Category: diversity

Love Changes

And we’ve made it to Wednesday and Pay-the-Bills day. Hurray? But, as I do like to continually remind myself, at least you CAN pay the bills and still buy groceries and other things, which is a dramatic improvement over the way life used to be. I think back to the days when I worked for the airline and cannot believe the way I used to live; always broke, scrounging for change in the car to buy cigarettes (why didn’t I just quit?), never sure how I was going to get something to eat that day…sometimes not eating at all. Since this was also the period where I tried to get in shape and lose weight–not eating wasn’t as big an issue for me then as it is now. Then again, I’ve always had issues with food, body image, and body dysmorphia (which I still have, I just don’t pay as much attention to it as I used to back in the day when I cared more).

If there’s any kind of neurosis, it seems to be very welcome in my brain.

I was absolutely correct about the insomnia effects yesterday, I might add. Sure enough, all morning long I was a bit cloudy in the head and by the afternoon I was very tired; but I did get some emails answered that needed to be answered and some progress on things that needed to have progress made on them. By the time I got off work, I wasn’t even sure that I’d be able to go pick up the groceries I ordered but Constant Reader, I persisted. I was fucking exhausted after I got them into the house and put away, but I did it. I also swung by and picked up the mail on the way home as well. There were a couple of things that I forgot to put on the list that I considered stopping to pick up as I headed home, but decided they could wait for another evening (tonight, in fact; I can stop by the grocery store in the CBD on my way home, which is not only convenient but easy as well). Yay for me, I think. Today I have to get through that damned to-do list if it kills me–which it might–and so I can start seeing daylight again, or at least get to the surface where I can start treading water again.

I did finish proofing the Bouchercon anthology last evening–I suppose I could start calling it what it actually is, Land of 10000 Thrills, rather than the Bouchercon anthology–and it’s quite the good collection of stories. And an interesting variety of voices, stories, and crimes, at that. I think you will all enjoy it, Constant Reader, when it comes out, and I will be sharing the preorder links and the cover design as soon as they drop into my inbox. This is my third Bouchercon anthology; I did the first New Orleans one (won an Anthony for it, as well) and the St. Petersburg one (my story in that one was nominated for an Anthony Award) and now I’ve done this third one–and I am nominated for two Anthony Awards this year (as Paul says, “two chances to be a loser!”)–and this is it, the last one. I said that after Florida Happens, of course, but I kind of don’t ever want to do any more anthologies of any kind, to be completely honest. I think I am good at putting them together, but there’s not really any money in them anymore–and especially the ones like this, that don’t pay anything at all and are simply a donation of my time and energy, both of which I no longer have in great quantities any longer. I need to save my creative strengths and energies (such as they are) for novels, short stories, and essays. I shouldn’t have agreed to do this one, frankly–something I’ve reminded myself of over and over most of this year–but here we are. To be honest, I don’t remember agreeing to do this one, but I am betting it happened on that horrible drunken afternoon at St. Petersburg Bouchercon when bad influences got me to drink that Low ‘n’ Slow stuff.

Yes, that’s probably when it happened.

I did not, in fact, get trained on the monkeypox vaccine yesterday after all. Our program’s nurse had an emergency and couldn’t make it in, so we had to reschedule it. I’m right now blanking on when that was moved to, but I’ll certainly find out tomorrow morning when I get to the office (I only bring the laptop home on the weekends, because Monday is my work-at-home day). I also slept really well last night–my sinuses kicked in at some point overnight, so I’m a bit phlegmy this morning (ugh) but I am also fairly certain a Claritin will do the trick on that. I have one more thing to get done today before I am finally free and clear to work specifically on Mississippi River Mischief, and I hope to get that story edited today. I also read some more of Curtis Ippolito’s Burying the Newspaper Man, which I am enjoying–the book certainly gets off to a big start–and we watched some episodes o Control Z last night–we’re on Season Three, but don’t really remember much of the plot or the story from previous seasons, although they are doing something rather interesting with a queer storyline that I’m not very certain how I feel about. But it makes me think, which is always a good thing–good art, whether it’s a book, film or TV show, should always make the viewer/reader think a little bit; that’s what art is supposed to do, challenge and inspire.

I also picked up copies of new releases yesterday: Donna Andrews’ Round Up The Usual Peacocks, Gabino Iglesias’ The Devil Takes You Home, and Amina Akhtar’s Kismet. Definitely some good reading in my future; I’ll probably move the Iglesias up the TBR Pile to next position after I finish the Ippolito.

And on that note, Constant Reader, I am going to head into the spice mines. You have a lovely day now, you hear? And I will check in with you again tomorrow. Happy Wednesday to all!

It’s Only Love

AH, insomnia. It’s been a hot minute since you stopped by for a visit, thank you.

At least I slept for a good four or five hours before I woke up around three this morning and wasn’t able to really fall back asleep. I have a longish day ahead of me, too, and I can’t really afford to be tired and sleepy and groggy. I’m not right now–I’m wide awake–but this afternoon I am going to run out of steam. I am getting trained on how to give monkeypox vaccines today–I don’t know that I will actually have to do it; I was a little confused by the messages I was getting from the department head yesterday, but then again being able to give vaccines is a training that could be useful for me, especially as pandemics and epidemics seem to be the thing nowadays. I also assume that, if I am going to be administering them, I’ll be getting one as well? It’s weird, I am not sure how it works, and I am not going to be googling anything before I actually have my training; but I’d assumed it was a two-shot protocol–but who knows?

I got a lot done yesterday, actually. I got all my day job work caught up, and then I spent the evening proofing the pages for A Streetcar Named Murder, and then wrote up the acknowledgements and the dedication and sent them off to my publisher in the early evening. Now I have to do the page proofs for the Bouchercon anthology and do the edits on a short story, and then I am all caught up and can get back to work on writing again. Whew.

I got up early yesterday to go have blood drawn done for my bi-annual lab work, which kind of messed with my mindset a little bit for the rest of the day, but overall I think it was a good day, really. I let Imposter Syndrome out from behind its locked door in my brain for a while last night and went into a bit of a spiral as we watched the latest episode of The Anarchists and got further into the third season of Control Z–which I am not really following; it’s hard for me to remember which characters are which–that has a lot to do with COVID brain, though, I think. It’s hard for me to remember shows we’ve binged because we’ve binged so many over the past three years, and Control Z, which has shorter episodes (slightly longer than half an hour) makes it harder to connect with and remember characters and their story arcs when they aren’t really the main one, if that makes sense? The episode we watched last night ended with a surprise twist in that Pablo might be the hacker….but we couldn’t remember which character was Pablo. See what I mean about it being a problem?

We’re having a thunderstorm currently, which means dashing out to the car while carrying everything and an umbrella, fumbling to unlock the gate, etc. It also means we’re probably going to have flooding this morning as well–that’s what rain usually means in New Orleans during the summer–and also means my feet will most likely get wet (which is why I always have spare socks in one of my desk drawers at the office; there’s nothing worse than wet socks during the work day). Yay. This is the kind of weather than makes me want to stay in bed; one of these mornings when it’s raining on the weekend I am going to come down and get my coffee and go back up to bed to read while it rains, which is one of my favorite things in the world to do but I’ve not been able to do for a very long time, which kind of sucks, really. Simple pleasures are often quite marvelous and endlessly good for the soul–which is one of the reasons I love sleep (when I’m able to get it) so much.

And yes, one of the things I have to do this morning is make a fresh to-do list, and go from there.

And on that note, I am going to finish my peanut butter toast and get cleaned up for work. Have a lovely Tuesday, Constant Reader, and I will check in with you again tomorrow.

That Made Me Stronger

Monday morning has rolled around again, and this morning I had to get up ridiculously early to go have blood drawn for my biannual check-up–I find it easier to just get up early, brush my teeth, wash my face, and throw on some clothes to run down there before eating or drinking anything (must fast before bloodwork; therein lies the rub) before rushing out to the car where my travel mug rests with my first cup of coffee in it. That first swallow of coffee is always so blissful once the three vials of blood have been taken from my arm.

I finished all the copy edits of the Bouchercon anthology in order to get it turned in (late) last evening; that was quite an experience–but it’s a great anthology. There are some terrific stories from writers you know and writers you may not have heard of yet, but you’ll be delighted to make their acquaintance here. I am hoping to get the page proofs this week so I can get that out of the way–after I finish work tonight I have to finish the proofing for Streetcar–and am feeling a bit weird this morning that it’s now August. (Nineteen shopping days left before my birthday, Constant Reader, so make a note of that, okay?) I also did laundry and dishes yesterday; went over that story one last time and decided to bite the bullet and submit it anyway–if it’s offensive or tone deaf, they won’t use it, after all; ordered groceries on line to be picked up tomorrow night after work; and did some more cleaning around here. I also finished reading Sandra SG Wong’s In the Dark We Forget, which I greatly enjoyed and already blogged about, and started reading Curtis Ippolito’s Burying the Newspaper Man at long last. I’ve also picked up some more books to read along the way somehow, and more are coming that were preordered.

I will never finish reading everything I want to read, just like I will never write everything I want to write.

I did get some writing done over the weekend, though–all this proofing and copy editing and so forth haven’t exactly made it the easiest thing to do, seriously–and I have to get the edits/revisions done on another story that’s been accepted; it’s being edited as a google doc, which I don’t have a lot of experience with and so I am not sure what I am looking at, which is always fun; I hate being technologically challenged on a regular basis–whenever I get used to something like “track changes” in Word, now we have a new way of doing this I have to learn! Hurray! Because, after all, all I have is time to learn how to use new technology when I haven’t completely grasped the old yet. Heavy heaving sigh. AH, well, this evening after the data entry is completed I will see if I can figure it all out. It’s a good story, and I am excited to have sold it….but it also reminds me (when I was looking at the submissions spreadsheet last night, so I could update the story submission from yesterday, and add the others from this year I’ve not recorded yet) how few short stories I’ve been sending out lately. I’ve only sent out three stories this year–two have sold, the other went yesterday–and it irritates me to know that I’ve once again let something slide that I wanted to prioritize this year. And of course now I have exactly three months to write the Scotty book. Heavy heaving sigh. I need to get my shit together, don’t I?

I am also getting trained tomorrow on how to administer the monkeypox vaccine; my department head messaged me over the weekend about my schedule for Tuesday so I can get trained. I am assuming this means we are getting some of the vaccine* in for my clients; since I spend most of the week working in the clinic with appointments every hour I can’t see how I can work vaccinating in other departments or areas of the clinic (I work in the STI clinic for men who have sex with other men and trans individuals; which is just one small piece of our overall massive public health clinic), but who knows? I was a little taken aback to be told I was getting this training–I am not any kind of medical professional, I am merely certified by the state to do rapid antibody tests for HIV, syphilis, and hepatitis C; I turn them over to the nurse for everything else–but I guess anyone can give someone a shot if they know how, and obviously, this isn’t an intravenous shot but one that probably goes into the upper shoulder. I’m not a huge fan of getting shots–I loathe needles–let alone giving them; but…doing fingersticks to draw pipettes of blood to do the antibody tests got me over my dislike and distaste for blood, so this is a really good way to get me over my intensely visceral dislike of needles and shots. I can’t imagine it’s a lot more complicated than doing a fingerstick, really; just a matter of prepping the needle and then using the plunger once the skin has been pierced by the sharp end of the hypodermic. And who knows? Learning how to administer a vaccination might be something that could come in handy for my writing someday.

We also watched the new Neil Patrick Harris show, Uncoupled, on Netflix last night. In it, Harris plays Michael, a gay realtor in New York City whose partner of seventeen years (Tuc Watkins) decides out of the clear blue to leave him, moving out on his fiftieth birthday without any forewarning (Harris thinks they’ve been robbed), and the rest of the season shows him trying to adapt to being single again, dating again, and trying to get over the hurt and betrayal of the end of a relationship he thought was for life–and his old partner just doesn’t seem to want to have anything to do with him again. It was a very well done depiction of grief and anger and finally acceptance–it’s a shitty situation, and his character can’t see past his own shock, hurt and anger to even wonder what went wrong and why he didn’t see it coming in any way–but eventually he starts coming to terms with everything and starts moving on. It’s done by Darren Star, who also did Sex and the City, and there’s a very Sex and the City vibe to the show–I pointed out how like Carrie the main character was, and we spent the rest of the series deciding who Miranda and Charlotte and Samantha were of his friend group. The best part of the show, though, are the women: Marcia Gay Harden is fantastic as Claire Lewis, a wealthy woman whose husband has also just left her out of the blue, and Tisha Campbell is Emmy worthy as Michael’s business partner and best friend, Samantha. We did enjoy it–though I did have some questions about it, which could make (as always) an interesting essay someday–and are looking forward to the second season.

And on that note, this data ain’t gonna enter itself now is it? I’ll check in with you again tomorrow, Constant Reader.

*If this is, in fact, a general thing Crescent Care will be offering to the general population rather than just our established and current clients, I will of course make announcements on social media, so locals–stay tuned or watch this space or whatever you want to call it.

For What It’s Worth

Amnesia.

I think the first time I ever encountered amnesia as a plot point was in, of all places, Trixie Belden Mystery Number Sixteen, The Mystery of the Missing Heiress. Janey, a young woman who’d been in a car accident and been found wandering aimlessly along Glen Road near the Belden farm, had amnesia–and who she was turned out to be the key to the mystery bedeviling Trixie and the other Bob-Whites.

Amnesia is actually not nearly as common as film and television (especially soaps, where it is one of the handiest tropes at hand, along with evil twins and so on) would make it appear to be, and it’s not as simple as the visual media make it appear. I had to do research on amnesia for Sleeping Angel, and it was very interesting to see how many different types there are, and what causes them–there’s physical trauma to the brain, and then there’s psychological, where something has happened to the person with amnesia that is so traumatic to their very identity that their mind erases it. So, bearing that in mind, I was curious to see how Sandra SG Wong handled the subject in her recent In the Dark We Forget.

I awake with a shiver. Full on, from toes to the tingling roots in my scalp.

Sharp corners dig into my shoulders, down the length of my spine, underneath one set of ribs. My feet twitch. I feel the backs of my shoes slip on something wet

Shoes. Why am I wearing shoes while I sleep?

I push up on my elbows, can’t hold myself up, fall back with a thump onto those sharp corners again. I blink up at a murky sky. My head aches, like I’ve taken a chill. I hear a soft rustling of leaves, a lone chirping bird. My ears are cold. A slight breeze blows grit into my cheek. My eyes widen. Why am I outside?

That sounds like a frigging nightmare, doesn’t it? Imagine waking up somewhere and not only not knowing where you are, but who you are and how you got there. Wong’s main character remembers nothing about herself–her name, where she lives, anything–and is soon found by a charitable passer-by who picks her up and takes her to a local police station, where the mystery around this woman slowly begins to unfold.

The challenge for a writer telling this kind of story is that the reader doesn’t find out anything about the character until the character does herself–which is incredibly hard to do; does the loss of memory affect the person’s personality, their character, who they are themselves? Do they behave differently? What do you do when you start finding out unpleasant things about yourself that you have to face, things you may not want to believe are true?

Wong handles it all with the accomplished skill of a master. We start caring about the character, curious to find out who she is and how this all happened, and Wong keeps the reader on the edge of their seat the entire time. As the truths begin to slowly play out–who she is, what she was involved in, what was going on in her life that somehow wound up with her unconscious in the woods–Wong deftly starts showing us flashes of who the character is, and wisely never gets into the psychological vs physical questions about the amnesia itself. Her main character is also unreliable–not just because of the amnesia, but as we find out ever more about her, and the kind of person she is, we also begin to have to wonder if she’s telling the truth about anything…everything…or something in between.

Beautifully written and dripping with suspense, I greatly enjoyed my first experience with the fiction of Sandra SG Wong, and suspect you will as well, Constant Reader. Get a copy, read it, and thank me later.

Too Far from Texas

I used to think you could never be too far from Texas, in all honesty, despite my deep appreciation and affection not only for Houston (I lived there for a time) but for all my marvelous friends in Texas. Murder by the Book, the only mainstream mystery bookstore that would allow me to have events in their store when I first published, always holds a deep place of affection within my heart and soul; I love that store, and of course, I also love me some Whataburger.

Whataburger alone makes Texas worth visiting, to be honest.

The Chanse MacLeod series was originally going to be set in Houston. I created him, and actually started writing about him, while i lived in Texas from 1989-1991. I remember distinctly that he had an office and a pager, as well as a secretary and an off-hours answering service…clearly, I didn’t understand how private investigators actually worked and was basing everything off movies, books, and television programs. But I do recall the name of the first book was going to be The Body in the Bayou–and Chanse was also straight in his original iteration–and it wasn’t until later (after my birthday visit here in 1994) that I decided to move it to New Orleans, and of course by the time I started rewriting the New Orleans version, I’d discovered gay mysteries and so of course, I changed his sexuality (I’ve never once regretted that either, I might add). I also put The Body in the Bayou aside and started writing a whole new murder mystery for him (Murder in the Rue Dauphine) that eventually became my first published book. Chanse remained from Texas–a small town in east Texas called Cottonwood Wells–and I even wrote a short story where Chanse goes back home to that small town. (I’d always wanted to write a book where he goes back home and has to deal with memories and so forth; I just never got around to it and his original publisher always made the sign of the cross at me whenever I suggested, “hey, should I set the next one in Chanse’s home town, where he has to go to clear up a crime someone from his past is accused of?”) Cottonwood Wells also popped up in earlier drafts of #shedeservedit, as where main character Alex’ family was originally from; that eventually got edited out over the final drafts.

Sunday morning and I slept late, and even after waking, stayed in the bed for a while longer. It felt very comfortable and my body was very relaxed, which was lovely, and I didn’t really want to get out of the bed, to be honest. I made swedish meatballs last night for dinner and left the mess for this morning (I am now cursing lazy Greg last night who made that decision–part of the reason I made this decision was I realized while cooking that the dishwasher had a clean load in it that needed to be put away, and it was a pain in the ass to do while cooking and trying to time everything) and I didn’t really want to come downstairs and face the mess. I did get some cleaning and organizing done yesterday–I did the kitchen floors at long last–and I also worked on the living room some. I wrote about fifteen hundred words yesterday to flex my writing muscles a little bit–I’ll probably go back over them again today as I write more–and I also have to get the proofs for Streetcar significantly finished today. I also want to work on the new Scotty a little bit as well. We’ll see how much I can get done this morning/afternoon before Paul gets up–although he is going to go into the office today; there was a lot of thunderstorms yesterday and street flooding, so he and the IT guy rescheduled for today (can’t say as I blame him, we were in and out of flash flood alerts all day yesterday; the joys of the tropics in the summer) which will free up this afternoon for proofing.

My self-care appointment (okay, it was a back wax; someday I will write an essay about my issues with body hair) went well and after that, I swung by and picked up the mail. On my way back home I stopped at the Fresh Market (I rarely shop there; I always forget it’s there) to get a few things, and while it is more expensive than other places, I like shopping there. The fruit and vegetables always seem much fresher, and rather than buying prepackaged ground sirloin, I instead got it from the butcher counter, remembering suddenly that it’s fresher that way–and those meatballs turned out superlatively. I think in the future I might shop there a little more regularly. They don’t carry everything I would need, of course–that would make life too easy–but for meats and fruit and vegetables…well, it really cannot be beaten. I spent some more time with In the Dark We Forget–which I am also going to do this morning for a bit, it’s really good and I want to find out what happened to Cleo and her parents–for the rest of this morning, and then I need to vacuum the living room at some point (I swept up the floor in there last night as well, and tried to get it to look cleaner and better organized in there as well; it’s amazing what a difference the clean floor makes). So, a busy busy day for one Gregalicious. But that’s fine, I kind of like having things to do…it’s just when I have so much to do the thought of it is soul-crushing and defeating that I don’t like it.

We started watching The Anarchists on HBO MAX last night, and it’s….something, all right. It’s also interesting how these people chose to define “anarchy” as something other than what most people generally accept it as meaning; but they were using the actual definition of anarchy rather than the societal definition. I always laugh at people who think that laws and rules and regulations are things that restrict freedom and are unnecessary in a society; it’s really just another branch of libertarianism or Ayn Rand’s insane “objectivism”–those laws and rules and regulations exist because they were necessary, because human beings tend to always operate by putting their own needs first. Regulations exist because food manufacturers regularly sold bad, or dangerous, food to the general public because there were no regulations and no one keeping them honest; robber barons created monopolies to exploit the public and make themselves rich (Bezos, Musk, etc are simply the modern day version of the robber barons) at the expense of the needy; hence we needed government intervention to prevent abuses. I’ve never understood the mentality of “oh, if we do away with regulations and laws and rules we’ll all live together in peaceful harmony” because there’s always at least ONE asshole in every group.

ALWAYS.

And on that note, I am going to make another cup of coffee, put the clean dishes away, and go read for a bit. Have a lovely Sunday, Constant Reader, and we’ll talk again tomorrow, if not later. (I’ve been going down the Stevie Nicks discography for my titles, and some of them–along with some of them from other song lists I was using before–wind up having the same titles as some of my books, and I’ve decided–see yesterday’s post about Sleeping Angel–that when I have a blog list song title that matches the title of one of my books, I am going to post about the book. Right now, I have Timothy in my stored draft blogs folder, and I think there’s another called “Watching Scotty Grow” in which I am trying to write the history of the series, which could be helpful as I am writing Book Nine at the moment, and since I am doing Stevie’s discography, that means Sara will also be coming up at some point.)

Sleeping Angel

I originally started writing Sleeping Angel in 1994.

That seems like such a long time ago, too. I hadn’t met Paul yet, was still working for that wretched airline at the airport, was broke broke broke and often ran out of money long before payday, and any kind of decent life for me seemed impossible. It was the next year I decided to snap out of the constant feeling sorry for myself, and instead of waiting for the world to come knocking on my door to make my dreams come true, that the only person who could make my dreams a reality was me, and that I needed to make the changes necessary to my life if I were going to become a writer for real–like stop dreaming about it and writing now and then, and start taking it seriously and writing all the fucking time, and trying to make it happen–which meant sending things out to try to get them published.

It’s weird how you forget things about books you’ve written until something out of left field reminds you of something. Julie Hennrikus, during our Sisters in Crime podcast interview, asked me about writing young adult fiction, and how I came to do that. The story is very simple, really; after discovering Christopher Pike and R. L. Stine and other young adult authors who wrote young adult novels that were either crime or horror or a cross of the two, I decided to take the book I was writing at the time–Sara–and write it as a young adult novel instead of as one for adults. It really didn’t take a lot, to be honest–I removed the framing device that firmly set the book back in the 1970’s–and turned it into a modern day story about teenagers (which it always was). After I finished Sara, I wrote another called Sorceress–and when I finished it, I began writing Sleeping Angel. I still didn’t have a strong grasp of how writing actually worked (which is kind of embarrassing when I remember how naive and stupid I actually was back then, but what did I know. seriously? Very little.) and so I never rewrote anything; I just printed them (I had bought a very inexpensive word processor that I loved, and wrote on) out and saved the originals. I was about half-way through Sleeping Angel when I discovered there was such a thing as queer crime novels…so I abandoned writing young adult fiction and started thinking more in terms of writing a gay private eye series…which eventually became the Chanse MacLeod series and Murder in the Rue Dauphine.

Flash forward another decade or so, and in the spring of 2005 I attended BEA and the Lambda Awards in New York. I lost twice that year (Best Gay Mystery for Jackson Square Jazz and Best Scifi/Fantasy/Horror for Shadows of the Night) and then on Saturday night I attended a cocktail party for the Publishing Triangle. (It was at this party that I met both Tab Hunter and Joyce Dewitt.) I also met a very nice man who was familiar with my work, and asked me if I had ever considered writing young adult fiction with gay characters and themes? I laughed and replied that I had two completed first drafts and a partial for another in a drawer back home; he then gave me a business card and told me he would love to take a look at them with an eye to publishing. I lost the card years ago, probably in the Katrina aftermath, but he was an editor for Simon and Schuster Teen, which was very exciting. I told him I would revise one and send it to him as soon as I finished Mardi Gras Mambo, which was at that point over a year overdue (I didn’t mention that part). This was exciting for me, as one can imagine; another opportunity gained by simply being in the right place at the right time, which has been the story of my career pretty much every step of its way. Once I finished Mardi Gras Mambo that August, I started revising Sara.

And then came Hurricane Katrina, and everything went insane for a few years, and I abandoned the attempt to rewrite Sara. There was just too much going on, I was displaced and finding it hard to get back into writing, and I just wasn’t in the right place emotionally to revise or rewrite a book. I’ve always regretted that last opportunity.

Flash forward another year or so and I casually mentioned to a friend this missed opportunity. What I didn’t know when I mentioned it (bemoaned it, really; I still regret this lost chance) was that she had been working for another publisher as an acquiring editor for young adult/children’s work. “Would you rewrite one of these for me? I’d love to pitch this to the company.” So….rather than Sara, I went with a rewrite of Sorceress, which had a teenaged girl lead character and I didn’t see any place to add queer content (I’d been adding that to the revision of Sara ) and sent it to her. Alas, before she had the opportunity to pitch it the line she acquired for was closed down and that was the end of that….until a few years later when she decided to start her own small press for juvenile/young adult fiction, and wanted Sorceress. I sent it to her, we signed a contract…and then I realized I needed to let Bold Strokes Books know I was doing this. I emailed them, and they replied, “You know we do young adult?”

Well.

I wrote back and mentioned I had two others collecting dust, and so I contracted both Sara and Sleeping Angel with them. I decided to do Sleeping Angel first–which is odd, as I didn’t even have a completed first draft; I don’t remember why I decided to do this, frankly–and so I started writing and revising.

The really funny thing–just looking at the cover for the book–is that the character name “Eric Matthews” was one I came up with when I was in college; I had an idea for a book set in my fraternity, and came up with three names for characters that were pledge brothers and friends: Eric Matthews, Chris Moore, and Blair Blanchard. I used Eric and Chris for Sleeping Angel (completely forgetting that I had already used those names in Every Frat Boy Wants It a few years earlier), so yes, even though the fraternity books I used were by “Todd Gregory”, I accidentally re-used the character names.

Whoops.

The original intent with my young adult fiction was to connect it all together, the way R. L. Stine did with Fear Street, and sort of how all of Stephen King’s work is as well. The three books I started with–Sara, Sorceress, and Sleeping Angel–were connected, and were the springboard from which the others would come–or were supposed to come, from. Sara was set in rural Kansas. The main character of Sorceress moved from rural Kansas to a small town in the mountains in California, Woodbridge, which was also where Sleeping Angel was set. The main character of Sara moved to Kansas from the Chicago suburb where the main character of Lake Thirteen was from, and so on. (Likewise, the main character from Dark Tide was also from the same county in Alabama where Bury Me in Shadows took place, and #shedeservedit was set in the town that was the county seat for that rural Kansas area where Sara was set.) I’d consciously forgotten that, but fortunately my subconscious still holds on to things the forefront of my brain doesn’t.

When I originally envisioned Sleeping Angel back in 1993 (or 1994, I don’t remember which), the concept I wanted to explore was something, a concept, that Dean Koontz had used in his book Hideaway–that someone was in a car accident and died, only to be resuscitated by the EMT’s. But when he came back to life, he brought back something with him from the other side that gave him a psychic connection with a serial killer. It was an interesting idea–I wasn’t using the serial killer thing–but I loved the entire concept of someone being brought back with something extra (which, now that I think about it, is also the entire conceit Stephen King built The Dead Zone around). I decided to keep the car accident to open the book in the new version, but the opening I originally wrote had to be tossed. I also came up with an entirely new concept for the book: what if you were in a bad car accident, but there was a dead body in the car who was NOT killed in the accident but had been shot and was already dead when the car crashed? And if the main character has amnesia….who killed the kid in the back seat?

And away we went.

He was driving too fast, and knew he should ease his foot off the gas pedal, bringing the car down to a safer, more manageable speed.

But he couldn’t bring himself to do it.

“Hang in there, buddy,” he muttered grimly under his breath, taking his eyes off the road for just a moment to glance in the rearview mirror into the backseat. What he saw wasn’t encouraging. Sean’s eyes were closed, and he couldn’t tell if Sean was still breathing.

The blood–there was so much of it, and it was everywhere.

He swallowed and took a deep breath, trying to hold down the panic. He had to stay calm. He couldn’t let the fear take over, he just couldn’t. He had to hold himself together. He had to get to town, to get Sean to the hospital before it was too late–if it wasn’t already too late.

Not a bad beginning, right? Pulls you right into the story.

I don’t remember what–if anything–I was expecting when Sleeping Angel was finally released (it actually wound up coming out before Sorceress, ironically); it had not even been six years since the right-wing homophobes had come for me for daring to accept an invitation to speak to high school students in a Gay-Straight Alliance. And now I’d actually dared to write a book about teenagers, for teenagers. The horror! But the book come out and there wasn’t even the slightest whisper of controversy about the “gay pornographer” writing a y/a book. It got really good reviews for the most part, people really seemed to enjoy it, and it eventually won a gold medal for Outstanding Young Adult Mystery/Horror from the Moonbeam Children’s Book Awards, which I’d never heard of but was kind of a big deal, or so I’m told. The gold medal was nice, too–very pretty (but it’s not the rock from the Shirley Jackson Awards–the smooth polished stone I got for being a finalist may be my favorite thing I ever received as recognition for my writing).

I’m still pretty proud of Sleeping Angel.

Somebody Stand By Me

Saturday morning in the Lost Apartment and all seems to be well so far–yet it is still early, nevertheless. Yesterday was an interesting day. I had to go to a training, if you will recall, in the morning–it was okay, as far as trainings go–and then of course I had a shortened day in the office afterwards (I can only do six hours on Fridays because I work extra long on clinic days), after which I headed home for the Lost Apartment. I almost have the Bouchercon anthology completed; and now I have my page proofing for Streetcar to get through this weekend. I also have a short story deadline tomorrow; but I am not really sure if I am going to bother submitting this story to it. I’m not entirely comfortable with it and what it’s about; it may be in questionable taste, and that of course concerns me deeply. If the story is problematic I don’t even want the editors to read it, you know? And I have this feeling–that nagging voice, which is so quick to point out every flaw in my life and writing and so forth, is really having a good time with this right now–that if you’re worried about the story being problematic, then it probably is.

On the other hand, I thought Bury Me in Shadows might be problematic, and it wasn’t. So maybe this story isn’t as bad as I think it might be, who knows? I am often not the best judge of my own work, after all–the lack of confidence in my own writing really is not good for me at all–and who knows if I will ever get the chance to publish it again anywhere other than a collection of my own (where I can count on my publisher saving me from myself if it is problematic?), so maybe–just maybe–after I finish the proofs for Streetcar this weekend, I can give the story another once over, and give it a shot.

I slept really well last night. When I got home from work last night I laundered all the bed linens, did another load of dishes, and then just kind of chilled for the rest of the evening as I was a bit mentally tired. I managed to get all the copy edits back to everyone for the Bouchercon anthology; I’m still waiting to get a few of them back and I can turn the manuscript in. I have a self-care appointment this morning at ten; then I am going to come back home and work on the page proofs and maybe carve out some time to read some more of In the Dark We Forget, which I am really enjoying and would love to finish reading this weekend. I need to make myself read for an hour every night; if I read for an hour every day I will gradually work my way through the TBR pile. I think the next book I am going to read is going to be Curtis Ippolito’s Burying the Newspaper Man, although the new Donna Andrews is probably going to be delivered sometime soon, as well as Gabino Iglesias’ new one. I also want to get some filing and cleaning done today–Paul has to go to the office to meet his tech person because his computer is messed up–and I think I am also going to get a box down from the attic to sort through as well as go through some drawers to throw shirts and shorts and things I never wear out. I also plan on getting through all the emails in my inbox at some point this weekend as well; I am tired of all those goddamned emails being in there, you know what I mean?

It also occurred to me yesterday that I should send the Word file of Jackson Square Jazz to my iPad so I can reread and copy edit it on there. Progress can only be made when you set yourself up to succeed, which sounds like one of those horrible motivational posters that were such a thing sometime in my past–they were in office spaces everywhere and always made me want to roll my eyes whenever I saw one. But I slept really well last night, which was incredibly lovely, and I am looking forward to getting quite a bit done this weekend. I already feel rested, which is really nice, and the Lost Apartment isn’t the usual disaster area it always appears to me when Saturday rolls around again. Sure, there’s stuff I need to clean up and organize and there’s always filing to do–not to mention the computer files that need clearing and cleaning up–but after my self-care and my errands, I should be able to come on home and dig into my work that needs to be done.

And on that note, I can actually get started on that before I get ready to leave for my appointment, so have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow, or perhaps even later again today.

Planets of the Universe

Sunday morning in the Lost Apartment and I slept really well again last night. I feel really rested now that I am over the virus, and the absence of the brain fog (which I feared was simply another sign in the inevitable decline of age) has been simply wonderful. I made groceries yesterday, taking advantage of the “order on-line/pick-up when you get there” systems which are marvelous and I will probably continue to use going forward. I do have to run an errand at some point this morning, but it isn’t really much of anything and it shouldn’t be an issue. I did manage to read some more of Sandra SG Wong’s wonderful In the Dark We Forget, which I am going to spend some time with this morning as well, and I am going to try to write and get some other things organized today. I did make some progress yesterday on things, but I also kind of took it easy on myself. I don’t want to overdue my recovery and potentially relapse–I’ve heard this is a thing, and that one must carefully dip one’s toe back in and slowly reenter the water slowly after getting over this monstrous thing. So, although I really want to just dive in headfirst and work on things all day today, I think I am going to continue to take it easy. Monday is usually my work-at-home day, but I think I am going to actually go into the office tomorrow–I’ve not been in for well over a week–and so it just kind of makes sense to me to go in. I don’t have to see clients tomorrow, for one, and so it’ll just be an easy way to ease back into going to the office as well.

We finished watching Special on Netflix, which was interesting and poignant and funny, and then watched a wonderful documentary about Showgirls, You Don’t Nomi–if you’re a Showgirls fan than you’ll really enjoy You Don’t Nomi (I also read It Doesn’t Suck, the academic book about it from a few years ago as well; it made me think about writing my own essay about the movie–because, of course, I think I should write about everything at one point or another)–and then started watching Chucky on Peacock, which was a lot more fun and better done than I would have thought. I didn’t expect the main character of the show to be a fourteen-year-old gay kid, which makes it a LOT more interesting than I would have originally thought. I’d never seen any of the Chucky movies–but I have a basic idea of what they were about, and I don’t think–at least not so far, but we’re only an episode in–you need to go back to watch the movies to pick up on things you can’t enjoy the series not knowing.

I also need to make a to-do list, update when my bills are due for August on my calendar, and of course, try to get some cleaning and organizing done around my home office workspace. Heavy heaving sigh. It never really ends, does it? LOL. It’s also been raining a lot this weekend–torrential downpours, with minor street flooding–but it looks sunny and very warm out there this morning. It also occurred to me last night that I’ve not had an entire week off from work in the last twelve years other than our trip to Italy in 2014 (eight years ago), so part of this slightly weird disconnect I’m feeling from everything probably has something to do with that. I am not, however, going to allow myself to get stressed out by how behind I am or how much work I have to get done. That doesn’t help and also causes paralysis of a sort. No, the thing to do is make a list, get everything organized as everything needs to be organized, and just start getting things done.

Step one is to get all this mess sorted and put away, which is what I am going to do right now before I put away the dishes. Then I’ll start working on my lists.

So I think I am going to head into the spice mines this morning. Have a lovely day, Constant Reader, and I will check in with you again later.

Free Fallin’

When I was being interviewed for the Sisters in Crime podcast the other night, Julie Hennrikus (their marvelous executive director) asked me, through a series of interesting questions, to basically start tracing back my writing career and how it came to pass–in particular, the young adult fiction I write (for that part of the interview, at any rate) and so I was recounting how I had decided, in the early 1990’s, to try writing y/a horror/paranormal/crime novels, inspired by Christopher Pike and, to a lesser degree, R. L. Stine. This was the period when I wrote the first drafts for Sorceress, Sara, and Sleeping Angel…and when asked why I put them in a drawer and switched back to writing crime novels for adults (or trying to, at any rate) I remembered that it was because I had suddenly discovered that there was, in fact, such a thing as queer mysteries: mysteries written by gays and lesbians with gay and lesbian characters and gay and lesbian themes (there wasn’t much trans or bisexual or any other kind of queer crime fiction at that time–at least, not to my knowledge). I had known that queer fiction and non-fiction was a thing, but it was Paul who actually introduced me to writers like Michael Nava, Steve Johnson, and Richard Stevenson. When I lived in Minneapolis that bitterly cold winter of 1996, the Borders in Uptown Square (just around the block from our apartment) had an enormous gay/lesbian section that I visited every week, immersing myself in queer fiction and its history as well as exploring the new-to-me world of queer crime novels.

In the years since, I’ve watched the ups-and-downs of queer publishing, all while writing and publishing my own books. Queer crime is currently having a renaissance of sorts; new talents coming up with wonderful new titles and themes and stories that is very exciting to watch.

A good example of this would be Devil’s Chew Toy, by Rob Osler.

Half opening my good eye, I squinted up at the fluorescent tube hanging from the stained popcorn ceiling. The club’s manager had suggested the storeroom as a place for me to chill until my nose stopped bleeding. I appreciated the gesture. The idea was a win-win. It saved me from the pointing and whispers of the crowd, and getting me off the dance floor restored the party atmosphere typical of a weekend night at Hunters.

Despite the damage done to my face, the worst of the experience had been me being the center of attention for all the wrong reasons–embarrassing for most, excruciating for yours truly. Everyone who knew me would say I was quiet and reserved–perhaps to a fault. My latest ex has joked that my tolerance for thrill-seeking maxed out on the teacups ride at Disneyland. I’d brushed off the comment with a laugh, but in truth, the remark had stung. Being five foote four (rounding up) and weighing 125 (again, rounding up) makes one sensitive to such jabs. Add in the fact that I’m freckled and possess a shock of red-orange hair that that same ex had pegged as being the color of a Cheetos bag, and you understand why I make take offense.

“Damn, dude, you’re going to have a nasty shiner. Does it hurt?”

First of all, can I just say how lovely it is to read a queer novel that opens in a gay bar? It’s been a while since I’ve read one, and I honestly can’t remember the last time I read one that wasn’t published by a strictly queer publisher–which Crooked Lane, the publisher of Devil’s Chew Toy, most definitely is not. It was also nice to have the book open with such a bizarre and out of the ordinary experience–our main character, Hayden, was kicked in the face in a weird accident while trying to tip a really hot stripper, Camilo, who slipped and fell, ending with Hayden looking like he’s been in a fistfight. Hayden, who is a self-described “pocket gay” (from “oh you’re so small I could put you in my pocket and take you home”) and has low self-esteem, is more than a little surprised when the apologetic and gorgeous stripper offers to take Hayden home with him. Camilo is a very sweet guy and only wants to cuddle, and Hayden drifts off to sleep cuddled up with him.

But when he wakes up, Camilo is gone. Camilo also has a dog who needs to be taken care of, and then the police show up at the door looking for Camilo–whose pick-up truck was found, running, with the keys in it and the doors open, in a parking lot. There’s also the possibility that Camilo may have been involved in something shady–which Hayden, despite not really knowing the stripper, doesn’t believe for a minute. He also can’t just abandon Camilo’s dog–despite the fact his own apartment complex has a “no-pet” rule. So Hayden decides he needs to find Camilo, if for no other reason than to return his dog–and the story is off to the races. Hayden encounters all kinds of interesting queer folk while on his hunt for Camilo, makes some new friends, and we the reader get to know him a lot better (he’s very likable) as the story goes on, taking some surprising twists and turns along the way.

I greatly enjoyed this book. It’s very well written, flows nicely, and the plot makes sense–which isn’t always the case–but that comes as no surprise. Rob Osler not only debuted with this novel earlier this year, but his first publisher short story won the Robert L. Fish Memorial Award from Mystery Writers of America this past spring for Outstanding Debut Short Story.

I’m really looking forward to visiting with Hayden again, and am excited to read more of Rob’s work.

Candlebright

I slept in again this morning–which has been happening alot, which means I am going to have to get used to getting up early again next week because this morning’s COVID test came back negative. It’s finally over. Yesterday I still felt a little worn down and fatigued, but managed to get things done (not much, really; but some laundry and dishes and some reading and so forth–I was afraid to overdo it, even though I felt good; cautious and concerned about a relapse), but now that I can safely confirm that I am out of the woods, it’s time to start easing myself back into my life. I ordered groceries for curbside pick-up this morning, so once I get that text I’ll drive over to pick them up, but…I’m over everything. It is now safe for me to go out in public (wearing a mask, believe me; I know that doesn’t really protect me but other people, but I can’t help but remember that it was when I allowed myself to get more lax with the masking that I got infected. So yes, intellectually I know it’s not helping but emotionally it makes me feel better to do so, so I am going with the emotions over the intellect on this one) again, and it also means I can finally return to work on Monday. Monday is usually my work at home day, but having been out of the office for the last week, I kind of feel like I probably should pop in on Monday and make my presence known again.

Plus, I have to get all the sick time bullshit sorted–and might as well do that on a day when I don’t have clients.

Huzzah? Huzzah indeed.

We finished the second season of Condor last night, which was enjoyable. If you’re into espionage/political thrillers, this is a very good one. Ben Irons (Jeremy’s son) is really good in the lead as Joe Turner, a low-level CIA employee who catches on to something major in the first season and everything goes to shit for him from there–like the book and movies it was based on (the movie was Three Days of the Condor, starring Robert Redford; the book was Six not Three. I watched this as part of my Cynical 70’s Film Festival during the shutdown/work at home times). I have a copy of the book, by Richard Condon, that it in my enormous TBR pile. I’ve wanted to read it (along with The Manchurian Candidate) because these old political thrillers are interesting to me, with their extreme paranoia and evil Communist archetypes. I want to read them not only for their value as political thrillers but as remnants of a past time that could be said to also border on propaganda–painting the Communists, particularly the Soviet Union–as the bad guys. (This is not to say that the Soviet leadership weren’t bad people–some of them most definitely were–but their national interest also opposed to ours, so from their point of view Americans were the bad guys; that whole “no villain sees themselves as a villain” thing we talk about in character workshops and panels.)

It was also incredibly weird and strange resting so much over the last eight days. I have to recognize the fact that part of how I am feeling–the strangeness–is because I am actually no longer tired. I am always tired, apparently; not really sure why that is other than not getting enough sleep or something along those lines, but this morning, after sleeping off and on almost regularly for eight days, I feel rested this morning. Which means I can get all kinds of things done today–slowly easing myself back into my life, as it were–and plan to spend some time with Sandra SG Wong’s riveting In the Dark We Forget, should do some writing and editing, and then there’s of course all the cleaning and filing and organizing that needs to be done. I need to update my bills list, I need to make a new to-do list, I need to reread and revise a story one last time before submitting it to an anthology I want to get it into; and may I add how lovely it is not to have the brain fog this morning? My head is clear, and that feels amazing. My throat still feels a little bit more raw than I would prefer, and now I know that post-nasal drip is sinus related and a Claritin-D will take care of it. Huzzah!

I also don’t feel terribly daunted about getting started digging out from under the piles of everything that gathered while i was sick and foggy and exhausted, either–which is another good sign. I know it sounds weird, but now that I am sixty (sixty-one in less than a month; there’s still time to get a card and buy a gift, you know) I always worry that things aren’t necessarily related to an illness but rather are a permanent change to my life and my body and my brain. Our bodies and brains don’t come with user manuals, after all, so we are best off just getting by the best we can and always have to wonder. I was worried that the brain fog, for example, wasn’t something related to the COVID plague but rather a shift in my head that goes along with my age, you know? My memory has already become a lot more specious and less-specific than it used to be; I no longer remember things that were committed to memory just a few years ago. Admittedly, a lot of it was trivial information that really only came in handy when you’re playing Jeopardy or Trivial Pursuit, but damn it, I used to always run the categories and rarely, if ever, lost at Trivial Pursuit and those days are sadly long past me now.

And I also feel relatively certain you’re tired of listening to me whine about being sick–well, you don’t have to worry about reading about that any longer, Constant Reader. I was even taking notes on some thoughts about Mississippi River Mischief yesterday in my journal.

And on that note, I am going to get cleaned up so that when I get the text that my groceries are ready I can head down to the store for curbside pick-up, which will be lovely. Have a wonderful Saturday, Constant Reader, and I will check in with you again tomorrow.