I Wanna Be Free

Saturday morning and here we are, looking forward to another good day at the Lost Apartment, huzzah! Sparky got me up for food at six thirty, but joined me when I returned to bed (after licking his bowls clean) and cuddled with me another hour or so. He really is a dear, even if he turns into a vicious apex predator terror every once in a while. I’ve not seen any bugs or vermin in the house since we acquired him and brought him home either, so I can deal with the vicious apex predator terror for the short while that mood lasts.

I was thinking yesterday as I cleaned up around the kitchen and waited for Paul to get up (I never wake him up unless I know he has to be somewhere), and as a marvelous thunderstorm moved in, that my Substack hasn’t grown much but I also am not actively trying to grow it, to be honest. It’s free, just like the blog, but what I really want to do with the Substack is make it more essays about stuff that no one will ever ask me to write (or not for pay, at any rate), and leave the more personal stuff here and here only. That way, if you just want essays about queer life, history, culture, books, movies and television shows etc. you can subscribe to the Substack and skip the every day here. If you can’t get enough of me, you can do both or you can just stay here. I may eventually get to the point where those essays no longer get posted here…but that will have to wait until the subscribers make complete separation of self worthwhile. I was also thinking yesterday as the sky darkened and the winds picked up, that all of this new free time I am enjoying so much can also be used for productivity–if I can get back to the point where I’m writing 500-5000 words per day again, then this extra time can be utilized for marketing and teaching myself how to work my website and get it all finished and updated. I also am going to start learning how to do more promotion and format ebooks, too, so I can eventually get to the point where I can do my own ebooks. It would be cool to put up a short story or a novella here and there whenever I feel like it, for free–yes, I know my work has value and worth, but every so often it would be fun to gift readers who like my writing with something free every once and a while, you know, as a thank you for sticking with me all these lengthy years.

I also wrote for a whole yesterday, which felt great. I got about a thousand or so words done, which felt great, and I was most pleased with myself for doing so. I also came up with an idea for yet another book that sounds rather interesting and might be fun to explore thematically; I certainly wrote down a shit ton of notes and ideas and riffs in my journal last night, and I have to say I am really enjoying my journal these days. I also managed to get my review essay of Liebestraße finished yesterday, which felt great, and I hope to get some more of those done over the course of the weekend. Yesterday was, overall, a very good day that I got through without much irritation or aggravation, so I will take that. I do have more errands to run today–we ended up skipping Costco, so we have to do that today–and I hope to have some time to read and write later on after I finish everything.

Today is also our anniversary; twenty-nine years today we’ve been together. Almost thirty years, and almost half of my life. We’re going to watch some movies tonight, and we’re going to have a nice little dinner here at home to celebrate. Next year will be thirty years, and in ten days we’ll have lived here in New Orleans twenty-eight years, too. New Orleans was the key to all of my dreams coming true. I wish I would have been less anxious and more confident when I was a teenager, and if I knew then what I know now, I would have gone to college at LSU and moved to New Orleans after graduation, and maybe gotten a master’s in creative writing at the University of New Orleans. My life would be completely different now–I probably would have left New Orleans at some point rather than staying here my entire life, but there’s no use in speculating over that sort of thing–especially since I am settled and extremely happy.

We finished the seasons of The Acolyte and The Boys (which is coming hard for MAGA and I am so here for it; the season finale especially was rather pointed) last night and also watched this week’s The Serpent Queen, which is very well done, but most of the drama for the rest of her life now was political; and I don’t know how the St. Bartholomew’s Day Massacre is going to play out in the show. There are already inaccuracies in the speeded up timeline; Princess Elisabeth was long married to the King of Spain by the time Charles IX was old enough to be depicted as an adult. I try not to get heavily involved in complaining about inaccuracies in historical shows–they are always rotten with them, but I love watching historicals far too much to stop watching them now because they twist history to fit their storytelling purposes…and this is a period of history I am very interested in. Thank you, cable channels, for committing to doing shows set in historical times I love (like Mary and George). I know there’s a television series based on The Three Musketeers, but it’s very hard for me to watch any adaptation of that after loving the 1970s film versions with (sigh) Michael York (who is an incredibly nice man).

There was a lot of open homosexuality at the royal courts of England and France during this time period, even more so in France rather than England. I’ve always wanted to write about Louis XIV’s brother, Monsieur le duc d’Orléans, who often donned women’s clothing to attend court functions and had a long time lover the Chevalier de Lorraine1 (both were depicted beautifully in the series Versailles, which I also loved). Maybe when I’ve retired I can delve into writing more historicals. I also have an idea for a short story that is a historical; another Sherlock story from 1916, which I am hoping to get started this weekend as well. This morning I am going to do some clean-up around the kitchen before doing some writing and cleaning myself up to go run my errands. I also really still want to write my book about the women in power of the 16th century, too. I suppose it could be called The Monstrous Regiment of Women, but I suppose it could also be called When Women Ruled the World.

And on that note, I am heading into the spice mines for now. Have a lovely Saturday, Constant Reader, and I’ll check in with you again later.

  1. The Chevalier started a society of homosexuals at the court of Louis XIV, which I would also like to research some more. ↩︎

We Found Love

I’ve always1 been interested in Weimar Germany, and Berlin during that period particularly. My interest grew, obviously, as it became more and more aware of how tolerant and progressive the period was; one of the first periods of true freedom for queer people in history. I’m sure there was still homophobia, but the culture and intelligentsia of the period were more interested in examining and studying queerness than eradicating it. This was part of what the Nazis sneeringly referred to as “decadence2” and opposed; everything began changing (for the worst) after 1933.

Sometimes I wonder if the more time passes after the fall of Berlin in 1945 and new generations come along that are farther away from the horrors of the second World War also make it seem less real and more history? It was very recent history when I was a child. My paternal grandfather served in the Pacific theater in the south Pacific, people on the street where we lived in Chicago when I was a kid was chock full of veterans and war refugees, people who lived through the war in Europe. A friend’s father had numbers tattooed on his forearm, and wasn’t Jewish, just an ethnic undesirable. We watched documentaries about the war and the camps as far back as I can remember. There was also an amazing PBS documentary that aired all the time–it was a series, The World at War. War fiction and non-fiction were still being published, still new, and still horrifying. I was a teenager when I read Herman Wouk’s definitive war novels, The Winds of War and War and Remembrance, which became mini-series in the 1980s and I still think should be required reading for US History classes. (Granted, the two books are about three thousand pages long in total; it would take most students the entire class year to read them both, but putting a human face on the war by showing it through the eyes of people who were living through it has always been the best way, in my opinion, to teach history; by putting the students into the place and minds of the people who did experience it.) Anyway, clearly the history of the period isn’t taught correctly in this country else we wouldn’t be facing the rise of fascism here not even a hundred years after defeating it so thoroughly in the 1940s3.

Liebestrasse4 was suggested to me by Kindle Unlimited after I read Sins of the Black Flamingo, and I’m always up for a compelling queer story. My German isn’t good anymore, but I could read the title of this as “Love Street,” and given the nervous way the two embracing men are looking around, I gathered it was a Weimar Republic story.5

How could I pass that up?

And it didn’t disappoint.

It is, as always, both heartening and disheartening to see how open and inclusive Berlin was in those years leading up to 1933; how queer people could be open and live their best lives. Sure, there was oppression–there always has been and probably always will be–but it was easily skirted and just part of the risk expressing yourself has always held for queer people (I was explaining to a co-worker the other day how freeing going out to gay bars used to be for all of us, an escape from the stifling heterosexual world we are all trapped in, all the while knowing a police raid could, at any moment, possibly destroy your entire life.)

Leibenstrasse has no happy endings. Queer lives didn’t have them back then as a general rule, and those who managed it somehow didn’t broadcast it, either–because that would have ruined the happy ending. The main character is a deeply closeted American businessman, one of those alpha sharks we are always taught to respect, admire, and aspire to be–but he’s single, dodging all attempts to avoid being set up with women and dates, parrying all commentary about his private life–and finally decides to take an opportunity to go to Berlin to look for business opportunities for his company as well as to establish the company in Berlin. He does this not only to escape the stifling world he is living in, but also because he’s heard about the freedoms in Berlin, and that is very appealing to him. The story is cast several years after the war, with him returning to Berlin again, and remembering that lost time, and falling in love with an anti-Nazi gay activist and becoming a part of his circle. He gets arrested, and fired, from his company, and decides to go back home to escape the coming Nazi storm. He wants his love to come with him, but he wants to stay in Germany and keep fighting the Nazis…and they lost touch. Is his love still alive? DId he make it through the Nazis and the war?

Or did he die in one of the camps?

It’s a very heavy subject, and it is also one I would love to see more fiction and non-fiction about; how do you handle the guilt for fleeing and leaving your great love behind to potentially die horribly? What does that say about you?

This was an excellent read, and the art is also fantastic. Highly recommended.

  1. Always is an interesting word choice; obviously I didn’t come out of the womb with an interest in Germany between the wars. But as I grew up and became more and more aware of the period, the higher my interest. ↩︎
  2. Decadence, sin, sodomy: it’s all the same thing, so you see why it’s irritating when modern American fascists lie about the Nazis to fool people into thinking they don’t, you know, share beliefs and values with the most disgusting and horrific political ideology of all time. ↩︎
  3. Or maybe not. There’s always been a pro-fascist element in this country–look up “America First 1940” and see what comes up. They were pushing for us not to enter the war at all, or if we did, our natural ally was Hitler against the Soviet Union because communism. ↩︎
  4. In actual German, it would be spelled with a scharfes s, but I don’t know how to make that symbol on here…ß! There it is! ↩︎
  5. I recently bought a copy of Stephen Spender’s novel of the time, The Temple, and intend to reread Isherwood’s Berlin Stories and Christopher and His Kind. ↩︎

Last Train to Clarksville

Well, we made it to Wednesday, didn’t we? This is my first full week of work in over three weeks, thanks to holidays and a canceled trip, and I am rather surprised at how well I am doing. Monday was a drag, but yesterday? I was wide awake and energized when I left the house yesterday morning, and listened to Berlin’s Pleasure Victim–which is still a bop, forty years (!) later–and got to work early. I also got to leave early, which was delightful, despite the remnants of Beryl dumping rain on us off and on all day.

The concept of the art vs the artist has reared its ugly head again this past week or so, and yeah, I don’t have any answers to this question. I’m not particularly vested in this most recent pair of artists being exposed as bad people outside of their craft; I don’t have a dog in either fight. I have enjoyed one’s work in the past, and admired their craft, but…but the other I’ve never read. It’s easy for me to say the credible accusations are enough for me and to never read them again, but it’s not painful. I think the message from all of this is to be very careful who you make into a hero? I myself have been disappointed by celebrities and authors who’ve turned out to be terrible people in the real world; but actors aren’t their roles and authors aren’t their books, either. Performances and writing are necessarily of the person, of course, but…just because you love a character doesn’t mean the creator or the actor is a good person; the character is. Someone I’ve been reading for years and was probably my biggest favorite writer of my life has been disappointing on social media lately, and yes, I’ve allowed my politics and values to impact how I feel about him as both a person and as a writer…and if I cut other people off for being TERFs or homophobes, it’s hypocrisy to not cut off someone I admire for the same things. It helped me clear out some room in my bookshelves, and relieved me of the need to catch up on his work, which I was years behind on anyway, and you know what? I’m not sad about it, either. The books I loved I still love, I just don’t need to spend any more of my money buying new ones. Does it make me sad? It’s more disappointing than sad. They don’t care if I don’t buy another one of their books; one amongst millions is beneath even being noticed. But I blocked them on social media, which I didn’t have on my 2024 bingo card (didn’t have the media trying to pick the Democratic presidential candidate this late in the game either–and I will never forgive legacy media for this 2016-like “but her emails” reaction to ONE bad debate after three years of extraordinary leadership, either. I also didn’t have “legacy media not learning anything after 2016 and 2020” on my bingo card, either. I will not watch anyone ever again on television who are doing Project 2025’s dirty work for them (bye bye Rachel, we had a very good long run) and I will certainly never subscribe to or click on a link from a newspaper whose editorial board has gone all-in on Fascism under the arrogant guise of “we know better than Democratic voters who turned out for President Biden and have never once questioned his ability to do the job so best do what WE say”….um, excuse me? Who fucking died and made the opinions of arrogant political writers and pundits who think they know better than the voters? I trust the people around the President to help him run the country the right way, as opposed to the other candidate’s people; we’ve already seen the grifters and criminals he’ll surround himself with so they can loot the country. He doesn’t even have to be impaired for this to happen.

I certainly never thought I’d see the day when a third of the country and the media would be all-in on Fascism. Do the people at CNN, MSNBC, and the New York Times actually think they’d survive a Fascist government in this country? Or are they prepping for their collaborationism by collaborating now, so they can say see, we helped your rise to power?

And that cadaver James Carville, who’s been out of touch for at least twenty years, needs to crawl back into his coffin. Don’t forget what he married; the fact that he could happily marry a reich-winger, and stay married to her after 2016, tells me all I need to know about how craven and shallow his beliefs and values are.

God, the world has changed so much since I was a kid, hasn’t it? And I cannot say for certain it’s for the better in many instances. I do think trying to end bigotry of all kinds is an improvement, for sure, and while schools aren’t 100% safe for queer kids today, at least they may not feel as isolated as they did when I was a kid–even if they live in a red state.

Even in trying to look back to the world as it was in 1994 for my WIP shows such incredible changes in the country and the world in that thirty years (half my life at this point) that it almost seems like a different world, like that Earth was in a parallel dimension. But that’s the thing about the past–it was a different time and things that are problematic now were just normal and every-day things back then. And let’s not forget it wasn’t that long ago that marriages between tweens was an acceptable practice–and still is in some parts of the country.

Some deep thoughts on this damp Wednesday morning. We’re going to continue having thunderstorms on and off through the weekend–the tail end of Beryl moving through–which is fine with me; as long as I don’t caught in a flash flood or something. We were in a heat advisory all day yesterday, and then a flash flood warning from about seven p.m. on. Just another typical summer in New Orleans. We got caught up on House of the Dragon last night, and watched two more episodes of Outer Range, which is very bizarre but really interesting. It’s reminiscent of shows like Lost or Fringe, where there’s some kind of strangeness going on that no one is really sure what it is; it’s fascinating but I have literally no idea what is going on in the show. But it’s very well done, the acting is terrific, and visually it’s very stunning to watch. We’ll probably finish it this week and then will have to find something else.

And on that note, I am going to head into the spice mines. Have a lovely Wednesday, and I’ll probably be back later.

Sexy pro wrestler Finn Balor is a favorite of mine for obvious reasons–and he’s a great wrestler, too.

Whole Lotta Trouble

Be gay, do crime.

I don’t remember the first time I saw that phrase somewhere, and I don’t know where it originates from, but actually–being gay used to be a crime (and our “supreme court” seems determined to make that so again), so I’ve always wondered if that was where it started from. I do like the phrase, though.

I also don’t remember how Sins of the Black Flamingo came to my attention, but it did. I subscribed so as not to miss an issue, and intended to read it all in one sitting so I could write about it…but never got around to it, like a loser, and as I was looking through the draft entries for the blog the other day, I saw that I’d started an entry after reading the first issue…but never finished reading the book nor, obviously, finished writing the entry.

the book nor, obviously, finished writing the entry.

And since the main character is gay…what better time to finish reading it, and blogging about it, then during Pride Month?

It did make sense to me.

I’ve read comic books for most of my life (in fact, comics are why I bought an iPad in the first place), but I’ve also taken long breaks from them, so am neither an expert nor even a super fan (although I would love to do a crime novel set in and around a comic books store; which could be fun and comical). I remember comics I read as a kid, and have some vague memories of other times when I dipped into the comics world as an adult. My iPad is filled with comics that I’ve never gotten around to reading—but what a lovely long weekend reading them all would make! Or maybe just take the iPad with me on a trip and read comics the whole time?

Anyway, I digress. I do need to do a longer form essay about my comics history while stressing the importance of how little I do know about my beloved comics…maybe for Pride next year, since it would take some serious rereading and research to do properly…and it could tie into one of the books currently in progress…but I am getting away from the purpose of this post: Sins of the Black Flamingo.

I mean, isn’t this art amazing?

Comic books helped shape me and my tastes. The original DC superheroes I followed were still drawn as ideal men of the past, like the 40s and 50s, big with a  barrel torso, and muscular but not defined. DC Comics hadn’t really updated its characters from their early days much; but it was during my childhood at the end of the 60s and early 70s that they began modernizing their comic characters, their costumes, and how they looked—which I also noticed. This was also around the time that men’s bodies became more sexualized, and what was hot and sexy for men began to change. The women super-hero’s costumes also became more sexualized, as were their bodies (the Legion of Super-Heroes ALONE had some of the more revealing sexy costumes. Queer super-heroes (although why I never made the connection about Wonder Woman and the Amazons with their island of women only is a mystery to me) were non-existent and wouldn’t start showing up until the late 1980s and early 1990s—and it’s still a few and far-between kind of thing (the Will Peyton Starman run always seemed queer to me, which I’ll need to explore at another time).

So, you can imagine my delight to find this run with a gay burglar as the main character, who wears a costume and is extremely good at his job (I’ve always had a soft spot for burglars in fiction) and that was why I subscribed to the series. (Still shaking my head at how long it took me to finally read them all, and there was an pretty amazing cliff-hanger at the end of #1.)

But when I was a kid, the characters and story interested me more than the artwork, and even with my love of the characters and stories, I never followed either artists I enjoyed or writers, either. Which is probably not the best way to enjoy them, really; it was a friend who was an exceptional artist and comics fan in the 1980s who made me aware I should be paying attention to the artists and the writers…and I did find some extraordinary comics by looking for artists and writers of books from there on. The two I remember the most from that time are Todd McFarlane and John Byrne.

Sins of the Black Flamingo is self-classified as “occult noir,” which is a term I absolutely love and now can recognize that occult noir is something I absolutely love and probably writeand will most likely explore more in my own work going forward, since I now know what to call it, because supernatural never really fit in the same way and I don’t feel like the books I write are actually full-fledged horror, but occult noir? Oh, hell, yes.

Anyway, the Black Flamingo is the alter-ego of our hero, Sebastian Harlow. The Flamingo is probably one of the top cat burglars in the world (as you may know, I love cat burglars and originally made Colin one in Bourbon Street Blues), and Sebastian is this interesting combination of my two series characters, of all things; he looks and is built like Scotty, with the same approach to sex as he did before he met the boys, but has the dark worldview and cynicism of Chanse MacLeod…so naturally, I was going to be drawn to the character. IN the very beginning of Book One, he is hired to steal something from a right-wing museum—basically a museum dedicated to honoring white supremacy. It isn’t until he steals the item they’ve hired him to find that we learn the backstory behind the item…and a golem named Abel is brought to life, and Abel is hunky AF, I might add.

We also meet Sebastian’s close friend and ally, Ofelia, a Black witch—and yes, this is very much occult noir. The art is fantastic, and done by Travis Moore, with Tamra Bonvillain as colorist, Aditya Bidikar, and editor Andy Khouri, and Andrew Wheeler was the writer.I highly recommend this—if for no other reason than it’s a great gay story with an interesting main character, and who would have ever thought they’d see a gay circuit party within the pages of a comic?

I do hope there’s more adventures in store for the Flamingo in the future. Highly recommended.

Go West

I was never a fan of Westerns.

They were everywhere when I was growing up—movies and television shows—and my father has been a lifelong fan, so whenever there was a Western on TV, our set was tuned to it. Gunsmoke, Bonanza, The Rifleman—you name it, we watched it. Looking back, my dislike of Westerns was rooted in several things: toxic masculinity, racist depictions of indigenous peoples, and how entertainment in this genre was primarily used to create a mythological portrait of the settling (colonizing) of this continent and make it seem as though Europeans were doing the right thing (even using religion) even though they really weren’t. I never saw the natives as villains, and I didn’t like how easily Westerns picked up the trope of heroic white people and savage natives. Even as a child I could see it was all bullshit and I didn’t buy into it. I was about eleven or twelve when indigenous people occupied the massacre site at Wounded Knee, bringing attention to those false narratives and trying to change what was then culturally-accepted racist viewpoints on the indigenous Americans.

Look at the words used for the indigenous people–“savages”, “redskins”, “braves”, etc.; all dehumanizing and differentiating; “they are not like us so have no rights or privileges and we need to kill them all” was pretty much the US government’s policy to the natives.

Many sports teams still perpetuate this—how many teams still used these offensive names until recently? How many still do? And how upset do people get when those names are changed?

Anyway, I also mentioned in passing on another post that I’d like to explore Western tropes and why I’ve never been terribly interested in them as a genre. When I was in Kentucky the last time visiting Dad some movie channel was having a John Wayne film festival, which kind of made my heart sink. I’ve never really been much of a John Wayne fan (although I do love both True Grit and Rooster Cogburn) and generally avoid his films. The first movie was Hondo, with Geraldine Page (of all people; I wonder what she thought of the experience), and you know, I actually enjoyed it…and it made me think maybe I should revisit John Wayne and check out some of his other, better films. But Christa Faust, who is one of my favorite people in this community, commented she’d love to hear my thoughts on Westerns and their tropes.

She also turned me on to this:

If you aren’t aware of Christa Faust and her work by now, you really should be ashamed of yourself.

Redemption is an amazing Western graphic novel she wrote, and I very happily downloaded it as soon as she let me know of its existence. It also made me recognize and understand my own comics-fandom to a degree, too, and I may need to reevaluate that and explore it. I had thought about doing a Pride post about comic books and super-heroes, but it might need to be a longer form personal essay. Anyway, I don’t read enough graphic novels. I’d known that Christa had done scripts for comics before, but it never occurred to me that I should read them as well as be supportive of my friends who create this way. It is just another form of writing, really.

Christa is one of my favorite writers, and Money Shot remains to this day one of my favorite American noir novels. She’s also one of my favorite people; I love just sitting around shooting the shit with her.

And what she does with Redemption is absolute feminist magic.

You see, the thing about Western tropes is they can often be adapted to other genres–including literary (Lonesome Dove is my father’s favorite novel)–and the first Star Wars movie (I will never call it anything other than Star Wars) borrowed heavily from Westerns, as does The Mandalorian. You can see the influence of Westerns on pop culture almost everywhere you look, really (and really, Western tropes are often influenced by medieval tales of lone knights and paladin, which in turn were influenced by Greek mythology), and Redemption isn’t a classic Western set in the 1800’s; this Old West is the result of some kind of apocalyptic happening, with the end result that the town of Redemption has walled itself off from the rest of the world (for their own safety) and is being run by your typical right-wing doom-and-gloom Christian type, who uses God and the Bible for control rather than for inspiration. The town’s doctor, who is not only a Latina woman but a fierce feminist, has been tried and convicted for providing an abortion to a woman whose child died in the womb and was endangering her life.

She has also been sentenced to death.

If you are seeing parallels between this and our modern world, well, I am pretty fucking sure that’s entirely intentional.

The doctor’s daughter’s only hope to save her mother is to find a legendary gunslinger called the Butcher–who had a past with the doctor when they were young. No one is even sure if the Butcher is real, or if she’s merely a legend.

And in the character of the Butcher, Faust sets Westerns on their ear by taking the typical closed-mouth gunslinger (think Clint Eastwood in all those movies about the Man with No Name) and made her a woman, but without stripping any of the gender expectations for men in Westerns. She’s old, she’s tired, and she’s done with bullshit–but she can still outdraw and outshoot any and every man she runs up against.

The art by Mike Deodato is also incredible.

Highly recommended; and again, check out her other work if you’re not familiar with it. You can thank me later.

Private Eyes

I loved this show. 100%.

I wasn’t familiar with the characters before I started watching the show, but you can never go wrong with anything that comes out of Neil Gaiman’s classic run on The Sandman, which is where these characters originally came from, and once I’d heard that, I knew it was going onto my “must watch” list. (I also believe the Netflix adaptation of The Sandman was one of the best television shows of the last decade, and I cannot wait for it to return.) Anyway, the characters were spun off into their own comics series, and that series has now been adapted for Netflix.

I wasn’t sure what to make of Dead Boy Detectives going in–I wasn’t familiar with the characters–but I’d seen a preview so I knew it was about two ghosts who solved cases, which was an interesting idea that I rather liked (and wished I’d thought of myself). The first episode wasn’t great, in all honesty, but I rarely judge a show based on its first episode as they are generally having to do a lot of story and character introduction and set up for the show, which is not easy to pull off. It wasn’t bad, I just had hoped for better, if that makes sense, and didn’t stop watching.

And it hit its stride in episode two, with each episode building on the one before as the series went on–and of course, when we reached the end, we were sorry it was over and wanted a second season immediately.

The show focuses on the ghosts of two very young men, Edwin and Charles, who somehow have (by choice) become trapped on Earth rather than moving on their afterlife; Edwin died as a result of a hazing ritual gone wrong and his soul was sold to the devil by his schoolmates, who didn’t realize what they were doing. He spends numerous decades in hell before managing his escape, and he appears to Charles when he is near death, and comforts him as he dies. Charles is also the first human who’s been able to see Edwin, so he is charmed by that as well. They become friends, Charles dies and rather than moving on, stays with Edwin–and the two decide to become detectives…helping other ghosts trapped on this plane by finding who they are, why they got stuck here, and resolving the issue so the ghost can move on.

In the first episode, they take the case of a young psychic who is possessed by a demon, Crystal, and they exorcise the demon from her but she has memory loss. They decide to let her stay with them until she gets her memory back, and she helps them with their cases. Two other characters, Nico and Jenny, who also start helping them with their cases. There are also any number of recurring characters that are an absolute delight–Lukas Gage as the Cat King is a particular standout, as is Ruth Connell (whom I loved on Supernatural) as Night Nurse, who is responsible for getting recalcitrant souls who haven’t moved on to their proper afterlives–so Edwin and Charles are also in her sights. Each episode is a case, which also moves them forward on their personal through-stories, as well.

Edwin is gay, as is the Cat King, and Edwin is a bit in love with Charles–who has chemistry and an attraction to Crystal. However, this potential “love triangle” is headed off perfectly; Edwin confesses, and Charles–not gay–doesn’t rule it out but certainly not right now, and it doesn’t change how Charles feels about him–he loves him and they are best friends. Sensitively handled and brilliantly welcomed by this viewer, to be sure.

And the Cat King’s barely concealed double-entendres and attraction to Edwin steals the series.

Bravo and well done.

Along Came Jones

Our power went out last night, around 5:45 a.m. per the email from Entergy (if our power is out, how do they expect me to read an email? I guess my cell phone, but still), but for whatever reason, somehow Paul got up to wake me up at the time I usually rise (my Cat Alarm, aka Sparky, also failed this morning but once Paul got up, he started), but I slept so well last night that it took me awhile this morning to get up and going. Not sure what that’s about (thunderstorm, no doubt), but my coffee tastes good and it looks like the kitchen roof didn’t leak last night, so that’s a good thing. We’re supposed to have heavy weather this morning with off and on showers all day (at least that was the forecast yesterday). A quick glance at my phone, however, has let me know that later this morning it will get sunny and it will stay that way the rest of the day. That’s nice. In fact, the sun is out already so I think that forecast may be off. I know there were tornado warnings west and north of the city last night, and most of the truly bad weather missed us.

I’m not going to lie, I felt very off-balance at work yesterday. It started raining in the early afternoon, which certainly didn’t help (damp air and rain always makes me sleepy), and there were some other things that went on in the early morning after I arrived at the office that had me wondering why the hell didn’t you call in sick this morning, dumb ass? But it all worked out in the end, and the rest of the day went swimmingly. I ran my errands once I was out of the office, and then came home. I was a little tired by then, so didn’t get much of anything done last night other than bonding with Sparky (i.e. being a cat bed). We started watching a new British show called After the Flood, which looked really interesting, but I also noted that only the first two episodes (of six) were up on Britbox, which is…odd. We really liked the show, so I am going to have to figure out how to watch the other four episodes. But that’s peculiar, isn’t it? I think I may have let my subscription go, which is probably why we can only access the first two episodes. Heavy sigh. I really need to get a handle on the streaming services I pay for, don’t I?

I am trying to get a handle on easing back into my normality again–a week off is so disorienting, but nice at the same time–so I figured this wasn’t going to wind up being highly productive, either. I need to at least stay on top of things, though, so I am not buried this weekend trying to get caught up. I need to get the dishes done tonight when I get home, and there’s some laundry and other straightening up to do, and I need to get back to reading my book, too. I managed to get all the book posts done yesterday, but still need to get the one for Dead Boy Detectives, which I loved, finished as well. If you’ve not watched, you really should get cracking on it; it’s definitely one of my favorite new shows of the year. It’s been so long since I finished watching that it may be difficult to write about it now (I finished before I left on the trip), but it pleased me enormously, and I loved all the queerness, especially the Cat King (Lukas Gage, who is fantastic in the part). Of course, you can never go wrong with Neil Gaiman’s The Sandman, or anything that comes out of it.

I didn’t read last night when I got home, either, being tired. But I am looking forward to spending some more time with Where They Wait, which I was really enjoying reading last week in Kentucky. I also kind of feel a bit off with the writing stuff, too–it’s been a hot minute since I’ve written anything other than the blog, so the muscles, already rusted, have kind of tightened up on me again, but I also need to deal with things I’ve been putting off because I didn’t want to deal with them and that’s really not a good way to deal with anything. I need to make a to-do list, too.

And on that note, I am heading back into the spice mines. Have a lovely day, Constant Reader, and I hope to be back here at some point later on.

Since I Don’t Have You

Thursday morning last day in the office until Monday the 12th! GASP. But yes, I am meeting my dad in Alabama this weekend and then Monday the 5th we’re driving back up to Kentucky, from whence I shall drive back to New Orleans on Friday. I was very glad that I figured out that the trip hanging over my head was why I was a bit off this week, which was a very good thing to realize…I was getting worried about why I was off, you know? And at my age, sometimes (usually) it’s something. Sigh.

I went further down the Noah Presgrove mysterious death Internet wormhole, and the story just continues to gnaw at me. I also found a “Justice for Noah” Facebook group that is mostly people from the small town he was from (Comanche, Oklahoma) and the surrounding counties…and what a fucking gold mine that was, seriously. The town is only about 1300 people or so, and it’s a very rural area similar to the one where I grew up in Kansas. It was eye-opening, and a reminder of just how nasty small town/rural areas can be. The page is full of locals snapping and sniping at one another, accusing people of knowing more than they know, and when someone being called out responds to being called out, well, people go apeshit on them. One girl who was there telling people they had things wrong got buried with comments like “you were drunk so we can’t trust your memory” or “you’re in on the cover-up” and it’s wild how all these old hurts and resentments can come to the fore when something like this happens. I had been thinking about writing another book set in small-town Kansas (beyond the ones I’ve already talked about on here) called All Their Guilty Stains, but this story might be better than the one I dreamed up for that title.

That’s the “real America” for you, people. (Peyton Place and Stephen King’s Needful Things are excellent books about how stifling rural small towns can be, and they get the pettiness down perfectly. One of the reasons I love King so much is his ease at creating a realistic town with real people who basically harbor grudges and resentments until everything starts boiling over.)

But I definitely went down the wormhole with Noah’s murder/suspicious death last night; looking up podcasts and videos. And yes, I am well aware that I may not have even been interested in the story had the video that started the whole thing–a Banfield News report–not had a thumbnail of his senior picture and my first thought was that’s a very good-looking young man–he was possibly murdered? And then I went down the wormhole.

And of course, everything on the Facebook page I mentioned? You expect the family to of course talk about how marvelous and wonderful and kind he was, and that’s a lot of the posts on that page, too–basically, he’s been deified, and that American “don’t speak ill of the dead” custom often covers up all kinds of shit, and much as they like to believe they know everything about their kids, most parents don’t and are very surprised–as well as being in denial–about the deceased. I mean, no one is loved by everyone. And a good-looking star athlete in a small Oklahoma town? You can just bet there were kids with grudges and resentments built up over the years.

I felt good yesterday when I got up, as I do this morning, and I got a lot done at the office…but I started feeling tired and sleepy in the late afternoon. I had to also run errands on the way home (Sparky needs his treats!) and picked up my copy of The Dusk, a graphic novel co-written by my friends Elizabeth Little and the wonderful Alex Segura. I also had a royalty check waiting for me (huzzah!) and, of all things, a fan letter forwarded to me from Crooked Lane. I wasn’t really quite sure what to expect–the last time someone wrote me a letter it wasn’t exactly a fan letter, and I’d actually forgotten how nice that feels. I just glanced over it because I wanted to read it sometime when I could savor the ego-boast; which is something I’ve been needing, writing wise, for a long time. And you know what else it did? It kicked my fucking mind into gear. I’ve been struggling with this book I’m writing for a long time now, and it’s certainly taking me longer to write a draft than it usually does. Part of the problem was I couldn’t figure out the over-all point of the book, which I realized last night; there’s always got to be an underlying point to the story that I am trying to illustrate through the main character. It’s a satire of state-sponsored homophobia, and I of course created a homophobic group leading the armies against drag queens, transwomen, and queers. But that wasn’t personal, and that was why I wasn’t having as much fun writing it and why I was having so much trouble with this book. Last night, as I sat in my chair, digesting a gushing fan letter and Noah Presgrove’s murder/suspicious death, I started thinking about this some more and then it hit me: I need to know Jem’s personal story/growth through this book and it punched me right between the eyes–so much so that I scribbled it all down in my journal and hopefully, I can get back to work on this sooner rather than later.

And on that note, I am heading into the spice mines for today. Have a great Thursday and I may be back later.

A Lover’s Question

Monday and back to work in the office day. I slept like the dead last night, which felt rather nice, so I am feeling pretty rested and good this morning. My coffee is good, Sparky’s been fed, and I am going to get cleaned up and head in to the office relatively soon. This Monday feels much better than last Monday did, to be sure. Yay!

Yesterday was nice and relaxed for Paul’s birthday. We watched a couple of things, and then started watching Dead Boy Detectives on Netflix, which we are really enjoying. You can’t go wrong with a property from Neil Gaiman; I could be wrong, but I think they originally appeared in the original run of The Sandman comic. I am really looking forward to the return of that show, too; watching convinced me to reread some of the anthology collections of the original run of the comic book, which was a lot of fun and reminded me of how much I used to love comic books. I’m hardly an expert on comic books and the super-hero lore from either DC or Marvel; I started reading comics when I was very little with Richie Rich and Little Lotta and Sugar and Spice before moving onto the Archie books, which eventually led to Superman and the rest. But The Sandman, reading the Gaiman run on that comic let me see, for the first time, that comics–and their stories–could be art.

We spent the afternoon watching the second season of CNN’s The History of Comedy, which was interesting. It’s really funny to remember all the censorship stupidity of television when I was a child–when you couldn’t even say damn on television, let alone other curse words1. Sexual content or references? Not so much. Even as a kid I thought it was weird. My dad swore, my mother rarely (when she did it was serious) but I always have. I added swearing to my vocabulary repertoire in junior high, even though I really didn’t know what I was saying…years later I would realize a lot of so-called bad language was really dumb and not at all what the words meant. (Is “bastard” really a modern day insult? It really means the child of unmarried parents, no more no less; this used to be a horrible insult but really? It’s not the bastard’s fault they are a bastard, and there are a hell of a lot more of them around now than when I was a kid. As an insult, it’s archaic since there’s no shame or embarrassment around being one today, so kind of pointless.)

I didn’t get much done this weekend, between recovering from being exhausted from last week and Paul’s birthday yesterday (which was kind of nice). Being a bad boyfriend, I didn’t get him anything other than a pizza for dinner, but he truly doesn’t care (nor do I). I mean, we’ve been together for thirty years next summer (!!!), which seems astonishing to me. Thirty years. I would have never believed in a million years had someone told me in my early thirties that I would find the perfect person for me. And yet, here we are. Kind of pleasant surprise how my life turned out in the end, wasn’t it?

The Kristi Noem “dog killer” memes continue to flood social media and she, like so many others of her ilk, refuses to admit doing anything wrong. Sorry, Governor, you’re never going to get everyone in the country to agree that “living on a farm means tough decisions”-2-I recognize the attitude about animals, my parents and their siblings pretty much all had the same mentality but never had pets. She’s another one of those pretty Republican women with the dead eyes–nothing behind them at all–like the Republican women who came before her. Remember Michelle Bachman? Empty, dead eyes–although Bachmann’s also had that crazy look to them, too. At any rate, Noem may survive politically in South Dakota, but she’s done nationally. She might wind up as a senator from there, God help us all, but any further national ambitions are pretty much dead…no one is ever going to forget she shot a puppy in the face because she hated it.

I also read a bit more of Michael Thomas Ford’s Suicide Notes, but not much. My mind was too scattered to settle down to focus on reading, so I gave up. Not an indictment of the book, mind, but more a critique of my fevered brain.

And on that note, I am going to head into the spice mines. Have a lovely day, Constant Reader, and I may be back later.

  1. Curse words, and swearing, are a subject for another time but an interesting one. ↩︎
  2. Especially since farm people are weighing in against her. ↩︎

Quiet Village

Sunday morning and Daylight Savings Time begins, which means it’s an hour later than my body thinks it is, and that’s fine. I would imagine that the real brick wall as far as the time change is concerned is going to be hit tomorrow morning when I get up for work. But there are worse things, after all; there are always worse things. But yesterday was a pretty decent day, overall. I got some things done, not nearly enough, and had my ZOOM panel for Murderous March around one thirty my time; ably moderated by Richie Narvaez, it was quite a lot of fun, but I am never sure how I am coming across when it’s ZOOM–no audience reactions to play off–so I will hope that it all went well and the audience enjoyed it as much as I did. I ordered a pizza from U Pizza (I’d been a-hankering for one all week, frankly) for dinner, and spent most of the day finishing reading The Little Wax Doll, rereading other books and stories in progress, before finally settling in to watch a couple of episodes of The Tourist–but I kept falling asleep (from being tired, nothing to do with boredom, because the show is bizarre and twisty and hilarious and kind of like a Coen Brothers movie, so clearly I am loving the show), and finally went to bed around ten. I slept very well, too. As for today, there’s still a lot I need to get done, writing wise, and at some point I have to make groceries today, too. The Oscars are tonight, but I’m not terribly interested in them, to be honest.

I also tried watching Aquaman and the Lost Kingdom, but shut it off after about fifteen minutes. I love Jason Momoa, but not THAT much.

I did find the missing printer ink cartridges, by the way. I guess I was looking right at it all along and not seeing it. Heavy sigh.

Sparky is feeling rambunctious this morning, and has already gashed my right index finger with one of his talons. But this helped remind me that I took his hanging toy down yesterday so it wasn’t on camera, and didn’t put it back up. Problem solved, and now he’s jumping at it, and all’s well in the Lost Apartment. Big Kitten Energy. He’s lucky he’s so sweet and adorable, honestly.

But it looks to be a beautiful day outside already, which is great, and hopefully this good mood will last as long as my energy does. I’d like to be able to get a lot done today, and get prepared for the week. A friend will be in town this weekend, which is very exciting as I’ve not seen her in a very long time, which will be so delightful. I do miss my friends.

This week the news broke that Carol Gelderman had died. Carol, a writer and professor at UNO, was an absolute delight. I didn’t know her very well, but she was a frequent panelist at the Tennessee Williams Festival, and so I’d run into her quite a lot. Every time, she would give me a dazzling smile, shove her right hand at me and say “Hi, I’m Carol Gelderman” and I would smile and say “Lovely to see you again, Carol” and she’d make a wonderful “pshaw” noise and say, “I don’t know what’s wrong with me” and give me a big hug, and we’d laugh and laugh. She also always had a flask in her purse. Check out her biography of Mary McCarthy sometime. It’s very sad that I’ll never laugh with her at a Festival party again. RIP, Carol, and thanks for the great memories.

You’ll probably not recognize me should there be an afterlife, either, Carol, and I hope that is the case.

And on that sad note, I am heading into the spice mines for the day. Hope your Sunday is lovely, Constant Reader, and I may be back later. One never does know, you know.