Category: errands

Diamond Girl

So, how you doin’, Constant Reader?

Well, running the errands yesterday turned into a major challenge. It started raining before I left the house, but despite the heavy rain–those enormous big raindrops we get here in New Orleans, that feel like they’re leaving a bruise–I decided to go for it. I grabbed an umbrella and dashed to the car, getting soaked in the process despite the umbrella (the umbrella that can handle the rain in New Orleans has yet to be invented), and the rain came down even heavier as I headed uptown. At Jefferson Avenue, there was still blue sky and sunshine and no clouds, but while I was inside the postal service the storm arrived (I got some things I needed in the mail, some bills, and an ARC of Alex Marwood’s The Poison Garden, thanks, Erin!) and dashed back out to the car and headed to the grocery store. It was pouring by this point, with thunder and lightning and everyone driving three miles an hour–but in fairness, the street gutters were filling with water. I sat in the car and waited a good five minutes before making a break for the store–but even walking quickly I still got very wet.

But at least while I was doing the shopping the rain let up a bit, and it was only sprinkling as I went out to the parking lot.

Getting home was a challenge as some streets had filled up with water; Felicity Street had a good six inches at least on it, and the gutters on Prytania were also full of water, but it wasn’t that deep. Everyone was driving, of course, like their car was about to drop into a sinkhole and disappear from sight–of course, driving slow rather than faster won’t change that at all, so I don’t really get it. Yes, you should drive slower through standing water–but you don’t have to literally crawl through it, either–and yes, local New Orleanians reading this, I know there are no-wake ordinances in the city (yes, that’s how often our streets flood with water; the city has passed ordinances dictating how fast you can drive through standing water), but when most of the street is not underwater, there’s no wake sending water into people’s homes, businesses or cars parked alongside the street.

It’s interesting that my neighborhood sort-of flooded again–the water on my street had been over the sidewalk but had drained by the time I got home; I could see the dirt and debris on the sidewalk–when it didn’t used to; and there are people alarmed in the city because we are seeing water rising and standing where it never used to before. It occurred to me yesterday that this could entirely be because of all the construction that’s taken place in the city over the last few years. Empty green lots are now paved over for buildings or parking garages; city blocks that used to simply be a ground level parking lot are now five story apartment/condo buildings. So the water used to spread out over the paved lots and also used to soak into the green lots; now that water is draining off those buildings with nowhere to go so it settles in the street. The two vacant lot on our street are about to be paved over and turned into a three story condo complex–which isn’t going to help our street in upcoming rains.

I seriously doubt that anyone–especially on the city permit level–ever took water drainage into consideration when handing out permits. Driving down O’Keefe Street now in the CBD is like driving down a canyon through higher-rising buildings, whereas before those lots were parking lots. I wonder if I am onto something here…

I spent the day yesterday, after getting home, working on getting my email down to a respective amount, and I also started reading Jay B. Law’s The Unfinished, for which I have agreed to write an introduction for the new edition being released by ReQueered Tales. Laws only wrote two books before he died of AIDS in the early 1990’s, this one and Steam, which is one of my favorite horror novels of all time. The Unfinished was released after his death, and isn’t as well-known or well-remembered as Steam; being a posthumous novel undoubtedly had something to do with that. I thought I had read it years ago, but as I am reading it now, it’s all new to me…and while I am well aware that my memory is as reliable now as the water drainage system in New Orleans, this entire story and the character seem completely new to me; usually when I reread a book I’ve completely forgotten the story eventually comes back to me as I work my way through it–that isn’t happening here, and while it saddens me that I’ve not read The Unfinished before, I am actually kind of glad; it means I am experiencing an immensely talented writer’s final work for the first time…and the essay I want to write to introduce the book is already beginning to swirl around inside my head.

Today I have a million things to do–so much writing and editing to do, as well as reading–that it’s not even remotely amusing–although sometimes I do think all I can do, rather than weep when looking at the list, is laugh.

Along the lines of my recent decision to celebrate and own my accomplishments, as an addendum to today’s blog I am going to talk about having a story in Murder-a-Go-Go’s, the Planned Parenthood fundraising anthology from Down and Out Books, edited by Holly West. I’ve loved the Go-Go’s from the first time I heard “Our Lips Are Sealed” on the radio, and have seen them in concert twice. Since I recently discovered the magic of Spotify, I find myself listening to their original three albums a lot lately, and the music doesn’t seem dated at all to me, which I think is the key to their success. One of the things I found interesting was I never listened to their music, or sang along to it, and thought about how dark their lyrics actually are, until Holly agreed to let me write something for this anthology (I basically invited myself to contribute to it, which is something I never do; which is another problem with myself and my career–I don’t assert myself or push myself forward into anthologies. The worst thing that can happen is the editor will say, ‘sorry, got enough people already, but thanks!’ My entire career I’ve worked to make rejection less painful and more of an oh well thing; I’m still working on making that sort of rejection/disappointment something that just rolls off my back rather than derails me for a time.

Sometimes you have to be assertive, and while that sort of thing kind of goes against my nature, you have to do it.

Anyway, Holly gave me a choice of three songs to use for inspiration, and as I looked up the lyrics on-line, I was struck by how dark the songs were. Without Belinda Carlisle’s cheerful, almost chipmunk-ish vocals and the high-energy beat of the music behind them, I couldn’t believe how noir the lyrics actually were. I eventually chose “This Town”–because it was the darkest of the three–and started writing it. I honestly don’t know how the idea came to me, or where I came up with it, but it turned out to be one of my favorite stories of my own; and other people seemed to like it a lot, too. “This Town” will probably wind up anchoring my next short story collection–should I do another one, which I am hopeful I will be able to do–and again, as I said, the feedback on the story has been so overwhelmingly kind and generous that as per usual, I didn’t really know how to respond to the compliments.

The story itself is the perfect illustration of what I think, in my mind, a crime story should be; which is why my work isn’t accepted into places like Ellery Queen or Alfred Hitchcock’s Mystery Magazines; I don’t necessarily solve a crime in my stories, even though they are about crimes. (Of course, it could also be that the stories I send them aren’t in their best shape, either.) Getting a story into Alfred Hitchcock is a bucket list item of mine, and I’d also love to get another story into Ellery Queen, but I digress.

Okay, I should get back into the spice mines if I want to get anything done today.

IMG_1791

You’re So Vain

You probably think this blog post is about you.

Vanity, thy name is Gregalicious.

Vanity is one of the seven deadly sins (which are not mentioned in the Bible, I might add; they are a part of Christian dogma and tradition, but never specifically named as such in their holy book) and I was raised to be humble, not vain; pride is also one of the deadly sins, and pride goes hand in hand with vanity.  The satisfaction of achieving or accomplishing something was theoretically enough of a reward, in and of itself, without getting praised for it; it’s wrong to bask in the glow of people’s compliments. As I have mentioned before, this has made promoting myself as a writer difficult; every time I make a post crowing about succeeding at something or winning something or being nominated for an award I can hear my mother’s voice, in her soft Alabama drawl, saying, “highs are always followed by lows, remember that, life likes to take the air out of people for having too much pride.”

It’s something I still struggle with. I was also told most of my life that self-absorption is also problematic, but a certain degree of self-absorption is necessary if you’re going to succeed at writing. (I think that like with all things, it’s a matter of degrees; some self-absorption is necessary, but anything taken to extremes is never a good thing for anyone.) Most writers have full time jobs and families, so the time they spend actually working on their writing is precious and should be sacrosanct; we give up our free time to write, and many of us get a very small return for that time. I’ve been accused of being self-absorbed by people I know most of my life, and it always used to sting a little bit, because the implication was that being self-absorbed is a bad thing. But as long as it isn’t taken to extremes it’s necessary, and when I began to notice that my “self-absorption” accusations usually came about because I was choosing to be jealous of my spare time and not do something someone else wanted me to do–I stopped caring so much about it and started embracing self-absorption.

“Sorry, I can’t do that, that’s my writing time.”

Having that statement met with anger and accusations of being selfish and self-absorbed, I realized, said more about the person saying it than me, to be honest. I am a writer, and am always in the middle of writing something, or have a manuscript or many short stories in some form of the process. I should, quite literally, always be writing and working, and I also finally realized that if a friend cannot respect my writing time, and gets angry and belligerent and nasty and insulting about me not wanting to give that time up….that person isn’t actually a friend, after all, and is everything they are accusing me of–but because of many experiences and lessons learned in my life (that I am still struggling to unlearn) my automatic default is to feel guilty and blame myself for being a bad person.

I’m learning. I am still learning, and unlearning, my conditioning. I’ll probably go to my grave still wrestling with these kinds of things, but I am getting better about this sort of thing.

My friend Laura suggested the other day that another good thing people should do is write a press release about themselves; channel their inner publicist and write a press release highlighting your achievements and accomplishments in glowing terms, without embarrassment and without shame. I’ve been thinking about that for a few days now, and looking back over my life, there have been quite a few highlights in my writing/publishing career…and I should be proud of myself. I’ve managed to publish over thirty novels and twenty anthologies and an absurd amount of short stories and essays and book reviews and author interviews and fitness columns/articles over the years. I wrote a writing column for the Erotica Writers Association for several years. I am currently writing a column called “The Conversation Continues” for the Sisters in Crime Quarterly, and have been for several years. I’ve been nominated for a Lambda Literary Award fourteen or so times, winning twice. I’ve been nominated for the Anthony Award twice, won it the first time, and will find out in Dallas how I did the second time. I have been nominated for a Macavity Award and a Shirley Jackson Award. I won two Moonbeam Children’s Book Award medals, one gold and one silver. I won a Lesbian Fiction Readers Choice Award for Anthology/Short Story Collection for Women of the Mean Streets: Lesbian Noir, which I co-edited with J. M. Redmann. My first horror anthology, Shadows of the Night, won a queer horror award, and Midnight Thirsts won a Gaylactic Spectrum Award. I won several Best of the Year awards from the Insightout Book Club, which used to be a wonderful queer version of the Book of the Month Club. I’ve published two short stories in Ellery Queen’s Mystery Magazine, and have been published in both Mystery Weekly and Mystery Tribune. I had a short story in New Orleans Noir. I’ve written for the Mystery Writers of America newsletter and for the Edgar Annual (twice), and even edited and put together the Edgar Annual once.

Wow, right? I do think it’s important, as Laura says, to take stock of everything you’ve achieved periodically, so you can get a better handle not only on your career but as to how other people see you.

You may not like me, you may not like my work, but you cannot deny me my accomplishments. And when I put them down, when I write it all down and look at it and reread it over, it is kind of staggering in some ways…particularly when you consider I’ve worked full-time outside the home since 2008, and if you take into consideration how much editing I’ve done since around 2002/2003…yeah. I’ve done quite a bit.

And seriously, no wonder I am tired all the time.

Today Paul is heading into the office and then is spending the evening with friends; leaving me here all alone by myself in the Lost Apartment for the majority of the day. I have a lot of work to get done here this weekend–not just cleaning and so forth, the usual, but I also have a lot of emails to get through, some writing to do, and some revising/editing to do. I need to get the mail and I’d also like to get some groceries at some point today; I’m not precisely sure how that’s going to play out, frankly, but it’ll get taken care of. I started rereading Bury Me in Shadows while sort-of watching the fifth episode of The Last Czars (“Revolution”), and then after Paul got home we started watching the CNN series The 2000’s on Netflix–the episodes on technology and the first one on television in the twenty-first century, which is, as always, fascinating. (We’ve really enjoyed all of CNN’s decade-documentary series, from The 1960’s on.)

Rereading Bury Me in Shadows also was a bit of a struggle, you see, because while I have talked endlessly about the troubles I am having writing this book, some of them are due to stubbornness and some of them are due to technical challenges for my writing. The stubbornness comes from the refusal to let go of the opening sentence, which I love (The summer before my senior year my mother ruined my life.), but the reread showed me it really doesn’t work and doesn’t fit with the story or the style of writing I am using. The style of writing–remote first person present tense–is a departure from the way I usually write a book and something new and difficult I am trying, and after decades of  tight first or third person past tense, I have to actually pay attention because if I am not I will, by default, slip into the past tense. The first chapter is going to need to be completely redone, almost completely reworded, from start to finish. I’d like to finish reading it and making notes this weekend; I’d also like to finish writing Chapter 18, and also would like to revise some other short stories and other chapters of books in some sort of progress–I want to reread that first Chanse chapter I wrote, for example, and look at the first chapter of Chlorine again–and I should probably start working on some promised short stories I have to write.

It’s daunting, but I need to make a list, keep it handy, and just mark things off as I go.

It’s always worked in the past, so I should stop resisting, do it, and be done with it all.

And on that note, Constant Reader, I am heading back into the spice mines. Have a lovely Saturday, however you choose to spend it.

IMG_0994

The Morning After

Today I will be testing in the Carevan, parked on Rampart Street near the New Orleans Athletic Club, for Tales of the Cocktail. It’s going to be hot as hell, and while there is climate control in the van–it’s still basically a parked RV. The eight hours I spent in there on National HIV Testing Day was rough, and I was exhausted. This is only four hours, but I have to take the streetcar and walk a few blocks in the heat both coming and going; so I imagine by the time I get into the cool of the Lost Apartment this afternoon, I’m going to be done for the day.

We got caught up on Archer and Animal Kingdom last night, both of which are terrific shows–this week’s Archer was the funniest one in a couple of seasons, at least in my opinion–and then it was an early night for one Gregalicious. I managed to not get any writing done last night, but I did get the dishes situation straightened out, and then of course I did several loads of laundry. Today after I get home from work I have to do the bed linens, and if I am not too terribly worn out from the heat I might be able to get some writing done tonight.

I spent a lot more time yesterday thinking about the concept of vanity. I’m not going to deny that part of the reason I started working out–and it took–when I was in my early thirties was entirely due to vanity. Yes, I wanted to feel better and be healthier–particularly as a smoker (I quit nine years ago finally, don’t @ me) but vanity also played a part in the decision to work out; I wanted to be healthier but I also wanted to look better. And as I mentioned yesterday, as the way people treated me better the less overweight and the more muscular I became, that “reward” helped drive me to go to the gym when I wasn’t feeling it, or when I wanted to lazy; I could remember the stimulus of the compliments, the smiles, the guys hitting on me in the gay bars, and that would motivate me to head to the gym when I didn’t want to go. Part of the reason now that it’s so difficult to get myself up for a workout is the vanity motivation is simply no longer there.

Which leads to another question: is it better to be vain–which is frowned upon in polite society, at least in theory–or is it better to no longer be vain because I feel older? Just because I am turning fifty-eight doesn’t mean I should stop caring about how I look or my appearance; but that’s also a part of the problem I have. I don’t care any more if anyone else thinks I’m fuckable, to go back to the Laura Lippman essay (I told you, it’s brilliant, and if you haven’t read it, you really should; I am still thinking about it several days later), and I’m not sure how I feel about that. That shouldn’t play a part in my decision as to whether I should work out or not; and yet, without having that small bit of vanity and pride no longer there as a driving force…I no longer go to the gym.

One of my younger co-workers complimented me yesterday, and asked me if I’d been working out, which I found mildly amusing, particularly since I’ve been blogging and thinking so much this week about body image and working out. It was a lovely compliment about my chest, and my automatic reaction, my default as always, was to self-deprecate. “Oh, God, no, I haven’t been to the gym in over a year and my chest isn’t that big; I have a big ribcage so it makes me look bigger than I actually am.” I then demonstrated to him how big my rib cage is, mainly by putting my hand on the ribs just below my pectoral muscles, and then cupping my right one in my right hand. “See? My chest isn’t that muscular, it just looks like it is.” Thinking about that now, why couldn’t I simply accept the compliment without tearing myself down in the process? Would it have been so hard to simply say, “Thank you! I’ve actually not worked out in quite some time, but I worked out for years and was a personal trainer and taught aerobics.” Just as honest, just as true as what I actually did say, but no deflecting of the compliment and no self-deprecation.

I’ve never been able to simply accept a compliment, and I think that’s a real problem.

Compliments have always made me uncomfortable, and for a writer, this can also be a serious problem. I’ve spent so much of my life trying very hard not to be arrogant, or come across as arrogant, that my default on every kind of compliment is to deflect and demur. I think I was in my twenties when I decided that if I self-deprecated, ran myself down, and humbled myself constantly, no one would ever think I was arrogant (which is a personality trait I really loathe in other people) and if I insulted myself no one else would.

As such, I have always belittled my accomplishments and never take credit for successes–but boy, will I ever obsess over failures! I also have this very bad tendency to never celebrate the moment because I am always looking, not only ahead, but at the things I don’t have, or haven’t accomplished yet. This is also incredibly self-defeating. I always tell people–as I did when I was a personal trainer–that you cannot compare your accomplishments with those of other people; you should only judge yourself against yourself. Would I love to have the career of certain other writers (Harlan Coben, Laura Lippman, Michael Connelly, etc.)? Of course I would, who wouldn’t? But just because I don’t have their careers doesn’t mean I am a failure at my own. I’ve done fairly well for myself, and have published a lot of books and short stories and an essay here and there. I’ve been nominated for a lot of awards and even won a few times–in fact, there are some I forget about when I try to list them. I have difficulty even remembering all the books published under my own  name, let alone those published under pseudonyms. I’ve been very active, first in the queer publishing community and more recently in the crime fiction community; I was even really active in the horror writing community–although I do see myself as more of a horror fan than a writer.

Is it so wrong to be proud of your accomplishments?  I really don’t think so. Last year, on the suggestion of a good friend who is also a writer, I wrote up a list of daily affirmations I intended to speak out loud every morning, because there’s something about saying things out loud that makes them more concrete, more solid, more real. As usual, I stopped saying them out loud after about a month or so, but the time I was actually doing it was an incredibly productive time–it was that time last year during which I wrote first drafts or more of like twenty short stories. I also still hold myself to the standard of those years when I was producing so many novels–it’s so incredibly easy to consistently defeat yourself–and think, oh, you haven’t had a book out in forever, you fucking loser.

I’ve spent most of my life deprogramming myself from so many things I was taught to believe and value as a child; I think one of the things I need to reprogram out of me is the self-deprecation and inability to take a compliment–I never know what to say other than thank you to readers I encounter who say lovely things to me–and stop being embarrassed when people say nice things to me. I should be able to accept a compliment without worrying about becoming arrogant.

Obviously, I need to work on myself; I am still, oddly enough, evolving and growing as a person and as a writer as my fifty-eighth birthday draws near.

Have a lovely Friday, Constant Reader! I need to get back to the spice mines.

IMG_1686

Stuck In the Middle With You

Hello Thursday! It’s been a bit of a week, quite frankly, with me all over the map and trying to get sorted out somehow. Not sleeping well most nights this week did have something to do with my zombie-like staring at the computer screen, watching my email inboxes continue to load up to the point where I felt paralyzed and unable to make any sort of progress on them, and as the hours passed and slipped into days going past, getting absolutely nowhere with anything and getting myself completely worked up and frustrated through the inability to get anywhere this week. I was so tired every night when I got home from work this week that I couldn’t even focus on reading anything.

And yet last night’s sleep was deep and restful and recharging and lovely. This morning I feel rested, my brain doesn’t feel fevered and despair has been shown the door, which is kind of lovely, actually. It’s unfortunate that it’s now Thursday, of course, and most of the week has passed me by already; but I can still try to focus today and tomorrow and get a lot of things done, maybe even this weekend can turn out to be epically productive.

One can certainly hope, at any rate.

Yesterday was a lovely mail day, in which I got an advance reader copy of Steph Cha’s Your House Will Pay, James Polchin’s Indecent Advances, Killing Eve: Codename Villanelle by Luke Jennings, and Eric Beetner’s Dark Duet, a pair of noir novellas that I am indeed looking forward to reading. I still need to finish reading this book I have to write the introduction to; which I want to get done this weekend, and I also need to start writing two short stories I’ve promised to write. I need to at least get them started, at any rate. I know how I want to do them, and I know what I want them to be, but I really need to start writing them so I can get them written and finished on time. And I need to get back to work on Bury Me in Shadows if I want go be finished with it by the end of the month–which I still believe is possible. I also want to revise this first chapter of Chlorine that I wrote last weekend, just to see how it works and looks and if it indeed looks like it could lead to a story of some sort, or if it’s merely another false start.

We’ll see how it all goes. I am not going to assume that I’ll feel as good as I do right now this weekend, either. The matter of sleep is always the most important component to everything. It’s unfortunate I have to go to work today, as I feel like I could be incredibly productive here at home today, but such is life. And at least it’s Thursday, which is one of my two half-days. Tomorrow I am not going to the office at all. I am testing in the Carevan, which will be parked by the New Orleans Athletic Club on Rampart Street from 11-3 to do testing for the Tales of the Cocktail event. My guess is that tomorrow will be a wash for me; I have to take the streetcar down and walk the rest of the way, and probably will end up walking home as well–in the hideous heat of mid-summer New Orleans–so I’ll be too exhausted and drained when I get home to do much of anything. It is my day to launder the bed linen, though, so maybe I can find the energy to do that and some straightening up around the house in the meantime.

We shall see. But it does feel absolutely lovely to be completely rested this morning. And I do get off relatively early today–I need to stop at the grocery on the way home–and should be able to get started on cleaning and straightening, as well as doing some writing, once I get home.

So, on that note, I shall bid you adieu for the day. Have a lovely Thursday, Constant Reader.

IMG_1827

I’m Gonna Love You Just a Little More Baby

I wrote twenty-three hundred and sixty-six words yesterday; a rather precise amount, I admit, but I am rather proud of them, as I’ve not written anything new in nearly two weeks, I think.

It was also new, nothing do with any of the many works in progress I am in the midst of; it was one of those things where the idea came to me, and I knew how to write the chapter, so I sat down and I did lest I forget it. I also wanted to see if I could get the voice right, the tone, and all of that. I think it kind of works, but I am going to let it sit for a moment or two (or weeks) and see what I think of it then.

It’s the first chapter of Chlorine, which is a start. Probably not what I needed to be writing or working on, but

I do want to get back to the WIP–and I’m not really sure why I keep calling it that. Why am I superstitious about sharing the title of this book? I like the title, and I believe I have even mentioned it before. I originally had the idea a million years ago, when I was a little boy. My grandmother–the not sane one–used to love to tell me stories about the past; she always swore on the Bible the stories were true, but I’ve long suspected that most of them were invented or stories she read somewhere–she did like to read, and encouraged both my sister and I to also read. I never wrote the stories she told me down, but I do remember bits and pieces of them, and one of those bits and pieces became a short story I wrote in college called “Ruins.” I wrote it as a ghost story, weaving what I remembered from my grandmother’s story into a modern-day story in a fictional county based on the one my family is from (I also planned to do a lot of writing about this fictional county when I was in college…I have published some work about the county; it’s where Scotty’s sorta-nephew Taylor is from and where Frank’s sister lives. It’s where my main character from Dark Tide  was from, and also where “Smalltown Boy” was set, along with various other short stories, like “Son of a Preacher Man”…so I’m using some of those old ideas today. There are also any number of short stories in some form of completion set there, and the current WIP is, of course, set there). I always thought “Ruins” (still unpublished) could be expanded into a pretty decent novel, and that’s what I am currently working on, have been for the last few months. I no longer call it “Ruins”–that title has already been used multiple times for a novel, and why invite comparison–but when I needed a new title, I wanted something more poetic. I started looking through poems (can you imagine? I know so little about poetry it’s staggering) and wanted something Barbara Michaels-ish. I decided to riff on her title Be Buried in the Rain, which is from a poem, and then a lyric from The Band Perry’s song “If I Die Young” stuck in my head, and I started using that as the title, Bury Me in Satin. But that didn’t really work or fit, and it evolved into Bury Me in Shadows, which had the right creepy, spooky, Gothic feel to it that I wanted, that I am trying to get in the book. It’s a ghost story of sorts, it’s set in the woods of rural central-western Alabama, and there’s a ruin of a plantation back in the woods, which an archaeological team from the University of Alabama has started excavating. There’s a legend about the “lost boys” around the ruins; two boys who disappeared during the Civil War. I’m also working rural drug addiction into it, as well as the Klan, and racism and homophobia. It’s a lot, and it has to been done correctly, in order to get the points across that I want to make in the book. This is why it’s been such a slog, really. I am trying to make points about important topics without sounding too preachy-teachy, while trying to weave in an interesting story, all told from the point of view of a rather intelligent gay teenager from Chicago, who has to spend the summer in Alabama being the point person for the family while his grandmother, who has had several strokes, dies in her own crumbling Victorian style home from the late nineteenth century, and then the archaeologists discover the skeleton of a young man. Is he one of the lost boys from the Civil War, or is there something more sinister going on back in the woods?

I’m trying to write about race sensitively, without giving offense. I am trying to be conscious of my own internalized prejudices and bigotries, which is sadly a life-long process of deprogramming. (But that’s a subject for another time.) But I am hopeful that my own keen editorial eye will catch things in the editing process, and there’s also going to be my editor’s eyes on it. So, hopefully it won’t turn out to be yet another sad white person’s attempt to deal with race that turns out to be problematic.

I am also writing it in a style different than what I usually use–first person present tense, and it’s obvious when I reread chapters I’ve written that it’s not my default; I slip into the past tense very easily and naturally and because I’m so used to writing that way it’s easy for me to miss things in the wrong tense.

I’m up early because today returns normality to my life; this is my first work week that won’t be disrupted this month. First it was a brief vacation, and of course last week was disrupted by Barry. I got very little accomplished over the last few days–storm disruptions make it very hard to focus or get anything done, frankly; as you wait for the storm you don’t want to start anything in case you lose power suddenly, plus there’s the weird tension of waiting for the unexpected. When I walked to Touro to get my car yesterday and run by the grocery store, it was strange; the city was still deserted and lifeless. There were a few cars out driving but not the usual amount of people out and about on a Sunday, even in the rain. I actually think we got more rain yesterday than we did from the storm on Saturday, frankly. I was soaked by the time I got to the car–$21 is a very low price to pay to keep your car safe, to be honest–and of course, everything at the grocery store was on sale because it was old and ripe; I got a great deal on two enormous smooth avocados, and there were still some Creole tomatoes out, but the grocery store was still depleted from people stocking up for the storm. I came home, we got caught up on Animal Kingdom, and last night we watched The Spy Who Dumped Me, a cute comedy starring Mila Kunis and Kate MacKinnon. I love both women, and they worked very well together, and the plot was clever and funny enough to hold my attention, but it could have been better–but it was mostly the charisma of the two women, and their chemistry together, that made the film enjoyable.

So, wish me well on my first full week of work this month. It’s gray and drizzly outside my windows this fair morning; I’m hoping my shoes have dried out from yesterday as well. (note to self: order new shoes, you’re due.)

And now back to the spice mines. Have a lovely Monday, Constant Reader.

IMG_1739

Say Has Anybody Seen My Sweet Gypsy Rose

Paul and I both stayed up way past our bedtimes last night, finishing the third season of Stranger Things. I had spent the afternoon finishing The Pacific on HBO streaming service (it’s really quite brilliant and moving and heartbreaking and horrifying; probably one of the best things about the horror of war I’ve ever seen, and how it wrecks the young men who fight them–if not physically, than psychologically). As such I slept later than I usually do this morning–much later than usual, which is obviously a problem as I have to go back to work tomorrow morning which means getting up extremely early. I’m not terribly concerned, however; it is what it is.

We never lost cable or power yesterday; and it didn’t even rain in our neighborhood until later in the evening; I think it was around eight-thirty that I got a tornado warning alert on my phone. I checked it out on my computer–it wasn’t for our area, but further downtown and in the lower river parishes, who also had overtopped levees and flooding. That was when I noticed it was raining outside. There wasn’t thunder or lightning, just rain. We’re still in a flash flood alert, but I think I’m going to go take a long walk in the rain and retrieve my car from the Touro parking lot, where I took it Friday afternoon just to be on the safe side. I need to stop at the grocery store, but I suppose it will also depend on if one’s open. I suspect the city is fairly operating normally again today, but I’ve also just woken up and am still on my first cup of coffee, so I could be wrong.

I managed to get absolutely nothing done over the course of the last four or five days; the city flooding and that aftermath, while trying to prepare for the arrival of a tropical storm/hurricane kind of drains you of most energy and your ability to focus. The waiting is also horrible, I might add, the wondering endlessly if you made the right decision or not, whether you should have fled when you had the chance, and so on. This is how it ever was, and how it ever will be. Paul and I were talking about this very thing on Friday, as we adopted our usual wait-and-see mentality. We have actually only evacuated twice; once for Katrina, and for Isaac (or was it called Ike?) in 2008. The other I storm left us without power for the week leading up to Labor Day in 2013, I think it was–I just remember we had tickets for the LSU game that Saturday, and the irony of sitting in the heat all day that Saturday after complaining all week that we didn’t have a/c or power, only to have it come on the night before was kind of the most Louisianan thing we’ve ever done.

I also feel that all of my friends and family deserve an apology for the horror that was the storm coverage all week, culminating in emails, texts, and posts/PM on social media. And admittedly, the arrival of hurricane sex symbol Jim Cantore from the Weather Channel here on Friday was not a good sign. New Orleans and tropical weather has been major news, alas, ever since the levees failed, and nothing gets clicks and views like apocalyptic headlines and news coverage. I’m sorry all the 24 hour channels and even some reputable news organizations decided to go down the terror route for everyone; I’m sorry you all had to be put through that kind of stress and worry on our behalf.  Don’t get me wrong, it makes my heart feel full that so many people nationwide care, not only about New Orleans, but about Paul and me and our friends and our lives here. Thank you for that. I just wish the media wouldn’t put you all through it…as we always say down here, this kind of coverage is what makes the really dangerous storms get not taken as seriously as they should be.

Paul and I are also very prudent, and cautious. In our twenty-odd years here, we’ve learned what to listen for and who to listen to; which local stations are dependable, which models of storm tracking to pay attention to, and we also aren’t ever locked into a decision–we make a decision based on the information available at the time, continue to check, and adjust decisions accordingly based on new information. We’re not meteorologists by any means, of course, and there’s always the possibility we’ll make a wrong decision–and your concerns and worries mean so much to us. Don’t ever think that’s not the case.

And once New Orleans is out of danger, it’s truly awful and sad to see how quickly the story dies…despite the damage that actually was wrought, and continues to be, from this storm system. New Orleans isn’t the only part of Louisiana that is below sea level, and protected from flooding by an at best iffy levee structure system. This system is going to continue to dump lots of water everywhere on its path, and it has the upper Mississippi valley, already in flood stage, square in its sights. Even as I type, the north shore is in tornado warnings, and there are also flood warnings for rivers on the north shore. The North Shore and the I-10 corridor between New Orleans and Baton Rouge were horribly, unexpectedly flooded several years ago–places that generally never flood, or at least, not often–and they are still recovering from that horror. (I think that was August 2016?) So, do keep those areas in your thoughts.

Storm days, as we call them down here–the free days off from work because of weather, the tropical version of Snow Days–aren’t conducive for getting anything done, at least not for me. Even though I ignore the doom-and-gloom news, and pay attention to the reports I’ve found reliable over the years (I still miss Nash Roberts!), there’s always that nagging sense in the back of your head, that horrible little voice whispering are you so sure? Are you so sure that not leaving is the right thing to do? That is, as you can imagine, emotionally draining and exhausting, and also makes it hard to focus on anything. I can never write or edit during these times; reading is often difficult as well. So I wind up watching a lot of television: this time, Band of Brothers (still unfinished), The Pacific, and Stranger Things. I did enjoy this third season of Stranger Things, even if there are enormous holes in the plot and things that didn’t make a lot of sense; but as entertainment it really did a great job–and it also introduced new characters to the cast seamlessly; not an easy task.

But I do think this enforced period of inactivity–in addition to my vacation the week prior–may have done some wonders are far as kicking my creativity back into gear, which is lovely. I think today–after getting the car and doing a minor grocery gathering–I may sit down with the first seventeen chapters of the WIP and reread them, making notes and figuring out the final act of the book so maybe, just maybe, I can get a strong, workable first draft finished by the end of this month. That puts me behind schedule, of course, but I think I should be able to work on my next project alongside a revision of the Kansas book for the next two months. Maybe that’s an overestimation of what I can do, and get done–it is, after all, going to be the dog days here–but we’ll see.

And on that note, it’s back to the spice mines and getting back on track. The house is a mess and needs straightening–and it’s not beyond the realm of possibility that we could still lose power.

Thanks for all the good thoughts, y’all. Greatly appreciated.

IMG_1821

Dancing in the Moonlight

Friday morning, Barry eve. Paul and I, for those who are curious, are electing to stay rather than go. We may end up regretting that decision, but it’s not like it would be the first time we made a decision we wound up regretting deeply (hello, year in Washington).

It’s sunny yet cloudy outside this morning, giving the morning a weird, yellow-grayish tint to everything (sepia!). I am most likely going to venture out this morning at some point; I still need to fill the car with gasoline, and later I am also going to decide whether to take the precaution of parking in a garage somewhere in the CBD, to get the car above whatever possible floodwaters might be coming. There’s also some things I should pick up at the grocery store–although I imagine the candle and bread aisles have already been decimated. Paul and I both don’t have to go to work today, so we will undoubtedly end up watching a lot of television and getting caught up on our shows–we fell behind while he was at his mother’s. Moving the car to a garage might not be necessary, but I’d rather pay a daily parking rate somewhere than over a thousand dollars making my car operational again–or losing it entirely to water. If experience has taught me anything, getting a car operational after it gets flooded also means it never quite runs right again, and why risk it as I am getting so close to owning it outright?

It’s supposed to rain off and on all day today as Barry gets closer to shore. It’s getting darker even as I type this right now, and so I guess that means it’s getting ready to rain at any moment.

Yesterday was probably the most beautiful day of the summer; low eighties with little to no humidity, and a cool breeze. Wednesday I was pretty tired all day, and that kind of carried over into yesterday. I got nothing done–this entire week has been a bust for the most part, other than reading to edit some things I’ve already written–but maybe I can correct that a bit today. I don’t know, we shall see, won’t we? Right now I am feeling pretty good and well-rested and like I can get some stuff done–but where that will wind up, nobody knows.

Yesterday was also a lovely day for me on Twitter; that’s twice in the last week or so I’ve had an absolutely lovely day on social media. Twitter, and social media, can be lovely places to connect and reconnect and speak (albeit electronically) with friends; I’ve tried for a very long time to keep my social media upbeat and positive, rather than allowing myself to get sucked into the toxicity rampant on all social media sites. I have no desire to argue with anyone, about anything; no one has ever been convinced to change their minds by a social media argument. If anything, it seems to harden people against opposing views, so why even bother? My time and my patience and my emotional investments are limited, as is my energy, and I’d rather use all of them productively and positively, rather than trying to score points on people with opposing views that I find repugnant.

Yesterday, though, was lovely; what social media can be if we avoid toxicity. Alex Segura had been doing some gratitude posts there, thanking people who have helped, encouraged, and supported him on his journey as a crime writer (if you haven’t checked out his Pete Fernandez series, you simply MUST); I thought to myself, self, you really need to do the same thing, and so I started a tweet-thread in which I did the same; thanked people for their support and help and encouragement over the now near-twenty years of my writing career. I naturally forgot some people–there have been so many–and I was trying to do it as I went, but the responses turned out to be a lot of fun and people are still responding to that thread this morning. But the tweets and responses were a lot of fun, and almost every new notification brought yet another smile to my face, and made me feel all warm and fuzzy inside (as opposed to the usual, in which I’m dead inside…KIDDING), and made me feel quite grateful; grateful for my career, grateful for the terrific people I’ve met along the way, grateful for all the help and encouragement and support. Writing can often feel like an incredibly lonely business; most of the time it’s just you and your computer screen and your imagination, typing away while going deep inside your own head. Social media has made it much easier for us to connect outside of the conferences, your Bouchercons and Malice Domestics and Left Coast Crimes and Tennessee Williams Festivals–and helps deepen the bonds formed at those events, and makes you look forward to seeing everyone at the next one. I am already looking forward to seeing everyone in Dallas at this year’s Bouchercon…which will be here sooner than I expect and will also wind up being over much sooner than it should be.

So, I am going to spend this morning trying to sort my kitchen again–it’s astonishing how quickly it gets out of order–and probably reading this book I need to write an introduction for soon. I also have some terrific new books: Clandestine by James Ellroy (which I want to read again); Paper Son by S. J. Rozan; Life After Life by Kate Atkinson; and The Ceremonies by T. E. D. Klein. I may also reread some short stories that need to be edited; I may even try to write on the WIP–but let’s not get too crazy or ahead of ourselves here.

So, I guess it’s time to start getting my act together this morning. Have a great day, Constant Reader; hopefully we’ll still have power at this time tomorrow.

IMG_1755

That Lady

Thursday, the aftermath of Wicked Weather Wednesday.

It looks beautiful outside, and it’s only eighty degrees this morning; it was also very cool after yesterday’s flooding thunderstorm. Barry,  should he turn into Barry, is projected to hit Saturday afternoon; the storm surge up the river is concerning. The river is already high and has been at flood stage for almost the entire year; the Army Corps of Engineers say the surge won’t overtop the levees initially, but now it seems there are some levees that may happen to–none around uptown New Orleans and my neighborhood, but further down river, like the lower 9th and some on the west bank. I’m not entirely certain I trust the Army Corps of Engineers, frankly; they also told us the levees wouldn’t fail due to Katrina. One would assume they’ve learned from their enormous mistakes, but then again…so I am not sure if we’re going to leave or not. I guess we’ll wait and see what happens with tomorrow. I hate waiting to the last minute like that, but I also don’t want to leave if it isn’t necessary.

This is the quandary we find ourselves in–it’s very easy for those who don’t live here to be critical of our decision-making processes down here when faced with a storm coming in; but when you haven’t been in that situation and you don’t live somewhere under constant threat of storms and flooding…you really don’t know what the fuck you’re talking about and please, have all the fucking seats.

I unfriended someone yesterday on Facebook for showing his stupid ass about New Orleans and flooding; it wasn’t someone I have ever met in person, and as a straight white male “author” (I used quotation marks because I’ve never read him or any of his books; I doubt seriously that a straight white male Yankee from a small rural town in New England sent me a friend request as a reader–more like it was a networking request, really) who also went ahead and admitted in the comments on his post that he’s never been to New Orleans and knows nothing about the city other than it floods periodically…yeah, go fuck yourself. His post was a link to an article about the flooding here, with his own editorialization of Keep insisting this place is livable, even though it’s so obviously not. What kind of idiot do you have to be to keep insisting on living somewhere this happens regularly?

I thought about pointing out that without the port of New Orleans, the entire Mississippi River waterways and tributaries would be closed to international commerce, including the oil that heats his stupid fucking house in Maine in the winter time; that shutting down the system would cause an economic and stock market crash, and the cost of some things–including bananas, coffee, and gasoline–would at the very least double; and the Midwestern farmers, already so heavily hit by tariffs and trade wars, would be ruined.

Does anyone remember what happened to the cost of gas after the one-two punch of Katrina and Rita interrupted the flow of oil?

And then I figured, why should I waste my time on a douchebag whom I don’t know, will never meet, and never convince? It was ever so much easier to simply unfriend and block the trash. So I did, and it felt glorious.

The river is both our lifeline and our curse.

I did take the time to explain to a friend yesterday that flooding in New Orleans does occur fairly regularly–yesterday’s seven to nine inches in less than three hours was more than the pumping system could handle; in fact, any city getting that much rain in that short a period of time would flood and they don’t have pumping systems like ours. The flood waters were gone within two hours of the rain stopping. The advent of social media and smart phones with cameras also has changed the way things are perceived; before social media and camera-phones a flood like yesterday’s would have been maybe a ninety-second segment on the news, perhaps a three minute segment on the 24 hour channels. Before Katrina, flooding in New Orleans wasn’t even news, really. Yesterday’s was unusual in that it was the first time since 1995 that my neighborhood actually took on flood water; the last flood, almost two years ago this August, we didn’t even have an inch of water on our street. But I flooded my car back in 1997 when I was caught in a flash flood when the city got five inches of rain in about an hour; there was an inch of water in the streets when I left work but by the time I got home Camp Street was a river. It cost me about $600 for my car to be operational again, and that car was never really the same again afterwards. I was incredibly lucky that the only available place to park when I got home Tuesday night was on the highest part of the street; the water didn’t get in my car but did in other cars on the street, including my neighbor in the front apartment’s car. It was very close, too–another inch or two and there would have been water inside my car.

Am I concerned about this weekend’s storm? Of course I am, and we never want it to flood here–but it’s not like this is unusual.

Ironically, the river in flood stage and a hurricane storm surge was something I wrote about in Bourbon Street Blues a million years ago; Scotty just mentioned it briefly in passing as a concern that the river was high and if a storm surge came up the river (ironically, before Katrina that was always the prime concern–no one worried about the storm surge into Lake Pontchartrain, which was what did us in); right now our plan is to stay put and probably move the car to the parking garage at Canal Place so I don’t have to worry about the car getting flooded–there’s going to be a lot of rain and I imagine our streets will repeat what happened yesterday morning.

It is really hard to imagine that Katrina was almost fourteen years ago. Sometimes it seems like yesterday, sometimes it seems like it was a different lifetime.

Yesterday I was emotionally drained and exhausted most of the day; I took my Snow Day/Flood Day very easy and didn’t do anything. I didn’t clean, I didn’t write, I didn’t even read–I just wasted most of the day interacting on social media and keeping an eye on the weather. I imagine the exhaustion was a form of leftover PTSD. It rears itself every once in a while, usually triggered by something like a flood event after a thunderstorm or the imminent arrival of a tropical storm of some sort–hey, hello, did you forget about me? Ha ha ha, still here!

But as I said, it’s sunny today–there are thunderstorms in the forecast for this evening, so on my way to the office today I’ll fill the tank with gas just in case–the lovely thing about owning a Honda now is that a full tank will ease any worries about running out of gas in case of an evacuation, whereas the gas-guzzling cars I evacuated in previously made that always an issue, and I think we have everything we need in the house in case, you know, we stay and there’s power outages and so forth. Perhaps another loaf of bread–I have charcoal so in a worst case scenario if we’re without power I can barbecue everything in the freezer–and hopefully tonight I’ll be settled in to get some writing or editing or reading done.

And now back to the spice mines.

IMG_1383

We’re An American Band

Wednesday, Hump Day, and the slow slide into another weekend. It’s also pay day, which is really Pay the Bills Day–never a pleasant task, no matter how much I try to make it into one (“Oh, isn’t it satisfying to get this done?” Um, no, not really.)

I woke up after a lovely night’s sleep to a horrendous thunderstorm; we are now in a tornado warning, which I think means one has been spotted; I’m not really sure where precisely–I can never remember the difference between watch and warning. 

Okay, I looked it up and I was right: warning means one has been spotted. Looking at the radar map, it’s not in our area, but it’s rather close to where the office is.

Which should make for an exciting day at work, no?

I had planned on running some errands this morning before heading in, and now I am not so sure I want to do that, understandably, unless this all lightens up before it’s time to go in. We’re also in a flash flood warning (through Sunday on one, JULY 23RD on another, because the river is already high and this tropical thing out in the gulf could send a storm surge up the river. (Aside: it is raining so hard I keep thinking the sink is running and start to get up to go turn off the spigot before catching myself.)

I haven’t written much this week so far; I’ve primarily focused on rereading things I’ve already read and editing them and making notes for revisions as I go. I know I should reread everything I’ve written for the WIP–in order to possibly trigger where to go with the next chapter, which I’ve been stuck on for quite some time–but I am feeling particularly writing-lazy, and I also know I am going to regret that should we have to evacuate in the face of the coming storm this weekend. But an evacuation would sort of change everything anyway–all bets are off!–so there’s also that.

I watched the season finale of The Real Housewives of Beverly Hills last night when I got home from work–I wasn’t so tired Monday night after work, but for some reason last night I was exhausted–and it entertained. It’s very strange, and more than a little unsettling, to see it without Lisa Vanderpump; if any of the original cast still left was going to go, my money and preferences would have been Kyle Richards, whom I have never been able to stand or bear for very long. This season was really not very good, and there were more than a few times when I considered, seriously, stopping watching. The only thing I liked about this season was the addition of Denise Richards.  I didn’t have high hopes for her as an addition–Paul and I actually tried to watch her reality show years ago, Denise Richards: It’s Complicated, and didn’t last beyond the premiere episode. (We usually will give any new show we try a couple of episodes, unless it is so beyond redemption in the premiere we assume it isn’t going to get better; alas, Denise’s original foray into reality television fell into that category–and we wanted to like it. We loved her in Drop Dead Gorgeous, which is a vastly under-appreciated comic classic.) Paul came home in the middle of the episode–he doesn’t really watch my reality shows with me, he has more discerning tastes–and as I explained things to him, I stopped at one point and said, “And it is truly frightening that I know this much, not only about the show, but about their lives outside of the show.“

But as Laura Lippman says, one should never apologize for anything in this world that one enjoys, as there are so many things and experiences we don’t enjoy–we should definitely allow ourselves to enjoy things that might earn us scorn from others. She’s right, of course; I don’t give a shit if someone looks down on me for enjoying reality television; hell, I’ve written a book around reality television (Royal Street Reveillon, coming this September, from Bold Strokes Books! Preorder now!). I’ve watched reality television going back to the very first season of The Real World on MTV, which, while not the first reality show, was certainly the precursor to the reality show boom of this century.

It’s also payday, and I have to pay the bills this morning. My favorite chore, but it must be done.

Have a lovely Wednesday, Constant Reader. I look forward to giving you another Gregalicious update tomorrow.

IMG_1644

Miracles

I thought I was finished with the downward spiral into Imposter Syndrome I experienced yesterday, but I wasn’t.

So I walked away from my computer, ran errands, and came home to finish reading Angie Kim’s exceptional debut novel, Miracle Creek,

miracle creek

My husband asked me to lie. Not a big lie. He probably didn’t even consider it a lie, and neither did I, at first. It was just a small thing, what he wanted. The police had just released the protestors, and while he stepped out to make sure they weren’t coming back, I was to sit in his chair. Cover for him, the way coworkers do as a matter of course, the way we ourselves used to at the grocery store, while I ate or he smoked. But as I took his seat, I bumped against the desk, and the certificate above it went slightly crooked as if to remind me that this wasn’t a regular business, that there was a reason he’d never left me in charge before.

Pak reached over me to straighten the frame, his eyes on the English lettering: Pak Yoo, Miracle Submarine LLC, Certified Hyberbaric Technician. He said–eyes still on the certificate, as if talking to it, not to me–“Everything’s done. The patients are sealed in, the oxygen’s on. You just have to sit here.” He looked at me. “That’s it.”

I looked over the controls, the unfamiliar knobs and switches for the chamber we’d painted baby blue and placed in this barn just last month. “What if the patients buzz me?” I said. “I’ll say you’ll be right back, but–“

“No, they can’t know I’m gone. If anyone asks, I’m here. I’ve been here the whole time.”

And that lie, that simple little lie, opens Angie Kim’s amazing debut, Miracle Creek, which is one of the best books I’ve read so far this year, if not one of the best books I’ve read in the last few years.

Miracle Creek is and isn’t a legal thriller. The present-day setting of the book is a trial; but it’s also more than that, if that makes sense. A woman is on trial for setting a fire that results in two deaths and several bad injuries–it’s a lot more complicated than that, technically; it has to do with an alternative therapy in which people with chronic issues, such as autism or cerebral palsy or, in one case, low sperm count, are put into a submarine like contraption and gradually subjected to the same kind of pressure you’d get several fathoms down while breathing pure oxygen. The pressurization and the pure oxygen theoretically will help with these “incurable” conditions. The owner of the business, Miracle Submarine in Miracle Creek, Virginia, is a Korean immigrant named Pak Yoo; his wife and daughter help with the business. Someone starts a fire that ignites one of the oxygen tanks and sends flames through the tubes which supply the “submarine” passengers with air to breath, and there’s ultimately an explosion.

Elizabeth, the divorced mother of an autistic son, Henry, chose not to go into the tank with her son that night; her son is one of the victims. She also chose that night to rearrange the way everyone is seated inside, guaranteeing that her son was one of those attached to the tank that goes up and is killed. There is plenty of circumstantial evidence to point to her guilt, and she is arrested and put on trial.

Mary Yoo, the daughter, is also blown up and scarred; she also goes into a coma for two months.

The book also bounces around from multiple points of view; all in the first person, and juggling these points of view, different voices and different experiences, is not an easy thing to do; Kim, in her debut novel, manages this with extraordinary skill.

This method of telling the story also allows Kim to share the true story of what happened that night, how one lie can lead to another, and how circumstances can all come together in a horrifying instant–if this hadn’t happened or she hadn’t done this or he had decided to do this, all of this could have been avoided–this randomness that can lead to tragedy, is horrific to contemplate but all too horrifyingly realistic and true.

Going inside the heads of different characters also allows Kim to explore multitudes of themes, all grouped together under the heading of parenting.

One of Stephen King’s greatest gifts as a writer, I have always felt, is how he is completely unafraid to take risks with who his characters are; he isn’t afraid to expose those horrible thoughts his characters have and the guilt that comes with those thoughts and feelings; it makes his characters come to life in a way less skilled writers can only dream about; Kim does the same, making her characters so real in their ugliness and their guilt, unafraid to show that parenting is an ugly job that sometimes has wonderful benefits but  showing how the day-to-day grind can sometimes wear a person down into saying or thinking things that are only too human but too horrible to contemplate or share with anyone else, that sense of resentment that is only too human but also too horrible to let anyone else know.

Her portrayal of the Korean immigrants, the racism they encounter, the fragile bonds of family that connect them yet also fray in a different world and culture than what they are used to, is overwhelmingly compelling.

On every level, the characters and their relationships–whether its husband and wife, mother and child, father and child–areas  layered and complex and complicated as the truth of the night of the tragedy.

All of the characters are flawed, all of them heartbreaking in their humanity, but perhaps the best, the strongest, the one who I will always remember, the one I keep coming back to is Elizabeth, single mother of an autistic only child, the defendant, whose humanity and heartbreak and guilt and suffering is almost too painful to contemplate, to read, and as the truth comes rushing out at the end…wow.

You’re only as sick as your secrets.

This book is amazing. I cannot recommend it enough.