teenager (I always enjoyed World War II stories) but with these scenes restored (they were cut from the original publication, for obvious reasons) I thought it might prove of interest–particularly since I have an idea (don’t I always?) for a book set on Oahu that opens on December 8, 1941. I got maybe three hundred pages into the book, and literally reading it was torture. I finally gave up and moved on to something else; I don’t remember what it was, but I certainly enjoyed it much much more than I was enjoying From Here to Eternity–and the primary reason I was hating the Jones novel was because all of the characters were, basically, assholes with few if any redeeming qualities. Last night as I sorted things for work at home, I decided to watch the film again–the original, from 1953–and…yeah, I’m not really certain it holds up after all this time either. My primary takeaway from the film was how ridiculously lean and fit the actors (Montgomery Clift, Burt Lancaster, Frank Sinatra) playing the main leads were. It’s funny, because the book’s frank look at sexuality (Clift’s character falls in love with a prostitute; Lancaster has an affair with his superior officer’s wife, played by Deborah Kerr) is so ridiculously tame by our modern standards; crime series currently airing on network television are more risqué than this film–let alone soaps. (Kind of like Peyton Place–there’s more lurid content in an episode of The Young and the Restless than in the entire book!) I wasn’t overly impressed with the film, to be honest–and it was hardly a glowing depiction of the military. But it was interesting…and made me think about that book I mentioned earlier than I want to write someday.

But the gym is back to its normal hours, and so I’ll be able to get back there to workout after work today. Yay! I’ve actually missed going to the gym in these turbulent times; I did make it over there last week for a quick workout one day, and I am really looking forward to things going back to routine again. I like my routines, I like my patterns, I like my ruts, frankly; and again trying to remember what all was going on and what all I was working on before this disruption began has been challenging. Head down, nose to grindstone; get it all together, man!

We also watched a few more episodes of Only Murders in the Building, which we are really enjoying. I’m not really sure if this is a murder mystery, or about three true crime aficionados who’ve become convinced they are not only investigating a murder but making a podcast about it at the same time. I am really enjoying the show; the Martin Short character gets on my nerves periodically, but I really like the Steve Martin character, and those apartments! I can only imagine what those apartments are actually worth in today’s Manhattan rental climate.

I am also hoping to get back into Velvet was the Night soon. I read a chapter last night (or was it the night before?) and am really enjoying it thus far, and we haven’t really gotten into the story itself yet; Moreno-Garcia is letting us get to know our two main characters first; she really is a gifted talent, and am looking forward into delving more into her work in the future–perhaps either Mexican Gothic or Gods of Jade and Shadow will be up next. I love that she doesn’t limit herself to genre, which used to be a no-no in this business; you were supposed to pick a genre and if you wrote in another one, you used another name (Michael Koryta has written both crime and horror under his own name; lately he’s started publishing the horror as Scott Carson). God, how this business has changed in the years since I took my first tentative steps into it so long ago. Some of those changes are for the better–prime example being Moreno-Garcia slipping between genres effortlessly under the same name–and some not so much; I miss writing gay erotica from time to time…although I love that my erotica fell out of favor with “current” readers of gay male pornography because when I write it, it’s about lust and sweat and masculinity and control–as opposed to roses and music and love and fading to black and cuddling when fading back in.

And I need to get back to writing, which I am assuming will happen once I feel more settled, with the ground more stable beneath my feet again. Today is the 14th, which means I only have 16 days left in which to finish the first draft of Chlorine like I had wanted; I think I am going to continue working on it, while prepping for writing the next book and revising some of the other things I have on hand that aren’t finished or in early draft form; I need to make a list, don’t I?

And on that note, tis back to the spice mines with me. I will check in with you again tomorrow, Constant Reader, never fear!

He’s The Greatest Dancer

Saturday and there’s a lot to get done for me today. What else is new? I slept very well last night, which was as marvelous as I could have hoped; I feel rested and relaxed this morning, despite everything I have to get finished today; it just seems more tiresome than it actually is, if I am going to be completely honest. Time-consuming, more than anything else. Paul has his trainer and then is going to the office for the afternoon, so the coast will be clear around here for me to get as much done as I would like. I replaced my bluetooth speaker system yesterday–it wasn’t playing nice with my new phone for some reason (for that matter, neither is the car’s stereo, but I’ve managed to work around it somehow) and so I can once again listen to music while cleaning the house, which is also very necessary this morning. We also made a Costco trip yesterday after work, and I spent a good portion of my evening rearranging thing so I could get everything put away at long last. I have to run get the mail later, and pick up a few things– a very few things–at the grocery store, so here’s hoping venturing out into the heat won’t strip me of any and all desire to get things done, the way it usually does.

We watched the latest episode of American Horrror Stories–this past week’s episode was a little lower in quality that the preceding ones, but over all, we are enjoying the show. Since each episode is self-contained, they don’t really have the time or opportunity or space to go off the rails the way every episode of American Horror Story inevitably does (not every season, but most of them), and the ones thus far have been pretty enjoyable. Like I said, last night’s didn’t do much for me, but it was an interesting concept and I’ll give them props for it. This series digs into the underlying morality that most horror stories buy into; the moralistic trope that bad people will inevitably punished for their crimes, even if it takes a supernatural force to do it. The show is a throwback to The Twilight Zone, The Outer Limits, and Alfred Hitchcock Presents–all of which had a far greater influence on my short story writing than I probably recognize (also, the old horror comics like House of Mystery and The Witching Hour).

I also would like to finish reading The Other Black Girl this weekend, especially now that I have The Turnout by Megan Abbott in my TBR Pile. I am literally itching to get to it; it feels like I’ve been waiting for a new Megan Abbott novel forever–of course, the weird pandemic time thing hasn’t helped in that regard in the least–and there are so many other books I need to get to….*sobs in despair at ever finishing everything*.

And of course, the kitchen and the area around my work-space are a complete disaster area. So I think this morning after I finish this and as I continue to swill coffee, I am going to do some busy work around the kitchen/work space area; and who knows–I may even get organized. PERISH THE THOUGHT. #madness. But I want to get a lot accomplished today so I can get to the gym tomorrow as well as finish writing Chapter Four of Chlorine, and maybe even start writing Chapter Five. I know, crazy, right? I haven’t written hardly anything this past week, which is gnawing at my conscience–but so much was going on this past week I literally felt completely drained when writing time rolled around every day–and I was even too worn down to get to the gym again last week. (So it will be one full week tomorrow when I roll into the gym since the last time I was there–or am I just remembering wrong? My memory is something that simply cannot be trusted anymore…so I am going to say no, I haven’t been to the gym since last Sunday and feel confident that it’s factually true) Shameful. I am going to be doing something new this week; two days of upper body and one day of lower body. Tomorrow will be upper; Tuesday or Wednesday will be lower, and then Thursday or Friday will be upper again. The next step, after a few months of this, is to divide my workouts into even more concentrated body parts: chest and back; arms and shoulders; legs. And if I stick to it–eventually adding the great joy of cardio to it, I should get back into fairly decent shape sooner rather than later.

We shall see, I suppose.

The Olympics conclude this weekend…but I’ve not really been paying much attention to them these last few days; the sports I enjoy watching are already over, and while I enjoy watching track somewhat, at the same time I’m not as vested in it as I am in its water version, swimming. As such, we also watched the Vince Vaughn horror-comedy reboot of Freaky Friday, Freaky, which, while fun, wasn’t as fun as it could have been. I appreciated that Millie’s best friends included an out gay boy–diversity; you can rarely go wrong by including it, and I also am looking forward to the rapidly approaching day where diversity in film and television is so commonplace it doesn’t merit mentioning anymore–and Vince Vaughn was hilarious once their souls had switched bodies (I don’t much care for his politics, but Vaughn is a great comedic actor), but they didn’t lean into it as much as I would have thought–it was one of the movie’s strengths, and there’s a great scene between Vaughn-as-Millie and the boy she has a crush on–but it inevitably ended up being a trifle disappointing and with me thinking about wasted opportunities.

It’s almost like, with all the blockbusters and super-hero movies, Hollywood has forgotten how to make other kinds of pictures.

As I’ve mentioned on social media lately, I am really enjoying writing Chlorine, which is yet another reason having things to do that aren’t writing annoys me so much. I really feel like I’ve found Logan’s voice, and it came to me organically; I wrote my way into his voice rather than trying to determine what it was and trying to write it that way, which of course was a big concern for me. Voice is, to me at any rate, very crucial when it comes to writing; the reader has to feel some connection with the character, and that comes from Voice, really; the reader connects with the character and that starts rooting for him. It’s very important for me to not have Logan bemoan any of the situations he’s in–gay man in a homophobic society, culture, and industry–but rather cynically accept them as his reality, but that reality he accepts is why he doesn’t behave in what could be considered a “moral” way; his life is immoral, so he doesn’t feel bound by the same societal and cultural norms about behavior that others might–as he says in chapter two, “Everything in Hollywood is a lie.” (In fact, just talking and thinking about the book makes me want to finish this and work on it a bit; yes, I actually want to write, can you believe it? That has to be some kind of miracle, and also says something about how committed I am to this book.)

And on that note–if I want to get back to Chlorine, I have all this other stuff I need to get done first, so it’s best that I head into those spice mines and get started. Happy Saturday, Constant Reader!

Lose My Breath

Well, I over slept this morning. As someone who regularly suffers from insomnia, you can imagine how weird it felt to wake up, look at the alarm, and see that it was after nine (yes, nine is what I consider oversleeping; on days when the alarm isn’t needed I generally rise sometime between seven and eight); yet at the same time it was kind of delightful. I feel very rested this morning, which is definitely a good thing, so even though my morning hours were cut back by sleeping, I can still spend some time reading S. A.Cosby’s delightful Razorblade Tears all while still being able to get the writing and organizing done today that I need to get done. Huzzah!

And I also need to get to the gym this afternoon as well, around one-ish/one thirty.

Yesterday was a bit odd, if I do say so myself. I intended to get some writing done, and do some cleaning and organizing. But writing yesterday’s blog entry put me into a weird state of mind, also partially triggered by starting to write “Wash Away Sins”, and I wound up getting down my Todd Gregory short story collection, Promises in Every Star and Other Stories to see if I had, indeed, included “Smalltown Boy” in it the way I had originally thought I had. The answer is I didn’t; I originally intended to but finally pulled it because, while there is a tiny bit of a sex scene in it, it wasn’t then and never has been considered an erotic short story (or porn, if you will) and so I did pull the story–even though I didn’t remember pulling it. This also reminded me that not only has one of my favorite short stories never been collected into either of my short story collections, but that it was available to go into my next one, This Town and Other Stories; it fits better into a crime story collection anyway, even though the crime isn’t the heart of the story, the aftermath of the crime does drive it–which also makes me want to write “Wash Away Sins” all the more. I do have another story that fits into the same universe, “Son of a Preacher Man,” which is definitely erotica (and is available in Promises in Every Star and Other Stories) but is also definitely in the voice of “Smalltown Boy” and “Wash Away Sins,” which is also the voice for “A Holler Full of Kudzu”, which had me wondering yesterday if I should actually put them all into a single book–a novella and short stories, all from the same voice and all set in an around Corinth, Alabama…which also sparked my imagination in a million different ways; such was the state of my mind yesterday.

This also made me remember, or think about, another story or two I had published way back in the day under a pseudonym, “The Troll in the Basement” and “The Snow Queen”; neither of which had ever been published in either of my collections. Both are more like horror than anything else (although “The Snow Queen” has some erotic elements to it), and I had used a pseudonym which I’d hoped to use as my “horror” brand, but it wasn’t a good pseudonym (it sounded like a soap opera character more than anything else) and I only used it twice….so those stories are just kind of amorphously out there. Needless to say, I then had to track down copies of all these stories, and reread them, just to see what needed to be done with them, and then of course I also tracked down the unpublished novella, Spellcaster, which I then spent some time rereading and trying to decide if it could be turned queer and how much work would that entail. I just didn’t really see how I could add 30k plus words to it as it stood, and then realized, maybe the ending isn’t really the ending, and maybe the story goes on from there? And my fevered brain started working and I thought, yes yes this will work and will be fucking clever so I started writing a gazillion notes and then the next thing I knew the evening had rolled around.

I find it both amusing and terrifying that I have work lying around that I have completely forgotten about.

Which is inevitably why it’s important for me to go back and reread my work. I kind of need to reread Dark Tide, if for no other reason is that it’s an offshoot of the Corinth Alabama stories (the main character is from Corinth, even if the book is set elsewhere), not to mention this is where Scotty’s sort of nephew Taylor hails from, which means now the Scotty books are connected to my y/a’s, and the y/a’s are all connected to each other in some way, and…yeah.

So that was where my day yesterday mostly went. I cleaned out my inbox, did a shit ton of filing–and there’s still a shit ton of organizing that remains needing to be done–and perhaps one day I will find the time to get it done, tedious chore that it is–but I have not really been organized since the Great Data Disaster of 2018, and three years is an incredibly long time to go without some sense of organization, which is undoubtedly the core symptom of the disconnect I’ve been feeling for several years (probably since the Great Data Disaster of 2018). I also took all the book-length projects (anything destined to be more than 20k, to be fair) and bound the print-outs into binder clips, which makes the organization of them in my “needs work” pile MUCH easier, but when I took a picture and posted it I realized I had not included the short story collection or the essay collection; and there’s another pseudonymous manuscript lying around here somewhere as well. WHICH IS WHY I AM BURIED IN PAPER, SERIOUSLY.

I do kind of wish I’d learned to write and edit after everything went electronic, to be honest. All the paper…JFC. I am undoubtedly responsible for the loss of hundreds of acres of the rain forest. I try to work electronically, but I spend so much time at a computer already that the idea of reading and editing entirely this way gives me hives.

And on that note, it’s time to head back into the spice mines. Have a lovely Sunday, Constant Reader, and may your day be terrific.

History Has Its Eyes On You

Ah, Independence Day.

That’s really what the 4th of July commemorates–the day the Continental Congress ratified, and began signing, the Declaration of Independence, when the thirteen British colonies along the Atlantic seaboard threw off the yoke of the King of England and his Parliament and said, nah, thanks–we’re going out on our own. It was extremely radical–particularly since the British Empire was the greatest power in the world since the end of the Seven Years’ War (to the colonials, the French and Indian War) in 1763; perhaps the largest empire to date in world history.

And yet…no rights for women and there was still slavery for another ninety-odd years, give or take.

Someday I will write an essay about American mythology and how I learned it as absolute truth as a child; American history (or rather, US history) was my gateway drug to world history. I should have gone into History as my major in college; it’s entirely possible that History rather than English (or business; I switched back and forth between the two for a very long time) might have garnered an entirely different result when it came to my academic career. But I also would have had to have picked a time to specialize in, and how on earth could I have ever decided? There were so many interesting periods…although inevitably, I tend to think my metiér would have been sixteenth century Europe.

Someday–probably after I retire–I am going to write A Monstrous Regiment of Women.

Yesterday was rather lovely. I actually slept late, of all things; I cannot remember the last time that happened, and thus got a rather late start to my day. I started cleaning up around the house, and organizing things, but again–a late start kind of threw me off my game a bit, and I didn’t get near enough done that I had wanted to get done. I did read a couple of short stories for the Short Story Project, and I also read some more of Robyn Gigl’s wonderful By Way of Sorrow; that was lovely. I also listened to some Bette Midler albums on Spotify (joking on Facebook that I was doing my part to break down gay stereotypes by doing so); in particular I listened to It’s the Girls and Bette Midler, before moving on to Liza with the Cabaret soundtrack, and the little known sequel to Rocky Horror soundtrack, Shock Treatment, and then moved on to the Pet Shop Boys. I made meatballs in the slow cooker for dinner, and then we watched Fear Street 1994 (which was remarkably fun), then a few episodes of High Seas (which is really fun) and a few episodes of Happy Endings before bed.

R. L. Stine and Christopher Pike, who were hugely successful writers of young adult suspense/mystery/horror in the 1990’s, actually had an influence on me as a writer, surprisingly enough. I read most of their novels when I lived in Tampa back in the day (I actually preferred Pike, to be honest), and I actually wrote three novels–Sara, Sorceress, and Sleeping Angel–for young adults during that time. I had always intended to do the Fear Street thing–where the books were all connected somehow and minor characters in one would become the lead characters in another–and spread them across the country, as opposed to one town, as Stine had done; mine would be scattered between Kansas, California, Chicago, and Alabama (one of those ideas became Dark Tide and another Bury Me in Shadows). Then I discovered, through Paul, gay mysteries and all those ideas went into a drawer, along with those manuscripts, and I started creating Chanse and his world, and what eventually became Murder in the Rue Dauphine.

Fear Street 1994 is a lot of fun, as I said, both a mystery, a slasher film, and horror–the main romantic story is a lesbian love story, which was very cool–and it also slightly involved class differentials between the town of Shadyside (often called Shittyside) and it’s wealthier, preppy neighbor, Sunnyvale. It was a fun homage to Scream as well, and it was clever, witty, and quite a fun ride. I do recommend you watch it, if you like those kinds of movies. Nothing deep, but lots of fun, and now I can’t wait for the next part of the trilogy, which drops this Friday: Fear Street 1978.

I did try writing yesterday, without much luck, logging in less than a thousand words. But rather than despairing, as I am wont to do (Oh no! I knew I was breaking my momentum!), I chose to understand and recognize that the scene I was writing needed to be set up better–which was why it wasn’t working–and it needed more than just the cursory slide over I was giving it. I am going to open the document back up later this morning–probably after getting another load of laundry finished, and emptying the dishwasher–and scroll back a bit to start revising and getting into the story again. There really is such a thing as thinking too much about what you’re writing; that’s when the door to doubt starts to open a crack and Imposter Syndrome starts saying pssst through that open crack in the door.

And on that note, I am heading back into the spice mines. Have a happy and safe 4th of July, Constant Reader!

What Have You Done For Me Lately

So, yesterday I finished the first draft of the novella!

It was around 1200 words when I started working on it again about a week or so ago; for some reason Venice was haunting my imagination, and so were my two poor gays in the majorly dysfunctional relationship gone there for a holiday. To be honest, I’ve been having so much trouble finishing anything since I turned in the last book manuscript (which needs more work) that I was beginning to think I wasn’t going to be able to get anything finished ever again, ever. I couldn’t even finish short stories (in fairness, I’ve always found the shorter form to be harder than the longer, which I also am very aware makes little to no sense except in my warped brain); despite having made some amazing starts and having some amazing ideas. And yet, when I started working on this novella again, BAM! Words started pouring out of me, and even though I had no plan for the story (I knew the end, that was it) it just kept going, new scenes and twists and turns coming to me as I wrote. It’s sloppy, I know, and there needs to be more of a pay-off for a subplot (which I allowed to peter out like a wet firecracker), but I am also certain I can easily repair it with a vigorous edit…after letting it sit for a while and rise like yeast.

But yeah–I wrote close to 20,000 words in just over a week; usually getting anywhere fro three to four thousand done in a sitting–and those sittings were generally around two hours, give or take.

Not fucking bad at all.

I also got the web copy done before I started work on the novella, too, and then with everything done I wanted to get done, I left for the gym. I had a lovely workout–and while I was there, it rained pretty hard for a bit, but was it was all over by the time I finished. I walked home a different way than I usually do, wanting to document my neighborhood some more on Instagram, and thinking, I should take a picture of the Norwegian Seaman’s Church on Prytania, since it was a pivotal part of the part of one of the Scotty books. But as I aimed my camera (well, the phone) at it, I realized all the signs marking it as the Norwegian Seaman’s Church were gone, and it looked…well, renovated. This bothered me a little–the Norwegian Seaman’s Church had been there for 112 years! But while it sort of IS a gentrification issue, it’s not one as bad as I might have feared; turns out in 2018 the Norwegian government stopped funding this churches around the world, and without a funding source, they had to close the church and sell the property. The new owners are turning it into an accessible wellness center–I didn’t know there was a pool!–and I am curious to see how that’s going to work out. I wouldn’t mind doing some yoga–my flexibility as I am now aged has become a concern, and as we all know, flexibility is one of the three measures of fitness (and the one everyone ignores).

So many changes to the city, seriously. It’s part of the reason I’ve felt so disconnected from the city for so long–between my job and everything else going on–not the least of which is my office moving from Frenchmen Street to Elysian Fields and Claiborne–I don’t really feel like I know the city as well as I used to. I think–once the weather gets back to something resembling bearable again–I am going to have to take a few trips down to the Quarter to explore and see how things look now. What if the Nelly Deli is gone? YIKES! How can I write another Scotty novel without knowing what’s going on in the Quarter?

I can’t, that’s how!

And I really cannot imagine moving Scotty and the boys out of the Quarter. But…everything changes, doesn’t it?

I slept fairly well last night, inevitably having to get up groggily a few times because I always drink a lot of water on gym days. I am a bit groggy this morning–which the cappuccinos are helping with–and am actually looking forward to seeing what I can get done today. We started watching Lisey’s Story on Apple Plus last night., and are pretty absorbed into it. I don’t really remember much of the book, to be honest–I enjoyed reading it, as I always do with Stephen King novels (the only ones I didn’t like were The Tommyknockers and Dreamcatcher)–but I don’t remember much other than her dead husband was a writer, there’s a psychotic fan, and a different world her husband was somehow able to slip away into from time to time–and he’s left clues behind for her to somehow slip into that world looking for something. I don’t remember her having sisters in the book–although Jennifer Jason Leigh and Joan Allen are killing it in the adaptation–and I am actually kind of glad I don’t remember the book well, to be honest; it makes enjoying the series that much easier. I do remember, reading the book, that King does a great job when he centers women in his books–Delores Claiborne was also exceptional–and it’s a great part for Julianne Moore, who is one of our finest actresses.

It’s also very cool that television productions of high quality are there so terrific actresses can continue to do great work once they’ve reached that age where film roles become sparse because they’re considered too old; sexism is still rampant in the film world, despite #metoo and #timesup, alas; while sexual harassment and the casting couch were addressed (though probably still a reality) the sexism and ageism (which only applies to women) has not…

And now to make a to-do list for the week. I am hoping to get caught up on my emails and maybe finish “The Sound of Snow Falling” this week; perhaps do some edits on another story, and revise the first chapter of Chlorine. Again, very ambitious plans, but definitely do-able….as long as I continue to get sleep every night and nothing untoward drops into my lap. Have a great Monday, Constant Reader!

Dreams

One of the challenges of being a writer is keeping your work fresh and new and interesting; it becomes easy -for want of a better phrase–to just phone it in and repeat yourself. This is particularly true for crime writers/writers of series; how do you continue writing about the same base foundation of characters without recycling plots or falling into formulaic structure?

One of the primary reasons I stopped writing my Chanse MacLeod series was precisely because of this; as I was writing the last book (thus far) in the series, Murder in the Arts District, I found myself thinking things like okay now it’s chapter five, I need some action here or I need to have a twist in the story before I get to chapter ten…and so on. I didn’t even think about it as I was writing the story–but when I was doing the revisions and edits, I remembered having those thoughts (I generally don’t have them while writing Scotty, but that’s a story for another time…and of course, as a reader pointed out, how many car accidents has Scotty been in, anyway?), and when I turned the book in, I went back and speed-read the entire series over again, and after about the fourth book, the writing pattern became rather obvious to me; and if it was apparent to me, I would imagine it was also fairly obvious to the readers. So, I decided to either end or take a lengthy break from the series unless another great idea for him jumped out at me; I have had several ideas since then, but the longer I go without writing about Chanse the less likely it becomes that I will write about him again. (Caveat: I have written a Chanse short story and have a novella in progress with him as the main character; I guess it is more accurate to say that I am not done with the character completely, yet I cannot see myself writing another novel with him as the point of view character–and will have to go another step forward with that as well to say at least not one set in New Orleans, as I am toying with an idea for a Chanse case in Louisiana but not New Orleans. Yes, that’s me–definitely not definite.)

I have nothing but the utmost admiration for series writers who manage to keep their series going for decades and dozens of books without writing the same book and structure over and over and over again; Ross Macdonald, Ellery Queen, Sue Grafton, Robert B. Parker, and Sara Parestky are just a few of them I can name, and their achievements have made them legends in the field. But other legends who wrote series took a different approach to their careers. Agatha Christie wrote several series–Poirot, Miss Marple, Tommy and Tuppence–but also wrote a lot of stand-alones over the course of the years. (Seriously, when it comes to crime fiction, Christie did everything first) Dennis Lehane and Harlan Coben started out writing series and moved on to stand-alones; as have numerous other authors.

And then there’s Laura Lippman.

Gerry Andersen‘s new apartment is a topsy-turvy affair–living area on the second floor, bedrooms below. The brochure–it is the kind of apartment that had its own brochure when it went on the market in 2018–boasted of 360-degree views, but that was pure hype. PH 2502 is the middle unit between two other duplex penthouses, one owned by a sheikh, the other by an Olympic swimmer. The three two-story apartments share a common area, a most uncommon common area to be sure, a hallway with a distressed concrete floor, available only to those who have the key that allows one to press PH on the elevator. But not even the sheik and the swimmer have 360-degree views. Nothing means anything anymore, Gerry has decided. No one uses words correctly and if you call them on it, they claim that words are fungible, that it’s oppressive and prissy not to let words mean whatever the speaker wishes them to mean.

Take the name of this building, the Vue at Locust Point. What is a vue? And isn’t the view what one sees from the building, not the building itself? The Vue is the view for people on the other side of the harbor, where, Gerry is told, there is a $12 million apartment on top of the residences connected to the Four Seasons Hotel. A $12 million apartment in Baltimore.

Nothing makes sense anymore.

The apartment cost $1.75 million, which Is about what Gerry cleared when he sold his place in New York City, a two-bedroom he bought in the fall of 2001. How real estate agents had shaken their sleek blond heads over his old-fashioned kitchen, his bidet-less bathrooms, as if his decision not to update them was indicative of a great moral failing. Yet his apartment sold for almost $3 million last fall and, as he understood the current was laws, he needed to put the capital gains, less $250,000, in a new residence. Money goes a long way in Baltimore, and it was a struggle to find a place that could eat up all that capital without being nightmarishly large. So here he is at the Vue, where money seems to be equated with cold, hard things–marble in the kitchen, distressed concrete floors, enormous light fixtures.

I’ve been a fan of Lippman’s since I read her debut, Baltimore Blues, mumbledy-mumble years ago. I absolutely loved it; I loved the character of Tess Monaghan, former reporter turned private eye, and the cast of regular characters who she interacted with on a regular basis throughout her amazing series run. Tess remains one of my all -time favorite series characters; the books were always compelling, interesting, and very hard to put down. Lippman is also that writer who can write short stories that are just as powerful as her novels, and over the last few years she has taken up writing personal essays that are also rather exceptional (her collection, My Life as a Villainess, was a bestseller during the pandemic). Her writing is always whip-smart and intelligent; following her on social media one can see how widely and perceptively she reads. About seven years into her career she took the risk to move from her series to stand-alones; a calculated risk, to be sure–but she then spent the next few years alternating between the series and stand-alones (alas, it’s been a while since the last Tess book, Hush Hush, although she has occasionally made guest appearances in her stand-alones when a character needs assistance from a private eye). Her books have explored themes of motherhood, what it means to be a good girl, and have also paid homage to time-honored sub-genres (Sunburn is one of the best noir novels of this century) and classic novels by either flipping the script (for example. Wilde Lake owes an enormous debt to To Kill a Mockingbird, imagining, really, where the characters and story would be decades later). She has also played with form, tense, and character–Lady in the Lake is almost Faulknerian in its use of point-of-view; I lost track of how many different point of view characters were in this book, and every last one of them rang completely true–and she has become, over the years, a true artist.

In my often-benighted first writing class in college (whose scars I still carry to this day),my incredibly pompous professor once berated one of the students for writing a story about a writer. “It’s the laziest form of writing, and character,” he proclaimed from his lectern at the front of the classroom, “and it tells you more about who the writer is more than the character ever will. If you ever start reading anything where the main character is a writer, you should run from it as fast as you can.”

I guess he wasn’t a fan of Philip Roth. (To be completely fair, neither am I. I’ve tried, but have never really got the magic there, but have always accepted that as my failing as a discerning reader rather than his.)

Stephen King often writes about writers; ‘Salem’s Lot has Ben Mears; The Shining has Jack Torrance (and the most deadly and horrifying case of writer’s block in literary history), It has Bill Denbrough, and on and on–but of course the most famous, and best, example would be Paul Sheldon in Misery. While I always have enjoyed King’s writing, and have gleaned things from his writer characters, Sheldon and Misery, for me, has always been the best. Sheldon was perhaps one of the most realistic and compelling writer characters I’ve ever read about–the man with aspirations to becoming a critically acclaimed literary writer, who yet makes a living by writing a bestselling romance series about a character named Misery Chastain whom he has come to hate and despise even as she makes him enough money to live well and focus on simply being a writer (the dream of all of us, really). He has killed her off finally in his most recent book, ending the series at last and finally taking the leap to write what he thinks will be the game changer for his career–until he has a horrific car accident and is rescued by Misery’s biggest fan.

The parallels between Misery and Dream Girl are there, of course, and easy to spot; Lippman’s character Gerry Andersen is an enormously successful literary writer (a la Updike or Roth) who is also kind of a dick in how he has treated the many women who have come through his life, and of course, his ego justifies all of his bad behavior until he, too, has an accident in his home that winds up with him trapped in a hospital bed in his secluded apartment (despite it being in Baltimore; the appeal of the place is its privacy and seclusion). But while Sheldon is being victimized by his sociopathic fan/caregiver in Misery, what is happening to Gerry is very different; he has his original fall that causes his injury because he receives a weird letter from someone claiming to be the real person whom he based the title character in his biggest success, Dream Girl, on, and she wants financial compensation. In his shock and surprise–people have always wondered, and have always asked him, if she was a real person and he has always said no–he falls down his stairs and busts up his leg. Once he is housebound, he has a night nurse AND his personal assistant there–rarely being ever alone in the apartment–but he starts getting strange phone calls from the woman claiming to be the real ‘dream girl’–but there’s never any record of the calls on his called ID, and the original letter disappeared as well. Is his medication playing tricks on his mind, or is there something more sinister at work in his cold, sterile, remote apartment?

As with so many other things, that writing professor was wrong about writing about writers. I’ve stayed away from it myself for most of my career–as I said, the scars are still very much there–but I have started dabbling into it a bit (my Amazon single, “Quiet Desperation,” is one attempt, and I may go even further; I’ve created a character who’s appeared as a minor character in some of my Scotty books who is a writer). The mystery here is quite compelling, and more than enough to keep me turning the pages to see what happens next. But I was also enjoying the insights into another writer’s life, albeit he was a fictional character; I find it incredibly easy to identify with characters who are writers because despite the fact that all writers have different methods and different careers and different mental processes, there are always those little nuggets of oh yes I know that feeling or I thought I was the only person who experienced this or ah yes this is exactly what it’s like.

Dream Girl is an excellent edition to the Lippman canon.

Who Do You Think You Are

Sunday morning is here, and along with it sunshine and no doubt smothering humidity–later today I will be heading to the gym for the beginning of this week’s workout schedule and also trying to get some other things done today. I have to finish the web copy I promised to do today, and I am itching to get back to my writing. Yesterday was a very good day on every level–I was highly functioning for a change, and it felt wonderful, more like the kinds of days I am used to having, or rather, got used to back when I was regularly highly functioning. I did sleep very deeply last night–I did have some very strange dreams, though; all I remember is they involved Taylor Swift and losing teeth–but I woke up very well rested this morning and ready to go. I am awake and not sleepy-tired, my muscles don’t ache or feel tired, and we watched some amazing television last night.

And I actually started writing another Scotty book yesterday–nothing like creative ADHD, right?

But the opening scene for this book has been in my head for quite some time now. One day recently as I was toying with an idea for the next Scotty book, this line popped into my head: “I’m really worried about Taylor” (those who have read Royal Street Reveillon will understand) and then another sentence came to me recently: It was the Monday after Mother’s Day and the termites were swarming. I’d initially thought the swarming termites line was the opening for a short story, and yet…couldn’t figure out a story for it to go along with. The other day it hit me: the two sentences go together, and are the perfect opening for the next Scotty. Yesterday when I sat down to write, these two sentences were swirling together in my head and I thought, why not go ahead and put it down on paper, so it’s there when I’m ready to go back to work on another Scotty? I don’t even know what I am going to call this one yet. I had already–because of these openings, and knowing they wouldn’t work for the next Scotty I had planned to write–so I decided to push Twelfth Knight Knavery back in the Scotty schedule to be the one after this one. I am going to leave it as “untitled Scotty book” for now. I have two stories I want to weave together into this one, and another subplot, but I’ve not taken the time to actually map any of that out or anything as yet. But hey, I wrote nearly twelve hundred words before turning my attention back to “Festival of the Redeemer,” and I am going to take that as a win.

And “Festival of the Redeemer” is now sitting at over seventeen thousand words. Not too bad, really; I’d estimate that I wrote well over four thousand words between the Scotty (around 1200) and the novella yesterday. The story also took an incredibly dark turn, too–I’d always intended it to, of course, but still–the turn was so much darker than I’d planned it even kind of caught me a bit off-guard. I do like it, though–it is a first draft, and as such is very sloppy and slipshod and is going to need some serious revisions and edits, but I am pleased with it. This twisted tale seems so perfect for Venice–and it may turn out, after revisions and edits, to be much longer than the original planned twenty thousand; but word counts are inevitably goals, anyway, and more a measure of progress than anything else.

Have I ever mentioned how much I actually love writing? It makes me so happy to be writing, and it’s so satisfying; there’s really nothing like it, and I can’t even remember the last time that I derived so much pleasure from actually doing it; I don’t remember going into the zone the way I have been lately–I feel like it’s been years since I went into the zone where the words just flowed out of me and I lost track of time and word counts and so forth; which is probably why I’ve been having so many concerns about burn out and losing my ability to write–always a fear for me, always–and yet here it is back again, and I feel centered again. I feel like the last malaise last forever–at least for years–and now I am past it, and even if what i am writing is not anything I should be writing… but if I am going to publish a collection of novellas I have to actually write them, don’t I? And this one is really going somewhere–even if that place is somewhere incredibly dark…and you know what? HUZZAH FOR SOMEWHERE INCREDIBLY DARK.

But when I get this done–I think I may even get this first draft finished today or tomorrow-I am going to get that short story draft finished next and then I am going to get back to Chlorine. I need to get that first chapter revised and rewritten; a good task for this week, I think, and then I am going to work on that other proposal I want to get turned in to see if anything comes of it. Hey–you never know, right? You never know until you put it out there.

I also managed to clean the kitchen yesterday and worked on the filing, The area around my desk is a lot more neat and tidy than it has been, and my inbox is almost completely emptied out. This feels like a major accomplishment, and it’s nice to look over there and see just a few loose papers in there–which I may even get rid of today.

It’s amazing what I can do when I’ve slept, seriously.

We finished watching Elite last night, and it was terrific–perhaps not as good as the earlier seasons, which is a very high bar to reach; but with a cast reshuffle and an effective reboot of storylines, not surprising. We had three seasons to get to know the original cast, and with half of them gone (oh, how I miss Lucrezia!) and their replacements coming in, the story had to go into a bit of overdrive to get them involved with the original cast, and there were times it felt a bit forced and like it went too far too fast. The ending of the season was satisfying, and the next season–with two more characters being added–is now really well set up.

We then moved on to Apple Plus, with Rose Byrne’s new starring vehicle Physical, and I really enjoyed it–the three episodes that had dropped already, at any rate. Byrne plays a dissatisfied housewife whose own gifts and talents are being subsumed by that horrific housewife trope of the time–and even her supposedly “progressive” husband subscribes to that old patriarchical notion of what women’s value was in the progressive movement–they were there to fuck, feed, and clean up after the men; the men did all the thinking and the women did all the work. Then she discovers an aerobics class at a mall…and finds it incredibly empowering; rediscovering herself and who she is through the class. She’s not completely likable–she has a horrible inner monologue voice that is snarky and bitchy and judgmental (if funny at time)–but she’s understandable, and Byrne brings her charisma and likability along with everything she does. It will be interesting to see how the show develops.

After that, we switched over to Amazon Prime to watch the first episode of their mini-series adaptation of Colson Whitehead’s The Underground Railroad, a book that I loved and thought was absolutely brilliant. Here is slavery in all of its degradation, abuse, and horror–the Georgia plantation depicted here isn’t the prettified Tara of Gone with the Wind, and these slave owners and overseers aren’t the genial paternalistic Gerald O’Hara the Lost Cause movement insisted were the reality. It was incredibly difficult to watch, but necessary; my own discomfort in watching, I kept reminding myself, was nothing compared to what the enslaved people endured, and my white fragility needed to look the reality directly in the face and deal with it. These are my ancestors; and even if the family legends my grandmother told me when I was a child was mythology and lies, they certainly believed enough in this horrible system to fight and die for it.

And if I learned anything from Hurricane Katrina, it’s that no matter how terrible something looks and appears on television, the reality and its scope is a thousand times worse. The show is beautifully shot–the cinematography is stunning; and the beauty of the production, and the care taken, only adds to the horror of what the viewer is witnessing.

I kept thinking, the entire time I watching, heritage not hate, huh? Fuck all the way off.

And now I am heading back into the spice mines. Have a lovely Sunday, everyone.