Category: diversity

Ooh Baby Baby

There is no question that Agatha Christie is one of the giants (if not the giant) of crime fiction.

Agatha Christie was one of my gateways to adult crime fiction (along with Charlotte Armstrong, Phyllis A. Whitney, and Victoria Holt); if I remember correctly the first book of hers I bought was Witness for the Prosecution (which I didn’t know was a short story collection) and the first novel of hers I read was Murder in the Calais Coach (best known as Murder on the Orient Express; the former was a short-lived American title for the book, and frankly, isn’t an improvement; why make the title about something no one would know what is was? Everyone knew the Orient Express). I eventually read everything she wrote, with a few exceptions (I still haven’t read Murder in Three Acts or Death in the Air) but the first Miss Marple novel I read was A Caribbean Mystery. I always preferred Miss Marple to Poirot, but I kind of want to give a Poirot or two a reread; Donna Andrews made a very clever observation about him on one of my social media posts which provides another lens for me to read through.

I found a hardcover copy of A Caribbean Mystery somewhere since we moved into the Lost Apartment; I’m not sure where. I certainly don’t remember buying it on eBay (the only other Christie I have in hardcover, Halloween Party, is missing its dust jacket, and I think I got it at a yard sale? But wait! It’s a Poirot! And has Ariadne Oliver, Christie’s stand-in! Yes, that’s a reread for the new lens for Poirot! And now that that’s sorted…), so there’s no telling where it came from. I don’t know why it took me so long to reread it–it’s actually on the short side–but it did take me a while. Maybe because there was no urgency because I remembered who the killer was?

“Take all this business about Kenya,” said Major Palgrave. “Lots of chaps gabbing away who know nothing about the place! Now I spent fourteen years of my life there. Some of the best years of my life, too–“

Old Miss Marple inclined her head.

It was a gentle gesture of courtesy. While Major Palgrave proceeded with the somewhat uninteresting recollections of a lifetime, Miss Marple peacefully pursued her own thoughts. It was a routine with which she was well acquainted. The locale varied. In the past, it had been predominantly India. Majors, colonels, lieutenant-generals–and a familiar series of words: Simla. Bearers. Tigers. Chota Hazri–Tiffin. Khitmagars, and so on. With Major Palgrave the terms were slightly different. Safari. Kikuyu. Elephants. Swahili. But the pattern was essentially the same. An elderly man who needed a listener so that he could, in memory, relive days in which he had been happy Days when his back had been straight, his eyesight keen, his hearing acute. Some of these talkers had been handsome soldierly old boys, some again had been regrettably unattractive; and Major Palgrave, purple of face, with a glass eye, and the general appearance of a stuffed frog, belonged in the latter category.

Miss Marple has bestowed on all of them the same gentle charity. She had sat attentively, inclingin her head from time to time in gentle agreement, thinking her own thoughts and enjoying what there was to enjoy, in this case the deep blue of a Caribbean sea.

I decided to reread this book for several reasons. First, I am reading a lot of “cozy” mysteries (mysteries with amateur sleuths as the main crime-solver) because I am writing one myself; second, because I’ve been wanting to revisit Christie on a smaller scale (there’s no way I could reread her entire canon again); and third, because I read a piece recently somewhere (Crime Reads, perhaps?) about the enduring legacy of Christie despite some problematic aspects to some of the books (I was well aware of the classism and anti-Semitism, and VERY WELL AWARE of the various problematic title changes for And Then There Were None over the years), and this one was mentioned. I remembered the book, I remembered the story; I remembered that this was the book where Miss Marple met Mr. Rafiel and she became, in some ways, Nemesis to the two of them (one of the later Marples was, in fact, Nemesis, and Mr. Rafiel sent her a murder to solve from beyond the grave); but I wasn’t so sure I remembered why precisely this book was problematic, could be see that way. So, I took it down from the shelves, and started reading.

The premise of the book is this: Miss Marple had a rough winter, having contracted pneumonia, and her nephew, bestselling novelist Raymond West, has decided to send his beloved elderly aunt to a warmer climate to recuperate–St. Honoré, to be exact, in the Caribbean, or the West Indies–at the Golden Palm Hotel resort. (St. Honoré is, of course, fictional; I may use it if I ever need a fictional Caribbean setting) As she sits in the warm sun, knitting and observing the people around her–she is always watching–and half-listening to the pompous bore rattling on to his captive audience (this scene, and her thoughts about Major Palgrave being of a type who really doesn’t need anyone to really pay attention, but to just be in hearing range with the proper noises being made when necessary, is quite insightful and brilliant; haven’t we all been there in that situation?), when he asks her if she wants to see the picture of a murderer? Since she isn’t really listening, she assents and continues to observe and watch everyone around her, and as he is reaching into his wallet to show her a picture of said murderer, he stops, turns quite purple, shoves the photo back into his wallet and loudly changes the subject. This does catch her attention, and she turns around to see what he saw–but doesn’t see anything or anyone that could explain this behavior change. He then makes excuses and leaves.

And of course, he dies that night–and this incident nags at Miss Marple. His death is explained away by him having high blood pressure, and having drank too much on top of his medication; but she isn’t so sure. And then she makes up a lie about the photograph, which she tells the doctor, and it turns out the photograph is missing.

Obviously, the Major was murdered, and did he really have high blood pressure, or is that merely gossip? As Miss Marple observes, “it’s very easy to get a rumor about, and people will just repeat it. There’s never any first-hand knowledge; it always A heard it from B who heard it from C and no one can really pinpoint where the story started.”

It’s a good story, with lots of suspects and suspicious behavior and trying to sort rumor from truth, but two more people wind up dead–a very common theme in Christie is a murderer having to kill others to cover up their original crime–before Miss Marple remembers something and figures out not only who the killer is, but who their actual target was from the very beginning.

And yes, there’s some serious problematic views of the islanders from the British paternalistic colonialist point of view. But Christie herself never says anything problematic–it always comes from the mouth of one of her characters, who, given the time period, would inevitably think that way–side comments about how many of the islanders are in committed relationships without benefit of clergy; etc. etc. etc.

So, I would say it held up about 95% on the reread; yes, there’s some problematic stuff that might be jarring for someone to read now for the first time and would probably not be allowed past the editorial process today–and excising it wouldn’t harm the book in the least.

It Came Upon A Midnight Clear

So, over the weekend I finished watching Chapelwaite.

What a terrific series this is!

When I started watching, I must admit I wasn’t compelled to continue watching past episode one. The story it’s based on (“Jerusalem’s Lot,” the only original story written for Stephen King’s collection Night Shift) was never one of my favorites, and I remembered it primarily as an epistolary story that never really got anywhere, if that makes sense–it really was just the letters of a man who was losing his mind, trying to get to the bottom of the weirdness going on in his inherited home, Chapelwaite, and there was something about “the worm” and so on. King described it as “Lovecraftian” in his seminal work on horror, Danse Macabre; and I had never gotten into Lovecraft, so I always figured I was missing something in the story because of that, and never revisited it. The first episode moved kind of slowly, as first episodes are often wont to do, and it did inspire me to reread the story–which I liked a lot more on a reread. But the episode started too slowly for Paul, and so we abandoned the show. A friend recommended it highly–“stick with it, it really picks up” so during my condom packing duties last week I started again with episode 2.

Very glad I did; and I really need to remember the truism that one should always give a show at least two episodes before abandoning it–unless that first episode is really and truly terrible (I’m looking at you, I Know What You Did Last Summer). Chapelwaite’s first episode was not terrible; but it was a very slow burn to set up the story. One thing I did greatly appreciate with how this show was done and cast was how the main character, Charles Boone (played perfectly by Adrien Brody), was more fleshed out and developed than he was in the short story. In the story, no mention was made of any spouse or children for him; his only family was the cousins who lived at Chapelwaite. The show gave him a Pacific Islander wife–who was already dead when the show opened, and three children, Honor, Loa, and Tane. In the show Boone was a whaler who lived at sea with his wife and children; the much-loved wife died of tuberculosis, and the younger daughter has rickets, so one of her legs is in a brace. The children are quickly seen as outsiders because of their mixed race heritage in the small town of Preacher’s Corners, the nearest town to the house; it isn’t just the mixed race children that are the source of the animus of the townspeople toward the Boone family. The Boones are blamed for a mysterious “illness” that infects and gradually kills the villagers; no one really knows what causes the illness or how to combat it effectively.

Charles is soon having weird visions, and hearing rats–or something–scratching within the walls of the house. An exterminator finds nothing in the walls, no signs of rats or mice or anything, which makes Charles think he might be going insane. He also engages Rebecca–who is not your run-of-the-mill nineteenth century young woman in small village in Maine. Rebecca has ambitions and desires of her own–to escape Preacher’s Corners, to become a writer, and she has been educated; so she comes to Chapelwaite to tutor the children and get them up to speed. Of course, the other children at the school are horrific to the Boone children, just as most of the adults are horrible to Charles. (Rebecca is played perfectly by Emily Hampshire, better known as Stevie on Schitt’s Creek, and the range she has is clear in this role; which is as far from Stevie as she could possibly get.)

But once the show starts rolling–as Charles and Rebecca and the children begin to find out what is really going on at Chapelwaite, and in the nearby abandoned town of Jerusalem’s Lot–it just keeps picking up speed. It is also truly Gothic in tone and feel; beautifully filmed and shot and the cast is perfect in their roles.

Highly recommended; one of the best King adaptations I’ve seen.

It’s Beginning to Look a Lot Like Christmas

Friday morning and I have a dear friend’s retirement party to attend in the Bywater this evening. I have to run some errands–including stopping by the office–at some point during the day, and it looks like I shall have to postpone working on the book until tomorrow as there isn’t any way to make time for it today. But these things happen; sometimes life doesn’t allow an author an opportunity to write. It’s not the best possible outcome of a day, of course, but there it is.

I also further aggravated a muscle strain in my left shoulder (usually it’s my right one that becomes an issue, from an old wrestling injury) at the gym last night. I noticed the ache the last time I went to the gym–and thought I could push through it at the gym again last night. I noticed it when I was doing the chest exercise–I had to significantly lower the weight in order to do the exercise–but ironically, the only other time it was an issue was doing tricep pushdowns, when the shoulder merely works as a stabilizer for the working of the triceps. I had to abandon that entirely, and it did make me wonder as I walked home how I strained the muscle in the first place? It’s also worrying, now that I am back into the swing of actually working out again, that I now have a ready-made excuse to talk myself out of going every other day. On the other hand, it’s just a strain of some sort–not even a pull–so it can undoubtedly be worked around. The gym was also very crowded last night, which was irritating; I really need to get used to going into businesses that are more full than I’ve gotten used to over the past year or two. And especially since it’s now Christmas time; everything and everywhere is going to be more crowded.

Sigh.

While I was making condom packs yesterday I started watching Chapelwaite on Epix. I originally started watching it with Paul, but he thought it was too slow and didn’t care to continue watching it. I knew almost from the get-go that it was most likely a slow-burn; it was very Gothic in feel, which inevitably means a slow-burn (a friend asked me if I was watching, and when I said we’d stopped, told me to go back and finish–and she was right). The show is exceptional–it did take me a while to get used to Emily Hampshire playing someone not Stevie on Schitt’s Creek–and if you’re into Gothic horror and suspense, it’s right up your alley. It also handles issues of class, race, prejudice and provincialism extremely well; and the steady sense of dread and building suspense is quite remarkably done. I am really looking forward to finishing watching, to be honest. The afternoon flew past as I watched. It’s based on the story “Jerusalem’s Lot,” by Stephen King, from his Night Shift collection, and yes, it does sort of fit into the mythology of his terrific novel ‘salem’s Lot. I’m not sure if that was his intent when he wrote the story–Chapelwaite, the house in the story, is in some ways similar to the Marsden House in ‘salem’s Lot–which is yet another reason I am looking forward to seeing how this all plays out.

It also gave ma a good idea for another Alabama book, a sort of sequel to Bury Me in Shadows. So huzzah indeed!

But as Friday looms, there’s a lot I have to get done this weekend–I really need to get caught up on the book; I want to finish reading A Caribbean Mystery, and as always, there are endless chores to be done, and don’t even get me started on my email inbox–but I have faith that I shall persevere, and will come out on the other side of the weekend with much ado and accomplishment. (Yes, I do crack myself up from time to time, thanks for asking.) I slept really well last night–we got through the second season of OG Gossip Girl and are now into season three; it really is fun to watch, especially seeing bigger name stars of the present in early roles–Armie Hammer (although one can argue he no longer has a career of which to speak) was in the second season, for example, and yes, shame that he turned out to be what he turned out to be, as he was very good looking and reasonably talented–and our addiction to this show is allowing other shows we watch, or ones we want to watch, pile up so we’ll have plenty to watch in coming weeks and months, which is lovely.

I also think I am finished with Paul’s Christmas presents, but am not entirely sure. I’ll assess once they are in my hot little hands and wrapped (and hidden). And I do need to do my Christmas cards at some point–tick tock, said the clock.

And on that note, tis time to head back into the spice mines. Have a lovely Friday, Constant Reader, and I will speak with you again tomorrow.

Silent Night

And just like that, it’s Thursday again. The sand in the 2021 hourglass is running ever more quickly with each passing day, Christmas is nigh, and I think I have everything figured out that I want to get Paul for Christmas. He is very hard to buy for, and he is so much more thoughtful than I am–he always gets me the best gifts–so I am hoping that he will be pleased with what I get him this year.

Yesterday I wasn’t nearly as tired as I usually am on a Wednesday; even stranger, I was more energetic and rested than I’d felt earlier in the week. Bizarre, I know; I wasn’t quite sure what to make of it, either, but chose to run with it rather than wonder about it. It was a pretty good day, really; I kind of got a little stuck on the manuscript, so did what I always do when I get stuck–went back and read/edited the previous chapters–and hopefully that kick-started my creativity again. We’ll see; I am going to give it another try after I finish working today. I do feel a lot better about getting it done on time–not to the point where I am not experiencing a lot of stress, however (stress is my go-to, really)–but a lot better about who my character is and what the story should be and so on and so forth.

I slept well again last night, which was lovely–I really didn’t to get out of bed this morning; my body was so relaxed it had become one with the mattress and covers–and it looks a little gray outside this morning; my coffee tastes marvelous and I feel so relaxed…it’s a nice feeling, really. I am going to miss my work at home Thursdays next month when I go back to four days in the office per week; yes, it’s going to suck and yes, it’s going to suck a lot to have to get up at six a.m. four times per week instead of three, but on the other hand I am probably going to sleep extremely well when Thursday nights roll around again.

I think I have all of my Christmas presents for Paul sorted; nothing terribly exciting, as ever–he is so much better at gift-shopping than I am it’s almost sad (I mean, it’s good for me as the recipient of his thoughtfulness, but at the same time terrible for me because I am such a shitty gift-giver). That’s another thing about Christmas that its commercialization has done–the stress and pressure of buying gifts for people that they will not only appreciate but are thoughtful can often be, for obsessives like myself, extraordinarily stressful, and the failure to get someone something that makes them happy is horrifically disappointing. But that is not the proverbial “reason for the season”, and this year I am focusing on the messages of Donna Andrews’ marvelous Christmas mysteries: happiness and joy and the simple pleasure of giving.

And isn’t that the most important thing?

It should be, at any rate.

I see that the year’s Best of lists are coming out, which means I should probably do something along those lines here–my favorite reads, movies and TV shows of the year–but the problem is a problematic memory with the last two years actually kind of blending together into one, and alas, I don’t always talk about everything I read or watch on here, so I have to rely on memory in so many cases. I read a lot of good books, watched a lot of good movies and television shows, and will, when making a list, inevitably forget some that were worthy of mention. As I look back this morning and try to remember what all I read this past year, I am a bit amused because I often berate myself for not reading more (there literally is nothing I will not berate myself for at some point; I really need to dig into that and figure out why and where that comes from and maybe if I do, I might actually be able to fucking stop twisting myself into pretzels all the time and torturing myself), because I actually read an awful lot in this past year. And I read some amazing books! I’d hate to not mention any one I really enjoyed…but on the other hand, it’s not like my blog is this highly read information source for book information.

And on that note, tis off to the spice mines.

One for One

FRIDAY!!!!

Yesterday was a good day. I slept extremely well, got up, answered some emails and printed some things out that I needed to sign and scan and send back, data entered, and then made condom packs. Once I was finished with my work-at-home duties for the day, I went to the gym. Yes, that’s right–one more time for those in the back: I went to the gym again. It was a lovely late afternoon–early December is so lovely here, Constant Reader, you have no idea–and so the walk was nice. People out walking their dogs, dogs running around having a good time in Coliseum Square, a nice coolness…it’s so lovely here once the blast furnace of the summer is over.

I also wrote for a bit–not one of my better writing days, alas–and so took a break and read Donna Andrews’ Murder Most Fowl for a while until it was time for us to watch last night’s batch of episodes of Gossip Girl. The last three episodes of the reboot–although I suppose it’s really more of a sequel series than a reboot–have dropped, but last night’s was rather lame; the season is sputtering its way to the finish line, which is a shame, since it started so well with guns blazing–and we’ve come to the conclusion that we much prefer the OG. We saw the first two episodes of Season 2, and are all in once again; despite the fact that the season one finale was such a disappointment. New characters, new romances for the characters, and lots of new drama, which is wonderful. I still can’t believe we didn’t ever tune in when it was originally airing.

Today is another work-at-home day, mostly data entry but with some condom-packing perhaps later. Yesterday’s condom-packing movie was another entry in the Cynical 70’s Film Festival, and I decided to check out Shaft, the original from 1971 starring Richard Roundtree–who was sexy as fuck. I’ve never seen the original Shaft movies; there were three of them in total (Shaft’s Big Score, Shaft in Africa) released in the 1970’s, and while it’s terribly dated now, it still holds up as entertainment. And one cannot really dismiss its importance as a film, given the time in which it was produced. Here we have, in 1971, six years after the Voting Rights Act and other important civil rights legislation, a complex Black private eye as the hero of a crime film; it is a mere four years after the Oscar-winning In the Heat of the Night, with Sidney Poitier as a Philadelphia police detective solving a strange murder in rural Mississippi and having to deal with the horrific racism of the region. The film was a huge hit at the time, and it’s famous “Theme from Shaft” by Isaac Hayes won the Oscar and was a huge hit record; I believe the entire soundtrack also sold extremely well. The character of John Shaft was created by a white writer named Ernest Tidyman–no #ownvoices there–who also co-wrote the screenplay (he also wrote the screenplay for that same year’s The French Connection–he was definitely having a good year); and published a number of novels featuring the character. Just as Virgil Tibbs and In the Heat of the Night were created by a white writer named John Ball–the novel the film was based on in that particular case was problematic–so was John Shaft; but in looking up Tidyman, I also saw that he received an Image Award from the NAACP. The plot of the movie is pretty straightforward; the Mafia is trying to muscle in on a Black mobster in Harlem, so they kidnap his daughter, so he hires Shaft to find and rescue her. The NYPD is concerned about a possible mob war between to the two rival syndicates, and also is pressuring Shaft to give up what he knows and get involved. It was very much a film of its time; I always love seeing movies film on location in New York during that time, when the city was much grimier than it is now, and its success may have been integral in the development of what came to be known as the “Blaxploitation” film in the 1970’s–when studios realized there was a big audience for films about the Black experience in America, with strong Black lead characters, giving rise to the careers of Black stars like Pam Grier, for one–and some of Chester Himes’ novels were given the Hollywood treatment. Are there any books, I wonder, about this period? Why did they stop making these movies? (They must have stopped making money, which is usually the reason Hollywood stops making any kind of film) I must make a note to do some research.

I also worked on cleaning and organizing last night, so there’s some finishing up to do here in the kitchen/office. I also had to answer some questions regarding the proofs of my story “The Snow Globe” (which will be in the upcoming anthology Murder is Magic, co-edited by Donna Andrews, Barb Goffman, and Marcia Talley), which was nice; I was very glad that story finally found a home somewhere. It was originally, of all things, a Halloween story that morphed into a Christmas story–I’ll write more about it when the book comes out–but the opening line came to me one Halloween night as I stood on the balcony of the Parade watching all the costumes down below on Bourbon Street, when someone dressed as Satan came out of Oz. The costume was totally slutty-gay; a guy with a phenomenal body wearing red boots, a red bikini covered in sequins, horns, and red body paint. Wow, I thought, Satan has a great six-pack, and laughed, because I realized it was a terrific opening line for something–short story or a book or something–and pulled out my phone and texted it to myself so I wouldn’t forget. It sat in a folder called Satan costume for many years…until I realized I could turn it into “Santa” and turn it into a Christmas horror story. And the rest, as they say, is history.

All right, it’s time for me to get back to data entry. Have a lovely Friday, Constant Reader, and will check in with you again tomorrow.

That’ll Be The Day

I was never much of a science fiction fan when I was a kid. I think the first science fiction I actually read was Dune (the original trilogy) when I was in high school; the first book was on my English class reading list. I loved Dune; still think of it fondly to this day, although it’s a bit dense and whenever I return to it kind of think the writing is a bit stiff…but it remains a treasured read of mine. Even Star Wars (I will die on the hill of refusing to call Episode IV A New Hope; when I saw it, it was called Star Wars and they didn’t add this abomination of a title until Return of the Jedi was released years later–I still remember my confusion when viewing The Empire Strikes Back and EPISODE V scrawled across the screen…”What the fuck do they mean, EPISODE V?”) didn’t really turn me into much of a science fiction fan; but as more Dune books were released, I would buy them and read them voraciously. I also read the novelizations of the Star Wars movies, but refused to read anything new and not in the films–the bitterness of being burned by Splinter of the Mind’s Eye (in which Luke and Leia were romantic interests….ewwwwww) still stings to this day; and of course when the sequel trilogy started being released all those books stopped being canon, so it was a wise decision on my part.

But Return of the Jedi did inspire me to try to write science fiction. I wrote a short story in which I created an entire universe–the science undoubtedly didn’t make sense–but it was fun to write, and I realized I needed to be better versed in science fiction if I wanted to write it.

So, I went to the bookstore, asked the clerk “if I wanted to start reading science fiction, where would I start?” She smiled, and retrieved Foundation for me from the science fiction shelves. When she handed it to me, she said, “This book is aptly titled, because it’s basically the foundation for everything published in science fiction ever since.”

And she wasn’t wrong.

His name was Gaal Dornick and he was just a country who had never seen Trantor before. That is, not in real life. He had seen it many times on the hyper-video, and occasionally in tremendous three-dimensional newscasts covering an Imperial Coronation or the opening of a Galactic Council. Even though he had lived all his life on the world of Synnax, which circles a star at the edges of the Blue Drift, he was not cut off from civilization, you see. At that time, no place in the Galaxy was.

There were nearly twenty-five million inhabited planets in the Galaxy then, and not one but owed allegiance to the Empire whose seat was on Trantor. It was the last half-century in which that could be said.

To Gaal, this trip was the undoubted climax of his young, scholarly life. He had been in space before so that the trip, as a voyage and nothing more, meant little to him. To be sure, he had traveled previously only as far as Synnax’s only satellite in order to get the data on the mechanics of meteor driftage which he needed for his dissertation, but space-travel was all one whether one travelled half a million miles, or as many light years.

Having read almost all of the Foundation novels (I didn’t read the prequels that came later; ending with Foundation and Earth), I was very excited to see the Apple TV adaptation–while knowing it would be dramatically different (no doubt) from the books. But it was so different I thought it would be wise to go back and reread (or listen) to the original novel again. (It’s also been a very hot minute since I read them all, and I don’t remember everything I’ve read the way I used to…)

(Side note: I had actually read an Azimov novel in the 1970’s–Murder at the ABA–and still have my original paperback copy, purchased at the News Depot on Commercial Street in Emporia, Kansas. I’ve always wanted to revisit it–because it was very insider-y about the American Booksellers Association annual event–now Book Expo America and in decline–as well as about publishing itself, and I wanted to see how spot-on Azimov was with the book. I remember it fondly, and am also curious as to whether or not it still holds up as a mystery novel.)

There are differences; there are characters in the show that don’t exist in the book, there was no Thespin in the book (Anacreon does, however, play an important part in the book), there’s no Genetic Dynasty running the Empire (in fact, little to nothing in the book about the Empire once the Encyclopedists take off for Terminus), and of course, Azimov wrote about white men–the show is much more diverse as well as gender flips both Gaal and Salvor Hardin. If you’re an Azimov purist, you’ll probably dislike the show, I think; I enjoyed it even as I noticed the significant differences. But listening to the audiobook, I also realized that some of those changes were necessary–what worked in the book and was exceptionally clever probably wouldn’t translate well into a visual medium, but listening and getting refreshed in my memory of what the original work actually was made me appreciate the book all the more. I’d remembered it was incredibly smart and clever, particularly in how everything worked out to solve what came to be called “Seldon crises”–a situation where the Foundation was endangered, both from within and without, but the forces working against it eventually led to a point where only one possible action could be taken, and it was inevitably the right one; which meant they had to have an almost religious-like belief in Seldon and his mathematics (and how much did I love that math was the savior of the galaxy?) and trust that taking no action was the proper course of action. I also loved how the Foundation changed and adapted from its original mission (its true purpose was hidden from them to begin with, because foreknowledge would change things and alter outcomes), and how it even developed a religion around its technology to control inhabitants on other planets.

And, as that bookstore clerk all those years ago at the bookstore in Manchester Center Mall told me, the book–and Azimov, really–influenced every science fiction writer and novel that came in his wake. It truly was a foundational text for science fiction. And it’s also not difficult to see where his own influences came from–his Galactic Empire was very similar to the Roman Empire in decline, and the parallels to the decline of the American empire are almost impossible to miss.

I did enjoy the show–the production values are amazing, and it’s a great story as well, if it does get off to a bit of a slow start (but it picks up)–but I am even more glad that the show drove me to revisit the original novel again. It truly is a superb work.

Breathe

Good morning, Friday. How are you today? I am feeling good, thank you for asking.

I got a very good night’ sleep last night, and I have, as always, a lot to get done over the weekend (and today) before I head to Kentucky for the holiday on Monday. I want to drop off more books for the library sale tomorrow, have tons of writing to do (as always), and I would like to be able to finish reading Leslie Budewitz’ Guilty as Cinnamon, which I am deeply enjoying. I have a stack of cozy mysteries to take with me on this trip–Owl Be Home for Christmas by Donna Andrews; Pruning the Dead by Julia Henry; Better off Wed by Laura Durham, and A Disguise to Die For by Diana Vallere, plus any number of them on my iPad as ebooks (I’m taking the iPad with me on the chance that I run out of books, which is a horrible fate to contemplate)–and I also need to figure out how to work the check out audiobooks from the library for the phone thing so I can listen to a book both coming and going. (Eleven hours in the car both directions)

And now that some things have settled and been settled, I can now go ahead and officially announce that I have signed a one-book contract for a potential new series set here in New Orleans with Crooked Lane Books; that is the book I am currently working on, having had to put Chlorine aside yet again to make room to write a new book. This is a series with a straight woman main character–a widow with twin sons who’ve just left for LSU, leaving her with a bit of empty nest syndrome and a beautiful old Victorian house in the Irish Channel that now is much too big for her, who gets an unexpected inheritance from a great-uncle of her late husband’s whom she didn’t know even existed. The book will be published under the name T. G. Herren, to differentiate it from my queer books and series. I just got the sketch art for the book cover, and I love it. The book is called A Streetcar Named Murder, and will be released in the fall of 2022. I will be talking about this book a lot over the course of the next year, so prepare thyself, Constant Reader. (T. G. for those who may be wondering, are my initials only reversed; longtime reader know that I reversed my names for my erotica pseudonym Todd Gregory, hence the initials T. G.) My editor is the exceptional Terri Bischoff, whom I have always wanted to work with, and now I am not only working with her on this but also on the Bouchercon anthology for Minneapolis 2022 (we are co-editors), Land of 10000 Crimes.

Life is pretty good for one Gregalicious at the moment, seriously. And I am really looking forward to my January release, #shedeservedit, while being incredibly nervous at the same time. I also got an invitation to contribute to another anthology that pays well in my inbox this morning, so I am feeling kind of good about myself…I give it a day or two. (Bury Me in Shadows has a great review in the next issue of Mystery Scene magazine, which thrilled me to no end when I saw it last night. More on that later.)

I also booked another trip to New York for January yesterday, which is exciting as well. I also made my hotel arrangements for a return engagement to Murder in the Magic City/Murder on the Menu–the Birmingham/Wetumpka one-two punch I did in consecutive years a while back, so you can see why I feel like my career no longer feels stagnant or in stasis at the moment. And yes, the goal for 2022 is to finally land an agent once and for all. I think Chlorine is the book that will do that for me; we shall see.

I got caught up on Foundation yesterday, and I am really impressed with how well the show turned out, considering how much it has veered away from the books. I’d like to read the books again, frankly–oooh, audiobooks for the car!–and I also watched another episode of The Lost Symbol, which frankly I don’t pay as much attention to as I perhaps should while I am watching. It’s very well done, but the plot is far-fetched (which is about the only thing I do remember from reading the book), but watching the show has made me curious about seeing the Tom Hanks films based on the other Dan Brown novels, which I didn’t really care about before. That’s something, I suppose.

And on that note it’s back to the spice mines. Have a lovely Friday, Constant Reader, and I will check back in with you again tomorrow.

I Could Fall in Love with You

I have been saying for years–literally years–that when it comes to crime fiction, the women are killing it.

Literally, in some cases.

There’s always been this weird, misogynistic mentality that women don’t write as dark as men; which is absurd on its face. I could easily name any number of women who’ve written noir that makes your skin crawl with its darkness (Christa Faust’s Money Shot remains a favorite to this day), and even more who explore the darkness of relationships–romantic, friends, family–and go places you can’t imagine in your darkest moments. I am also of the school of thought–trained by being an Edgar judge for Mystery Writers of America–that crime novels, mysteries if you will, are any fiction that is driven by a crime; whether it’s the commission, investigation, cover-up, solving, or the impact of a crime on the characters being explored in the narrative. This greatly broadens the umbrella that is crime fiction (technically, To Kill a Mockingbird and The Great Gatsby count as crime novels under this definition). I often, whenever following an actual criminal investigation or trial in the press/media, find myself wondering about the peripheral characters in these tragedies; how do you go on from there? How does this impact and change the rest of their lives? What if you found out your boyfriend/lover/spouse was a serial killer? What if your best friend was murdered in high school? How does that change you, impact you, influence the decisions you make for the rest of your life?

Jar of Hearts is that kind of novel–and fascinating in its exploration of the story of a woman in just that kind of situation–only even darker.

I didn’t read Jar of Hearts when it was released–I don’t even want to look at the copyright page because seeing how long it took me to get to it will only make me sadder (or angrier at myself) for taking so long to get to it. But I do remember how everyone was buzzing about it everywhere on social media, and I know it won the Thriller Award (among many other recognitions Ms.Hillier deservedly received), and I knew I would eventually get to it.

And when I selected this as part of my reading materials for last week’s trip, I had no idea what a joy-ride I was letting myself in for.

The trial has barely made a dent in the national news. Which is good, because it means less publicity, fewer reporters. But it’s also bad, because just how depraved do crimes have to be nowadays to garner national headlines?

Pretty fucking bad, it seems.

There’s only a brief mention of Calvin James, a.k.a. the Sweetbay Strangler, in the New York Times and on CNN, and his crimes aren’t quite sensational enough to be featured in People magazine of be talked about on The View. But for Pacific Northwesters–people in Washington state, Idaho, and Oregon–the trial of the Sweetbay Strangler is a big deal. The disappearance of Angela Wong fourteen years ago caused a noticeable ripple throughout the Seattle area, as Angela’s father is a bigwig at Microsoft and is a friend of Bill Gates. There were search parties, interviews, a monetary reward that increased with each passing day she didn’t come home. The discovery of the sixteen-year-old’s remains all these years later–only a half mile away from her house–sent shockwaves through the community. The locals remember. #JusticeForAngela was trending on Twitter this morning. It was the ninth or tenth most popular hashtag for only about three hours, but still.

Angela’s parents are present in court. They divorced a year after their daughter was reported missing, her disappearance the last thread in a marriage that had been unraveling for a decade. They sit side by side now, a few rows back from the prosecutor’s table, with their current spouses, united in their grief and desire to see justice served.

Georgina Shaw can’t bring herself to make eye contact with them. Seeing their faces, etched with equal parts heartache and fury, is the worst part of this whole thing. She could have spared them fourteen years of sleepless nights. She could have told them happened the night it actually happened.

Geo could have done a lot of things.

The book opens with Geo testifying at the trial of her ex-boyfriend from when she was in high school. Geo knew that he’d murdered her best friend, helped him cover it up, and never told anyone the truth about what happened to Angela Wong…until her remains turn up in the woods behind Geo’s childhood home, where her father still lives. Sadly, it turns out that Geo’s high school boyfriend not only murdered Angela, but turned out to be a serial killer. This, understandably, derails Geo’s life as a pharmaceutical executive, and sends her to prison for five years.

When Geo and Angela were in school they had a third friend, the third side of the triangle: Kaiser, who is now a cop and is the man who arrests Geo; who hated Geo’s high school boyfriend–who turned out to be a serial killer! Kaiser is having an affair with his partner on the force–married to another cop–but has never really gotten over his (unrequited) feelings for Geo. The book sees Geo through her years in a women’s prison, and then as she returns to her life upon getting out and tries to rebuild her life. The primary issue is that Calvin has escaped from prison (Kaiser is convinced Calvin has been in touch with Geo; Calvin is Kaiser’s great white whale, as it were) and now women are being murdered again, and dismembered–the way Angela was, but none of Kaiser’s other victims were–and they are also being buried near the bodies of young children. Is it Calvin? Is Geo involved?

Kaiser himself is a compelling character that you can’t help but root for–and the flashbacks to when they were teenagers are also so well done that it’s slightly disappointing that there wasn’t more.

Geo also has other secrets, dark secrets she doesn’t want anyone to know–but could prove key to catching the serial killer.

It is to Hillier’s credit that Geo is a compelling and likable character the reader can empathize with; not an easy task for any writer, given the horrible thing Geo did as a teenager, and the reader is so drawn into her world, her psyche, her point of view, that you can’t help rooting for her despite the horrific mistake she made as a young girl. It is also to Hillier’s credit and skill as a writer that the reader is forced to face their own prejudices about people who’ve served time for crimes; should they be shunned, turned away from, avoided as we so often do with them, or should we be sympathetic to their plight? They’ve served their time, paid their debt to society as determined by a court of law; shouldn’t they have a second chance? Who are we to judge them yet again, making them continue to pay that debt? When is forgiveness possible, and is atonement ever successful?

Hillier’s writing style is also exceptional; the reader is drawn in from that opening sentence and the entire books reads like a runaway train–one you not only cannot escape from, but don’t want to.

Jar of Hearts is amazing, and I cannot recommend it highly enough. I hate that I was so late to the party–but better late than never.

Freedom

Freedom’s just another word for nothing left to lose…

Happily, I made it through my first Monday back at work. Usually, I tend to take the day after I travel off from work–so if I fly home on Sunday I don’t work on Monday, so I can get acclimated and readjusted to being home–laundry, make groceries, get the mail, etc.–and usually I am exhausted from traveling so I need to sleep in a bit as well. But…yesterday somehow I managed to get up with the alarm, make some coffee, and got my shit together and wasn’t even the least bit grumpy about it. I was a bit tired–the legs especially; I walked a shit ton last week–but I made it through the day without incident and managed to run some errands on the way home. I had considered making a trip to the gym last night but decided it made more sense to go after work tonight–I know, I know, excuses to fail instead of reasons to succeed, but hey, I took a four hour flight yesterday, had to navigate two airports and so forth, not to mention the horrors of I-10 East through the burbs and into the city–no small feat. But I also started feeling low energy around three yesterday afternoon (nothing new; that’s when it usually hits me right between the eyes with a 2 x 4) so it wasn’t travel related at all, but was enough to make me rethink my gym strategy.

Ironically, once I get readjusted to my schedule, I’m off to Kentucky for Thanksgiving.

Which is not an excuse to not go to the gym this week.

The realization that Murder the Indigenous People Day looms on the horizon is also forcing me to rethink my grocery shopping necessities; I really don’t need to be buying anything perishable, and I need to make sure Paul is all stocked up with things he can easily prepare for himself (although he’ll inevitably simply end up eating out the entire time); but I have this weekend to worry about all of that and get it handled. I made significant progress yesterday on getting caught up on everything–still horribly behind on everything, of course–but at least I feel like I’m getting somewhere, and I don’t feel as terribly stressed out about being so far behind, which is also progress of a sort. I do want to get back to reading Barbara Ross’ delightful Shucked Away, which I started reading on the plane home Sunday, and I think next up will be another Leslie Budewitz; I loved the first in her wonderful Spice Shop series, but haven’t managed to get back to it yet, and of course, after Thanksgiving is the best time to read the next up in Donna Andrews’ Meg Langslow series, Owl Be Home for Christmas–it would actually be kind of great to have an entire season of Christmas books to read, wouldn’t it, and Andrews does one every year, which is also kind of marvelous as well, but I don’t want to read the books out of order.

I also began piecing together and outlining an article I am writing for Crime Reads to help promote the Kansas book when it’s released–I got the hook finally over the weekend at Crime Bake, for which I will always be grateful to that conference, and the New England chapters of MWA and Sisters in Crime–and that definitely counts as writing (I never count the blog as writing, despite the fact that every entry is more than five hundred words and sometimes even longer), so I am getting back into that saddle, which feels really great. I also managed to finish the laundry last night, emptied a load from the dishwasher so I could reload it, and got some filing and organizing done around the Lost Apartment so my desk area isn’t quite as disheveled and scattered as it was when I got home Sunday night. I still have to finish my blog posts on Invisible City by Julia Dahl and Jar of Hearts by Jennifer Hillier (if you haven’t read them, Constant Reader, you really need to get on with it! Don’t wait as long as I did, which was a huge mistake), and I also want to get some boxes prepared to clear out some more books for the library sale. I think Saturday I am going to drag a box down from the attic to dispose of as well; might as well get that project started–because the attic is definitely not ever going to clean itself out at any point in time.

We watched the recent episode of Dopesick last night, and the acting is truly superb; the entire show has been extremely well done and well-written; everyone in the cast should be tapped for an Emmy nomination; the young woman who plays Bets, the lesbian mine worker who gets hooked after a back injury is particularly fantastic, as is Mare Winningham and Michael Keaton. Rosario Dawson is no slouch, either, and if there was ever an oilier, slimier villain–the actor playing Richard Sackler is Bond-villain worthy. We’ll probably get caught up on our other shows the rest of this week–The Sinner, The Morning Show–and there’s some other shows I want to watch as well; I really do need to start making a list. I also want to get back to Chapelwaite, which I don’t think Paul was enjoying as much as I did; we’ll have to have a chat about that tonight when we both get home from the gym.

Yes, I am planning on going to the gym tonight. We’ll see how that turns out, won’t we?

And on that note, I am going to head into the spice mines. Have a lovely Tuesday, Constant Reader. I know I intend to.

Every Little Bit o’ You

One of the great joys of being a voracious reader is that moment when you find a new author whose work you absolutely love. One of the great drawbacks of being a voracious reader with a couple of jobs and all kinds of volunteer responsibilities is that you don’t have as much time to read as you would like. When I was a kid, I often wouldn’t do my assigned reading from class or my homework because well, I had a book to read goddamnit!

Strangely enough, that never went over well with either my parents or my teachers. Go figure.

A while back, I discovered the Lou Norton series by the amazing Rachel Howzell Hall. I read the first book in the series and thought, oh, wow, here’s someone I need to add to my must-read authors list (which is ridiculously lengthy), but the following books in the series went into the massive TBR pile (Paul sometimes jokes that it’s where “books go to collect dust and stare out sadly into the world, hoping to get picked up and read at long last”). But when she released her 2019 stand alone thriller, They All Fall Down, it went to the top of the pile and I tore through it in a very short time. It was amazing. I loved how she took Christie’s classic And Then There Were None (which was the title of the edition I read, so it will always be that to me) updated it, fit it into the modern world and made it diverse, and managed to also make it an edge-of-your-seat thriller with a despicable protagonist who did terrible things (or had done terrible things) but made her so real and human you couldn’t help but feel for her. It was definitely one of my favorite reads of that year.

And so, when selecting books to take with me to read during my travels this past week, I decided to take this year’s Hall release rather than last year’s And Now She’s Gone.

And not a bit sorry I did, either.

At that time of night, there was peace. No burbles from the water cooler. No ringing telephone or whooshing copiers. Just her hands scratching against paper envelopes, Just her sweet soprano harmonizing with Ariana Grande’s.

At twenty-three years old, and the most junior on the team, Allison Cagle stuffed envelopes as part of her job. Didn’t matter that she didn’t have a car. Didn’t matter than Jessica, her work best friend and regular ride home, has just called three minutes ago–little Conner had a fever and Jessica needed to drive him to the emergency room. (Watch your back! Don’t wanna stress out over you two!) Didn’t matter that Allison had no idea how the hell she was getting home now. None of that mattered because the annual awards luncheon was tomorrow afternoon and three hundred envelopes–containing drink tickets, table numbers, and for fifty VIP’s, parking validations–needed stuffing.

With smoky-blue eyes and a sleek SoulCycle body, Allison hadn’t anticipated this much office work. Filing, collating and stuffing killed her manicure. She preferred driving around Ventura and Los Angeles Counties, picking up in-kind donations from stores and bakeries. The Lakers, once. She’d expected more wooing donors and taking minutes at important meetings as she brushed blonde tendrils from her heart-shaped face. Flirty work, all in the name of charity and for kids caught between the foster care system and juvenile detention.

Allison Cagel is not the main character of this thriller–that would be Michaela “Mickie” Lambert, who has a fascinating job–she creates digital scrapbooks–memory books; a client pays a (large) fee and then Mickie takes objects and/or pictures, anything that might hold a memory for the client, and then puts it all together into a three-dimensional hologram. You go over the memory with Mickie, who records what you say, and she also does research into the items and/or places etc. so that you can summon the memory up and relive that moment forever.

Allison (spoiler) is about to become a victim, so while she does have a role in the story, we never see her beyond that opening chapter.

Mickie has just broken up with her boss–oh, yeah, landmines everywhere at that company–and moved back into an apartment behind her parents’ home, where she lived before she started dating the boss. That relationship is, frankly, toxic–she’s never met his family or many of his friends (the whole set-up just screams side piece!!!! to me), but he doesn’t want to let her go–nor does he want to make the changes necessary for the relationship to progress and grow. (I hated him almost from the get-go, seriously.) Her newest assignment–as she tries to negotiate the minefield of breaking up with a boss who doesn’t want to let go–is working for Nadia Denham, who runs a bizarre curio shop in a strip mall in a rapidly gentrifying area. Nadia has put aside her treasures for Mickie to record for her, as she is suffering from Alzheimer’s and wants to have reminders of her past to access once her brain can no longer do so. Mickie is taken with Nadia, and her strange shop of curios and collectibles (I kept thinking of Stephen King’s Needful Things), so when Nadia ostensibly commits suicide by wrapping a plastic bag around her head (and why, LAPD, would anyone commit suicide in that way?) Mickie is shaken up, and begins to suspect that maybe, just maybe, Nadia didn’t kill herself after all.

But who would have wanted the harmless old lady dead? Her adoptive daughter, Riley, who is clearly emotionally unstable and works in the shop with her? The greedy developer who wants to tear up the strip mall and gentrify it? The strange homeless man in the parking lot who scares the crap out of Mickie? Her son, with his bankruptcies and financial troubles–and fine body that Mickie can’t help but desire? And someone is stalking Mickie as well–but why? Is it the Dashing Devil serial killer, who, after a long absence, has started killing again? Is her boss the one doing the stalking?

Or is someone even closer to home?

And how is this somehow all connected?

This book is a non-stop thrill ride, and Mickie is one of the most compelling heroines I’ve come across in recent memory. Loved her, cared about her, cared about her family and circle of friends, and couldn’t stop reading because I cared so much about her–and there are some moments of suspense so intense I simply could not stop reading. Hall manages to juggle all these characters, all of these plots and subplots, with such expertise that the reader is never confused, or has to page back to figure out what’s going on, or who someone is. The way the book continues to build–and the darker it becomes the further you get into it–should be studied by anyone who wants to write suspense.

You can never go wrong with Rachel Howzell Hall, and this book is just fantastic.