Friends and Neighbors

Ah, community.

What is a cozy mystery without one? I don’t know because I’ve never read one that didn’t have a strong sense of community in it, but for me, the depictions of community is one of the primary draws of cozies.

As I have mentioned before, the vast majority of cozies are generally set in small towns, small communities where everyone always seems to come together, everyone knows everyone, and there’s an undercurrent of caring about others that makes them cozy and comfortable to read. I was worried at first about setting one in New Orleans, to be honest; New Orleans is many things to many different people, but I’ve kind of always seen New Orleans as a darker city than most, and that darkness that is always out there on the periphery of the bright sunshine, no matter how cheerful you might be or how lovely of a day it is. Part of it is the history here–New Orleans was a center of the slave trade, after all, and you don’t get much darker than human trafficking–and of course, the city has always been a major port…and ports aren’t exactly known as sedate places. There has always been a lot of crime here, and you really can’t go anywhere in New Orleans without overhearing people talking about the “crime problem” and shaking their heads at the decline of Western civilization as we know it down here by the riverside.

So, how can I write a light, breezy novel about a city that is so dark?

The key was community, of course. New Orleans is a city, but it’s also a city of neighborhoods, and always has been. Generations of families passed homes and property down to their children and their children and so on. “Where’d you go to high school?” was a question asked because the answer told the asker lots of things. Private school or public? What neighborhood did you grow up in? And as I thought more about it, I realized my lonely block in the lower Garden District has that sense of community to it. Neighbors look out for neighbors. We’ve lived in the same place since either 2002 or 2003; I’m never really sure I can remember when we moved onto the property; those years between moving back here in 2001 and Katrina are kind of blurry for me. But we’ve gotten to know our landlady pretty well as well as some of our neighbors; others have come and gone over the years but we always all end up down at the corner for parades during Carnival, catching throws and hanging out and having a good time.

And I realized I could do the same for Valerie.

In A Streetcar Named Murder I only introduced the reader to a few members of Valerie’s community in the Irish Channel: her best friend and neighbor Lorna; the gay couple next door in one side of a double and one’s mother, Mrs. Domenico, on the other side; and her friend Stacia who lives further down the street. I also mentioned there were a couple of houses being used as Air BnB’s, which may play a part in a book should the series get picked up. I had learned my lesson from the failed Paige spin-off series years ago; the mouthy, brash and snarky best friend cannot be the main character, but the book/community needed someone like that in the book. The main character has to be kind–but there’s always a more colorful secondary character necessary to say the funny and borderline mean things in place of the main character.

This is where Lorna comes in.

Lorna is very colorful indeed, and was a lot of fun to create. She’s married to an airline pilot who is often gone for long stretches of time (his name is Jack Farrow; since he’s a pilot she calls him Captain Jack Farrow). She’s British, speaks multiple languages, is fiercely intelligent and doggedly loyal. She also writes lusty romance novels that are huge bestsellers under the name Felicity Deveraux. Lorna is a great best friend who is also always up for anything, and naturally, she has a huge imagination and a big personality. Interesting and fun as Lorna is, I don’t think I would ever write about her as the main character because, like Paige, she would need to be toned down and I don’t really want to do that to her.

It is Lorna’s ambition to join a Mardi Gras krewe that actually puts Valerie at the scene of the crime in the book. See how that works?

But her neighborhood isn’t her only community, either; there’s a community around Rare Things, the antiques store she inherits–Randall Charpentier, her new boss; Dee, her co-worker; and of course the people who are in and out of the shop–the hot guy from an outer parish who repairs and refinishes furniture, for one–on a regular basis. If it becomes a series, I can flit the cases back and forth from her neighborhood to the store and vice versa; there are all kinds of plots and stories I can tell that could come from both.

And there’s still another community that Valerie belongs to that was only touched on in the first book–the parents’ group at Loyola High (it doesn’t exist in real life, folks, but it’s based on Jesuit), the Cardirents. This is how Valerie knew the victim in this book; they were both in the group, with a fraught history (which is more fraught than Valerie ever knew).

So, yes, it is possible to create the sense of community a cozy mystery requires in New Orleans; New Orleans, in fact, is ripe for it.

And on that note, I will sign off here. More blatant self-promotion to come, no worries on that score!

Goodbye Baby

Tuesday morning and all is quiet at this ungodly hour.

I’m up earlier than usual because I made the decision, whilst I was out of town, that the smart thing to do was get up when I actually wake up, rather than just continuing to lie in the bed awake. It’s comfortable, to be sure, and getting out from under my pile of blankets is never an easy thing to do….but it’s also wasteful of time and staying in bed doesn’t make getting up with the alarm any easier, nor does it make me less tired later in the day. All in all, it’s not going to kill me to get up earlier, so today is my first day trying it (not really, I woke up an hour earlier than necessary yesterday and just went ahead and got up then, so this is my second day of trying this to see how it all works for me). I had errands to run after work last night and I had to write a promotional piece for another blog for A Streetcar Named Murder–there really is no worse timing than having a book coming out as you are trying to meet the deadline on another.

It’s also weird because at the same time I have to try to remember things from Streetcar, which was finished months ago, and of course I’ve moved on to something new that I need to focus on. Heavy sigh. But I think the post I wrote last night is fun and interesting, and hopefully will spark some interest in the book. I’ve also been asked to sign at an event here in New Orleans in January–I want to say ALA, but I could be wrong–and I’ve also agreed to return to the dual Murder event weekend in Alabama yet again. I think this is the fourth time I’ve been invited? I love Margaret and Tammy, and I always have a lovely time at the event.

WE started watching that Hulu series about Chippendales last night, Welcome to Chippendales, starring Kumail Nanjiani as Steve Batterjee. I’ve watched a couple of documentaries about Chippendales and the resultant murder of one of the partners, but I’d forgotten about Dorothy Stratten’s connection to the club before she was murdered (someone really needs to do another series or movie about her life and death; Star 80 was good but…). It’s entertaining enough, and Chippendales also has something to do with the societal change in the sexualization and objectification of the male body that began in the 1970’s (along with the explosion of gay porn and Playgirl, followed by Calvin Klein ads in the 1980s), as well as the beauty standard for men. I recently (it may have been longer ago than what counts as recent, but time has lost all meaning to me now) commented to one of my younger gay male co-workers that “you used to be able to tell if someone was gay or not by how well built they were; if they clearly spent time on their bodies at the gym and ate right to improve the way they looked, they were gay because straight men didn’t give a shit.” Tribal tattoos also used to be a tell that a hot guy was gay. NOT ANYMORE. And the guys today–whatever their sexual orientation–have even more amazing bodies than we used to have back in the day; the definition and the focus on ab development and the absence of any body fat is far more pronounced amongst hot young men these days than it used to be. And they are everywhere. My Instagram and Twitter feeds are often filled with beautiful shots of incredibly handsome young men with unbelievable bodies; some of which I’ve sometimes shared here on the blog. I’ve also been seriously considering going to something else with the blog images, to be honest–I know some people would miss the sexy men images, but it also might be keeping other people away at the same time. I don’t know. But I started using pictures of hot men years ago because when the blog cross-posted to social media it would always show up as with a pale blue square box with a pencil in it, which I hated. When I talked about books, the book cover would come over, so I decided to use images of very hot men that essentially pop up somewhere on the Internet throughout the course of the day and it kind of became an ingrained habit, a default if you will, perhaps even a brand–I hate thinking of myself or anything I do as a writer as a ‘brand,’ and yes, I do recognize that my writing is a product for sale, but it’s not a pack of T-shirts or underwear or a pair of pants hanging on a sales rack. So, do I really want my ‘brand’ for my blog to be sexy shirtless men?

Probably a little late to worry about that now.

The Chippendales calendar–how many years did I buy that? I can remember being deathly afraid to take it to the cash register at the bookstore…but now that I am thinking about it, I don’t remember which bookstores I used to patronize in Fresno. Perhaps a Barnes and Noble at the mall? A Waldenbooks, maybe? But yes, I used to feel my face burning with embarrassment as I tried to nonchalantly buy a Chippendales calendar, all the while thinking the cashier knows I am gay because why else would I be buying this calendar? Now I laugh at the memory of the shame I used to feel. The cashier couldn’t have given two shits about what I was buying, and even if they did, who cares? I had always been attracted more to athletes than any other type of male; I always had a thing for muscles and worked out bodies. Why, I don’t know; whether I was simply wired that way for physical attraction, or if it’s because the first naked bodies of men that I saw were those of athletes in school. Junior high was the first time I ever had to change into gym clothes, shower and be around other naked boys, and I was never comfortable doing so. The locker room before and after gym in junior high was a nightmare, but once I was in high school and on sports teams…the boys I was attracted to were usually athletes. That never really changed over the years as I got older and grew more comfortable with my sexuality–what changed were the bodies. Whereas only athletes and dancers, gay men, and narcissistic straight men used to regularly go to the gym and work out their bodies to build muscle, gradually it became a thing for all men across the board, regardless of orientation. On the rare occasions when I go to the gym now, I see incredibly well-built and well-muscled young men all the time–and while thirty years ago I would have assumed they were gay or bisexual, now I can’t assume anything. I just marvel at the shift in societal attitudes towards men no longer in school who continue to exercise and work out–whether to be healthier or for something to show off and attract women, who knows?

But aesthetically, I appreciate them.

So, the quandary remains. Do I try to rebrand the blog by using other types of pictures, and if so, what kind should I start using? Would people miss the hot guys? Would more people be drawn to the blog rather than closing the browser window as soon as the hot guy loads?

Or do I just not worry about it–as I have never worried about people coming here to read the entries–and keep on as I have been? Decisions, decisions.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I will talk to you again tomorrow.

Bleed to Love Her

Monday morning and all is well in the Lost Apartment as I swill coffee and brace myself for the day (and week) ahead.

I returned from Kentucky on Friday. Both the voyage up and back–despite their great length and the brittle stiffness of my aging body–didn’t seem quite so bad or to take as long as they usually do. I did make great time in both directions, while listening to two audiobooks (Ruth Ware’s The Woman in Cabin 10 on the way up, Carol Goodman’s The Disinvited Guest on the way back; both are superb and highly recommended) but of course once I got home on Friday night I was quite exhausted. I spent Saturday trying to get caught up on the apartment itself while football games played in the background (more on that later). I did a lot of laundry, a lot of dishes, ran errands and made groceries, before finally settling in to watch the LSU/Texas A&M game, which was disappointing (more on that later). Yesterday I got up early (I’ve been getting up early a lot lately) and chose to stay off-line for the most part. I did clean out the junk out of my inbox, wrote up the books I read while on my trip for blog entries, and wrote another blatant self-promotion post for A Streetcar Named Murder while also trying to get a handle on everything I need to get done for this coming week. I felt very well-rested yesterday at long last. I didn’t have as much trouble sleeping while I was away as I usually do, which was cool–I found another sleep-aid that seems to be working very nicely–but Friday night I didn’t sleep as well as I thought I would, given how worn out I was from the drive. Saturday night’s sleep, however, was quite marvelous.

Ah, the Insomnia Chronicles. How I long for the day when my sleep isn’t of concern (or at least as not as much interest) to me.

The weather was also kind of terrible when I got back–raining and humid, but cool; the kind where you aren’t sure if you need to turn on the heat or the air, and yesterday there were tornadoes and high winds in the river and bayou parishes outside of New Orleans. Yesterday however was beautiful; sunny with blue skies with the low in the mid-sixties and the high in the mid-seventies. Not bad for Christmas season, is it? It’s also hard to wrap my mind around the idea that it’s Christmas already, to be honest. I got a great Kindle deal on a collection of Christmas crime short stories, which I am really looking forward to digging into–perhaps a story a day for the season? The Christmas Murder Mystery project? (You know I love me some projects to work on.) It’s also weird that it’s the holiday season again, which means Carnival is also right around the block. YIKES. This also means I need to start planning around the parade schedule and when I need to leave work and so forth. Ugh, much as I love Carnival, it’s always stressful and exhausting, if fun and delightful.

It was an interesting weekend of college football. The Mississippi-Mississippi State game on Thanksgiving was a lot of fun, right up to its crazy end; South Carolina somehow managed to beat Clemson; and of course, Michigan blew out Ohio State in Columbus. This kind of set the stage for the LSU game on Saturday night–I had a very queasy feeling about the game, partly because it seemed as though everyone was looking ahead to next week’s SEC title game with Georgia and the possibility of a play-off berth for the Tigers; but Texas A&M always plays LSU hard, no matter how bad their record is, and for some reason they’ve decided LSU is their big rivalry in the conference. The game looked awful; LSU was playing very sloppy on both sides of the ball and my heart and spirit continued to flag with each missed tackle and each missed opportunity. It was disappointing, to be sure, but on the other hand, I am thrilled to death with how the season went. No one gave LSU a shot at having a winning record, let alone beating Alabama and winning the West division, so I am choosing to be grateful for a wonderful winning season after two seasons of mediocrity and looking forward to an even better, more glittering future for the Tigers. I have faith in Coach Kelly, I have faith in what he is building there, and who knows? In a year or two we may win it all again. GEAUX TIGERS!

In other blatant self-promotional news, I also appeared recently on Alexia Gordon’s The Cozy Corner, which was a lot of fun, and I also appeared on Dru’s Book Musing, and how lovely that she gave me such a wonderful view. Thanks to both Dru and Alexia, both being lovely people who have gone out of their way to be kind to me and A Streetcar Named Murder, for which I will always be eternally grateful. It’s hard to believe the book is going to be published soon! And don’t worry, there will be plenty more blatant self-promotion to come.

PLENTY.

I also spent some good time with the book yesterday and it’s not nearly as bad as I thought it might be, as I feared it would be. Yes, the first half needs some work, but not nearly as much as I had thought and I also went through and made a character list as well as outlined the first half. Tomorrow I am going to work on the edits and finishing the outline for the rest of the book; and I am also going to write in and ask for more time. I never finish on time, do I? But the book is good, there’s lots of material for the second half, and I am kind of excited about getting this one completely under control at long last. Huzzah!

We also binged 1899 yesterday; it’s from the same people who did the superlative German series Dark, and had the added bonus of having one of our favorite actors from Elité, Miguel Bernardeau, in the cast as well. It’s delightfully creepy and strange, and you never have a very good sense of what is going on (like Dark), so of course we were glued to the set the entire time. It’s quite good, actually; I’m not sure how I feel yet about the final episode other than curiosity about how that is going to lead into a second season–because the finale raised more questions than it answered (like a good finale), but I’ll be happy to continue watching.

I feel rested this morning, though, which is lovely. I am sure by the middle of the week I’ll be tired and short of temper again, but for now, for this morning, I am going to just enjoy myself feeling rested and relaxed in the meantime. I have, as always, an insane amount of work to get done this week, but right now I am going to enjoy the peace and quiet of this morning before I have to start getting ready to leave for work; I even got up earlier than I usually do on Mondays.

And on that note, I am heading headfirst into the spice mines. Have a lovely Monday morning, Constant Reader, and I’ll chat at you again tomorrow morning.

My Little Town

It is quite impossible to have heard of every writer and every book, even in a subgenre; there are simply too many books published in the past, with new ones coming out every day and new ones getting signed for future release every day. When it comes to my own reading, I like to draw from a wide and deep pool of styles, genres, and authors. Most of my reading is generally confined to the crime genre–and I do confess that I need to broaden that pool even further. I need to read more literary fiction, science fiction, horror, romance, and fantasy; more true crime and biography and criticism; and even within my own crime genre I tend to not read as much of some sub-genres as others.

I’ve always liked cozies, and have never understood why they get so much grief and are so readily dismissed by those who neither write nor read them. I don’t read enough of them, to be honest, but again, there are so many terrific cozy writers and there’s only so much time. But recently in a review of my A Streetcar Named Murder, the reviewer mentioned that it was perfect “for fans of Katherine Hall Page.” This intrigued me, because I didn’t know her nor was I familiar with her work. I quickly checked in with some cozy writer friends, who all assured me it was a great compliment, so I decided to check out her Faith Fairchild series.

Faith Fairchild, recently of New York City, paused to catch her breath. Benjamin, her five-month-old son, was sound asleep, securely strapped to her chest in his Snugli. Her aching shoulder blades and the fact she has been focusing on the own path beneath her feet instead of the autumnal splendor to either side reminded Faith that Benjamin was definitely getting a bit too chunky for this mode of transportation. She straightened up and looked around.

It was New England with a vengeance: riotous orange and scarlet leaves beneath enormous, puffy white clouds suspended in a Kodacolor blue sky. A calendar maker’s dream. And of course brisk, clear air as crisp as a bite of a McIntosh apple just off the tree.

Faith hated McIntosh apples.

She walked up the Belfry Hill path a bit farther to a small clearning, which gave her an unobstructed view of the Aleford village green far below. She sat down and sighed heavily.

Her life was becoming terribly quaint, Faith thought. Time was when “village” meant “the Village” and “town” was up or down. And when did she start using phrases like “time was”? She let another sigh escape into the pollution-free landscape and longed for a whiff of that heady combination of roasted chestnuts and exhaust fumes that meant autumn to her.

It didn’t take me very long in reading the book to realize just what an incredible compliment that comparison actually was.

I pointed out in one of my entries about cozies–probably a blatantly self-promotional entry, if I recall correctly–that often-times there’s a “fish out of water” element to a cozy series; the main character is often someone from the big city who has, for whatever reason, found him or herself in a new small town environment that has its charms but at the same time they miss their big city. Faith Sibley Fairchild is no exception to this. Born and raised in Manhattan as the child of a minister and a wealthy heiress, Faith has her own trust fund and her interest in food led her to start her own, hugely successful catering company, Have Faith. But she has since fallen in love with a small-town minister, married him, temporarily shuttered her business and moved to pastoral Aleford in Massachusetts, having now had a baby and is trying to adjust to small town life as the minister’s wife. (I was reminded frequently of the Vicar’s wife in St. Mary Mead in Agatha Christie’s Murder at the Vicarage; the younger woman whom the villagers aren’t quite sure what to make of other than she’s not like any vicar’s wife they’ve ever known.)

On this particular morning she is heading up to the town belfry to just relax and have a little picnic with her baby son–only to discover the body of Cindy Shepherd, a perfectly awful young woman whom no one in the village of Aleford likes very much. Suspicion immediately falls on her long-suffering fiancé, who doesn’t have much of an alibi–and Faith finds herself intrigued by the case and starts asking around. She found the body, after all, and as she starts asking questions and bouncing from villager to villager, she finds herself learning more about her town and the intricate yet almost invisible threads that tie everyone in Aleford together–and soon finds that not only was Lucy unpleasant, she was an outright villain, who only cared about herself and was not above using whatever means at her disposal necessary to get what she wants. The investigation itself is also an excellent way for Page to introduce Aleford (as well as Faith’s own backstory) to the reader in a very organic way that is not only easy to follow but keeps the reader turning the page. Ms. Page also has a lovely, easily accessible and slyly witty voice that engages the reader, and you can’t help liking Faith and rooting for her–as well as looking forward to your next visit. There are currently twenty-six volumes in the series–daunting, to be sure–but I’m excited about that lengthy canon; I won’t be running out of Katherine Hall Page novels to read any time soon.

Destiny Rules

Sunday, Sunday. It feels cold again outside this morning–you can tell, even inside; the downstairs floor is always the giveaway–but I slept really well last night and feel very rested this morning. I have so much to get done today it’s almost daunting, but I think with the good night’s sleep and feeling rested I should be able to plow through everything I need to do today before leaving tomorrow. And there is a lot. I did make great progress yesterday and did get a lot done, not enough, but progress was made. I avoided the television for the most part–it was one, so I could sit in the living room and see what was going on, but I managed to never allow myself to settle in and get sucked into the games. It was a crazy college football day in which the top four all barely managed to win their games, and then of course Number 5 Tennessee got blown out of the stadium by South Carolina last night. Paul went to the office yesterday and when I knocked off for the day I started watching that game because the LSU game started later, and wow, who saw that coming? Or Arkansas blowing out Mississippi? LSU played well despite poor weather conditions and managed to beat UAB 41-10 for their ninth win of the season, with Texas A&M all that is left in the regular season. LSU could have a rare ten win regular season for the first time since 2019, which nobody saw coming, with an extremely outside shot at the play-offs–which would require beating Georgia for the SEC title, and I don’t think that’s going to happen. But what a marvelous turnaround season for my Tigers. Who knew?

I have groceries to pick up, writing to do, need to pack, need to air up the car tires, and have all kinds of things on the list to do today. Yikes. I cannot let Paul distract me or suck me into a Saints game or anything either before six pm this evening; I have to get everything done in that time frame because that’s when I am calling it a day and taking the rest of the evening off. I don’t want to have to get up super-early tomorrow, but the good news is I don’t think I need to get up at six unless I do so organically, which is, of course, entirely possible. I have to make sure the books I am listening to in the car are downloaded and ready to go when I pull away from the curb tomorrow morning, and I need to pay a bill or two today as well.

I also managed to get better organized yesterday–still not completely there, or as organized as I should be, going forward–but it helped to have the book research and my notes and everything all pulled together into one place for review. I am most likely going to close my browser when I finish posting this for the duration of the day; although I am going to want to spend some time later composing emails to send tomorrow morning before I leave for the trip. It’s never ending being a Gregalicious, I have to say. But this was a good weekend; I feel like I’m getting my head back together and back into the game, and it feels functional again, which is saying something. Maybe it’s just because I feel rested this morning, I don’t know and can’t really say for sure, but it is very nice to wake up and feel rested and relaxed and have my mind working completely.

I hate feeling tired more than anything, really.

But my coffee tastes marvelous this morning and I feel terrific. There’s still some serious cleaning to do as well–isn’t there always? There’s a load of dishes needing to be put away and another load ready to go inside of the dishwasher, too–the endless cycle of use and clean, use and clean, ad nauseum ad infinitum. Will this last and will I get everything off my to-do list before six this evening? It remains to be seen, but I do know that right now I feel great and hope this will last through the day. We’ll see how it all goes, but I am optimistic right now and that’s always a plus, really.

And on that note, I am going to get another cup of coffee and head into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll chat with you again tomorrow.

Everybody Finds Out

Saturday!

I allowed myself to sleep in later than usual this morning–despite waking at seven as I inevitably do–but it felt warm and comfortable and cozy in the bed, and I knew it was a cold morning. It’s temperate inside the apartment–I don’t know that I’ll ever get used to being comfortable inside during cold weather, but the floor is cold beneath my socks here in the kitchen, so I need to put my house shoes on. I can also feel a bit of cold from the windows, and it’s not sunny outside but kind of overcast and gray. LSU plays its final home game of the season tonight against UAB, which will be a nice way to cap off the evening before bed tonight. Yesterday was yet another exhausting day, but last night we finished the season of American Horror Story: NYC–not entirely sure how I feel about it, to be honest–and then started the new season of our favorite show, Elité, on Netflix. Not entirely sure where the season is going, but I am here for it. There are, I think, too many new characters (kind of like how uneven season four felt, with the change in cast for over half the show; again, the rest of the original cast departed after last season so again, there were new characters to add and new cast members) but it might work. I like they’ve added a transman to the cast, with an actual storyline–I am curious as to how transpeople feel about the story they’ve given Nico, but I will say this–I’ve never seen the transmasc experience depicted in this much depth. And of course, everyone is stunningly beautiful.

And of course, I am completely vested in the Iván/Patrick relationship as I was last season.

Today is going to be a work day. This morning as I wake up and drink my coffee, I will finish the kitchen and the filing before diving headfirst into my book. I am behind as always, but am hoping that I can make some decent progress this weekend. The story is whirling around in my head and starting to come together, but a strong push this weekend, some work over the week while in Kentucky, and another strong push next weekend means I could possibly actually make the December 1 deadline–or at least take yet another weekend to finish it off that first weekend of December. But I am much more hopeful and confident about it than I was to begin with–just last weekend, in fact–and so today I am going to start pushing my way through to the next part of the book.

I also want to do another BSP post for Streetcar, since I probably won’t have the opportunity to post much from Kentucky. So, so much to do.

And I think I am going to treat myself to a cappuccino this morning. I love my new electric Moka pot–I liked my old espresso machine, but it was too much work, frankly, and it takes up a lot of space in my cupboard, so I decided to get a different style espresso maker, and seeing that Moka pots (which so many people swear by) now come in electric versions (so you don’t have to use the stove, which always made me nervous) kind of made up my mind, so I ordered one and now can have a relatively easily made cappuccino whenever I so choose. I definitely will be taking one in the car with me Monday morning as I set out for the Great Cold North.

I also need to order groceries this morning for pick-up tomorrow. Like I said, soooo much to do before I head out on Monday morning. I just hope that I have time to get to everything, because my preference would be to leave relatively early on Monday morning, but it will also depend on when I feel like waking up. Leaving at seven makes the most sense, despite having to get up so fucking early, but that would get me there around eight pm their time, which would get me through Chattanooga and Knoxville outside of rush hour–both are nightmares when it comes to rush hour–but do I want to get up at six on what is sure to be a very cold Monday morning? Decisions, decisions.

And on that note, I am going to make my cappuccino and head into my day. Have a lovely Saturday, Constant Reader, and I will check in again tomorrow morning.

Running Through The Garden

Friday morning work-at-home blog!

I have data to enter and things to do today, Constant Reader. I’m leaving on Monday for Kentucky and will be gone for a week, so I have to seriously buckle down over the course of this weekend and get things done. It was cold here last night–in the thirties–and this morning the downstairs floor is cold beneath my feet, and the chilliest spot in the entire Lost Apartment is here at my desk. Heavy sigh. But that’s okay, I can deal with it. I have a load of laundry in the dryer, need to empty the dishwasher and refill it again–and of course the entire place from top to bottom is a complete disaster area. Hopefully I’ll be able to get the house under control as well as get all my work finished that I need to get finished not only today but over the entire weekend. Yesterday I was, not surprisingly, very tired when I got home from work. I did get some laundry folded and another load going, and yes, I loaded the dishwasher last night and stumbled around a bit in my tired state, but eventually Paul came home and we were able to watch the season finale of Half-Bad or The Bastard Son and the Devil Himself or whatever the hell you call it, which felt kind of anticlimactic, to be honest. I enjoyed the show, love the concept and the actors are very appealing–I am especially fond of Gabriel, the pansexual witch, to be honest–and we also watched a new episode of American Horror Story: NYC, which was kind of odd and weird, with a kind A Christmas Carol feel to it. I don’t know, it just seemed more like filler than anything else to me, and of course the AIDS allegory isn’t exactly subtle (why not just make it AIDS? The plague in the 1980s wasn’t horrible enough for a season of American Horror Story? Although AIDS in the first two decades would have been better suited for a season of American Crime Story….) but it is unsettling.

I’ve been doing, if you’ve been paying attention, the occasional Blatant Self-Promotional (BSP) entries for A Streetcar Named Murder, which has been kind of fun. I’m not sure what the next one will be–I’ve done the character, the store, and the neighborhood she lives in; I suppose the supporting cast should be next. I’ll figure it out at some point, I am sure; it’s not like the book drops until December 6th or anything–although I’ve been seeing pictures of already delivered copies on social media, which doesn’t make sense, but I’ve learned to not question things like that. It is what it is, and if people are already getting copies several weeks of release date, who am I to wonder the reasons why? Publishing is one of those businesses you never can completely figure out…because once you think you have a handle on something, it changes almost immediately.

I’m also looking forward to getting a handle on the current Scotty. I’ve been too tired from work this week to get as much done as I needed to get done, so this weekend is going to result in a big push. I have of course all the data to enter for my day job today, and I need to run some errands once I am finished for the day, but I remain hopeful that my energy won’t flag and I’ll be able to dive headfirst into the book this weekend without either having to force myself or for it to be like pulling teeth. As I have mentioned, the LSU game isn’t until the evening and it’s not really a big one; non-conference opponent, and of course I want them to win, but it’s Alabama-Birmingham (although I suppose completing the trifecta of beating Auburn, Alabama and UAB would make LSU state champions of Alabama again) and so there’s not the same urgency as there will be when we play Texas A&M the Saturday after Thanksgiving. What a wild, crazy and all-over-the-place college football season this has been…certainly nothing like I expected.

But I think the cold helped me sleep better last night than I have all week. I didn’t wake up super-early either; wide awake at seven, which is something I absolutely can handle, and feel very rested this morning. I did do one of those “oh you’re getting so old now” things this week–in which I turned my torso to do something here in the kitchen but did it at precisely the right angle to aggravate or irritate something, so now I am vaguely aware of some stiff soreness in my upper body. I can’t describe where exactly it’s located or how it feels, but it’s kind of like how when you have a respiratory thing going on and when you try to take a deep breath it feels tight? It’s kind of like that but not in my lungs, if that makes any sense. I’ll probably try to use the heating pad and the massage roller to work whatever the hell it is out before I leave on Monday morning.

I suppose the clock is ticking on Twitter, but I can’t really muster up enough energy to care much one way or the other. I use it, of course–I remember setting up the account because co-workers suggested that I should have one–and I go there periodically, primarily to waste time when I’m in line at the grocery store or the pharmacy or wherever; or when I am sitting in my easy chair at night with a purring cat in my lap while I am waiting for Paul to come home and I am watching Youtube videos on autoplay. Last night it kind of felt like high school graduation, as people were saying goodbye to everyone and it all had a touch of “signing the yearbook my senior year” to it all. I know a lot of people love Twitter, and I certainly had a lot of fun there over the years–primarily interacting with my friends and readers, mostly–but it’s also a horrific hell-scape with trolls lurking everywhere and nastiness for the sake of nastiness popping up every now and then. I find myself writing horrible responses to horrible people all the time before deleting them, and in some instances it’s too late–yes, you can delete tweets, of course, but that also seems kind of cowardly to me and besides, the Internet is indeed forever; I screen cap bad takes (aka “receipts”) all the time to save them just in case…and as I typed that even now I was thinking just in case? For what? In case I need to remind someone I don’t know of a bad take they had a few years ago? I have little to no desire to learn how to use a new social media service, so I am not migrating to another platform or any such nonsense; perhaps I will if and when the Twitter universe comes to a crashing halt. But while I’ll miss the interactions with my friends–and the opportunity to post that picture of me with the shocked look on my face everyone loves so much–I think I’ll somehow manage to survive.

And on that note, the dryer just stopped so I need to fold some laundry. Have a lovely Friday, Constant Reader, and I will talk to you tomorrow.

Valerie

Seriously, how could I not love this cover?

It literally has everything I love (well, most of it, at any rate): the St. Charles streetcar, Scooter, and all kinds of fun antiques and artifacts–and so brightly colored and beautiful. They even slipped in a strand of beads cleverly disguised as pearls! It is one of my favorite covers, and not just because it doesn’t have a shirtless man on the cover–I know, I know, it’s been awhile since I actually had one–certainly it’s been since Royal Street Reveillon–oops, no, Survivor’s Guilt and Other Stories is post Royal Street Reveillon, so I guess it’s just the last two young adults and this one since then. And as I said, I really love the color scheme. I may have to have this blown up into a poster and have it framed–that’s how much I love it.

So, who is this Valerie Cooper and why did I decide to write about her and from her point of view?

I’d written from a female perspective before–under pseudonyms–and since I generally relate easier to women than I do to (straight) men, most of my reading is from a female point of view. I’ve always wanted to do a series from this perspective; on the rare occasions I’ve written from a straight man’s point of view (usually in a short story, although occasionally under a pseudonym for a novel) but not as often. I had thought about trying to write a cozy series from a male perspective (I have a great idea for one that I don’t think anyone would buy or want, but I love the idea and may try to do something with it sometime) but eventually defaulted to a woman. Most cozies are told from the feminine perspective (there are exceptions), and so it felt more right to have a female protagonist. I learned from the Paige series being marketed as cozies (which they weren’t) that the strong, sarcastic, borderline bitchy doesn’t play well within that subgenre, and so since I knew I was specifically writing a cozy this time, I knew to follow the rules.

One of the things I had noticed in the cozy series I read is that usually the first book in the series follows a transition of sorts for the main character (Mia P. Manansala’s flopped in the big city and returned to her small hometown; Raquel V. Reyes’ character has just moved back to the Miami area from New York, so she’s happy about it but concerned on others–read the book, you won’t be sorry; others have just gotten divorced, walked on a cheating partner, etc. etc. you get the drift), and I wanted to do something a little softer and less jarring–so I went with her being a youngish empty nester. Married young to a handsome fireman several years older (six, to be exact) she is left a widow when he is killed on the job to raise their twin sons by herself. She’s not worked outside the home since she was a teenager, and now the boys are off to LSU and she’s home alone in the big Victorian house she and her husband bought as a fixer-upper and then renovated while raising the kids. The house is done, her husband is dead and her kids are at school–so she is now finding herself at loose ends and not really sure what to do with herself. She dropped out of college after her marriage when she found herself pregnant–not planned, but not a disappointment, either–and now is considering going back to get her degree at UNO, or maybe finding a job–but what can she do?

I did worry about her not having finished college and just being a stay-at-home mother. It didn’t seem very pro-woman to me, but then I chastised myself. My sister was a stay-at-home mom, and I remember that when she finally was given the choice, my mother was one as well…and I realized I was falling into the wrong mindset about Valerie to begin with–there’s nothing wrong with a woman deciding to be a stay-at-home mom and not ever really working outside the home; the point of feminism is that women should be able to choose what they want rather than have limitations placed on their decisions (which a lot of non-feminist women do not understand), and why not write about a stay-at-home mother now finding her own way in life? I also wanted to surround her with friends and support–so she lives next door to her best friend (they became friends after the woman moved in next door) and is also close to Stacia, a divorced lawyer who lives down the street. The gay couple next door in a double shotgun, Michael and John, are also friends, as is John’s mother, who lives in the other side of the shotgun. Her own parents have retired to the Gulf Coast of Florida, and she is very close to her late husband’s family, the Coopers.

Her name is Valerie because I’ve always liked the name (it’s one of my favorite female names, along with Laura), and I picked Cooper because it’s a friend’s maiden name. I decided to make her be an actual local; born and raised in the city–but her parents are not from New Orleans; they moved here for the father’s job. So she was born here, but she wasn’t born into any of the many striations of social class here. Her parents weren’t connected to old-line New Orleans, they didn’t belong to any Mardi Gras krewes, and Valerie herself–while going to Sacred Heart–never got involved in any of the Carnival stuff, preferring, as she says, to participate by going to parades and catching throws. She’s also an only child who thinks of her late husband’s older sister Therese as a kind of replacement older sister since she didn’t have one.

I wanted to upset Valerie’s tame, placid, almost boring life with a series of shocks that upend everything about her life and what she believed she knew about her life, her house, her late husband–and what better way than to have her realize, thanks to someone else–that the notice she got from the city about the house being reappraised for taxes and didn’t think too much about could actually become a big catastrophe for her. The house they bought so cheaply and renovated could now be worth vastly more than she and Tony paid for the house (I named her husband Tony because I’ve always liked that name for a man; Scotty was almost Tony) because their neighborhood, sketchy and dangerous when they moved there, has been gentrified (as so much of the city has been) and when someone she knows and doesn’t like (a very thin line there I was worried about crossing by introducing that character–toning it down to a Valerie level of dislike was something I really had to pay attention to) lets her know what the market value of her home might actually be–Valerie instantly goes into financial panic mode. If the house is worth ten times what they paid for it, wouldn’t that mean the tax assessment would also got up times ten? She’s run into the woman while picking up fresh shrimp at Big Fisherman Market on Magazine (right there by what used to be the A&P and now I can’t recall what chain went in there? BREAUX MART. Whew, was getting a bit concerned there about my brain working) and walking back home, turning it over and over again in her mind as she reflects how much the neighborhood has changed since she and Tony first moved in–and then when she gets home, she finds out a registered letter from a lawyer has arrived for her.

And nothing in her life is ever the same again.

Essentially, the letter lets her know that she and her sons have received an inheritance from an uncle of Tony’s she never knew even existed, and it includes Rare Things, an antiques business on St. Charles Avenue in the lower Garden District, and the story is then off and running.

I do really like Valerie. I hope readers do, too–because I’d like to keep writing about her.

When It Comes to Love

If you follow me on social media you will know already that I got my box o’books of A Streetcar Named Murder this week. The book looks stunningly beautiful, seriously; I couldn’t be more pleased with everything about the book’s packaging. The cover is gorgeous; and stacked up together they look especially gorgeous, as you can see in these delightful images from my kitchen counter.

So, Greg, why did you write a cozy mystery?

The same reason I write anything–primarily because I wanted to, and to see if I could, you know. actually write one. I’ve always liked them–I love traditional mysteries, always have–and have always admired how authors pull off the crime aspect of the story. Sure, there’s a bit of an imaginative stretch required to read a series–how realistic is it that an every day citizen will continually get involved in the solving of a crime, through no fault of their own? But…no one bats an eye about the realism of private eye series, and let’s face it: private eyes involved in murder investigations are just as rare. They spend most of their time on insurance claims or, you know, infidelity. Likewise, police investigations are often very straight-forward, without the usual twists and turns and surprises a writer needs to include to keep the reader turning the pages. The Scotty series–despite him actually becoming a licensed private eye, fits more into the cozy genre than it does the private eye; for one thing, it’s funny, and for another, Scotty is never hired, he always stumbles over a body somehow–to the point that it’s almost a running joke in the series.

I had always wanted to write a mainstream series centered around a straight woman, to be honest. I mean, let’s face it, I’ve done that queer mystery, both series and stand-alones, and I always like to keep my work fresh and interesting for me–I cannot imagine the hell writing something that bores me would be. Early on, before I sold my first book, a major figure in the crime fiction world told me that every so often she wished she could write something else, but “all anyone wants from me is *series character*,” but very quickly added, “But I’m still grateful people want that.” I always remembered that–obviously, I still do–and so while I would be eternally grateful were I ever to achieve that level of great success, I tried to always diversify my writing so I’d never get bored. The Chanse series was very different from the Scotty series; the stand-alone novels are rarely set in New Orleans; and so on.

I’ve tried spinning off my Paige character from the Chanse series into her own series; I always liked the character and thought she was a lot of fun and could carry her own stories quite nicely. I still think so, but audiences didn’t respond to her when I did finally give her those own stories–but there could have been any number of reasons why that didn’t work. The books were marketed and sold as cozies–which I think was a mistake, because I didn’t write them as cozies. Sure, Paige was a single woman, working for Crescent City magazine and a former crime reporter for the Times-Picayune, which gave her some credibility as an investigator, but Paige was sharp-tongued and foul-mouthed. Had I known that the books would be marketed to the cozy audience, I wouldn’t have used Paige–she was too centered in my head as who she was for me to change her significantly in her own series–and would have simply come up with someone new. The books were also electronic only, and oddly enough, my readers tend to prefer to read me in print hard copies.

I had actually tried writing a cozy series before–I had this great idea for one, about an English professor at a university in a fictional Louisiana town on the north shore (based on Hammond); I called it A Study in Starlet and wrote a strong introductory chapter, trying to channel my inner Elizabeth Peters/Vicky Bliss; sarcastic but not bitchy, but it never got anywhere. I actually became rather fixated on my fictional Hammond (which I called Rouen, pronounced “ruin”, and I did want to call one of the books The Road to Rouen), which I may still write about at some point–I never say never to anything–but I am digressing. But I always had it in the back of my head that I should try writing a mainstream cozy at some point in my career. And this came about in a very weird way–it’s a long story–but I wound up pitching the idea I had to Crooked Lane and they offered me a contract, which was quite lovely. (Incidentally, I signed the contract electronically on the Friday before Hurricane Ida; the last email I got from Crooked Lane that Friday afternoon after signing the contract said you’re going to be getting some emails from the team next week so keep an eye out for them and welcome aboard! So, of course the power went out on Sunday morning…)

I originally was going to write about a costume shop. There’s one across the street from Paul’s office that has a showroom and an enormous warehouse; they do a lot of costume work for film, theater, and television, which seemed like a great backdrop for a series with all kinds of potential stories for the future. Crooked Lane didn’t like that, and asked me to come up with something else, so I walked down Magazine Street writing down the kinds of businesses I saw. An antique shop was one of them, and that was what they liked. My working title for the book was Grave Expectations, because it involved an inheritance, but they didn’t like that title either, and I reached back into my archives for a title for the original spin-off idea I had for launching the Paige series–I wrote like 100 pages of the first Paige book in 2004 and it never got used–and grabbed the title from it: A Streetcar Named Murder, and hence, the title was born.

And…I had three months to finish the book, as they wanted it by January 15th. And of course there was the power situation in New Orleans, and…

Heavy sigh. I will leave the rest of the story for another day and time.

I slept really well last night; woke up again at five and since it wasn’t the alarm yanking me out of the clutches of Morpheus this morning, I feel rested. I was very tired last night when I got home; I hit the wall around three yesterday afternoon and when I got home it was the easy chair for me. We watched more Big Mouth, and then I retired to bed around ten. I am working at home tomorrow, so am hopeful this will be a good weekend for writing. I do want to watch both the LSU-Arkansas and Alabama-Mississippi games this weekend–as they could determine who wins the SEC West for the season (and I cannot believe that LSU is in the driver’s seat; I was hoping for an 8-4 season and feared that was unlikely), but I also need to get caught up on my writing and everything. Yikes.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader!

Miranda

Monday morning and it’s very bright this morning. The time change–I’d forgotten that it means getting up in the light and coming home from work in the dark. It’s also interesting how much that changes in one day. It was already getting dark before four yesterday, and was completely night by five. I don’t like the change, to be honest; it doesn’t help me get up in the morning and it makes me feel like the day’s been wasted by the time I get home because there’s no more daylight. It’s another one of the reasons I don’t like winter, to be honest, but at least down here in New Orleans it never gets super cold or snows, which does make it somewhat more bearable. I still don’t like coming home after dark, though.

Yesterday wasn’t a great day for me. I was very tired all day, despite sleeping really well, and never really felt like I had any energy. I tried to write for a while yesterday morning but got nowhere with it, which is causing me more than a little bit of stress today, and so I ended up watching a lot of television. We finished off the first season of Interview with the Vampire (more on that later), the first season of The Serpent Queen, watched the most recent Andor, and got caught up on American Horror Story. We also watched a movie called Nobody with Bob Odenkirk, which was interesting and a bit of a different approach to the usual “Dad gets vengeance” movie before finally toddling off to bed. I didn’t sleep especially well last night either–I kept waking up and had trouble falling back asleep, but it was a better night’s sleep than Saturday’s, so I will take it.

I think I had trouble sleeping Saturday night because I was so emotionally caught up in the LSU-Alabama game; I was a bundle of nerves and raw energy and anxiety the entirety of the game (which I still can’t believe we won; who would have ever thought we’d beat Alabama this year; everyone is very high, obviously, on Coach Kelly now). And now, of course, that we’ve actually beaten Alabama (first time in Baton Rouge since 2010) people are talking about LSU running the table this year and making it to the play-offs as the first-ever two loss team to get that far. One thing for sure is that LSU could certainly mess things up for the play-offs this year; who do they take if LSU does the improbable and hands Georgia its first loss of the season and wins the SEC? One loss Tennessee, who lost to Georgia and didn’t win their division? Georgia, defending national champion with one loss but didn’t win the SEC and lost to LSU? A two loss SEC champion LSU that lost to Tennessee? How do you decide between the three of them? And if you take two, as has been done occasionally in recent years, which two? This year is very reminiscent of the chaos of 2007–when a two-loss LSU team won the BCS title over Ohio State; the only two loss team since 1960 to be crowned national champions, and the only one of the championship game era (Georgia also only had two losses that year, and were highly ranked; they had a good argument but losing their division and not playing for the conference championship ruled them out–although both Alabama and Georgia have both won the national title without being SEC champions). It will be interesting. I am that Doubting Thomas still; certain we can win out the regular season by staying focused and disciplined, but I don’t know if LSU could match up with Georgia. I still think it likely that both Tennessee and Georgia are the most likely two to go to the play-offs, if the SEC winds up with two; but I also didn’t think LSU would beat Alabama this year, either.

Which shows how much I actually know, you know?

I wasn’t able to finish this before leaving the house for work this morning–I told you, the time change, combined with some insomnia and low energy days, have really messed with my mind; I was so tired this morning I even considered hitting the snooze button a third time–so here I am on my lunch break, trying to get it finished and posted so I don’t miss a day. (Being a completer can sometimes be a real problem, you know?) After I get off work today I have to run uptown and get the mail as well as pick up some groceries from the store–nothing much, just a couple of things, but might as well stop and get it over with, you know? I also hope to get some serious work on the book done tonight as well. I hate having lost the weekend, but low energy is low energy.

I did manage to read some of Wanda Morris’ new book this weekend (at the rate I’m going I won’t finish it until probably my trip to Kentucky), but also managed to read a new-to-me Daphne du Maurier short story, included in the collection Not After Midnight and Other Stories (it also includes, as every du Maurier collection does, “Don’t Look Now” and “Not After Midnight”). I’d gotten the book from eBay after finding out that it included “A Border-line Case”–which I enjoyed–as well as two other stories I’d not read, “The Way of the Cross” and “The Breakthrough.” This weekend during Georgia’s mauling of Tennessee I read “The Way of the Cross”, and really liked it. It’s long, as all du Maurier stories often tend to be, and it’s actually quite a nasty little story that spins out over the course of a twenty-four period with a small group of British tourists visiting Jerusalem and the Holy Land, most of them from a small village. Their vicar was supposed to be their tour guide for this visit; but he was taken ill and another available minister-type, who doesn’t know any of them and isn’t really completely comfortable taking over, has been asked to fill in. It’s one of du Maurier’s nastier little stories, but the reason it is so nasty is because of its brutal, unflinching honest view of the characters, none of whom really come out of the story well. What is particularly interesting is how illustrative this story is of du Maurier’s own cynical view of humanity, but her gifts make the characters so absolutely real it feels like the reader is literally looking inside their souls. The characters all have definite opinions of who and what they are; as well as their own histories. What happens throughout the course of this story is everyone is gradually humbled and made to take off their own rose-colored glasses and inevitably are forced to look at themselves and their lives very clearly–usually by overhearing two of the other characters talking about them. It’s a terrific story, and one I will definitely be revisiting at some point. (I also like they are visiting the Holy Land but definitely are not very Christian…)

And now it’s time to head back into the spice mines. Have a lovely Monday, Constant Reader–and oh yes, for the record: the reaction to Jayden Daniels’ overtime touchdown and later, the two point conversion did, indeed, register on the seismograph on campus. So, it, like the 1988 Auburn game, qualifies not just as an “earthquake” game but a double earthquake game.

GEAUX TIGERS!