Category: diversity

Umbrella Man

And just like that, it’s once again Friday. I think over the course of this weekend, things will start to readjust to some semblance of normality again; I will probably, most likely, go into the office on Monday in an effort to readjust and reestablish some sense of being normal–or whatever passes for that–again. I am going to swing over there this morning to drop some things off that I’ve been working on, and just check things out in general. I also have to swing by and get the mail today as well, and I am going to go to the gym for a resurrection of Leg Day after I am finished doing my work today. Yay?

There still has been no trash pick-up in my neighborhood since before Ida, and our cans, with all that ruined food rotting in the early September heat, are beginning to smell quite ripe. There’s still a lot of debris on our sidewalks and along the gutters. Over all, not really much to complain about, and given so many people have lost everything, or have nowhere to live, or are still suffering without power in the heat…it seems like parsing and pinching things in order to find something to complain about. I’d forgotten that aspect of hurricane recovery–that sense of you can’t complain because other people have it far worse than you do rings in your ears every time you start to even slightly feel bad for yourself about your situation, or start the downward spiral of stress and aggravation and frustration. It makes adjusting and mental health integrity that much harder; one of the lessons from Katrina, really–knowing that it’s okay to complain and be frustrated and aggravated at the situation, while still recognizing your own good fortune (even if it seems like it’s a backhanded gift of a sort).

Last night, Paul and I got caught up on The Other Two, Archer, and Titans. I’m still enjoying the shows–even if the latter two aren’t quite as good as they were earlier in their run–and I think The Other Two is probably one of the better, most undervalued comedies airing on streaming right now. It’s certainly fun watching the gay brother–and the show is touching on comedic aspects of being gay I’ve really not seen covered anywhere else. As I was stripping condoms out of condom packs and doing other, various, “busy work” (it still needs to be done–these things would need to be done if the clinic was open and I was seeing clients three days a week, like pre-Ida) yesterday and watching television (I did watch this week’s Real Housewives of Beverly Hills–I am going to have to devote an entire entry to my reality shows at some point, particularly about how they are slowly starting to lose their appeal to me); although I cannot really remember what else I watched yesterday? Oh yes, some documentaries from the Smithsonian Channel, even if I cannot remember which particular ones, and I also rewatched the Brendan Fraser The Mummy–the original, which I realized I’d never actually seen; I’ve seen the sequel, but never all the way through from start to finish, which I may rectify today.

I am hearing noises from the street that sound like a garbage truck–the only inconvenience we are really experiencing at the moment is the stench of the cans when I walk out to the car–so the return of garbage pick-up would certainly serve as another indication that New Orleans is slowly coming back to what passes for normal around here.

I’m also finding it difficult to want to read again, which is weird. I’ve not written anything since Ida, and I’ve not read anything since we left town to find relief from the heat in Greenville, Alabama. I’m hoping this will change over the course of this weekend, but then…you never know. Maybe I read too much while we didn’t have power and I sprained the reading muscle in my brain. Stranger things have happened, after all. I don’t want to give the impression that I wasn’t enjoying Silvia Moreno-Garcia’s book, because I most definitely was; there’s just something off with the creative side of my brain–reading and writing both have been struck down by whatever this malaise is; but it’s more along the lines of being unsettled and not feeling like I have a strong foundation under my feet–this weird not knowing the day/date thing was very disorienting; and of course, there was all that tightness and tension built up in the muscles of neck, shoulder and back (which, oddly, going to the gym cleared up completely; obviously I am hoping going over there today after work will also be a great experience physically for me). I also still have two blog entries to write about books I read during the outage (Dead Dead Girls, A Letter of Mary) which I hope to get around to this weekend, and maybe–just maybe– I may do some writing. I know, I know, stranger things have happened, but I really need to figure out where I am with things and how much time is left in this year and when the deadlines for things are.

And on that note, tis time for me to head back into the spice mines. Have a lovely Friday, Constant Reader, and I will talk to you soon.

The Girl Is Mine

I’ve never been an enormous fan of Reese Witherspoon; I think she has talent and she had really shone in some things I’ve seen her in (Legally Blonde, Election, Cruel Intentions) but there was always just something about her, though, that set my teeth a little on edge; nothing I can explain, but she just always struck me as the “I need to speak to your manager” type. But her television work has turned me into a fan, and not just because she’s been killing it in shows like Big Little Lies, The Morning Show, and Little Fires Everywhere…she’s been terrific in all of these shows, but the bigger picture is these shows have introduced me to two writers with whose work I’ve become enamored; Liliane Moriarity and Celeste Ng. Moriarity has more of a backlist than Ng, who only has published two novels; I’m working my way through Moriarty as of yet, and loving her work, but Celeste Ng is a whole other story.

Little Fires Everywhere was a terrific novel, and I was holding off on reading her debut, Everything I Never Told You, primarily because I didn’t want to run out of work by Celeste Ng to read (one of my weird predilections; I never want to run out of books by writers I love). But during the aftermath of Ida and with no power, I picked it up, started reading, and didn’t put it down until hours later, when I’d finished.

Lydia is dead. But they don’t know this yet. 1977, May 3, six thirty in the morning, no one knows anything but this innocuous fact: Lydia is late for breakfast. As always, next to her cereal bowl, her mother has placed a sharpened pencil and Lydia’s Physics homework, six problems flagged with small ticks. Driving to work, Lydia’s father nudges the dial toward WXKP, Northwest Ohio’s Best News Source, vexed by the crackle of static. On the stairs, Lydia’s brother yawns, still twined in the tail end of his dream. And in her chair in the corner of the kitchen, Lydia’s sister hunches moon-eyed over her cornflakes sucking them to pieces one by one, waiting for Lydia to appear. It’s she who says, at last, “Lydia’s taking a long time today.”

Upstairs, Marilyn opens her daughter’s door and sees the bed unslept in: neat hospital corners still pleated beneath the comforter, pillow still fluffed and convex. Nothing seems out of place. Mustard-colored corduroys tangled on the floor, a single rainbow-striped sock. A row of science fair ribbons on the wall, a postcard of Einstein. Lydia’s duffel bag crumpled on the floor of her closet. Lydia’s green bookbag slouched against her desk. Lydia’s bottle of Baby Soft atop the dresser, a sweet, powdery, loved-baby scent still in the air. But no Lydia.

One of the things that strikes me as curious about Ng’s work is that it’s set in the past; Little Fires Everywhere was set in the 90’s, and this, her debut, is set in 1977. Not, of course, that there’s anything wrong with writing stories set in the past, mind you, it’s just an observation. But the two books have very strong themes and look at the roles of women in the society in which they were born; that entire thing about “having it all” (which is mythology, of course; no one is superhuman enough to “have it all”) and the bitter reality that a woman cannot, ever, no matter how hard she works and no matter how much effort she puts into it, achieve this mysteriously, vaguely defined “all” she is theoretically able to have. It’s still a problem for women in our current time; the inability for gender roles to be completely redefined, for one, despite the fact that society and culture have dramatically changed and shifted over the last few decades (four or five of them, at the very least).

Anyway, I digress.

The Lee family, who live in a small college town near Dayton in Ohio, are a typical American family. Dad teaches at the university, Mom is a housewife and mom, and their two eldest children are academic stars at the local high school. The youngest child is a mere afterthought, an asterisk, to whom no one really pays much attention. Both parents are completely wrapped up in Lydia, their second child; much to the detriment of the oldest, Nathan (Nath). Lydia is soon found when they drag the nearby lake; whether she committed suicide, it was an accident, or foul play is pretty much up in the air–although they did find her things in a small rowboat floating out in the middle of the water, so accident or suicide is most likely, but Mom Marilyn refuses to believe her child could or would do such a thing and therefore it must be murder!

This is, of course, a classic set-up for a crime novel or a novel about families; the twist here is that James, the husband/father, is Chinese-American (his parents were immigrants) and Marilyn the mom, is white and from Virginia.; therefore their children are bi-racial, and this was still kind of a “thing” in the 1970’s (not that it isn’t still, of course; progress has been made but it’s also been rather on the slow side, really). When James and Marilyn marry, miscegenation laws are still on the books; Marilyn’s own mother is such a racist bitch she says horrible things to Marilyn on her wedding day–which is the last time Marilyn sees or speaks to her mother. They are the only Asians in their little college town, which also impacts the kids and how they see, not only their parents, but the world. Marilyn is also a frustrated feminist; she wanted to be a doctor, took Science classes against the advise of teachers and advisors, and only gives up on her dreams when she becomes pregnant and marries James, becomes a wife and mother….and channels all her frustrated hopes and dreams onto her daughter, Lydia–who has a lot of trouble, as we see over the course of the book, living up to those hopes and dreams. There are no villains or heroes in this book; just complicated human beings doing their best to get through their lives–and how the things unsaid to each other, for whatever reason…and as we get to know each character and their own foibles and flaws and dreams, they become fully realized, and the reader cannot help but love and empathize with them. The story structure, after the present day opening with Lydia dead, flashes back and forth between the present and the past, as we learn the story of the Lees and their broken hopes and dreams; watch them deal with the horrific and completely inexcusable casual racism of their white neighbors and classmates; as Marilyn meets women who followed their dreams and envies them, wonders how they managed to do it; and there’s also a queer subtext/plot thread that is handled delicately and beautifully–if perhaps not realistically for small town Ohio in the 1970’s; whatever issues I may have with the realism of the story in the time in which it is said can easily be set aside because of how beautifully Ng does it as an author.

Everything I Never Told You is an absolute gem of a novel, and I can highly recommend it.

Oh, Daddy

Many years ago, when you could still make money writing gay erotica (PORN), I used to write erotic short stories and edit themed volumes of it. I had always thought the concept of “daddy”–while possibly viewed as slightly off and strange and problematic by the mainstream–would make a great theme for an erotica anthology, potentially called Oh Daddy! Alas, before I could get around to doing it, that market had begun drying out; the last erotica anthology I edited–which had a great theme, I might add–did not do very well in print, alas. So my plans for Oh Daddy! wound up being scrapped; a pity, because I was certain I’d get some great and interesting stories on this dynamic.

The concept of “daddy” in the gay community is, to say the least, a bit controversial, and it’s really not defined; it can mean any number of things to any number of different people. The most common, of course, is its usage regarding age differences; an older man with a significantly younger boyfriend is often referred to as a “daddy” or “his daddy”; the assumption is the age difference inevitably favors the older man in the power dynamic of the couple–and we also tend to always think that there is some sort of benefit to being the older man’s “boy” (although “boy/daddy” doesn’t necessarily have anything to do with age, either); whether it’s financial, emotional, both, or something else–we always assume the younger man is, at the very least, being paid for/taken care of financially by the older man…especially if the older man is, say, a celebrity or wealthy or successful; why else would the younger man tie himself to an older one?

But this is heteronormativity at its finest, really (although younger women with successful older men aren’t always necessarily gold diggers, either; I’m not sure why we automatically always look at these May/December romances with such judgement and askance); younger man can be attracted to older men both romantically and sexually; there are no set rules of attraction, after all…and youth isn’t always an indication of sexual or emotional immaturity. I am always struck by that photo of Christopher Isherwood and Don Bachardy from when they first became a couple, back when Isherwood was in his thirties or forties and Bachardy a teenager; they look like father and son in the picture, with Bachardy literally looking like he’s just walked off the set of The Mickey Mouse Club in T-shirt and dungarees, with a sling shot in his back pocket and a cowlick. Yet they stayed a loving, committed couple for the next thirty or so years, until Isherwood’s death; but how differently would such a relationship be viewed today? A seventeen year old and a man in his late thirties/early forties?

It’s interesting.

So when I heard about Jonathan Parks-Ramage’s debut novel, Yes Daddy, I was interested in reading it and seeing its take on the topic.

And I was not disappointed–although it was absolutely nothing like I was expecting.

You asked me to be a witness in the trial.

I owed you my life and so I said yes.

What does one wear to a rape testimony? Your lawyer and I debated this endlessly. Nothing too tight, nothing too baggy, nothing too ratty, nothing too expensive, something sexless yet attractive, a suit jacket perhaps, but nothing flashy, a light navy was best, black was too morbid, too dark. I wanted to seem serious but not angry, definitely not vengeful; maybe glasses were a good idea, but the frames had to be simple, nothing flamboyant, nothing too gay, nothing that might trigger juror prejudice. Something to wear while the world decided if I had been raped.

Something that said, believe me.

I dreaded out rehearsals for the witness stand. Your lawyer’s endless questions. What did the basement look like? How many men? What did they do to you? I never slept, barely ate. Walked through the world a husk, disconnected from my body. Pain was the only thing that cut the numbness. I picked the skin around my fingernails with my teeth, tasting the blood on my tongue, repeating the process until all my digits were crusted in scabs.

Finally, the day of the trial arrived.

I don’t even know where to start with this book, to be honest.

I guess I can start by saying it’s very well done; the writing is terrific, and the tension/suspense are such that you cannot stop turning the pages in order to find out what happens next. Jonah Keller, the main character, is a fugitive from the midwest with evangelical parents–his father was a preacher–and he’s also an “ex-gay therapy” refugee. He no longer has a relationship with his father, and his relationship with his mother–still fervently religious–is fraught. He’s moved to New York to start his life over again, and his ambition is to write, be a playwright…but like so many others who moved to the big city with dreams of fame and fortune, he’s stuck in a nowhere job waiting tables at a shitty bistro and subletting an apartment he really can’t afford. He spends his rent money on an outfit so he can attend an event where he might meet his idol, hugely successful (and handsome) gay playwright Richard Shriver…hoping to meet and perhaps even catch his eye. Jonah’s plan is successful, and they begin an affair, with Richard buying him clothes, taking him out to expensive meals, giving him cash to cover his bills…and even offers to read Jonah’s work, maybe even help him get it workshopped and produced on stage.

All of Jonah’s dreams are coming true–but there’s always a fly in the ointment, isn’t there?

Richard brings Jonah out to his compound–where three of his closest friends also have houses–out in the Hamptons, and this is where Jonah begins to realize something isn’t quite right; not only with his relationship but with this entire set-up. There are four sexy, hot waiters on the property, usually serving meals to the people living on the compound wearing only black bikinis…and the dynamics of everything; their relationship, the friends, their future–begins shifting and going in directions that make toxic look like a far-off, distant hope to work towards. Saying anymore would be a spoiler–the book changes directions with shocking twists (but every last one of them is set up before you get there, but you still don’t see them coming) and the book and story become something completely different from what you were expecting at the start…and it’s a compulsive thriller; you simply can’t put it down. I read it through in one sitting last week, and passed it on Paul who ALSO read it in one setting–and he’s a very slow reader.

I greatly enjoyed this debut, highly recommend it, and look forward to seeing more work from Parks-Ramage; this is one of the best gay thrillers I’ve ever read.

You Can’t Always Get What You Want

Ah, Venice.

I’ve always loved Venice: the idea of a city that exists in a place where no city really should but does anyway (like New Orleans); a city with a long and remarkable history that at one time was one of the major powers of the world, despite not really having much population yet somehow carving out an empire; and always dreamed of visiting there. When Paul and I lucked into our marvelous trip to Italy back in 2014 (I think it was 2014? I could be wrong, it may have been 2015 but it really doesn’t matter) I definitely wanted to include Venice in our itinerary. We wound up only being there for twenty-four hours, but I was enchanted (I was enchanted by all of Italy, really), and have always wanted to go back and spend more time there. We were incredibly lucky when we were there; it was the week before Labor Day weekend, and there were no real crowds there (I have since seen horrible pictures of crowds so thick you can barely move), and we just wandered around looking at beautiful buildings and crossing canals and going into churches and eating gelato–lots and lots of gelato (which was every day, everywhere, while we were in Italy–we even got some at the airport when we flew back out).

Venice is also the setting for my all-time favorite novella and movie based on it (Daphne du Maurier’s “Don’t Look Now”). I love the Katharine Hepburn film Summertime, in which a lonely unmarried teacher comes to Venice and is also enchanted by how gorgeous the city is, and also finds a bittersweet romance with a handsome Italian man. One of my favorite parts of Indiana Jones and the Last Crusade is set there. I finally read Thomas Mann’s “Death in Venice” as part of my “plague days” reading last year when COVID-19 shut down the country; as well as Daphne du Maurier’s take on the tale, “Ganymede.” John Berendt’s City of Falling Angels, about the La Fenice fire and the insanity in rebuilding the fabled opera house, was a remarkably insightful look at how things work in Venice, as well as the restoration works on the city and its gnarled bureaucracy, as well as the blasé attitudes of the locals about how corrupt and insane everything is there.

It goes without saying that the similarities between Venice and New Orleans are striking, and run much deeper than the constant threat of water and Carnival.

I started writing a novella this year set in Venice–which I’ve wanted to write about ever since I visited–and at some point I will revise it to get it ready for publication; it’s on my to-do list–and so naturally, Christopher Bollen’s A Beautiful Crime was added to my TBR pile as soon as I knew of it.

And what a delight it turned out to be.

Down below the cry of gulls, below floors of tourists undressing and dressing for dinner, below even the shrinking figure of his killer. a man lies crumpled and bleeding. He’s been dead for only a few seconds. He’s sprawled on his stomach, his body twisted at the hips, his left arm hooked in a U above his head. From a distance, from high above, he looks almost as if he were sleeping. It’s the blood leaking through his pink shirt that gives the crime away.

Outside, the sun is setting on what is unarguably the most beautiful city on the planet. There are a lot of dead bodies in this town. Upstairs in the man’s room, an English guidebook recommends taking a boat out to San Michele to visit an entire island of them. Among the legions buried there are the composer Igor Stravinsky, the ballet director Sergei Diaghilev, and the poet Ezra Pound.

The city is sinking and has been for centuries. Enjoy it while you can. The blood is pooling around the body. Screams are blaring from all directions. The killer is making a run for the exit.

But none of this has happened yet.

I don’t think I’d heard of Christopher Bollen before I heard about this book; I may have read some of his work (he writes for both Vanity Fair and Interview magazines), but I was not prepared for how good this book would be.

And the really good news is its his fourth; he has three more books for me to read and cherish and enjoy. Huzzah! (It’s always delightful to discover a new-to-you writer you love, isn’t it?)

The premise behind this book is pretty genius: a young gay couple who have fallen quickly and madly in love with each other, come up with a “foolproof” plan to con a wealthy douchebag out of enough money for the two to ride off into the sunset together after paying off their unsurmountable debt…and Venice is where the action happens. Bollen spent time in Venice interning at the Peggy Guggenheim museum, which pays off in this complex and riveting noirish thriller. Bollen brings Venice to life in a way that few other writers have; you can smell the canals, taste the food, enjoy the bite of the liquor and savor the wine and the spellbinding beauty of the city through the eyes of his characters.

Our young, intrepid gay couple are Nick Brink and Clay Guillory. Nick came to New York to escape his sterile and stale childhood home in the Midwest, and soon has a very well-to-do older man in love with him; Ari, who is an expert in antique silver and runs one of the few silver businesses left in the country. Nick loves Ari, but it’s not a deep passionate love; it seems more like gratitude and appreciation more than anything else. Ari does love Nick, but his plans for their future (he also employs Nick at the silver shop, which is pivotal to the plot of the book) are making Nick claustrophobic and feeling trapped. Nick looks at the years ahead with Ari (and possibly a child) and is terrified of what his life will become; while this is stable and nice and everything he could have possibly wanted…now that he has it, he’s not sure it is what he wanted after all.

Clay is the surviving companion of an older gay man, Freddy van der Haar, last scion of one of the first families of New York (going back to the days of New Amsterdam and the Dutch settlement); Freddy was one of the last surviving colorful characters of the wild and crazy Bohemian artist scene in New York, and had the wealth to really pursue the kind of life and lifestyle that no longer seems possible or to exist anymore. Everyone, of course, believes Clay is a gold digging conniver who may have even murdered Freddy for the inheritance. But the truth is not how it appears on the surface; there was no money left, and Clay has even gone deeply into debt taking care of Freddy as he declines slowly into death. Clay owes hundreds of thousands of dollars to student loans and medical bills, and doesn’t see any way out of his situation.

The two meet by chance at Freddy’s memorial service; Ari knew Freddy, of course, and Nick doesn’t want to be there. He slips out for air and meets Clay on the steps–Clay isn’t attending (he knows very well what Freddy’s friends think of him) but just wants to make sure that the flowers he ordered arrived. They encounter each other again shortly thereafter, when Clay brings in the last of the van der Haar silver collection for appraisal and possible sale; unfortunately it’s all worthless junk. But the mutual attraction is there, and soon Nick is slipping away from work and his shared apartment with Ari for afternoon trysts at Clay’s inherited brownstone in Brooklyn, which he is selling to help pay down the debts of Freddy’s estate as well as his own.

And the two lovers come up with a plan: part of Clay’s inheritance is a small piece of a palazzo in Venice which the van der Haars once owned completely. The rest of the palazzo is now owned by a wealthy investor named Richard West (whom Freddy despised), who has an obsession with the van der Haar family and wants to possess some of their silver. Why not have Clay try to sell the junk to West, and have Nick–who works for an antique silver firm, after all–falsely authenticate it so they can pay off all that debt and live happily ever after? West is a major scumbag, after all, who fucked Clay over once already; and is it really a crime to fuck over someone who is so awful? Not only will their debts be paid but Clay will finally have vengeance against the man who cheated him out of his dream job…and so begins the game of cat-and-mouse.

And what a delight it is. Bollen is a terrific writer–his gift for sentences and paragraph construction is amazing–and his characters all seem quite real. He peoples the book with a terrific supporting cast, all of whom are actualized; from Daniela the transwoman (who is old school; refuses the term “trans”) with whom Nick stays in Venice, to Freddy himself to West and his entourage. As the deception goes deeper, the pacing also begins to pick up, as well as the sense of dread as they change and adapt their plan and decide to go for even more money…and like the best Hitchcock films and all great noirs, the deeper they get into the deception, the more dangerous the game becomes.

Venice itself is a character; Bollen writes about the city with such love and affection that it becomes impossible to imagine the book being set anywhere else–and he also addresses the primary issue in Venice: the crowds of tourists and the outsiders buying apartments to rent out as Air BnB’s, thus driving up the cost of real estate and living in the city that is forcing the locals out (just like New Orleans! Something else the two have in common!)–and this also plays an integral part in the story.

I loved this book, and even though for a while it was making me think I need to scrap my Venice novella…I soon realized I don’t have to. My novella is in the perspective of a tourist falling in love with the city, whereas Bollen’s is written from the POV of someone with intimate, personal knowledge of the city that comes from living there and truly experiencing what it is to be a Venetian.

Highly recommended; it’s a great read.

Doesn’t Somebody Want to Be Wanted

Labor Day, and Lord, did it ever feel fantastic to sleep in my own bed again.

God, how well did I sleep last night? I didn’t want to get out of the bed this morning–not unusual, but I was awake and felt like getting up as there are all kinds of things to do today. It’s Labor Day; what would have been Southern Decadence weekend were there no pandemic nor Hurricane Ida, so I am not going to be overly concerned about some things; it can all wait until tomorrow. Today is about figuring out where I am and where I was at before the power went down; Paul and I were both commiserating about this very thing last night. We both were in really good places before the power outage; I was on a roll with my work and getting ahead and on top of everything as well as my working out (which I was also starting to see the results of, finally), and he was much the same with work and the gym and everything else. I still feel a little unmoored from my life and reality; like I have somehow become untethered and need to start feeling for the ground again with my toes so I can grab hold of it and anchor myself again.

It’s also lovely to be sitting here at my computer this morning, drinking my own coffee and looking out my own windows, clouded with condensation; Scooter is also very happy to be back at home. I washed all the dirty dishes last night, laundered all the dirty clothes and bed linens, and put things away. I was exhausted, bone tired; the release of all the mental stress built up into my joints and muscles being released the moment we pulled up in front of the house and started unpacking the car. I am still rather physically tired this morning, but that’s okay. I am going to putter around today, trying to get some sense of where I am and what I need to be getting to work on. The disruption has really messed me up; it seems like last weekend was months ago, and I have some vague recollections of things I need to be doing…I do have the last to-do list I made (which needed to be updated before the disruption) which will work as a starting point. I also kind of need to stay motivated while I go–but the being tired/exhausted/drained thing will undoubtedly prove to be a problem for me today. I think I am going to do some kitchen cabinet purging as well as book purging; and I do want to spend some time with SIlvia Moreno-Garcia’s Velvet Was the Night. Oddly, once we were in the hotel and I had access to the Internet and a television to watch, I didn’t do very much reading…so with Cox still down here at the Lost Apartment, I don’t have television to distract me…although I can probably stream things to my computer or iPad.

Another thing I need to do is figure out what all I ordered and was expecting in the mail before the disruption; I know Rachel Howzell Hall’s book was coming, and I had ordered ink for my printer (which won’t connect via my hotspot to the computer, so I can’t print or scan, which is frustrating–but I will try again later). I also am not sure what the mail situation is here, either–so I will undoubtedly spend some time today trying to figure that out. Paul’s medications also come in the mail, so there’s that pressing need as well (and yet another reason I refuse to have my prescriptions mailed to me. I can stop at CVS and pick them up in person, thank you very much). I also want to do blog posts about all the great books I read when we were without power; I’ve already done Megan’s today, and it would be great to get the rest done as well, but I also want to do them justice. I am still rather in awe of all the good reading I did during the power outage, frankly, and really need to dedicate some time every day to doing some kind of reading.

It looks like our office is still without power. Our gym emailed us last night with their temporary post-storm hours; which is also kind of cool. (I may go over there today; my body has really been missing the stretching and exercising, and, as I said, I had kind of gotten into a groove I’d like to get going again, especially since I am starting to see results from the regular visits; also, since I had to throw away so much food from the refrigerator/freezer, temptations have been removed and I can restock healthier food options…) I do have work I can do at home while we wait for the office to reopen, but I am going to allow my supervisor to have today free before I start pestering him about my work at home assignments; there are any number of things I can do in the meantime, of course, but I do wonder how long it will be before we are able to start seeing clients and testing them again. When will we get supplies? is the question.

And on that note, I am going to head into the spice mines for a while. Have a lovely Labor Day, Constant Reader, and will probably be back later with another book post.

You Are Always On My Mind

Saturday morning and LSU football is back–playing UCLA in the Rose Bowl. GEAUX TIGERS! Will the Tigers go back to their usual winning ways after the disappointments of last season? I guess we will find out tonight, won’t we?

Last night I actually fell asleep. I had slept better Thursday night than I had since the power went out, but it wasn’t the same thing–it was mostly half-sleep, but I felt rested, if on edge most of yesterday. Before I even tried to sleep last night, I realized how much stress and tension I was carrying in my back, shoulders, and neck–and so I did some serious, serious stretching to get it loosened up–and it was lovely feeling that tight tension leaving my body. And after I did that last night, I zonked out for real and went into an amazing, blissful, dead-to-the-world sleep and it was marvelous. Entergy is supposedly getting our power back today, so we can return tomorrow–we shall see. I am resisting going to the Entergy website and refreshing the outage page repeatedly; our landlady (who bravely stayed, but her office had power return so she’s been hanging out at her office every day and going home to sleep at night because of the curfew) has promised to call or text as soon as it does…but that will NOT stop me, you know. I am resisting the urge to go do it right this very minute, in fact–which is ridiculous, of course because I already checked before I started writing this.

Yesterday was a lost day, really. Despite being rested, my body was still messed up from the five days; not eating much and not sleeping will take a toll on you, and yesterday was one of those low energy/don’t feel like doing much days–something I’ve not really experienced in a long time, but not surprising, really. We spent most of the day in the room–there’s not much to do here–watching the US Open, scrolling through social media and so forth, and trying to get caught up on my emails. I think I have it mostly under control for now; I am probably not going to mess with email anymore until we get home and I can sit at my desk with my big screen desktop and go to town on it. Still not sure what’s going on with the day job; that’s all up in the air, but in emailing back and forth with my department head yesterday I began thinking of all the things that will need to be done around the office, despite everything, and so I should be able to get work done this week once the Lost Apartment has power again.

Scooter has finally adapted to this motel room and is acting like himself–demanding attention and hugs and back rubs, which is a relief. I was getting a bit worried about him, to be honest; but it just takes him a minute to adjust, I guess. It took me a day to get used to sleeping in this bed, after all, so why wouldn’t it take him a hot minute to get used to being someplace he had never been before, knew nothing about, and was filled with different and new smells and sounds? But he’s a sweet boy, curled up with Paul while they both sleep at the moment. I am making a list of things to pick up to take back home with us from the grocery store here–there’s no telling what the situation will be with the grocery stores in New Orleans, or when they will be restocked; I mean, if getting gas is an issue in Louisiana trucks are going to have problems getting in, aren’t they? I am definitely getting a cooler and some perishables to pack into it with ice, just to be on the safe side. It would completely suck to not have food–but then again, with power, I can cook the stuff in the cabinets, which could get us by for a while; although I am sure we’ll get sick of pasta pretty quickly.

And while I wait for the games to start today, maybe I’ll do some writing. Buried deep in my emails were all sorts of things I should have been able to answer leisurely and put some thought into earlier in the week; yesterday I had to scramble and my brain was already fried from everything, so the recipients of those emails will probably think what the hell? But I did explain the situation and hopefully they’ll understand and not think I am both unresponsive and insane.

And of course it’s Labor Day weekend, which I keep forgetting about. Ordinarily this would be Southern Decadence, which was theoretically canceled, I think, even before Hurricane Ida? (I still cannot believe we stayed and rode out a Category 4 storm; what the hell were we thinking? Well, yes, we didn’t really have much of a choice, but my God. That was definitely not something on my bucket list–and I doubt anything we will ever do again, given a choice. Then again, given a choice, we wouldn’t have stayed this last time, either.)

I think I am probably going to try transcribing that short story I started writing in my journal last weekend, “Parlor Tricks,” which I think could actually wind up being a pretty decent story–even if I don’t know where it’s going or how it’s going to end (which often happens with story ideas I have, but sometimes I can write my way through it)–while waiting for the games to start today; it’s definitely a way to pass the time. I may even (ha, as if) try writing some on Chlorine today–yeah, right, who am I fooling? But I will certainly read some more of Velvet Was the Night, which is very interesting; Silvia Moreno-Garcia is a very interesting writer–and prolific–and I am delighted to see her career taking off the way it is.

And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and hopefully tomorrow’s entry will begin with me announcing we are heading home!

Somebody Wants to Love You

I still feel a little bit disoriented, to be honest. I have to stop and think about what day it is–wait, it’s Friday, right?–and then have to check my phone (blessedly charged now, thank heavens) to see the day and date. I had posted something on my phone the other day about the misery of late August in New Orleans without power, and my friend Leslie commented, good thing it’s September now–which sent me into a tailspin of panic and fear (which was certainly not her intent) about paying the bills. I knew I was ahead on paying them, but couldn’t remember if I had paid everything and couldn’t check my Google calendar to be certain…which was one of the first things I did when we got all settled in last night. Apparently, I was even more efficient than I’d remembered–I’d paid almost everything except two credit cards (not due until next week) and in fact, other than those two, nothing is due again until I get paid again. Quite marvelous, to be honest; money has been such a stress factor for the last few years that I’d forgotten what it was like to be ahead on everything–which is always my preferred state.

And once I post this, I have about a gazillion emails to get through, try to figure out where I am with things, and then I can completely relax. This motel has a nice continental breakfast set up (only from 6-9 in the morning though) so I had to slink down there this morning to grab two cups of coffee before they closed down. It’s not the best coffee by any means, but it’s coffee–and I’ve not had any since this past Sunday. I didn’t sleep great–getting used to a bed that is not my own is always an issue whenever I travel–but I rested, which makes all the difference in the world. There’s an all-staff phone call at noon today that I obviously am going to try to get in on.

I checked with Entergy this morning as well, and there’s not even a rough estimate of when we’ll have power at the once again Lost Apartment. Heavy sigh. But that’s okay; I don’t know how long we’re going to be wandering this time but at least this time there’s definitely an end to it in sight; we were out of the Lost Apartment for 15 months (which, for those of you who are new here, is why I started calling it the Lost Apartment in the first place; we’d just moved into it like two months before Katrina from the much smaller carriage house before we lost the apartment for over a year); this time won’t be anything like that, thank God. Currently, our fluid plan is to drive back to New Orleans on Sunday, see what’s up, drop off the dirty clothes and repack with clean ones, and head back out again if we need to. We obviously don’t want to come all the way back up here to Greenville, but hopefully with Labor Day over we can possibly stay somewhere closer to home, like Biloxi or Gulfport. (And I can make those arrangements here before we check out Sunday morning, while I still have WiFi.) Ah, well. At least we have the privilege to do these things–other people don’t have credit cards or savings accounts or a working car or any of the myriad of little things you need to get out of town. And we can watch the LSU game Saturday, which is also terrific. GEAUX TIGERS!

I only brought two books with me–Velvet Was the Night by Silvia Moreno-Garcia and Six Days of the Condor by James Grady–but I do have the iPad–so I can always read the shit ton of books I’ve bought on sale for my Kindle over the years but never seem to get around to. I did get over my aversion to reading electronically during the early days of the pandemic, when I couldn’t focus on reading new things so I went back and reread some old Mary Stewart and Victoria Holt favorites; that cured me of not reading electronically (but it’s still not my preference, thank you very much). I also want to transcribe the short story I started writing in my journal that last Saturday night we had power (“Parlor Tricks”), and maybe work on Chlorine a bit. It will probably take me HOURS to get through all the emails that have accumulated, but that’s fine. Paul got up for breakfast, and he and Scooter went back to sleep shortly thereafter, so I have some definite down/quiet time here for a while. I had thought I had started blog entries already for the books I had read during the week, but had not–so am not sure when I will be able to get around to writing about those wonderful books; but you can be sure I will at some point–even though I don’t have the books with me for reference, and of course, my memory–already shot to pieces–is never very good after a catastrophe.

A lot of people have been recommending the Bates House of Turkey as a place to eat here; so we’ll be checking that out at some point. The only other options are fast food–blech–but we are going to need to eat and what choice do we have? I can always, once normality has been restored to New Orleans, hit the gym really hard. The wake of catastrophes are always good times for my body, really; as my body is something I can control (to a point, of course) I inevitably, when reminded that I don’t really have much control over my life and my destiny, tend to focus in on the things that I can control; my body being one of those things. Paul and I really do need to eat healthier–we ain’t getting any younger, hello sixty year old Gregalicious!–and the irony was the night I had dinner with Ellen Byron at Red Gravy (it seems like a million years ago, hello again, complete loss of any sense of time) was the first time I had worn a Polo style shirt since before the pandemic, and I was stunned at how the shirt fit–how big my chest, shoulders and arms looked; how much narrower my waist had become, just with the mostly half-assed workouts I had been doing. It felt nice, if you don’t mind my confessing to my own vanity–so if I actually started eating healthier….who knows?

And on that note, it’s time to head back into the spice mines and try to get on top of the email situation. Will check in again with you soon, Constant Reader, and have a lovely Friday!

I’m on the Road

We tried to stick it out, ever hopeful that Entergy would pull off a miracle, but today we cracked and couldn’t take it anymore. We were also out of food, and while some stores are indeed open (without power), it was incredibly ridiculously hot today; I’ve not really slept since the power went out Sunday morning; and we decided to go today. With it being the Thursday before Labor Day weekend, I knew–between Louisiana evacuees and “last holiday weekend at the beach” people, there was no point in following I-10 East and trying to find anywhere to stay. I only had a half-tank of gas, and wasn’t sure we’d be able to get any if we went north or west, so we headed east on I-10. We got gas near Biloxi (yay!) and once we hit Mobile we turned north. I knew we’d be able to find a pet friendly room somewhere between Mobile and Montgomery, and I was correct. Paul, Scooter and I are now checked into a motel in Greenville, Alabama. We’ve both taken our first hot showers since before the power went out, and are relaxing in the air conditioning (on high and full blast) while the US Open plays on the television. Everything is currently charging. Scooter isn’t sure what to make of this, as he has never stayed anywhere besides our house or the Cat Practice in the last eleven years, but he was great in the car and just slept…which is his usual state. I am looking forward to tonight’s sleep–you have no idea, Constant Reader, how much I am looking forward to finally getting some sleep. We have the room until Sunday–we’ll either go back to New Orleans or decide what to do next then. I’ll worry about it tomorrow.

It was very weird how quickly this storm came together–we barely had space to breathe or even think, and then it was already too late to go. I had to turn in my edits on #shedeservedit by the first; there were rumblings Friday morning that we were in trouble, and I had to power through the edits to get them done just in case (a wise decision, for once). I had to have my teeth cleaned Friday morning, and after I got home from that I just worked on the edits, finally finished about half an hour before I was due to meet my friend Ellen Byron for dinner at Red Gravy on Magazine Street. (The dinner and the conversation was marvelous.) Saturday morning I got up and by the time I was coherent–I overslept a bit, as did Paul–it was too late, really. I-10 in both directions a parking lot; I-55 and I-59 north both the same. We left very late for Katrina–and the crawl across the twin spans with the beginnings of the system starting to come in was not something I ever wanted to live through again. We just kind of looked at each other, and decided to ride it out and hope for the best–figuring if we made it through, we could leave afterwards. We watched a lot of television Saturday night, went to bed relatively early, and then of course, Sunday morning the power went out around eleven. I grabbed a book–I had started Megan Abbott’s The Turnout last week, and so I read for the rest of the day.

The storm was terrifying. The entire house rattled and shook, and there were times when I thought–I would swear to God this is true–I felt the house shifting before settling back to where it was once the gust had finished. I kept waiting for the windows to blow out–I moved my computer away from the windows–and finally, it was over. I never want to ride out a storm like that again, frankly; once was more than enough. And then we settled in to wait for the power to come back on, with no Internet and very very VERY spotty (did I say VERY) cell phone service, we were essentially cut off from the rest of the world. My friend Alafair texted me at some point and I asked her if the levees held; we literally had no idea what was going on, not only in the rest of the world, but in our own city–let alone our neighborhood. The weather was hot and humid but bearable–it was miserable, but it could have been much worse; had Monday been like today we would have left then.

I did manage to read a lot–I finished The Turnout and moved on to Yes, Daddy by Jonathan Parks-Ramage (loved it!), Dead Dead Girls by Nekesa Afia (also recommend); A Beautiful Crime by Christopher Bollen; Everything I Never Told You by Celeste Ng; and A Letter of Mary by Laurie R. King. I started rereading Paul Monette’s The Gold Diggers, and also started Silvia Moreno-Garcia’s Velvet Was the Night, which came with me to Alabama. I am going to do blog posts on all of these books at some point–it was a week of amazing reading, frankly–and I also thought a lot about things I am working on and things I want to be working on, so it wasn’t a total loss of a week. I cleaned and organized in the kitchen some, and of course today I had to throw away everything in the refrigerator and the freezer, which was sad–all that money into the trash–but better to clean it out now rather than let it sit in there rotting and then come home to it. (A valuable lesson from Katrina.)

I thought about bringing manuscripts to edit with me, but then decided not to–I have the electronic files, after all, and I have enough paper around as it is. I started purging books again too–and I spent a lot of time, as I mentioned, thinking about things and life in general and what my priorities should be going forward–there’s nothing like a catastrophe to make you sit down and think about what is and isn’t important–and I am going to probably make some changes going forward. I hate that this disruption came when I was on a roll–with my writing, with the gym, with the reorganization of the apartment–but I am glad that it did happen in some ways; I was kind of letting myself drown again and a reset was kind of necessary. I also don’t know how long this particular disruption is going to last, either.

So, I am going to relax, enjoy hot showers and air conditioning and having access to the Internet again–and read and write and try to dig out from under.

And now I am going to take a doll and go to sleep.

Til tomorrow, then.

I Really Want to Know You

So, last night I was sitting in my easy chair waiting for Paul to come home–he was quite late; I spent the entire evening debating whether or not to just watch a movie while I waited; I never did and wasted the majority of the evening, so tonight when I finish working I am going to just pick something on TCM and start watching–I got tagged by Nikki Dolson on Twitter. Nikki was congratulating me (and Thomas Pluck) for being listed as “Other Distinguished Mystery and Suspense of 2020” in the back of Best Mystery and Suspense Stories of 2020, edited by Steph Cha and guest edited by Alafair Burke! I stared at my phone screen in disbelief for quite a few minutes, trying to process the enormous thrill and honor two women I greatly admire and respect, not just as authors but as intellects and people, had bestowed upon one Gregalicious. The book won’t be released until October 12th, but I am still agog and aglow with the thrill and shock of almost being included in it–with a gay story, no less, about hidden gay American history. Yes, the story was “The Dreadful Scott Decision” from The Faking of the President, edited by Peter Carlaftes, and ironically, I was just telling a friend the other day about how gracious Peter was about my story, which was utterly and completely different from everyone else’s in the book; everyone else set their story during the President’s incumbency and also set them in the White House. Mine was about James Buchanan, theoretically, but was set in the present day and had nothing in the White House, nothing in Washington, nothing in general–so while my story stood out like a sore thumb from the others, Peter never said a word, never asked me to change anything, never asked me to do anything different. In fact, he was incredibly supportive and encouraging.

Three Rooms Press has always been delightful to work with–I worked with them for Florida Happens, as well–and the entire experience was marvelous.

It’s been a good week for me, career-wise. Not only did this happen (aren’t you glad I am not boring you to tears with my usual “short stories are so hard” and “I have no confidence in writing short stories because of my evil college professor” the way I usually do when something good happens to me with a short story?), but I signed a book contract for a new series on Monday–more on that later–AND I also found out yesterday that an anthology I’d written a story for (completely forgotten) is finally being released this fall as well….looking at the contract, I am due a rather nice and hefty fee for my story as well. So, yeah, this has been a great week for me and my career thus far; and now I get to wait for publishing (or life) to pull the rug out from under me again.

Yesterday was a good day, if weird. I kept thinking it was Thursday (likewise I keep thinking today is Friday), but I made a list of things I wanted to get done yesterday (the micro list) and the good news is I made it through the micro list–but the bad news is I haven’t made the macro list yet. But it’s fine, really. I picked up the mail, dropped off a book I am returning, and then stopped in the Irish Channel to take pictures and get a sense of the part of the neighborhood where I am setting the new series. It was sooooo hot yesterday–I mean, furnace level, and I kept thinking, I’m supposed to be hanging out with Wendy this afternoon and having dinner with Laura and Alison and Wendy later…as I walked around taking pictures and sweating. I also realized as I was doing this that I had pictured the neighborhood differently; my primary memory of it was when my friends Lisa and Carrie rented half a big Victorian on Constance Street back in 1995 (the same house I am using for “Never Kiss a Stranger”, actually) and I realized my memories don’t match because they lived further down town in the Irish Channel. It’s not a big deal that my memories were off–I am not using the exact houses on the block I’ve chosen anyway; the pleasure of fiction–but it was a bit of a surprise and a bit of a reminder that I need to not completely count on my memories and sometimes need to actually go look at the area I am writing about. After I got home from my research trip, I changed and walked to the gym in the heat–and my God, it was hot. I was drenched in sweat when I got to the gym (they’ve started getting the new equipment in) and put myself through a Leg Day (which I am still feeling this morning, to be honest), then walked home. I was drenched in sweat by the time I got back to the Lost Apartment, and was also drained of energy by the heat and the sunshine–so I chose to not work on the book yesterday and start doing clean-up and organization stuff around the Lost Apartment, and I did get a lot done, actually. Today I am not leaving the house (I was thinking about doing the gym again, but it looks just as miserably hot out there today as it was yesterday and it can wait until tomorrow, quite frankly). I have some other errands I have to run tomorrow as well, so I am just going to make a micro list for tomorrow as well. I don’t have to go back to the office until Tuesday, which is nice, but I want to get even further in the revisions of the book today (ideally, finishing it tomorrow so I can let it sit for a day or two before going over it again). I also spent some more time brainstorming the new series last night, which I think I am going to try to make funnier than I originally intended it to be.

And as low as I had been feeling about my current manuscript, I have to say the love my writing has been shown this week has really made me feel much better about it. Writing and publishing is always highs and lows, peaks and valleys; a rollercoaster of sorts, if you will–and I seem to spend most of my time in the lows and the valleys for some reason–probably a mental issue of my own having to do with fearing and mistrusting happiness and joy, probably–so yes, positive reinforcement is as necessary for me as it is rare. And of course, even as I am aglow with happiness and joy over this latest bit of positive reinforcement, that ugly little voice in my head is there, whispering its poison: you’re excited about ALMOST making the final cut? My, how pathetic IS your little career?

I fucking hate that voice, for the record.

But I am not letting it harsh my buzz this morning. I am going to finish this, drink some more coffee, eat something, and then I am going to get to work. The book isn’t going to fix itself, after all, and the Lost Apartment most definitely isn’t going to spend a single second cleaning itself…and Megan Abbott’s book is calling me.

Have a lovely day, Constant Reader!

It’s Not Right But It’s Okay

Sunday morning and it’s probably about time that I get back to work. I don’t want to–this birthday mini-vacation has been quite lovely–but I have things that need to be finished and turned in by the end of this month (hello, edits and revisions) and I have to stop putting that off. I only have to go to the office twice this week–tomorrow and Tuesday–before my Bouchercon vacation begins–but my plans for that time is to get things done and then take time to myself.

Well, I may take Wednesday as a day off. I need to drive around New Orleans and do some research; Wednesday should be perfect for doing that, methinks….so maybe taking a day off to begin with to get into the groove of getting everything done that needs to be done by the end of the month could wait until Thursday to get started…but then on the other hand, maybe it a sight-seeing research trip around the Irish Channel wouldn’t be a huge distraction from getting things done that day….alas, I was supposed to have dinner with great friends that night (fucking Delta variant anyway) but I am going to try, very hard, not to let these things disappoint or depress me. That’s a sure way to guarantee I’ll get nothing done.

I started reading Megan Abbott’s The Turnout yesterday and was, of course, immediately enthralled. She manages to somehow lure you in with the opening sentence, something cryptic, eerie, and yet compelling. Her books always have this same voice–I’d say mournful, but that’s not accurate either–always a variation that fits the story and the characters, but that lyrical, poetic, economic way of establishing mood and dramatic tension is almost ethereal and dream-like; even if the dream will, as always, eventually bare its teeth at the reader. God, how I wish I could write like that. I always wonder how writers as gifted as she write their books–do they write a sentence and then agonize over how to find the right words that create the right rhythm, or do they agonize over which word to add as they go? Me? I just vomit out three thousand or so words at a time and then go back and try to make it say what I wanted to say how I wanted to say it; nothing poetic, lyrical, or dream-like about my work. But I write the way I write–I used to want to be Faulkner when I was in college; I think it’s fairly safe to say that ship has sailed–and I cannot be terribly disappointed by anything I write anymore. I am pleased with the work I am doing–have been doing–and as long as I remain pleased by everything I write going forward, I am going to be just fine. I am intending to spend some more time with Megan Abbott this morning before diving into the edits/revisions before heading to the gym; and intend to do even more revisions/edits after my brief workout this afternoon.

We started watching The White Lotus last night and I am on the fence. I really don’t care much for any of the characters–the acting is terrific, the writing is fine, but I can’t wrap my mind around a point, if there even is one, you know? I rewatched this week’s Ted Lasso, and one thing I’ve noticed–there are so many lovely little touches to this show–that is one of my favorite things is that Keeley always laughs at Ted’s jokes, no matter how corny, no matter how bad the pun–she always laughs, and she always did, from the absolute beginning. In fact, Keeley was the first character on the show to see and accept and like Ted; which made her even more likable.

I also managed to finally get my TCM app working on the Apple TV yesterday–you’ve always needed a television provider for access; once I let Cox go it wouldn’t allow me to use Hulu, but now it does–and I immediately cued up and watched The Strange Love of Martha Ivers, a terrific noir with Barbara Stanwyck as Martha…and as I watched, I realized how much that plot device–a murder committed and covered up by kids, only to have everything come home to roost when they’re adults–gets used a lot today. I saw this movie for the first time when I was a kid, with my grandmother; WGN used to show old movies after the 10:00 pm news in Chicago as well as every afternoon at 3:30 (which is where my educational grounding in classic old films started). I’d forgotten that the magnificent Judith Anderson played Stanwyck’s horrible old aunt that she winds up killing; Anderson was robbed of Oscars at so many turns in her film career–Rebecca, And Then There Were None, this–it really is a shame; but at least those great performances are preserved forever on film. I am very excited, to say the least, about having access to the full range of TCM again; I can now watch movies instead of getting sucked into watching old LSU games on Youtube or history videos (I’ve been watching a lot of biographies of the Bourbon royal family of France during the seventeenth century, and will ask again: why has no queer biographer/historian/novelist written about Louis XIV’s openly gay brother, Monsieur, Philippe duc d’Orleans?). Just glancing through the app yesterday, there were so many movies I wanted to either see for the first time, or rewatch for the first time since I was a child…and of course, watching old film noir (along with reading old noir novels) works as research for Chlorine.

That’s me, multi-tasking and always finding a way to justify wasting time/procrastination. I am quite good at it as well, in case you hadn’t noticed.

I also woke up earlier–well, I woke up around the time I usually do, just got out of bed earlier than usual. The last few days of not getting up before nine, while lovely and restful, also managed to somehow keep the lethargy going throughout the rest of the day. I am hopeful that will not be the case today. I am going to spend an hour or so immersed in Megan’s new book, and then I intend to straighten things up around the kitchen before digging into the edits/revisions of the Kansas book–which I have allowed to languish for far too long–and I also need to clean out some things (spoiled food) from the refrigerator as well as try to get my lunches prepared for the two days in the office this week.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will talk to you on the morrow.