First, some preliminary discussion. Since the enormously popular first season dropped last year and turned the cast literally into worldwide stars, the almost constant speculation (and hounding he received) about the sexuality of adorable young Kit Connor, who plays Nick Nelson, forced him to come out publicly as bisexual earlier this year (He came out on Twitter, deleted his account, and hasn’t come back). Shortly after the second season dropped, Joe Locke, who plays Charlie Spring, the other lead and Nick’s love interest, voluntarily came out publicly; he’d been out to family and friends since he was twelve, but finally decided to go public with it. If we take away the sheer adorability factor of a young bisexual man playing a young bisexual male discovering his own sexuality, while playing against an openly gay man playing an openly gay male teenager discovering his own self-worth and value, this kind of visibility–as well as the visibility of the show, and its enormous popularity–is sorely needed and is probably changing lives as I type this. I didn’t know what to expect when I went into season one, and I have to admit the show turned me into an adoring, gushing teenaged girl….so obsessed that I also went ahead and bought the original ebooks of the story and read them all in one afternoon. So, as we go into my thoughts on Season Two and some thoughts about the show’s importance–as well as some of it’s failures (much as I love the show and the characters, I can also see why people would criticize it; I love the show but nothing is above critique.)–bear in mind there are spoilers for both the season and the books contained within.
And while I know Locke is over eighteen, posting sexy-style photos of him just feels kind of wrong. He looks like such a child…but then the entire cast does, which is why the sweetness of the show hits so strong…which brings up another point about queer young adult fiction–or any medium about queer teenagers for that matter: having queer characters in juvenile and young adult fiction is already seen as dangerous by the homophobes (“grooming! grooming!”), so how do you show queer teens wrestling with their sexuality and their identity without triggering the hypocritical pearl-clutching homophobes who want us all gone? Heartstopper danced around this by focusing on identity rather than sexuality; when season one opens everyone already knows Charlie is gay because he was outed the previous year and bullied mercilessly. The bullying has died down–which isn’t often the truth in reality, but will allow it for the sake of the show–and now Charlie, in season one, develops a crush on the school rugby star, Nick Nelson–who sits next to him in form (the UK version of homeroom), and Nick is actually a super sweet, nice guy. They begin to develop a very sweet friendship–Charlie of course develops a bit of a crush, which he knows is hopeless and his very protective friends think is a bad idea…but what nobody knows is that Nick is finding himself attracted to Charlie and drawn to him, which is confusing for him. This first season was all about Nick coming to terms with his attraction and feelings for Charlie–a constant refrain from both of them is “Why am I like this?” And the entire show was incredibly sweet and lovely and very teenaged; the cast were age appropriate as well; sexuality it a topic of discussion but it’s never seen. The boys are incredibly chaste for teenaged boys. There was also a delightful lesbian couple, a wonderful trans girl named Elle, and of course Tao, Charlie’s super-protective friend. (My personal favorite character of the entire cast is Charlie’s Goth sister Tori. I fucking love her.) The season ends with Nick and Charlie becoming “boyfriends” and Nick settling into his own bisexuality, coming out to his mother (the divine Olivia Colman) in the end.
I ain’t gonna lie, I loved season one to the extent that I watched it twice and then bought the books and read them all over the course of a day–graphic novels don’t take as long to read as novels–and loved them, and the characters, all the more.
If the first season serves to introduce us to the primary couple and cast of the show, and is very sweet (other than the homophobic rugby players and Charlie’s wretched ex, Ben), the darker issues that were merely hinted at–you had to pay attention to catch them–come more to the forefront in season two; just as the graphic novels got a bit more serious as they went on. I’m not seeing the same outpouring of love for the second season that the first got, but I may not be paying enough attention and let’s face it, both Facebook and Twitter have circled the drain since the first season aired. So I don’t know if the more serious tone of the second season played well with the audience or not; it’s not all cotton candy sweetness in the second season as we get to know the characters and their personal lives a bit more. Darcy, one of the lesbians, has a homophobic borderline abusive mother; the bullying Charlie dealt with that followed his accidental outing caused some mental health damage that hasn’t been dealt with or handled until Nick begins to notice and suspect something is wrong with the boy he loves; Tao and Elle deal with their feelings of attraction to each other (and he finally cuts off that wretched curly bang thing he had going); and Nick also has to deal with a homophobic older brother and an absent father–and discovers that coming out is actually a never-ending process. The charm and queer joy is still there, of course, but as everyone who has ever had to come out has learned, the joy and relief is all too frequently followed by having to deal with all the problems your concern about coming out pushed to the back of your mind. Coming out is just the start; your world has changed irrevocably and now you have to relearn how to navigate that world as your actual self, and that is hard.
And for me, one of the more interesting aspects of how Alice Oseman chose to tell the story is that we originally see everything from Charlie’s point of view, with some of Nick’s; the point of view shifts to be more from Nick’s point of view than Charlie’s as it moves on. Heartstopper is really Nick’s story, from his first bisexual stirrings to falling in love to coming out to learning more about himself and resolving issues he is facing while being strong and supportive for Charlie.
Spoiler alert for fans of the show who haven’t read the books: the stories will continue getting darker, but that hopeful optimism that underlies both the show and the novels is always there.
And if nothing else, the show’s depiction of queer joy is worth a watch.
Saturday morning and I slept in. I stayed in bed until eight thirty (perish the thought! What a lazy lagabed!) with the end result that I will not, in fact, be driving over to the West Bank this morning to get my oil changed and fluids checked. It’s not due, but (anxiety) the heat has been so intense, I want to make sure the engine is being looked after properly and of course, the fluids. Now it will have to wait until I get back as the dealership isn’t open on Sundays and I leave Wednesday for San Diego Bouchercon. I am starting to get some anxiety about the trip, but I am trying to ride herd on that. Whereas before it was gnaw away at me and build, now I just dismiss those thoughts as “anxiety” and move on from it. I doubt this methodology will be a long term solution–I probably should see a therapist again–but I already take an anti-anxiety medication to control my mood swings; do I need something else on top of that? Probably not. I am leery of medications to begin with–the opioid disaster always is there in the back of my head, plus the fear of addiction.
But since I didn’t get up, I will be staying in for the rest of the day and working on the apartment and writing and so forth. Tomorrow I am going to get fitted for hearing aids, so anything I might need to get by going out into the world today (I was thinking about doing a minor grocery run to get a few things) I can get tomorrow at the Rouse’s on Carrollton. I am kind of excited about being able to hear properly; I don’t think I’ve ever been able to my entire life, although I always passed hearing tests. My problem is low voices and ambient noise. I can’t hear anything in a crowded bar or restaurant. And I have my appointment about my arm in a few weeks, and of course, I am getting my teeth taken care of once I get home from San Diego. I will be a completely different person by the end of the year than I was when I started the year, won’t I? Maybe not The Six Million Dollar Man, but the surgery isn’t going to be very cheap.
We finished watching Swamp Kings last night, and I was right–it was really a puff piece, focused on making Urban Meyer as good as possible and not focusing on any of the criminal charges or how the University covered it all up because at that time, Florida football was the face of college football and everyone was watching and they were making the University a shit-ton of money. (Not to single out the Gators–although this documentary was about them, so it does raise these questions organically–these kinds of abuses and corruption happen all too often at far too many programs. LSU has had its own history of cover-ups and looking the other way to protect star players in the past, for example, and I’ve always been disappointed at how those situations were handled by my own favorite team. Hiring Joe Alleva as Athletic Director at LSU was a huge mistake, as he repeatedly showed Tiger Nation, over and over again. His replacement has done a fantastic job rebuilding LSU athletics from the ashes left by Alleva’s miserable tenure.) But I love college football, and I remember that time period particularly well. I have always stuck to the SEC mantra of “hate them in the conference, root for them in the post season” (which everyone does except Alabama fans for the most part–which I just now realized is probably a leftover remnant from the Civil War “us against them” mentality and my stomach turned a bit; but that’s also a good focus for the essay I want to write about LSU and football in the south in general, “Saturday Night In Death Valley.”) I am very excited and happy college football season is nigh. Woo-hoo!
I spent some time with Kelly J. Ford’s The Hunt, which is actually quite marvelous. I haven’t had the bandwidth lately to read novels–mostly sticking to my Alfred Hitchcock Presents project–but I was enjoying her book when I started reading it a few weeks ago and had been wanting to get back to it. But anxiety and stress and the fucking heat have sapped so much out of me every day that it was hard to focus on reading a novel. Kelly is a marvelous writer, which is terrific–there’s really nothing like a queer writer with a working class background writing about the South they grew up in, is there? Kelly is kind of a lesbian cross between Tom Franklin, Carson McCullers, and Dorothy Allison, with some Faulkner and Ace Atkins thrown in for good measure. Her debut novel Cottonmouths was a revelation (I can’t tell you how thrilling it is for this old man to see so much amazing crime writing coming from new queer writers), and her second, Real Bad Things, is nominated for an Anthony Award next week–so she joins the few queer crime writers of queer crime novels who’ve been nominated for an Anthony Award! We’re a small but growing club, which is also very exciting. GO QUEERS!
So, yes, a lovely day of preparation for going away next weekend. Today I should go ahead and make my packing list–I could even go ahead and pack the rolling briefcase, couldn’t I?–and clean and do things around the house and read and maybe even do some writing. It feels cool today in the house–but of course it’s still morning–and just checked my emails and yes–there it is; today’s heat advisory with temperatures feeling like up to 114 until eight pm tonight. It’s really going to feel like winter to me in San Diego, isn’t it?
And on that note, I am heading into the spice mines. Have a lovely Saturday, Constant Reader, and I will check in with you again later or tomorrow.
It literally just dawned on me that I will have two books out this fall, releasing in consecutive months. The cover for the one I’ve not talked about much is being revamped, so I had to delay sharing the post where I talk about the book (want to share with the actual cover rather than a simulation, of course), but yeah: I have a book out in October and then Mississippi River Mischief drops in November (pushed back from September because, well, life happened), how cool is that? Last night as I was driving home in the hellish heat (the few days of highs in the 90’s, that tragic temperature serving as a respite for the rest of the summer) I realized, you know, if you don’t feel like doing anything when you get home, you don’t have to do anything. I don’t have to work on a book, I don’t have to do anything unless I actually want to–which is hardly motivational. It also was warmer in the apartment when I got home, so I turned on the fans again and the portable coolers and that was that.
I spent most of the evening watching football highlights–August is when I prep for college football every year–and wondering about how LSU is going to fare this season. There’s a lot of hype for them–something we’ve not seen since 2019, frankly, and even then they over-performed by a long shot, and that has me a bit concerned. I have no doubt LSU will be better this year than they were last year, but all this hype-talk makes me a bit nervous. Their schedule is incredibly tough (although Auburn and Florida come to Baton Rouge this fall, and LSU’s last three national titles came in seasons where that happened), but this is also the last season of SEC football as we’ve come to know it since the last expansion, when Missouri and Texas A&M joined. Next year Texas and Oklahoma join, the conference realignments settle in, and college football will never be the same again. I don’t know how i feel about this stuff, to be completely honest. The college football I grew up watching hasn’t existed in a very long time–I remember when ABC exclusively held the TV rights for all NCAA football, so there would be one big game that aired every Saturday and then a local game of some importance–and that was it. When you look at the plethora of games to pick and choose from to watch on Saturdays in the fall now, and can remember pre-1980’s college football, it’s kind of wild.
I booked an appointment with the specialist yesterday. I didn’t get into this very much the other day, because I was frustrated and angry, but basically when I injured my left arm last January? I tore the biceps muscle. I saw my primary care doctor three days later for my biannual check-up, and he didn’t think it was anything. Flash forward to July’s biannual check-up, and now “oh yes, that’s torn, you need to see an orthopedic surgeon.” Well, it turns out that they do require surgery to repair–but it needs to be done, at most, within six weeks of the injury–you know, like when I saw my primary care physician three days after it happened? As such, the specialist he referred me to–whom I liked very much–didn’t feel comfortable performing the surgery because so much time had passed, and he referred me to a specialist at the Tulane Institute of Sports Medicine. I made the appointment yesterday, and here’s hoping we can get the surgery scheduled for sometime this fall. (The chances of full recovery, by the way, also are significantly reduced the more time that passes, so thanks again, primary care physician, whom I will never be seeing again.) So, yes, I have a big fall planned. I am getting my eyes examined on my way to the airport this coming Wednesday; I am getting fitted for hearing aids this Sunday, and I am getting my teeth fixed when I return from Bouchercon. Woo-hoo! Seriously, the excitement around here never stops. I also realized that I only have to go into the office twice this coming week before I leave for San Diego…so I probably should spend some time this weekend preparing.
I know what books I am taking with me to read on the flights there and back. I also figured out that I’ll probably get home in time to catch the final quarter of LSU’s season opener, so I will of course be checking the score regularly as I fly back to New Orleans. I am sharing the Dallas-San Diego legs with Carsen Taite, which will be a lot of fun. (I am getting Whataburger at Dallas Love and at some point whilst in California, I better get to go to In ‘n’ Out Burger.) I have a lot to do this weekend to prep. I am moderating a panel–asked to fill in at the last moment) so I need to reach out to my panelists and apologize for being so tardy to reach out, and start pulling the panel itself together. I need to write this weekend, or at least I should, but there’s a lot of other stuff I have to get done this weekend, too. I really should take the car in for an oil change tomorrow before I leave town, for one thing, and it won’t kill me, either. I can also make groceries while on the West Bank. I think I may just take the weekend as it comes and not put any pressure on myself. I need to make an updated to-do list, for sure, but I am really pleased that I conquered my anxiety to get all those appointments made.
I also had anxiety about moderating this panel, but the nice thing now is I can shrug off the panic as “oh, that’s just your anxiety trying to make you miserable” and you know what? That actually works! Oh, how I wish I had known this wasn’t normal years ago and had seen it for what it really is, because now I can come up with true coping mechanisms and work-arounds to keep it at bay. It was so freeing saying that to myself last night; the moment I said it, the power of the anxiety was defeated and I am no longer worried about how the panel will go. Like how I get anxious and put off making medical/dental appointments. It’s just anxiety, and making the calls isn’t horrible. None of this stuff is truly terrible, but my mind makes it that way.
We also started watching Swamp Kings last night, about the Urban Meyer years at Florida (he was 3-3 against LSU), which was interesting. We’ll keep watching; the first episode takes them through the 2005 season and up to the Auburn loss in 2006. (Spoiler: that would be their only loss and they’d beat Ohio State for the national championship.) I told you, I’m trying to get warmed up for football season!
And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I may check in with you again later.
I will spare you, Constant Reader, the trials and tribulations of my medical travails; I have to see another specialist, and we’ll leave it at that for now.
I also had to research whether either of these specialists he referred me to actually take my insurance (they do) and then get to hope they can see me at some point before this gets even worse and more difficult to take care of. I spent the rest of the day cleaning and trying to put this bullshit out of my head, because all it did was make me angry all over again and, unless I am putting that anger to productive use, it’s just wasted energy. But I’m glad I’m making progress on this at any rate, and I suspect that a doctor will be the murder victim in a book I will write at some point in the next few years. I also made an appointment on Sunday to get the hearing aids process moving along–it would be so great if I could get them before the trip, wouldn’t it?–and so at least soon I’ll be able to hear again, and in about a month I’ll be able to chew again. Yay!
Always look at the positive. Life doesn’t give you anything you can’t handle; it’s how you handle it that matters.
I took a shower to wash the blech of the day off me–it’s amazing to me how that always seems to work and put me into a better mood. The symbolism of washing the negativity off of me is actually effective and works to somehow reset my brain. I also had a great mail day–picking up the mail on the way home and made groceries, too–in which I got the ARC of the new Margot Douaihy Sister Holiday crime novel (her debut, Scorched Grace, is fantastic) and Duane Swierczynski’s short story collection Lush and Other Tales of Boozy Mayhem, which I am looking forward to digging into. Paul got home rather late last night, but we did have time to watch an episode of Turn of the Tide–but I think I actually have lost the thread of the plot. But it’s entertaining enough, still. I do want to start watching Ahsoka on Disney–I’ll try anything Star Wars; so far Boba Fett is the only Star Wars series we didn’t finish.
I’m still behind on talking about the Alfred Hitchcock Presents stories I’ve read lately; but yesterday at the specialist’s office I started reading Brett Halliday’s story “Pieces of Silver” from Stories to Be Read Late at Night, and it was an interesting tale, if dated, and more than a little bit guilty of racism. I’d not read Halliday before, but I’ve heard of him; I remember seeing his Mike Shayne novels on the wire racks at Zayre’s when I was a kid, and i have one of his books Hard Case Crime reprinted, but haven’t read yet. It’s a very typical tale of its time, though–complete with the colonialist mentality toward the indigenous people of Latin America. The story is set in Mexico, and is about an ugly American-type who has come to the region looking for oil. I will say the ugly American is the villain of the story and every step of the way Halliday is very quick to point out the classism, racism, and toxic masculinity of Thurston, the American–the way he treats the locals he hires to take him up river into the jungle; the way he ogles and wants the teenaged daughter of an American expatriate who married a local girl–but while there is absolutely no question that Thurston wound up getting exactly what he deserved…it’s very hard to be sympathetic to the author’s view of Mexico as a still wild, exotic and extremely primitive place; he certainly doesn’t view the Mexican working class with the same respect as Katherine Anne Porter. (On the other hand, I’ve always been bored by Porter’s Mexico stories–because even in them there’s still an element of the privileged white woman viewing the plight of the poor Mexican working class from her lofty perch at a safe distance.)
Reading this story only served to further emphasize to me how tricky this short story from the past that I am currently trying to revise and finish will be. Originally set in the Yucatan (I wrote it after I visited the Mayan ruins there), it was one of those Alfred Hitchcock Presents/ Tales from the Crypt kind of stories, but in reviewing the story as I wrote it, I fell into the trap Halliday did with his story–making the native people exotic and othered; mysterious and primitive. I am sure there are still poor people living in remote places in Mexico, but this isn’t the way to write about them. I’d been thinking of moving the setting of my story from Latin America (in this revision, I created a fictional country) to the Aegean–like there aren’t plenty of Greek myths to build the story around, make it seem real, and of course I can create a mysterious remote Greek island no one ever visits and no one would blink twice. I just haven’t been there myself, but I need to snap out of the mentality that I can only write about places I’ve been. It does help, of course, but…when you’re creating a fictional place, you’ve never been there. No one has.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.
I sometimes wonder how dramatically different my life would be had my parents not migrated to Chicago when I was a child to provide us with a better life than we could expect in Alabama. I’ve always been somewhat grateful to them for this, because I can’t imagine or fathom what growing up in the rural South would have been like for teenaged gay Greg; Kansas was bad enough. But my heart will always have a place in it for the state I was born and where my parents grew up (and will both eventually be buried), and whenever I mine Alabama for fiction, it always comes up roses.
I was enormously pleased and flattered to be asked to participate in the Crippen and Landru anthology School of Hard Knox, and the last thing I was expecting was to get a co-editing credit. Art, Donna, and publisher Jeffrey Marks (a fine writer in his own right; check out his novels and short stories) did the majority of the heavy lifting; my contributions were more along the lines of sending an email cheering the others on or giving a thumbs up/thumbs down to a design question.
The premise of the anthology was that Father Ronald Knox, a scholarly clergymen, had come up with the ten commandments for writing crime fiction during the Golden Age, and each of us could chose a commandment and write a story breaking it. Obviously, it was pretty clear to me that Rule 2 was perfect for me:
All supernatural or preternatural agencies are ruled out as a matter of course.
And I knew precisely which story in the archive I could revise and rework to break this commandment and fit perfectly into the book, “The Ditch.”
I also cannot believe who I am sharing the table of contents with. Check out this talent!
Now THAT’S a table of contents! Not sure what I am doing there with these amazing writers, but I am most pleased to be there.
And this is how my story, “The Ditch,” opens:
I‘d just finished reading my book–The Hardy Boys, The Secret of the Lost Tunnel— and was reaching to turn off my bedside lamp when my phone chirped on my nightstand to let me know I’d gotten a new text message. I frowned. It was just past ten on a weeknight. Sure, it was summer, but Mom and Dad were strict about phone usage after eight o’clock. My orange-and–-blue Auburn Tigers clock, hanging just over my desk, read a few minutes past ten [on a weeknight]. I picked up the phone and looked at the screen. My wallpaper was a photo of me standing on a white sand beach on the Florida gulf coast.
I need your help. Come over! Please! Emergency!!!
It was from my best friend, Zane Tidwell.
I closed my eyes and exhaled. Classic Zane, always sending desperate–sounding text messages expecting me to drop everything and rush right over. Everything was an emergency to Zane, from not getting his homework done to failing a test to not having any clean underwear to having a nightmare of some kind—all of these things qualified as emergencies in Zane’s brain. He worked himself up into quite a state over the stupidest things.
“The boy who cried wolf” was all Mom would say.
The problem being, sometimes it was an emergency, like that time he broke his arm when he was home alone, or when his mother fell and hit her head, or when his dog ate rat poison.
He always counted on me keeping my head on straight and not panicking and solving the problem for him. We’d been best friends ever since we were little boys in Bible study, and things had always been this way.
I was the calm one and Zane–well, Zane was a drama queen.
He knew I wasn’t even supposed to use my phone after eight, let alone leave the house after ten.
I typed out you know I can’t it’s too late to leave the house and if I get caught they’ll take my phone and ground me forever with my thumbs.
Please you have to come I don’t know what to do I am really in big trouble now PLEASE!!!!
I stared at the screen. In big trouble? What did that mean? But if the needle on the Zane drama-meter was going up, he wasn’t above calling me on the landline.
And that would send Mom and Dad over the edge.
I sighed. I was going to have to go over there.
“You’re more trouble than you’re worth, Zane Tidwell,” I whispered, typing out Be there soon and hitting send.
“The Ditch” is an Alabama story, of course, and has a teenaged protagonist (I’m not sure why I always write about Alabama from a young person’s perspective; probably because most of my memories are from childhood, I suppose) whose name we never really know. The ditch is actually a real place; my main character’s house is based on where my aunt and uncle lived–which is where we would visit–and about twenty or so yards behind the house was this ditch–or rather, what they called ‘the ditch.’ (I’d share a photo from Google Earth, but all it looks like from the air is a line of trees.) We used to spend a lot of time playing down there, and of course to me as a child it seemed enormous, but it’s probably a lot smaller in reality than I remember (everything seemed enormous to me when I was a child). I never knew what created the ditch, or why it was there, but it’s very similar to what I describe in the story, if smaller. There was all kinds of garbage down there–broken bottles, rusting cans, and so forth, so we were never supposed to go down there barefoot. I also remember that when we were in the ditch we weren’t visible to anyone not standing on the edge–which was a bonus for us as kids. The rope swing was also there (and now I think how fucking insane was it that adults let kids play like that? You could break your neck falling off that thing!) and I’ve also included the ditch in another, unfinished longer piece. There was something creepy yet idyllic about the place, and of course whenever I think about it as an adult it’s always what a perfect place to hide a body! What a perfect place for a ghost! and so on.
I wrote “The Ditch” originally for another anthology’s open call, but I knew when I finished it and turned it in it wasn’t going to get selected. (I was right.) I also knew it needed to be revised and the ending changed as well as some other things (minor but important) but had never gotten around to getting the revision done. So when this opportunity presented itself, I was going to use a different story but had some trouble with its ending and then was despairing when it hit me: you know how to fix “The Ditch” you just haven’t done it yet, so stop spinning your wheels with this one and do that instead, so I dug back into it and really had a great time with the revision. I’m very pleased with how it turned out, and I hope you will be, too!
(Ironically, this week the ending to the other story popped into my head, so I will be working on that this week, too.)
Sunday morning in the Lost Apartment, and all is well.
Yesterday started well, but I got very tired in the afternoon after running errands. By the time I had the groceries put away and emptied the dishwasher, I was tired. I repaired to my chair for a bit with a protein shake (I read another Alfred Hitchcock Presents story, “Edward the Conquerer,” which was really a lovely story that turned horrifically dark at the end; I think its author, Roald Dahl, has been found to be problematic in the modern era, and after reading this story, all I can say is good.) and then tried to do some other chores and things around the house while letting ideas cook in my head. I hate this exhaustion that comes and goes ever since COVID last summer; while I am grateful it doesn’t happen all the time, I hate when it does because it’s very derailing. My mind can’t really focus while I am feeling that exhausted, too. I think the heat triggered it yesterday–and more regularly lately, too; I usually am fine when I get off work but just being out and about in the heat? It’s no wonder I’m exhausted when I get home.
Of course I am concerned about all my Southern California friends, who are in the path of a massive Pacific hurricane, which is just insane. I am hoping the colder Pacific water will have a deleterious effect on the size and power of it. And even if it does come ashore as merely a tropical storm…southern California isn’t built to handle a storm like that. There’s going to be so much flooding, and mud slides, and damage to highways and roads and low-lying areas. And what happens when winds that strong come through the desert? Does it pick up sand? Yikes indeed. And instead of laughing at Californians who’ve never experienced tropical weather before and don’t know how to handle it or what to do the way the rest of the country laughs at the South when we have a blizzard, I will send them positive energy and hope everything turns out well for them and they remain safe and unharmed. At least it’s down to a category one now before it hits this afternoon. STAY SAFE CALIFORNIA FRIENDS, PLEASE.
And yes, today is my birthday. Sixty-two, to be exact, which is in and itself a kind of miracle. I slept okay for the most part, and woke up shortly after seven, as per usual. I’ll probably try to get some stuff done this morning–writing wise, writing waits for no man–but will probably take the rest of the day off to read and chill out and relax, overall. I certainly never thought I would make it this long and this far, to be honest. It isn’t bad. I don’t have the energy I once had, I tire out a lot easier than I used to, and my memory is a thing of the past, but it could easily be much worse. I get aches and sores and pains more so than I used to, but that’s part of the price you pay for living longer. We’re in another heat advisory, and I think Mercury is about to go retrograde again (yay). Paul went out with some friends last evening and wasn’t home by the time i went to bed, and I watched Youtube videos while aimlessly trying to find something to watch. I also rewatched an old black-and-white suspense movie on Youtube that I watched and enjoyed as a kid, The Spiral Staircase with Dorothy McGuire, George Brent, and Ethel Barrymore. It was based on the novel Some Must Watch by Ethel Lina White, which I’ve not read but have on my Kindle app, but it wasn’t as good as I remembered…it was actually not very good at all. (Sidebar: I am amazed at how many old movies were based on books…which often turn out to be better than the movies based on them–which is nothing new.)
I read some more stories last night as well: “By the Scruff of the Soul” by Dorothy Salisbury Davis, which was in Stories That Go Bump in the Night and “The Cocoon” by John B. L. Goodman, from Stories for Late at Night. I did enjoy both stories–the Davis in particular–and of course, reading the three stories I read yesterday gave me the answer on how to finish another story of mine that is incomplete and I didn’t know how to finish. I’m actually finding the answers to a lot of my short story problems by reading these marvelous old Alfred Hitchcock Presents anthologies. It’s never too late to learn, after all, and I am itching to get to work on these stories again. I also need to get back to work on the WIP. Sigh. Why is there always so much writing that needs doing? I need to be writing. I did finish my blog about writing Mississippi River Mischief; I do need to finish writing the blog post about the other release I have coming out this fall that I’ve not told you about yet. I also need to do some cooking this morning–I want to try to make meatballs again, so I can take them for lunch this week–and some cleaning and organizing, too. I was terribly lazy yesterday, worn down a bit, as I mentioned already–I did literally nothing for most of the day after completing my errands–but that’s fine; obviously I needed the rest. I also need to unload the dishwasher and make salad (not a euphemism). I think I may even go so far as to treat myself to a cappuccino this morning; I’ve not used those accoutremént in quite some time, and that energy boost would be rather welcomed this morning. I always worry about my sleep, though, and since tomorrow is the start of another work week…heavy heaving sigh. Maybe I can set it up tonight so I can just turn it on tomorrow?
Ah, well, and so it goes.
And on that note, I am going to bring this to a close and head into the spice mines for a while. Have a great Sunday, y’all, and I’ll check in with you later.
And somehow, almost twenty-one years have passed since Scotty Bradley burst forth into the world with Bourbon Street Blues, one of what I hoped was the most unconventional and original amateur sleuths in the history of crime fiction. This is neither the time nor the place to again tell the story of how I created him, or how what was supposed to be a one-off stand alone book became a series spread out over twenty years (!!!); I’ve told those stories endlessly over the last twenty years both here and on panels. But Scotty remains very precious to me all these years later, and I still care about getting him and his life right on the page. I don’t torture him or make his life as miserable as I do Chanse’s (poor, poor Chanse), but he has his own problems and issues that he has to face–but his endless optimism and willingness to face things head on and deal with them, rolling with the punches and always getting back up, has never once wavered in all the years I’ve been writing him. I love him, his family–even the stuffy Bradley side; I love that the unconventional family their son married into pushes every single one of their buttons–and I love his New Orleans.
The other night I was scrolling through Youtube and, just for the hell of it, searched for a song that I’ve been trying to find a digital copy of for my Spotify or Apple Music accounts; Erin Hamilton (Carol Burnett’s daughter) remade Cheap Trick’s “The Flame” as a dance song (she also did the same with that old 1970s classic, “Dream Weaver” and I prefer her versions to the originals), and I love the extended remix. I found the video on Youtube and as I listened to it, it brought back a lot of memories of going out to the gay bars, hitting the dance floor and staying out there all night, getting caught up in the music and just having a great time. I think this song predated the turn of the century, so it’s a late 90’s recording…anyway, it really made me think, put me back into a Scotty place in my mind, and as I listened, sang along, and bopped my head, the next Scotty book started forming in my head….and I realized that’s been part of the disconnection I felt writing the last few Scotty books; sure, I could and can still write him, and sure, I could get back into his head space, but it was much harder for me to do than it used to be. I thought it might be because I don’t go to the Quarter at all anymore, or that I don’t spend any time in gay bars anymore; that I don’t know what it’s like to be a gay man in his forties (almost fifties) today–my own memories are of a completely different world than the one we live in now. But now I know what I was doing wrong–I was listening to the wrong kind of music while writing him. If I want to ease back into Scotty’s mind and world, I need to listen to dance music I used to hear in the gay bars.
And can I say that it’s a real shame that it’s so hard to track down old gay bar dance remixes?
Knowing this means I’ll probably keep going with Scotty for a while longer, at any rate. I love him, I love the character, and I know I’ve been avoiding dealing with some things in that series that will eventually have to be addressed…but it’s absolutely lovely to know that I can slip back easily into his mind-space just by listening to great old gay dance remixes.
“I think we should turn it into a home gym,” I said into the gloom. “I mean, wouldn’t it be great to just have to go downstairs to work out? And we can put in a sauna and a steam room. What do you think, guys?”
It was the Monday night after Mother’s Day, and the termites were swarming.
That was why we were sitting around the living room in the dark. The only illumination in the entire building came from two blasphemy candles, flickering in the center of the coffee table. Modeled after Catholic prayer candles, one had a picture of Drew Brees in his Saints jersey with a halo and heavenly light shining on his head with the words Pray to Breesus around the base. The other was St. Chris Owens of Bourbon Street.
So, yeah—blasphemy candles. They’re very popular here.
Yet even the scant pale light from the teardrop shaped flames was enough to draw an occasional scout termite from the gloom. We wouldn’t see it until it landed on the glass lip of one of the candles, before dive-bombing into the flame. There would be a brief sizzling sound, and then the yellow flame flickered and turning briefly reddish as the termite immolated. Once it was consumed, the flame would be steady and yellow again.
The swarming rarely lasted more than an hour, but that hour seemed to last an eternity.
Termites have always been the bane of New Orleans’s existence. The domestic kind were bad enough. Houses and buildings were tented to get rid of infestations, the bright yellow and red stripes announcing to the world that a termite Armageddon was happening inside. The city’s original termite problem had grown exponentially worse since the particularly vicious Formosan variety had hitched a ride on a freighter to the fertile feeding grounds of our old, mostly wooden city shortly after World War II. The dampness of our climate must have made them feel like they’d arrived at termite Disney World. The little fuckers love wet wood, so the entire city was an all-you-can-eat buffet. They’d killed live oaks that had survived hurricanes, destroyed historic homes, and I’d heard that they could even chew through brick and mortar.
Maybe that was an urban legend, but it wasn’t one I was interested in proving.
Formosan termites swarmed.
The first rule of surviving Formosan termite season was speed. Every source of light had to be turned off the moment you spotted the first scout. They’re drawn to the light, like moths, but unlike moths, they’re drawn to the light in the hundreds of thousands, turning your home into a scene from Cecil B. DeMille’s ultimate cheesefest The Ten Commandments. The big streetlamps along Decatur Street outside drew the swarms, horrifying clouds of little monsters flying around, frantically trying to mate while shedding wings like revoltingly nasty snowflakes.
It is incredibly hard for me to believe that I have written seventeen or so books and countless short stories set in New Orleans and never have once addressed the swarms of Formosan termites we live through every spring. They return after Mother’s Day and haunt us in the evenings, usually between eight and nine pm, until Memorial Day, give or take. They aren’t a nightly occurrence, thank the heavens, but they are usually at their worst on Mondays and Tuesdays. No one had warned Paul and I about them, so the first time we were swarmed we didn’t know what to do. Remembering that horror from the old apartment on Camp Street (we had a massive security light attached to the house right outside our living room, so any light at all inside would draw clouds and clouds of them inside), how was it possible I had never written about the Formosan termite swarms? And with Scotty having bought the building on Decatur Street from Millie and Velma–who I sent into retirement along the Gulf Coast of Florida–and learning about the responsibilities and drawbacks to being a New Orleans home-owner, as well as trying to figure out how to redesign the interior for more functionality as a single-family dwelling? Of course, the question of what to do with the empty retail space on the first floor would be an issue; I wouldn’t want a living space right on the sidewalk of Decatur Street at any time of day or night or month or year. I also wouldn’t want to deal with renters, either, and thus neither would Scotty. But the space can’t just be left vacant, either. So, I thought it would be a great way to open the book with them sitting out the swarms in the dark, with a couple of candles lit, talking about the renovation plans?
After I finished writing Royal Street Reveillon, I was pretty damned pleased with myself. I thought it was perhaps the best Scotty book of the entire series, and reflected my growth as a writer along with Scotty’s growth and development as a character. When I finished it, I had the thought I always have whenever I finish writing a series book: maybe that should be the last one. But I immediately dismissed that thought from my head; I had left something in the personal story of Scotty and the boys hanging with a bit of a cliffhanger, so I knew there had to be one more book at least to tie off that loose end. I was also thinking about a local-ish political scandal of the last decade–the usual, a conservative Christian pro-family politician outed for having an inappropriate relationship with a teenager (who was over seventeen, the age of consent for boys in Louisiana), and a political powerhouse dynasty that had ruled a near-ish parish for generations was dead in the water. I had been thinking a lot also about taking Scotty and the boys outside of New Orleans and the safety of Orleans Parish for an adventure; as my knowledge of Louisiana grew exponentially along with my study of the state’s history, I really wanted to set a book in a part of Louisiana I could fictionalize and have some fun with. I had already created a couple of fictional parishes and towns in previous work; The Orion Mask particularly was set in fictional Redemption Parish–but Redemption wouldn’t work for this one, so I needed another one.
While I was thinking this through, I remembered that two Nancy Drew mysteries were connected to New Orleans–she was only here for a couple of chapters of The Ghost of Blackwood Hall, but most of The Haunted Showboat was set here, or just outside of the metropolitan area (a quick reread showed that “Carolyn Keene’s” Louisiana and New Orleans bore no resemblance whatsoever to the reality…but I knew I had a Nancy Drew Easter egg in Bury Me in Shadows (Blackwood Hall), and I wanted to put one in a Scotty book–so why not a showboat? The ruling dynasty of the invented parish–St. Jeanne d’Arc, for the record–was given the same name as the relatives of Bess and George’s that they and Nancy were visiting in The Haunted Showboat, Haver. I even named the house in Mississippi River Mischief the same name as the Havers’ home in The Haunted Showboat, Sunnymeade.
And yes, the Havers’ showboat/gambling casino was also named the River Princess.
I originally planned on the case coming to Scotty through his sort-of-nephew, Frank’s blood nephew Taylor; someone he met in group therapy (which he is doing to help get through what happened to him in the previous book), or possibly even a boyfriend, someone he’s seeing. I could never get it to work right…and finally, I realized it couldn’t come from Taylor. Taylor is going to continue growing as a person and as a character, but this was too soon after his own trauma for him to be trying to help other people. And then I remembered David, Scotty’s best friend, the music teacher. David’s not been in a book since Mardi Gras Mambo, but I’ve never forgotten about him. And it made sense–David has moved on from his old school and now teaches at NOCCA (our local Fame high school), and the kid is one of his students–and David finds out by confiscating the kid’s phone in class. I wanted to create a character based on this absolute sweetheart of a young man I met; I don’t remember how we met, but friends of a mutual friend were in New Orleans, and wanted me to meet them for drinks…and they had a daughter who went to school here. The kid was a friend of hers, absolutely adorable and sweet, and a ballet major at Tulane. After the daughter and her friend left, the parents immediately turned to me and asked me, “is he gay? <The daughter> think so, and so do we.” What I should have said was, “Well, he’ll let people know if and when he’s ready”; what I actually said was “absolutely.” (I did later find out the kid did eventually come out; wherever he is, I hope he is happy and living his best life. He was so sweet and charming and likable…) When I started writing the character, I made him unlikable, arrogant and sure of himself and his own beauty, and the effect it had on other people. That was wrong, and I went back and made him more of a naïve kid, with a strong sense of right and wrong; and the story worked a lot better. It wasn’t like Scotty to be so judgmental about this kid; if anything, especially after what happened to Taylor, he’s be super-protective.
And this tale–the corrupt old politician and the beautiful teenager working at the food court at Lakeside Mall–gave me a chance to dig into something from Scotty’s past that’s never been truly explored: that his first lover was his high school wrestling coach when he was about fifteen/sixteen. This came up in Jackson Square Jazz–which of course has been unavailable for thirteen years–and I always meant to circle back around to it, just never did…but over the years there have been throwaway lines in books about how Scotty has always preferred older men (Frank is fifteen years older; we’re not really sure how old Colin is), and so to bring it up again in this instance? Yes, perfect.
I loved my story about the corrupt politician, the wrecked showboat in St. Jeanne d’Arc Parish, and the teenager, but something was missing.
I realized two things: something very important was missing, and the crimes of the Haver family were just too big and too many to fit into this book, so I chose to focus on only one…and then the Murdaugh case broke. The Murdaughs were a real life Haver family, and their crimes were almost exactly the same! So, I ripped one of their crimes from the headlines and made that the primary focus of the story, and it was the right choice: the book started falling into place and the story began flowing. I was very nervous about the book–slicing out all the other crimes while building up only one was tricky, since they were all woven through the entire manuscript and the new one had to be as well. I also wasn’t sure if the subject matter was handled appropriately; the old/young daddy/boy thing is the gay community is often mistaken for something much worse than it is, and talking about gay teenagers’ sexuality is also kind of a third rail. But I trust my editor, and she loved it.
Saturday morning and my birthday eve. Yes, it’s tomorrow; Gregalicious hits the big 6-2 tomorrow. It’s been a hell of a year since my birthday last rolled around, and to say that I am in a much better place today than I was a year ago on this date would be putting it mildly. I didn’t know, for example, that I’d lose both my mother and my cat before my next birthday. It does seem weird to not have a cat on my birthday; this is my first cat-free birthday since we first got Skittle all those years ago when we lived in the carriage house. At this time last year I was trying to get my shit back together after having long COVID, but other than that I really don’t remember much of what was going on last August, to be honest. I suppose I could go read last year’s entries around these dates, but maybe it’s best not to remember. Who knows?
I did manage to get over to the West Bank Office of Motor Vehicles, and after what seemed like forever, I did finally get my Louisiana Real ID/driver’s license, and the new picture is even worse than the old. (Why do they tell you to lower your chin and look down? Everyone knows that will result in a much worse picture.) But I also made groceries, grabbed Five Guys for lunch, and then came home to finish my work-at-home chores. I managed to get the bed linens laundered and did some picking up around here. I also read some more of the Alfred Hitchcock Presents stories, which was fun. I dipped back into Stories to Be Read Late at Night, originally published in 1962. I read “Evening Primrose” by John Collier, which was interesting and creepy, about ghosts living in a department store, and “The Sound Machine” by Roald Dahl, which was creepy and strange and everything I would have expected from a Dahl story. I’d not read anything by him before, but I know he wrote Charlie and the Chocolate Factory, as well as the short story one of the more famous Alfred Hitchcock Presents episodes was based on–the one where the wife kills her husband with a frozen leg of lamb, which she then cooks and serves to the investigating officers. The story was, as I expected, creepy, macabre, and one of those stories where you aren’t sure if what you’re reading is happening…or if it’s all a product of the narrator’s fevered, slowing disintegrating mind. It was interesting–but both of these stories reminded me yet again of how limited my imagination and creativity is when it comes to writing short stories; why not expand my mind and try things that are different and outside of my comfort zone, and what better place to try experimental writing and experimental creating than in a short story rather than a novel? The key here is to remember that anything is possible and to not either fear trying out new things or limit myself by saying oh you can’t write that.
Because I can write anything.
I do have to go out into the heat today–mail and a few things to pick up at the store–but I’d rather not go out into the heat. Yesterday didn’t seem that terrible–it was in the high nineties but the humidity was lessened, it seemed; although it was hot as fuck, don’t get me wrong, I handled it better yesterday than I have the rest of the summer–which leads me to believe it wasn’t as humid and the heat index not as high. That, or I am getting used to it, and that’s appalling. No one should get used to this.
I also wrote a lengthy entry about the genesis of Mississippi River Mischief, as well as one about the other book I have coming out this fall that I’ve not really talked about; I also worked on my short story revision a bit more last night before collapsing into my easy chair. We watched more Awkwafina is Nora from Queens, which is amazingly funny–she really can do anything–and then retired for the evening. I slept really well again last night, which was wonderful as always; I love when I sleep well, and so hopefully I’ll be able to get a lot done today. I also want to spend some time reading this morning as well–either short stories or getting back into Kelly J. Ford’s The Hunt, which is fantastic; I just haven’t had the bandwidth mentally lately to focus on reading a novel.
It feels very cool in the apartment this morning, which is, as always, a lovely thing. I’ll probably post the entry about the new Scotty book at some point this weekend; at some point this weekend I’ll also finish the entry about the other book I’ve been so mysterious about now for quite some time. I also have a Bible entry I want to finish writing, but I also need to go back and read some appropriate Bible passages to make sure I am remembering correctly; and of course, there’s nothing I want to do less than read some Bible passages.
And on that note, I am heading into the spice mines for the morning. Have a great Saturday, Constant Reader, and I’ll probably check back in with you again later.
Work at home Friday, after I run some errands and take care of some things this morning. I have to go to the OMV to get a real ID (driver’s license expires Sunday), and since I am going over there, I am going to swing by the West Bank Petco to look at kitties (the SPCA has some they’ve farmed out to Petcos). That’s an exciting morning, isn’t it? I am taking Kelly J. Ford’s The Hunt with me, so I won’t be bored and since I have to sit around and wait, I might as well read. It’s been bothering me lately that my attention span just hasn’t been there for novels since the heat wave broke me several weeks ago–which is when I switched over to short stories in the Alfred Hitchcock Presents anthologies–and I’d like to get this book read before I leave for Bouchercon, primarily so I can hopelessly fanboy over her all weekend (I’ll also be fanboying over Margot Douaihy all weekend, too, among many others as I always do at Bouchercon). I’ve already picked out my books to take with me on the trip (the latest S. A. Cosby, Alison Gaylin, and Laura Lippman will be going to San Diego with me, with Donna Andrews batting clean up), and also already know I will probably get no writing done while I am there. I don’t really have anything due–there will be page proofs for Mississippi River Mischief to go over at some point–but everything else is up in the air for now.
I did manage to get the edits taken care of on Mississippi River Mischief and turned it in last night, so other than the afore-mentioned page proofing, it’s effectively finished. Since the other book–I’ll post about it this weekend, no worries–is also finished and now out of my hair, I have nothing pressing at the moment. Woo-hoo! I also picked up the mail and stopped at Fresh Market to lay in supplies for a weekend of not getting into the car at all. I wrote for a while, and came to a realization about this short story I could never get to work that I’ve been revising, so I am going to go into author mode and talk about writing, so bear with me.
This particular story, “Whim of the Wind.” was the story I wrote when I took creative writing again after switching universities after my first horrendous creative writing experience (if I haven’t said it enough, the professor told me I’d never be a published writer). This story was beloved by my class and my professor, who told me I should submit it to literary magazines. I did a few times, it was always rejected, and there was a slight flaw in the story–but no one who read it could ever give me any insight into how to fix the story. It was also my first Alabama story, my first visit to my fictional Corinth county, and so it’s always kind of been precious to me. I never could figure out how to revise it or what to do with it…but as I’ve been revising it (it’s now twice as long as it was, and I’ve not finished), it’s been changing some. I think what everyone was responding to was the voice–I’ve used it again since, and people always respond to that aspect–and really, as long as the voice is intact and preserved, that’s all that really matters. I also realized last night something else–I was having to change the climactic scene in the story, and as such had to come up with a different Civil War legend to build it around–and I realized this story, along with two other, had been written using the same trope, that I have since learned was apocryphal–the evil Yankee deserter. I wrote this story using it, I wrote “Ruins” using it, and I wrote another, “Lilacs in the Rain,” also using it (that story has morphed into a novella renamed “The Scent of Lilacs in the Rain”); so yes, I wrote three short stories based on the same, apocryphal, Civil War urban (rural?) legend. Bury Me in Shadows evolved out of “Ruins,” and I blew up the trope in that book; that was the “Yankee deserter” story I was meant to write. So, the other two need different legends, and I found a good one for “Whim of the Wind”–but again, a delicate subject I’ll need to be very careful with–and now maybe I can make “The Scent of Lilacs in the Rain” actually work, now that I know what I need to do with it. I am also having a lot of fun looking into Alabama history and finding these great legends and stories and folk tales that I should be able to find something to use.
I slept really well last night, and feel pretty good this morning. Don’t feel so great about having to go to the West Bank, but that’s okay; it’s a routine change I can live with, and I can actually do my weekend grocery shopping over there as well–and I can get Five Guys to bring home for lunch. I think after that I will have laid in enough supplies to not have to leave the house for the rest of the weekend–I may go get the mail tomorrow–and I want to clean, organize, read, and write all weekend. Paul got home late last night (another grant) so we didn’t get a chance to watch anything last night–he walked in while I was watching a Youtube documentary about the usurpation of the English throne by the House of Lancaster that set the dangerous precedent (for kings) that incompetent ones could be overthrown and replaced…and eventually led to the Wars of the Roses. I also was watching some videos–someone did a series of the greatest plays in LSU football history, which was very fun to watch and relive (I really should do an in-depth post about my love of LSU football; not that everyone who’s paying attention doesn’t already know about it, of course, but I love football and it’s fun for me to write/talk about it. I also find the fandom interesting, too.)..and they were grouped by stretches of time, eras, if you will (2007 season got its own video)–and also guided by the scarcity of available digitized video from the far distant past. (I was also thinking “don’t the networks that originally aired the games have tape? Can’t it be digitally remastered? I know the SEC Network has done this with some classic games from the past; it’s a project the NCAA should back fully, as it’s the history of the sport.) It’s very fun to revisit past games and my memories–LSU is never boring to watch, ever–and I am very excited about the upcoming season, both for LSU and the Saints. I worry that everyone is over-hyping LSU (something I always worry about) but given the over-performance from last year, it’s kind of understandable, really. LSU came out of nowhere to win ten games, beat Alabama, and beat both Florida and Auburn on the road in the same season for the first time in program history. So, yeah, understandable. I was thinking before last season that it was going to have to be a wash–new coach, rebuilding after two down years, etc.–and that this year would be the one where the Tigers would make a run. I am excited for our new quarterback for the Saints, too–he, like me, also went to Fresno State, so I have even more reason to root for him and like him–and they seem to be doing well in the preseason. GEAUX SAINTS!
I did work on the revision of “Whim of the Wind” yesterday–it’s amazing to me that I’ve taken a story that barely over two thousand words and added another almost three thousand to it, and it still isn’t done–but I am feeling good about the story, now that I’ve recognized my attachment to it that actually was hindering me from revising it. It’ll always exist in that original version, after all, and nothing I do to it in current or future versions are ruining that precious first version that meant so much to me as an aspiring writer. Sentimentality–the very thing I am always trying to guard against when it comes to almost everything in my life–got the best of me with this story. The other story I turned it at the same time, which I’ve also never been able to correct, perhaps now I can fix it, too. I had thought about expanding the other one (which is actually incredibly problematic on many levels by modern standards) into a novel, and perhaps I still will; I’ve started slowly world-building around the panhandle of Florida the same way I have with Corinth County in Alabama, but there’s no crime or mystery or supernatural thing going on in that story; so it would be a coming-of-age romance….but I may know a way (that just came to me) and there were some other ideas about it, too. You never know, right? Why not riff for a while and see what comes up?
I’m kind of getting excited about writing again, can you tell?
And on that note, I should start getting ready for the OMV and get that hellish experience over with once and for all. Have a lovely Friday, Constant Reader and you never know–I may be back later.
Your biweekly Pays the Bills Wednesday had somehow rolled around again, and yes, I have bills to pay before I put my sleepy head to rest tonight. I slept very well last night–didn’t even hear the alarm at first this morning–and certainly didn’t want to get up; the rain, however brief it was last night, apparently dropped the temperature and so it’s actually cold in the apartment this morning; I suspect the coldness overnight inside was part of the reason I slept so deeply and well, only getting up once. (It’s a chilly 79 degrees outside right now; I may need a jacket after this summer’s blistering heat.)
In very exciting news, I got my edits for Mississippi River Mischief yesterday, and my editor loved my book. Cue enormous sigh of relief. I was worried (I worry about everything) that it wasn’t good and that it didn’t do what I wanted it to do, but I can now breathe a sigh of relief. I am starting to feel–partly from all these Alfred Hitchcock Presents short stories–a lot more confident, more brave, and perhaps even more daring about my work and what I try to accomplish with what I am writing. John (Copenhaver, you can check out his books here, thank me later) asked so many smart and insightful questions of us on the Queer Crime Panel (which you can watch right here!) on Sunday afternoon–as well as listening to the brilliant answers given by my oh-so-talented co-panelists (Renee James, Robyn Gigl, Margot Douaihy, and Kelly J. Ford) made me start looking at my work, what I do with it, what I am trying to do with it, and what I can do with it. I’m starting to feel inspired again, which is absolutely lovely, and even if my creative ADHD is really flying off the charts lately, it’s been kind of nice. I’m always afraid I’m going to stop having ideas or being able to write. *shudders at mere thought*
But I ran my errands and got home relatively easily and efficiently, and I beat the short thunderstorm home. It didn’t last near long enough, but maybe it cooled things down a little for a bit, which is all any of us can even dare to dream of at this point in the summer. I got two more Alfred Hitchcock Presents anthologies at the post office: Stories to Be Told With the Lights On and The Master’s Choice. What I am really loving about these stories is they kind of exist in that shadow world between crime and speculative fiction. I should probably turn this into a project, as I tend to do to everything at some point. I am learning from every story I read, and I am also working on my critical skills while I do. What didn’t I like about this story? How could it have been made better? All of these things are subjective, of course, and then I also kind of try to analyze why I didn’t like the things I didn’t like; I think the concept behind every story is a good one–and authors don’t always succeed in pulling off what they are attempting with, and for, the reader.
I kind of was dragging a bit yesterday, and kind of have been all week thus far. I think part of it is the readjustment to Paul being home and my supervisor being back after her unexpected and unforeseen absence, which mirrored his almost exactly. But I am also digging myself out from under the malaise or whatever has been gripping me recently, and I really need to get back to the writing. I wrote a little yesterday, but not nearly enough–fatigue and inability to string a sentence together forced me to give up about one hundred words in. But it was a hundred more words than the day before, and it whetted my appetite a bit. I also did some more mindless research into the historical period I am thinking about setting a book in, which was interesting. It’s not really world-building since the world existed at the time, but rather world-reconstructing. This weekend I am going to try to get more writing done, and hopefully we’ll also be getting a cat (fingers crossed). I think the heat wave is going to be continuing, with a bit of a break; the temperature isn’t supposed to go above 93 today, which means no 120+…and how sad it is that it’s being called by local meteorologists (I think they’re in on the joke, however) a “cold front”?
Bouchercon is nigh, and my birthday is this weekend. I am trying to fit in a lot before San Diego because I am having oral surgery the Friday after I get back (at last) and at some point I’m going to probably have to have surgery to repair my left biceps (sorry if I’ve mentioned this before) so I don’t know how I will be or how long the recovery will be or what I’ll be able to do or deal with during said recovery. This is part and parcel, one supposes, of the decline and decay of my body as I get older, and it’s not like I ever took super good care of it before. Hell, when I was a personal trainer teaching aerobics I smoked cigarettes and spent my weekends drinking in the gay bars. (Facebook memories recently reminded me of how and who I was when I first broke into print with my first novels and short stories…my naïveté was really something. I was always who I was, only now I was a published author and I dressed like, well, like I always did. I rarely wore pants! I was always either in sweats, workout shorts, or shorts; T-shirts and sweatshirts and tank tops. That will be a topic for another time, though.) I’ll be sixty-two this weekend. Sixty-two! Lord, that will be an interesting blog post to write.
I also realized last night that this year the Scotty series turns twenty! I wish I had thought about that ahead of time; I could have done something to celebrate and mark this landmark in the series. Maybe I’ll do a Scotty-centric entry; I should be doing that anyway since Mississippi River Mischief is coming out this November….it was a bit of a jolt to realize it’s been twenty years–over twenty years, actually, since Bourbon Street Blues was a spring release–April 1 or May 1, I am not sure which. Twenty years of Scotty. My God, I can hardly believe it.
The joys of birthdays once you’re past a certain age, I suppose.
And on that note, I am. heading into the spice mines. Have a lovely, lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow. Or later; one never knows.
Queer and Loathing in America 