Category: crime fiction

Brothers in Arms

Ah, the Menendez Brothers.

I hadn’t thought about them in years until Ryan Murphy announced they would be the focus of the second season of Monsters (although it could also have been a season of American Crime Story, for that matter; how does he decide? How did he decide Grotesquerie would stand alone when it could have been a season of American Horror Story? For that matter, why is the Aaron Hernandez one American Sports Story instead of American Crime Story?). It’s been over thirty years since the original murders, and this case was the first one I remember that was, thanks to cable television, part of the public discourse; the trial was televised and people watched; everyone had an opinion; and the tabloid coverage was crazy. I don’t remember another crime story have this kind of impact before, but it set the stage for OJ’s trial, the Jon-Benet Ramsey murder, and so many since then it’s hard to really keep track of them all. But I do believe the brothers were the first to be so much in the public eye once they were arrested; a “viral” crime before anyone knew what that even meant.

I wasn’t sure I wanted to watch this latest take on the Menendez brothers and the murder of their parents, to be honest. I’ve watched at least one documentary on the case years ago, and I watched the made-for-TV movie with Billy Warlock of Days of Our Lives and Baywatch fame (I remember especially the scene when his wig was torn off his head), and of course I read Dominick Dunne’s coverage in Vanity Fair. As I mentioned, it was one of the first murder cases to get national attention, to be was all over the 24 hour news channels, not to mention Court TV and all the others. The national tabloids, magazines, and even local newspapers and stations scrambled for coverage1 . I remember the first trial ended in a hung jury, and I kind of lost interest after that–as did the media. The only reason I knew there was a second trial that ended in convictions was thanks to Dominick Dunne. The case would get back into the news periodically in the years since, but I didn’t really pay much attention. Books and documentaries and fictional adaptations continued to be churned out in the decades since their conviction, and like I said, I wasn’t really planning on watching this new series2. I thought they were psychotic killers who murdered their parents for their money.

And yet, one Saturday night after we’d finished watching all the football games, Paul suggested we start watching Monsters, and I thought, why not? If it’s not good, we can always stop watching.

I didn’t think the first episode was very good3, but we decided to give the show one more episode on Sunday, and then we were hooked. It’s a very Ryan Murphy show, to be sure: it’s visually beautiful, and the acting is excellent. The two young men who play the brothers, Cooper Koch (Eric) and Nicholas Alexander Chavez (Lyle), late of General Hospital, are gorgeous to look at, are often shown in some form of undress (including a full frontal shot of Koch), and they deliver some astonishing performance (so does the entire cast). There’s one scene that Koch does that is almost the entire episode, him doing a monologue about his life, his parents, his brother, and his failures, his weakness, that is an Emmy reel in and of itself. Javier Bardem and Chloe Sevigny are also fantastic, as is Nathan Lane as Dominick Dunne; Leslie Grossman and Ari Graynor also shine in supporting roles. One thing you always have to give Murphy credit for–incredible actors giving incredible performances is something you can usually expect from one of his shows. (Jessica Lange’s four seasons on American Horror Story is a masterclass in acting talent and range.)

While I know the family has had some objections to the series–not the least of which is the implication that the brothers had that incestuous closeness; but some of the scenes that showed that were from other people’s perspectives; for example, the scene in which they are in the shower together–a cousin has stated that the dad did make the boys shower together–and Lyle did testify under oath that when they were kids, his dad encourage him to also molest Erik. (I think seeing a report on that is what made me think there were hints of incest in their relationship; I honestly don’t remember as it was thirty years ago and I didn’t pay that much attention. I did think, when I first read about the murders, that they were guilty (they did shoot their parents) and when they switched the sexual abuse defense, I 1000% thought they were making that up (no one could say it didn’t happen) as a “get out of jail” free card.

And watching this show? For the very first time, I thought they might have been telling the truth. I knew boys were capable of being raped and molested and abused as children, even as teenagers; the priest scandals were just slowly beginning to come out into the light. but the amount of Americans–men especially–refused to accept the fact that boys could also be victims was astonishingly high. For one thing, most victims were too ashamed to do anything about it (another toxic masculinity issue), and because other men wouldn’t believe them, or think “they wanted it” (you know, the same things they say about women rape victims). The shame of “being unmanned” was still a thing in the 1990’s–the toxically masculine also have issues with gay men because it besmirches manhood or something fucking stupid like that, or “womanizes” men. And it was very difficult for anyone to believe a father could do that to his sons.

And bearing that in mind, I completely understand why the Menendez brothers wouldn’t have told anyone, nor would they have told the cops or their original lawyer. It makes sense. And they only admitted to it when it looked like they were definitely headed for the chair.

It. Makes. Sense.

And I would have probably voted to acquit.

The show also highly sexualizes its young stars in a way that we are seeing more of these days (certainly in Ryan Murphy series; I have to say I do approve of the objectification of men–and I also like that the gay male beauty standard, so often maligned within our own community, has clearly spread to straight men of all ages. I’m amazed, for example, how many young men have realized the importance of leg day and building up a lovely round hard butt. The two young actors playing the leads, Cooper Koch (Erik) and Nicholas Alexander Chavez, are incredibly gorgeous; Koch even does a full frontal scene sans prosthetic. They also had good chemistry between them, which…I can certainly understand why the family was furious about the hints of incest in the series–but that was what the person whose perspective was being shown thought. Lyle also testified to abusing Erik when they were younger–and like I said, they seemed almost unnaturally close.

And when it was all over, Paul asked, “do you think they were abused?”

GREG: I didn’t at the time, but now I’m not so sure. And they’re the only ones who know for sure, so we’ll never know.

I think the show had changed a lot of minds about the brothers–and now that a member of Menudo had come forth to claim he was also sexually abused by Jose Menendez, they may even finally get out of jail…but would they have been so “viral” at the time if they weren’t good looking young men?

Sexualization, Party of Two?
I could be wrong, but I don’t think men’s bikinis were cut or worn like this in 1990.
See what I mean about sexualizing them? There’s an entire scene of him doing squats with dumb bells FROM BEHIND.
This is another example of the “incest inference” scenes. It doesn’t look like anything off until you think, would two young men talking in a pool float this close together?
  1. When we got to the episode on the Ryan Murphy series where OJ went on the run in the Bronco. Paul turned to me and said, “The 90’s were a time, weren’t they?” to which I replied, “Jon-Benet Ramsey, Versace, OJ, the Menendez brothers–yeah, it was one major crime mystery after another.” ↩︎
  2. I have a love/hate relationship with Ryan Murphy productions. When he hits the ball cleanly, he knocks it out of the park. But most of the time his shows collapse under their own weight and endings rarely resolved everything. But his better shows are usually based on a true story… because the story’s already written. ↩︎
  3. It was very over the top and campy; it wasn’t until later that I realized that each episode is the story from someone else’s perspective (aka Rashomon), which is something I absolutely love, so I should rewatch that episode to get a better sense of it. ↩︎

I’m A Ramblin’ Man

And here we are, heading back into a Monday and a brand new work week. My supervisor is currently enjoying herself in London for the next two weeks, which makes me the go-to guy for all things testing related and for my program. It may be stressful and exhausting, or it could be totally smooth sailing. I’m also meeting Dad this weekend in Alabama. I’ll have to pick out a horror novel to listen to in the car….I suppose I could continue listening to the podcast I’m thoroughly enjoying, My Dad Wrote a Porno, but probably will go with a book. I’m going to take a week off later in the month and go up to Kentucky–which means more books to listen to.

It was, in some ways, a rejuvenating kind of weekend; I rested a lot Friday evening and Saturday, and as such, felt good yesterday. It was also a lovely day in New Orleans; I walked around the neighborhood to take pictures of the aftermath of a fire the other night just past the corner of Magazine and Hastings1 (she was renting one of the places for Mardi Gras, and had to find another place, obviously), then walked back home, got in the car because I needed gas, and after fueling her up I went to the Fresh Market. Paul was working with his trainer, and once he got back from the gym we watched two movies–The Fall Guy, which we really enjoyed and was a rather fun, charming movie (you can never go wrong with Emily Blunt, and Ryan Gosling was goofily adorable the way he always is) that had a truly terrific supporting cast as well, including Hannah Waddingham, and a true crime documentary that wasn’t good. I slept really well last night, too, and feel pretty good already this morning. I didn’t do much work on the book this weekend, but I did finish marking up the Scotty books, so that’s done. I also had another idea about structure with this book, which is going to be tricky from hereon out to pull off, but I think I can do it, and that’s a very good thing. I also managed to finally finish my blog entry review of Alison Gaylin’s We Are Watching, but you should have know that already if you stop by regularly. I also didn’t read much this weekend, either; it was more about recovery and rest this past weekend than anything else.

I am, by the way, loving the weather. It’s been so beautiful lately, other than the soggy mess that was Friday, which kicked my sinuses into gear, which was partly why I didn’t get anything done. I need to be more careful of my time, though. I’ve gotten so used to spending the weekend recovering from the week and losing track of time (because I feel like I have so much of it every week when Friday rolls around), so should probably start trying to structure the weekends more so I can get things done. I’d forgotten that when you have more free time you need to structure it a little better–but it’s kind of fun just doing what I want when I want to, I must say. I have to get used to this free time thing, and what a horrible problem for me to have, right? There’s nothing wrong with being ambitious, after all–as long as you don’t let your failure to meet goals (from being lazy and having too much free time) affect your self-worth and stop belittling/demeaning myself. I’ve done pretty well for myself as a writer, overall, and considering I did it all mostly on my own–that’s saying something.

I think one of the most important things for me going forward is to cure myself of Imposter Syndrome; I know I’ve talked about how I was raised and how I was taught to be about work–keep your ego out of it2 and let others see the work you do and let them appreciate it. The problem is people never like to let a writer know they enjoyed something–but they do know how to register an outraged opinion. I do the best I can with everything I write, and if I am a better writer than I was twenty-five years ago, good. (I must confess, revisiting Scotty to do the Bible was a pleasant surprise, as the books are actually good.) I also know that there’s nothing I can’t do or achieve if I set my mind to it and plan and stick to it. I did think a lot about writing this weekend–and what are the things I want to write and do over the next few years. It’s so lovely being clear-headed, seriously–you have no idea. The fog is clearing! I feel like GREG again for the first time in nearly a decade. And I’m kind of excited about it, if that makes sense? For example, I saw a news story the other day that gave me not only an insight but a clue to how to fix “Festival of the Redeemer”; that will be fun to rewrite and fix. I also had some thoughts and ideas for Never Kiss a Stranger, Muscles, Chlorine, and the next Scotty–French Quarter Flambeaux, another Mardi Gras novel. I had hoped to revise a short story for a submission call that’s due on the 15th, but I don’t think I’ll have the time to get something ready for it. I do have a story that might fit and needs resolution in a revision, though. There’s still time, of course, but I am not writing as fast as I used to be able to do. Maybe once the muscles get more warmed up? One never knows, does one?

I just saw the Milton forecast, which has me worried and concerned for my central Florida peeps. Take care and be safe, everyone!

And on that note I am heading into the spice mines. Have a great day–may be back later!

  1. If you’re a local and don’t know where Hastings is, you’re not alone. I didn’t, either, until she stayed there on a visit sometime in the last few years. It’s one of those little streets in the lower Garden District that only exist for a block or so. It also joins into the intersection at Magazine and Felicity; there are two lanes that veer off to the right to stay on Magazine, and if you veer left you can go down the one block of Hastings. It creates a pie-shaped block that comes to a point at the intersection, and there’s a small park there, and Gris-Gris restaurant is on both Hastings on one side and Magazine on the other. ↩︎
  2. I have a very strong and powerful ego, don’t ever be fooled into thinking I don’t. Knowing how bad it can be is why I go to such an opposite extreme; I don’t like egomaniacal authors who think everything they write is deathless prose that will live for a thousand years–um, you ain’t Homer, dude. ↩︎

Somebody’s Watching Me

A month or so ago, Ira Levin’s A Kiss Before Dying was one of those “special deals for ebooks,” and I can never pass up a classic for a mere $1.99 (I generally replace my hard copy books with ebooks when they are on sale, so I can donate the real book; but Ira Levin novels will never be donated), which put me in mind of him again (the book is a crime fiction classic), and I started thinking about what is the best part of two of my favorites by him, Rosemary’s Baby and The Stepford Wives, which is the slow build of paranoia until the heroines are completely convinced that everyone is in on it and there’s no one she can trust. This is what I consider “women’s noir,” which is books that depict and explore women’s fears (which is why Gothics were so popular, I think; the wife can never trust the husband and always thinks he is trying to kill her–before the real culprit is exposed and they have their happily ever after. This, to me, mimics what it’s like for a woman when she gets married in real life; she wants to believe in her marriage and love, but how many times has that turned to ashes and dust in reality? Husbands kill wives or cheat on them or leave them; all these marriage fears were tentpoles of Gothics). I was going to revisit both novels–I had some other things I wanted to talk about with The Stepford Wives, and its similarities to Rosemary’s Baby, but I couldn’t find my copy of the latter so went with the former.

Since 2015, the term “gaslighting” has come back into vogue, with small wonder. Gaslighting can make you question your own judgment and your grasp on reality1; something many of us have experienced over the past nearly ten years and it isn’t an enjoyable experience.

Paranoia, combined with not being believed, makes for a fantastic novel that is very difficult to pull off; I can think of any number of films and books that use paranoia as a driving theme for their plots, and I always enjoy them. There really is nothing more frustrating than being being not believed about something that’s happened–or is happening–to you. It can make you crazy, make you question yourself and your own grasp of reality. It’s horrible and cruel in reality, and it’s something everyone can relate to because we have all not been believed at some point in our lives. It’s happened to me enough times (including losing jobs) that it certainly resonates with me. (I have an idea for a gaslighting/paranoia short story that I’ve been wanting to write for some time now.)

So, needless to say, I greatly enjoyed reading my advance copy of Alison Gaylin’s upcoming January release, We Are Watching.

It’s been the longest day of Meg Russo’s life, and it isn’t even half over. Her stomach gnaws at her, her hands heavy on the steering wheel. But when she glances at the clock on the dashboard, she sees that it’s a little shy of 11:30 a.m., which means that Meg, her husband, Justin, and their daugheter, Lily, have only been on the road for an hour. They’ve got at least three more hours on the thruway, and then they’ll have to contend with the series of veinlike country roads Meg and Justin haven’t traversed since their own college days. If they don’t hit too much traffic, they should be in Ithaca by five, which now feels like some point in a future so distant, Meg is incapable of envisioning it.

Time is strange that, the past eighteen years zooming by in an instant, all of it leading up to a single day that’s already lasted eons. Meg blames the stress of last night, wanting everything to be perfect for their daughter’s send-off, which led to thoughts of Lily’s first visit home for Thanksgiving break, which in turn made Meg think for the millionth time about how cold their house gets in the fall, and how Lily always complains about it. New windows, Meg had thought, lying in bed with her eyes open, envisioning insulated windows to replace those paper-thin sheets of glass, the same windows that were here when she and Justin bought the place twenty years ago–and it was a fixer-upper then. What if Lily came home to new windows? Meg mused, still awake in the wee hours of the morning. Will she have changed by then? Will she have grown too sophisticated to get excited over a warmer house? And so on, until the sky was pink and it was time to wake up and Meg had barely slept at all.

I’ve enjoyed Alison Gaylin’s work since I first read And She Was back in 2012, and have been a fan ever since, gobbling up each new book as she releases them. She has always been a terrific novelist, but what has been amazing to watch is how she pushes herself to do better with each book, tackling bigger themes and creating believable, relatable characters you can’t help but want to root for. We Are Watching may be her best yet, starting as a slow burn but building into an adrenaline boosting rollercoaster of a thriller.

The book opens with Meg and Justin taking their daughter Lily off to college, with all the emotions and fears and sense of loss that comes with a child leaving home and starting to move into their adulthood. Meg is likable, and so is her family. But as they drive a carload of skinheads pulls up alongside of them and start taking pictures. Meg reacts very strongly–so strongly that even I was like take a chill pill, girl!–which eventually leads to a crash that kills Justin, leaving the two women shattered shells of their previous selves. Lily decides to take time off from college and even Meg becomes housebound, despite needing to run her book store in the small Hudson Valley town they live in.

But things slowly begin closing in on both Meg and Lily; who were those skinheads in the other car? Why are truly strange, cult-like people showing up in the store or in town, chanting weird things at them? As Meg’s paranoia and fear grows, it soon becomes apparent that a religious cult is targeting her and her family, but why? But to find the truth, Meg has to not only survive the cult, which seems determined to kill her and her child, but when she has the time, to dig back into her own past to discover the truth–because the truth is the only thing that can set them free.

This book is fantastic, and I couldn’t put it down. It has all the hallmarks of a great Gaylin novel–a compelling and relatable main character doing the best she can in a terrible situation; a twisty plot full of surprises; and the kind of strong writing that makes her sentences and paragraphs sing.

Preorder it now and thank me in January when you finish reading it.

  1. The film this term comes from, Gaslight, is a great movie and Ingrid Bergman is terrific as the wife who isn’t sure if she is losing her mind; she deserved her Oscar and the film still holds up–and a very young Angela Lansbury makes her screen debut in it. ↩︎

She Called Me Baby

Saturday morning in the Lost Apartment, with a trip to Metairie looming for an eye appointment. Yesterday was a bit more hectic than I would have liked, beginning with having to go in to the office on what is usually my remote day (meetings, mostly, and some catch up on work I didn’t get to on Thursday), and then I had errands to run all afternoon. It was a gloomy, off and on raining kind of day, so when I got home I was very happy to be safely back into the Lost Apartment so I could do my chores and do some work. I was very tired last night when I was finished with everything, so just kind of zonked out in my chair. We spent the last few nights getting caught up on our shows (we’re now watching Agatha All Along, Bad Monkey, Only Murders in the Building, Grotesquerie, English Teacher, and American Sports Story), and I am hoping to get to watch the new ‘salem’s Lot movie aat some point this weekend, and I’d like to watch Fall Guy, too.

And I need to write this weekend, big time.

Thursday night, when I was working on the Scotty Bible and was marking pages in Mississippi River Mischief, I realized the murder victim in the book was a corrupt politician who goes by JD; prescience, perhaps? It also reminded me of something from a book I had read a very long time ago–Sarah Schulman’s Stagestruck. The thesis of the book was about the similarities between a very popular Broadway musical (Rent) and her nove, People in Trouble. Sarah had actually attended and reviewed Rent, and while it seemed familiar to her, she just dismissed it as being inspired by the struggling artist scene in lower Manhattan in the 1980s and thought it played very false, given her own experience; it wasn’t until later when a friend told her “you must be so mad about Rent”–and she went back and reread her book. (In all honesty, I went on to read People in Trouble and also watched the film of Rent and I also saw the similarities; she wasn’t inventing anything.) But the point of this particular story is that at the time, as an unpublished aspiring novelist, I found it a bit of a reach that she didn’t remember her own book…but doing the Scotty Bible–and talking with other authors–I realized that not remembering your own book isn’t that much of a stretch, and it does get harder the more book you have; the exponential possibility that you won’t remember your own books grows with each new book you write. that the piece of art basically ripped off her piece of art–and she couldn’t remember much I have been routinely shocked about how much of the Scotty series had slipped from my memory banks as I enter the information from each book into the master document; the huge plot points that are the most memorable things about them…but gone completely. I’d forgotten my villainous politician JD, and I only wrote that book last year. I’d forgotten a lot of the stuff in most of the books. I thought the one I’d really be able to temember was Bourbon Street Blues, and nope. I’d forgotten about the entire sequence in the swamp, the fire, and who the first victim was…and I also was able to remember, while going through it, what I was trying to do with him as a character as more time passed and he gained more experience with criminality and human behavior.

And given all those experiences, it was very important to me to ensure he remained a positive person who prefers to expect the best of people, not the worst, and never become cynical. Cynicism was one of the most powerful traits I wrote into Chanse, and I didn’t want to do that over again.

It was also rainy and dreary all day yesterday, and much as I love rain, it can damper your spirits a little especially when you’re already a bit fatigued. But I am feeling good today (I slept really late this morning) and like I can get a lot accomplished. I am going to make groceries on the way home from my eye appointment. I am going to run an errand in my neighborhood on foot when I get back from that, and I am going to try to get the house cleaned up and do some writing this afternoon while football games play in the living room. I also want to read some more of Gabino’s book and get more into it. Tomorrow morning I will run another errand that I don’t want to do much today–Fresh Market is close so it’s an easy thing to do…maybe I can run it later today and get it over with, but I suspect after getting home from the errands today I won’t want to leave the house so much.

And on that note, I am going to get cleaned up so I can get moving on the errands and the other things to get done around the house. Have a lovely Saturday, best of luck to your favorite team, and I am heading into the spice mines. I might be back later; I am itching to finish my review of Monsters, and the Menendez Brothers in general.

I Overlooked an Orchid

Wednesday and we’ve almost made it over the hump preparatory to sliding into the weekend. I was fatigued last night after I got home from work, so didn’t do a whole lot of anything. I picked up my new desk chair from Office Depot, than got really irritated trying to assemble it and gave up for the night. (I also realized I didn’t take my medications yesterday morning when I found them in my backpack, because of course I forgot to take them.) It’s also really amazing that I can tell that I haven’t taken anxiety medication. I didn’t want to watch the debate last night because I despise the Couchfucker so much I can’t even stand the sound of his voice. It’s been nice shielding myself from the election and all the insanity, dabbling in whenever I feel I can stand it (and I never can, for very long; can we sue the legacy media for malpractice?). How anxious and stressed about the election would I be were I not on these marvelous new medications? I don’t even want to think about it, honestly. Paul didn’t get home until after I went to bed–board meeting–and so I didn’t do a lot of anything last night other than play with Sparky and fall asleep in my easy chair–which was interesting, because I woke up several times during the night but feel strangely rested this morning? My new shoes will arrive tomorrow, and some other things I ordered will be arriving over the next few days (including the new Lev Rosen!!!) Such an exciting life, isn’t it?

But tonight when I get home from work I hope to get going on the next chapter of the Scotty, and maybe start marking up those last two Scotty books for the Bible. I’m almost done with it; three more books to add to it, and then I just need to do the synopses of each book and it’ll be finished. I want to release a Scotty every year until the series runs out of steam; I know there are going to be at least two more beyond this one.

The dockworkers in New Orleans are part of the bigger strike. When I was driving home from work the other night and stopped at the grocery store, on my way home I had to drive past their headquarters (corner of Louisiana and Tchoupitoulas) and they were out in force; the street was clogged with parked cars and dockworkers walking to the building. Sigh. Prepare for the cost of bananas and coffee to skyrocket. New Orleans used to be the country’s biggest port; 60% of imports and exports came through the port of New Orleans. It’s not that huge of a port in the overall scheme of things now, but it’s still an important one, which is why New Orleans has to exist. Losing New Orleans to a hurricane and not rebuilding would close the entire Mississippi River waterways to shipping. New Orleans is the city that has to be. I don’t know why that’s so hard for people to understand, but I for one will never forget nor forgive the Republican Party for trying so hard to not help the city rebuild after Katrina–or some of the things the trash had to say, including the only Speaker of the House to go to jail for raping children, Dennis Hastert.1

I do feel pretty good this morning; surprisingly, given the off-and-on sleep I had last night. The one nice thing about it was I did discover that Sparky does indeed sleep at the foot of the bed, down near our feet and in between mine and Paul’s. That’s also the spot on the bed where he sleeps if he gets in the bed during the daytime, so I have to assume that, in his kitty brain, is his spot. He does have his own peculiarities, as do all cats, and he certainly loves to ride on my shoulders. Just mine–not Paul’s.

So, tonight I hope to have energy when I get home. I am going to run by the post office on the way home tonight–and once I get home, I need to do a load of laundry and another sink full of dishes, and hopefully write for a bit and/or read; we also have some shows to catch up on, and I believe a new Agatha All Along drops today? I also should do some picking up and cleaning around the house, too–the old “let it go until the weekend” mentality needs to be broken once and for all. I’m usually not tired when I get home from work–yesterday was an outlier–and so I need to play with Sparky a little bit but he needs to wait for cuddle time until I have gotten some things done. Heavy sigh. I also have to go out to Metairie Saturday morning for an eye appointment; wish me luck, and I’ll probably hit a fast food drive thru on my way home.

Yikes, what a bore I am today! And that’s a lovely segue into heading into the spice mines for the rest of the day. May your day be special and bright, Constant Reader., and I’ll be back with another exciting dose of Gregalicious at some point!

  1. Never forget, they were garbage LONG before Trump. He’s simply the end result of their rotted souls and desire for power at any cost–and with our short attention span as a country, it’s easy to bemoan Trump and MAGA as the “decline” of the GOP, but the rise of a “populist” Fascist was the inevitable result of everything they started with Ronald Reagan in the 1980s. They were the people who laughed about AIDS killing the right people, so why should we fund research or a cure or a preventative? Let them die, let them die, let them die! If the only candidates to vote for were Republicans, I wouldn’t vote. ↩︎

Take Good Care of Her

Ah, here we are on what I wished were Taco Tuesday, but alas, it is not to be. Too much food already on hand to go out and get something entirely new. It’s dark again this morning, and of course there are any number of tropical systems out there that need to be watched, but at least we’re in the final months of the season. I was very comfortable in the bed this morning–Sparky was cuddled up with me when I woke up–but forced myself to get up. My week is kind of messed up already. I had to cover the clinic yesterday because someone’s on vacation (I kept thinking it was Tuesday all day), and now today I am working clinic by myself. That means I’ll probably be tired when I get home tonight, which is okay. I made groceries and got the mail last night, so I can come straight home tonight. I ordered some things on-line this week–new shoes, coffee–and I also repaired a book whose binding had broken (a Three Investigators tome), and tried repairing a pair of very cool Oxfords. I’ve had the shoes for almost thirteen years now, but have only wore them a handful of times (I rarely dress up and they’re too dressy to wear otherwise) so am not comfortable with just throwing them out when they just need to have the sole reattached. (Gorilla Glue failed me, so they’re going to have to wind up going to a shoe repair.) There wasn’t a lot of traffic last night on the way home, and after getting home and bonding with Sparky, I relaxed in my easy chair and bonded with the kitty while watching the news on-line. We did end up watching another episode of American Sports Story, and this season is really about the dangers of the closet, and how that level of self-loathing can twist someone into something dark.

Kind of sad, really; yet another example of the dangers of toxic masculinity (as if we needed another). And the guy who plays Urban Meyer is kind of uncanny.

I also read some more of Rival Queens, and have finally reached the part where the final Valois king, Henri III, has ascended to the French throne, and talks about his gender identity and homosexuality–and of course, the most interesting part to me; the mignons, his handsome young men that danced attendance on him as his favorites. Both mother and sister queens (Catherine de Medici and Marguerite of Navarre) despised the mignons, but weren’t so above the fray to not use them in their own attempts to either control the country or save her own life. It would be interesting, methinks, to write about this treacherous period of religious civil wars in France, with Spain, the Empire and England all meddling in French politics–lots on intrigue, back-stabbing, the changing of sides, assassination and murder, and of course, war. The second half of the sixteenth century saw France torn apart by factionalism and war, which wrecked the economy and kept France from building itself into a major power; fear of France really drove European history for centuries.

There certainly has been a lot of celebrity death lately, so much so that I’ve not really been able to keep up. Maggie Smith–what can I say about Maggie Smith? I first saw her on film in Murder by Death, and she was my favorite part of the movie. When I saw California Suite in the theater, I fell in love with her and wished the entire film had focused on her and Michael Caine; the other stories were dull and trite and cliched. From then on, I made a point to watch anything with Maggie Smith in it, and I was never disappointed. Such a massive talent, and so many great performances left behind. Kris Kristofferson was another giant, of music and acting. I first really noticed him in A Star is Born, and DAMN the man was fine. And that voice! Kristofferson was also a progressive and that came across in many of his classic songs. Just “Help Me Make It Thru The Night”, “Sunday Morning Coming Down,” and “Me and Bobby McGee” is enough to ensure an impressive legacy, and that’s just scratching the surface. He was also a very good person, a classy guy who cared about people and the downtrodden–from that period of country music where the greats (Johnny Cash, Waylon Jennings, Willie Nelson, and Kristofferson) were progressives who stood up to oppression and bigotry. (I also love his quote about Toby Keith’s music–“he’s done for country music what pantyhose did for finger-fucking.”)

In other exciting news, the so-called “abortion pills” have now been banned in Gilead, er, Louisiana; the bill banning them outright went into effect this morning. I never thought I’d see the day when we had a worse governor or legislature than we did during the Bobby Jindal “burn Louisiana to the ground” administration…so of course the Reich Wing bigots in Louisiana had to elect someone far, far worse. Such a beautiful state–with so many ugly people living here. That is unfortunately true about the entire South, really, and no, Southern states don’t deserve hurricanes as punishment, either; that’s the kind of hellfire and brimstone shit the Reich believes in, and I reject any natural occurrence as being “God’s punishment” for sin–when God doesn’t choose to protect children from physical, emotional, and sexual abuse, you can miss me with your bloodthirsty god.

I’m looking forward to working on the book some more, and I also want to submit a story to an upcoming anthology deadline that could actually work for me. We shall see how motivated I am, shan’t we?

And on that note, tis off to the spice mines with me. Have a lovely Tuesday, Constant Reader, and I hope you get some tacos tonight!

I Am Woman

Ira Levin has always one of my favorite writers, but I often forget about him when I am talking about influences. I don’t know if Levin’s work influenced me; he was very sparing with his prose, and I am most definitely not that, but I know he has written some of my favorite novels of all time and his incredible popularity–based on very few novels written, most of them pretty short–was such that titles of his books became part of the popular culture; a “tl;dr” if you will to explain something: Rosemary’s Baby, The Stepford Wives, The Boys from Brazil. He wrote one of my favorite crime novels with a shocking twist (two thirds of the way in!), A Kiss Before Dying, which won an Edgar and should be considered one of the best crime novels of all time (the problem with it is a big part of the genius is in the twist, and it’s such a massive spoiler it can’t really be talked about except in criticism).

I knew about Rosemary’s Baby–everyone alive the year the movie came out knew what it was and what it referred to (I was wanting to do an entire post about Levin, but I couldn’t find my copy of Rosemary’s Baby) so settled for rereading The Stepford Wives over the weekend (it’s very short, very chilling, and downright terrifying in places. It was also the first Levin novel I read; I bought the Fawcett Crest edition pictured below, and I think I read the entire thing in a single afternoon. I’ve also seen both movies, both of which were okay, but again, the great thing about Levin is how he played his cards and which ones he withheld; the movie editions couldn’t get away with what he did in the book, which made the movies less compelling and less terrifying.

And it definitely holds up. In fact, it’s kind of compelling reading in this post-Dobbs time in which we find ourselves living these days.

This is the actual copy I had, and read. It looks very Gothic on the cover, but it’s not that at all.

The Welcome Wagon Lady, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, “You’re really going to like it here! It’s a nice town with lots of nice people! You couldn’t have made a better choice!” Her brown leather shoulderbag was enormous, old and scuffed; from it she dealt Joanna packets of powdered breakfast drink and soup mix, a toy-size box of non-polluting detergent, a booklet of discount slips good at twenty-two local shops, two cakes of soap, a folder of deodorant pads–

“Enough, enough,” Joanna said, standing in the doorway with both hands full. “Hold. Halt. Thank you.”

The Welcome Wagon lady put a vial of cologne on top of the other things, and then searched in her bag–“No, really,” Joanna said–and brought out pink-framed glasses and a small embroidered notebook. “I do the ‘Notes on Newcomers,'” she said, smiling and putting on the glasses. “For the Chronicle.” She dug at the bag’s bottom and came up with a pen, clicking its top with a red-nailed thumb.

Are there still Welcome Wagon Ladies? And what a clever way to open a novel about a bedroom community town for New York–what else but the Welcome Wagon Lady welcoming a new family to Stepford. It puts the reader at ease, too–something very familiar to people in the 1970s was the Welcome Wagon Lady, so opening a novel with something ordinary and normal is an interesting choice, given what’s to come. (For the record, there will be spoilers here. I’m sorry, the book came out in the early 1970s, as did the original film version and even the dreadful remake is now at least twenty years old.) Joanna Eberhart is a stay-at-home mom who gave up a promising career as a photographer when she got married, but now that the kids are older, she and her husband have found a lovely home in an idyllic seeming town where he can commute into the city1, and they’re in the midst of the chaos of moving in. There’s an extra room that even had running water to function as a developing room2, so Joanna can get back to pursuing her photography career. Good schools, lots of space, all kinds of enticements to get a young family to move out there3…

It’s difficult for young people today to even imagine what a different world it was I grew up in, and the 1970’s might as well be the 1870’s to the younger generations…then again. didn’t 1945 and World War II seem a million years ago when I was a kid…but I was much closer in time to WW2 than teenagers today are to the 1970’s. (The actual equivalent would be fifty years ago, which would have been 1921 to me; when my grandparents were born there was still a German Empire, an Ottoman Empire, an Austria-Hungary, and the Romanovs were still on the throne in St. Petersburg.) But when this book was written the Women’s Movement was just really gaining a lot of traction (it was called Women’s Lib, and proponents of it were scathingly called “Libbers” by those who thought women were better off in the kitchen, unseen and unheard), and women were beginning to understand they didn’t have to subscribe to the old, tired gender roles that basically were invented after the Second World War. They could have a career. They didn’t have to get married. Among the things they were protesting was not being allowed to get bank loans, credit cards, or bank accounts without a husband–which was very difficult for widows and divorcees (and why a lot of women stayed with abusive jerks.) It wasn’t a crime to beat or rape your wife because you owned her. The Pill freed them–both married and unmarried–from the terror of getting pregnant and abortion was illegal. Sound familiar?

Levin, who was also an incredibly sly critic of social structures, the culture, and society in general, saw the beginnings of women starting to assert their independence, and asked the question so many bewildered men, unaccustomed to women’s freedom, didn’t know the answer to: if women were free and independent and could choose their own course in life, what was the new role in all of this for men? What was their place anymore? There was pushback against women’s liberation and not just from men; some of the most vocal opponents to women being made into whole people came from women.4 If it was, indeed, a “battle of the sexes” as the conservative gadflies kept insisting (or a “war on men”), what would men do?

The Stepford Wives was the chilling answer.

Once Joanna moves in, she begins noticing how the other wives in town are all beautiful, have great figures, and always have their hair done, a face of make-up, and are devoted to making their husbands happy. She meets another recent relocator, brash Bobbie Marlowe, whose house is just as messy as Joanna’s, and they begin to bond over the weirdness of the other women in town. They make another friend, Charmaine, and the three women kind of bemusedly wonder if there’s something in the water in Stepford that makes the women behave like such 1950’s June Cleaver housewives. There’s also the Men’s Association, a men’s club that all the men of Stepford belong–a secretive organization in a big house. Joanna and Bobbie are appalled at the sexism in the very idea of such a club, and their husbands promise to try to make including women an option–the old “change from inside” shtick we’ve all heard a million times. Joanna’s husband brings some of the club officers for her to meet and get a read on. One of them is a Frank Frazetta-style artist, who does a series of sketches of Joanna. Another used to work in the animatronic section of Disney. Another is doing a research project he asks Joanna to help with, having to do with accents and the way people speak, which requires her to record an insane amount of words into a tape recorder.

And then…Charmaine becomes one of the Stepford wives, and the two women are terrified.

Bobbie is convinced now there’s something from nearby chemical plants in their drinking water, and goes to extremes in her paranoia. Joanna forces Walter to agree to move, and then they start looking for other places in nearby towns. Heightening their paranoia is finding out there actually HAD been a Women’s Club in Stepford, and even had Betty Friedan come speak to them4! What happened to these women? Levin is exceptionally brilliant at writing paranoia, and the reader becomes wrapped in them, what is happening to them, and hoping that they’ll get away somehow. But the biggest betrayal of all is yet to come: their husbands, whom they loved and married and started families with, are also in on it.

The message of The Stepford Wives was that men don’t really want a full partner; they want a home manager who takes care of everything, including the kids, so they can focus on work.

Sound like tradwives or something Senator Katie Britt would love to impose (on other women, of course; tradwife for thee but not for me) on the country, doesn’t it? Women with no imaginations, animatronic creatures who feel like women, and cater to their every whim and desire?

Maybe The Stepford Wives should be required reading for all teenaged girls. And sadly, the book still holds up. It’s not a reach to believe that there’s a town like this somewhere, where the men have murdered their wives and replaced them with droids. I certainly see enough troglodyte men on-line who think that way.

  1. This was a HUGE trope in 1970’s horror; moving away from the city to get fresh air and space…only to have that dream of a bigger house and a lawn and fresh air turn into a fucking nightmare, which I hope to write a longer essay about at some point. ↩︎
  2. Yes, we used to take pictures with “cameras” on “film” that had to be processed and developed; Fotomats were popular, or you could get it done at Walgreens. There used a developer on Decatur Street just off Jackson Square; I had a lot of pictures developed there when I was in the Quarter more regularly. ↩︎
  3. Interesting that Rosemary’s Baby also opens with a young married couple, hoping to have kids, moving into a new place. ↩︎
  4. I hope Phyllis Schlafly is frying in hell, and is sharing a cast iron skillet with the Reagans and Jerry Falwell. ↩︎
  5. If you don’t know who Betty Friedan is, shame on you and use google. ↩︎

Hell is for Children

Hollywood has always been interesting to me, ever since I was a kid. I am not as obsessed with Hollywood and celebrity culture as I used to be; I used to love awards shows but now find them kind of tedious and a lot of to-do about nothing very much. Paul and I used to watch any and every awards show, regardless of what they were for; now it’s just easier to follow live updates and skip the forced, awkward scripted banter and speeches where winners attempt to thank everyone they know before the band starts playing them off.1 That’s always cringey to me–not for the person the band is playing for, but for the event itself. I get that they want it to end on time, but at the same time it seems bad form to celebrate someone and then cut them off as they do celebrate? Your mileage, as they say, may vary.

One thing I did notice when my Hollywood fascination was at its peak was how cleaned up and sanitized Hollywood bios were, as opposed to the fiction written about Hollywood. You’d never know, for example, from reading a biography of Spencer Tracy that he wasn’t just “good friends” with Katharine Hepburn, or that Roddy McDowell never married for a reason, or that some stars may have been forced to have sex with casting directors, agents, and producers to get started. But those marvelous Hollywood novels (dismissed and disdained by critics as trash) were so much fun to read, and they always ended in tragedy. I also always wondered–affairs and divorces were also fairly common amongst Hollywood celebrities–how much truth there was in those stories; often I could identify characters as real people (for some books–cough Valley of the Dolls cough–trying to figure out who the characters were based on was part of the fun of reading them). And of course, the existence of “studio fixers”–yeah, there’s still a bunch of stories from Hollywood’s past we may never know the real story behind, let alone the stuff they buried so completely it’ll never be known–definitely speaks to the need for them, so yeah, Hollywood had a lot of secrets.

And now, knowing what I know about powerful Hollywood figures and how they behave? I’d be more surprised if they didn’t see the contract players as a harem of men and women for them to play games with.

I also have a tendency to avoid highly praised writers and books (and other forms of entertainment, of course), because I always end up disappointed, which is fault of neither author nor their work. Jordan Harper has been praised a lot, so I was hesitant to read him…but having now read Everybody Knows, I don’t regret waiting to read it because I saved a real treat for myself.

For want of a better word, wow.

Los Angeles burns.

Some sicko is torching homeless camps. Tonight they hit a tent city in Los Feliz near the 5. The fire spread to Griffin Park. The smoke makes the sunset unbelievable. The particles in the air slash the light, shift it red. They make the sky a neon wound.

Mae waits outside the secret entrance to the Chateau Marmont. She watches Saturday-night tourists wander Sunset Boulevard, their eyes bloodshot from the smoke. They cough and trade looks. They never thought the Sunset Strip would smell like a campfire.

Mae moves around the sidewalk like a boxer before the fight. Her face is sharp and bookish, framed in a Lulu bob. She wears a vintage floral jumpsuit. She’s got eyes like a wolf on the hunt–she hides them behind chunky oversized glasses. Nobody ever sees her coming.

Jordan Harper is an amazing writer. That’s where we need to start with this book. Yes, the story is compelling and fascinating and dirty and sleazy and makes you kind of want to take a Silkwood shower. The characters–all of them, from the two leads on–are defined and fully dimensional, with interior lives and motivations. Our two main characters, Mae and Chris, are modern-day fixers…but in modern times they’re called “flacks” and work for “p.r. firms”, even if their job is the same as the tough guys who worked for MGM and Warners and Fox back in the day. But the writing is what sold me on book and writer; those opening paragraphs are as fine a series of opening paragraphs I’ve ever read. The dialogue is real, the characters are awful but you understand why they are awful–and both Mae and Chris have seen their fair share of horrific cover-ups and helping their clients get off scot-free every time they get in over their heads. In the very first chapter, Mae is on the job helping a young former child actress transitioning into adult roles out of drug overdose situation in her rooms at the Marmont, and her quick thinking and moving gets the young woman out of there without being seen or caught.

Mae is very good at her job.

Her boss sets up a meeting with her–off the books, away from the office–but on his way to meet her, he is murdered. It’s supposedly a car-jacking go wrong, but Mae has to wonder, is it? He’d seemed like he was about to hit a financial bonanza, but needed her help. Mae decides to look into his murder–which Chris winds up working as well from another direction. Mae and Chris didn’t work out the first time–but they’ve never forgotten each other, and soon join forces. Both were coming to the conclusion that their jobs were sleazy and they were helping bad people get away with doing bad things, and when they realize what is at the root of all the trouble, they see it as an opportunity to make some cash and perhaps do a little good on their way out to retirement.

And what’s going on in Hollywood is something horrible, indeed.

I loved this book, and deeply resented not having the time to read it all the way through in one sitting, so am really glad I made the time to sit down and finish it–in one sitting. I was about forty or fifty pages in, and sat down and didn’t budge till it was done. That authorial voice! The influence of the hardboiled masters is clearly there, but Harper has his own distinctive style and authorial voice that makes him unique in the business–and that’s not an easy thing to do.

I can’t wait to read more of his work.

  1. I do think this aversion, or lack of interest, in awards shows has come from attending so many writing awards banquets, and yes, it’s a lovely problem to have. At some point I will go talk about my antipathy to awards…but must and always will confess to loving being nominated for things. My jones for that itch to be scratched has happened more than I could have ever dreamed. ↩︎

Pure Love

Monday has rolled around again, and it’s super dark outside. Fall is here, of course, and the weather has changed here to more of a cooler clime outside that it’s been in quite a while. The Saints lost yesterday, but it was a great game and came down to the wire; I don’t mind losing if it’s a good game, and it was. It was a nice weekend around the Lost Apartment, and nice and relaxing. We started watching American Sports Story, watched a gay horror film (Swallowed, starring Cooper Koch and his body from Monsters; he spends a great deal of time either naked or in his underwear), and then called it an evening and went to bed for a very restful night’s sleep. I decided to go make groceries after work today, and so when I leave the office I’ll be heading uptown.

I didn’t do much writing this weekend, which is a pity, but I’m not hanging my head in shame about that anymore. I did get a Substack post done (it had been three weeks!), and got some others started, too. I also started reading House of Rain and Bone, which really takes flight almost immediately. It’s an excellent choice for starting Halloween Horror Month–even if that doesn’t really begin until tomorrow. I started writing another post about The Stepford Wives, which I also spent some time with yesterday. I also got all the filing and organizing done around my work space, and I feel like I’m getting someplace with the book; yesterday also included, while filing, the combination of other files together was an upgrade in organizing research. I just created a situation in the book to deal with, and I am thinking about options for the rest of the story, which is starting to come together in my head. That, by the way, is a very good thing. Yay me!

I have an eye appointment next Saturday and there’s no LSU game, which makes the weekend a little freer for me; no LSU game to take up all my mind-space on game day. The Saints even play on Monday next weekend, so…yes, that’s an entirely free weekend around here for football season, which is very unusual. But it means I have no excuse for not getting things done around the house. I’ll watch games on Saturday, of course–love me some college football, even if it’s not my team playing–but most likely will just have it on in the background while I read or write or clean. So, Saturday morning I can go have my eye appointment, drive back into the city from Metairie, and then be on my own for the rest of the day. There are worse things. I’ll also have to come into the office on Friday for a department meeting, so I’ll probably stick around after, too. There’s another system to watch in the Gulf, in the same place Helene formed–and who knew a hurricane system could cause so much damage and destruction so far inland, in the Appalachian Mountains1? Now imagine had Helene gone up the Mississippi River. My sympathies, of course, are with everyone up there in North Carolina and Tennessee. They aren’t used to this sort of thing the way we are on the Gulf Coast, and I do have a lot of friends who live in the mountains of North Carolina, so it’s been a bit worrying on that concern. I’ve not heard from family in Kentucky, either–so I should probably find out how they all are. The last I heard, Dad only lost power for about an hour and a half, and my sister hadn’t. It seems as though Lexington was worse off for power loss than where they live, which is a very good thing. Whew, something else to not have to worry about is always a lovely thing.

Sigh.

And on that note, I am going to get ready and head into the spice mines. May your Monday be as marvelous as you can, try to donate items or money to flood/hurricane relief, and I may shout out at you again later, okay?

Screenshot
  1. Needless to say, people who live in the mountains aren’t experienced in this sort of hurricane disaster, nor should they be–but I fear they are going to have to get used to it. Climate change, for the record, doesn’t mean “more beachfront property” (which would come at the expense of the current beachfront property, you fucking morons); it means disasters like this more frequently. Woo-hoo! ↩︎

That’s the Way Love Goes

Sunday morning the Gregalicious slept late, and I feel good this morning. I stayed up late to watch Saturday Night Live return, and wasn’t terribly impressed. Our Internet also kept going in and out all day, which was annoying, especially during football games. The three games I primarily watched–Kentucky-Mississippi, Auburn-Oklahoma, and Georgia-Alabama, were all excellent games–and I also switched over to LSU-South Alabama periodically, but it was also a blow out so didn’t need to watch much. Still unsure how this season is going to shake out for everyone, which makes it interesting. I think there’s a lot more parity in the conference now, once you get past the clearly best teams this year (right now, I am going out on a limb and saying it’s Alabama and Texas, both teams LSU has to play in Baton Rouge this year) I think everyone is pretty equal for the most part, with the usual suspects (Mississippi State, Vanderbilt) in the basement. Kentucky almost beat Georgia last week and did beat Mississippi yesterday; Georgia almost beat Alabama, and that Auburn-Oklahoma game came down to the wire. The Saints play at noon today, which is cool, playing the Dirty Birds in Atlanta.

I did manage to get some things done during the games; I cleaned the downstairs bathroom thoroughly, I ran some errands in the morning (mail, Fresh Market, car wash) and then came home to start watching football. I also read, while in my chair, both We Have Always Lived in the Castle by Shirley Jackson and The Stepford Wives by Ira Levin (more on both later), so hope to start the new Gabino Iglesias at some time today, most likely during the Saints game. Jackson and Levin are excellent writers whom I deeply admire, with completely different styles but evoking the same feelings when you read them. I also managed to get most of the dishes finished yesterday, with whatever I used yesterday as the only dirty dishes left in the sink–and that will take about two minutes, tops. I had thought about delaying my trip to make groceries until tomorrow, but now that I am up I think I’ll go ahead and do that this morning and get it out of the way.

I also want to work on the kitchen a bit today, and I also want to get the floors worked on again. Sparky tears up the rugs all the time when he’s running around like a demon to burn off some of his Big Energy, and the longer they are messed up the worse they get messed up. I also have some other posts I need to get done this morning before I leave to make groceries; and the longer I let them sit there unfinished, the more likely it is they’ll continue unfinished. I have a particularly spicy one about transphobia that I’d love to get done at some point so I can Substack it (and attract more of the bigots and Nazis there), and of course, there are any number of others unfinished as well. Heavy heaving sigh. I also have three book reviews/reports to write–I’ve now finished The Price by Armen Keteyian and John Talty; an arc of We Are Watching by Alison Gaylin, and Everybody Knows by Jordan Harper, and I need to get those done sooner rather than later as well. I also have some emails I need to answer as well as some to generate.

Sounds like a to-do list to me, doesn’t it? I also need to clean up the mess around my desk. But the key is not to get overwhelmed by the length of the to-do list, and just start marking things off. I also need to work on the Scotty Bible today, but I can also see that I am starting to think in the old bad anxiety/stress markers by overwhelming myself with so much to do already. Next weekend I have an eye appointment, so I can order new glasses, and my doctor’s appointment is coming up. I am probably going to meet Dad in Alabama weekend after next, and will probably go up to Kentucky later this month. How exciting!

And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and hope everyone in North Carolina and Tennessee are okay.