Category: childhood

Oh Very Young

Friday morning and I slept late and I don’t care. I also did little to nothing yesterday and I don’t feel in the least bit guilty about it, either. Ordinarily, I’d be chastising myself and feeling like I wasted an entire day, but so what if I did? Am I never allowed to actually have a day off where I don’t do much of anything? I did get the laundry finally done, but I’m not going to kill myself this weekend, either. There are definitely things I need to do today–laundry, errands, gym, writing–but I am going to get to things when I get to them and if I don’t, there’s always another day.

And if there isn’t, oh well, no need to worry about any of it, is there?

Yesterday was lovely, as non-active days inevitably are. I wrote some posts and worked on the laundry yesterday morning, but once Paul got up, I turned the television onto Wimbledon for him and I kept sitting here at my desk, finishing that blog post, which was very cool–the television usually is a distraction, and it wasn’t yesterday. I did eventually move into the living room to watch television with him, and we got caught up on The Boys (which is going so hard on the right this season that sometimes I laugh out loud; one of the most horrible supes this week quote that trash from Georgia MTG, and then I realized the entire character was her, and laughed and laughed and laughed), then watched the entire new season of That 90’s Show (the best character is Ozzie the young gay). We also finished the Dallas Cowboys Cheerleaders documentary on Netflix, which again was really just a better produced and edited together season of their old reality show, but a lot more serious and it also went in on some of the girls more. I said, while watching, “It really does take a certain kind of person to want to be one of these girls, doesn’t it? It’s like they create this big sorority.” That was what it reminded me the most of–a big sorority–with little to no drama between the girls…which I suspect would NOT be tolerated should it ever happen. Usually watching anything documentary style, or non-fictional, usually gives me several ideas of how this little “bubble” they live in could lead to crime; and I realized yesterday in all our years watching Making the Team and now this, that’s never happened once. Even sitting here this morning with my coffee and a cat in my inbox (Sparky is watching Cat TV out the window), I cannot think of why anyone would want to kill any of those girls or even their coaching staff. Kellie, the primary coach, reminds me a lot of that woman from Navarro from the Cheer series.

Besides, I was just thinking the other day that if and when I write another young adult novel, I am not going to write about cheerleaders and football players. That was my primary experience in high school, but there are so many other kids that are neither of those things and I kind of would like to write from a different perspective rather than the usual, high school stereotype kids. (Which, now that I’ve said that, is precisely who The Grimoire of Broken Dreams is about; so it will be the last of those…but The Summer of Lost Boys will be about a high school outsider; it’s the only way the story works in the first place.)

I do have some picking up to do today, and I certainly need to get the dishes done–which always makes such a difference when it comes to how the kitchen looks–and I’d like to get some more filing work done…at least alphabetizing so the files are easily found. I have one more file drawer to get through–there’s a lot of sorting that needs to be done on it–and then that is finished. I’d like to get started moving boxes off the tops of the cabinets this weekend, too. Some of it is just paper that can go in the trash; others are books that also need to be gone through. I hope the library sale is open tomorrow so I can drop these books off to them, which will also make the living room look less cluttered. I also have a long term scanning project to work on, too–all my old articles and reviews and so forth that I have stored neatly in a box; I’d like to get that all scanned so I can give these old queer magazines and newspapers to the local queer archive. I hate throwing it all in the trash; someone might someday want to see these old issues of Lambda Book Report that I edited, and I doubt they are electronically available; it wouldn’t surprise me if even Lambda didn’t have copies of its issues going back to the 1980s.

There’s a part of me–the packrat part–that wants to keep all of this and archive it and all my papers and put them somewhere, like at Tulane (who wanted them at one point) or the Historic New Orleans Collection; but that seems a lot like hubris to me, you know? “Oh I am so important my papers need to be collected for future scholars and historians” isn’t something that rolls easily off my keyboard, you know? After a lifetime of not being taken seriously to the point that I rarely take myself seriously, it’s hard for me to imagine that my writing and my life would be of interest to anyone in the future, you know? Someone told me that I was the only writer who documented what life was like here for a gay man before Katrina, and sadly, all I can do is think of all the things I haven’t documented here, like the wars over Southern Decadence against homophobic pedophile Grant Storms (it’s always projection with them, isn’t it?)–I wanted to write a book about that, and Storms himself along with psychotic Louisiana Republican politician Woody Jenkins1 inspired Bourbon Street Blues–and various other battles here in the state. Cancer Alley, the poisoning of poor black communities by petrochemical plants and oil refineries, the loss of the coastline and the wetlands are all things that should be written about, and I really wish there was some John D. Macdonald here in Louisiana who could write about the environmental disaster the state already is, and how we are making it worse by the day every day.

But I’ve decided2 to just throw it all away, really. I don’t have the time or the interest to catalogue and organize a lifetime of writing, let alone the logistics of getting it all somewhere, and every draft I’ve written is electronic, except for the files that are so old no program will recognize them anymore, and there’s also this blog. It’s never been the whole story, and it’s always been relatively carefully curated, but when I do write things here I don’t censor myself. The only blog topics that have always been off-limits are Paul, my family, and deeply personal stuff. I also try very hard not to invade the privacy of my friends, which I wasn’t so good about in the early days back at livejournal almost twenty years ago.

I also think that’s why I want to keep doing the Greg’s Gay Life or Pride Posts throughout the rest of the year. I’d like to document more of my past, the things that I clung to (like the tiny queer rep in film, movies and books when I was a gayby), and sharing what it was like to live through things. I have no desire to write a memoir of any kind, but I kind of do at the same time, but my fear is always the faulty memory and the memories of the other people who were there will inevitably be different. I’ve already noticed how the kids I went to high school with clearly had no idea how miserable I was; the mask I wore of the class clown who makes sure everyone is having fun was more successful than I ever thought it was…although I have become convinced everyone knew somehow I was gay. That delusion was hard to let go of, but it’s also true. No one I ever came out to was surprised, you know.

Maybe my memoir could be called Deluded.

And on that note, I am getting some more coffee and going to work on the sink. Have a lovely Friday, whether you are off like me or have to work. I’ll most likely be back later.

  1. Jenkins was too extreme for Louisiana back then, but he’s to the left of our current governor. Jenkins was also the first Republican that I can recall who claimed the election was stolen from him and wanted an FBI investigation. This behavior killed his career in state politics; he couldn’t even get elected to represent the racist part of Baton Rouge that recently seceded from the capital. And yes, Louisiana will go at least 60% for another crybaby sore loser this November. Funny how that works. ↩︎
  2. Don’t @ me about this; my mind is made up. ↩︎

Help Me

Ah, the 4th of July. I already did my holiday post this morning, in which I put in words what I’ve been feeling about this country for a very long time, and I don’t think I’ve still managed to get a lot of it out of my system entirely yet. The state of the world is such that it’s both infuriating and terrifying at the same time, and thinking about it for too long inevitably always puts me into a bad mental state. I’m taking the day off from most everything–I’ll do chores and so forth, because I can’t just sit still for very long–but I want to go to the gym for a bit and I also want to spend some time reading; have an actual day off, you know, from the pressures and worries and cares of the every day world. So no news, no social media check-ins (other than blog posting; I am very behind on that, and more on that later), and seriously, how lovely to have one day when I can make the world go away.

Yesterday was an odd day, really. Having a three day work-week was already off-putting, and I could never remember what day it was all week, and I felt a bit off-balance. I did get some work done on the book, which was awesome, and I plan to do more of that this very weekend, thank you very much! It’s nice to feel excited about writing again, even as I fear that I am also letting time slip through my fingers. I have become very aware of the grains of sand running through my hourglass these days and it’s really not as grim or sad as other people always make it out to be when I mention it, you know? I always knew I would never have enough time to write all the ideas for stories and books that I wanted to; but always optimistically wrote the ideas down and dutifully recorded them for me to come back to someday. Going through the files–I still haven’t finished that, but I am hoping for this weekend, in all honesty–reminded me of a lot of things about myself and my writing and who I am as a writer, you know? Things like ideas that resurrected themselves as new ideas because I’d forgotten I already had the idea once before; book and story ideas that evolved and changed titles (“The Snow Globe” began life as “St. John’s Eve”); and various ideas and things that can actually be folded into the same story. It was also fun paging through my journals–I still need to put my hands on the old ones from the 90s–and seeing how some of the recent stuff took shape, too. So many, many ideas. But I’ve also made peace with the fact that some of these ideas will never see print, but I will never be able to stop having ideas until my brain stops functioning. The last thing I will probably do before passing out of this life will be scribbling an idea down on something handy, and then I will expire.

I feel good this morning. I feel rested and relaxed and I’m actually in a pretty decent mood. When I finish and post this, I am going to do some chores and get the downstairs picked up a bit, and I may even work on the shelves in the laundry room and purge some more books and free up that second shelf for storage, which is what I would absolutely love. I want to clean out my cabinets this weekend, too, and figure out what is a more efficient way for the kitchen to be set up. But it does, overall, look better than it has in years, which is terrifying when I think about it. How had I let everything slide for so damned long? How did I allow everything to just keep stacking up without doing anything about it? Sigh. I really do need to stop shaking my fist at Past Greg, seriously.

Remember how I said I was going to keep doing Pride posts through today? I’ve decided to say fuck that and continue writing about being gay in America, my own past as a gay man and what that was like, and gay influences on the culture. I cut back on that a lot over a decade ago, because I decided that my blog should just really show how I am a person and a writer like all of my heterosexual counterparts, who just happens to be gay. But I have a pulpit here, where I can educate a very small audience–or bring back memories for some of them–and I feel like I need to start doing that again. The truth is homophobes are never going to read my work, or this blog; why should I worry about offending people whose offense is inevitably due to internalized homophobia they may not even be aware of? It’s often surprising to see the blinders so many straight people are delighted to put on when it comes to queer people (“can’t we agree to disagree? Your existence is just a political agenda anyway”–literally eat ground glass, motherfucker).

Being unaware of your privilege doesn’t mean you don’t have any.

And on that note, I am going to go do my chores. Happy 4th, everyone and I may be back later.

I Won’t Last a Day Without You

Good morning! For me, at least, today is the midpoint of the work week. I am delighted to have a four day weekend, and it will be glorious once it arrives. Yesterday was another odd one, to be honest; I felt fine when I got up, but gradually grew more tired until by the time I came home I was pretty exhausted. We did watch House of the Dragon–which felt like more filler than anything else, yet again (this series we’ll show the aftermath of the battles instead of the actual battle!) and I did some reading, but other than that the evening was pretty much wasted for the most part. I slept really well last night, and this morning I am awake and feeling good. That hasn’t happened in the morning for a while, so here’s hoping the energy and the good mood and the feeling good lasts all day, shall we? I am going to run errands after work tonight and go to the gym on the way home.

I also got a bit unhinged yesterday because someone on my Facebook feed posted one of those namby-pamby, we-can-disagree-politically-but-still-be-friends bullshit, and I will not apologize for seeing red. I unfriended and blocked so fast my keyboard was literally smoking. That level of privilege nauseates me, because it reduces me–and others who don’t fit the white nationalist/American Nazi definition of a real American–and my existence, my rights…to nothing more than a “political opinion.” This is what I mean when I talk about casual cruelty–and what posting bullshit like that means to people like me. Do any of you have any idea what it feels like to be dismissed so completely in this manner by someone who has never, ever had to wonder “I wonder if I didn’t get the job because I was too gay-presenting” or “was that person a homophobe or just an asshole in general” or “what is this carload of young men acting like idiots up to?”

And really, isn’t that the primary problem we have in this country? People who just want to put up their hands and surrender because it’s difficult and bigotry against you doesn’t really harm me so why should I lose friends because they think you’re not human? Ha ha ha, can’t we all just get along? and the answer, for the record, to that is always no. You see, I have no problem with homophobes being homophobic. I don’t care if you’re homophobic. You want to leave those braces on your brain, be my guest. But you don’t get to pass laws that make me not a whole American citizen.

It was also ironic that after a lovely Pride Month on-line for the most part, this shit-bird decided to turn into a good little German on July 1. “Okay, Pride’s over, time to shit on the gays some more! You should be nicer to the people who tell you you’re going to Hell and you’re a pervert and an abomination and a groomer and a pedophile because it’s just a political opinion.”

Sorry you had to feel a little discomfort there, Mr. Straight Ciswhiteman! Good thing you don’t have to deal with it every fucking day, or have to worry every election season that you’re rights are going to be voted away (or stolen by a corrupt, illegitimate Supreme Court), right, since you have so much trouble dealing with discomfort…and then ask yourself this: how would I feel if someone told my queer daughter that her entire existence is reduced to being considered simply an opposing political opinion?

That should make you feel extremely uncomfortable. But most Americans tend to avoid things that make them uncomfortable. Imagine being told to “straighten up” because I am making some straight person squirm.

Well, it’s not my fault that you immediately think about gay sex whenever I am around or I am talking to you. I don’t think about straight sex whenever I am around or talking to a straight person, so maybe you should take a long hard look at your own obsession with sex, and maybe start working through that on your own, or with a therapist if you can afford it or your insurance will cover it. Who’s the sex-crazed pervert in this instance, freak?

And I don’t want to be friends with anyone who thinks that way, or can rationalize things like “Well, I’ve known Jimmy since we were kids and he’s a good guy. It bugs me when he says he thinks all homosexuals should be killed, but I’ve had good times with him before and I know he just says that for a reaction, so we just don’t talk about politics.” I am “white” but I refuse to be friends with racists, or with misogynists just because I also have a penis. But then I know what it feels like to watch your friends die while ‘christians’ cheer about the fatal disease “because it’s killing all the right people.”

Evangelical Christians were perfectly okay with letting us die in the 1980s and laughing about those deaths, like their cohorts in the Westboro Baptist Church. Why would I ever believe they’ve changed their minds when they still are out there advocating for stripping us of our full citizenship and would actually like us all to start dying again?

Ugh. It’s sooooo tiring. And it’s always, always the same old “what about the children” bullshit. Groomer, pedophile, “they need to recruit” on and on and on, lather, rinse, repeat. What’s even worse is that the current crop are really in it for the grift and attention. I honestly believe that Anita Bryant, horror that she was, actually believed what she was saying and she wasn’t doing it for money, power or attention. She did evil while thinking she was doing right….but the present day professional homophobes are all about money and power and grifting less worldly religious freaks out of what little money they have left.

And on that bitter note, it’s off to the spice mines with me. Have a lovely Tuesday, and I may be back later. I do need to write another Pride post, and I need to write my entry about Horror Movie. Sigh. Onward and upward.

Life Is Just a Fantasy

One of the best places for a young gay kid to see almost naked, really muscularly developed men was on the covers of fantasy novels, like the Conan books and others of their ilk. There were also a lot of fantasy cartoon magazines, Heavy Metal and others like it, that often had scantily clad, beautifully built men and women…and the occasional full frontal male nude.

Did these magazines play a role in my love of muscles (and society’s adaptation to sexualizing men for women and gay men), or did the magazines just give me something to look at that played into said obsession with muscular male bodies? I was very desperate for that sort of thing when I was in high school–and my interest in this kind of fantasy art wasn’t a giveaway clue to my sexuality. Because of the naked big breasted women, most boys liked looking at them too–and the artists and more intelligent of them loved the artwork itself and the stories– there was more going on there than just gratuitous nudity and sex.

The books, of course, were called “sword-and-sorcery” books, as were the few films that came out of them (or were inspired by them), that had a time in the sun during the 1980s, thanks to the Conan movies that made Arnold Schwarzeneggar a star, and also influenced every sword and sorcery movie that followed. S&S books were always a successful niche market, and the success of Conan as a film led to a lot of S&S movies in the 1980s.

Two of the biggest names in the S&S fantasy art field were Frank Frazetta and Boris Vallejo. I absolutely loved their work.

Boris Vallejo’s “Egyptian Warrior”

As an Egyptophile, I love that image and would love to have it hanging on my wall.

Heavy Metal magazine launched in the late 1970’s, and even was made into a great animated movie in the 1980s–its soundtrack includes Stevie Nicks’ “Blue Lamp.” We used to get high and watch it when I was in college, and just got sucked into the vividness of its art and color and style and music.

A work by Frank Frazetta

I don’t know if S&S ever went out of style in books and magazines, but you don’t see many book covers with this type of art on them anymore. It’s a shame; they were very fun tales of treachery and betrayal and magic and vengeance. I never read any of the Conan stories, or any of the other fantasy S&S type books, but I did watch a lot of the movies–those scantily clad musclemen are lots of fun to look at. These movies also don’t get made much anymore–John Carter‘s failure at the box office (which it didn’t deserve; it’s much better than critics and audiences thought it was when released) pretty much killed any interest in these style movies.

Ironically, Game of Thrones was really another one of these style stories; the primary difference being it was done on a much grander scale than the classic S&S genre usually permitted.

And it might be fun to try to write a gay one…..

Science Fiction Double Feature

Lips! Lips! We want lips!

The first time I went to a midnight movie1 was when I was either eighteen or nineteen. I still lived in Kansas then, and the midnight movie was playing at the old movie theater on Sixth Street that was rarely open other than for some special occasion. They’d been doing midnight movies for a while before I went that first time, and I was going with a co-worker who promised me I was going to have an amazing time. I wasn’t so sure. The line outside the Granada Theater was a bizarre sight–many of them dressed up freakishly, and a lot of them were carrying paper bags full of stuff, which I also thought was odd.

I was about to watch, and experience, The Rocky Horror Picture Show for the first time.

I had no idea what was to come.

At the late night, double feature, picture show…

The crowd started chanting for “lips” as the lights in the theater went down, and then I saw what they were chanting for, as two bright red lips appeared on the black screen and started singing as everyone cheered….and started shouting responses to the opening credits.

And I liked the song.

What followed was ninety-eight minutes of insanity. I had never heard of an “interactive” movie before, and it really caught me off guard. How did people know what to yell, and when to yell it? They sang along with the movies, and I soon was caught up in it; getting sprayed with water, ducking out of the way of flying pieces of toast and toilet paper and tampons, and it was all so delightfully subversive in terms of questioning gender and sexuality. You still couldn’t swear on prime time television shows, and you definitely couldn’t say “sex” (I always hated the coy and cheesy ways television writers came up with as a workaround).

And then of course, there was Tim Curry’s Dr. Frank-n-furter.

I’d never seen anything like that before in my life…and I howled with laughter as he removed his robe to reveal what he was wearing beneath, and several people shouted in unison, “Ladies and gentlemen, Mr. Liza Minnelli!”

And after ninety-eight minutes of madness and mayhem, I was a convert. I walked out of the theater with my head still reeling from all the subversion a still moralistic 1970’s American culture had taught me was wrong on every level, disgusting sin and decadent morality, and I wanted more.

I bought the soundtrack shortly thereafter, both vinyl and eight-track, and it didn’t take long for me to have the entire thing memorized. I don’t remember seeing it again while I lived in Kansas–we moved to California shortly thereafter–but I did discover the theater in Fresno that showed it, and I started going weekly. It was more of a production in Fresno–people dressed up and acted out the parts in front of the screen (they tried to recruit me once to play Brad, but I said no; it would be over another decade before I was comfortable enough to wear only underwear in public; I was really uptight). Eventually, after memorizing the film and soundtrack, learning everything there was to know about the movie and play, I finally stopped going to the midnight movies. HIV/AIDS ripped a lot of the joy out of life in the 1980s for me, and once I was out of the habit of the movie, I was out of the habit and looked back on it as a past experience with nostalgia and joy.

The Rocky Horror Picture Show was the perfect amount of subversion at precisely the right time for me. It opened a world of possibilities to me, but at the same time, it made me very aware that I needed, more than anything else, to get out of Kansas. Much as I loved the movie, those memories of seeing it that first time–and the self-actualization and realization that came in its wake–are also tied up with my growing misery and dissatisfaction with living in Kansas. It’s also tied to discovering actual queer people in Fresno, and recognizing that even this little bit of subversion, something I could go see with the straight friends without any questions or fears, kept me going through the early 1980s as everything started turning even darker than they had ever been in Kansas.

Watching it on television just isn’t the same, either.

But the movie always holds a special place in my heart–and I imagine it does with many other queers for whom it proved an awakening of their true freak selves–and I became a lifelong fan of all the stars, whose careers and successes I followed…but one is now dead to me forever, and Her Name Must Not Be Uttered….and her being in the film has also kind of tainted its legacy with me.

But seriously, what a great movie. I may write an essay about the movie someday, you never know!

  1. I’m not counting the night of the senior prom, when the school districts got together and got the Twin Theaters (I think that was the name) to show a midnight movie to keep us all out of trouble. It was Smokey and the Bandit, by the way. ↩︎

If You Want to Get to Heaven

Nothing gives me greater pleasure than flaunting my sin in the face of hypocritical Christians who don’t understand their own holy book. I love using their archaic language on them, too–fornicators, adulterers, heretics, apostates, blasphemers, the Lake of Eternal Fire, etc.–because there’s nothing I despise more than the self-righteous apostates who think they are better than everyone else because “they’re saved.” Are you? Are you so sure?

I’ve always thought the proper response to the question of whether you were going to heaven or not was simply, “I don’t know, that’s God’s decision and so I hope he views me and my life with grace, charity, and compassion.”

And when I was about eight or nine, my grandmother bought me a copy of The Children’s Bible, which was filled with illustrations (amazing how all those Middle Eastern Israelites were white, and even some had blond hair and blue eyes)…and maybe (probably) it wasn’t the intent of the publisher, but there was some seriously homoerotic imagery in the book. About ten years ago I was thinking about The Children’s Bible and wondering whatever happened to my copy…and remembering some of the illustrations in it, I thought no, you can’t be remembering that correctly and so I went on eBay and bought a used copy.

And when it arrived, my memories were actually correct.

I mean, look at the muscles on Goliath. That image was burned indelibly into my brain, and it’s entirely possible my appreciation of muscles comes from….The Children’s Bible.

Perish the thought!

Grooming!

Indoctrination!

And of course, my favorite story in the book was David and Jonathan.

I mean, look at how they drew David!

I mean, it may not be Michelangelo, but damn.

(I also love that a Bronze Age Middle Eastern Jew somehow had pearly white skin, blonde hair, and blue eyes. Riiiiiiiiiiiiiight.)

I think my parents really liked that I was so devoted to The Children’s Bible, but they definitely had no idea why I was staring at the pages every day.

When I was a kid, I’d always reread the David and Jonathan story (can’t imagine why it was my favorite…). I wanted a best friend like David–I always saw myself as Jonathan, the supporting player, the way I always did–gorgeous and charismatic and beautiful and beloved of God. I would think about the story and while I was too young and innocent to conceive of it as anything other than friendship–the same way I thought of the “friendship” between Achilles and Patroclus in tales of the Trojan War–when I got older, whenever I thought about the story I wondered about how deep that friendship between Prince Jonathan and David son of Jesse was. Why include the story at all? It really doesn’t add a whole lot to the tale of David’s life, and did it really matter for King Saul to have a son who was David’s friend and great love? Jonathan dies–not even the Bible was immune from bury your gays–and David mourned him with a great grief that seemed a bit more than “my best bro died.” I wanted to write the story myself, despite my lack of historical knowledge of the period or even when it was actually set, but I wanted to write about their love, their falling in love–and let’s face it, God didn’t really seem to have a lot of problems with their relationship, did he? He didn’t come to David and tell him to stop giving it to Jonathan; God didn’t curse the two of them or punish Israel for it; and yes, Jonathan is eventually killed…but even then God doesn’t come to David and say, did you not read Leviticus? I could hardly let you go on fucking him forever, you know.

So, I guess I am supposed to read it literally and just think they were best friends and loved each other as brothers. Yeah, no. There’s absolutely no reason for this story to be included in the David story in the Bible; none, unless of course there’s a kernal of truth in the story (don’t come for me, I’ve never bothered to find out if the Bible’s Old Testament kings of Israel were real people; I do know that real people turned up in the Old Testament that existed in history–Babylonians and Assyrians, for example, as well as Egyptians)but the mystery for me of why this story was included, why it was included if its merely legend or why was it included if they were real is the real question. There’s no moral lesson to be learned from the story of their friendship; their love and loyalty to each other was an issue for Jonathan because his friend’s greatest enemy was Jonathan’s own father, a king anointed by God–despite God capriciously turning His back on Saul for really such an insignificant reason that it really just boiled down to God just liked David better; I always felt sorry for Saul–how much would it suck to lose God’s favor for no good reason? Just because God found someone He liked better? (And considering the things God forgave David for, or just overlooked, really makes the hard turn away from Saul that much more petty and bitchy.)

God’s kind of an asshole in the Old Testament, frankly.

But yes, I’d love to write this story sometime. (Because I don’t have enough else to do, right?) I’d also want to write it from Jonathan’s perspective, although the death would be hard to do (Madeline Miller managed it with Song of Achilles quite beautifully) story-wise; but is the kind of challenge I love. Maybe someday, and maybe writing it will help me in my constant and never-ending life quest to come to terms with the religious grooming drilled into my brain as a child. I even have a great title for it, too.

I also have a novel in mind revolving around Michelangelo’s statue of David, too; maybe I could combine research and do them at the same time. THAT would be a challenge, would it not?

Paging through it again this morning, I see that there are a lot of sexy men in little clothing in the illustrations, so I have to wonder, if like all the statuary and paintings in European churches and cathedrals, the artist was a gay man so he slipped in imagery for the viewing of other gays. Here are some of those images, culled from just flipping through a few pages.

Okay, maybe Samson isn’t a fair comparison as he was a strong man.
Apparently, ancient Egypt came up with a great exercise and diet plan for Joseph.
Again, Hebrews looking healthy, and Pharaoh’s milkshake brings the boys to the yard.
I also love that they went with daddy/twink for Cain and Abel.

And no need to worry about my blasphemy–“christians’ have told me all of my life that I’m going to hell, so as a friend says, “might as well grease up the hell-slide.”

Midnight at the Oasis

…so put your camel to bed.

Work at home Friday, and I am delighted to have made it through another week, which was at the least bizarre and at most a really screwy one. Next week will be screwy, too, because of July 4th, but oh, well. I am taking the 5th off too so I can have a four-day weekend next weekend, which means more organizing and getting rid of things. I am going to do some more book pruning this weekend, and am going to dump more files, too. My end goal is to stop using the shelves in the laundry room for book storage and turn it into an overflow pantry, with extra stuff moved in there to clear out cabinets and so forth. I have some errands to run later today and more errands to run tomorrow; but I am hoping to make progress.

Paul was late getting home last night–he had meetings, and then stayed at the office during the massive thunderstorm that rolled through here last night. I didn’t get much done last night after I got home because I got very tired in the late afternoon and after getting the mail, I just basically collapsed into my easy chair and played with Sparky. Again, I couldn’t focus on reading, but I am hoping to finish Horror Movie this weekend and start Hall of Mirrors. The US Gymnastic Team Trials for the Olympics are this weekend, so we’ll be spending some time watching that, of course–I keep forgetting the Olympics are this summer–and I had another breakthrough on the new book last night, so I guess I can claim that I wrote last night–thinking and planning counts as writing, after all, and am getting a bit more excited about what I am doing with it, and the imposter syndrome seems to be taking a back seat at long last. I also have to do one more pass on that short story, which is due on Sunday.

I also need to bang out some more Pride Posts, which will finally come to an end on the 4th of July, and I have some plans and thoughts for that final post, too.

Something I just realized last night during my thinking session in my chair was that this weird nostalgia kick I’ve been on since Mom passed was naturally triggered by that (and all the conversations I’ve had with Dad about their early life together and his childhood) and of course, by the fact that I am writing two “historicals” in a row, both set in periods I lived through so I am trying to remember what it was like; how it felt to be gay in New Orleans during the early 1990s, and of course a lot of immersion into the early 1970s. I’ve already decided to set the book in 1994–the year my life actually truly began–so trying to remember what was where and what the city was like back then has also been flooding me with memories. The kids at work have also been asking questions about my life and past.

That, along with some other things I’ve been noticing lately, also has had me thinking deep thoughts. There was a social media post about becoming a daddy, and how people in my generation and the one right after…well, we didn’t really have a lot of men a lot older than me that were out in the 1990s to serve as mentors and/or guides to the community. HIV/AIDS had killed off a good number of them, leaving a void amongst the survivors without that oral history of the community being passed from generation to generation. There was a conversation about “role models” somewhere the other day, which is something I never wanted to be or ever thought I could be, and I’ve actively avoided it. Hanging out with and bonding with the Queer Crime Writers at conferences over the last few years was marvelous, and I actually started feeling like a part of the queer writing community again. That has also made me realize that while twenty years or so may have passed since my first publication–twenty-four in August, actually–I have done a lot, written a lot, and been nominated for a shit ton of awards, both queer and mainstream. (Hell, next year will be the twentieth anniversary of Katrina; which means it’s been almost as long ago as Betsy was when I started coming here) I’ve lasted a long time, if nothing else, and that longevity has to count for something, right? I don’t think I am the most prolific queer writer (I think Neil Plakcy and Mark Zubro are more prolific than I am, at least with the crime writers, anyway), but I have been around for a very long time, with minor breaks of a year or so here and there. Like it or not, I’ve become a community elder, and I intend to try to be better about helping out queer writers and lending a hand when I can.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I’ll most likely be back later on.

Hollywood Swinging

Everybody is a star in Hollywood!

Or so the song by the Village People would have us believe, at any rate.

I’m not sure what it is about Hollywood, movies, and stars that draws gays like moths to an outdoor night light, but there you have it. We’ve fallen in love with movie stars and made them into icons–and interestingly enough, we always seem to like the same ones for the most part–Joan Crawford, Bette Davis, Katharine Hepburn, Judy, Liza, Barbra, Cher, Madonna, Lady Gaga, and so on; almost like there’s some kind of weird genetic link between the majority of gay cisgender white men that draws us all to the same things, so much that even straight people know who the women are that we idolize.

Why this is the case, I have no idea. But gay men have also significantly impacted how we as a society and culture look at men’s bodies, too–see previous post about how what was considered sexy in a man began changing in the 1970s, and continued evolving until what gay men (theoretically) found hot was what everyone considered hot for a man.

When I was a kid it was also believed that bodybuilders were mostly gay, too–because only gay men had the free time to develop and work their bodies…so the gay male attraction to muscular fit men was enough for society to say that about bodybuilders. (I have always appreciated bodybuilders aesthetically, but they leave me cold. They are so not sexy, despite the skimpy bikinis they pose in (gay men were also, for a long time, the only ones who weren’t competitive swimmers who wore speedos), and they never really have been.

But gay photographers began making bank in the late 1940s and 1950s by launching “physique magazines” as a cover for gay eroticism; they would find incredibly handsome men with worked out bodies and photograph them in “classical” poses. This dodge was how they got around pornography and postal obscenity charges; no visible penises, and the men were always posed like classical paintings or statuary to “show off their physiques”. Some of the men who posed for these photographers often did so early in their careers (Yul Brynner was one of many who did these kind of photo shoots to pay the bills), and never really hid their past as physique models–but they also didn’t bring it up much. Nudes for a male (or scantily dressed at least) weren’t as big an issue as they were for women; but male nudes weren’t exactly a boost to one’s career.

The gorgeous Ed Fury, who did some Hercules/hero type roles in movies in the 50s/60s

These old photos–and 8 mm physique films that were sold to private viewers–are astonishing to come across in the modern day and leaves so much to be explained1. Hollywood has always done a great job about covering up the same-sex attractions and predilections of movie stars; look at Randolph Scott and Cary Grant’s five years living together, or any number of other male stars. I’ve started looking into this a bit more because it’s all research for Chlorine, and it’s a plot point in the book. (It also gave me an idea for another noir, called Obscenity.) It’s very fascinating to me. The more I learn about Hollywood, and how things worked, and how rife with homosexuality that the studio assiduously kept secret, the more interested I am in those decades when studio bosses held all the power, when their fixers went around cleaning up after their stars, and the secret homosexuality just out of view there. Tab Hunter, Rock Hudson, and of course, the agent who represented all the beautiful boys: Henry Willson, who more than anything else is a tragic figure that I can’t help feeling sorry for, despite how awful he actually was…I am more willing to give queers forgiveness because of the toxic times they lived in and how they had to survive. (Roy Cohn, on the other hand, can burn in hell right next to J. Edgar Hoover and Clyde Tolson) Reading The Man Who Made Rock Hudson, a very well written biography of Willson, really made me feel sorry for him in many ways and understand perhaps why he was so damned awful.

It was also the times.

William J. Mann, by the way, has done some excellent queer Hollywood history non-fiction, if you want to a good place to start reading up on it.

I’m really looking forward to doing more research on physique magazines.

  1. This was the birth of gay porn, really, which makes it all the more interesting to me. ↩︎

Seasons in the Sun

Tuesday and back to the office this morning with me. It feels right, you know? Yesterday I was kind of bored and low energy. I did some chores, worked on the files some, did some writing, and reading (Horror Movie is terrific; Paul Tremblay is really a spectacular writer), but overall I was feeling pretty low energy by the time the late afternoon rolled around, and I didn’t have a problem with it, really. I got up early, after all, to get used to it, and I’d done a lot over the previous two days; and everything else that needs to be done in here can be broken down into separate small chores, which is far easier to scratch off the list and a lot more satisfying. Paul had to go out for the evening last night to go to a reading, and didn’t get home until after I went to bed. I slept very well, too.

So I am feeling up for going back to work this morning; I feel very rested and relaxed, and I only have to be in the office for three days this week, and three days next, too. I think I am going to take Friday the 5th off, might as well have another four day weekend when it presents itself this way, don’t you think? I thought it would take much longer to get through the filing, in all honesty, and to be sure, it’s not exactly finished either. But I would have never dreamed I could get so much done so quickly, either. I have another drawer to go through, and then everything needs to be alphabetized…but most of the duplicates have been combined, all the files pertaining to a certain book have been also gathered togetherm and now I have to start finishing books, you know? Tonight I have to get the mail and go to the gym before I get home, which will be nice. There are a couple of chores I started and need to finish–laundry and dishes, as always–before I can settle in to write and/or read tonight. (I suspect I’ll be tired and reading is the most likely option. I do want to get Horror Movie finished so I can start another one.) It also rained overnight–more rain later in the week to come–and so I can probably put off washing the car for another weekend.

We’re also running out of Pride Month, and I have a lot of entries left to complete. Heavy sigh. It’s not easy when you don’t really have a plan. The ones that are left will wind up lengthier than the ones I’ve already done, and I don’t think I’m necessarily the best at winging it, you know? There are a couple that I’ve been wanting to finish for several years now–including one about masculinity, one about old Hollywood and physique magazines (which I want to write a book about eventually), and one about The Children’s Bible, because I looked upon those images inside with desire when I was a child. I should also probably do Playgirl magazine as well. So many potential entries, so few days. Heavy heaving sigh.

But I like the uncluttered look the apartment is now getting. I still want to do the drawers and the cabinets, and of course the attic is a big project I may save for Labor Day weekend. It’s so lovely to be making progress again.

It was also kind of nice that I really did take most of the day off yesterday because of the low energy and it seems to have worked its magic, so on this note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check in with you again later.

Whole Lotta Trouble

Be gay, do crime.

I don’t remember the first time I saw that phrase somewhere, and I don’t know where it originates from, but actually–being gay used to be a crime (and our “supreme court” seems determined to make that so again), so I’ve always wondered if that was where it started from. I do like the phrase, though.

I also don’t remember how Sins of the Black Flamingo came to my attention, but it did. I subscribed so as not to miss an issue, and intended to read it all in one sitting so I could write about it…but never got around to it, like a loser, and as I was looking through the draft entries for the blog the other day, I saw that I’d started an entry after reading the first issue…but never finished reading the book nor, obviously, finished writing the entry.

the book nor, obviously, finished writing the entry.

And since the main character is gay…what better time to finish reading it, and blogging about it, then during Pride Month?

It did make sense to me.

I’ve read comic books for most of my life (in fact, comics are why I bought an iPad in the first place), but I’ve also taken long breaks from them, so am neither an expert nor even a super fan (although I would love to do a crime novel set in and around a comic books store; which could be fun and comical). I remember comics I read as a kid, and have some vague memories of other times when I dipped into the comics world as an adult. My iPad is filled with comics that I’ve never gotten around to reading—but what a lovely long weekend reading them all would make! Or maybe just take the iPad with me on a trip and read comics the whole time?

Anyway, I digress. I do need to do a longer form essay about my comics history while stressing the importance of how little I do know about my beloved comics…maybe for Pride next year, since it would take some serious rereading and research to do properly…and it could tie into one of the books currently in progress…but I am getting away from the purpose of this post: Sins of the Black Flamingo.

I mean, isn’t this art amazing?

Comic books helped shape me and my tastes. The original DC superheroes I followed were still drawn as ideal men of the past, like the 40s and 50s, big with a  barrel torso, and muscular but not defined. DC Comics hadn’t really updated its characters from their early days much; but it was during my childhood at the end of the 60s and early 70s that they began modernizing their comic characters, their costumes, and how they looked—which I also noticed. This was also around the time that men’s bodies became more sexualized, and what was hot and sexy for men began to change. The women super-hero’s costumes also became more sexualized, as were their bodies (the Legion of Super-Heroes ALONE had some of the more revealing sexy costumes. Queer super-heroes (although why I never made the connection about Wonder Woman and the Amazons with their island of women only is a mystery to me) were non-existent and wouldn’t start showing up until the late 1980s and early 1990s—and it’s still a few and far-between kind of thing (the Will Peyton Starman run always seemed queer to me, which I’ll need to explore at another time).

So, you can imagine my delight to find this run with a gay burglar as the main character, who wears a costume and is extremely good at his job (I’ve always had a soft spot for burglars in fiction) and that was why I subscribed to the series. (Still shaking my head at how long it took me to finally read them all, and there was an pretty amazing cliff-hanger at the end of #1.)

But when I was a kid, the characters and story interested me more than the artwork, and even with my love of the characters and stories, I never followed either artists I enjoyed or writers, either. Which is probably not the best way to enjoy them, really; it was a friend who was an exceptional artist and comics fan in the 1980s who made me aware I should be paying attention to the artists and the writers…and I did find some extraordinary comics by looking for artists and writers of books from there on. The two I remember the most from that time are Todd McFarlane and John Byrne.

Sins of the Black Flamingo is self-classified as “occult noir,” which is a term I absolutely love and now can recognize that occult noir is something I absolutely love and probably write…and will most likely explore more in my own work going forward, since I now know what to call it, because supernatural never really fit in the same way and I don’t feel like the books I write are actually full-fledged horror, but occult noir? Oh, hell, yes.

Anyway, the Black Flamingo is the alter-ego of our hero, Sebastian Harlow. The Flamingo is probably one of the top cat burglars in the world (as you may know, I love cat burglars and originally made Colin one in Bourbon Street Blues), and Sebastian is this interesting combination of my two series characters, of all things; he looks and is built like Scotty, with the same approach to sex as he did before he met the boys, but has the dark worldview and cynicism of Chanse MacLeod…so naturally, I was going to be drawn to the character. IN the very beginning of Book One, he is hired to steal something from a right-wing museum—basically a museum dedicated to honoring white supremacy. It isn’t until he steals the item they’ve hired him to find that we learn the backstory behind the item…and a golem named Abel is brought to life, and Abel is hunky AF, I might add.

We also meet Sebastian’s close friend and ally, Ofelia, a Black witch—and yes, this is very much occult noir. The art is fantastic, and done by Travis Moore, with Tamra Bonvillain as colorist, Aditya Bidikar, and editor Andy Khouri, and Andrew Wheeler was the writer.I highly recommend this—if for no other reason than it’s a great gay story with an interesting main character, and who would have ever thought they’d see a gay circuit party within the pages of a comic?

I do hope there’s more adventures in store for the Flamingo in the future. Highly recommended.