Love Child

Monday morning, you gave me no warning, of what was to be.

I had thought the Super Bowl was an evening game–what can I say? I never watch as a general rule, and when the Saints won it, it was a night game–so was very pleasantly surprised to find it on early last night, so I started watching. I was sorry to see the Bengals lose, but as I said yesterday–if I learned anything by watching Joe Burrow play at LSU, they won’t lose next time, and it will probably be next year. The Bengals are also only going to get better with every passing year. So, heads up, Cincinnati fans–you have decades of greatness before you. Congratulations to the Rams are in order as well; the Bengal defense didn’t get the job done when they needed to in the end.

It was a good weekend around here, in which I did manage to not only get rested but got a lot done. “The Rosary of Broken Promises” is out of my hair now for good; I worked on the anthology; and I started getting the draft of “Condos for Sale or Rent” underway. I do still have a ridiculous amount of things to get done this week, but am feeling much better about the entire thing now. Parades start on Friday, which makes working and getting home from work and running errands entirely problematic for the next two weeks; but when it is all over it will be March and time will start running out across the board. Heavy heaving sigh–where did February go? I have emails to answer this morning and more organizing to get done today–it’s really non-stop, to be honest–but I am no longer tired the way I was last week and feel more motivated than I have in a while, which is a good thing. That fatigue last week was the fucking pits, frankly, and now I worry that I’ll require time from every trip to recover going forward, which wasn’t something I had in the cards for this year.

But…you have to play what you’re dealt, right?

I also reread Chlorine yesterday, and was…well, in all honesty, I was a little underwhelmed by what I have written already in this manuscript. Sure, the voice and tone are right–but the word rhythm is off, and I could also tell that I worked on chapters without revisiting what had already been written; lots of contradictions and changes from chapter to chapter which, obviously, will need to be corrected and changed when I start working on it full force again around April, most likely. But I managed to get some needed and necessary research taken care of over the weekend that will help pull it all together in some ways, plus it anchors the book in a time of the year which I hadn’t been doing up to now. It kind of messes with some other history, but that means I can play around a bit more with fact and fiction, which is also incredibly fun.

And on that note I am going to head into the spice mines. Don’t have much to say today, really–sorry about the brevity of the entry–but I’ll check in with you again tomorrow.

I’m Gonna Make You Love Me

I’ve always considered myself to be a child of the seventies.

Sure, I was a child for during the sixties, but I turned nine in 1970. While I am sure that turbulent decade provided some (a lot of) influences on me, my personality, my likes/dislikes, and my future, I am equally confident that my values and thoughts and beliefs probably weren’t as shaped from that turbulent decade as they were by the 1970’s. The seventies are really the first decade for which I have a lot of recall (recently, a friend was amazed that I remembered those horrible Rag City Blues jeans for women that were, for some reason beyond my thought processes, popular in the latter part of the decade; what can I say–I do remember the decade fairly well for the most part–or at least as far as my memory can be trusted). I’ve always wanted to write books either set in the seventies completely or even partly; Where the Boys Die, my 70’s suburban Chicago novel, keeps pushing its way to the forefront of my increasingly crowded (and clouded) mind. (NO I AM WRITING CHLORINE NEXT WAIT YOUR TURN)

I remember Watergate and how the scandal grew. I remember the 1972 landslide reelection of Nixon, and the country’s negative reaction to the Ford pardon of the man who brought him to power; I also remember Jimmy Carter running for president out of seemingly nowhere and getting elected. There was The Brady Bunch and The Partridge Family and Archie Bunker and Mary Richards; Sonny and Cher and Carol Burnett and Donny and Marie and the Jackson 5 and Grand Funk Railroad. Top Forty radio ruled the AM airwaves; not every car came equipped with FM capabilities, and the only way you could play your own music in your car was with an eight-track player. I started the decade reading the Hardy Boys and Nancy Drew and The Three Investigators; by the end of the decade I was reading John D. MacDonald and Sidney Sheldon and Harold Robbins. It was a very weird decade…of odd color and fashion choices; avocado greens and browns and American cheese orange were ridiculously popular, as was shag carpeting, velour, clingy polyester shirts, corduroys, bell bottoms and slogan T-shirts. Baseball shirts and rugby sweaters also became popular later in the decade. People had feathered hair parted in the center, and there was this weird sense of, I don’t know, missing out? Movies were grittier, harsher, more realistic; actors went from the polished shine of the old Hollywood system glamour to warts-and-all realism. Television was also beginning to change but was still heavily censored. Boogie and truckin’ and shake your booty became part of the vernacular; the decade began with the break-up of the Beatles and ended with disco’s last gasps while new wave and punk and rap started their rise.

It was the decade I went through puberty and realized that I was attracted to other boys instead of girls; I wasn’t quite sure what that meant but definitely found out in the seventh grade it meant I was a faggot, fairy, queer, cocksucker, and all those other lovely words that were burned into my brain that year. It was the decade where I read Harold Robbins’ Dreams Die First (a truly execrable novel) over and over again because the main character had sex with both men and women, and if I am not mistaken, contained the first male-on-male sex scene I’d ever read (oral); it was also the decade where we moved from Chicago to the suburbs to the cornfields of Kansas and I graduated from high school. (Ironically, it was in Kansas that I discovered gay books with explicit gay sex scenes in them–the News Depot on Commercial Street not only carried The Front Runner by Patricia Nell Warren and her other novels, but also Gordon Merrick; and their magazine racks also had gay porn magazines–which, now that I think about it, meant there were others there in Lyon County and environs; I didn’t realize it at the time, of course.) It was when Norah Lofts’ The Lute Player made me aware that Richard the Lion-Hearted was like me, too; and Susan Howatch’s Cashelmara and Penmarric also had gay characters and plots involving them…

I’ve always thought the seventies was a much more important decade than ever given credit for; usually it is merely considered a connecting time from the 60’s to the 80’s…but almost everything that came after–socially, politically, culturally–got started in the seventies. So I was glad to see this book about that frequently dismissed time.

As I mentioned previously, the Seventies were turbulent; they were the decade that also saw the beginning of the end of the post-war economic/prosperity bubble. Gas shortages, skyrocketing inflation, and the insidious use of racism to break the Democratic coalition began–everything we find ourselves dealing with today had its roots in the Seventies–and it did seem, to those of us growing up in the shadow of the mushroom cloud, that the world had lost its mind and our country (or rather, its mythology) had lost its way. Schulman’s study of the decade, breaking down how the shifts in culture, politics, and our society began, were exploited for divisive purposes, and permanently changed attitudes moving forward was a fascinating, if chilling, read. I remember the terrorist attacks. I remember watching the Munich Olympics that ended in bloodshed on an airport runway and murdered Israeli athletes. The book brought back a lot of memories; I am not so sure I agree with all of Schulman’s assertions about the decade–there certainly wasn’t very much about the burgeoning gay rights movement, other than how it chased lesbians off into the Women’s Movement–but it was interesting to read the book and relive the decade a bit, as well as the memories it triggered.

I do highly recommend this book for people who weren’t around for the Seventies and might be wondering how the fuck did we end up in this current mess?

Forever Came Today

Thursday, and the last day this week I have to get up so damned early. I was, however, delighted to wake up and find out that Nathan Chen had won the men’s gold in figure skating (YAY!)–I was watching, fell asleep in my chair, and couldn’t stay up to watch it all. (I’ll watch Nathan on Youtube sometime today–probably when I get home from work this afternoon.) Naturally, I am delighted for Nathan after his disappointment at Pyeongchang four years ago.

I am starting the recovery (or rather, further along in the process) from last weekend’s trip and the deadline crunches that nearly wiped me out; I am still trying to get caught up on my emails that have, well, festered in my inbox now for the last month or so–the deadly crunch of trying to get the book done–and I still have some other things that I left pending for quite some time that need to be handled as well. But I think I can get all that finished (or caught up) over the course of the next few days as well as the weekend, and I am looking forward to coming out of the weekend on Monday (four days in the office next week, sob) with a fairly clean slate and ready to get going on everything else. The weekend, with no writing that needs to be done, looms large; I am sure part of my chores this weekend will also include cleaning the Lost Apartment and doing some filing, since that’s also gotten completely out of control over the last few months as well. My primary goal is to get organized again–I’ve felt unorganized and unable to get caught up for several years now–and I feel like once that miracle occurs, I should be able to stay that way, or at least let it slide for a bit before getting back on track on the weekends.

That’s the plan, at any rate.

But I had another great night’s sleep last night, which felt marvelous. I do feel more rested and more together today than I have all week, which is odd–given that usually on my third early morning I am usually more tired than I have been all week–but I’ve been sleeping really well since I got home, and sleeping late on Saturday (I may have some car things to do tomorrow morning, which I am not terribly thrilled about, frankly, but I don’t ever want to buy another car and so I have to make this one last forever, even if it means getting up early on a day when I usually don’t have to) is going to be very appealing. Ah, well, nothing to do but bite the bullet and get up and go and get it over with (oil change, nail in tire). I can, at least, take a book with me tomorrow morning and utilize the time to read–and since I will be on the West Bank, I can make groceries over there and get lunch at Sonic before heading home to make condom packs and data entry. Yay for an exciting Friday!

And it wouldn’t hurt for me to start looking through my Chlorine file, to get a sense of what’s been written and what needs to be written and some of the inspirations–I’ve been snagging photos from old Physique-style magazines, as well as beefcake shots of hunky movie stars from the olden days of Paull Wilson and so forth from that same time period to use for help in creating my own world of marginally talented beautiful men who allowed gay men in positions of power in Hollywood to use their bodies to get ahead in the business–and am actually kind of looking forward to digging into it again, frankly. Writing a historical is, by its very nature, problematic–you have to research things, you have to remember or find out how things worked (could you direct dial a local number in Los Angeles in 1952?)–but I am going to push through the first draft, methinks, and then do the research painstakingly as I edit my way through the bitch once it’s finished. I have another story request for the end of this month (time is running out here) and another one that is due in early April; but both should be easier to put together than this one I just had to desperately finish at the last minute to get in on time. I think this year might be a good short story year for one Gregalicious; I think I have several stories in the pipeline that will be coming out this year–all of them remarkably different in subject matter, voice, and tone–which makes them all the more fun, don’t you think?

I also just got another book idea–seriously, it never ends in my head–and on that note, I think I will head into the spice mines.

You’ve Been So Wonderful To Me

Wednesday morning and hope today is better and there is more energy to be had for me today. Yesterday was a drag, in a lot of ways; I was mentally awake but also physically and intellectually drained, if that makes any sense. It probably doesn’t. The one-two punch of turning in a book one week and a short story less than a week later bracketed around a out of town trip combined to kick my ass. I didn’t want to get up again this morning–I don’t think I will ever hear an alarm and cheerfully sit up, stretch and get up, fully awake and ready to go, once in my life. Which is fine, of course; some of us simply aren’t meant to be wrenched from sleep every morning before we are ready to get up. But I don’t feel as drained this morning as I did yesterday–which is a good sign as the sun rises over the West Bank (don’t ask. tl;dr: “West Bank” means west bank of the river, which doesn’t flow perfectly north and south). I was exhausted when I got off work last night; so exhausted that I couldn’t do much of anything other than watch Youtube documentaries about the Hapsburgs while Scooter purred in my lap. I am hoping (hopeful) that I will not be so tired today, and will be able to get some things done tonight when I get home.

I am very tired of being too tired to read, too.

I do have another story (!) to finish by the end of the month, but I think perhaps the best thing to do this week is let my creative batteries recharge so next week I can dive back into my writing. And yes, I am well aware that this could simply be my deeply engrained subconscious desire to be lazy justifying and excusing not doing any writing this week–but like I said, I am very tired and drained; and I don’t think this is subconscious so much as it is conscious. Parade season looms, and while I know we’ve been planning on skipping what will, for the most part, be a super-spreader event (crowds of people catching things thrown from strangers? No one masked? ) I cannot help but feel that it will be hard to NOT heed the siren song of the marching bands and walk to the corner “just to see.” I really did miss Parade Season last year; I love Carnival every year even as it exasperates and aggravates me at the same time. And I want to write more about Carnival…there’s another Scotty Carnival book in my head somewhere, and there’s the potential new series, too. And short stories! So many potential short stories…I think my creative batteries may be getting some charge stored up in them again, after all.

Huzzah!

It’s nice to start feeling like myself again–whenever the exhaustive malaise sets in, I always worry that this time it might be permanent which, of course, is an absolutely terrifying thought. I wonder if I will ever stop worrying about the ability or desire or need to write going away; I suppose once it finally does, if it ever does, that will be when I can be fairly certain that the end is drawing near. Well, there’s a cheery thought for a Wednesday morning, wasn’t it?

So, I have some clean-up stuff to do with another project this week–I should be finished with that part already, but what can I say? I’ve gotten far behind on everything while I was in “finish the book” mode; as I inevitably do, and of course playing catch-up is not my favorite thing to do–my emails alone are a Sisyphean task–but I am hoping if I can get everything on track this week and over this weekend, next week I can get back to possibly writing and getting organized for what I want to get done for the rest of this year. It’s kind of a surprise that it’s so late in the month already (Valentine’s Day is Monday!) and March is already looming, so I’ve really got to get my act together and start getting things in order. A Greg at rest can no longer stay at rest, no matter how much I want that to happen…and on that note, perhaps it is time for me to head into the spice mines. Have a lovely Hump Day, Constant Reader! Talk to you again tomorrow.

Love Is Like an Itching in My Heart

Saturday!

I slept very well last night. I got my day job work done during the day, I got two more chapters revised and edited last night, and Paul and I watched the latest episode of Servant last night (which is very bizarre and we are no longer sure we are following it, but it’s well produced and well acted, so it’s always interesting to watch), and then I watched a short National Geographic documentary about the Renaissance Popes (an episode from their series Pope), which was interesting–but it didn’t cover much more ground than Barbara Tuchman covered in her section on them in March of Folly.

Today dawns bright and sunny with a gorgeous, cloudless pigeon’s egg sky out there. I have some emails I have to do this morning, and I have to run some errands (prescriptions, mail) this morning (I am saving groceries for tomorrow). I also have to buy a new all-in-one printer as my latest one lost wifi capabilities yesterday for some reason, ergo rendering it utterly useless for my needs (just as well, I had just run out of ink and needed to buy more; money saved by the death of the printer) so when I go run my errands, the last thing I will do is swing by Office Depot on St. Charles to purchase a new one. I think they have a decent one at a reasonable price in stock; if they don’t, I’ll have to check either Best Buy or Target, neither of which is an option I particularly want to indulge myself in at the moment. Although a trip to the West Bank would also mean I could get lunch at Sonic, so…decisions, decisions. (Paul and I were, in fact, just last night talking about how we don’t really eat fast food at all anymore–he stopped at McDonalds on his way home from getting his hair cut in the Quarter yesterday) I’ve gained back some of the weight I lost last year, alas; not sure how that happened, precisely, but have no doubt that there’s a connection to me not going to the gym in months, for sure. Once this book is done….or at least under more control, at any rate…maybe on Monday afternoon when I am finished with my work-at-home duties. I am hoping to get three chapters of the book done today, which means I have to write/revise and polish the final two chapters over the next few days as well as go through and polish and tweak (hence the need for a printer) before finally turning it in and diving into the Bouchercon anthology work, which needs to be concluded by the end of February. I also have a short story due in early February–and next weekend I am going to Alabama for the Murder in the Magic City/Murder on the Menu weekend in Birmingham and Wetumpka. (Note to self: get an audiobook for the drive.)

So much to do, so little time, so little opportunity for procrastination, laziness and pushing things off until tomorrow, right?

Heavy heaving sigh.

But there’s also cleaning to do around here, filing as always, and some book organization is also needed. I am not feeling particularly overwhelmed in any sense this morning, which is always a really good thing, and I feel confident that I can get everything finished that I need to get finished as well as get a jump on future things that need to get finished. I am really looking forward to spending some time every week getting rid of paper files, too–you have no idea how much I am looking forward to that; realistically, there’s no reason for me to keep paper files on anything unless it’s something I am currently working on; otherwise it can remain electronic; and realistically, I can donate a back-up hard drive to an archive mush easier than I can sort and organized paper files…and if they don’t want that, well, then that’s the end of that, you know.

And I still will have gotten rid of all the fucking paper files.

So, win-win?

And on that note tis time for me to head into the spice mines. Have a lovely day, Constant Reader!

You Can’t Hurry Love

No, you’ll just have to wait.

Friday morning and working at home. My new in-office schedule, if you haven’t been paying attention, has been shifted to Tuesdays thru Thursdays, so now I work at home on the bookends of the weekend, Fridays and Mondays. I have data to enter and condoms to pack, ZOOM work meetings (no offense, day job, but ZOOM is the bane of my existence and has been since March 2020)–technically it’s Microsoft Teams, which is kind of the same thing, and then later, chapters to write and clothes to launder and filing to do. It’s non-stop glamour around here at the Lost Apartment, right?

I had a doctor’s appointment yesterday–just routine maintenance to get my prescriptions refilled–and then came home to work on the book. I am very pleased with how it’s shaping up so far (of course, as always, I go back and forth constantly between this isn’t terrible and this is going to ruin my career, which is essentially what I do with every manuscript, so everything is normal. Realizing that I am going through my usual emotional journey with this one eased my mind significantly). We watched the first episode of the new season of Resident Alien last night, which was rather fun, and then the new Peacemaker, which I am glad we stuck with. The first episode was okay, but we weren’t sold completely on the show; I love John Cena, so obviously we were going to keep going but I didn’t have high hopes; the show seems to be hitting its stride and this week’s episode was probably one of the best. I went to bed early and then slept deeply and beautifully; so whatever it was that was bothering me earlier in the week and keeping me from sleeping apparently eased off yesterday, which is always a plus.

I also got a copy of Lisa Lutz’ The Apprentice this week; I can’t wait to dig into it. One of the primary reasons I am looking forward to finishing this manuscript is because, as always when I am going into the final stretch, I am too nervous to read another writer’s work, particularly Lutz’, because I will inevitably feel like why do I bother when there are authors like this putting work out into the world? How can I possibly compete with these incredibly smart and literate writers? Then I have to stop feeling sorry for myself and sulking to get back into the right mindset for writing my new book; which is a process and I can’t spare the time for that right now, so the books continue to pile up (this is exactly what happened when I took a break for “just an hour” to indulge myself in Alafair Burke’s Find Me and then couldn’t put the book down until next thing I knew the book was done, and I’d (I can’t say wasted; reading Alafair is never a waste of time) lost an entire day of work. I know the new Lutz will have the same effect on me; so I need to not give into temptation and even crack the book open. (I may allow myself a Laura Lippman short story later on today, as a reward after the writing is done and before I crack open the wine.)

I also have a lot of other work to do over the course of the weekend; I have emails to answer as well as some writing to do for my friend’s website, which should be a lovely distraction from all of the other things I am (always) doing. I can’t wait for you all to see the cover for A Streetcar Named Murder; it’s absolutely gorgeous (I may have to get it made into a poster). It looks like I will be doing a “cover reveal” with a book blogger, which is a new thing for me. But this is actually a mainstream book (which is an offensive term on its face; but more on that later); my main character is a straight woman who lives in the Irish Channel, is widowed, and her twin sons have just gone away to college (LSU, of course) and suddenly finds herself (and the twins) as the beneficiary of a bequest from a relative of her husband’s that she didn’t know existed; and this is the heart of a mystery she (Valerie) finds herself in the middle of trying to figure out…and of course, it eventually leads to murder. I am doing something different here–I don’t think I’ve ever done something that could be called a cozy before; although in some ways the Scotty series is precisely that (but that can be a topic for another time)–and so am not sure if I am following the established rules for the sub-genre; but I also have to tell the story that I want to tell within that framework. It was a challenge to me as a writer; and one of the things I had been feeling as a writer over the last few years was that I was getting stale; that my work was in a state of stasis and I wasn’t growing within my work. In 2015 I felt that way, too, and so I took some time away from the writing and the grindstone I’d been pushing my nose against steadily for the preceding five or six years. This was when I wrote the first draft of #shedeservedit; this was when I decided to start taking more risks with the Scotty series, and when I decided to not continue the Chanse series. I am kind of looking at 2022 through that same lens; I decided to write this novel (possible first in a series) as a challenge to push myself to do something different, take a chance, and force myself to stretch my abilities and skills.

I think Chlorine is another step forward for me as a writer; writing a historical novel set in the recent past (although I suppose the 1950’s isn’t that recent past, really–which really makes me feel horrifically old) is going to push my talents and ability as a writer, and will require a lot more focus and research (which, while I love really history and reading it, the problem is that I can never really focus my interests in solely reading and researching what I actually need to look into for what I am working on–that ADHD problem) as well as writing in a different style than what I usually do; that rat-a-tat-tat pacing and use of language that keeps the story moving and says something about the times, the culture, and the characters themselves and how systemic homophobia can affect the lives of those with same-sex attractions; in addition to the toxic culture of sexual harassment and assault that was so prevalent in old Hollywood; the 1950’s were a transitional period for Hollywood as the old studio system began to crumble in the face of a new, changed society and the challenge of television.

And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader.

Put Yourself in My Place

Thursday morning and I am groggy. I was afraid that would be the case this morning–I probably should have gone to bed an hour earlier (nine instead of ten…I feel so old) but Paul was late getting home anyway so I was waiting for him, and he got home just before ten. I think I slept fairly well, despite waking up again at four-ish and then drifting in and out of a half-sleep for the next two hours, finally getting into a deep sleep right around the time the alarm went off, naturally. (I had a very good sleep score last night, according to my Fitbit, so I’ll just accept that and be done with it.)

I got another chapter of the book done last night–so am still behind and trying to get caught up. Two chapters a day was an ambitious thought for work nights, but if I can get at least one done today the weekend will have to make up for it. I was hoping to not have to kill myself at the computer writing this weekend, but alas and alack, here we are. The book is being reshaped nicely, and my emails are getting answered–slowly but surely–but they are getting answered. I still haven’t had the time to make a to-do list (desperately needed) but am going to see if I can make that a priority this morning. I also am leaving work early today so I can keep a doctor’s appointment this afternoon, so I will get home a bit earlier than usual–which will help with the writing of two chapters, of course–and I am hopeful Paul will get home at a decent hour so we can spend a little time together before bed. Tomorrow I work at home, and next week I start having Mondays as a new at-home day (this was the only week with four days in the office), which will be kind of nice if odd. Adjusting to change gets harder and harder the older I get.

But the sun is coming up and it doesn’t look terribly cloudy out there this morning. Yesterday was a lovely, if chilly, day; today will also be chilly. It’s so weird; having a heating system that works properly hasn’t been easy to adjust to. It’s weird not having to wear slippers because the floor’s so cold, or having to wear layers, or having to get under a blanket in my easy chair to watch television comfortably. (I have wondered if the sleep issues of this week have to do with it not being freezing upstairs at night now. But it’s better that the cold doesn’t make me resent getting up every morning, so there’s that.)

But the coffee is kicking in, although I still feel a bit off this week; I am not sure what that’s all about, quite frankly. It’s very weird that the Australian Open is almost over and we’ve not watched a single match; maybe that’s why this week has seemed off? Paul hasn’t even mentioned it once, and usually every night we have matches playing on the television while I watch and play with my iPad–commercials are always lovely times to doom-scroll on Twitter or check in on Facebook or Instagram. There’s still a stack of things on my kitchen counter that needs to be sorted and filed away; I am actually thinking now in terms of simply throwing almost all my paper files away to clear room for stuff I actually need to keep. Maybe this will be a good project for after the book is finished, one Saturday? Empty the filing cabinets and the file boxes? There obviously are things I would need to keep–contracts, for one–but partial story print outs or early drafts are unnecessary to keep because I rarely go back and look at them; I usually look for the file on my computer anyway when I think about finishing something I’ve already started–mostly because my filing system is such a fucking mess. I can also scan copies of articles I’ve written, important things I want to keep but don’t necessarily need a hard copy of, and so forth.

I actually like the sound of this, and then maybe I can find an archive willing to take on my manuscripts and so forth. The older I get the less I care about future scholarship on queer writing and preserving my history–the books will live on forever in ebook editions anyway, and when I retire or die within a few years I’ll be forgotten, and I am actually fine with that. I don’t even know that anyone would ever be interested in actually studying me or not; I know that I am one of the few queer writers who wrote about New Orleans gay life before and after Katrina, but again–the books will always be available electronically, and God knows this blog will probably be accessible for all eternity as well. Soooo…,making a decision about that goes onto the year’s goals list.

But I can definitely start cleaning out the file boxes and the file cabinets. I can keep research in the file cabinet, as well as contracts and tax returns and important business stuff. There may not be enough to fill a single drawer, but that’s not an issue. The more I talk this through the more I like the idea.

Hmmm.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader!

Everything is Good About You

Friday morning and all is quiet in the Lost Apartment.

It’s in the thirties here this morning and very gray outside, which is not typical unless it’s raining. Rain is in the forecast today–yesterday’s dramatic thirty degree temperature drop was supposed to be the result of rain but we never really got much, in all honesty–but it also doesn’t feel as cold as it should at this temperature, if that makes any sense? The last time it was in the 30’s here a week or so ago it was bitterly cold inside the Lost Apartment, but it’s not that bad today. Maybe because I knew it was coming so I layered when I got up this morning and turned on the space heater next to my desk? (Our heat is still not working.) Regardless, I don’t feel as miserable today as I did the last time it was this cold, so I am taking that as a win.

Paul has been buried with work trying to get the programs for the festivals finished, so I’ve been at loose ends in the evenings this week. I’ve been very fatigued every night, and with Scooter sleeping in my lap (not affection, he’s cold–don’t get me wrong, he is affectionate, but I can tell when body heat is the driving factor in his affection; it has to do with how he cuddles when he’s cold), I’ve found myself dozing off in my chair while I watch some documentary about history (last night, I learned how and why Hanover and Great Britain went their own separate ways; about Queen Barbara Radziwill of Poland; how Catherine de Medici earned her horrible reputation and was it deserved; and how the curse of the last Grand Master of the Knights Templar is often given credit for the extinction of the main line of the Capetian royal family in France–some of these things I already had some knowledge of, but it’s always nice to learn more. Sometimes these documentaries are intended for people with absolutely no knowledge of history or the time period being discussed; I find that ones that originated with the BBC, National Geographic, or the Youtube channel Kings and Generals often have interesting little nuggets of information I didn’t know before; I was just thinking last night how much more interesting French history is than English–no offense to the English, of course; the French are just more all over the place). Barbara Radziwill was an important player in the sixteenth century, which was what sucked me into that video; as Constant Reader is already aware, I’ve always wanted to write a popular history of the sixteenth century by examining all of the powerful women of that century; it was one of the few times in history when women rose to power regularly and across Europe, and naturally the title would be The Monstrous Regiment of Women, taken from the misogynistic tome by John Knox and about that very thing: women in power.

I did manage to work on the book last night, which was nice–I was starting to worry about it, frankly–and I did get some other work done that needed doing. Today I am data entering for the day job most of the day, as I shiver a bit and try to figure out if I actually want to leave the house today (I am leaning towards not, frankly) before digging back into the manuscript. I also need to consult my to-do list to make sure I am following it despite not looking at it–and I suspect I will be horribly disappointed in myself when I finally get to it and see how there’s nothing to be crossed off from it. Heavy heaving sigh. But avoiding the list is also avoiding the tasks, so the list must be faced.

So many things must be faced this morning. My email inbox is getting more under control, so that’s always a pleasant thing and a big surprise, but there are emails that need responses that I haven’t gotten to yet–which just reminded me I had a DM on Facebook I need to reply to; please don’t ever contact me there if you want a response because I get a lot of junk DM’s there and so things tend to get pushed down and not get answered unless I remember to go looking for it (that is today’s PSA of how to reach me and get a response).

I also managed to proof my story “This Thing of Darkness” for Cupid Shot Me, which will release on Valentine’s Day (natch). It’s always lovely to get another short story out there for people to read; I love short stories and I love writing them–I do find them much harder to do than writing novels, for example–and it’s also an excellent editorial exercise for me: why is this story not working? Sometimes I can figure it out, sometimes I can’t. I just got asked this morning about writing for another anthology, which I even already have a story ready for; which means I need to take it out and reread and revise it. Yay!

And on that note, tis time to return to the spice mines. That data ain’t gonna enter itself, alas. Talk to you tomorrow, Constant Reader, and have a wonderful Friday.

Moonlight and Kisses

Thursday and I have the day off for a doctor’s appointment later. I slept very well last night–wasn’t sure how that would go, actually–and feel more rested and centered today than I have. I think I actually know what day it is today (I did keep thinking yesterday was Tuesday all day), and it’s not cold today, which is odd. New Orleans weather bipolarity at its best–it’s going to rain today and the rain is going to bring very cold weather behind it. Tomorrow is supposed to be very cold–30’s!–and I am, naturally, dreading it.

I have to work today of course; the to-do list progress belies the success of me making to-do lists, and so today must buckle down and get work done. The house is, as always on a Thursday, a horrific mess that belies, at a glance, that anyone has ever cleaned here; there’s a stack of filing to be done; and of course I haven’t even unpacked my backpack from yesterday. When I got home from work last night I was very tired and so just dropped off the backpack where I always do (next to the two shelf bookcase next to my desk) and unpacked my lunch bag and just kind of settled in for the night. I had also fully intended to start rereading Joseph Hansen last night, but my brain was fatigued and I couldn’t focus, so naturally I went down a Youtube wormhole–seriously, having access to Youtube on my television hasn’t been the best thing to develop for me technologically lately; it’s become yet another way for me to waste time and distract myself, but I also know that when my brain is fatigued as it was yesterday it’s useless to try to make it do anything, whether it’s read or write or anything productive. My mind also generally tends to wander when I am watching these videos–and they are slightly entertaining on some levels–and so sometimes I solve problems with things I am writing or dealing with in regular every day life while I am mindlessly, brainlessly watching a video about how Naples and Sicily had one of the most enlightened cultures of the Middle Ages during the Norman rule of the region in the twelfth century, and how they integrated Greek, Arab, and European culture and education into one, fusing them into a very enlightened society with equality for all and freedom of religion.

Plus, education by osmosis. I’d known that already, of course, but not in great detail and it was interesting to me intellectually. (The post Roman Empire history of Italy is actually incredibly interesting.)

Anyway, today I am going to try to get dug out from under my emails (knowing, of course, that emails always beget emails) as well as work on the book; I also have some housekeeping to manage on the Bouchercon anthology front–that, while incredibly tedious, needs to be done–and of course, a sink full of dishes and loads of laundry to tackle. Yesterday was pay-the-bills-day, and I of course only paid the immediately due rather than everything that falls due before the next Pay-the-Bills Day, so at some point over the course of this weekend–so much work to do–I need to go ahead and get those out of the way as well. (It’s always so depressing.) But I feel like, daunting as everything may seem, that I can get it all done if I focus on the job at hand and start working my way down the list, everything will get done and it’s much easier, after all, to focus on one task and disregard the others until you can give them your full attention. That has always worked before, and has always put me in good stead.

And so, on that note I am heading back into the spice mines. Have a lovely Thursday, Constant Reader, and I will catch you on the other side.

(You’re Gone But) Always in My Heart

The late Joan Didion famously said we tell ourselves stories in order to live. I’ve parsed the statement any number of times–it’s most commonly taken to mean that it’s important we tell stories of the human experience (the good, the bad, the mediocre and all the varieties in between) to better understand ourselves, our society and culture. I had never read Didion myself until several years ago; of course I knew who she was and what she had written–although if asked before reading her work, I would have only been able to name Play It as It Lays, which I still haven’t read. One of my co-workers had a library copy of her Miami in his officer a few years ago, and I idly picked it up when I was in his office. He recommended very strongly that I read Didion, and so it was with Miami I started; the opening line (Havana dreams come to dust in Miami) sold me on the book. I enjoyed it, and went on to read other works of hers: A Book of Common Prayer, Slouching Toward Bethlehem, and After Henry, among others. I loved the way she wrote; that the complexity of her work came from her poetic use of language and words rather than on complicated sentences. It was reading Didion’s essays (and Laura Lippman’s) that made me start thinking about writing essays myself; I started one trying to use a similar style to Didion–which was interesting–but think it’s rather more important to stick to my own voice, for better or for worse; there was only one Didion, and there should only be the one.

As I was being interviewed the other night I was talking about my re-education; about having to unlearn and relearn things from when I was a kid. I’ve been thinking about this a lot lately; part of it was turning sixty this past year, part of it was writing two books back-to-back that are sort of based in my own personal history–so remembering what Alabama and Kansas were like for me meant exploring a lot of my past, reliving and rehashing it with the perspective of time having passed and with a coldly sober, unemotional eye. I remembered, as I was talking about the Lost Cause and other American mythology we are taught as children (Washington and the cherry tree; Honest Abe the rail-splitter; and so many other Americans of the past we have deified) , the Didion quote and found a new meaning in it. When I was a child, I remember that in the South, for some reason, my cousins and their friends and the adults never would refer to someone as a liar; etiquette, perhaps, or politeness being behind this oddity. What they said instead of saying you were lying was “Oh, you’re telling stories.” If someone was a liar, you’d say “he tells stories.”

We tell ourselves stories in order to live.

Given this weird rural Southern thing about “telling stories”, this can be reinterpreted as we tell ourselves lies in order to live–and it all falls into place, because we do tell lies to ourselves in order to live with ourselves, within this culture, within this society. Never has this been more evident than is this strange battle the right has started about Critical Race Theory–which wasn’t being taught in any American public school below the collegiate level. If there’s nothing in American history that we should be ashamed of, why is there so much opposition to the truth? Why are we taught lies in order that we may live?

The war cry of the white Southerners who want to keep their monuments to white supremacy and treason has been “Heritage not hate!” But the heritage is hate, which was the entire point of Bury Me in Shadows. You cannot have it both ways: you cannot celebrate a history of treason against the United States, while claiming to be “more patriotic” that other Americans who do not celebrate the killing of American soldiers (ask Jane Fonda about how posing on an enemy gun goes over). The bare facts of the matter are that some (not all) of the states where it was legal to enslave people were afraid they would lose their right to enslave people, and as such they decided they were better off starting their own country. They wanted a war they couldn’t possibly win, and the fact that it didn’t end quickly has more to do with the incompetence of the Union generals and their political ambitions (there are reasons there are no statues of George McLellan anywhere to be found) than the righteousness of the Confederate cause and the brilliant leadership of Robert E. Lee. They abhor Sherman as a war criminal (“he waged war on civilians!” Um, we also firebombed Dresden during the second world war, and what were Nagasaki and Hiroshima if not the obliteration with atomic weapons of civilian populations? Sherman said “war is hell”–you cannot start a war and then complain about how the other side chooses to fight it.). They claim it had nothing to do with slavery and everything to do with “states’ rights”…when the reality is the only state right they were concerned about was the right to enslave people–they certainly wanted the federal government to enforce the Fugitive Slave Act against the wills of the free states, didn’t they? Their end game in Congress and the courts was to force the federal government to permit enslavement in every state of the union and every territory; this was the crux of the Dred Scott Decision of the Supreme Court, which more than anything else set the stage for the war.

If there’s nothing terrible about the actual history, why so much fear around the truth?

We tell ourselves lies in order to live.

If the truth is too terrible to be faced, then it absolutely needs to be.

There’s nothing quite so romantic as a lost cause, is there? Whether it’s the Jacobites in England with their toasts to “the King across the water”; the emigres from the French Revolution; or the Confederacy, losing sides inevitably always romanticize their defeat and the loss of a better world their victory would have created. An entire industry has developed in this country around the mythology of the Lost Cause; how could it not when one of the most successful American films of all time portrays the Lost Cause so sympathetically? The opening epigram of Gone with the Wind reads “There once was a land of Cavaliers and cotton fields known as the Old South…” And yet the movie depicts an incredibly classist society, predicated on the enslavement of Africans; the entire idea behind the founding of this country was the elimination of class distinctions–the equality of all.

But even Margaret Mitchell, when asked if the Tara in the movie was how she pictured it as she wrote about it, scoffed and said, “Tara was a farm.”

And not everyone in the old South was rich or owned a plantation. Not everyone was an enslaver, and not everyone was on board with the Lost Cause. But we rarely hear about the Southerners who fought on the Union side in the war; we never hear about Southerners who were abolitionists; and we never hear about the atrocities inflicted on those loyalist Southerners by the rebels, either.

And speaking of war crimes, what about Andersonville?

We tell ourselves lies in order to live.

We cannot celebrate our achievements without acknowledging our failures. It is far worse to not learn from a mistake than making the mistake in the first place. It is not unpatriotic to look at our history, culture, and society critically, to examine and evaluate how we are failing to live up to the ideals upon which our country was founded. The Founding Fathers were not mythical gods of infallibility; they were all too human, with all the concomitant jealousies, pettiness, arrogance and ego that comes with it. They were, for one thing, mostly unable to conceive of a society where women and non-white people were deserving of equality under the law. But they also knew they were not perfect, which was why they created a system that could adapt to the changing tides of history.

George Santayana’s famous quote, “Those who cannot learn from history are doomed to repeat it” is something I think about every day. I also love the George Bernard Shaw quote, “What we learn from history is that we learn nothing from history.“

We need to stop telling ourselves lies. The truth might seem to be too much to be faced; it might be ugly and hideous and shameful…but it will also set us free.