Rocky Mountain High

I was really into soaps in the late 1970s and up until the mid 1990s or so. My fandom, how it came to be, and how much of an influence soaps were to me as a writer is a topic for another time, perhaps after Pride Month is over because it’s really not Pride related, except for how they related to me as a gay man. But by the late 70s, I was strictly an ABC guy: All My Children, One Life to Live, General Hospital and Edge of Night, with me having a special attachment to Edge, which will also be a subject for another time. But soaps were strictly a daytime medium for a very long time–at least until Dallas premiered. Originally, each episode was a stand-alone but the show very quickly moved to the serial format, and the ratings went through the roof–and of course, “Who Shot J.R.?” was a global phenomenon (I figured it out early on–when I saw that Mary Crosby was only contracted for four episodes in the following season and the reveal that the shooter’s identity would be revealed in episode 4…it wasn’t too big of a leap from there to “it must have been Kristin”. I was right.), and Dallas ruled the ratings from there on out..

The success of Dallas, of course, lead to copycats from other networks trying to cash in on the new craze; television is nothing if not a place where imitating success is seen as a no-brainer; the irony was that so many of the other soaps that launched at night in the wake of the huge success of Dallas…failed for the most part. The only post-Dallas night time soaps that enjoyed long runs were Knots Landing, Falcon Crest, and Dynasty.

I first learned of Dynasty in a People magazine profile on Linda Evans, who at the time was best known as the woman John Derek left for Bo (who was a huge star at the time), and it mentioned she’d done a two hour pilot for a night time soap called Oil. By the time the fall previews started dropping, the show’s name had been changed to Dynasty, and there was going to be a gay character on the show. Once I read that, I knew I was going to watch. And then the premiere of the show was delayed months because of a strike. The show also had some other cast members I knew of and was interested to see–Wayne Northrop, who’d played Roman on Days of Our Lives; Pamela Sue Martin, of Nancy Drew and The Poseidon Adventure fame; and of course long-time television star John Forsythe as Blake Carrington, the patriarch of the family.

The first season was interesting enough, but the show didn’t really catch fire until the second season, when Joan Collins joined the cast as Blake’s first wife and mother of his children, Alexis. By the end of the season Dynasty had climbed from middling ratings to the Top Five, and it had become must-watch television.

But my primary interest was the character of Steven.

Originally played by Al Corley, Steven’s storylines were made clear in the pilot; Steven is coming to terms with his sexuality, coming back to Denver for his father’s wedding despite the fact that Blake is homophobic and he’s been living with a man (Ted Dinard) in New York for the past few years. Steven still isn’t entirely sure of his sexuality (it never occurred to anyone in production that he could be bisexual; he only had a binary choice during the entire run of the show), and decided to go to work on an oil rig to “become a man.” His co-workers pranked and hazed him for being gay at first, and then tried to “straighten” him out by buying him a hooker, which doesn’t go well. He then embarks on an affair with his boss’ wife Claudia (played by Pamela Bellwood, who was probably one of the best actresses in the cast), who was also mentally ill and her sanity wavered throughout the run of the show. Ted comes to Denver to get Steven to come home, but Steven’s decided to stay in Denver and try to get on with his life and ends things with Ted. Unfortunately, Ted comes to the Carrington estate (which was ‘played’ by Filoli, gorgeous place that was also the ‘setting’ for Laurie R. King’s superb Back to the Garden) to say goodbye, Blake comes home already angry, becomes angrier to learn Ted is in the house, rushes upstairs to see them hugging goodbye, and in a homophobic rage pulls Ted off Steven, punches him and knocks him down–only he is killed when he hits his head on a fireplace guardrail–and now Blake has to go on trial for murdering his son’s gay lover; and now the entire world nows.

Alexis returned for the trial, entering the courtroom wearing a veil, and Fallon gasps, “oh my god that’s my mother” setting the stage for season two, and night time television’s greatest villains, Alexis.

Season 2 was disappointing in terms of Steven as he spent season two trying to be straight, getting involved with and marrying Sammie Jo (Heather Locklear in the role that made her famous), but eventually telling his entire family that he’s gay, he’s tired of trying to be someone he’s not, and leaves Denver. He is reported killed in a oil rig explosion in the south China Sea in season three, which was their way of recasting–“plastic surgery so he doesn’t look the same”–and he was replaced by Jack Coleman (at the time best known for playing a serial killer on Days of Our Lives).

Coleman was fine, but he was different, and the character changed to match the actor. His entire storyline for the rest of the series involved him getting married, ruining that by getting involved with another man–before deciding what to do with him again for the sake of storyline; showing how hard it was to actually integrate someone with a same sex attraction into the cast of a soap. Every man he was involved with was a new character, and soaps–whose mainstay bottom line is thwarted romances, marriage and divorce–really didn’t know what to do with a non-straight character, other than throwing him into relationships with women (???) to have them end badly and so on.

When the reunion film was done in the 1990s, Al Corley returned as Steven (no explanation of why he looked the way he did before the surgery) and he’d made peace with his sexuality, again living in New York happily with another man and raising his son (oh yes, the gay character also impregnated one of his ‘women’)…while never once raising the possibility of bisexuality; I guess getting the 1980’s home audience vested in a gay character was risky enough without bringing in bisexuality–which tells you where we were as a country in the 1980’s…and we shouldn’t also overlook the fact that it was Dynasty that brought HIV/AIDS to the forefront of conversations in this country. Rock Hudson’s AIDS diagnosis became public shortly after he appeared on the show, and there was a lot of panic because he’d kissed the Linda Evans character–had he infected her? (We didn’t know as much then as we do now; now that fear is laughable but it was palpable back then because there was so much ignorance about it then, thanks to the Reagan Administration and the deeply embedded homophobia in post-war American culture.)

I started rewatching the original show once it was available for streaming, and that first season really is a slog; Blake was the primary villain in the first season (Alexis took his place, turning him into a more traditional soap hero–flawed but a good person at heart) and he just didn’t have the gravitas to relish being evil the way Joan Collins jumped in with both hands and feet), so while I was enjoying seeing the more honest and realistic to life way Steven and his dilemma was displayed in that first season–even the affair with Claudia made sense the way it was written–they really didn’t know what to do with him after the recast, and he descended from the fully developed realistic character Corley played to the two-dimensional soap hero he devolved into after the recast.

But…it was still pretty daring for the 1980s, and I did appreciate the attempt at representation. I know the reboot, which I didn’t watch, made Steven straight up gay; even gender swapping Sammie Jo by turning her into Sammy Joe. Progress is progress, and we cannot ever dismiss out of hand the brave attempts at using homosexuality and familial homophobia as a source for story; they were fighting the network censors, the right wing, and most of the country was homophobic, too.

They did the best they could and it was important at the time…even if it doesn’t hold up well under modern understanding.

Roll Away the Stone

Saturday morning and Sparky flatly refused to let me sleep in this morning, but in fairness, I got a little more than an hour of extra sleep. My back feels a bit stiff this morning, but I do feel rested, and the coffee will most likely clear the cobwebs. I have to run to the grocery store today, and that may be all I need to leave the house for today, which is perfectly fine with me. It looks beautiful outside, but I am sure it is the usual forecast for New Orleans: hot, humid, chance of rain. I haven’t looked at the hurricane center yet to see what’s going on with the tropical systems trying to form, but I’ll most likely do that once I’ve finished this.

Yesterday was a nice work-at-home day. I did pick up the mail (got my copy of James Polchin’s Shadow Men, a queer true crime case from the 1920s, which is all kinds of awesome). After I finished working for the day, Paul and I finished watching season 3 of Bridgerton, which we both greatly enjoyed, before moving on to The Acolyte and the new season of The Boys, which is its last. I did some writing–I started pulling the novella apart, in order to do an outline and get a better idea about how to expand it; I actually want to start writing today, if I could be so lucky, I also intend to spend some time reading today; I need to reread some things I have in progress, and would also like to get started on my next read, Horror Movie by Paul Tremblay, which I am really looking forward to; Tremblay is one of my favorite writers. I also want to get the house cleaned up some, as well as make a grocery run at some point in the afternoon. (We don’t need much, really, but really need what I have to get.)

I also worked on my body culture pride post, which actually has now turned into quite a lengthy personal essay; so much so that I may not ever post it here. The essay itself can go on my Substack; I’ve been putting the Pride posts there as well as here because, I don’t know, it just seemed like a better place for them–which seemed silly to post them in both places. Last night, the recognition that the essay was probably a Substack only post made me think about what I am doing with a Substack and a blog, and last night I realized that I should use the Substack for longer form personal essays and keep the blog as it has always been; a daily report on my life and the occasional discussion of a book, television show, or film I’ve greatly enjoyed; the reviews might go in both places, too. I think I can still make the body culture post, but the essay will have to be whittled down and revised; maybe I should do it from the perspective of life lessons learned from getting in shape and actually working as a personal trainer. (Again, seeing that turn into a longer form essay even as I talk about it here and think about it as I type.) Writing these is also an exercise in memory for me, which also is kind of helpful as I am researching the early 1970s in the Chicago suburbs.

I have to admit I greatly enjoyed season three of Bridgerton. Penelope has been one of my favorite characters since the show started, and I’ve always deeply empathized with her as she was ignored, made fun of it, and made to feel invisible. It made sense for her to be Lady Whistledown, and the choice given to her by the show–either Lady Whistledown or the love of her life–was very cleverly done. I wanted her and Colin to resolve everything and get their happily ever after, but I didn’t think it was fair she had to give up who she was in order to get it, you know? This season really emphasized how shitty life really was for these society women during that period, and I’ve always been fond of the actress who plays her mother (she was magnificent in Rome as Atia of the Julii), and this season gave her a chance to really shine as well, as she realized the daughter she always overlooked and never thought would amount to anything was actually the true jewel of her children–and who made the best match in the end. (I also predicted the end several episodes in, involving the Featherington money and title.) It was, all in all, very well done, and I think it may be my favorite of all the seasons, and precisely because Nicola Coughlin is such a compelling actress. It’s nothing serious, of course; Bridgerton is a light fluffy confection, meant to look beautiful and present this wonderful tapestry of what Regency England could have been like, and who doesn’t love a tricky romance with obstacles that must be overcome?

I’ve always wanted to write a romance, but in all honesty am not really sure if I can. I think I’ll put that on the writing agenda for 2025. Why not try? It would most definitely be a challenge to write, and I always prefer challenges.

And on that note, I am going to finish this, get another coffee, and get my day underway. Have a lovely Saturday, Constant Reader, and I’ll probably be back later on. I’m tricky like that. 🙂

This is NOT why I am a football fan, but it certainly doesn’t hurt. 🙂

Ranger’s Waltz

Work at home Friday! Woo-hoo!

Yesterday saw a return of the weirdness. I was fatigued and my muscles felt tight when I got up yesterday morning, but as the morning went on I started feeling more mentally awake and less tired, and how does that make sense? I got nothing, seriously. But it was a pretty good day, overall. I was in a good mood at work and was feeling outgoing, chatty and cheerful, which always makes the sessions better. (I’ll talk more about my job at some point later in the month; I generally don’t talk about what I do for any number of reasons, but my day job definitely deserves a Pride Post of its own) I did feel tired when I got home, but I did my chores, which was awesome, and so I don’t have as much clean-up to do today while I work at home. My lower back is stiff this morning, and my legs a little achy, but other than that I feel fine.

And it’s almost the weekend, hip hip hurray!

I worked on a Pride post last night, which was actually a longer-form essay I wanted to write at some point (most of my Pride Posts are actual shorter essays than what they were originally planned to be; I still may expand them out into something longer eventually), and it’s one I am a bit nervous about sharing–it’s the one about body culture within the gay male community. It’s very easy to say something insensitive or thoughtless, which is something I always worry about here. The only people I don’t care about offending are the deplorables, and frankly, I love offending them, or pissing them off because they deserve it for their uncaring hearts. Maybe I overly parse things, but it’s always a good idea to delete something you’re not sure about–because if you aren’t sure it’s offensive to someone, then don’t go public with it, you know?

I was pleased (and very shocked) at first to see the Supreme Court refused to ban abortion pills…until I saw that it was dismissed because the plaintiffs “didn’t have standing to sue” in the first place. So, now all the pro-fetus people need to do is find someone hateful who has standing. My theory is that if your “religious conscience” doesn’t allow you to do certain medical procedures or treatments…well, you shouldn’t be a doctor, period, and besides that, if you put your religion before your education and training, what are the odds that you’re a creationist and thus don’t believe in science? I personally don’t want a doctor that doesn’t believe in evolution or is a creationist. You don’t get to pick and choose which science is real and which isn’t, and besides, aren’t Christians supposed to be caring and loving and free of judgment? Oh yes, I keep forgetting the deplorable Christians don’t follow Jesus and are only cosplaying–but not being called out by the so-called “good” Christians? Then you’re not one of the good ones, you know?

And again, that’s why we have separation of church and state. The failure to understand that basic principle tells me everything I need to know about your patriotism. The only reason this country exists in the first place was because North America served as a refugee camp for Christians escaping religious persecution in their home countries. Not knowing this, or not knowing the Europe was drenched in blood from religious wars for nearly two decades, is no excuse for Christian Nationalism in this country; Christian Nationalism is in fact a betrayal of the basic concepts of the Constitution–but again, they only agree with the parts of the Constitution they can use against others, and of course they’ve done a lovely job of infiltrating the justice system.

And again, this decision by the Supreme Court signaled how they would actually rule–and I also firmly believe that if this wasn’t an election year, they would have upheld the ban, but this SCOTUS is in the tank for MAGA so they are doing their best to help his campaign. It worries me a little how blatant they are being with their increasingly unpopular opinions…common sense would indicate moving more to the center than further right the more unpopular your positions are, but in every case of backlash they not only stand firm but double down, which makes me wonder about the integrity of the election, because the electoral results every year since 2020 would indicate they are destroying themselves and their movement by forcing unpopular policy down the throats of a resisting population.

Heavy thoughts for a Friday morning and my first cup of coffee. Perhaps I should have a second? I am waking up though, the cobwebs are now lifting from my brain and the fatigue seems to be seeping out of my muscles, which is marvelous. I do have to run some errands today, and am dreading heading out into that insane heat today. But I need to get the mail, possibly some things from the grocery store, and pick up a prescription. I really need to wash the car and clean out the inside, but in this heat I don’t know if I can stand being outside that long. It’s not even officially summer yet. There are already two tropical systems out there–one in the Bay of Campeche and the other off the coast of Florida, so it’s going to be a rather long, scary summer. Yay.

And on that note, I am going to go make another cup of coffee, work on the laundry for a bit, and then head on into the spice mines for the day. Y’all have a great Friday; I am not sure if I’ll be back later or not. One never knows!

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Rockin’ Robin

We made it to Wednesday! Huzzah! Huzzah! Here I sit with my coffee on my middle of the week morning, and I feel pretty good, to be honest. I was very tired yesterday, but not in the “I can’t even think” way, but rather the “hmm, I feel fatigued” way, which is fine. Yesterday was Sparky’s birthday, and so I gave him extra treats and pretty much played with him for most of the evening until he went to sleep in my lap. He really is a dear, even when he has Big Kitten Energy.

It’s been a bit of a week thus far, hasn’t it? Who knew that Ginni Thomas wasn’t the most awful SCOTUS wife? AND THAT IS SAYING SOMETHING. I saw someone on social media suggesting we change it, as a society, from “Karens” to “Martha-Anns,” since that name isn’t as common and she is clearly the GALACTIC EMPRESS of “I need to speak to a manager.” Madame Torquemada wouldn’t think Isabella the Catholic wasn’t religious enough for her, and clearly she’d love to implement the Inquisition, too. Thanks again to the third party votes who gave us the president who would appoint him for your service–and again for your service in 2016. I mean, what a vicious, venomous little spider she is, sitting in her house brooding over people being mean to her, waiting for the day she can be spiteful–the irony is it doesn’t make her look like the wife of a Supreme Court justice, but the Alitos clearly have delusions of grandeur and think they’re superior to everyone else. Whatever, trash. Don’t call yourselves patriots when you’re preference is to wipe your ass on the Constitution, and I also love that Alito thinks he’s a superior legal mind to, I don’t know, say every previous justice, which is rather telling. He certainly should not be a judge. But again, me and everyone else not white-cishet were screaming from the rafters that 2016 was about the Supreme Court, and as usual, no one listened–and that was also the case with the 2000 election, too. Sigh. It’s the pits, sometimes feeling like Cassandra on the walls of Troy.

I do feel much more lively this morning than I have any morning this week, but that’s got to be the better night of sleep last night–best of the week, in fact. I have to go pick up the mail today, my copies of the new Paul Tremblay should be there as well as another book from my childhood, Stranger than Science, which I am justifying getting because I plan to use it in The Summer of Lost Boys, which makes it research. I started thinking more about the next book yesterday, too, and how to expand this novella out into a novel. I am of course still going back and forth on it; it could be a novel, or it could just be the novella I stick at the end of my short story collection, but I think it would be too long for that. I need to write the introduction for that and finish the final stories and get it turned in. I know that Never Kiss a Stranger is already about 23k words in length, and there are at least two other subplots I need to weave into it, which should make it all the more interesting. I’ve not done nearly as much writing this week as I would have preferred, but there’s still a few days left in the week, so I can hopefully make up for lost time. What I need to do is summarize what’s already done, figure out where to slot in the subplots, and then buckle up and do the work. Next week is also going to be a little odd; we have Wednesday off for Juneteenth, so I have to work two days, be off one, work two more, and then drive over to Florida to meet Dad for the weekend. Their anniversary is next week–the 20th, to be exact, so Dad wants to go visit Mom and then he’s going on down. It’ll be a nice, relaxing weekend, methinks.

I’m not even going to take my computer with me. I’ll be ignoring everything until I get back.

Today is also the anniversary of the massacre at Pulse nightclub in Orlando, God rest their souls. That resonated because of course it was a dance club, and I had images of it happening here at either Oz or the Parade, which is chilling–and I really hated that the reboot of Queer as Folk was set here and a club shooting was central to the story. Has there been a true crime book about that yet? I feel like someone should, but not me. I am not the right person to do true crime, because I write fiction, I’d probably be unable to resist the urge to twist facts and evidence to fit any theories I might have, and that’s a disservice to the victims. I have thought, numerous times, about the possibility about writing a true crime book based on this case I am following in Oklahoma–without actually talking to any of the people or visiting the area–because one of the more interesting aspects of it all is the reaction, and how it’s all playing out on just this one Facebook page I joined. It still doesn’t make sense that the investigation was so fouled up from day one. How did anyone ever accept the theory that he was hit and killed by the side mirror on an eighteen-wheeler, and besides, I don’t care how drunk you are–there are conflicting reports on how drunk he was, but the autopsy did say .14 blood alcohol content–you’re not going to be unaware of an eighteen-wheeler coming up behind you on a country highway. And there was no wreckage or debris of any kind where the body was found. Sounds intriguing, doesn’t it? At some point I’ll probably write a blog entry about this case, but I don’t think, as much as I believe I could base a compelling novel in it, that I’ll eventually do so unless I can come up with a artistic thesis (that sounds pretentious, doesn’t it?) for it.

It’s funny how writing is like just about everything else in my life, isn’t it? The more I do it the better I write, the more I enjoy the other parts of my life, and if I take a break from it, it takes a while to shake off the dust and scrape off the rust and reactivate my creativity and my writing muscles. I also forget how to write a book sometimes, and that becomes a bit scary until I start remembering things, like oh yes you always have a point to the book you’re writing and you know what theme you want to explore, or I’ll remember something about the process and wonder if I’ve always done it that way because I don’t really remember. I am also finding I am forgetting a lot of the scenes and characters and plots of some of the books I’ve written, which is even scarier–what if I repeat myself, like with Scotty’s predilection for getting into car accidents? Heavy heaving sigh. This is why being a writer is an exercise in madness, really.

And on that note, I am heading into the spice mines. Have a delightful Wednesday; there may be a pride post later on; one never knows.

See You in The Funny Papers

Do the few newspapers that still do print editions even have comics pages anymore? For many years, that was the only part of the newspaper I would read. I’d page through the rest of the paper and read things that were interesting, but I stopped taking a physical newspaper back when the Times-Picayune ceased publishing daily, and only had an on-line subscription, which I cancelled when they published an article by editorial staff that was vile, disgusting, unAmerican, and nothing I could support anymore. I cancelled the New York Times because of their Trump coverage and the legion of crimes they’ve committed against the queer community for decades. The Washington Post also was cancelled because of bad reportage on queer issues (there’s nothing like having your life “both-sidesed”; because yes, the homophobic trash who think I shouldn’t exist have a right to be heard). I would never go anywhere near the Wall Street Journal or Forbes; actually, the best reporting in the country on politics and queer life comes from Rolling Stone and Vanity Fair, of all places.

Go figure.

Obviously, the last place I ever expected to run into queer representation on the comics page (Doonesbury added a gay character in the 1970s, and addressed AIDS with his death in the 1980ssssssss) was in a family comic strip.

On March 26, 1993, Lynn Johnston’s For Better or Worse began a short running story (I think it ran for two weeks; I could be wrong) in which oldest son Mike’s best friend Lawrence comes out to him, which starts a bit of an upheaval in both families, and spread out over several days in the paper.

Johnson wrote about Lawrence’s story here.

Whenever someone talks about how representation matters, I think about two things: this comic strip, and Ryan Phillippe playing gay teen Billy Douglas on One Life to Live around this same time.

I had seen queer representation before, of course; Billy Crystal as Jody on Soap, the eternally confused Steven Carrington on Dynasty, a show where no one even considered the possibility of bisexuality (which could have been an even more compelling story), and films like Longtime Companion and La Cage aux Folles and Victor/Victoria. But unlike those previous characters, most of whom were already adults. Billy on One Life to Live and Lawrence on For Better or Worse were teenagers–which definitely awakened ire in the homophobes and christians. Some papers refused to run this strip, which was incredibly moving and touching, as Lawrence and Mike come to terms with their friendship (nothing changed between them, just as Joey and Billy on OLTL remained friends), but he also had to deal with his parents’ reaction, the reaction of Mike’s family, and so forth. It all eventually worked out for the best–also like OLTL–and as I tore open the paper every day for those days this story ran to see what happened next.

I also kept thinking how much of a difference this would have made in my life when I was a teenager–both the show and the comic strip–which is why these kinds of things are important. No one on the homophobic “side” ever thinks about what it feels like to be a queer kid, constantly getting told (bombarded, really) that they aren’t normal, they are different, and therefore suspect. That’s why queer kids commit suicide at higher rates than their straight counterparts.

I can only imagine how much hate–and how many death threats–Johnston got for writing this series of strips. I always liked the comic–I also liked that the characters aged, grew, and changed–and someday I’d love to sit down with a collection of the entire strip, to catch up with the characters and see how they are doing now.

I also don’t think this comic strip gets enough credit for doing this, either.

It’s Four in the Morning

Tuesday morning and my alarm went off this morning–as well as the cat alarm–and so I am up, swilling coffee, and looking forward to my day. I did stop on the way home yesterday to get the mail and went to the gym to do Rehab. It was remarkably smooth, too–I was able to drive there, park easily, get in and out relatively easily, and get home. I feel a bit tired this morning, which is no doubt due to the unexpected rigorous exercise I put my body through last evening, so there’s definitely some muscle fatigue going on. We watched The Hit Man on Netflix, which was interesting and clever enough, and it was filmed in New Orleans–and that was the way to film in New Orleans; AKA, they just filmed it here like it was anywhere else, and didn’t feel the need to “Nawlins” it up (by which I mean constantly saying New Orleans, sending the characters out for beignets all the time, occasional mention of the Saints, etc etc etc), and there was only one scene where I was like, “if you work at UNO and live in Gentilly, why would you drive home via Liberty Circle?” It was a pleasant way to spend the evening, and it was a cute film; actually based on a true story here locally about an undercover cop (really a side gig) who played hit men in sting operations to arrest the person hiring him, and he’s actually good at it. Check it out, it’s a pleasant way to spend two hours.

I did spend some time writing yesterday, which felt good; I am now going to let that sit for a few days before marking it up with the proverbial red pencil (when I first started, you did use a red pencil or ink to mark up your manuscripts) and I am now going to start pulling Never Kiss a Stranger apart in order to piece it back together as a novel. I mean, why not? I love the main character, I love the minor characters, and the story itself is one I really want to tell and share with the world.

I also picked up the mail, and now have my copy of Summer of ’42, which I am hoping to reread relatively soon.

Hilariously, Harrison Butker (aka Hairy Butt) was in the news again lately for “saving” a teammate’s life, who’d gone into cardiac arrest. Turns out all he did was run for help–which, as someone who has been certified in CPR since 1997, I can tell you is the wrong thing to do. You’re supposed to call for help while starting CPR and ordering someone else to go for help, or to keep calling until someone comes. You’re never supposed to leave the person alone; seconds are critical and the longer before compressions starts the more unlikely it is they will be successful, not to mention the cessation of oxygen flow to the brain. Even if he was the person who was sent for help, it was hardly “his” heroism at play here; it’s really not all that heroic to go look for help when someone is having a medical issue. The irony that he got a female trainer to come out and save the man’s life–while getting the headlines for himself about his “heroics”; in many of the pieces the actual trainer’s name wasn’t even mentioned as they masturbated Butker’s fragile ego, as though saying to all of us who found his graduation antics in incredibly poor taste “see what a great guy?”

Given the other option was to let the man die, he literally did the bare minimum, but we’re supposed to call him a hero? No, heroes are my co-workers who run outside to administer NARCAN to an overdose and save lives. It’s become so routine now that no one even thinks about it, but watching my department immediately slip into crisis mode and work together quickly and efficiently to save a life is very impressive, and way more than Hairy Butt ever would do; he’d probably think the OD was God’s will or something.

The bar really is set low for cishet white men, isn’t it? They need praise for everything.

Sigh. The poor, sad, oppressed straight cis white man, right?

And on that note, I am heading into the spice mines. Wish me luck, and I’ll do the same for you, Constant Reader, and there’s going to be a Pride post later, I’m sure.

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Nice To Be With You

Monday morning and back to the office with me today; huzzah? It was a nice, lovely weekend around the Lost Apartment, one in which I felt really good about my writing life and resettling into what is the new normal for my life these days. I’ve kind of gotten off the treadmill of endless deadlines and volunteering, and all this lovely extra free time has been spoiling me a bit, which is why I’ve not really been getting anywhere with my writing lately; I’m not used to the luxury of time, and now instead of scheduling my days to within an inch of their lives…I don’t have to do that anymore, and it’s nice. I need to adapt to reading every evening again, and doing some writing before calling it a day and repairing to my easy chair.

I actually overslept this morning. I set my alarm, but forgot completely that the power had been off, taking my alarm setting back to 12:00. Fortunately, Sparky was hungry, and he is relentless when he’s hungry (of course, he has no ability to feed himself, so ignoring him to sleep a little longer is actually kind of mean), and I looked at the clock and was like oh shit that was a close one. So he saved the day, kind of, which is always appreciated. As I sit here swilling coffee, I still have time to get to work on time this morning, despite having to assemble the carrot cheesecake and put the frosting on (I also need to make the frosting; I’m just doing homemade whipped cream–you can never go wrong with whipped cream, ever), and then load it into the cake carrier and hope I don’t have to suddenly slam on the brakes in the car. It’s generally not a great omen to start your work week by oversleeping, but I feel fine and I’ll get to work on time. The morning feels a bit off, but it’ll straighten itself out before long, I am sure. But I made the cake yesterday and pretty much have the mess already cleaned up, so there’s not too much to do once I get home from the gym today. I am thinking about making meatballs when I do, but I don’t know how much trouble I want to go to after the gym (yes, I am stopping at the gym on my way home from work; I even brought clothes to change into), and then it’s home to do some more writing.

I pretty much have decided that the next thing I am going to work on is Never Kiss a Stranger, and I am going to take it from novella to novel. It simply doesn’t work as a novella; one of those “way too much story to condense here” but we’ll see how it goes. I am not limiting myself on how long it’s going to be, and I am also not going to force it to be a novel, either. If there’s only enough story for forty thousand words, I’ll write another and combine them into one book. I also think the Chanse story I was going to write as a novella might actually be a novel, too. I also have another Chanse novel idea that I am going to explore, too. I am also not limiting myself to the Murder in the titles anymore, either.

The “christian” author who came for Dolly last week is really sorry she made everyone mad by claiming Dolly is not a good person because she doesn’t call out sin. Ericka Andersen isn’t sorry for any of her foul, unchristian values and beliefs; she’s just sorry she used Dolly as her example–which is hilarious; her entire piece is predicated on Dolly and her goodness; there’s really no one else she could have used. The backlash is everything she deserves and more; The Federalist also needs to apologize to everyone for running that disgusting hit piece, and whatever editor okayed it is too stupid to work as an editor at any time. Imagine signing off on a piece attacking Dolly Parton for not being Christian enough! Everybody loves Dolly; her icon status is only limited because we haven’t reached the stars yet with the good news of Dolly. Ericka Andersen–an admitted alcoholic who only got sober thanks to God (which begs the question, didn’t God make her an alcoholic? She clearly didn’t learn the lesson She intended Ms. Andersen to learn from her struggle with alcohol)–is the absolute worst kind of Christian, and I hope this follows her for the rest of her life.

Christ, not even Newsmax or OANN would have signed off on that piece. Jesus.

I did have a lovely weekend. It was extremely hot all weekend, so I spent most of the weekend indoors as much as I possibly could. Going to make groceries yesterday was absolutely miserable. I also need to get a window screen thing for my car; it gets so hot inside that it’s miserable getting inside after work, or any time during the summer. The car was so hot yesterday that when I closed the hatch after unloading the groceries I touched the metal and pulled my hand back, almost certain it had been scalded. It was not, but I used the handle after that–and even it was hot to the touch. Yay, and it’s not really summer yet!

We did watch more of The Acolyte last night, and followed that up with Easy A, the movie where I originally fell for Emma Stone, and the movie is very interesting, particularly from a “teen movie” perspective. It owes some to The Scarlet Letter, of course, and maybe what I should do at some point is a “teen movie” blog; how it evolved from the beach movies and Disney family comedies (think Kurt Russell as a teenager) to the teen sex comedies and John Hughes and so forth. But Easy A could have never been filmed back in the 60s and 70s, and probably not even in the 80s or 90s–because female-centered sex comedies are rare, and her character would have been seen as a “bad influence” on teen girls of the time. But the movie also parodies teen rom-coms, too, which elevates it over your average teen movie.

And on that note, I am heading into the spice mines. Have a lovely Monday, everyone, and I’ll probably be back later.

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

Ode to Billy Joe

Robby Benson. Swoon. I mean, LOOK at him.

Eat your heart out, David Cassidy!

I don’t know when I first became aware of one Mr. Robby Benson, but I do know he was a major crush of mine when I was a teenager–he and Jan-Michael Vincent–and I also think he’s another one of those who definitely helped create a type for me; dark hair and bright blue eyes, and that smile! Jesus Mary and Joseph!

I wasn’t alone in my teen years crushing on Robby; I think most teenaged girls of my generation all had a bit of a crush on him. For one, he was ridiculously beautiful; it kind of should be against the law to look that good. He was also photogenic and telegenic, and I loved his speaking voice. I know my teen years are also when I developed my love of jeans cut Daisy Duke short; and as you can see from the pictures above, Robby’s were cut so short they were basically speedo-sized. Years later, Daisy Dukes were my favorite shorts to wear, because all modesty aside, I’ve always had muscular legs; assets best displayed in shorts cut immodestly short.

But in looking up information on Robby Benson for this post, I realized I had never seen the movie Ode to Billy Joe, which was one of his best-known films. I knew about the movie, of course, but never saw it. It was released the summer we moved to Kansas and it never played in Emporia, and I never saw it on television, either. So, yesterday, I remedied that by watching it on Youtube, which has the entire movie uploaded for free.

The movie itself is simple. Based on the story song by Bobbie Gentry that is probably one of the biggest and best-known hits of all time, it’s ethereal and mysterious and unclear; and the lyrics themselves create an indelible image of a rural Southern lunch and the casual, unknown to anyone speaking, cruelty of the conversation. The narrator had a strong connection to Billy Joe, and his suicide affects her deeply, but nobody really notices. It’s genius in exposing that Southern mentality of “the girls don’t matter”–no one’s noticed that she is connected to him in some way, no one notices that she’s upset, and the way Gentry sings the lyrics is so matter-of-fact yet horrible as she recounts an emotionally troubling experience for herself, and paints such a powerful image of the invisible daughter, left to grieve on her own for the boy she loved, and does she know the reason he jumped? I’ve always liked the song, even if it doesn’t work for me musically (the lyrics don’t match the melody), because it tells so many truths about rural Southern girls that what actually happened isn’t the point–the point is the isolation and loneliness she feels, and the alienation from her own family.

The movie, screenplay and novelization by Herman Raucher of Summer of ’42 fame, fleshed out all those mysteries. It was from the movie and book that turned Ode to Billy Joe into a queer story and a tragedy; it’s also interesting that it wasn’t more of a scandal when the movie was released in 1976; maybe him having had a sexual encounter with another man and committing suicide took the sting and shock of the gay twist; after all, misery and suicide were the only possible outcomes for most queers in movies at the time. Watching the movie, but taking away my own quibbles about its depiction of southern rural life to talk about it as it stands as a queer film, it was really quite revolutionary. First of all, Robby Benson was a full-fledged teen heart throb with photo shoots in every magazine like 16 and Tiger Beat, and having someone who didn’t telegraph gay (or the societal images of what gay looked like then) who was also a heart throb playing the part was putting an acceptable face on a (at the very least) bisexual character. What was also interesting to me about the film was that it was produced by Max Baer (aka Jethro from The Beverly Hillbillies), and the man Bobby Joe had the encounter with was played by James Best, who would go on to greater celebrity and fame as Sheriff Roscoe P. Coltrane on The Dukes of Hazzard later on in the decade. Glynis O’Connor is fine as Billie Lee (seriously, Bobby Joe and Billie Lee? I have an army of relatives from the rural south, and out of all of them there is exactly ONE who has that stereotyped Southern two first names thing), but Benson’s appeal is clearly on display here–and I understand why girls loved him so much: he always played sensitive and vulnerable young men, which girls love.

And he is just stunningly beautiful in this movie.

Benson’s most successful role of all time was, ironically, from voice work: he voiced the Beast in Disney’s Beauty and the Beast.

I also found it interesting the Bobby Joe committed suicide in the Tallahatchee River, which was also where the white supremacists dumped Emmett Till’s body…so that river is kind of hexed, wouldn’t you think?

He also aged incredibly well–Benson is still quite beautiful.

I Wanna Dance with Somebody

Only when I’m dancing do I feel this free…

I love to dance.

Really, how was there ever any doubt about my sexuality?

Well, there probably wasn’t, but I still live with the illusion that people didn’t know. It makes me happy, okay? Allow me my delusions, thank you.

I think the first time I ever danced was at a school dance when I was a sophomore. I don’t remember what the dance was for, but that was it. A friend of mine asked me to dance, and I replied, “I don’t know how” (which was true), and she laughed at me, saying, “all you have to do is move” and showed me a basic back and forth step with swinging arms that was pretty simple. “Just stay on the beat,” she advised, and I found myself losing myself on the dance floor, getting into the music, and improvising…and for the first time in my life got compliments for something. This happened again when we moved to Kansas and at my first dance there–girls couldn’t believe what a good dancer I was, and they all wanted to dance with me.

Granted, most guys were not fun to dance with, usually doing some kind of weird shuffling kind of movement that was always off-beat and looked almost painful to do. But I basically figured out the trick–moving your hips and shoulders on different beats of the music instead of together. And the more I did it, the more I loved it. Guys were also not supposed to enjoy dancing, as it wasn’t ‘manly’ or something; I don’t know, there was a lot of idiotic bullshit like that for boys when I was one. My love of dancing continued on through my twenties–there weren’t any really good clubs for dancing, gay or straight, back then–and it really wasn’t until I moved to Tampa and started going to a gay bar in Ybor City called Tracks that I really found my place in the community.

Oh, not right away. I would dance when I’d go out, but not much; I was very self-conscious, and dancing made me sweat–a lot. My hair (what was left anyway) would plaster to my scalp with sweat, my socks and shirt would be soaked through, and I really really believed I was unattractive. But when I was out on the dance floor, I didn’t really care about how I looked or if anyone was looking at me or anything other than the driving beat and cutting loose on the dance floor. I never felt tired or sore the next morning either–I always felt good after dancing all night…

….and then I lost weight and discovered the gay bars in New Orleans.

I also discovered Ecstasy, but that’s probably best handled at a different time.

Oh, how I loved coming to New Orleans to dance the night away! That was the one thing I always hated, everywhere else that I lived or visited; the night always ended with last call, sometime after midnight and always no later than three. In New Orleans, the evening ended when you were too tired and sweaty and exhausted to dance any more. I used to go dancing at least three nights per week when I lived in Tampa (Friday, Saturday, Sunday), which also continued in New Orleans. I also spent a lot of evenings in gay neighborhood bars while in Tampa–didn’t really do much of that after moving here.

There’s something about being in an altered state (of whatever kind) out on the dance floor in a sea of shirtless gay men, all dancing and having a great time, while killer music plays through the speakers, the constant thumping of the bass getting into your nervous system. There would also be a light show during the dancing, and mist sprayed down into the crowd (in the older days before I lived here, I used to think they put poppers in the mist because you could smell it…although now I’m not sure that wasn’t just from how many people were using them on the dance floor), whistles and bells and there was always some older gay hippie, shirtless with long gray hair, shaking a tambourine out there. Everyone was friendly on the dance floor, smiling and grinning and flirting and grind-dancing, and the loud music just got into your soul, making it an almost out of body experience.

I always hated that the mixes you heard in clubs were so hard to find in record shops.

And the divas we sang along to–Deborah Cox and Madonna and Celine Dion and Martha Wash and Whitney Houston and Mariah Cary, among many nameless others–I was always lip syncing when I danced, really doing drag without the make-up and costumes and wigs–music I could just get lost in for hours. On the dance floor, everything was okay and everything was going to be better and this insular all-gay world was a place where I was at peace, where I was happy, and where nothing could ever bother me.

I miss dancing, but I also am older and can’t stay up late enough to go out dancing, let alone dance for even a few hours. But dancing has always been an integral part of my gay identity, even if I don’t do it anymore. I still listen to the music I can find on Spotify or Youtube, and believe me, there’s nothing like blasting gay dance music for cleaning the house. I used to have deejays make me tapes for my aerobics classes–and the attendees always loved the music.

Are gay bars still community hubs? I honestly don’t know–but all the young gay men I work with go out to clubs, so I guess so. Maybe not as integral as when going to one actually put you at risk of being arrested, but still important.