Category: books i’ve read

Down by the Lazy River

Happy Father’s Day to all who celebrate. As for me, I’m meeting Dad in Florida on Friday for a nice weekend in Panama City Beach, although I seriously doubt that I’ll be going outside very much. The older I get, the less I can stand to be in the heat–which is something younger Greg would have laughed at very hard. I no longer care about being tan, either, as yet another fragment of vanity disappears from my head. Today I have to go out into the heat to make groceries, but other than that I am staying happily indoors and trying to get some more work done. We also have Wednesday off, of course, for Juneteenth, which is going to make for an odd work week, methinks, which is also payday.

I am feeling a bit groggy this morning but I haven’t had my first cup of coffee, either. Ah, there’s that first sip, sending warmth and energy through my system. I plan to do some writing today; I had a really good time yesterday unpacking and deconstructing the 20k+ words I already have done for this project, and I do think expanding it out into a novel is a good idea; I think it will make for a very good book if it accomplishes what I am setting out to do with it–and of course, as soon as I have those ambitious thoughts good old Imposter Syndrome rears its ugly head. AH, well, but feeling like I’m back inside my writer’s skin inevitably was going to trigger that, wasn’t it? Sadly, it’s all part and parcel of being a writer, and I just need to shrug it off entirely and focus on the work. So, while I generally despise Imposter Syndrome, I welcome it now because it’s a signpost on the way to getting back to being a full time writer after several years of being swamped and stressed and everything else that went on since 2016, really. It’s been almost a decade since Mom’s first stroke and she started living, essentially, on borrowed time. I think that was the start of the cloud in my brain, and that odd sense that time is running out. It feels lovely to be out of that; I’ve not experienced it for quite some time now, and I think the rest of this year might actually turn out to be incredibly productive for me. Here’s hoping, anyway.

Yesterday was lovely. Sparky got me up before eight, which was fine (he let me sleep until eight this morning), and I got up and started working. I did some cleaning, and I also did some writing, and some planning. Last night I scribbled away merrily in my journal, listing characters and figuring out backstories for them, so that they can be fully realized when I write about them. I do think this one, and the one after, are going to be some of my best work, which feels great, you know? I was also looking over the prologue to The Summer of Lost Boys, and rewrote some of it in my head, which I will need to transcribe at some point today as well. I didn’t really leave the house yesterday, which was great. I spent some time reading the new Paul Tremblay, Horror Movie, which I am really enjoying. (I always enjoy reading Tremblay; he’s one of the best of the new crop of names in the horror community, and not a single book or story of his that I’ve read wasn’t an incredibly enjoyable experience.) We finished getting caught up on The Boys (it cracks me up that the right-wingers are suddenly realizing that the show actually makes fun of them, and the ‘heroes’ they were rooting for were actually the villains. Sucks to be MAGA), and then we dove back into After the Flood, which is absolutely terrific and interesting.

Oh! And House of the Dragon returns tonight. Huzzah!

I slept well again last night, so getting up to Sparky’s determination to get fed was fine with me this morning. The first cup of coffee is currently working its magic in my bloodstream and I am waking up, which is marvelous. I do have some things I need to do this morning–the kitchen is a bit of a wreck this morning, and the floors need to be done–but I am hoping to spend the day, outside of the grocery store, inside working on the book and getting my shit together for the week. Make a to-do list, try to remember all the things I want to submit to, and get organized. I never feel organized, and haven’t in a while, which is part of the off-balance thing that’s been going on since 2016 or so.

And on that note, I am heading into the spice mines. Have a lovely Sunday/Father’s Day, and I may be back later with some other posts about being gay and Pride and other great moments from my gay life.

Roll Away the Stone

Saturday morning and Sparky flatly refused to let me sleep in this morning, but in fairness, I got a little more than an hour of extra sleep. My back feels a bit stiff this morning, but I do feel rested, and the coffee will most likely clear the cobwebs. I have to run to the grocery store today, and that may be all I need to leave the house for today, which is perfectly fine with me. It looks beautiful outside, but I am sure it is the usual forecast for New Orleans: hot, humid, chance of rain. I haven’t looked at the hurricane center yet to see what’s going on with the tropical systems trying to form, but I’ll most likely do that once I’ve finished this.

Yesterday was a nice work-at-home day. I did pick up the mail (got my copy of James Polchin’s Shadow Men, a queer true crime case from the 1920s, which is all kinds of awesome). After I finished working for the day, Paul and I finished watching season 3 of Bridgerton, which we both greatly enjoyed, before moving on to The Acolyte and the new season of The Boys, which is its last. I did some writing–I started pulling the novella apart, in order to do an outline and get a better idea about how to expand it; I actually want to start writing today, if I could be so lucky, I also intend to spend some time reading today; I need to reread some things I have in progress, and would also like to get started on my next read, Horror Movie by Paul Tremblay, which I am really looking forward to; Tremblay is one of my favorite writers. I also want to get the house cleaned up some, as well as make a grocery run at some point in the afternoon. (We don’t need much, really, but really need what I have to get.)

I also worked on my body culture pride post, which actually has now turned into quite a lengthy personal essay; so much so that I may not ever post it here. The essay itself can go on my Substack; I’ve been putting the Pride posts there as well as here because, I don’t know, it just seemed like a better place for them–which seemed silly to post them in both places. Last night, the recognition that the essay was probably a Substack only post made me think about what I am doing with a Substack and a blog, and last night I realized that I should use the Substack for longer form personal essays and keep the blog as it has always been; a daily report on my life and the occasional discussion of a book, television show, or film I’ve greatly enjoyed; the reviews might go in both places, too. I think I can still make the body culture post, but the essay will have to be whittled down and revised; maybe I should do it from the perspective of life lessons learned from getting in shape and actually working as a personal trainer. (Again, seeing that turn into a longer form essay even as I talk about it here and think about it as I type.) Writing these is also an exercise in memory for me, which also is kind of helpful as I am researching the early 1970s in the Chicago suburbs.

I have to admit I greatly enjoyed season three of Bridgerton. Penelope has been one of my favorite characters since the show started, and I’ve always deeply empathized with her as she was ignored, made fun of it, and made to feel invisible. It made sense for her to be Lady Whistledown, and the choice given to her by the show–either Lady Whistledown or the love of her life–was very cleverly done. I wanted her and Colin to resolve everything and get their happily ever after, but I didn’t think it was fair she had to give up who she was in order to get it, you know? This season really emphasized how shitty life really was for these society women during that period, and I’ve always been fond of the actress who plays her mother (she was magnificent in Rome as Atia of the Julii), and this season gave her a chance to really shine as well, as she realized the daughter she always overlooked and never thought would amount to anything was actually the true jewel of her children–and who made the best match in the end. (I also predicted the end several episodes in, involving the Featherington money and title.) It was, all in all, very well done, and I think it may be my favorite of all the seasons, and precisely because Nicola Coughlin is such a compelling actress. It’s nothing serious, of course; Bridgerton is a light fluffy confection, meant to look beautiful and present this wonderful tapestry of what Regency England could have been like, and who doesn’t love a tricky romance with obstacles that must be overcome?

I’ve always wanted to write a romance, but in all honesty am not really sure if I can. I think I’ll put that on the writing agenda for 2025. Why not try? It would most definitely be a challenge to write, and I always prefer challenges.

And on that note, I am going to finish this, get another coffee, and get my day underway. Have a lovely Saturday, Constant Reader, and I’ll probably be back later on. I’m tricky like that. 🙂

This is NOT why I am a football fan, but it certainly doesn’t hurt. 🙂

Puppy Love

Thursday and my last day in the office for the week. Huzzah! I am fatigued this morning. I went to the gym on my way home last night, and while these “workouts” seem hardly worthy of the name, the way my muscles feel this morning shows me that oh yes indeed, even as light as the weights are and as few sets I am doing, it definitely still is counting. This is why I have to be patient with the progress and not get ahead of myself. Last night, I was definitely tempted to add more weight and even had to talk myself out of it, feeling like I was wimping out–but how much more fatigue would I be feeling this morning? And yes, I slept like the dead last night, too–another sign. I may take an extra rest day and not go again until Saturday. I was also tired when I got home last night, so I didn’t do much of anything, including chores….so will definitely have to do those tonight when I get home. I picked up the mail yesterday, too, so I can come straight home tonight.

And of course, tomorrow is a work-at-home day. Huzzah!

I had another surprise at the post office yesterday, too–my Nancy Drew The Secret of the Old Clock action figure! It’s pretty cool, and I may save pictures of it for here until after Pride month, because I cannot think of a way to do a Pride post about–you know what? I just thought of a way to do it, so I guess I manifested itself into being. I also managed to get a Pride post done yesterday–Calvin Klein ads–and I have some more on deck, too; I’ll give you some hints about them–Dynasty, party culture, gym culture, etc.–and who knows when I’ll get them finished and posted, but they are definitely in progress.

I also got my copy of a book I read and reread over and over again as a kid: Stranger than Science by Frank Edwards. I am slowly remembering some other things about my childhood–my interests in the occult and the unexplained. There was a lot of this sort of thing when I was growing up in the suburbs of Chicago, and I am not sure why there was so much of this in the late 1960’s/early 1970s, but there was. The Bermuda Triangle was a big thing, and so were pseudo-sciences like Erich von Däniken’s Chariots of the Gods and so on; Thor Heyerdahl was having his adventures proving that Pacific Islanders traveled much further than most believed, and he also was proving Egyptians could have made it to America on papyrus boats, which was insane but interesting at the same time. I also loved things like Ripley’s Believe It or Not, which used to be a bigger deal than it is now; weird theories about space alien astronauts and forgotten history–I was really into this sort of thing–lost knowledge has always interested me, and books about recovering lost knowledge (or treasure) were catnip for Gregalicious. I don’t know if this was a natural progression of the 1960s movements, in which we became suspicious of government and less trusting, but the 1970s were a very strange decade, and immersing myself in my memories has been interesting. Anyway, Stranger Than Science is a book telling short tales of real events with no logical or rational explanation (this was where I first learned of spontaneous combustion, for one). Edwards used to have a long-running radio show with the same name and subject matter, and my interest in his book and other unexplained phenomenon (whether true, legend, or a combination of both) had more of an influence on me as a writer than I actually remembered. I’m looking forward to revisiting this book.

I also got Paul Tremblay’s Horror Movie yesterday, and I may be moving it up on the TBR pile. He’s become one of my favorite writers lately–since I read A Head Full of Ghosts a few years back, and I’ve not read anything of his that wasn’t compelling and unputdownable since. (I’m also enjoying Grady Hendrix and Riley Sager these days as well.)

And on that note, I am bringing this to a close so I can head into the spice mines. Have a marvelous Thursday, and look for a Pride post later!

Rockin’ Robin

We made it to Wednesday! Huzzah! Huzzah! Here I sit with my coffee on my middle of the week morning, and I feel pretty good, to be honest. I was very tired yesterday, but not in the “I can’t even think” way, but rather the “hmm, I feel fatigued” way, which is fine. Yesterday was Sparky’s birthday, and so I gave him extra treats and pretty much played with him for most of the evening until he went to sleep in my lap. He really is a dear, even when he has Big Kitten Energy.

It’s been a bit of a week thus far, hasn’t it? Who knew that Ginni Thomas wasn’t the most awful SCOTUS wife? AND THAT IS SAYING SOMETHING. I saw someone on social media suggesting we change it, as a society, from “Karens” to “Martha-Anns,” since that name isn’t as common and she is clearly the GALACTIC EMPRESS of “I need to speak to a manager.” Madame Torquemada wouldn’t think Isabella the Catholic wasn’t religious enough for her, and clearly she’d love to implement the Inquisition, too. Thanks again to the third party votes who gave us the president who would appoint him for your service–and again for your service in 2016. I mean, what a vicious, venomous little spider she is, sitting in her house brooding over people being mean to her, waiting for the day she can be spiteful–the irony is it doesn’t make her look like the wife of a Supreme Court justice, but the Alitos clearly have delusions of grandeur and think they’re superior to everyone else. Whatever, trash. Don’t call yourselves patriots when you’re preference is to wipe your ass on the Constitution, and I also love that Alito thinks he’s a superior legal mind to, I don’t know, say every previous justice, which is rather telling. He certainly should not be a judge. But again, me and everyone else not white-cishet were screaming from the rafters that 2016 was about the Supreme Court, and as usual, no one listened–and that was also the case with the 2000 election, too. Sigh. It’s the pits, sometimes feeling like Cassandra on the walls of Troy.

I do feel much more lively this morning than I have any morning this week, but that’s got to be the better night of sleep last night–best of the week, in fact. I have to go pick up the mail today, my copies of the new Paul Tremblay should be there as well as another book from my childhood, Stranger than Science, which I am justifying getting because I plan to use it in The Summer of Lost Boys, which makes it research. I started thinking more about the next book yesterday, too, and how to expand this novella out into a novel. I am of course still going back and forth on it; it could be a novel, or it could just be the novella I stick at the end of my short story collection, but I think it would be too long for that. I need to write the introduction for that and finish the final stories and get it turned in. I know that Never Kiss a Stranger is already about 23k words in length, and there are at least two other subplots I need to weave into it, which should make it all the more interesting. I’ve not done nearly as much writing this week as I would have preferred, but there’s still a few days left in the week, so I can hopefully make up for lost time. What I need to do is summarize what’s already done, figure out where to slot in the subplots, and then buckle up and do the work. Next week is also going to be a little odd; we have Wednesday off for Juneteenth, so I have to work two days, be off one, work two more, and then drive over to Florida to meet Dad for the weekend. Their anniversary is next week–the 20th, to be exact, so Dad wants to go visit Mom and then he’s going on down. It’ll be a nice, relaxing weekend, methinks.

I’m not even going to take my computer with me. I’ll be ignoring everything until I get back.

Today is also the anniversary of the massacre at Pulse nightclub in Orlando, God rest their souls. That resonated because of course it was a dance club, and I had images of it happening here at either Oz or the Parade, which is chilling–and I really hated that the reboot of Queer as Folk was set here and a club shooting was central to the story. Has there been a true crime book about that yet? I feel like someone should, but not me. I am not the right person to do true crime, because I write fiction, I’d probably be unable to resist the urge to twist facts and evidence to fit any theories I might have, and that’s a disservice to the victims. I have thought, numerous times, about the possibility about writing a true crime book based on this case I am following in Oklahoma–without actually talking to any of the people or visiting the area–because one of the more interesting aspects of it all is the reaction, and how it’s all playing out on just this one Facebook page I joined. It still doesn’t make sense that the investigation was so fouled up from day one. How did anyone ever accept the theory that he was hit and killed by the side mirror on an eighteen-wheeler, and besides, I don’t care how drunk you are–there are conflicting reports on how drunk he was, but the autopsy did say .14 blood alcohol content–you’re not going to be unaware of an eighteen-wheeler coming up behind you on a country highway. And there was no wreckage or debris of any kind where the body was found. Sounds intriguing, doesn’t it? At some point I’ll probably write a blog entry about this case, but I don’t think, as much as I believe I could base a compelling novel in it, that I’ll eventually do so unless I can come up with a artistic thesis (that sounds pretentious, doesn’t it?) for it.

It’s funny how writing is like just about everything else in my life, isn’t it? The more I do it the better I write, the more I enjoy the other parts of my life, and if I take a break from it, it takes a while to shake off the dust and scrape off the rust and reactivate my creativity and my writing muscles. I also forget how to write a book sometimes, and that becomes a bit scary until I start remembering things, like oh yes you always have a point to the book you’re writing and you know what theme you want to explore, or I’ll remember something about the process and wonder if I’ve always done it that way because I don’t really remember. I am also finding I am forgetting a lot of the scenes and characters and plots of some of the books I’ve written, which is even scarier–what if I repeat myself, like with Scotty’s predilection for getting into car accidents? Heavy heaving sigh. This is why being a writer is an exercise in madness, really.

And on that note, I am heading into the spice mines. Have a delightful Wednesday; there may be a pride post later on; one never knows.

See You in The Funny Papers

Do the few newspapers that still do print editions even have comics pages anymore? For many years, that was the only part of the newspaper I would read. I’d page through the rest of the paper and read things that were interesting, but I stopped taking a physical newspaper back when the Times-Picayune ceased publishing daily, and only had an on-line subscription, which I cancelled when they published an article by editorial staff that was vile, disgusting, unAmerican, and nothing I could support anymore. I cancelled the New York Times because of their Trump coverage and the legion of crimes they’ve committed against the queer community for decades. The Washington Post also was cancelled because of bad reportage on queer issues (there’s nothing like having your life “both-sidesed”; because yes, the homophobic trash who think I shouldn’t exist have a right to be heard). I would never go anywhere near the Wall Street Journal or Forbes; actually, the best reporting in the country on politics and queer life comes from Rolling Stone and Vanity Fair, of all places.

Go figure.

Obviously, the last place I ever expected to run into queer representation on the comics page (Doonesbury added a gay character in the 1970s, and addressed AIDS with his death in the 1980ssssssss) was in a family comic strip.

On March 26, 1993, Lynn Johnston’s For Better or Worse began a short running story (I think it ran for two weeks; I could be wrong) in which oldest son Mike’s best friend Lawrence comes out to him, which starts a bit of an upheaval in both families, and spread out over several days in the paper.

Johnson wrote about Lawrence’s story here.

Whenever someone talks about how representation matters, I think about two things: this comic strip, and Ryan Phillippe playing gay teen Billy Douglas on One Life to Live around this same time.

I had seen queer representation before, of course; Billy Crystal as Jody on Soap, the eternally confused Steven Carrington on Dynasty, a show where no one even considered the possibility of bisexuality (which could have been an even more compelling story), and films like Longtime Companion and La Cage aux Folles and Victor/Victoria. But unlike those previous characters, most of whom were already adults. Billy on One Life to Live and Lawrence on For Better or Worse were teenagers–which definitely awakened ire in the homophobes and christians. Some papers refused to run this strip, which was incredibly moving and touching, as Lawrence and Mike come to terms with their friendship (nothing changed between them, just as Joey and Billy on OLTL remained friends), but he also had to deal with his parents’ reaction, the reaction of Mike’s family, and so forth. It all eventually worked out for the best–also like OLTL–and as I tore open the paper every day for those days this story ran to see what happened next.

I also kept thinking how much of a difference this would have made in my life when I was a teenager–both the show and the comic strip–which is why these kinds of things are important. No one on the homophobic “side” ever thinks about what it feels like to be a queer kid, constantly getting told (bombarded, really) that they aren’t normal, they are different, and therefore suspect. That’s why queer kids commit suicide at higher rates than their straight counterparts.

I can only imagine how much hate–and how many death threats–Johnston got for writing this series of strips. I always liked the comic–I also liked that the characters aged, grew, and changed–and someday I’d love to sit down with a collection of the entire strip, to catch up with the characters and see how they are doing now.

I also don’t think this comic strip gets enough credit for doing this, either.

Tomorrow Belongs to Me

Ah, Cabaret.

I first became aware of this movie from commercials on television, and it looked very weird to young Greg. I had no idea what the movie was about, other than it was a musical; starred Liza Minnelli; also had the gorgeous Michael York in the cast; and seemed to be set in old pre-Nazi Germany. It also came out in the same year as The Godfather, which sucked all the air out of the year when it comes to film. I had also read that book that year because of the movie…which also got me interested in Marlon Brando, which is a whole other entry. (Not to mention the sex scenes, which were really confusing in a lot of ways…especially Lucy Mancini’s over-large vagina.) But Liza was everywhere that year, too–every talk show, had her own special “Liza with a Z”, magazine covers and newspapers and periodicals like you wouldn’t believe.

I had no clue what the plot was, other than decadence and debauchery?

I remember asking a friend that year if she knew what Cabaret was about–her parents were European immigrants from after the war; her father was Czech and mother German–and she told me her parents had seen it and her mother said, “It’s all about homosexuals”, which naturally got me incredibly interested in the movie. I finally saw it several years later when it aired on television, but everything queer was sliced out of the movie and it was disjointed and didn’t make a lot of sense, so I thought well, that was shit, how did it win all those Oscars?

Because of course, all the queer stuff has been excised from the movie; the movie was basically castrated and to me, seemed like nothing more than a vehicle to move the movie along to the next musical number–many musicals are like this, so I really didn’t understand what the big deal was about this one.

A few years later, I caught the original uncut version on HBO…and have been a fan ever since.

Cabaret never should have been sold to television for airing because it had to be gutted to make it ready for prime time. I only hope no one involved with the film saw that version of it, but it really was a desecration.

By the time I saw the movie as Bob Fosse originally intended it to be seen, I had become aware of the source material: Goodbye to Berlin by Christopher Isherwood, an autobiographical novel about his experiences in Weimar Berlin and witnessing the rise of the Nazis–and how their malevolence was poisoning German society and culture. It had been adapted for the stage by John Van Druten as I Am a Camera (which is the opening sentence of the second paragraph of the book), and the play was also filmed, starring Julie Harris, who may have played Sally on stage, too. I Am a Camera was adapted into the musical Cabaret, but significant changes were made from the stage version of the musical in adapting it for the screen–and the screen adaptation also wound up causing the stage version to revised, remodeled, and reinvented as well. (And to make things even more confusing, Isherwood later wrote a memoir about that time period in Berlin called Christopher and His Kind, which was also filmed.)

I had not seen the earlier film, nor had I read the book when I saw the uncut version of Cabaret.

And you really couldn’t go wrong casting Michael York in the 1970s. Stunningly handsome, and that velvety voice that just dripped syrup.

I mean, really. I think this is from Something for Everyone, which is a great, little-known queer movie also starring Angela Lansbury! (There’s a watchable version uploaded to Youtube, but the sound and picture quality isn’t great.)

I rewatch the film every now and then. I went through an Isherwood phase in the late 90’s/early aughts, when I read everything he wrote, and I enjoyed them all. And when I see some political movements today (hello, MAGAts!), Cabaret is never far from my mind.

It’s astonishing that the film was even made, given that homosexuality was still considered a mental illness in 1972, and the film didn’t judge. It simply presented these alternative sexualities as normal, and while the times themselves weren’t normal, there was also a very strong sense that the Weimar period–which is endlessly fascinating, which is one of many reasons I love Babylon Berlin so much–that filled the German political vacuum between the wars wasn’t very different from the twenties everywhere else, either; a time when the society and culture rejected the old, more conservative times that led to the first war, and everyone just wanted to have a good time because so much was misery. (I often wonder how much the American Stock Market crash of 1929 had to do with the rise of fascism in Germany; it was the economy, after all, that really caused the problems, and wasn’t the global economy heavily impacted by the collapse of Wall Street? We never realize how what happens in our country affects the rest of the world, because the United States is just as narcissistic as the convicted felon the Republicans are running.)

But the underlying message of Cabaret is one that is hard to miss: that living in your own bubble and ignoring the world outside is precisely how garbage like the Nazis rise to power…the assumption that someone else will do something to take care of it, and we’ll just keep having fun. In the late 1980s and early 1990s I thought we as a country we’re headed down that path; the unholy marriage between the right wing and evangelical christianity (I will never capitalize that C because cults don’t deserve that respect) certainly made it very clear to me that there was a very large segment of the American population that would be more than happy to put all racialized people and queer people into death camps. (I even started toying with the idea for a novel about that very thing; I still think about that idea A LOT, and even more so since 2016–which is also when I started rewatching Cabaret again on a more regular basis. Cabaret, and Bob Fosse’s vision of what it should be, was very powerful; and it changed the face of what movie musicals looked like and could be, and has influenced stage and screen musicals ever since. It’s a stunningly shot film, and now I can say that I understand why Fosse won the Oscar instead of Francis Ford Coppola for The Godfather; both films are masterpieces, but Cabaret was more “showy,” and that always wins over diligent and detailed craft.

And no, the movie isn’t “all about homosexuals”–even though there’s a minor character who is a trans woman; the main character is gay and bi-curious, and Max, Sally’s other love interest, is also bi and sleeps with them both cheerily. That was VERY avant-garde attitude to have in a 1972 Hollywood movie made for American audiences.

I wonder how seeing it on the screen in 1972 might have impacted me? But I also can’t imagine my mother and sister sitting through it, either.

Cabaret is a must-see if you’re interested in queer film–or great American cinema, for that matter. And I will judge you for not seeing it. In fact, I’m doing that right now.

Morning Good Morning

Sunday morning and I slept late, which is fine, really. I keep forgetting that sleeping in on my days off isn’t a criminal act of any kind. After so many years of keeping myself overly busy and so I was always behind on deadlines and so forth, I’ve kind of gotten into the insane mindset that sleeping late is a waste of time that could be better utilized, writing or cleaning or reading. I do have some things I need to get done today–mostly running to the store to get the things i need to make a carrot cheesecake for a co-worker’s birthday tomorrow–but if i manage my day properly, I should be able to get things done.

I spent yesterday running errands, and trying to get things cleaned up around the house while dipping into two books–The Berlin Stories by Christopher Isherwood and Ode to Billy Joe by Herman Raucher. I ordered the latter from ebay after I started doing my research into Robby Benson for the post I made about the crush I had on him as a teenager; realizing the movie script and novel were written by Herman Raucher made me interested in reading the book, as well as wondering about Summer of ’42, and so I ordered copies of each. Billy Joe arrived yesterday, and I was curious about it. Usually novelizations were work-for-hire arrangements and the author used a pseudonym; some are better than others, of course, but just reading the first chapter of Billy Joe I can tell it’s head-and-shoulders above most novelizations, and it’s probably more thorough in telling the story than the movie was, which has me interested. I’ve also been thinking about The Berlin Stories lately, after watching the film Christopher and His Kind, and may revisit it again, too, for Pride Month; Isherwood is one of the literary gods of the gay canon, and the opening sentences of Goodbye to Berlin are perfect for parodying in the prologue to the next Scotty. I still have to finish my reread of Michael Thomas Ford’s Suicide Notes, and I think I’m going to bump the new John Copenhaver up on my TBR list. It is Pride Month, and I should immerse myself in queer lit for the month, don’t you think, Constant Reader?

I also want to write about Summer of ’42 at some point. Like The Other, it was an early read that was very influential on me, and one I often don’t think about when I do think about influential works I’ve read or make a list. I really do need to sit down and identify the books that really impacted me and the way I write; The Other, Summer of ’42, and so many, many others. I also want to write today; I didn’t really yesterday, but I did spend some time yesterday doing research; i.e. watching Youtube videos on the Oklahoma true crime story that fascinates me still, as well as ones that review the 1970’s and pop culture and what was going on those early years of the decade, which is when the book will be set. I think I am moving in a more historical direction rather than writing about the current day; Never Kiss a Stranger is set in the 1990s (1994, to be exact) and of course The Summer of Lost Boys is going to be set in either 1972 or 1973; I can’t decide which, although I suspect 1973 is going to end up being the winner when I finally have to decide.

We finished Under the Bridge last night, and it’s most excellent; I highly recommend it. Based on a true crime novel about the Reena Virk murder in Victoria, British Columbia back in the 1990’s, Reena was beaten badly by a group of girls–some she thought were friends–and then after the others left her broken and injured and bleeding along the river bank, a boy and a girl came back and basically, finished her off. The show reminded me a lot of Megan Abbott’s work; Abbott always writes about the mysterious world of female relationships, female rage and jealousy, and that’s what Under the Bridge does so beautifully. The acting is extraordinary; a real standout is Javon Walton as Warren, the young boy who kills Reena. Walton is very handsome in that young way, and I looked him up because the performance was so extraordinary, and turns out he also played Ashtray on Euphoria, who was one of my favorite characters on that show. Do watch it when you get a chance. I’m going to get a copy of the book now, too. Yay, more things to read! Just what I need!

We also started The Acolyte, but I was sleepy by the time it started and kept dozing off. No judgment on the show, I was just tired.

And on that note, I think I’ll head into the spice mines. I’ll probably finish the dishes this morning while making a grocery list, and then I’ll dash to the store and get gas. I may even finish one of these other Pride blog drafts, so have a lovely Sunday, Constant Reader, and I may be back later.

Ode to Billy Joe

Robby Benson. Swoon. I mean, LOOK at him.

Eat your heart out, David Cassidy!

I don’t know when I first became aware of one Mr. Robby Benson, but I do know he was a major crush of mine when I was a teenager–he and Jan-Michael Vincent–and I also think he’s another one of those who definitely helped create a type for me; dark hair and bright blue eyes, and that smile! Jesus Mary and Joseph!

ODE TO BILLY JOE, Robby Benson, 1976

I wasn’t alone in my teen years crushing on Robby; I think most teenaged girls of my generation all had a bit of a crush on him. For one, he was ridiculously beautiful; it kind of should be against the law to look that good. He was also photogenic and telegenic, and I loved his speaking voice. I know my teen years are also when I developed my love of jeans cut Daisy Duke short; and as you can see from the pictures above, Robby’s were cut so short they were basically speedo-sized. Years later, Daisy Dukes were my favorite shorts to wear, because all modesty aside, I’ve always had muscular legs; assets best displayed in shorts cut immodestly short.

But in looking up information on Robby Benson for this post, I realized I had never seen the movie Ode to Billy Joe, which was one of his best-known films. I knew about the movie, of course, but never saw it. It was released the summer we moved to Kansas and it never played in Emporia, and I never saw it on television, either. So, yesterday, I remedied that by watching it on Youtube, which has the entire movie uploaded for free.

The movie itself is simple. Based on the story song by Bobbie Gentry that is probably one of the biggest and best-known hits of all time, it’s ethereal and mysterious and unclear; and the lyrics themselves create an indelible image of a rural Southern lunch and the casual, unknown to anyone speaking, cruelty of the conversation. The narrator had a strong connection to Billy Joe, and his suicide affects her deeply, but nobody really notices. It’s genius in exposing that Southern mentality of “the girls don’t matter”–no one’s noticed that she is connected to him in some way, no one notices that she’s upset, and the way Gentry sings the lyrics is so matter-of-fact yet horrible as she recounts an emotionally troubling experience for herself, and paints such a powerful image of the invisible daughter, left to grieve on her own for the boy she loved, and does she know the reason he jumped? I’ve always liked the song, even if it doesn’t work for me musically (the lyrics don’t match the melody), because it tells so many truths about rural Southern girls that what actually happened isn’t the point–the point is the isolation and loneliness she feels, and the alienation from her own family.

The movie, screenplay and novelization by Herman Raucher of Summer of ’42 fame, fleshed out all those mysteries. It was from the movie and book that turned Ode to Billy Joe into a queer story and a tragedy; it’s also interesting that it wasn’t more of a scandal when the movie was released in 1976; maybe him having had a sexual encounter with another man and committing suicide took the sting and shock of the gay twist; after all, misery and suicide were the only possible outcomes for most queers in movies at the time. Watching the movie, but taking away my own quibbles about its depiction of southern rural life to talk about it as it stands as a queer film, it was really quite revolutionary. First of all, Robby Benson was a full-fledged teen heart throb with photo shoots in every magazine like 16 and Tiger Beat, and having someone who didn’t telegraph gay (or the societal images of what gay looked like then) who was also a heart throb playing the part was putting an acceptable face on a (at the very least) bisexual character. What was also interesting to me about the film was that it was produced by Max Baer (aka Jethro from The Beverly Hillbillies), and the man Bobby Joe had the encounter with was played by James Best, who would go on to greater celebrity and fame as Sheriff Roscoe P. Coltrane on The Dukes of Hazzard later on in the decade. Glynis O’Connor is fine as Billie Lee (seriously, Bobby Joe and Billie Lee? I have an army of relatives from the rural south, and out of all of them there is exactly ONE who has that stereotyped Southern two first names thing), but Benson’s appeal is clearly on display here–and I understand why girls loved him so much: he always played sensitive and vulnerable young men, which girls love.

And he is just stunningly beautiful in this movie.

Benson’s most successful role of all time was, ironically, from voice work: he voiced the Beast in Disney’s Beauty and the Beast.

I also found it interesting the Bobby Joe committed suicide in the Tallahatchee River, which was also where the white supremacists dumped Emmett Till’s body…so that river is kind of hexed, wouldn’t you think?

He also aged incredibly well–Benson is still quite beautiful.

American Pie

Saturday! Woo-hoo!

Yesterday was an odd work-at-home Friday. Our power went in and out a few times during the day, and that threw everything off–laundry, work, plans for the day. But it did gradually and eventually all get finished in the end so Paul and I could spend the evening riveted by Under the Bridge. We only have two episodes left and it’s soooo good, and so delightfully queer-which was a delightful and unexpected surprise. Lily Gladstone continues to own the screen, and I can’t wait to see the final two tonight when Paul gets home from tabling at Pride for Saints and Sinners.

I slept really well last night, which was marvelous. I woke a bit later than I originally had intended, but that’s okay. I want to get some more cleaning done around the house this morning before I take books to the library sale, pick up the mail, and make groceries; then I intend to get some more writing done today. I did some more thinking about it last night before Paul got home, and I think I almost have the voice right. I also did some more research while he was at the gym–nothing like reexamining pop culture and the news during a distant time period (note to self: TV Guide archives must be checked as well), because it brings back memories, which also helps put me in the right mental place to write and create the story. I also kind of know how the story is going to go, and I also came up with another idea for the beginning, which I also really like. (I just had one of those imposter syndrome moments, where my brain suddenly panics and thinks, that isn’t going to work. Sometimes I really hate my brain…

During one of the power outages yesterday I decided to use the time productively and walked to the gym to do rehab exercises. It made sense when I thought about it–I mean, without power or Internet I can’t work, so utilize the time, right?–but after getting damp with sweat walking over there on a “feels like 105” afternoon, sweating more during the rehab exercise, and getting soaked with sweat walking home to a house without power that was getting hotter wasn’t perhaps the wisest choice? The power was still out for about an half hour or so at that time, so I took a very quick shower while the apartment began cooling down again and felt ever so much better. I also don’t feel exhausted or tired this morning, so maybe physically I am beginning to get back my stamina and getting back to normal, which is terrific. I was starting to worry that I was never going to do so, and I am nothing if not incredibly impatient.

I also watched Ode to Billy Joe yesterday (the film is on Youtube for those inclined to watch it again) because I’d been looking into Robby Benson for a Pride post, as he helped me understand that I liked men instead of women–so, so beautiful–and I realized I’d never watched this movie….and the movie, it turns out, is what fleshed the song out to give us a reason why Billy Joe jumped off the bridge; he’d been with a man, and the shame drove him to it because it was such an ugly thing to be that suicide made the most sense as an option. I’d heard the theory that he killed himself for being gay before, but didn’t realize it came from the movie…and the novelization of the script was written by Herman Raucher, who’d also written Summer of ’42, a coming of age novel and movie that were also kind of formative for me. Looking into it, it was released in the summer of 1976. We moved to Kansas that summer and the movie didn’t play locally, and I’d never watched any of its television airings. Anyway, the movie was interesting but there were lots of parts to it that didn’t play well for me today–I am always prickly about the way films have rural Southern people talk–but keep an eye out for my Robby Benson post if you’re interested in him.

I do feel good this morning, which is nice. I’ll go get cleaned up in a bit, but am going to work on either entries or the prologue this morning. I also plan on doing some rereading of my own work today–I am definitely moving Never Kiss a Stranger to the top of the to-write pile, because I am not entirely sure about the y/a I want to turn from novella into novel; I’m not entirely sold on the plot, to be honest. I also want to work on the kitchen this morning, too; I did buy the wrong vacuum cleaner (mine is a rug cleaner; so I can put water and shampoo in it to clean the carpets too, but it does work as a very powerful vacuum, so I’ll go ahead and use it–and maybe next weekend, I’ll clean the Oriental rugs with it.

Yesterday the right, through The Federalist, decided to come for Dolly Parton and basically call her a false prophet and a “danger” to Christianity. The recovering alcoholic who wrote the hit piece, Ericka Andersen, is about what you’d expect: a self-righteous born-again Christian who thinks she knows the faith better than anyone who ever lived or ever will live, which of course is apostasy, but she’s a soulless troll who got the attention she wanted. Andersen’s social media is now completely shut down as she is in the find-out phase of coming for Dolly. Dolly has not only given the world decades of amazing music and entertainment, she is also one of the most generous people alive, using her money and her fame to do good works in the world and is always kind and understanding and sympathetic; the woman literally loves everyone even her harshest critics. If ever there was an example of what it is like to truly follow the Christian path, it’s Dolly Parton–but you know, giving kids free books, donating millions of dollars to charity every year, and her incredible generosity to her employees at Dollywood? Sorry she won’t condemn people you don’t like, cosplay Christian piece of shit. And for the record, Megan McCain is married to the head of the Federalist Society–which is all anyone needs to know about what utter and complete garbage they are.

Seriously, they’ve come for Taylor Swift and now Dolly. Next thing you know they’ll come for Cher–which is something I would love to see them try.

And on THAT note, I am heading into the spice mines. Have a lovely Saturday, and I’ll be back later, okay?

Open Up Your Heart

Friday work at home blog! I do have to ZOOM into a department meeting this morning, but other than that–I am home for the day. It’s also a co-worker of whom I am rather fond’s last day, and everyone is going with him to happy hour, and I may join them; we’ll see how I feel later this afternoon. The way I am feeling this morning, though–like something the cat dragged in–I may not. I did sleep very well last night; I did get the laundry done last night but didn’t go near the dishes, and I haven’t assembled the new vacuum cleaner yet. I was tired when I got home from work last night, but did do a little bit of writing. I am very pleased with the work I am doing, if not thrilled about how long it’s taking me to finish, but I really don’t want to move on from this until I have it correct.

We watched another episode of Under the Bridge, which is extremely well done. I had wanted to watch this as soon as I’d heard of it, and then it was mentioned on the Facebook page about the Oklahoma true crime I’m moderately obsessed with, saying there were similarities in the two cases. (Under the Bridge is based on a true crime novel, which I am going to read at some point.) But the best part of the show is Lily Gladstone as Cam, the investigating cop. I never saw Killers of the Flower Moon, primarily because I am tired of Leonardo diCaprio, and didn’t think I could sit through three hours of him acting, but I was curious about Gladstone, and she is fantastic in this, as is Riley Keough and the rest of the cast, and it’s very well done. Not sure where it is going or how it’ll end–I am resisting the urge to look up the case–but as of two episodes I can highly recommend it.

After all the rain this week it looks like we’ll be having sunny weather all weekend, which also means heat and humidity. I want to get to the gym twice this weekend, need to make groceries (I promised to make a co-worker a carrot cheesecake for their birthday Monday), get the vacuum cleaner together and do the floors, and get the car washed. I want to get this prologue finished, and I’ve also realized that the project I wanted to work on next probably isn’t the project I want to work on next after all–so the choice is to read what’s already done, hoping it will trigger interest in working on it, or i am going to move it to a back-burner and move another project up…I mean, both have been on the back-burner for years, so does it really matter which one gets finished first? No, not really, only to me, and I really need to not get too rigid and inflexible (as I tend to do, grasping onto something and stubbornly refusing to see reason) about any of this stuff. It’s also heading into the second or third week of June or something, which is nuts.

I’d also like to do some reading this weekend. My TBR pile has always been out of control, but now I have so many great new ones on hand–John Copenhaver, Kellye Garrett, Amina Akhtar, Celeste Ng, Scott Carson, Stephen King, Lori Roy–that I cannot decide what to read next and it really is an embarrassment of riches, is it not? I also saw that Megan Abbott will have a new book next year, and so will Laura Lippman, I think. I really do wish I could just take some time off and spend it reading but even then I don’t think I’d even make much of dent in anything. I’ll take some books with me to Florida later this month when I go over to see Dad, and of course I am going to go up there for a week in October–more reading! Huzzah! I also think I’m going to stay here for Thanksgiving, but take that whole week off, which would be a really nice thing.

And on that note, I think I’ll head into the spice mines for now. Have a lovely Friday, Constant Reader, and I’ll try to get some of these other Pride entries done over the weekend.