Author: gregh121

I am a writer and editor who lives in New Orleans.

Only the Wind

While the official first day of the summer season isn’t here quite yet, it’s already summertime in New Orleans–with everything that means. The thick heavy wet air that clings to you like a warm wet wool blanket; the beautifully bright and yellow sunlight that burns your skin red as it pierces through the windows of your car; and the climbing electric bills as your air conditioning unit desperately tries–and only occasionally succeeds–to keep the temperature livable and breathable inside your home. Tourists who come to New Orleans often complain about the extreme difference in temperature from going inside to out and back inside again; how cold it is everywhere in doors; that the shorts and tank tops, soggy and wet from sweat, aren’t enough covering as the they dry in the cold frigid inside air. It is really impossible to know how to dress in New Orleans when it’s hot; but those of us who live here are used to it, but you never get used to how just existing and moving around outside sucks the energy right out of you, and sometimes–like when you’re lugging all the shit you bought at Costco in from the car–you have to just sit for a spell, chug some cold water or Gatorade (or a daiquiri if you planned ahead), and collect yourself.

That was my yesterday. As you may have noticed had you paid close attention, I had been unwell for a while; primarily from forgetting that I have to be more cautious dealing with heat and more careful and mindful of the maintenance required for my older body. This whole thing started with me being unable to sleep for several nights in a row, and the moved on to severe dehydration and exhaustion and stomach issues. This led to another COVID-19 test, being sent home from work, and a slow recovery. But after days of drinking lots of water, avoiding caffeine (much to my own detriment when it comes to productivity), and good sleep–as well as staying inside as much as possible–I am finally, this morning, feeling like myself once again; energetic and creative and ready to go. I took two more vacation days this week–Wednesday and Thursday–to continue my rest and recovery, and it seems to have done the trick (I was really worried about the Costco trip being a setback; but I am stubborn and I wanted to get it out of the way; but I downed lots of water before I went, took a Gatorade with me, and had another after I got home).

And this morning, yes, I feel like me again for the first time in what seems like an incredibly long time.

I’m working from home today, which means data entry and making condom packs while streaming things on the television; I should finish the first season of Jonny Quest today, since the episodes are only about twenty-four minutes long; which makes me wonder if that’s why it had such a short run on Saturday mornings when I was a child–not enough time left for commercials. Scooby Doo Where Are You? episodes are 21-22 minutes. Money is key, and despite some problematic issues with the show (it was produced in the 1960’s, after all) it still holds up pretty well. It did put me in mind of another kids’ book series I read when I was younger–the Rick Brant Science Adventures by John Blaine, which was yet another one of the many Grosset & Dunlap series. Like the Ken Holt series I talked about recently, the Rick Brant series was never as popular as the Hardy Boys (nothing ever achieved the popularity of Nancy Drew), but were much more interesting, more action-packed, involved actual detective work, and were far better written. The similarities between Jonny Quest and Rick Brant are staggering; the Quests live on an island; Rick and his family also lived on Spindrift Island, separated by tidal flats from the coast on New Jersey. The Quests sort of adopted Hadji, who became Jonny’s best friend; Rick’s best friend is Don Scott (Scotty), and the Brants unofficially adopt him into their family. Jonny and his family go all over the world having adventures and solving mysteries having to do with science, for the most part; Rick and Scotty do the same. Jonny’s father is world-famous scientific genius Benton Quest; Rick’s father is world-famous scientific genius Hartson Brant.

The first few Rick Brants I read, like Ken Holt, I obtained off the sales table in the bargain basement at Goldblatt’s in Chicago: The Rocket’s Shadow, The Egyptian Cat Mystery, The Flying Stingaree, and The Flaming Mountain. Over the years, I found more of them at swap meets and flea markets and used bookstores; I think I met have an almost complete set of them now (I did acquire some via eBay after Katrina). Some of the books are now available for download on Project Gutenberg; several volumes from a variety of those old kids’ series–including Ken Holt, Judy Bolton, and Biff Brewster–are there (and yes, I downloaded all of them). I want to start revisiting some of these series, since they influenced me into becoming a mystery writer, and while scientific knowledge has proceeded incredibly rapidly since the Brant series were published and went out of print, it’s kind of fun to go back and revisit the world of cutting-edge science (or what was seen as futuristic science) at the time; The Rocket’s Shadow was basically about how the Spindrift Island scientists (other scientists and their families also lived on the island) were racing to build and launch a moon rocket–the case involved Rick trying to solve the mystery of who on the island was a traitor and leaking secret information about the rocket project to a competitor; Scotty rescues him from the bad guys in the first chapter. Scotty was a military veteran who lied about his age to enlist and fight in the war (World War II; the book was originally published in 1947)–which was glossed over and ignored as time passed and the series continued, which would have aged him. This was twenty-two years before the actual moon landing, so to kids reading this in 1947 and the years after, it was kind of science fiction.

We will finish the final two episodes of Elite that are available tonight, and then will have to wait for season four. They had started filming before the world shut down, alas, so there’s no telling how long it will be before we get another season to binge and love. I also am not sure how the show is going to continue; this season has them all graduating and the crime this season is focusing on occurs at the graduation party. I can’t praise this show enough; it’s completely addicting, and there are never any slow parts. The way they have developed the characters and their relationships with each other make total sense and are completely believable, despite the sometimes completely over-the-top situations they find themselves in. Once we finish watching, I will devote an entire entry to discussing the show. But seriously–you won’t be sorry if you watch.

And now back to the spice mines. Have a lovely day, everyone.

One in a Million

I feel somewhat better this morning–still a bit off, but that’s okay. It’s something I can deal with, I think. I still need to work on hydration–an on-going process in New Orleans in the summer time, but this is the first year it’s ever affected me physically the way it has this year. I guess that’s another cost of getting old? The worst is having to do without caffeine, as it also dehydrates. I am braving a cup of coffee this morning to see how that plays out. Probably not the smartest thing in the world to do, but I’m not particularly known for being super-smart, so there’s that as well.

I’m working from home today, which I’ll miss when the world opens back up completely. It’s nice to sit in my easy chair with my work laptop or making condom packs or doing data entry in comfort with an old movie playing on the television (or Jonny Quest; I am still working my way through the first season) and being able to relax. We opened the STI clinic yesterday on a limited basis, and it was nice to see clients again. We are, of course, taking every precaution to safeguard me (ironic, since I’ve not been feeling well for going on almost a week; this is apparently my year of ill health). but it was lovely to connect with clients again, and it was even lovelier to see that my blood drawing skill had not gone away in the three (!) months since we closed the clinic; I think the reopening was actually three months to the day. And the lack of caffeine wasn’t exactly the most pleasant thing in the world to deal with at the same time, but I made it through the day. I came home and collapsed into my easy chair, watched some Jonny Quest until Paul got home, and then of course we finished off the second season of Elite, which continues to be absolutely amazing. We have only the third season left–I think there’s a fourth coming at some point–so we have decided to dole it out slowly to make it last longer.

Since I’m working at home today, once I’m finished I’m hoping I’ll be relaxed and rested enough to do some writing before Paul gets home. I hate that I am getting behind on everything, despite the realization that I am much too hard on myself about not writing–counting how many things I have in progress over the weekend was an eye opening experience, and at the same time knowing how much incomplete work I have on hand was also stress-inducing: how can you read or watch television when you have all that work to finish? Add to that all the books I have on hand that I haven’t finished reading, and it all adds up to stress and feelings of unworthiness. There’s also all those ebooks in my iPad, and I haven’t been able to focus on reading, so Night Has a Thousand Eyes continues to languish on my end table next my chair.

My sleep was also odd last night; while one would think two consecutive days of no caffeine plus interacting with clients would have tired me out so I would sleep like the dead, the truth was it took me a while to fall asleep and I also woke several times during the night, and it wasn’t easy to fall back asleep. But I feel–other than the oddness of being slightly ill still–better and rested; who knows? We shall see how the day goes.

My gym officially closed today; another victim of COVID-19, which makes me really sad–not least because of the incredible convenience that it was just around the corner and less than a five minute walk, but mostly because I was really starting to get back into working out again before this latest bout of whatever the fuck is wrong with me this year took over again. It was also relatively inexpensive; the nearest gym is a slightly longer walk down on Magazine Street, and it’s considerably more expensive. The longer walk also means that waiting to the last possible minute to go is really not the best option. I’m not really sure what we are going to do; in the over all scheme of things, with a pandemic and everything else that’s going on in the world (not the least of which being the country’s long overdue reckoning on racism), it’s really not that big of a deal; it’s not like I need to worry about my life ending or significantly changing for the worst because my gym closed. But damn, I hate the loss of the convenience, and damn this fucking pandemic.

Gay white people problems, am I right?

The coffee seems to be not upsetting my stomach, so I am going to risk a second cup. Yes, that’s me, living on the edge. (eye roll to infinity) But one of the things I’ve noticed–I got an email from a friend asking me what I’ve learned about myself in the last three months, which made me start thinking–is that my self-absorption, which I thought was always at a high peak and level, has become even more deeper. I’ve always been horribly selfish; and pretty damned self-absorbed. But over the last three months it’s become even more apparent, and deeper. The news has been so consistently horrible for so long that I–someone who has been a political junkie for a long time and followed the news avidly–have withdrawn from it completely. Each day, it seems, has brought more horror–I glanced through headlines yesterday when I got home from work and literally was incredibly grateful to disappear into the world of both Jonny Quest and Elite last night. I feel a little stymied with my career, which is part and parcel of the volumes of uncompleted work I have on hand, and the inability to focus and juggle things–which I used to be so very good at–doesn’t seem to be clearing up anytime soon. My usual go-to (making lists) doesn’t seem to be working because I’ll make a to-do list and then completely forget about it, thereby rendering it completely useless.

But I’m going to make one again this morning and see what happens. Hope springs eternal and all that, you know.

And on that note, tis back to the spice mines with me. Have a lovely day, Constant Reader.

More Than A Dream

Tuesday and our STI clinic is reopening on a limited schedule again, so I get to spend the day trying to remember how to draw blood from people efficiently and how to do paperwork I haven’t really thought about much at all since sometime in March. It’s hard to believe this has been going on since March–but on the other hand it seems like pre-pick-your-crisis was a million years ago.

My stomach is still messed up, but I’m trying to take in as much clear liquid as I can. I’ve pretty much concluded that I am dealing with dehydration-related exhaustion, and the answer to all my ails is hydration. I am also hopeful that this slow and gradual return to what I actually do for work during the day will help me stay centered and on course; I’ve felt very unanchored these last few months. We shall see, won’t we?

Yesterday as I worked from home I had Jonny Quest streaming on the television while I sat in my easy chair and worked. I loved this show when I was a kid, and it still holds up relatively all these years later–it’s also weird that Tim Matheson was Johnny’s voice–and it also was a formative part of my childhood; getting me interested in mysteries and the supernatural and espionage, and there’s also the complete absence of females. The family unit on Johnny Quest reads queer, queer, queer: the parents in Dr. Benton Quest, scientific genius and obviously wealthy beyond belief (like Tony Stark) and Race Bannon, former spy and world class athlete who is both bodyguard and tutor to the two boys; Benton’s son Johnny, and the Indian child they adopt off the streets of Calcutta, Hadji. (I also became extremely painfully aware as I watched at just how big of a stereotype Hadji was; and there are other problematic issues on the show…reminding me of that time period, the 1960’s, very viscerally). There’s also Jonny’s dog, Bandit, who is the comic relief on the show; but unlike Scooby Doo Where Are You?, Jonny Quest was serious–people were actually killed on this show. What humor there is, is fitted into little asides that literally serve as comic relief to the serious tone of the show (and yes, it was plenty serious for kids–as I said, there are any number of times in the episodes I watched where bad guys were killed when their car/boat/airplane crashed and exploded right in front of Jonny and Hadji, who nonchalantly just shrug off the deaths they’ve just witnesses). Dr. Quest is totally Tony Stark, the genius who knows everything–he literally is one of only two white men who speak the language of a remote indigenous tribe in the Amazon rainforest—and Race is a hot muscle daddy if I’ve ever seen one.

As I said earlier, it’s kind of problematic in some ways–the afore-mentioned indigenous tribe is described as “savages” repeatedly in that episode–but it’s still fairly entertaining, and it’s one of my earliest cartoons on Saturday morning memories; undoubtedly it helped push me along my path as a mystery fan and eventually a mystery writer.

Elite continues to enthrall us; the second season is even crazier than the first, with three new characters added: a party-hearty half-brother of one of the main characters who has a very weird relationship, bordering on incest, with his half-sister; a girl who works as a maid and whose mother is on the janitorial staff who is working very hard to convince the other kids she is just as rich as they are; and a gangster’s daughter. Paul and I are completely fascinated by Carla, whose mother is a marchioness and owns a wine company; she’s extremely manipulative, so much so that it’s difficult to figure out what she really wants and what she is really after. She’s fascinating. There’s also all kinds of queer characters and relationships on the show, and while the whole point of the show is star-crossed lovers…it’s nice seeing the queer storylines given equal importance to the straight ones. And it moves so fast! So much is constantly happening! It’s excellent.

And now I have to get ready for work, without having any coffee. It’s going to be an interesting day.

Two Divided by Zero

My COVID test came back negative again, so I was right, I guess; dehydration and exhaustion combined in a 1-2 punch to send me reeling and off my game. My stomach is still messed up–sometimes stuff doesn’t go right through me, but most of the time it absolutely does–but that’s just how it is and we have to get on with life somehow. I am really sick of this, and I am going to be calling my doctor’s office later today. My doctor moved away, and I’ve been delaying dealing with contacting their office to get a new one, so now I guess I am in a position where I have to–in other words, moved to action because I have no other choice.

That happens a lot more than one might think, since my usual default is lethargy.

I revised my Sherlock story yesterday, so yes, I actually did get some writing done, and it wasn’t as easy as I might have liked but on the other hand, it also could have been much harder. There were a couple of times I was ready to throw in the towel and say hey I got something done at least, but forced myself to keep going. Now I’m going to let it sit for a few days before I polish it, and hopefully in the meantime i can get some other writing done. I know part of the weird emotional state I find myself in these days has more to do with the not writing than anything else; when I am not working on some form of writing, I’m always down. After I finished working on the story yesterday I felt fantastic; that adrenaline rush only matched by the one that comes from endorphins after a good workout. I’ve not been to the gym in over a week, either–I’ve neither had the energy nor felt well enough to actually go, plus not wanting to put people at risk…but I am going to have to start thinking about when I can go back again.

As a result of remembering a story I’d started a few weeks ago and completely forgotten about, I decided to make a list of all the stories and things I have in progress at the current time. It was quite eye-opening; eighty nine short stories in some degree of completion; seven novellas in the same situation; and two novels. This is what I mean by my creative ADHD; many of the stories are no more than 500 words (I made a point of not counting the ones that are just a title and an opening sentence or paragraph) but some of them have been through multiple drafts and still others have a first draft completed. I posted about it on social media, and based on the reactions I received, I realized two things: one, that I now understand why people call me prolific and two, the reason I think I am lazy and don’t ever get anything done is precisely because I have so many works in progress that are not completed. Add to that the reality that I constantly get new ideas for stories, novellas, and novels all the time, and you begin to see why I am so rough on myself when it comes to this sort of thing. I am trying to be better about being hard on myself–there’s a strong sense, though, that without being hard on myself I wouldn’t get as much done; but at the same time, I’m not getting much done these days…but I think this shift is necessary in order to delete negativity out of my life. There’s already so much negativity in the world I don’t need to create more for my life and career. But I need to get moving on the Secret Project, and now that this revision is behind me, I have some time to work on it now.

We finished season one of Elite last night and started season two, and I have to say–if you’ve not watched this show, you absolutely must. The story moves like a runaway freight train, the plot is incredibly intricate, intertwined, and complicated. The writing is stellar and the acting–the gorgeous young actors who make up the cast–is also topnotch. It’s so much better than 13 Reasons Why, and its approach to alternate sexualities is much better–considering this is a Spanish show, and I’ve always considered Spain to be conservative and Catholic, again shows how wrong you can be when you make assumptions about values and beliefs. It’s even hard to encapsulate the ongoing storylines on the show because so much happens and it moves so fast. It’s less like Edge of Night in terms of crime/soap hybrids than it is a Spanish, prep school version of How to Get Away With Murder–which we never finished watching the final season of, because it’s plot is so complicated we lost track and literally had no idea what was going on anymore.

And on that note, time to get back to the spice mines. Have a lovely Monday, one and all.

The Survivors

So, let’s talk about 13 Reasons Why, shall we? Especially now that I’ve discovered the amazing treasure Netflix had waiting for me that is the Spanish show Elite. (There will be much, more more on its magnificence to come, rest assured.)

If you’ve not watched the show–its final season or any of its previous, or still might want to read the book–you should move away at this instant because there are spoilers a-plenty a-coming. You’ve been warned.

I got sucked into this show in its initial season, and even then, it was problematic to me on several levels. Don’t get me wrong, I enjoyed watching–even as I rolled my eyes from time to time and hated myself for not switching it off (Really? A box of cassette tapes the kids passed around between each other without anyone outside the group finding out? I also read the book after I watched the first season–and the cassettes were archaic and a jarring note in it, and it was old by the time the show aired). But the young actors were all appealing, it was pretty well written if a bit contrived at times (see box of cassette tapes–oh, and a thirty year old Walkman that still works. Please. I was lucky if one of mine lasted a year), and there were some surprises that caught me off guard, and its sentimentality was actually earned. The show began going off the rails in the second season, sort of redeemed itself (while still off the rails) in its third, and in its fourth–well, let’s just say it was time for the show, its cast, and its viewers to be put out of our collective misery.

Ani, the annoying and insufferable new character they inexplicably wove into the third season to humanize their monstrous rapist/serial assaulter, Bryce, for some unknowable reason, was left out of a lot of the fourth season, and wasn’t a major player at all; so what was the whole point of her character in the first place? Oh, yes, she served as a plot device; the incredibly smart stranger who came into this messy high school, got to know everyone, and somehow got all of them–keeping deep, dark, criminal secrets–to not only confide in her but allowed her to use her intelligence to help them cover up everything and frame a dead kid. To add insult to injury, they bring in yet another almost complete stranger in the fourth season to essentially to play the same role of plot device. This is Winston, the pretty, artistic, dreamy-looking gay boy from Hillcrest–the school Bryce transferred to after his rape trial. If you will recall, Winston hooked up with one of Bryce’s asshole football buddies at a Hillcrest party–this would be Monty, who came to the party looking for Bryce–and then, after the hook-up, beat the shit out of Winston in front of the entire party. Winston and Monty somehow after that became a thing–because yes, I agree; the closet is a terrible place but to self-loathingly beat the shit out of a kid you just hooked up with–and then the kid doesn’t hate and loathe his basher but sleeps with you again?

How is this different from the romance novels where a rape victim falls in love with her rapist?

And falls in love with him, to the point that he decides to give up his education at elite Hillcrest and transfer to Liberty-a much shittier school–to find out who actually did kill Bryce–the murder pinned on Monty, WHO WAS JAILED FOR SEXUALLY ASSAULTING ANOTHER MALE STUDENT WITH A BROOM–since he knows Monty’s innocent. Because he was with Monty when Bryce was murdered.

Sorry, I get that Monty’s situation was terrible. But apparently, in season 4, no one at Liberty has an issue with gay students anymore.

Charlie, Bryce’s nice football player friend, who eventually sees and understand what monsters Bryce and Monty are, is apparently bisexual–although we never saw this before, but apparently everyone knows. Alex, whose story arc of being so in love with Jessica that the thought of everything that happened to her in Season One drove him to try to take his own life? Also is now apparently bisexual–kissing first Zack (but Zack is so gay-friendly it doesn’t affect their friendship at all), then getting involved with Winston, and finally, Charlie woos him against his will and they become a couple–and not only that, they are elected Prom Royalty because nobody at Liberty is a nasty homophobe.

So why the fuck was Monty so deep in the closet and hate himself, and his own desires, so much that he would sexually assault one boy and then physically assault another? IT MAKES NO FUCKING SENSE. Yes, his dad is an abusive asshole and probably homophobic, but truly if no one at Liberty has a problem with it…even Diego, the new football star who came out of nowhere but was also supposedly so close to Monty that he’s willing to try to “date” Jessica to get her to tell him the truth, IS FINE WITH IT WHEN WINSTON EXPLAINS HOW HE KNOWS MONTY DID’T KILL BRYCE. He just shrugs it off as nothing.

And remember–the peeping tom photo of Hannah kissing another girl which was one of the reasons why in season one? If it was not a big deal to anyone, why was Hannah so humiliated? She was mocked; it was yet another major “Hannah is a slut” moment. I guess we’re all supposed to believe that after Hannah killed herself, all these kids at Liberty grew? The ones who never heard the tapes and didn’t know any of the truth about what was happening, or what had happened?

Contrived, contrived, contrived.

Even writing out these brief sketches of things that have happened over the years on this show makes me realize just how ridiculous any of this. But that was part of the problem. The show was this insane, improbable storyline that just kept getting more and more melodramatic and tragic, trying to outdo previous seasons, but with a slightly moralistic tone to it; always pulling back, become a “very special show” like when sitcoms in the 1980’s would try to tackle a current issue and teach a valuable lesson, that inevitably included some inane guest star in an insane attempt to boost ratings and win Emmy nominations. (They rarely, if ever, did.)

And Winston falling in love with his gay-basher wasn’t even the craziest, most contrived part of season four (nor was Alex’s out of nowhere bisexuality; and let me be clear here: I don’t have a problem with bisexuality. But bisexual representation deserves better than what they got here). That would be the sudden discovery that Justin–poor old hard luck, heroin addicted Justin, who had finally gotten his shit together, gotten adopted into a family that loves and accepts him (the Jensen), and even got accepted into Berkeley–has HIV/AIDS after he collapses at the prom, and is dead within a few days.

Yes, as a sex worker and drug addict he was at high risk. Yes, drug abuse can weaken the immune system and the disease can progress even faster as a result. He could have gotten infected from one of his sex-work clients, or from sharing a needle–although it seemed whenever he was using he did it by himself–but even so, in this day and age, a young white teenager with access to health care, even if he was undiagnosed and his HIV had progressed to an AIDS diagnosis, will most likely not die, nor would the hospital and the doctors just shrugged and given him up for dead so quickly. (And don’t think I didn’t notice the lesions that started showing up on his neck and hands and so forth several episodes before; living through the 1980s’s fucking trained me to notice that shit, so I kept thinking, as we went through the last few episodes they better not be giving him AIDS, they better not be giving him AIDS…and guess what? They not only gave him AIDS, but they let him die from it.

And that kind of pissed me off.

Rather than go with a good message for the mostly young audience of the show (get tested! It’s important! Use condoms!) they chose to use this storyline as a scare tactic instead, and further stigmatize HIV/AIDS and those who live with it. They didn’t even emphasize the need for testing to catch it early. Nope, just “you can’t get tested without giving consent” (it’s true still in most of the country),and nothing else.

It just felt…contrived. Let’s kill off one of the main cast as a tearjerker to close out the show and somehow let everyone heal! Bitch, please.

And of course, when Jessica–who may have been exposed–and Diego–whom she slept with and might have put at risk, get tested…they talk about how she and Justin “always used protection.” WHY is so fucking hard to say condoms? It is fucking 2020, call it what it is. CONDOMS. It sounds so forced, so unrealistic, so jarringly wrong to hear a teenager–anyone, really–say “we used protection” when they would say “We used condoms.”

And for the record, condoms aren’t 100% at blocking HIV infection, either.

We deserved better than what we got with this show, and yes, I should have stopped watching. But come on.

Watch Elite instead.

Miserabilism

Sunday morning. I slept really well again last night, but my stomach is still quirky this morning; I am not enjoying this in the least and it really needs to stop sometime soon, thank you very much. I do appreciate the deep sleep I’ve been getting these last few nights, but there’s still fatigue in my muscles and joints and it might be dehydration still; I am going to have to drink more fluids today than I have been before and see if that improves things at all. I still haven’t gotten my test results back yet–then again, my phone expired last night and I forgot to charge it, so there may be a missed call or something there. I’ll check when I finish writing this, I suppose.

I also started writing up my detailed critique of 13 Reasons Why last night and it’s failures; which were made all the more evident when Paul and I moved on to yet another show from Netflix Spain called Elite, which is precisely what 13 Reasons Why could have been. Elite is more soapy, but they actually lean into it unashamedly, and it’s a hell of a lot more entertaining and better written. The cast is also spectacularly good in their roles, and we are unashamedly addicted to it–and there are three glorious seasons to indulge in thus far. That should get us through until next weekend, right? And I am looking forward to it! We truly enjoyed Toy Boy, and even White Lines, uneven as it was. Shows from Spanish Netflix are truly amazing; and I’m also really glad I got over my aversion to subtitles, which opens up a whole new world of film and television for us.

I took it easy yesterday, reading my emails and reorganizing the books while i could and straightening up a bit around the Lost Apartment. I also took a folder of partial stories to my easy chair and started reading through them. A lot of them of course are story fragments, just the opening paragraphs, and while they were sketchy and not particularly in depth; I could see the potential in them. I am very pleased with how “Closing Time” starts and rereading those paragraphs tipped me off on how to continue with the story; the same goes with “One Night at Brandi’s Lounge” and “Please Die Soon.” Today I am going to–once I finish some things here on-line that I need to get done today–close my Internet browser and focus on writing; the things I had planned to get done this weekend I haven’t, and that’s in part due to this disorientation feeling that comes from not being at 100% physically, which I rather dislike.

Then again, I don’t know anyone who enjoys being sick, other than those with Munchhausen’s Syndrome.

I also was thinking about the Kansas book yesterday and making notes; both shows were making me think more about it, and I do think it’s a great idea and has the potential to be a terrific book, if I can ever get back to work on it. But I’m never going to get back to either it or Bury Me in Shadows until I get this other stuff finished…so I really need to try to focus today and get to work on it.

I also was reading Barbara Tuchman’s The Proud Tower yesterday when I didn’t have the energy to do anything else–the energy drains is the worst part of this whole thing, quite frankly–and I really do love Tuchman. I’ve never read The Guns of August, which I really should, and would love to eventually would like to work my way through her entire catalogue. Oh, how I wish I’d majored in History and Creative Writing in college! I generally don’t waste my time with regrets about anything, and as I am extremely happy with my life right now any change to my past would have altered my life completely and I wouldn’t be where I am today. But oh, to have learned how to comb through research and find the proper materials to write about history intelligently and responsibly! I think I could have written history the way Tuchman did–compellingly, by being entertaining as well as educating at the same time. As I have mentioned many times before, I’d love to do the sixteenth century much the same as Tuchman did the fourteenth in A Different Mirror; but focusing on the rise of women to power. I do think that century had more women in power than any other century before or since (perhaps the eighteenth might compare); Isabella f Castile; England had three regnant queens (Jane Grey, Mary I, Elizabeth I); Scotland had Mary Queen of Scots and her mother, the regent Marie de Guise; France of course had Catherine de Medici pulling the strings of power; and there were any number of Habsburg women who ruled as regents in the vast array of their Imperial lands. Women in that century also were responsible for shifts of power–Juana of Castile brought the Spanish empire into the Habsburg realms; the struggle between Katherine of Aragon and Anne Boleyn changed England forever; Margaret Tudor brought the Scots royal family eventually to power in England through her descendants; and there were powerful women lurking everywhere, from Jeanne d’Albret to Margaret of Austria to Marie of Hungary to Marguerite de Valois–and of course, the great mistress of Henri II–Diane de Poitiers. These women influenced the shape of the history that came after them, and changed the world.

All right, on that note I am going to close this and head back into the spice mines for the day. Wish me luck with my work and my stomach, Constant Reader! Have a lovely Sunday.

King of Rome

It’s Saturday, and I am feeling better. Yesterday was much better than Thursday; I drank a lot of fluids and didn’t seem to have any stomach issues; the headache came and went, and I coughed what probably was a normal every day amount of coughs–something in my throat that needed clearing–and while I did still have some fatigue and chest tightness, I was able to do some things as long as I took a break after. I did the dishes, and watched The 39 Steps. I did some laundry, and spent some time on Youtube. I moved necessary information from my old journal (now full) into my new one. We also watched Knives Out last night before retiring to bed, which we also enjoyed.

I did try to read, but it was tiring–awful, really, when you are required to stream for entertainment because it’s less taxing mentally–so I wasn’t able to do much of that. So, I put my fiction novel aside–Night Has a Thousand Eyes by Cornell Woolrich, and took down The Proud Tower by Barbara Tuchman, which is quite good; it’s her study of Europe in the generation/decades leading up to World War I. I had started it years ago and never finished–I don’t remember why, quite frankly–but was able to pick up again and read it here and there while I could focus. The lovely thing about non-fiction, and history in particular, is that you don’t have to worry too much about what came before where you’re reading if you pick it up again years later…history is history.

I also downloaded a copy of Uncle Tom’s Cabin, which I have never read, and thought perhaps that I should; how does the book that many historians consider partly responsible for the outbreak of the Civil War because it so enflamed abolitionist sentiments in its readers (never, ever doubt the power of fiction to help bring needed change) hold up today? I’ve read some interesting pieces on Gone with the Wind–book and movie, both for and against lately–and that put me in mind of Uncle Tom’s Cabin. I had reread a novel about the Civil Rights movement a few years ago that I read when quite young (The Klansman, by William Bradford Huie, a native Alabaman who taught at the University in Tuscaloosa; and the title was definitely a play on The Clansman, the novel Birth of a Nation was based on) and thought it even more powerful now than I did when I was a child; I saw the justifications of the horrific racist white people for what they were and it was plain to me, even as a child, that they weren’t the heroes of the story, even though they were the central characters of the book. So, I went to Project Gutenberg and downloaded a PDF of the book, and as I started reading the first few paragraphs…well, let’s just say the writing style is very dated and leave it at that. There’s also the use of the N word right there on Page One–which of course was common usage in the 1850’s and pretty much up until the 1950’s or 1960’s…and I started thinking that maybe someone should–since the book is now in the public domain–rewrite it and update for modern times? Or perhaps someone could do something like Alice Randall/The Wind Done Gone with it? Or perhaps it should best be left alone? The debate over these old books, primarily focused on Gone with the Wind lately, (and really, it’s mostly about the movie, not the book) and what should be done with and about them, is one I cannot make up my mind about. There’s probably a blog entry on that coming as well.

So far so good this morning. I don’t know if the fatigue is gone, but I slept for a very long time and very deeply. I still have a headache and my stomach is still bothering me this morning, so I am going to try keep putting in fluids since the dehydration issue seems to still be going on as well. There really are fewer things I loathe more than not feeling well, quite frankly. The weird issue with my stomach is that it literally feels tight and sore, like I did some kind of way too intense, way too long abdominal workout, and everything feels kind of bloated and gross? I’m not making that as clear as I should–use your words, writer boy!–but I’m not really sure what’s going on with it. I keep hoping it’s not anything serious, but…it’s still quite strange. The headache is coming and going; I’ll feel it for about fifteen minutes, and then it goes away before coming back. It’s not excruciating, more of a throb than anything else, and then it’s gone. Not enough to even take Tylenol over, frankly, but maybe I should; it might control it and keep it from coming back.

I’m hoping to have both the energy and the focus to write today; failing that, to at least read for a bit. When I finish this I have some emails to address–when do I not have an absurd amount of emails to answer–and hopefully can get most of that resolved before moving on to a highly productive day. One can dream, can’t one?

I have to say, I was really impressed with The 39 Steps. Yes, it was filmed in 1935 and yes, it’s rather dated now; but you can see how masterful Hitchcock was as a director. There’s not as much suspense in it–primarily due to the datedness of the movie–but it’s interesting, and I’ve always wanted to read the novel. I also found it interesting that Madeleine Carroll, who played the lead, was also the kind of icy beautiful blonde heroine Hitchcock gravitated towards for most of his career. But the concepts of the film–a man (played by Robert Donat) who unknowingly stumbles onto an espionage ring, and a female agent is murdered in his apartment, he is blamed and no one will believe the story he is telling; which she told him when he basically rescued her, and so he has to unmask the conspiracy in order to clear himself of the murder, is also Hitchcock’s favorite kind of story: what I call the “right man in the wrong place at the wrong time” kind of thing. Bourbon Street Blues was originally conceived that way, and let’s face it, almost all of the Scotty books really boil down to that simple concept–Scotty keeps accidentally stumbling into trouble. I do recommend it; other than being incredibly dated it’s quite fun to watch.

And if you haven’t seen Knives Out, you absolutely must. The crime is so amazingly Agatha Christie-like and complex that it’s like she wrote it herself, and the cast is magnificent–like those wonderful all-star film adaptations of Christie they started making in the 1970’s, like Murder on the Orient Express and Death on the Nile (which I want to rewatch but can’t find it streaming anywhere). The cast is absolutely perfect–every last one of them–and I do hope this signals the return of these kinds of films.

And now, I am going to go to my easy chair and wrestle with Woolrich for a bit before answering emails and writing.

Love is a Catastrophe

Friday morning and I am home from work.

I got sent home yesterday; I started feeling bad on Tuesday afternoon, took a vacation day on Wednesday and got up yesterday morning to go to work. I felt terrible; dehydrated, exhausted, and some stomach issues I’d really rather not explain. I didn’t see how I was going to make it through the entire day, but of course, once I got to work they recognized that some of what I was experiencing could be COVID-19; so I was sent to get tested and then sent home to wait for the results to come back. This morning I am not as exhausted; I slept really well last night, but going up and down the stairs makes my leg muscles ache, and my joints are all achy, so today I am going to continue to try to take in as many fluids as I can–still dehydrated this morning–and rest.

Since I was so tired I decided to just sit in my easy chair yesterday and watch movies–the streaming services to the rescue! I watched the film version of Mary Stewart’s The Moon-spinners on Disney; they adapted it as a starring vehicle for a teenaged Hayley Mills, and thus had to make changes to the plot and story that didn’t really work as well as the original plot, plus having her be a teenager took away one of the main strengths of every Stewart story; the agency of the heroine. She was still pretty capable, but it came across as a watered down version of the kick-ass heroine I remembered from the book. But Crete looked absolutely beautiful.

I then moved on to a rewatch of Cabaret, which holds up really well. It’s a really chilling film, and visually it’s stunning; but the more times I watch the film the more I appreciate Michael York and Joel Grey, and the less impressed I am with Liza. Don’t get me wrong–she’s fantastic, and the musical numbers showcase what a powerful performer she is, but I don’t think she really brings as much depth and sadness to the character as is warranted; but she certainly has star power. I think that Sally is actually a rather sad character, and while Minnelli beautifully captures the vulnerability, the sadness isn’t really there…and I found myself not wondering, at the movie’s end, what happened to her from there on; which isn’t usually a good sign. But she probably didn’t wind up happily married with a brood of children, did she, and who wants to think about that?

From there I moved on to a rewatch of How the West Was Won, one of those sprawling epic pictures from the time when that was what the Hollywood studios churned out to compete with television. Even small parts have stars in it, and I remember watching this movie when I was a kid and being impressed by its sprawl and sweep. I decided to watch it again, partly because of the recent discussion about Gone with the Wind and its problematic depictions of the slave owning South, the Civil War, and its aftermath; so I wanted to rewatch this picture through a modern lens and as an adult. I remembered in the second half of the film there was a scene where a US Army officer, who negotiated with the natives (Indians, of course, in the film) being angry because the railroads kept breaking their promises–which was pretty progressive for the early 1960’s, and to see how that could be viewed through the modern lens. The movie doesn’t really hold up, plot-wise; it’s very cheesy and corny, but there are some good performances–particularly Debbie Reynolds–and Spencer Tracy’s narration is quite excellent. The scene I remembered was there, and plays very well through a modern lens; George Peppard in all his youthful beauty plays the officer. Just the title itself is problematic though; but this, you must remember, was how the white settlement of the western part of the continent was viewed: the west was won by white people. I suppose How the West Was Conquered doesn’t have the same ring, but “won” is essentially the same thing. Anyway, the story hinges on the Prescott family–Karl Malden, Agnes Moorhead, Carroll Baker, and Debbie Reynolds–setting out for the west and encountering the problems of the frontier as they go; mostly white people who prey on those moving west. The parents are drowned when their boat encounters rapids; Carroll Baker has fallen for James Stewart, playing a mountain trapper, and they decide to settle on the land where the parents are buried while Debbie Reynolds keeps going west, winding up in St. Louis, where she becomes an entertainer and eventually winds up in San Francisco. As an older, bankrupt widow she moves to a ranch she owns in Arizona, and invites her nephew (the George Peppard character) and his family to join her there…and so on. I think it was nominated for a lot of Oscars, primarily for its high production values and it was a big hit at the time…but yes, definitely doesn’t hold up.

Paul came home shortly thereafter, and we watched the finale of 13 Reasons Why, and the less said about that the better. The cast is appealing and talented, but the finale was so manipulative emotionally–it does work, by the way, because of the cast; I was teary–as was the entire season that it’s hard not to be angry. Plus there was some serious misinformation included…maybe I will post about it, but it needs its own entry.

And now I am going to go lie back down again because I am not feeling so hot again.

Happy Friday, everyone!

Jealousy

Jealousy is an interesting emotion, or feeling, or whatever the hell it actually is; certainly one of the deadly sins. I’ve been accused of being jealous of other people plenty of times in my life, which is kind of funny. Maybe when I was a kid I experienced jealousy of other people and their accomplishments, but not so much the older I got. I’ve never been jealous of other writers; I’ve never envied them their successes or big contracts or movie rights sales. I may want those things, but I certainly am not jealous of those who have them or are getting them or will get them in the future. I’m usually happy to see writers succeed, or win awards, or get nominated for awards, or get selected to best of lists, and so forth.

It’s not for me to decide who deserves what, nor is it for me to question anyone’s success. It’s counterproductive, and I’d rather not spend my time seething because someone else got a bigger piece of cake than I did. I just write what I write and hope people think it’s interesting or intriguing enough to read, and that those who do, enjoy themselves.

SIDEBAR: I do, however, reserve the right to say what the actual living fuck when I see things like I saw yesterday on Twitter; tweets and links to articles about how straight white male debut authors got ridiculous amounts of money upfront, after which the book proceeded to tank, and the writer disappeared into some sort of oblivion afterward. I have seen that happen quite a bit during my years in this business, and it’s almost always, inevitably, some straight white dude with a few short story sales to prestigious literary magazines and the right educational pedigree, inevitably writing something not particularly new. I’m not jealous; I just don’t understand the mentality behind those business decisions. I also feel sorry for the writer; I cannot imagine how horrible it would feel to have all these expectations placed on you (soothed, undoubtedly, by that insane amount of filthy lucre) only to have your career come to a screeching halt suddenly. Oh, I’m sure they’ll publish another book sometime for a more modest advance, or write reviews for important newspapers and magazines, the occasional short story; but for me, it would have been hellish to write one book and then never publish another.

So, sometimes there are times when I think oh you should push to get an agent much harder–keep trying or I would really like to land a nice two-book deal with one of the Big 5–and then I think, I don’t like like stress and pressure; writing and publishing the books I do, on the smaller end of the publishing scale causes me enough stress and the pressure is horrific and I cannot imagine being able to handle it on a much grander scale.

I mean, I’m already crazy; do I need to add things to make me crazier?

I purchased these two lovely little portable desktop air conditioners of a sort; they’re from Arctic Air and you put water in them and turn them on and they somehow blow very cold air on you. They are small, of course; one is currently sitting on my desk and keeping me very cool (my office/kitchen is probably the most miserably hot place in the Lost Apartment; the upstairs bathroom running a close second), and I have the other on the counter next to the stove, and the two are creating a lovely cool area at my desk, with the ceiling fan turning overhead that is actually rather delightful; I haven’t really felt comfortable at my desk in quite some time–and that hasn’t helped me with either focus or dedication to stay with the writing. Hopefully this will help me, going forward.

Now I want to get one of the floor units.

We continue to watch 13 Reasons Why, but I am not quite sure why. This season is all over the map, story-wise; and show anchor Clay, who has to basically carry the show, has become very uninteresting to watch. I can’t decide if it’s because the young actor (Dylan Minnette, whom I’ve enjoyed the previous three seasons) is so very good at playing the out of control teenager whose mind and life has spun so wildly off course, and whose mental stability is crumbling. The others young actors are performing quite well, despite the awkwardness and forced story sometimes; I think that’s why we continue to watch–the cast is quite good, and we do end up caring about them and their massively fucked-up lives. If you would call the show a soap, I’d say it’s more in the Edge of Night vein, because it’s about crime and trauma.

It also makes me think of the two manuscripts I have sitting in limbo, waiting for me to finish the Secret Project so I can get back to them.

Sometimes it’s hard to remember that this is June; that less than six months ago on a snowy night I had a lovely dinner at a restaurant much too nice for the likes of me (and there was lots of wine) with a lot of mystery writers and much fun was had. I didn’t know that was the last time I would participate in such a gathering for I don’t know how long. I assumed there would be the Williams Festival and the Edgars and Malice Domestic as there always was in the months to come after January. I remember walking across the street with Meg Gardiner as the snow fell, and everyone being amazed that I wasn’t freaking out about the snow; it’s really not the snow, as I sometimes forget to point out, that I mind so much as the weather conditions–the cold and damp–that create it that I actually mind. And that night wasn’t cold but it was damp; and the flakes were big and fat and wet and beautiful and hadn’t turned yet into slush on the sidewalks and the gutters. The city lights were lit, some Christmas decorations were still up, and there were cars and taxis crowding in the streets and lots of people in their winter clothes going about their business on a snowy January Saturday night in Manhattan. I miss those nights, and the company I sometimes am lucky enough to get to keep; connecting and spending time with other writers, in the company of other writers, always inspires me when I listen to them talk. I’m never bored around other writers, and sometimes, when I get the nerve up to actually talk and interact, they don’t look at me like I’ve a third eye or I am quite literally the stupidest person they’ve ever met. I miss that. I miss the company of other writers, because other writers remind me how much I love doing this, remind me that it’s central to who I am, and that I am never happy if I’m not writing.

Sometimes you need to be reminded of the things you love, and how much you love them.

It’s not a bad thing.

And now, back to the spice mines.

The Man Who Has Everything

Tuesday morning and it looks like the rain has finally passed us; we actually got more rain all day yesterday than we did from Cristobal on Sunday. I know other places got slammed much harder than we did, but at least it was relatively minor and damage from the storm wasn’t nearly as bad as it was from previous storms.

The Anthony Award nominations were released yesterday, and sure, I was a little disappointed for a brief moment that I wasn’t among their number; but the nominations are chock full of diversity; lots of women, lots of people of color, and a wide variety of nominations. This is one year that is going to be incredibly difficult for me to pick winners because there are so many good books and stories nominated that I’ve actually read and loved. I’m still surprised that I’ve actually won an Anthony and been nominated another time, to be completely honest.

Awards are lovely, and everyone wants to win one–even if they don’t want to admit it; I do admit it. I like being nominated and I like winning even more. I tend to lose more than I win, which is actually kind of nice–I always figure I’m going to lose again, so it’s always a pleasant surprise on those rare occasions when I actually do win.

We’re still watching 13 Reasons Why, but I’m not really sure why. As we get deeper into the season it’s getting more and more off the rails–what the fuck with that camping trip episode, seriously–and while the story kind of makes sense, so much of it doesn’t. If they had simply chosen to explore the mental trauma the kids experience from everything they’ve been through–including violent sexual assaults and murder, which would definitely create mental issues, breakdowns, and behavioral problems–I think I would be enjoying this more; the concept of another kid who knows the truth trying to get them all to confess by playing torturous games with them is basically ripping off Pretty Little Liars and really speaks to a lack of creativity and originality; I could be wrong, and we’re vested enough in the show to keep watching, since we know it’s the final season.

I’m kind of looking forward to the new Perry Mason, too.

Oh, I’m so tired, too, this morning. I’ve not really had a good restful night’s sleep in a while now, and exhaustion is wearing me down. My kitchen is a mess yet again, and I still haven’t done the floors; but I just don’t have the energy to get any of this stuff taken care of–let alone the writing I need to get done.

Heavy sigh.

And now back to the spice mines.