Well, this morning I managed to finish reading Curtis Ippolito’s marvelous Burying the Newspaper Man. It obviously shouldn’t have taken me as long as it did to read; my mind has been so squarely focused on 1) writing the new Scotty and 2) managing my life that when it came time to relax and enjoy myself, my mind wasn’t really able to focus a whole lot on reading. This is not by any means a judgment on the book or its writing but rather an explanation; since the pandemic started I have these bouts of time where I simply cannot focus my mind enough to read fiction. I don’t know if it’s trauma from the onslaught of horrible and horrific things going on in the country and the world, or me getting older, or what; but when this happens I generally go back to things that are easier for my brain to focus on–documentaries, non-fiction, comic books (I recently reread the first two volumes of The Sandman; more on that later)–and eventually my ability to focus on reading fiction comes back. I think it actually has more to do with my ADHD getting worse as I get older; there’s always too many things for my brain to think about and not forget that it doesn’t settle down enough to read for escape.
I don’t remember where I first heard about this book, but I bought a copy–it’s always fun to find brand new writers, not just brand-new-to-me writers–and the plot of this one sounded particularly interesting. Then I got to meet the author at Left Coast Crime and had some nice conversations–which made reading the book even more of a risk; I met and liked the author, what if I don’t like the book?
Constant Reader, those fears were for naught.
A piercing alarm blared, sending a surge of dopamine straight to the reward center of Marcus Kemp’s brain. He squeezed the steering wheel tight with both hands, ears and lips tingling. Flipped on the cruiser’s siren and lights and spun the wheel, whipping a U-turn, early morning on Abbott Street in Ocean Beach, San Diego.
His hypnotic, one-handed computer-key clacking had paid off again: entering plate numbers into the county’s database in search of stolen vehicles. He had spotted a meter maid ticket on the windshield of a newer model, blue Nissan Altima parked on the west side of the street–thirty yards south of the lifeguard station. Ran the plate number and got an immediate hit.The match set off the unrelenting, high-pitched alarm that would cause the average person to jump through their skin, like when a smoke detector goes off in the dead of night.
Grinning, Marcus swung the cruiser into an open street parking spot, across from Ocean Beach Hotel on the corner. The sidewalk-lining light poles still beamed yellow skirts onto the concrete below.
Isn’t that last sentence amazing? I mean, wow.
Marcus Kemp is a San Diego (Ocean Beach beat) cop who enjoys doing his job–primarily because he likes helping people–and has a pretty good life. He has an on-again off-again relationship with a woman he cares about and the feelings are reciprocated (the off-again thing is all on him, because, well, issues) and with a bit of a traumatic past that he’s trying to put behind him. But in the trunk of this stolen car is the body a newspaper editor from his past, his childhood to be exact: this is the man who sexually abused him when he was eleven. So, even though this isn’t his case, he can’t help but get himself involved in the investigation–even if it means losing his job. As he tries to figure out how his abuser wound up dead in San Diego in the trunk of a stolen car, he has to relive his own painful past while trying very hard not to let it destroy or affect his present–and the twists and turns take the narrative in places I couldn’t have imagined it would as I read along, but was very glad it did. This was a very tricky plot to pull off, and a very ambitious one for a debut author–one experienced authors might have trouble getting to work. The fact it does work perfectly is a tribute to Ippolito’s ability.
But the strongest part, to me, of the book is the authorial voice. The rhythm of the words, the interesting and original imagery, and oh-so-creative use of words, sentence and paragraph structure, that not only keeps the intensity of the story building but wows the reader with its raw creativity. It’s noirish, but not completely dark; the subject matter is intense, and the reader can’t help pulling for Marcus to not only solve the crime but resolve his own history and come to terms with it so he can finally, at long last, move ahead with his life.
Twenty-eight years ago I came to New Orleans for my birthday weekend, and my life changed completely. Earlier that month I had already taken a cold, hard, long look at my life and I didn’t like what I saw. I had been wrapped in misery for years, wallowing in it, and diving so deep into the misery that I allowed it to erase my dreams and any hopes I had for the future. It was, after all, very easy to blame outside forces for my miserable life, and when you dig deep down into the misery, well, it’s a lot easier to just wrap yourself up in self-pity than take any responsibility for your own happiness; making excuses not to try rather than reasons to better myself. I worked for Continental Airlines at the Tampa airport–most times not a bad job for the most part, but the bad days were horrible–and didn’t make much money. I was broke all the time and yes, I wasted a lot of money treating myself to things–like buying lots and lots of books every payday–in an effort to make me feel better about myself and my miserable life. I was horribly lonely.
A bad experience with someone I was romantically interested in was the impetus for the changes I made to my life, because for whatever reason that night everything just bubbled up to the surface; I hated everything about my life, I hated where I was at, I felt trapped and like nothing good was ever going to happen to me. I stayed up the entire night, feeling sorry for myself and unable to sleep, tossing and turning and occasionally crying. At seven o’clock the next morning (it was a day off) I went into my bathroom and took a long, hard look at myself in the mirror. I never want to feel this way ever again, I thought as I looked at red swollen eyes, the unshaved face. the dark purplish circles under my eyes. I then repeated it out loud. I went back to my desk, sat down and opened my latest journal and wrote the words: I hate my life. I stared at the words for a few moments, and then added, I have no one to blame for this but myself. I am the only person who can change things for me. I want to be a writer. I want to be published, and I don’t want to work for Continental for the rest of my life in this job that makes me miserable. I am lonely and it’s probably too late for me to find a life partner. But I have to stop being afraid of everything, and I can’t go the rest of my life NOT living because I am afraid of dying. Other men are not attracted to me because I am overweight–no one ever looks at me twice when I go to bars. I cannot change my face but I can change my body. I will eat healthy. I will drop some of this extra weight. I will do crunches and push-ups every day from now on, and if by January I have been consistent with the workouts and the diet, I will join a gym. I need to start figuring out who I am and how to get what I want because no one is going to knock on my door and just give it to me. The only person who can change the things in my life is me, and I am going to work on being the best possible me that I can.And that means taking the steps necessary to change who I am and what my life is so I can become a writer.
Three weeks later, my birthday weekend rolled around and I flew to New Orleans with a friend for the weekend. We were staying with his on-again off-again boyfriend–who turned out to be one of the nicest gay men I’ve ever known. I really liked him. thought he was a good person–but once they broke up for good that was the end of that; I guess he associated me with his ex and so couldn’t be bothered anymore (or he did a great job of acting the part of the generous host; I am not sure how the invitation to stay with him came about; all I knew was we were going to New Orleans for my birthday and staying with this guy), which was always a shame. I was always grateful to him–have been for twenty-eight years–because coming to New Orleans that weekend was yet another key piece to the puzzle of Greg’s future, a piece I didn’t even now I needed.
I think at that point I may have lost five pounds or so. My friend was gorgeous; one of those perfect gay men with golden skin and very little–if any–body fat; his boyfriend was his counterpart, only with much bigger muscles, bluish-black hair, and that gorgeous gorgeous olive toned skin darker Italians have. They looked beautiful together, too, and I was in some sense a third wheel that weekend, but it was okay with me. They were totally into each other which left me with time on my own to think and reflect. He picked us up at the airport and took us to his apartment (which was in a complex on Sophie Wright Place that Paul and I eventually moved into when we returned from DC in August 2001), we showered and cleaned up, and headed to the Quarter.
I had been to New Orleans before that particular trip, and while I had always felt drawn in some ways to this city since I was a child, I’d never before felt the sense of belonging I felt that weekend. When we stepped out of the cab that night at the corner of Bourbon and St. Ann, I felt this enormous emotional release, as though tension I didn’t know I. had in my shoulders and brain were suddenly gone and a big burden had been lifted from my shoulders. It was as though my soul was saying at last you’ve come home, and I knew then, before we paid the cover charge to go into the bars there at the corner–Oz and the Pub/Parade–that I was going to someday live in New Orleans…and all of my dreams would come true once I did.
I have never been sure what was different about that trip than previous ones. On my brief, previouos visits to the city before, I’d never gotten a real sense of the city before–we stayed in motels by the airport or on the West Bank–and so it wasn’t really possible to get a sense of New Orleans. Waking up in the spare bedroom in the morning, walking out onto the balcony and looking around at the roofs and unique architecture of the lower Garden District, I felt like I was at home. It was also the first time I’d ever come to New Orleans to hang out with other gay people and in the gay section of the Quarter, and maybe that was the difference? I don’t know for certain, but I do know that was the magical trip when everything coalesced in my head on that trip here. I knew New Orleans was my home, and I needed to live there, and my dreams would finally all come true once I’d moved there.
My friend’s boyfriend was a great host. He made sure to take me to see Anne Rice’s home at First and Chestnut (which was also the home of the Mayfair witches in The Witching Hour, a book I’d loved that had only heightened my sense of need to come to New Orleans), and showed me (us) around the entire weekend; we went to Lafayette Cemetery in the Garden District, ate amazing food, and then at night we’d head down to the Quarter to the bars and danced the night away.
That was also the weekend I did Ecstasy for the first time, but that’s a story for a different time.
The entire weekend was a whirl; I have pictures somewhere (or lost many years ago during the course of a move or something) of all the places we went and things we did; the amazing food, dancing all night and going to the Clover Grill in the morning (or La Peniche, over in the Marigny) and then sleeping before going roaming again throughout the city. I fell for New Orleans hard that weekend, and have never really fallen out of love for the city, really, since. We broke up once (that dreadful year Paul and I spent in DC), but we came back and New Orleans forgave us for our desertion and welcomed us back home.
I don’t remember how old I was when I first heard about New Orleans, but I do remember Nancy Drew came to Carnival (called “the Mardi Gras” in the book, eye roll to infinity) in The Haunted Showboat (she also visited briefly during The Ghost of Blackwood Hall), but I don’t really remember much else. I think everyone in the country has a sense of Carnival/Mardi Gras, and always associates that with New Orleans–but New Orleans, obviously, is so much more than that. I was a kid when I watched the James Bond movie Live and Let Die–which whetted my interest in New Orleans and Louisiana–later movies like The Big Easy and Angel Heart and Tightrope expanded that interest, as did Anne Rice’s novels and the Skip Langdon series by Julie Smith. Whenever I had been to New Orleans previously I hadn’t felt anything but a sense that the city was different than everywhere else, and that difference felt alien to me.
But that entire weekend was different. That weekend in the city changed me and changed my life. I’d never felt like I’d belonged anywhere before–I always had felt out of place wherever I lived; part of it was being gay, part of it was being a creative, and the rest had everything to do with being raised by Southern parents with a Southern mentality but not living in the South (not a complaint, I am very grateful to have not been raised down here)–so New Orleans felt special to me; I’d finally found my place or, to quote Pippin, I’d finally found my corner of the sky.
Within a year I’d met the love of my life–who also was in love with New Orleans and wanted to live there–and on August 1, 1996, I drove the U-haul truck with all of our stuff and towing my old car into the city to start the rest of my life. I had already started dipping into the waters of writing–I got a gig with a gay paper in Minneapolis that actually paid me, and had started writing the book that would eventually become Murder in the Rue Dauphine. Within three years of moving to New Orleans I had a book contract and had sold my first ever short stories. Twenty-eight years to the day of that most important visit to New Orleans, and look at me now.
I live in the city I love with the man I love doing the work I love. I’m glad that I didn’t know at the time how important that weekend was going to prove to be; that it was, indeed, really the first day of the rest of my real life, when I finally stopped just enduring my life and actively started living it. It’s not always been easy to live here and love the city; New Orleans can be a hard place a lot of the time. We’ve endured hurricanes and floods, disease and injury, poverty and horror. But even the bad things are made bearable because we live in New Orleans.
I’ve written millions of words about New Orleans. One of the best compliments I can receive is being told that I’ve depicted the city so vividly and lovingly that it’s a character. I do laugh when people call me a “New Orleans expert”–I am anything but an expert; you could fill the Great Library of Alexandria with what I don’t know about New Orleans; every day I discover something new about this wondrous and bizarre place, the only place on earth I’ve ever felt at home. I will never run out of material to write about this magical city, and every day, more ideas and thoughts for stories and characters and essays about New Orleans comes to me.
So, my favorite part of my birthday is the fact that it is also the anniversary of me finding, at long last, where I belong.
And thank you, New Orleans, for always, no matter what, being New Orleans.
I’ve always rather blasphemously called this statue “Drag Queen Jesus”, for reasons that should be fairly apparent.
I am working at home today, which is kind of nice. I do have an errand to run this morning–or rather, on my lunch break–but have lots of data to enter and so forth, so I will be ensconced in the home workspace for most of the day. I am also laundering the bed linens–an every Friday chore–and have some odds and ends to clean up around here. I am going to try to get the chores done today so I don’t have to do a damned thing tomorrow; I think I’m allowed on my birthday to take an entire day off–not wash a dish or do any laundry or run any errands or do anything I don’t want to do. I want to spend all day tomorrow reading and relaxing and just chilling out; that’s my favorite kind of birthday. Paul is going to get us Chinese food for a birthday dinner treat, which we haven’t had in an extremely long time..one of my favorite things to do whenever I go to New York is to get good Chinese food. (I know it’s Americanized, don’t @ me.)
I was tired yesterday, the usual Thursday “I’ve gotten up at six a.m. four mornings in a row” thing more than anything else. I didn’t get nearly as much done as I would have hoped, but as I said, I felt tired all day–both body and brain fatigue–so when I got home from work yesterday I just kind of allowed myself the evening off. I finished rereading the first two Sandman graphic novels–Preludes and Nocturnes and The Doll’s House–which the first season of the show covered, and they were just as marvelous and well-done as I remembered. Hopefully, this weekend I will be able to get back into reading–which is my entire plan for my birthday; I want to finish reading the book I started two weeks (!!!) ago, and move on to the next book on my list. Sunday I will write and edit; and then of course Monday is another work-at-home day as August slowly but surely slides back into September. Whew. At some point–Sunday, most likely–I will need to run some errands, but I’m not going to worry about that today…although I do need to update ye Olde To-Do List.
Last night we couldn’t decide what to watch. I started watching a documentary series about British cinema while I was waiting for Paul to finish working, and when he came downstairs we just started chatting while the documentary continued streaming–and when it got to the part about James Bond, Paul remembered seeing something about the young woman who played Rosie Carver, the first Black Bond girl (who also turned out to be a double agent) and as we chatted, we both confessed that we had a special soft spot for that Bond film (Live and Let Die), which led to me remembering that watching that movie (the first Bond I saw in the theater, and why Roger Moore was always my favorite Bond–although I’ve really come to appreciate Connery’s a lot more and of course, DANIEL CRAIG) and I said, “I bet that movie doesn’t hold up anymore–I watched it a couple of years ago while making condom packs and I was a little surprised at how racist it actually was; why don’t we watch it again and see what we think?” I had also read the book when I was a teenager–very very little in common with the film, I might add–and had reread it sometime in the last decade and, like rewatching the film, more than a little taken aback about how racist it was. (Live and Let Die will probably be an essay I’ll write at some point, both book and movie.) There are some funny moments in the movie–Moore had a much lighter take on Bond than Connery, and the switch in actors resulted in a dramatic switch in tone for the films–and it’s highly entertaining…but yes, it definitely traffics in the worst 70’s stereotypes of Black people and the voodoo aspects of the story on the fictional island of San Monique are pretty bad, as well. Live and Let Die was also filmed and released during the “blaxploitation” period of film, which saw movies like Superfly, Cotton Comes to Harlem, Cleopatra Jones, Shaft, and Coffy being made and released–the time when the incredibly marvelous Pam Grier’s career took off. Was it an attempt to be relevant and possibly try to reach the audience for blaxploitation movies? Probably, but one of the few things that carried over from the book to the movie was that the villains were Black.
And yes, when we finished watching we agreed that the depiction of Black characters were, at the very least, problematic. The movie does have one of the best theme songs of the entire series of films, though (probably the best song Paul McCartney and Wings ever recorded, for that matter).
I had always kind of envisioned Colin from the Scotty books as a kind of cross between James Bond and Indiana Jones–one of the reasons I originally decided to never really talk about what Colin was doing when he wasn’t in New Orleans is yes, even back then I was thinking about spinning Colin off into his own action/adventure series before realizing can you write an action/adventure novel, Greg? I still would like to try–part of the reason my career is so strange and all-over-the-place is me trying new things to see if I could actually, you know, do it–but action has always been difficult for me to write (and now that little voice in my head is saying which is precisely why you should try to write one, jackass) and of course, an international intrigue plot would require a lot more planning than what I am used to doing. I might still do it, you never know–I have a plot in mind that involves the 4th Crusade and the sack of Constantinople; one that’s been in my mind now for several decades–but there are so many things I want to write, and time is running out…
Which, of course, is why I think I’m lazy and am taken aback when people say I’m prolific. My novels and short stories published are maybe about a fifth (if that much) of all the ideas I’ve had or things that are in some sort of progress; that’s what I think about when someone calls me prolific–the files and files of incomplete stories and ideas and characters and scenes languishing on the back burner and collecting dust.
And on that note, I am heading into the spice mines. Happy Greg’s Birthday Eve, everyone!
And now it’s Thursday, my last day in the office until Tuesday (I scheduled my work at home days to bracket my birthday weekend, so I don’t have to shower or get dressed if I don’t want to). Yes, probably more information than you ever wanted or needed from me, but live with it–it’s my birthday this week!
Which is funny, really; I really don’t care that much about my birthdays. My parents never made a big deal out of birthdays and while it was always nice to get presents, I never really thought of it as “my day” or “MY DAY” (as some people insist). It’s the anniversary of the day I was born, and an arbitrary marker of my age. I inevitably add a year to my age once the first of the year rolls around, anyway, and I generally don’t run around reminding co-workers or hinting to Paul for gifts or what I want to do or anything like that. I prefer there not to be a fuss–Facebook and other social media will be lovely on my birthday, of course, as lots of people will wish my a happy day and all of those lovely thoughts–and will probably spend the day at home, trying not to do anything. That, to me, is the perfect birthday–no stress, no emails, no writing, no pressure on myself, and no need to do anything other than what I want to do, which is get up in the morning and swill coffee while writing my blog entry for the day (I’ve actually already started the entry, for the record; I do that sometimes) and then retiring to my easy chair to finish reading my book and maybe even move on to the next in the TBR pile.
I might clean, though. I actually enjoy that, especially if I have nothing else to do–and as I said, I am taking my birthday off completely.
I finished the second chapter of the new Scotty last night. It’s terrible–oh, Lord, how terrible is it? It’s kind of scary how bad it actually is, and how bad I can write when I am trying to start something new–and last night, as I sat in my easy chair while we finished watching I Just Killed My Dad–what a sad, strange case; it was interesting to watch, and such a strange case; how do you decide in such a case what is justice?–I started thinking about tweaking those first two chapters before I can move on to the next one. On the one hand, there are sloppy messes, but on the other hand, isn’t that what the next drat is for, or the one after that? I’m not entirely certain, though, how to start Chapter Three, so maybe it’s not the worst idea in the world to go ahead and revise them, get them into better shape, and maybe that will help me roll into the next chapter. I am excited to be writing another Scotty book–excited to be writing another book of any kind, really–and for the first time since probably the start of the pandemic, I am sort of feeling like myself for the first time in a very very long time, which is kind of cool. I wasn’t tired again when I got home from work last night, and I feel like I slept pretty decently again last night, too. Could I have stayed in bed for another hour or two? Of course I could have, but I am conscious, not feeling groggy or physically tired, and my coffee is definitely hitting the spot this morning. I don’t know if that means I have finally gotten used to this schedule or not, but I am not going to question it and am going to roll with it.
Tomorrow of course is a work-at-home day and I have an enormous stack of work that I’ve brought home for me to get through tomorrow and Monday. At some point, I suppose we are going to lose our one day at home per week, and it’s going to feel really strange for me to have to actually head into the office again Monday through Friday, which will require even more adjustments for me. Heavy sigh. As soon as I get used to something…never fails, right?
It’s also hard to believe that Bouchercon is actually coming up–it’s only a couple of weeks now before Paul and I will be heading for the airport, changing planes at Chicago Midway, and arriving in Minneapolis for a short stay where I will be on the run almost from the very beginning. I started putting together my schedule for the weekend–I have four panels (!) and a signing; a publisher party to attend and several meetings and happy hours and so forth with other groups–so needless to say, I will most likely be extremely exhausted when we fly home that Sunday. But I will also hopefully feel invigorated and recharged and like a writer again, a member of the publishing community, which is always absolutely lovely. I’m really not happy when I don’t feel like a writer; it’s so much a part of my identity that not being around other writers or talking about writing or getting feedback on my work helps trigger Imposter Syndrome, which is something I utterly loathe and despise because it leads to depression and imbalances my mind. I am very excited to be going back to Bouchercon; I’ve not been since 2018 because I had to cancel Dallas the week of because I got sick–inner ear infection prohibiting flying–but had I known it would be another three years before I’d get to go again, I would have driven to Dallas.
Ah, hindsight.
And on that note, I am going to swill down some more coffee and head into the spice mines. Have a lovely Thursday everyone, and I will check in with you again tomorrow morning.
It’s interesting how stories come to fruition; everything I write has an origin story, and my story in Chesapeake Crimes: Magic is Murder is no exception.
Ironically, “The Snow Globe” began as a Halloween story, believe it or not, rather than the Christmas story it actually turned out to be. The inspiration came to me on a Halloween night–actual Halloween, not gay Halloween–I think in either 2003 or 2004. I was out in the French Quarter by myself for some reason–that reason is lost in the mists of time, but it must have been 2004; Paul wasn’t quite comfortable yet being out and about in crowds just yet, so I wound up spending Decadence and Halloween and pretty much any time I went out back then by myself, meeting up with friends (the real life inspiration for Scotty’s friend David, for you Scotty readers out there). Anyway, this particular Halloween I wore a wrestler’s singlet that I’d borrowed from my friend Not-David. He was smaller than me but back then I was also pretty small; I weighed somewhere between 170 and 180 and wore 30 waist pants; everything I wore was a small (my shirts were mediums) but I’d forgotten how tight singlets actually are; a small male singlet fit me like second skin, and of course, I wasn’t wearing anything underneath (I got a lot of attention that night in the bars). Anyway, I was waiting for my friends and was standing on the balcony of the Pub/Parade, nursing a bottle of Bud Lite and watching the street–seriously, actual Halloween is primarily for locals, everyone wears a costume, and it’s a lot of fun–when someone walked out the door of Oz, across the street, wearing a devil costume.
He had on a mask, had the horns and tail–but all he was wearing was a skimpy red bikini and a lot of red body paints. He was wearing stiletto boots that looked like hooves (except for the stiletto part) and his body was amazing, and I literally thought, Satan has a great six-pack. This made me laugh, and I thought, that’s a great opening for a Halloween story.
I did make a note of the line in a journal, and never forgot it.
Flash forward a decade or so and HWA was doing a Halloween-themed horror anthology, and I thought my Satan has a great six-pack story would work perfectly for it. I worked on it–was also writing a book at the same time–and sadly, never finished it. Flash forward another two years and there was a hilarious thread on Facebook–I do not recall what it was about or how it started, but it eventually devolved into someone suggesting an anthology called War on Christmas in which every story took a kind of Hallmark Christmas movie trope and tweaked into something dark. Someone mentioned a magical snow globe in one of the films, I replied “Oh I want to do the story about Satan’s snow globe!”
And I realized that just changing one letter in Satan turned it into Santa, and I could use that opening sentence yet again. I love when that happens.
Santa, Dylan thought, certainly has a great six-pack.
He smiled as he leaned against the bar, watching the so-called Santa with a slight smile. He definitely wasn’t your average department store Santa, that was for sure.
The guy’s body was thickly–almost impossibly– muscled and perfectly proportioned. His biceps and shoulders were thick, every muscle cord and fiber etched and carved beneath his smooth, tanned skin. The cleavage between his big chest was deep, his nipples like purplish quarters. It didn’t seem possible for his waist to be so small, and the crevices between his abdominal muscles were deep enough for a finger to fit between up to the first knuckle. His legs were powerful and strong, ropy bulging veins pushing against the silky skin.
Like a traditional Santa his face was hidden behind the obligatory long white wig and the thick white beard and mustache—but that was his only bow to tradition. Rather than a red suit with white trim and a big black belt, he simply wore a very small bikini of crushed red velvet with glittery red sequins trimmed around the waist and legs with green faux fur. Large brass rings exposing pale skin connected the front to the back. His red boots sparkled with red sequins and glitter, trimmed at the top with green velvet. Slung over his right shoulder was a red velvet bag, also trimmed with green faux fur. Every movement he made as he talked to a group of young twinks with poufy hair and obscenely slim hips caused muscles to bulge and flex somewhere.
He knew he was staring but didn’t care.
Dylan wasn’t drunk. Well, maybe just a wee bit tipsy. He was nursing his third beer since getting to the party a little after eight, but about an hour ago the bartenders had poured free shots of some sort of tequila about an hour earlier. It had burned and made his eyes water—definitely not the best tequila.
The idea of a cursed snow globe really appealed to me, and since I’d only gotten about two paragraphs into the Halloween story, changing it to Christmas was easy; it actually even made more sense as a Christmas story as opposed to a Halloween story (and, truth be told, I had always hated the title I was using for it as a Halloween story; “The Snow Globe” is a much better title). The War on Christmas anthology chose to not use the story, but the editor gave me incredible feedback–primarily, I had played down the magic/voodoo aspects of the story, which were actually it’s strongest and most interesting point–in all honesty, I was hesitant to use voodoo as a dark force in the story; it’s clichéd, at the very least, and the last thing I wanted to do was add to the confusion of what voodoo actually is–but the ‘curse’ in the story is about vengeance, and every religion has both a light or “good” side and a dark or “bad” side.
Plus, I had always wanted to write about Baron Samedi, and here was a chance.
So, when I got the call for submissions for Magic is Murder, I thought, hey, here’s a place you send “The Snow Globe” too after you revise it per the editor’s notes! Needless to say, I was enormously flattered and pleased when the story was chosen.
I do like the story a lot; it’s always fun to write about snow in New Orleans (yes, it starts snowing in the story) and it was also kind of fun to write about an older gay man for a change; a single guy in his fifties who has started feeling his age and is. well, lonely.
And really, can you ever go wrong with a stripper Santa?
You can order the book here if you like, or you can order it from your local independent (always your best choice, really).
Wednesday, and Pay the Bills Day has rolled around yet again. Huzzah?
Yesterday actually turned out to be rather pleasant, or at least not terrible, you know? The workday went well; some things are changing around at the day job–to be expected, as we’ve transitioned to a new department director and some other management staffing changes have occurred–but it’s not nearly as intrusive or annoying as I had feared it could be (the curse of a highly overactive imagination strikes again) and while that’s not to say there haven’t been some bumps, it hasn’t been as rough as I had worried it would be. I think I am starting to adjust at long last to this sleep schedule–I actually forgot to set the alarm last night but woke up at the right time–which is good, I suppose; I still don’t like going to bed early or getting up this early, but it’s become less and less painful the longer it goes on.
I was also highly productive when I got home from the office. I did the dishes and got laundry started (I’ll have to finish it tonight), and then I sat down and wrote around two thousand (incredibly shitty but nonetheless actual) words on the new Scotty. I am really enjoying writing this new book, even if the writing is thus far pretty horrible; the first drafts of Scottys are usually pretty fucking horrendous (I suspect I’ve never really made any moves about storing my papers anywhere is because I don’t want anyone to ever see how shitty my first drafts actually are, or to put my incredibly self-absorbed journals into circulation of any kind, even if it is ‘by request.’) but it feels good to be working on him again. Even as bad as the draft is, for some reason I never experience Imposter Syndrome when I work on the Scotty books, and maybe that’s yet another reason why I never let him go….writing him feels so natural, and there’s an easy comfort to entrenching myself in his world again.
It’s also lovely to get up to a relatively clean kitchen, too. There’s still some more cleaning to do in here–I’d like to spend some time every evening getting the apartment under control so I don’t have to spend much time on my weekends doing that sort of thing. As always, I am going to be trying to write a book during football season, which is always a nightmare for me. But let’s face the facts, shall we? There’s always something else going on that will distract me from the book–in the spring it’s the festivals and the Edgars, in the summer it’s the heat, in the fall it’s football season, and in the winter it’s Christmas and Carnival, so when IS a good time for me to write a book?
I’d also like to get some reading done this weekend. I am behind as always on my reading, but the focus reading properly requires hasn’t been there for a few weeks; I suspect it’s because my head is filled with Scotty–it really is–and so I can’t really make room for anything else at the moment. I am hoping once I get a few more chapters into the story I’ll be able to get back to my reading, as the great reads continue to pile up all around my TBR stacks in the living room. Heavy heaving sigh. But while I may have had a bit of mental fatigue around reading lately, it was really nice to not be super tired when I got home from the office for a change. I have to stop at the store on the way home tonight, so here’s hoping I’ll still have the same kind of “off-work now I’m home” energy I had yesterday so I can finish the cleaning–my birthday is Saturday, so I’d kind of like to not have to do much of anything that day other than relax and chill…and maybe spend the day reading.
Once Paul came home, we watched Only Murders in the Building and a new documentary series on Netflix; a true crime in Baton Rouge! And a recent one at that, 2019–and this is the first I’m hearing of it. It’s not too surprising, I guess–I really don’t pay much attention to the Baton Rouge news a whole lot, other than when they had that serial killer a couple of decades ago–but if it’s a weird enough case to get a documentary series, you’d think I would have heard of it, wouldn’t you? Called I Just Killed My Dad, it’s about a seventeen-year-old who shoots and kills his father, calls 9-1-1, admits it…and then it starts getting more complicated. It’s a very interesting case, and I am kind of looking forward to watching the rest of it.
And on that note, I have some bills to pay before I head into the spice mines for today. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.
Tuesday and the week seems to be settling into a sort of groove that I can not only handle but isn’t too horrific, to be perfectly honest. The week has started off pretty okay, really; I was notified that Mystery Scene magazine had given an anthology I have a story in a glowing review which included a lovely shout out to my story, “The Snow Globe,” which is absolutely lovely. And I quote: “The Snow Globe,” by Greg Herren, is a dark and humorous Christmas tale–“Santa, Dylan thought, certainly has a great six-pack”–about loneliness, voodoo, and reconnecting with family.
Isn’t that lovely? Usually anthologies I am in get reviewed and my story doesn’t get mentioned; there was a review of one anthology in particular I recall where every single story was individually reviewed…except for mine, which wasn’t even mentioned. Since my story had gay content and characters, I can’t help but think that was due to the reviewer’s homophobia; why would you namecheck every story in the book with a few sentences about each and then not even mention mine, even to dog it? I know, I know, it’s not always homophobia, but one always has to wonder–especially when you have the only gay tale in the book and it is the ONE story that doesn’t even get mentioned. So how lovely was this?
I don’t even mind that the story was called “dark and humorous” even though it wasn’t supposed to be funny (this has happened so many times in my career….)
But, you see, this is yet another one of the problems of being a queer writer of queer work. When things happen like the aforementioned review (where my story was the only one unworthy of review or commentary), as a queer writer of queer work you always have to wonder: was my story that bad, or is this just your average, garden variety homophobia at work? This is always an issue for queer writers; is this a place that will publish a story about a gay man or will they just reject it out of hand? I wonder about this, particularly with the bigger markets for crime short fiction that are out there. I know I’ve sold a gay tale or two to some of the paying markets for crime short fiction; I also know there are some that have rejected every story with a gay character but have taken the ones that centered a straight character. I shouldn’t have to even wonder about this, to be perfectly honest; I should never hesitate about sending a story somewhere as long as it meets their guidelines. And yet, every time I submit something, anything, somewhere anywhere, I always wonder.
I ran my errands after work yesterday, came home and Paul and I relaxed in front of the television, watching the last episode of The Anarchists (weird and sad), and then got ourselves caught up on Becoming Elizabeth, which is quite well done for a Starz English royalty dramatization (earlier series, based on the Philippa Gregory books, were also well done, but not necessarily always historically accurate. Becoming Elizabeth follows the period between the death of Henry VIII and Elizabeth being crowned queen–the eleven year period of the reigns of Edward VI and Mary I, which were quite turbulent and Elizabeth often found herself imprisoned, if not her life in jeopardy. It was in navigating those times that her character was formed, and she learned–often the hard way–how to play both sides as well as how to never ever cross the line into treason.
I slept decently, not great, last night, and this morning I am not feeling either tired or groggy, but that doesn’t mean I won’t hit the wall this afternoon, either. I have so much to do it’s not even funny, and I suppose, as always, that the key to getting everything done is to just go down the list and check things off once and for all. I did get some work done on the new Scotty yesterday–not much but any progress at this point is progress–but I was mostly tired when I got home last night, to be honest. I am hoping for a better day today than yesterday was–not that it was a bad day, but it was a very low energy, low motivation day (which probably had a lot to do with me going in on a Monday, which isn’t the usual and at some point I am going to have to get used to again, which I kind of don’t want to do, frankly) so hopefully today won’t be like that. They set up a work station in my testing room yesterday, which means I don’t have to commute back and forth from my desk all day anymore, so today will be me trying to get used to that and trying to figure out how best to utilize the space in the my room and how to make it easier for me to do my job with the new set-up; I don’t know how I am going to get it set up to be functional quite yet, which means work arounds in the meantime until I can get it all figured out.
If it isn’t one thing, it certainly is another.
I also had ordered a new pair of glasses from Zenni.com that arrived yesterday, and I really do like them–I especially like that they were about one fifth the cost of my last pair, which I bought from the optometrist. (I may order another pair or two today; I didn’t want to go crazy until I got the first pair and could see that they worked just fine, which they do.) I had never thought of glasses as being fashionable; they were too expensive, for one thing, to think about in terms of oh I should get different pairs in different styles to coordinate with outfits; which of course meant that, as with everything, I saw glasses as utilitarian rather than fashionable–function over form, if you will. But this pair of glasses was inexpensive enough that I can actually start thinking of my glasses as form and function, rather than as one. So, maybe on my lunch hour I will look around on their website and see if I can find some others that work for my round face and slight wattle.
And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader! And I will see you tomorrow!
Monday morning and I am off to the office to cover for a co-worker rather than work at home. This works because my work-at-home day this week will be Friday, and then the next week it will be Monday again, so I’ll have four days of not going into the office around my birthday, which is kind of nice. I didn’t have any trouble getting up this morning–I woke up actually at 5:58 and stayed in bed through another two snooze cycles starting at 6, as usual–and now I sit, swilling coffee and feeling awake, as the clock inevitably makes its way to the time when I have to start getting ready to leave for work.
Costco was delivered yesterday, and it really is a remarkable convenience. I still need to run past their actual store one night after work this week–some things can’t be delivered, or they don’t offer them for delivery; it’s also entirely possible they do have the stuff in stock just don’t deliver it and that’s why I want to run by just to make sure. It’ll be an easy in-and-out, and after work one day should do the trick, I would think.
It’s weird going in on Monday morning and getting up so early an extra morning this week–I don’t have to stay the entire shift today, so will most likely leave earlier than I usually do on my day shifts in the office. I suspect we’re going to go back to our old way of doing things in September at last, and I am hoping that means I can swing back around to evening shifts once again–which would be super lovely. An adjustment again, to be sure, but one that should be much easier than adjusting to getting up early every morning, which goes against every grain and fiber of my being.
Heavy sigh.
I didn’t get a lot of writing done this past weekend–not really a surprise, to be honest–but I was pretty worn down by the time the weekend rolled around again, and so I am not terribly surprised I didn’t get a lot of work done this weekend. By the time I got home on Friday I was feeling fatigued already, and of course, I didn’t have much energy the entire weekend, either. Which is fine–I was able to do things that didn’t require much thinking, like cleaning and so forth–and while my mind couldn’t really wrap around reading over the weekend, I did start rereading my Sandman graphic novels, which help make the show even more enjoyable, to be honest; seeing how well the books were adapted into the show–well, I may need to watch the show again because I can’t stop thinking about it and the concepts it explored. It really is an exceptional television experience. We also got caught up on Five Days at Memorial, which I didn’t realize was still airing, so we are caught up on everything available, and we also caught up on American Horror Stories–the last two episodes were vastly superior to the first two, but still, not the greatest–and I also watched The Manchurian Candidate (the original, with Sinatra and Angela Lansbury) for the first time; it was a bit dated, and I also couldn’t help but think how much better it would have been if someone like Montgomery Clift or Paul Newman had played the male lead rather than Sinatra (I’ve never been much of a fan of his acting, really). It was interesting, and of course Paul didn’t see the big twist coming–the Angela Lansbury thing–and she was fantastic. It was also very much of its time–Communist scare, evil Soviet and Chinese Communists, brainwashing–but I’d also like to go back and read the novel on which it was based at some point.
I have an errand to run today after work–picking up a prescription–which is why I am wondering if it would be smart to swing by Costco on my way home; I can catch I-10 right here outside the office and be there in like five minutes, give or take, plus it’s much easier to get uptown from Costco. Decisions, decisions–but why not get it all over with tonight, then go home and shave my head and face for the week? It does make the most sense. Ah, well, no need to decide now.
And on that note, this is my birthday week–I will be sixty-one on Saturday, ee-yikes!–which only bears mentioning (it’s not something I care about excessively, to be honest) because all of my social media will announce it eventually this week at any rate. So I am heading in to the spice mines; y’all have a marvelous Monday!
Sunday morning in the Lost Apartment and I am feeling a bit bleary-eyed this morning. I slept magnificently last night; I didn’t want to arise from the nest of blankets in my comfortable bed this morning in the least. But arise I did, because there are things I must get done today and staying in the bed for a longer time than usual would not help accomplish anything except, you know, more pleasure of sleep.
We did finish watching Black Bird last night, which was an interesting show based on a true story and executive-produced by Dennis Lehane; in which a cop’s son turned bad gets a chance to get his sentence commuted if he goes into a prison for the criminally insane and gets a serial killer–whose appeal might earn his release–to confess to him. It was quite entertaining and more than a little intense, but I do recommend it. I don’t think it needed to be six episodes–I think it felt a little padded here and there to get to six episodes, which seems to be the American minimum/sweet spot for mini-series. We also started watching Five Days at Memorial, which is…interesting. It’s a dramatization based on a book and the true-life experiences of those who were trapped there after Katrina and the flooding; one thing that was absolutely spot-on was how everyone kept lapsing and calling the hospital “Baptist” instead of “Memorial”–the hospital had been bought out by Tenet Health and renamed in the years before the storm; it was a New Orleans thing as to how long it would take for the new name to catch on; I was still calling it “Baptist” to the point that even the title of the series took me aback; I actually did wonder before we started watching, was the name of the hospital Baptist Memorial and we all just called it Baptist? Mystery solved.
I did run my errands yesterday–it didn’t feel quite as miserable outside as I thought it would–and actually made dinner last night…meatballs in the slow cooker, but I also made them differently than I usually make slow-cooker meatballs, the recipe I donated to the Mystery Writers of America Cookbook; I added sour cream to the recipe, for one thing, as well as some other spices and vegetables in the sauce. They turned out really well–quite tasty, actually–and as I sliced bell peppers, celery and onions yesterday while the roux bubbled and browned, I remembered oh yes, I love to cook; I just never get the opportunity to do so anymore. Our work and sleep schedules are now completely out of sync, and the only time I ever cook anything is on the weekends. Today I do need to make things to take for lunch this week–the meatballs will only stretch so far, and I am starting the week in the office on Monday instead of Tuesday this week. I am also having Costco delivered this afternoon as well. I also need to get to work on my second-pass page proofs for a Streetcar today; they are due on my birthday, ironically, but I’d rather get them out of the way today. I also want to get some writing in today, if I am lucky and motivated; I need to start getting more focused and less concerned about other things and issues as well as getting distracted, which is getting easier and easier all the damned time. I know there’s medication for ADHD, but unfortunately it can also act like speed–and the last thing in the world I need is to take something that will make it harder for me to fall asleep.
Yeah, definitely don’t need something to keep me awake longer. (Although every night before I go to bed now I start drifting off to sleep in my easy chair, which is so fucking lovely you have no idea.)
I’ve been reading some non-fiction lately; my mind hasn’t been clear or steady enough to continue reading fiction–a malaise that has come and gone since the beginning of the pandemic in 2020–so I’ve been focusing more on non-fiction when I am reading lately. I’ve got a really interesting book called Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History by Yunte Huang, which is absolutely fascinating. I loved the Charlie Chan movies when I was a kid (neither knowing nor comprehending how racist they were, not to mention their “yellowface” aspects)–again, the influence of my grandmother–and I read some of the Earl Derr Biggers novels when I was a teenager. I am really interested in getting into the meat of this book, since the character was beloved but is problematic in our more enlightened time; can the stories and the character be reclaimed from the morass of stereotyping and cultural colonialism the books and films were steeped in so deeply? Reading the introduction to the book yesterday did again make me feel like gosh, I wish I was educated enough in criticism and the writing of non-fiction to produce this type of work; there are any number of books and writers and characters I would love to explore and dissect and deconstruct. But alas, I do not have that background or education, nor do I have the necessary egotism/self-confidence in my own intellect to believe that I could come up with anything interesting or constructive or scintillatingly brilliant to say that hasn’t already been side (although I have an interesting take on Rebecca I would love to write about someday). I’d love to write about the heyday of romantic suspense and the women who hit the bestseller lists throughout the 50’s-80’s writing those books (Whitney, Stewart, Holt being the holy trinity); deconstructing the themes and tropes and tracing their evolution as the role of women in society began to change during the decades they wrote their novels.
I also bought an ebook about the children of Nazis, which is something that has always fascinated me; how did and have Germany and Germans dealt with, and continue to deal with, their horrific and genocidal past?
Obviously, as a Southerner, I am curious to see how one deals with a horrific history.
And on that note, I am heading into the spice mines. Y’all have a lovely Sunday, and I will check in with you again tomorrow.
Saturday in the Lost Apartment and all seems to be well. I slept late as I had planned–maybe a bit too late, but I also stayed up late to finish doing the laundry (it’s such an exciting and always oh-so-glamorous life I live here in the Lost Apartment. I have to run some errands a little later on–mail, make groceries, prescriptions, library–and some things to do around here to touch up and clean a bit. I want to do some writing and reading today as well as just relax and enjoy the day a bit. We finished watching The Sandman this week, which was incredible–I think everyone can enjoy it, frankly, and it’s so creative and smart and visually breathtaking; a sweep of technical Emmys would be incredibly well-deserved; but it’s also a fantasy show built upon a mythology that originated in the DC Comics super-hero world, so it probably won’t be taken as seriously by the Emmy voters as it should…but then again they were also all about Watchmen (which was, frankly, superb), so you never know. Game of Thrones didn’t do too badly with the Emmys, either. Regardless, The Sandman is brilliant and I highly recommend it.
We also started watching the new show on Apple+ by Dennis Lehane, Black Bird, starring Taron Edgerton, which is also really good and Edgerton really is enjoying the role he plays. (Paul and I decided that he and Tom Holland need to make a movie together where they play brothers; Edgerton is what Holland would look like were he not so baby-faced boyish looking…or they could easily pass for brothers.) Edgerton, who is very handsome and has an amazing body, also looks like he’s been buffing up his body, too. (I think we first noticed him in Kingsman…I also think he’d make a terrific Nightwing if they ever make a Nightwing movie, which they really need to–I was distressed to see the latest HBO MAX news that Titans will probably be cancelled, which means DIck and Kori need to get together this final season soon to be airing.) We blew through the first three episodes quickly; I am also thinking we need to watch Five Days At Memorial–it’s getting to be Katrina anniversary time, woo-hoo–which will undoubtedly be difficult to watch (that period is a very dark time, obviously, and reliving it, even through the guise of entertainment, is always difficult) but probably necessary.
Since watching It’s a Sin last year (or whenever it was it was released) opened a floodgate of sorts in my mind. I know I’ve mentioned here before that I had always, since about age thirty-three, chosen to focus on the present and the future and never look back. It always seemed counter-productive, and I had finally come around to the acceptance point of realizing that everything that has happened in my life–whether macro or micro–inevitably set me on the path that led me to where I am today, and as long as I am happy, did the past really matter? What was the point to having regrets, to wishing I had something differently? Doing anything differently would have changed my path, and direction, with absolutely no guarantee that I would either be happy–or have survived this long. I am sure there are many many alternative timelines for me that had me dying in the 1980’s or 1990’s, which is always a sobering reflection and one I always have to keep in mind. I am alive because of every decision I’ve made and every heartbreak and crisis and problem and bad thing that has ever happened to me, and I kind of like my life and who I am. I am aware of my flaws (probably not as aware as I could be) and I know what my strengths and weaknesses are as a general rule; my biggest worry is that I delude myself periodically about anything or everything or something, and I really don’t like the possibility that I have blinders on when it comes to anything to do with me, my life or my career, while knowing it’s a strong one. I also know sometimes I probably take on blame for wrong that isn’t my fault (another reason Charlie in Heartstopper resonated so strongly with me was him constantly thinking everything was his fault and always saying “sorry”; I could absolutely relate to that as I’ve done the same most of my life and it is generally always my default on everything).
But as I have said, watching It’s a Sin, and being reminded so viscerally and realistically of what that period of my life was like–oh, they were so heartbreakingly young–did make me start looking back, remembering and reevaluating and, while perhaps not actually having regret, actually mourning everyone and the world and the life perhaps we all could have had if the homophobes hadn’t been in charge of everything back then. By not looking back I don’t think I ever allowed myself to heal, even though so much time has passed it’s all scar tissue now. But scar tissue is generally tighter than the skin it repairs; one is never quite as flexible as one used to be before the wounds became scabs and finally scars. Writing, as always, has been an enormously helpful tool for me to process experiences and feelings without tearing the webbing of the scar tissue again. That’s why I think writing “Never Kiss a Stranger” is important to me, and why the story haunts me so. Both Bury Me in Shadows and #shedeservedit both were enormously helpful to me, forcing me to deconstruct and evaluate and look at harsh bitter truths I’ve tried to avoid most of my life. So I think it may be helpful to watch Five Days at Memorial, because perhaps enough time has passed for me to look back without the full range of painful emotion the memories brought before.
Hilariously, after all that bitching yesterday morning about the health fair, it turned out much differently than I was expecting. For one thing, their scale clearly was wrong; it clocked me at 196 pounds. If that was accurate, then I have lost sixteen pounds since I last visited my doctor–two weeks ago (I weighed 212 at his office). As that is most likely not possible–especially since I’d moaned in disbelief when putting on my pants yesterday morning only to find them snugger than they were the last time I’d put them, so the notion I’ve lost that much weight in such a short period of time without trying is utterly ludicrous on its face, preposterous. But it did kind of make me smile a little bit and shake my head.
And on that note, I think I am going to head into the spice mines. Have a lovely day, Constant Reader, and hope it’s everything you hoped it will be.
Queer and Loathing in America 