One of the best places for a young gay kid to see almost naked, really muscularly developed men was on the covers of fantasy novels, like the Conan books and others of their ilk. There were also a lot of fantasy cartoon magazines, Heavy Metal and others like it, that often had scantily clad, beautifully built men and women…and the occasional full frontal male nude.
Did these magazines play a role in my love of muscles (and society’s adaptation to sexualizing men for women and gay men), or did the magazines just give me something to look at that played into said obsession with muscular male bodies? I was very desperate for that sort of thing when I was in high school–and my interest in this kind of fantasy art wasn’t a giveaway clue to my sexuality. Because of the naked big breasted women, most boys liked looking at them too–and the artists and more intelligent of them loved the artwork itself and the stories– there was more going on there than just gratuitous nudity and sex.
The books, of course, were called “sword-and-sorcery” books, as were the few films that came out of them (or were inspired by them), that had a time in the sun during the 1980s, thanks to the Conan movies that made Arnold Schwarzeneggar a star, and also influenced every sword and sorcery movie that followed. S&S books were always a successful niche market, and the success of Conan as a film led to a lot of S&S movies in the 1980s.
Two of the biggest names in the S&S fantasy art field were Frank Frazetta and Boris Vallejo. I absolutely loved their work.
Boris Vallejo’s “Egyptian Warrior”
As an Egyptophile, I love that image and would love to have it hanging on my wall.
Heavy Metal magazine launched in the late 1970’s, and even was made into a great animated movie in the 1980s–its soundtrack includes Stevie Nicks’ “Blue Lamp.” We used to get high and watch it when I was in college, and just got sucked into the vividness of its art and color and style and music.
A work by Frank Frazetta
I don’t know if S&S ever went out of style in books and magazines, but you don’t see many book covers with this type of art on them anymore. It’s a shame; they were very fun tales of treachery and betrayal and magic and vengeance. I never read any of the Conan stories, or any of the other fantasy S&S type books, but I did watch a lot of the movies–those scantily clad musclemen are lots of fun to look at. These movies also don’t get made much anymore–John Carter‘s failure at the box office (which it didn’t deserve; it’s much better than critics and audiences thought it was when released) pretty much killed any interest in these style movies.
Ironically, Game of Thrones was really another one of these style stories; the primary difference being it was done on a much grander scale than the classic S&S genre usually permitted.
Nothing gives me greater pleasure than flaunting my sin in the face of hypocritical Christians who don’t understand their own holy book. I love using their archaic language on them, too–fornicators, adulterers, heretics, apostates, blasphemers, the Lake of Eternal Fire, etc.–because there’s nothing I despise more than the self-righteous apostates who think they are better than everyone else because “they’re saved.” Are you? Are you so sure?
I’ve always thought the proper response to the question of whether you were going to heaven or not was simply, “I don’t know, that’s God’s decision and so I hope he views me and my life with grace, charity, and compassion.”
And when I was about eight or nine, my grandmother bought me a copy of The Children’s Bible, which was filled with illustrations (amazing how all those Middle Eastern Israelites were white, and even some had blond hair and blue eyes)…and maybe (probably) it wasn’t the intent of the publisher, but there was some seriously homoerotic imagery in the book. About ten years ago I was thinking about The Children’s Bible and wondering whatever happened to my copy…and remembering some of the illustrations in it, I thought no, you can’t be remembering that correctly and so I went on eBay and bought a used copy.
And when it arrived, my memories were actually correct.
I mean, look at the muscles on Goliath. That image was burned indelibly into my brain, and it’s entirely possible my appreciation of muscles comes from….The Children’s Bible.
Perish the thought!
Grooming!
Indoctrination!
And of course, my favorite story in the book was David and Jonathan.
I mean, look at how they drew David!
I mean, it may not be Michelangelo, but damn.
(I also love that a Bronze Age Middle Eastern Jew somehow had pearly white skin, blonde hair, and blue eyes. Riiiiiiiiiiiiiight.)
I think my parents really liked that I was so devoted to The Children’s Bible, but they definitely had no idea why I was staring at the pages every day.
When I was a kid, I’d always reread the David and Jonathan story (can’t imagine why it was my favorite…). I wanted a best friend like David–I always saw myself as Jonathan, the supporting player, the way I always did–gorgeous and charismatic and beautiful and beloved of God. I would think about the story and while I was too young and innocent to conceive of it as anything other than friendship–the same way I thought of the “friendship” between Achilles and Patroclus in tales of the Trojan War–when I got older, whenever I thought about the story I wondered about how deep that friendship between Prince Jonathan and David son of Jesse was. Why include the story at all? It really doesn’t add a whole lot to the tale of David’s life, and did it really matter for King Saul to have a son who was David’s friend and great love? Jonathan dies–not even the Bible was immune from bury your gays–and David mourned him with a great grief that seemed a bit more than “my best bro died.” I wanted to write the story myself, despite my lack of historical knowledge of the period or even when it was actually set, but I wanted to write about their love, their falling in love–and let’s face it, God didn’t really seem to have a lot of problems with their relationship, did he? He didn’t come to David and tell him to stop giving it to Jonathan; God didn’t curse the two of them or punish Israel for it; and yes, Jonathan is eventually killed…but even then God doesn’t come to David and say, did you not read Leviticus? I could hardly let you go on fucking him forever, you know.
So, I guess I am supposed to read it literally and just think they were best friends and loved each other as brothers. Yeah, no. There’s absolutely no reason for this story to be included in the David story in the Bible; none, unless of course there’s a kernal of truth in the story (don’t come for me, I’ve never bothered to find out if the Bible’s Old Testament kings of Israel were real people; I do know that real people turned up in the Old Testament that existed in history–Babylonians and Assyrians, for example, as well as Egyptians)but the mystery for me of why this story was included, why it was included if its merely legend or why was it included if they were real is the real question. There’s no moral lesson to be learned from the story of their friendship; their love and loyalty to each other was an issue for Jonathan because his friend’s greatest enemy was Jonathan’s own father, a king anointed by God–despite God capriciously turning His back on Saul for really such an insignificant reason that it really just boiled down to God just liked David better; I always felt sorry for Saul–how much would it suck to lose God’s favor for no good reason? Just because God found someone He liked better? (And considering the things God forgave David for, or just overlooked, really makes the hard turn away from Saul that much more petty and bitchy.)
God’s kind of an asshole in the Old Testament, frankly.
But yes, I’d love to write this story sometime. (Because I don’t have enough else to do, right?) I’d also want to write it from Jonathan’s perspective, although the death would be hard to do (Madeline Miller managed it with Song of Achilles quite beautifully) story-wise; but is the kind of challenge I love. Maybe someday, and maybe writing it will help me in my constant and never-ending life quest to come to terms with the religious grooming drilled into my brain as a child. I even have a great title for it, too.
I also have a novel in mind revolving around Michelangelo’s statue of David, too; maybe I could combine research and do them at the same time. THAT would be a challenge, would it not?
Paging through it again this morning, I see that there are a lot of sexy men in little clothing in the illustrations, so I have to wonder, if like all the statuary and paintings in European churches and cathedrals, the artist was a gay man so he slipped in imagery for the viewing of other gays. Here are some of those images, culled from just flipping through a few pages.
Okay, maybe Samson isn’t a fair comparison as he was a strong man.Apparently, ancient Egypt came up with a great exercise and diet plan for Joseph.Again, Hebrews looking healthy, and Pharaoh’s milkshake brings the boys to the yard.I also love that they went with daddy/twink for Cain and Abel.
And no need to worry about my blasphemy–“christians’ have told me all of my life that I’m going to hell, so as a friend says, “might as well grease up the hell-slide.”
I’ve always been interested in wrestling. I wanted to go out for the wrestling team in high school, but enough people were already bullying me and calling me a fag, and as painful as those words were, they were made worse by the knowledge they were true–and absolutely godawful knowing I wasn’t entirely sure what it meant….but I knew by their faces and the tone of voice it was spoken in that it wasn’t a good thing. The last thing in the world I wanted was to wear one of those skintight singlets and get aroused for the world to see (although I learned, much later, that it was so common no one ever said anything about it; but even now I am not certain I would have been given that same grace as a sexual suspect); that would be the end of the world as I knew it…so going out for the team wasn’t an option for me, and I kind of regret that fear kept me from something I’d enjoy.
But as I was figuring out my sexuality and trying to figure out what all was entailed by being an object of scorn and disgust by everyone, I started being drawn to professional wrestling. The heyday of pro wrestling was long in the past in the late 1960’s and 1970s, and the WWE boom was yet to make it mainstream once again. But the body contact and domination/submission aspects were the closest thing I could actually find on television that was sort of like a male/male sexual experience–which made my liking for pro wrestling even more suspect and something I couldn’t really talk about with anyone because of course he likes pro wrestling, the fag.
So, I was closeted in that way, too.
But one day when I was a teenager I was in a store–a Walgreens or something–and I saw a professional wrestling magazine with a cover story on Kevin Von Erich, and he was like nothing I’d ever seen before–a tall, long, lean and muscular body in white trunks and barefoot, and handsome in a rugged kind of way. I bought the magazine, and became a fan of the entire Von Erich family…and also was aware of how tragedy haunted the family. When I first heard about this movie, I had to see it…although I wasn’t sure how telling this story would have a beginning, a middle, and an end.
But…I did enjoy it. A lot.
It’s actually very well done, but it’s also kind of sad to watch almost from the very beginning. The movie also cut out one of the brothers, but seriously, another death in this grim film might have been too much for any viewer to handle or take.
The film is very well done, and the story is sad–one about toxic masculinity, distant and emotionally unavailable parents, and how the dream, the drive, of being at the top of the wrestling game caused so much damage. Afraid to admit weakness, not really able to ask anyone else for help when struggling emotionally, the suicides make complete sense. The Von Erich brothers were so tightly bonded they didn’t have room for much else in their lives–friendship, love, etc.–other than the grind of training and wrestling and tightening the bond with each other. The cast is brilliant–great casting, but ultimately flawed in the physical side of things; the Von Erichs were taller than the actors playing them, and of course Kevin was never as jacked as Zac Efron; those kinds of bodies were extremely rare during those decades. Kerry was big and muscular and defined, but he’d also been an Olympic wannabe in discus and javelin.
There’s a particularly moving scene towards the end of the film where Kevin finally breaks down from how overwhelming all the tragedies have been and the toll on his soul and psyche, and his young sons come to comfort him…and he tells them how much he misses his brothers and misses being a brother; the boys tell him they’ll be his brothers, and he apologizes to them because “men aren’t supposed to cry.”
Maybe if the Von Erich brothers had been raised to not believe in toxic masculinity and the narrow definition of what a man is, and allowed themselves to be vulnerable and get help for their demons, the story may not have been as tragic.
Kevin’s sons now wrestle professionally, and Kevin himself doesn’t believe in a curse on the family–though he did for a number of years, but he’s made peace with the past and focuses on his family.
I really enjoyed the movie, but it’s depressing. Four out of five stars.
Three of the actual Von Erichs, with Kevin in the center
It’s always weird for me to talk about my writing and my books and so forth on here; I always worry that I am either contradicting and/or repeating myself. When you’re as self-obsessed as I am, that can be a problem; talking about myself is probably my favorite thing to do–on here, at least. And I feel like I’ve told the story of where Chanse came from and how the series developed from the very beginning many, many times.
It was when I was living in Houston that I rediscovered crime fiction, and the old love was even deeper once it was rediscovered. This was the period when I read most of the Perry Mason novels, discovered Paretsky and Grafton and Muller, and decided to give Travis McGee and John D. MacDonald another try. (I had read The Dreadful Lemon Sky when I was a teenager, but I hadn’t liked it; I was more into the classic detective mystery, with lots of suspects and a denouement with everyone gathered in a drawing room as the identity of the killer was unveiled–the McGee series was definitely not that. But MacDonald had written a superb introduction to Stephen King’s first short story collection, Night Shift, and I had always wanted to give him another chance–pun fully intended.) I devoured the McGee series this time around; and I really admired the character and how fully rounded and developed he was (I should give the series a reread; I’d be curious to see how they hold up now)…and armed with all these new private eye novels and Perry Mason puzzles, so I started coming up with my own version. Even the name was a shout out to McGee. My character was also tall with sandy/dirty blond hair, a former college football player, and he lived in Houston, with an office downtown and a secretary named Clara. The title of the first book was going to be The Body in the Bayou, and I started basing the case on the tragic Joan Robinson Hill case, immortalized in Tommy Thompson’s Blood and Money (the premise of the story was that the character representing Joan’s father hires Chanse after Joan’s death to find dirt on John–and then John is murdered; fictionalized, of course.) I wrote about six or seven really bad chapters long hand before giving up. I didn’t know how to write a novel then nor did I understand the concept of rewrites and revisions and drafts. (My ignorance was truly astounding.) The hurdle I couldn’t clear was typing. I was a terrible typist. I’d had a job in California working for an insurance brokerage that was computerized, and had a word processing program that I used to write short stories on; it made such an incredible difference that I knew I would have a much better shot at actually making my dreams come true if I only had a word processor…
In 1991, after I moved to Tampa, I managed to get a word processor, and that was what I wrote my first two and a half young adult novels on–the original drafts of Sara, Sorceress, and Sleeping Angel–and used it happily for several years until it finally died on me. But by then, I was living with Paul and had swung back around to wanting to write adult crime fiction again, and I wanted to write the Chanse character that I’d already created…so I picked back up on The Body in the Bayou, moved it from Houston to New Orleans, got rid of the office and the secretary, and made Chanse gay. I kept the title, but threw away the story; I wanted it to be a gay story, too. I don’t really remember the plot, but it had to do with the murder of a beautiful boy-toy for a wealthy closeted gay man in New Orleans…and Chanse knew the boy-toy from his days working as an escort before he landed the rich man, I wrote about six or seven chapters of this before we moved to New Orleans….and I realized I’d have to throw it all out again because it was all wrong; I’d made the classic mistake so many writers make when writing about New Orleans: writing about it having never lived here, I only had tourist experiences–which are vastly and dramatically different from the actually “living here” experiences. So, once again, I threw it all out and started over, this time calling it Tricks instead of The Body in the Bayou.
The title morphed again to the less saleable Faggots Die after the first draft; and I remember talking to Felice Picano–he was coming into town for the Tennessee Williams Festival, and I picked him up at the airport. As we drove back into the city from Kenner, we talked about my book and the series, and he nixed the new title as well as the old one. “No one, ” he wisely said, “will pick up a book called Faggots Die, and Tricks sounds like a pornographic memoir of your sex life.” Felice was actually the one who suggested I mimic titles for the series from a classic writer…and we were throwing titles around in the car when I said, “You know, the streets in the Quarter are technically rues–Rue Bourbon, Rue Royale, Rue Dumaine–and the murder happens on Dauphine. Maybe Murder in the Rue Dauphine?”
“That’s perfect,” Felice said, and then we played with Poe titles the rest of the way into the city–incidentally, one of them was The Purloined Rentboy, which became my short story “The Affair of the Purloined Rentboy”, so never throw anything away.
And thus was Murder in the Rue Dauphine titled; and the plan for the series titles was also devised–the branding was changed by the publisher, but I can honestly say my first book was titled by Felice Picano.
Murder in the Rue Dauhoine has had three covers in its 21 years of existence. This center one is the current.
Never come to New Orleans in the summer. It’s hot. It’s humid. It’s sticky. It’s damp. It’s hot. Air conditioners blow on high. Ceiling fans rotate. Nothing helps. The air is thick as syrup. Sweat becomes a given. No antiperspirant works. Aerosols, sticks, powders, and creams all fail. The thick air just hangs there, brooding. The sun shows no mercy. The vegetation grows out of control. Everything’s wet. The buildings perspire. Even a simple task becomes a chore. Taking the garbage out becomes an ordeal. The heat makes the garbage rot faster. The city starts to smell sour. The locals try to mask the smell of sweat with more perfume. Hair spray sales go up. Women turn their hair into lacquered helmets that start to sag after an hour or so.
Even the flies get lazy.
My sinuses were giving me fits as I left the airport and headed into the city. It was only 7 o’clock in the morning but already hotter than hell. The air was thick. I reached for the box of tissue under my seat and blew my nose. The pressure in my ears popped. Blessed relief.
As I drove alongside the runways I could see a Transco Airlines 737 taxiing into takeoff position. I saluted as I drove past, thinking it might be the flight that my current lover was working. Paul looked good in the uniform. It takes a great body to look sexy in polyester. He does.
He’d be gone for four days on this trip. I was at loose ends. I’d wrapped up a security job for Crown Enterprises the previous Wednesday. The big check that I’d banked guaranteed I wouldn’t have to worry about money for a while. I like when money’s not a concern.
And so began a series that lasted for seven titles and about twelve years or so; I don’t remember what year the last book in the series was published. I never expected anyone would publish it; it was intended to be a “practice novel” so I would get used to rejections and learn. It was also the first manuscript I ever wrote that went through multiple drafts before I thought it was finished enough to send out on query. It was supposed to be an exercise in learning humility and getting experience with the business while I wrote the book I did expect to get an agent with and sell–which was what I’d always called “the Kansas book” for over a decade at this point. (It eventually morphed into #shedeservedit.) But you never really learn what you’re supposed to when you’re stubborn, thin-skinned, and used to being demeaned and talked over and not taken seriously, for any number of reasons. I sent the manuscript to three agents: two sent me lovely but form rejections, which was disappointed but not surprising. I took this well, put the manuscripts away to send to three more once the final rejection came.
It came on a Friday, if I recall correctly. I went to pick-up the mail and my manuscript was there. Not a surprise, of course, but still a little disappointing. I went out to my car and opened the package…and paper-clipped to the title page of the rubber-band bound manuscript was a torn piece of used paper, with a note in ink reading I find this manuscriptand characters neither interesting or compelling with the agent’s initials at the bottom.
It was like being slapped in the face.
By the time I got home I was in a raging fury. I was literally shaking with rage when I came inside. How fucking unprofessional, I thought as I sat down at my computer to check my emails, trying to decide how I would enact my vengeance on this rude piece of shit.1 There was an email there from the editor I was working with on an anthology which had taken my first-ever fiction short story and thus would be my first publication. I had never read the signature line–mainly because I was so excited for my first fiction sale (NARRATOR VOICE: it was porn). This day, he concluded his email with Please send us more work. We definitely want to see more from you and as my ego preened, slightly soothed from the insulting agent note from earlier in the day2, I also looked down at the signature line and realized I was communicating with the senior editor at Alyson Books! I immediately wrote him back a very short note: I’ve written a novel with a gay private eye set in New Orleans, would you be interested in that? and before I could talk myself out of it, hit send.
He wrote back immediately and said please send it to me ASAP!
I put the same manuscript back in a new envelope, and drove back to the postal service to get it in the mail before I changed my mind, and breathed a sigh of relief once I got back to the car–and immediately forgot all about it.
Six weeks later I came home to a phone message from the editor. I called him back, he made me an offer, and my career leapt forward much faster than I expected…and it started a roll of good luck and “being in the right place at the right time” that has kept me publishing almost non-stop since Murder in the Rue Dauphine was released in 2002.
It sold really well, got mostly favorable reviews, and scored me my first Lambda Literary Award nomination.
Not bad for a manuscript and characters who were neither interesting or compelling, right?3
It also took me a long time to realize–or rationalize–that the note wasn’t meant for me. (I was most offended that I wasn’t even worthy of an actual form rejection letter; that was the truly insulting part for me.) I realized when telling this story on a panel somewhere, that the note was probably meant for an intern or a secretary or an assistant, who just shoved the whole thing in an envelope to do the rejection and through some wild Lucy-and-Ethel office shenanigans, it went out without the rejection letter and with the note intended for internal eyes only…and made me wonder, how different would my career and life be had that fuck-up not happened?
We’ll never know, I guess.
Not really proud of this reaction, but I did get the last laugh. ↩︎
Said agent died a few years later. I may have smiled and said good, a la Bette Davis vis a vis Joan Crawford’s death. ↩︎
I may be more forgiving about a lot of things these days, but I will always be petty about that hateful agent. ↩︎
Today’s title sounds rather like a gay Christmas tune, does it not? It certainly sounds like a great title for a gay porn story set during the Christmas season, and just typing that out made me immediately regret never doing a Christmas gay porn anthology–imagine how the evangelicals (aka cosplay Christians) would have reacted to that!
And Jayden Daniels won the Heisman Trophy! GEAUX TIGERS!
I overslept this morning, mainly because I didn’t sleep well last night. I didn’t feel good yesterday; I ran some errands and came home exhausted, collapsing into my chair in exhaustion and later on, started feeling crummy; my stomach was really bothering me for some reason, and I went to bed early, hoping to sleep it off….only couldn’t sleep for a long time. I did finally fall asleep after midnight, and when Sparky got me up for his six am feeding I went back to bed and stayed there until almost nine thirty. I don’t feel that great this morning, either, which is not a good thing, either. I think my blood sugar crashed and I never really replenished it yesterday, and I also think I’m dehydrated–so no, this coffee isn’t really helping much here, either. I think when I finish writing this I am going to go sit in my chair and read for awhile until I feel somewhat better, and will write later on today.
I hate when I don’t feel well, you know?
We got caught up on Monarch: Legacy of Monsters yesterday, and then watched Indiana Jones and the Dial of Destiny, which was…disappointing. I love the character, I love Harrison Ford, and I love Phoebe Waller-Bridge, but the movie just didn’t engage me the way the first and third movies did; the second, fourth and fifth being disappointments. Just thinking about those movies for a moment, though–the first and third movies are predicated on the idea that the Bible is true, and there is a God up there in the heavens or wherever that is supposed to be. Likewise, horror films and books as a general rule, also work as inadvertent Christian propaganda; vampires and The Exorcist go so far as to say Catholicism is the only “good” force to combat non-Christian supernatural forces. There’s an essay in that; I’ve always found it amusing that Christians–especially Catholics–are very anti-horror because “demons and witches” and “the devil” while the work itself actually is predicated on the foundation that the Bible, and Christianity, are not only real but the primary defense against evil in the world. (It always amused me the way the church always came for Anne Rice, when all they had to do was read her books to see how staunchly pro-Catholic they actually were.)
I was too tired and unwell yesterday to be able to focus on reading more of Raquel’s book, but I am going to probably dig into that for a while this morning once I finish this and put some food into my system to see if that helps me feel better. I think it’s weather related; our bipolar weather swung back into the warm and wet side again yesterday afternoon and into the evening, so it may have been a combination of sinus, blood sugar crash, and dehydration–so I am going to have to have some of that rehydration drink today. It really does suck how a bad night can throw you off your game; all I want to do is go back to bed and rest some more. This doesn’t bode well as I have to go back to work on Tuesday; yikes! But if it wears me out, it wears me out–and should mean I’ll sleep well that night.
We also watched some of the Grand Prix figure skating final last night, too–after finishing Indy and giving up on another show we were watching–and there just aren’t a lot of good, top quality skaters anymore; there’s a huge drop-off from the top three–and the pairs? Yikes. The team that won was the best of the six, for sure, despite a lot of mistakes. Skating just isn’t as much fun to watch as it used to be–although Ilia Malinin and his insane amount of quads in every long program is pretty impressive, and he’s getting better at the artistry, which used to be practically non-existent in his programs. I think he’s going to be one of the greater skaters, as long as his body holds out–all those quads are a lot of pressure on his ankles, knees, and hips.
Sorry to be so dull today, but yikes–exhausted and tired and still not feeling super great.let me eat something and maybe that will help–and so I will bid you adieu on this Sunday morning, and hope you have a lovely day.
He met Marmalade down in old New Or-leenz, strutting her stuff on the street, she said “hello, hey Joe, you want to give it a go?“
That classic song by Labelle came out while I was in high school, during the early to mid-1970’s, and there was a lot of prurient young teenager thrill in knowing that the French lyrics translated to “do you wanna have sex with me tonight?” But the song–essentially about a hooker in New Orleans and a man’s experience with her–was an introduction to another side of New Orleans–one you wouldn’t find in the World Book Encyclopedia.
It was very important to me, for a variety of reasons, to make Scotty someone who embraced his sexual orientation and sexuality. I wanted to write someone who LOVED having sex, loved beautiful men, and felt no Puritan-American based shame about enjoying sex. Those kinds of characters were few and far between in gay fiction, let alone in gay crime fiction. After writing the typical miserable cynical bitter gay man with Chanse, I didn’t want to do that again. I wanted Scotty was to be the obverse of Chanse in everything, except their mutual love of New Orleans.
(This was, in part, in response to being briefly dropped by Alyson when I signed the Scotty series with Kensington, being told “two mystery series set in New Orleans would be too alike.” I took that personally, as an insult to my talent, ambition, creativity, and abilities…and I think I proved my point. Once Murder in the Rue Dauphine and Bourbon Street Blues were released–and Rue Dauphine sold super well for them and was nominated for a Lammy–Alyson changed their minds. I’m still mad at myself for not asking for more money.)
But while Scotty was highly sexually active, he never got paid for it. He also never did porn–although I did consider that at one point as an option; I thought a murder mystery built around a porn shoot would be interesting and kind of fun. And of course, in this book he mentions that he and the guys have recorded themselves having sex, and have sexted each other.
Scotty always preferred to keep his status amateur–but he was a go-go boy (stripper, exotic dancer, dick dancer, whatever you prefer to call the guys who dance for dollars in gay bars wearing various kinds of male undergarments), and he was certainly someone who was not averse to having a sexual encounter with a handsome stranger. (There’s a joke about this in Mississippi River Mischief where Frank comments after they’ve met someone, “I’ve been with you for almost twenty years. If you think I can’t tell by now that you’ve recognized someone but you’re not sure from where, which means you’ve probably slept with them, think again”–a paraphrase, but you get the gist; Scotty is often running into men who look vaguely familiar, and that usually does mean he slept with them a long time ago.)
New Orleans, despite it’s rather prim-and-proper high society set (on the surface, anyway), with the Pickwick Club and the Boston Club and the mysterious Mystick Krewes of Rex and Comus and so on, has always been a city of loose morals and freewheeling attitudes towards sex and sexuality. We had a zone where prostitution was legal for three decades or so (Storyville) and I wouldn’t be surprised if there were several bordellos operating within the city limits as we speak. There was the arrest of the Canal Street madam; and of course local author Chris Wiltz wrote The Last Madam, a biography of notorious Norma Wallace–the last well-known madam in the city. (Which I need to reread…) Bourbon Street was known for its strippers and vice for decades; there are still strip clubs on the infamous strip running from Canal downtown to Esplanade–and there are usually men in bikinis or something equally scanty on the bars of the gay clubs down down around the St. Ann/Bourbon queer nexus of the Quarter. When I was starting my deep dive into New Orleans/Quarter history, I wasn’t surprised to find out there were “stag” bars down along the riverfront along the levee; and if someone at one of the fancy houses in Storyville had a predilection for the Greek vice that needed scratching, the madam would send one of her bouncers down there to find someone willing to turn a trick, with a fair share going to the house, of course.
I think that’s fascinating, really; and something I want to explore in a story. I’ve started the story (it’s “The Blues Before Dawn” which I’ve mentioned from time to time) but can’t quite nail down the crime part of it. The set-up is great, though, he typed modestly.
I didn’t intend for Scotty to wind up in what is now known as a throuple–a three way couple, or a relationship of three people–on purpose. I wanted to create the dynamic of two men being interested in him at the same time, and have some fun with that in the first book. I absolutely did, and when I sent Colin away at the end of the first one, that was deliberate. I couldn’t decide who Scotty should wind up with, and I wanted Frank to be really who he logically should end up with–but this bad boy with a mysterious background who was so hot and sexy? I couldn’t NOT bring him back, and so I decided I had three books to wrap up the romantic dilemma. I wasn’t certain what the backstory of the dilemma would be, or how it would turn out, or how it would go–but when I was writing Jackson Square Jazz I found the perfect place and perfect way to bring Colin back. That book ended with them deciding to try a throuple to see how it works out. It was going pretty well until Mardi Gras Mambo–and I tried really hard with that book to not end the romantic story the way it ended in that book…and finally decided, since the series was actually turning out to be popular, that I would finish it by the end of the fourth book.
I’ve also not talked about it in the books or on this blog at all, but….they also have an open relationship. (Someone asked me about this at some point after the last book came out.) Nothing else would work for Scotty–he may not take advantage of the opportunities that pop up now the way he used to, but that’s because he has the freedom to make that choice. If he was forbidden from outside sexual relationships, he would cheat–and he doesn’t want to do that because that’s hurtful and wrong. He never wants to hurt Frank or Colin–but both of them are also away from New Orleans for long periods of time; Colin off doing his international agent stuff, while Frank is on the wrestling tour doing shows and promo events; so they are on their own a lot and temptation is always there–after all, all three of them are gorgeous–so while it is unspoken on the page, it’s an open throuple. And usually, Scotty finds outside sex to be kind of dull, unemotional, and not nearly as much fun as it is with one or both of the guys. That’s a character development arc. I also don’t show Scotty going out to clubs or waking up with hangovers with a stranger in his bed anymore, either. He does still go out–he loves dancing–but the gay bar scene has changed since he was younger and he doesn’t find it to be nearly as much fun as he used to.
Though he won’t say no to a hit of Ecstasy during Carnival or Decadence.
How subtle are the changes in Scotty as he has grown, aged and evolved? I think they are miniscule, but a revisit of the first two books in the series has shown a lot of change and growth over the years for him. He is definitely not that same flighty twenty-nine year old who booked a gig dancing at Southern Decadence all those years ago to make rent and wound up kidnapped by neo-Nazis deep in a swamp–I think he’s a little less flighty and a lot more responsible than he used to be…though he’s not as responsible as most people his age. Turning him into a property owner in the Quarter from a renter–and letting Millie and Velma ride off into the sunset in Florida as retirees–has also made him grow up, as now taking care of the property is his responsibility.
I will always be fond of my Scotty, though, and hope to keep writing him till I can no longer type into a computer or speak into a word-to-text app.
my neighborhood is so beautiful at night, isn’t it?
Well, it’s Thursday and my week at the office–a very shortened one–will be over this afternoon. Yesterday getting back to work was a challenge. I didn’t have a problem getting up in the morning–I didn’t sleep well the night before–but late in the afternoon I started feeling tired; the low energy from not eating real food is also a thing (I’ve literally lost nine pounds since last Thursday, and nine pounds in five days is not good. If I continue to lose weight at this rate, within two more weeks I’d be down to a weight I’ve not seen since the aughts… I do not recommend this diet to anyone), and I think I may go to bed a little earlier than usual tonight. We were busy at work yesterday and I also had to catch up all my work from the days I was out, but I managed to get it all done and it was indeed a lovely thing. I mailed some things at the post office, stopped and made groceries (more ice cream and yogurt), and then came home to a protein shake for dinner. Yay, more soft food.
I cannot wait to go to Five Guys when this is all over. And pizza. Mmmmm.
I slept well last night, certainly more deeply than the night before, so I feel better this morning. Tomorrow is the visit to the Tulane Institute of Sports Medicine (more on this later), and I also have my hearing aids follow-up appointment. We’re going to be busy at the office today, and I have to stay later than I usually do, which will be interesting. I’ve got a to-do list I need to finish, and hopefully I won’t be so tired when I get home from the office tonight; I’m coming straight home after work for a rare change in the routine. I’m still way behind on the housework and I really need to start writing again; outside of the blog (which counts; I no longer pretend it doesn’t count as writing–which is what I always do when I am not writing fiction: “count the blog!”) and emails I’ve not really written much of anything since getting back from Bouchercon. SO much for all that inspiration I had from attending and being in the company of writers! But I think I will be able to get to work on some stories that need finishing this weekend, and some need revision and polishing. I also need to get back to work on Muscles, and writing those proposals that need writing. I don’t have to make a grocery run this weekend, and I am probably going to have to have some things delivered over the weekend, but that’s fine. I paid all the bills yesterday, too. So, it may not have seemed as productive as perhaps I would have preferred yesterday to be, but I did get some things done that needed to be done.
And it would be so lovely to get some more of these short stories done, you know, and out on submission? I only have one story out on sub, and it’s been almost a year since I sent it in to them. I don’t know why it’s taking so long, but that’s also publishing for you. While I do appreciate the convenience of using Submittable, at the same time it makes me wonder how it works on the other side. I was thinking last night, and have been ever since the Anthonys, about writing a post about editing anthologies. I have done over twenty of them at this point–there aren’t many people who can say they’ve done more in the genre, frankly, although they weren’t all crime; most were erotica, and I ain’t apologizing for that. I think only a few were actually crime and/or horror, which is kind of surprising. You’d think I’d have edited more crime anthologies than I have, but that is not the actual case. I think I’ve only done five crime anthologies–the three Bouchercon ones, and the queer noir ones I did with J. M. Redmann (Jean). I also want to do some more self-interviews; I have the questions from two of the other Anthony nominee panels I was on–best children’s/young adult. and the marvelous questions Leslie Karst came up with for the best humorous category–and I can use them to do self-interviews like I did with the queer crime panel John Copenhaver moderated for Outwrite back in August.
I was a little surprised by the positive response to my post about conference homophobia endured and how things have gotten better since the bad old days when I first started going to the mainstream mystery events. I generally don’t bother with paying much attention to response to blog posts, in all honesty; I try not to think about people reading it because I worry that will trigger anxiety and make me think about what I can and cannot say because of worries about giving offense (I never really want to offend anyone accidentally; I do not care about homophobes, misogynists, and racists being offended by my blog because that’s a bonus for writing it. But one core tenet of my life is to never hurt anyone’s feelings through carelessness; I know what that feels like and frankly, carelessness is worse than deliberate offense, I think, because the person puts no thought into being careless, which means you’re not even worth thinking about or your feelings simply are irrelevant; I prefer planned hatefulness because as least thought and effort went into it, if that makes any sense at all. It does in my fevered brain). But it did get a rousing response. Why was it time to write it now? I’d been considering writing that post for a long time. It’s been sitting in my drafts since Pride Month, which was when I wanted to post it, to strike another blow against homophobia and homophobes, but got sidetracked by all the boycott bullshit. Then I was going to post it before Bouchercon–the morning of the trip actually, but couldn’t get it finished before i had to leave the house. Being at Bouchercon–and being around my Queer Crime Writers–made it seem even more important than it was before I left because I do not want my Queer Crime Writers to ever be made to feel the way I felt when I encountered the homophobia at Bouchercon. I do feel very protective and paternal of the group, which I know is infantilizing them; they are adults who’ve faced it before and will face it again, but I want to spare them the ignominy of being belittled and demeaned by colleagues and bigoted programmers. That was what I meant by my presence making a difference at these things over the years–if I was the lightning rod that drew the homophobia out so it made things easier for this new generation of queer writers, I can actually live with that. If some good comes out of my hard times for other people, that’s something I can get on board with, really. I’ve never considered myself a ground breaker; while I think I’ve accomplished some terrific things with my writing over the years, I don’t think future generations will be studying my work for insights into the time in which I lived and what it meant to be queer in the late twentieth/early twenty-first century. You never know, but I think it’s highly unlikely.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check in with you again soon.
And just like that Wednesday has rolled around again, and today is the day I meet with the orthopedic surgeon to determine just what needs to be done to repair my torn left biceps muscle. I am a little nervous, to be honest, and more than a little trepidatious about it. I’ve not had any kind of surgery since having my tonsils out as a child and a potentially cancerous lesion removed in 2007, so I’ve kind of been lucky on that score (I don’t consider tooth extraction–even the wisdom teeth–as surgery; just how my mind works so don’t @ me, okay?). Dr. Google has told me that I’ll need physical therapy, a soft cast, and a sling (not the fun kind) for a while, maybe as much as six months to a year, which is definitely not pleasant or anything I want to happen to me at any time, but if needs be, it needs be, I guess.
At least after today I won’t have to wonder any more.
But my rebooting the week seemed to have done the trick. Yesterday was a good day; I slept really well and was in a very good mood when I came to work. A friend texted me to remind me that it was also my first birthday since Mom died, and so subconsciously I was probably grieving, which was why the energy felt so off Monday (the news of Tiger’s passing didn’t help much in that regard) and it really should have hit me when I got Dad’s note in the mail. It’s funny, I keep trying to tell Dad that it’ll gradually get easier but it really never does, does it? Hell, just typing since Mom died makes my eyes fill. I need to remember to keep being kinder to myself, and not so hard always on myself. After work I ran errands again–much as I hate driving all the way uptown every day, at least when I do there’s a place to park when I get home, and Paul’s expecting something, and I needed to make a little groceries on the way, too–and followed my Monday strategy of showering after emptying the dishwasher and putting my groceries away. I did finish the new draft of “Whim of the Wind” last night–and I have a place to try getting it published now–so I am going to let that sit for a couple of days before digging back into it. I’m glad that I let go of the sentimental attachment to the story since I wrote it back in college; it makes so much more sense to revise it into something different but keeping the same feel and vibe. I don’t think I stuck the landing on the second draft, but I have something to work with now, and that’s terribly important.
I tried working on another story after I finished that revision but alas the fountain had run dry by then. I did pull up both stories I want to get to work on, and maybe after my appointment this afternoon–and errands after that–I’ll be able to sit here and finish both stories tonight. I slept great last night–even better than i had the night before–and actually didn’t wake up until four (then five, then the alarm) which was probably the longest stretch of “straight through” sleep I’ve had in I don’t know how long. It was again miserably hot yesterday, but these last few days haven’t felt quite as hellish as the ones before. Paul was late getting home last night (board meeting) and after I finished writing for the evening, was kind of lost. I did do a load of laundry and another load of dishes, even going so far as to clean and straighten up the kitchen (I also showered when I got home; the twice daily showers seem to be doing the trick–getting things done and sleeping well) before repairing to my easy chair to watch some Youtube. Yesterday evening I revisited some scenes from old soaps, mostly General Hospital and All My Children–I still haven’t accepted that it’s no longer on the air–and I was also thinking about all the actors from soaps we lost to HIV/AIDS back in the day; and how many really gorgeous young men had appeared on the soaps when I used to watch and then just disappeared…which, of course, makes me wonder. (I love that the actor who played Derek Mallory, the police chief on Edge of Night back in the late 70s and early 80s, started in gay porn movies.) Someone really should write about that; and how actors had to remain closeted to have careers until the modern day era where there are only four soaps left, but they often have gay characters and storylines now. (was it Christian McLaughlin who wrote Glamourpuss, about a closeted gay soap star who gets outed, so the show makes his character gay and turns him into the villain?), I remember when Donna Pescow played the lesbian nurse on All My Children back in the day–she wasn’t around long, of course, the occasional queer character rarely lasted for long–but i would love to read a book about the history of queer actors and queer storylines on the daytime soaps–I remember the gay teen storyline on One Life to Live back in the day (Ryan Philippe’s first big break as an actor was playing that gay kid) and remember thinking wow what a difference this storyline would have made to teenaged me back in the day.
Representation matters, people. It really does. And if you’ve never not seen yourself reflected back to you in popular culture, you literally have no idea what it feels like or how moving it is when you finally do.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.
I never really meant to write a vampire story. For one thing, Poppy Z. Brite and Anne Rice had already done the New Orleans vampire story and set the bar super-high for anyone else wishing to write about vampires in New Orleans; Charlaine Harris also kind of cornered the market on Louisiana supernatural novels, too. It really seemed cliché to do New Orleans vampires, and I never would have, had I not been asked, and offered a lot of money, to do so. I make no bones about writing for money; if that renders me an unreadable hack, so be it.
I was initially asked to write a New Orleans vampire novella for a collection of four to be called Midnight Thirsts, which Kensington was publishing. Once I signed the contract and got paid half the advance, I decided to adapt a vampire short story I’d written, probably in or around 1997 or 1998, called “The Nightwatchers”; the main character was a young wannabe actress with a lot of talent but a lot of insecurity, who discovers that the reason she hasn’t been getting good roles in her theater company is because the woman who does is fucking the director. The story wasn’t good–she is easy prey for a vampire looking for a companion, who kills the director and the competition actress before turning her–but there was some lovely stuff about the French Quarter in the fog and her crumbling apartment–this was when you could still get a decent enough apartment in a crumbling old building in the Quarter for a price that seems unbelievable and unrealistic today–that I thought I could use. I also like the title, and as is my wont, when I started world-building and creating, I went overboard on back story. There were two point of view characters; the main, Philip Rutledge, who works as an escort, and his best friend Rachel, an aspiring singer who works in a coffee shop on Frenchmen Street, as well as a third; an older man who is a “nightwatcher,” member of an ancient society that reins in supernatural threats to humanity all the while keeping them in the dark about the reality of supernatural creatures and beings in the world. He has followed a rogue vampire to New Orleans, who has set his sights on Philip. I left the ending open, because I thought there was more story–if not a book, if not an entire series–in this idea. I decided I was going to write the vampire novel after finishing Mardi Gras Mambo…which wound up being delayed over a year. Then Katrina happened, and by the time I was ready to write about vampires again, too much time had gone by, alas. But they were doing another collection of vampire novellas, and asked me to do a Todd Gregory story for them (they had started publishing the Todd Gregory fraternity novels by this time), and that story became the novella “Blood on the Moon.” But rather than starting fresh, I used the same structure and world I’d created with “The Nightwatchers”–and tied it into the fraternity novel world as well, making the main character a member of the fraternity’s University of Mississippi chapter, visiting New Orleans for Carnival and winding up getting turned (it’s a longer, more complicated story than that, but that’s the bottom line). I brought Rachel and the old man from “The Nightwatchers” back–and when I was doing the anthology Blood Sacraments, I wrote a short story “Bloodletting”, that basically picked up where “Blood on the Moon” left off.
So, when Kensington asked for an erotic vampire novel rather than another fraternity book, I decided to use “Bloodletting” as the first chapter and build on the story from there, also using “Blood on the Moon” as the foundational story and the supernatural world I’d created for “The Nightwatchers.” This was to serve as an introductory work to a new supernatural Todd Gregory series.
It’s working title was A Vampire’s Heart. The powers that be didn’t like that title, thinking it sounded more like a romance novel title (which wasn’t wrong), and suggested Need, which was a recurring theme in the book.
And I really loved the cover.
The damp air was thick with the scent of blood.
It had been days since I had last fed, and the desire was gnawing at my insides. I stood up, and my eyes focused on a young man walking a bicycle in front of the cathedral. He was talking on a cell phone, his face animated and agitated. He was wearing a T-shirt that read Who Dat Say They Gonna Beat Dem Saints? and a pair of ratty old paint-spattered jeans cut off at the knees. There was a tattoo of Tweetybird on his right calf, and another indistinguishable one on his left forearm. His hair was dark, combed to a peak in the center of his head, and his face was flushed. He stopped walking, his voice getting louder and louder as his face got darker.
I could smell his blood. I could almost hear his beating heart.
I could see the pulsing vein in his neck, beckoning me forward.
The sun was setting, and the lights around Jackson Square were starting to come on. The tarot card readers were folding up their tables, ready to disappear into the night. The band playing in front of the cathedral was putting their instruments away. The artists who hung their work on the iron fence around the park were long gone, as were the living statues. The square, so teeming with life just a short hour earlier, was emptying of people, and the setting sun was taking the warmth with it as it slowly disappeared in the west. The cold breeze coming from the river ruffled my hair a bit as I watched the young man with the bicycle. He started wheeling the bicycle forward again, still talking on the phone. He reached the concrete ramp leading up to Chartres Street. He stopped just as he reached the street, and I focused my hearing as he became more agitated. What do you want me to say? You’re just being a bitch, and anything I say you’re just going to turn around on me.
I felt the burning inside.
Desire was turning into need.
I knew it was best to satisfy the desire before it became need. I could feel the knots of pain from deprivation forming behind each of my temples and knew it was almost too late. I shouldn’t have let it go this long, but I wanted to test my limits, see how long I could put off the hunger. I’d been taught to feed daily, which would keep the hunger under control and keep me out of danger.
Need was dangerous. Need led a vampire to take risks he wouldn’t take ordinarily. And risks could lead to exposure, to a painful death.
You see why they suggested we rename it Need? That opening pretty much says it all.
I had never really put a lot of thought into writing about vampires, in all honesty. To date, I have only published two novellas, one short story, and the novel, of course, but while I was writing Need that world began to expand and grow in my head as I worked on the story. I wanted to tie both “The Nightwatchers” and “Blood on the Moon” together, with Need as the continuation, so I brought back both Rachel and Nigel from the former, while keeping Cord from the latter as the main character. Cord Logan (how is that for a gay porn star name) was, despite being young in terms of being a vampire, quite powerful and growing in his power exponentially by the day. Headstrong, he’d broken away from the coven of vampires that turned him during Carnival, without learning everything he needed to learn first. What he didn’t know–and his former coven also didn’t–was that because of the circumstances involved in his own turning–when a male witch also tried to steal his power from him, he inadvertently wound up transferring his own power to Cord, who was then turned into a vampire to save his own life. This combination of witch/vampire is actually quite dangerous–as are any vampires Cord himself might create, which was the entire problem he faced in the story “Bloodletting” and didn’t understand.
The Supreme Council wants Cord summarily executed, but Nigel wants to keep him alive, to study and learn from, as well as to try teaching him how to control his powers. For me, Need was the introductory tale to a much longer story, where I’d be able to bring in vampires and shifters and witches and faeries and pretty much every kind of supernatural being. The next book was going to be called Desire, and every book was going to have a one-word title. I had a lot of fun with writing Need, and was really getting excited and writing lots of note for Desire…but the book didn’t do very well. It did okay, but not in the kind of numbers that would make a sequel a no-brained, and by then I had already moved on to writing the young adult books. The reviews weren’t great, either–but I never really care or pay much attention to them. The real problem is that there were sex scenes, and I don’t write the kind of gay sex scenes people want to read anymore. Mine are physical, lots of sweats and smells and experiencing how it feels and so on…most people want the sex scenes to be more esoteric and romantic and sweet.
I don’t think I’ve ever had sweet, romantic sex. I’ve certainly never written it.
Every once in a while, when I am writing something more along the lines of horror or with a supernatural tones, I remember my vampires and the world I created for them with a slight ping of sadness.
Maybe someday I’ll write Desire, but it’s highly unlikely at this point.
Not that I mind going to the office, of course, but I love working at home on Fridays because I don’t have to get up early. Although that hasn’t been much of a problem this week, in all honesty; I’ve not had to force myself out of bed one morning this week, not have I dragged and been tired all morning. I’ve slept well every night this week (probably just jinxed it) which has made a significant difference. I think perhaps my theory yesterday–the release of stress and the absence of anything causing me anxiety because I finally caught up–has probably had a lot to do with why I was able to sleep so deeply and well this week. Now, hopefully this weekend I can start making progress on a deep clean of the apartment, prune out some more books, and perhaps get some other things started. I’ve kept up for those most with the daily shit I always let pile up–laundry, dishes, filing–so I won’t have to spend much time this weekend getting that shit caught up, which is kind of nice; I am not behind going into the weekend.
I really need to do something about the cabinets, to be honest, and perhaps it IS time to reorganize the counters. And maybe we can order our new refrigerator this weekend. One can but dream, I suppose. I slept late this morning, which felt great, but we’re both a little concerned about Scooter. He’s not himself these last few days, and so we are thinking about taking him into the vet to get him checked out. He also hasn’t been howly-bitchy lately, either. He gave me a rather weak attempt at a fill my bowl you cretin this morning, but it was more sad than demanding. He is about fourteen, which I’ve been thinking about lately (sorry, death of loved ones is much on my mind this year, sue me) but I was dreading having to have the conversation about “we may be losing him” this soon. Last night when I got home from work he slept in my lap briefly but then gave up and went to lay on the floor in front of the dryer in the laundry room–he always likes it in there were one of the appliances (whether dishwasher, dryer, or washer) are in operation, I think the vibrations on the floor appeal to him and soothe in some mysterious cat-fashion–but I was doing chores and not paying attention to anything, then realized oh you should play Spotify through the computer and that was when I noticed that I had my iMessages app open on the computer and Paul had texted me around three to call him. I finally did when I saw the text around eight last night, and that was when he told me his concerns about Scooter, which while it saddened me that it wasn’t just my imagination, I was also glad that I didn’t have to be the one to bring it to his attention and talk him through it. He does seem better this morning, but I think we still need to take him to the vet to be checked out. Who knows? It may not be something fatal, but something that medications can clear up. It’s just that he’s so old; we’ve had him for almost thirteen years and they said he was two when we adopted him, which would make him fifteen. He’s such a sweet thing. And no matter how many times I tell myself well if we lose him we can rescue another cat from a grim existence inside a cage , and give him a great life, but that doesn’t help all that much, really.
The trade-off for the great joy a pet can bring you is the sorrow of losing them. On the other hand, I also wouldn’t want to outlive a pet, either; stories about pets whose owners/parents died on them always break my heart. I still mourn Skittle and my childhood dog, Sandy–and Sandy crossed the Rainbow Bridge when I was nineteen, so over forty years ago.
I’m going to try to keep my sadness at bay–Mom always said worrying was just borrowing trouble–and focus so I can be productive today and not get behind on things the way I was before. And work makes for a marvelous way of escaping sorrow, when it isn’t paralyzing.
I did get started last night on the pile of dishes and some laundry last night, which I need to finish this morning, I have work at home duties to do and a couple (how lovely that sounds!) of emails to answer. I want to finish writing some more drafted blog entries that have been there in my drafts forever–or delete them, accepting the fact that I will either never write the entry or it needs to be a longer form personal essay or its no longer topical. Clean the drafts out, Gregalicious! I was also a little pleased with myself for finishing two other draft entries yesterday–one about writing Games Frat Boys Play and one about my story “Solace in a Dying Hour”–the anthology This Fresh Hell, in which it appears, dropped yesterday and you can click on the title link there to order a copy–isn’t it lovely how I try to make things easier for you, Constant Reader?–so I am making progress on that front. At one point I was trying to write entries about each and every one of my books; I got away from that when life got out of my control yet again, and it’s not a bad idea to go back to this stuff. I think I had also stopped with both Need and Timothy on deck; I am going to try to get back on track with that. Hell, the older entries about Scotty and Chanse books might even be on Livejournal, of all places. (Ye olde blog is still up and findable over there; I used to take the entries private after a few months because the blog had been plagiarized a few times; but I think the last year or so are still up.) I’ll have to check to see. But I’ve been keeping Queer and Loathing in America since December of 2004; next year I’ll reach my twentieth anniversary of blogging. (!!!)
I also worked on organizing and cleaning up electronic files, which is much more time-consuming than one might think–as much as I love being organized, that sadly doesn’t carry over to my computer files, the cloud or the back-up hard drive. Ever since I discovered I can do file-searches for when I need one, I allowed it to get completely out of control, which was an enormous mistake that I regret to this day. There’s a lot of treasure in my files somewhere–ideas, thoughts, inspirational images as well as images from history that may be of use at some point with some book or story. The problem is I keep finding more things every day that I think well this will come in handy when I write X and so it goes into the files. I hoard books, paper, and electronic files, apparently.
I also realized yesterday that the new short story collection–which now sits at over seventy-seven thousand words–was missing a published short story, which, when added to the document, will take it over eighty thousand, which to me is the bare minimum for such a collection; so I could actually go ahead and add it in and send the collection off to my publisher to see if they want it or not. I’d want it to be at least ninety thousand, though, so I’d need at least two more completed stories for it out of the files. Something to ponder.
And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again probably later.
Queer and Loathing in America 