Cico Buff

Saturday morning in the Lost Apartment and it’s a somber bit of a morning here. I’m still sad and a little in shock that Scooter declined so quickly, but in retrospect I am glad it was fast and he didn’t suffer for long. Skittle’s slow decline into death lasted months, which was terrible and heart-wrenching and soul-shattering. I decided that I am going to take the weekend off–no social media, no emails, no nothing. I am going to, of course, write blog posts–I will always try to write blog posts–but I am going to clean and organize and read and think and watch movies and television shows and so forth. This hasn’t exactly been my favorite year so far–how can a year in which you lose your mom and cat in less than half a year be a favorite of any kind–but it’s not been an entirely bad year, either. My life has always gifted me lovely wonderful things while at the same time gut-punching me with something awful; the other night when I realized i was caught up and/or ahead of most everything, I also thought which means something bad is going to happen–which is terrible, but I am always waiting for the other shoe to drop, especially when good things happen to me.

I got some more Alfred Hitchcock Presents anthologies in the mail yesterday (Stories That Scared Even Me, Stories for Late at Night, and Stories Not for the Nervous), and I think it’s time to dial back on buying them, at least until I start getting most of them read. But to take my mind off my sadness I think I need to read a novel, so after I get the kitchen cleaned and organized a little better, I think I’ll probably curl up with Beware the Woman by Megan Abbott at long last, and spend the weekend with her. I think spending a nice, relaxing weekend is just what the doctor ordered, and you know, it’s long past time I did a really thorough clean of this place, and it shows. The condition of the apartment has deteriorated (primarily due to my laziness coupled with a general exhaustion I’ve felt the last few years) to the point that I hope there’s no afterlife; because if my mom can look down from heaven and see how slovenly I’ve kept house for so long…yeah, she’d be haunting me for sure. Several years ago I did finally realize that I am super-hard on my housekeeping skills because Mom was über clean; her house was always spotless and everything was where it went. Messes never lasted for more than five minutes in my mother’s house. She’d finish cooking and there wouldn’t be any mess left behind; something I’ve only managed a few times throughout my life…and yet it always felt marvelous when I was able to pull that off.

I also just realized/remembered that our anniversary is this coming week; the 20th, to be exact, will mark twenty-eight years of the Greg-Paul relationship. Twenty-eight years. I never dreamed that I’d ever find someone compatible to me, let alone have a relationship that would last almost three decades (if we can survive another two, we’ll make it to thirty), but I suppose I can do an “ode to Paul” on our anniversary, so I’ll table this talk for now. I do need to get him a gift; and I know exactly what to get him; I just have to remember to order it today so it may arrive in time…if it doesn’t, no big deal. We’ve both become rather lackadaisical about anniversaries, birthdays, and holidays at this point. They just are, and being together and still happy is the real gift.

Yesterday after I got home from the Cat Practice, I watched a true crime documentary that was interesting from a domestic suspense perspective; it was one of those “I didn’t know I was married to a predator” stories that I’ve always kind of wanted to do from a gay male perspective; lots of things to unpack, discuss, and talk about there. After the documentary, I put on the final game of the College World Series so I could watch LSU win it all yet again–mostly for background noise, really, while I waited for Paul to get home. After that, I was scrolling through Prime looking for something light and funny to take me out of myself, and wound up watching The Beverly Hillbillies, which is silly and fun and funny–still funny–but was so hated by critics and reviewers, despite resonating with viewers and being a Top Ten hit show its entire run. I never understood it myself, and remembered watching when I was a kid. My memories of the show airing weren’t strong, and so it was easy for me to go along with the mentality that it was low humor and tacky and clichéd and bad. I started watching reruns at some point as an adult, and was startled to see how misunderstood the show was; I may have to write about it sometime because it struck me as a particularly biting social satire on American culture and society. And it’s still funny; and the Clampetts are never the butt of the joke; the joke is always on the “city folk.” (Even while grieving, I still think about writing.)

I also listened to The Drowning Tree while doing my data entry; it’s really quite marvelous. But then Paul called with the news from the Cat Practice and that was that for the day. I’ll have to use some paid-time-off to make up for the afternoon hours I lost to handling the Scooter situation.

And on that note, I think I am going to go ahead and head into the relaxation zone rather than the usual spice-mines. Have a lovely Saturday, Constant Reader, and if you have a pet, give them a big hug for me.

Boot Scoot Boogie

Scooter was such a good boy.

He rescued us from our grief when we lost Skittle back in October of 2010. We’d never wanted a cat. I’d never had one, and neither had Paul–we both had dogs growing up–and his mom continued to have dogs. My dog was my only pet, and my parents never had another. (They grew up on farms, and felt no sentiment whatsoever for animals. Mom would always roll her eyes when I mentioned Scooter because she could not wrap her mind around someone voluntarily allowing a cat in the house, let alone loving one.) We got Skittle originally because we had a mouse in the carriage house–and everyone’s response, from our landlady to neighbors and friends, was simply, “You need a cat.” It was the day after Christmas in 2002 when we went to the SPCA in the Bywater and brought six-month old Skittle home. When we lost him (cancer), we were both bereft. Paul took to bed for over twenty-four hours while I walked around the Lost Apartment in a sad daze, wondering how such a small thing could take up so much space in the house and in my heart that both seemed empty and cavernous without him in them anymore. Thursday afternoon after we lost him I went and picked up his ashes from the Cat Practice, and while I was waiting, there was an adoptable cat in of the two cages behind the front desk. The sign said he was two years old and named Texas. He stuck his paw through the bars to me, and I wanted to take him home right then as I scratched between his ears and he purred. I would have, were I not worried about how Paul would feel about a new cat; figuring I could broach the subject at an appropriate time. That very night Paul fell asleep on the couch, and dreamed he saw a mouse sitting on the recycling can just inside the kitchen door (to this day he swears it wasn’t a dream; I was awake and saw nothing, for the record, but I don’t argue the point with him because the end result, regardless, was he decided we needed a new cat and I wasn’t going to say no), and as he said “we need a cat” I said, “There’s a really sweet one at the Cat Practice named Texas. Why don’t you stop by there on your way to work tomorrow and see him? If you like him, we can make arrangements to adopt him and I can pick him up on my way home from work.”

Well, that just wouldn’t do once Paul met him. He called me and told me that he’d signed the papers, and I could pick him up at his office at four so we could get him, and that’s what we did. Scooter came home with us that night for a week trial. It took an hour for us to decide we couldn’t bear to part with him. I do remember thinking, as he purred and head-butted me and made biscuits in my lap, but his fur is so wiry! Skittle was so soft!

By Sunday, Scooter’s hair was also soft and silky because he knew he was at home and no more cages for him.

He was, without question, the sweetest cat in the world. All Scooter ever wanted was to cuddle. And was very insistent on his rights to my lap whenever he wanted it. He would come and howl at me while I sat at my desk working, and if I ignored him, he’d eventually come over and start tapping me with one of his paws, that look on his face, and I’d give in, every single time. He would sleep in my lap in my easy chair until Paul stretched out on the couch–at which point he would completely desert me without a second glance and would head over there, where he’d stay for the rest of the night unless Paul got up. We always used Scooter as an excuse for service–I’d ask Paul to get me something from the kitchen so I wouldn’t disturb Scooter; he would do the same. Scooter would sleep with me when I went to bed, and then, once Paul got into bed, climbed over him and went to sleep on his other side. He loved people, being just a tiny bit shy around someone new for about thirty seconds before realizing oh this person might pet me or let me sit in their lap and he’d start trying to charm the person. We spoiled him mercilessly, but he never really cared much about toys or catnip. He just wanted a lap.

He also always seemed to instinctively know, somehow, when something was wrong with me or I was upset. Whenever I’d get a text from my father or sister updating me about Mom, within minutes he’d appear out of nowhere and climb up into my lap and purr and head butt me and let me know he was there for me. He could do this for Paul, too; so much so that I wondered if cats were empaths (and yes, I want to write a book about cats; a sort of magical realism thing called Daughters of Bast). He also usually would come running down the stairs when I got home; he’d hear the key in the lock and come running. He would always stop on about the third step and howl at me, like he was saying there you are at last! Where have you been? I’ve been alone for a couple of hours! Such bad daddies I have!

Of course, he may not have known. He just wanted a lap to sleep in and cuddle, and so whenever I was upset or something bad was going on in my life or I just was overwhelmed, that regular, consistent demand for a lap was comforting, and I only really paid attention when I was upset, because it always made me feel somewhat better. I could take comfort in my cat’s adoration of me.

I will also be forever grateful to the art department at Crooked Lane for wanting to put Scooter on the cover of a A Streetcar Named Murder; I also gave Scotty and the boys a ginger cat named Scooter. Scooter will live on in the pages of my books forever; so I guess I also managed to grant him immortality of sorts…even though most readers won’t know that Scooter was our ginger baby.

We named him Scooter because it sounded like Skittle, without being the exact same. We did worry, like the overdramatic queens we are, if getting a new cat was betraying the love of our lost one. Silly and ridiculous on its face, of course, but grief doesn’t always make sense to those left behind; we think and do erratic things when we’re struggling with loss. I do think, at least for me, part of the pain and the grief I feel is because Scooter counted on us to take care of him, and losing him means we failed him in some way. I know it’s not rational to think that way, but I can’t help it and no matter how much I remember how badly we spoiled him and how he basically was the Boss around here, it doesn’t make that guilty feeling go away.

Paul and I both also have a habit of nicknaming people and animals we care about; so Scooter became Scoot, Scoot the Boot, Boot, Bootercat, das Boot, and so on.

The house feels so empty.

I’m going to stay off-line for the most part this weekend; Paul and I have both decided that we’re not going to answer emails or deal with anything this weekend other than spoiling ourselves. Next week we’ll start looking for our next cat–probably Skipper–and maybe by next weekend the cat-sized hole in our lives will be filled. The only blessing in Scooter’s loss is we’ll now be able to rescue another cat who needs a forever home, and spoil him mercilessly.

Losing them rips your heart out, but I also can’t imagine not having, and loving, one.

Theft, and Wandering Around Lost

Work at home Friday!

Not that I mind going to the office, of course, but I love working at home on Fridays because I don’t have to get up early. Although that hasn’t been much of a problem this week, in all honesty; I’ve not had to force myself out of bed one morning this week, not have I dragged and been tired all morning. I’ve slept well every night this week (probably just jinxed it) which has made a significant difference. I think perhaps my theory yesterday–the release of stress and the absence of anything causing me anxiety because I finally caught up–has probably had a lot to do with why I was able to sleep so deeply and well this week. Now, hopefully this weekend I can start making progress on a deep clean of the apartment, prune out some more books, and perhaps get some other things started. I’ve kept up for those most with the daily shit I always let pile up–laundry, dishes, filing–so I won’t have to spend much time this weekend getting that shit caught up, which is kind of nice; I am not behind going into the weekend.

I really need to do something about the cabinets, to be honest, and perhaps it IS time to reorganize the counters. And maybe we can order our new refrigerator this weekend. One can but dream, I suppose. I slept late this morning, which felt great, but we’re both a little concerned about Scooter. He’s not himself these last few days, and so we are thinking about taking him into the vet to get him checked out. He also hasn’t been howly-bitchy lately, either. He gave me a rather weak attempt at a fill my bowl you cretin this morning, but it was more sad than demanding. He is about fourteen, which I’ve been thinking about lately (sorry, death of loved ones is much on my mind this year, sue me) but I was dreading having to have the conversation about “we may be losing him” this soon. Last night when I got home from work he slept in my lap briefly but then gave up and went to lay on the floor in front of the dryer in the laundry room–he always likes it in there were one of the appliances (whether dishwasher, dryer, or washer) are in operation, I think the vibrations on the floor appeal to him and soothe in some mysterious cat-fashion–but I was doing chores and not paying attention to anything, then realized oh you should play Spotify through the computer and that was when I noticed that I had my iMessages app open on the computer and Paul had texted me around three to call him. I finally did when I saw the text around eight last night, and that was when he told me his concerns about Scooter, which while it saddened me that it wasn’t just my imagination, I was also glad that I didn’t have to be the one to bring it to his attention and talk him through it. He does seem better this morning, but I think we still need to take him to the vet to be checked out. Who knows? It may not be something fatal, but something that medications can clear up. It’s just that he’s so old; we’ve had him for almost thirteen years and they said he was two when we adopted him, which would make him fifteen. He’s such a sweet thing. And no matter how many times I tell myself well if we lose him we can rescue another cat from a grim existence inside a cage , and give him a great life, but that doesn’t help all that much, really.

The trade-off for the great joy a pet can bring you is the sorrow of losing them. On the other hand, I also wouldn’t want to outlive a pet, either; stories about pets whose owners/parents died on them always break my heart. I still mourn Skittle and my childhood dog, Sandy–and Sandy crossed the Rainbow Bridge when I was nineteen, so over forty years ago.

I’m going to try to keep my sadness at bay–Mom always said worrying was just borrowing trouble–and focus so I can be productive today and not get behind on things the way I was before. And work makes for a marvelous way of escaping sorrow, when it isn’t paralyzing.

I did get started last night on the pile of dishes and some laundry last night, which I need to finish this morning, I have work at home duties to do and a couple (how lovely that sounds!) of emails to answer. I want to finish writing some more drafted blog entries that have been there in my drafts forever–or delete them, accepting the fact that I will either never write the entry or it needs to be a longer form personal essay or its no longer topical. Clean the drafts out, Gregalicious! I was also a little pleased with myself for finishing two other draft entries yesterday–one about writing Games Frat Boys Play and one about my story “Solace in a Dying Hour”–the anthology This Fresh Hell, in which it appears, dropped yesterday and you can click on the title link there to order a copy–isn’t it lovely how I try to make things easier for you, Constant Reader?–so I am making progress on that front. At one point I was trying to write entries about each and every one of my books; I got away from that when life got out of my control yet again, and it’s not a bad idea to go back to this stuff. I think I had also stopped with both Need and Timothy on deck; I am going to try to get back on track with that. Hell, the older entries about Scotty and Chanse books might even be on Livejournal, of all places. (Ye olde blog is still up and findable over there; I used to take the entries private after a few months because the blog had been plagiarized a few times; but I think the last year or so are still up.) I’ll have to check to see. But I’ve been keeping Queer and Loathing in America since December of 2004; next year I’ll reach my twentieth anniversary of blogging. (!!!)

I also worked on organizing and cleaning up electronic files, which is much more time-consuming than one might think–as much as I love being organized, that sadly doesn’t carry over to my computer files, the cloud or the back-up hard drive. Ever since I discovered I can do file-searches for when I need one, I allowed it to get completely out of control, which was an enormous mistake that I regret to this day. There’s a lot of treasure in my files somewhere–ideas, thoughts, inspirational images as well as images from history that may be of use at some point with some book or story. The problem is I keep finding more things every day that I think well this will come in handy when I write X and so it goes into the files. I hoard books, paper, and electronic files, apparently.

I also realized yesterday that the new short story collection–which now sits at over seventy-seven thousand words–was missing a published short story, which, when added to the document, will take it over eighty thousand, which to me is the bare minimum for such a collection; so I could actually go ahead and add it in and send the collection off to my publisher to see if they want it or not. I’d want it to be at least ninety thousand, though, so I’d need at least two more completed stories for it out of the files. Something to ponder.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again probably later.

Games People Play

My second fraternity novel went through two name changes before we found one the publisher liked enough to use–and it was their idea.

It was originally called beautiful, which is what I called it while writing the first draft. Kensington did not like that title, and wanted something that would tie it more to the first fraternity erotica novel I wrote for them. I tweaked the title of the first one and came up with What Every Frat Boy Wants, which isn’t really a bad title at all. But at some point Marketing came up with Games Frat Boys Play–which was not only a better title over all but also fit the story better–I didn’t fight the name change at all. (It rather bothers me that I’ve never been able to come up with a good title for a single one of the Todd Gregory novels, to be honest. I take pride in being good at titles…)

When I was very very young I saw a made for TV movie that I absolutely loved. It was a twisted and funny revenge tale called The Girl Most Likely To, and it was Stockard Channing’s first big break in film or television. She played an unattractive, overweight young woman who was also socially awkward and had no friends; she was lonely and made fun of and picked on her entire life. She spent all of her time studying and as such became extremely smart. But when she went off to college she thought she had friends and she thought she could be happy–only to wind up betrayed and humiliated by everyone publicly. She flees in tears and is in a horrible car wreck, which leaves her in a coma. When she comes out of the coma, it’s been months; they reconstructed her face and not knowing what she looked like, followed her bone structure and made her beautiful; and the liquid diet while in the coma had shed weight off her and now she’s gorgeous…

..and she decides to get even with everyone who fucked her over and humiliated her. Joan Rivers wrote the script, so it was twisted and dark yet funny at the same time; and Channing was amazing–I’ve been a fan ever since. I love me a good revenge story, so when Kensington wanted another fratboy book I decided to go for a revenge story–I love a good revenge story, like I said (the television series Revenge is one of my all time favorites) and I decided to do a The Gay Most Likely To, only making my main character remarkably sweet and innocent and charming; his father is a software millionaire and he spent most of his life at a boarding school in Switzerland where everyone was a snob and was shitty to him for not having a title or being old aristocratic money, and he’s decided he wants to have a normal life at a normal college before going off to Harvard–he’s also incredibly smart–and literally picked CSU-Polk out of the air as his choice. Also looking to explore his sexuality, he moves into a really nice apartment in a great (and expensive) complex, and across the breezeway from him lives Jeff and Blair from Every Frat Boy Wants It, who are the ones who get him to go to the Beta Kappa fraternity rush and…the story was off and running.

Kensington also came up with a fucking smoking hot cover for the book.

This, reflected Police Detective Joe Palladino, is an awfully nice apartment complex for a college student to be living in. How the hell does he afford it?

The Alhambra Apartments, he knew, started at a mere $1500 per month for a studio, and went up—way up—from there. When they’d opened a few years earlier, his then-boyfriend, Sean, had wanted to take a look at them.  Joe had failed to see the point—there was no way they could afford the rents there, even with their combined incomes—but Sean had insisted and it was easier to give in than have an argument. And yes, the place was gorgeous—you had to be let in by security, there were fountains and tennis courts and swimming pools conveniently placed throughout the complex. Each building had a laundry facility, and near the clubhouse was an on-site laundry dry cleaner. There was even a fully equipped workout facility with state of the art equipment that put Joe’s gym to shame. The apartments themselves were large, full of light and luxurious—but after the tour, Sean had pouted all night long because they couldn’t afford to live there, as though it were somehow Joe’s fault. But everything had always been Joe’s fault, which was why he’d dumped Sean shortly after that. There was, after all, only so much complaining that anyone can put up with. Sean wanted everything but didn’t want to work for it—and Joe eventually tired of being compared to Sean’s previous, much older boyfriend and being found wanting. Sean was young and handsome—and so thought everything should be handed to him. He didn’t like having to work, and he didn’t like that Joe’s income wasn’t enough for him to live a life of luxury and idleness while being supported.

“I don’t know what you ever saw in him in the first place,” his older sister Margie had sniffed in her patented condescending way after Sean had left him. “He has about as much depth as a dog dish.”

He’d opened his mouth to answer her but had closed it again. There wasn’t any point in arguing with her because she was right. Sean had always wanted more than Joe could offer him. The three bedroom house in the subdivision on the north side of town hadn’t been enough for him. He always wanted the most expensive things—a car he couldn’t possibly afford, the most expensive clothes and colognes and vacations. Joe had practically bankrupted himself trying to please Sean—but nothing was ever enough. And besides, Margie wouldn’t understand even if he tried to explain how his heart had always swelled up whenever he looked at Sean—or that just touching Sean’s skin had gotten him aroused. It had taken him a while to understand it all himself, but the truth was he’d really loved the way Sean looked, and hoped his love would change Sean somehow.

But, he reflected again, people only change if they want to. And you can’t build a relationship on sex when you have nothing else in common.

It was a hard lesson to learn. And while he’d never admit to anyone—least of all Margie—he still hoped Sean might come back home someday.

I think unrequited love is something that most can identify with; I feel it is fairly safe to say that almost all of us have, at one time or another over the course of our lives, loved or liked or desired someone who would never be interested in us for whatever reason; whether they are out of our league or we aren’t their type or they just don’t feel the same way. It’s awful, it hurts and it sucks, but you really don’t have any choice but to move on and forget about it. I’ve certainly been in that situation, and that sort of rejection really stings; it gets to you on a profoundly painful level. But what if the person you had feelings for knew you had those feelings, didn’t reciprocate, but thought it would be fun to string you along and make you think you had a chance, that it would all work out at some point, just not now–and mocked you behind your back, and so forth. And what if you were a extremely lonely and sheltered (although rich and incredibly smart) and socially backward person, naïvely trusting and expecting everyone to be kind because, well, why would anyone want to be unkind?

(I was recently laughing about my own naivete with my dad. “I always think people are telling me the truth,” I said, “because it never occurs to me that people will lie even when they have no reason to.” I like to think I’m more skeptical now than I was when I was younger, but every once in awhile I get a reminder that people will lie sometimes even when there’s not a reason to do so)

I found myself really liking my character as I wrote more about him, and really absolutely hating his nemesis; he finds out he’s being made a fool of about halfway through the book, and that’s when he launches his scheme for revenge, which results in an accident that may not have been an accident, hence our police detective in the opening. And yes, there’s a lot of sex in the book; it’s an erotic novel, after all, so there needs to be some sex in it. The book did really well and I am also rather proud of it, because I think I did a good job with it.

Highway to Hell

I realized the other night that, of all things, I take more pride in my short stories than I do in my novels. Isn’t that strange? Novels are, in theory, much more difficult to write than a short story–even at its barest minimum, a novel should be at least fifty thousand words while short stories generally cut off around a thousand. I think it’s because I still carry the scars from that asshole writing professor in college. I always struggle with short stories, and always have; I used to say that if I wrote a successful short story it was completely and entirely by accident. But writing erotica was an excellent tutorial in short story writing; in what other type of short story is “beginning, middle, end” so clearly delineated?

My first short story that got published outside of the realm of erotica was “Smalltown Boy,” which was published in 2003, I think. It’s still one of my favorite stories of my own; it’s an Alabama story and I am still very proud of it. I used to think I’d never get a short story published anywhere that wasn’t erotica, so when my stories started getting acceptances and published in non-erotica markets, it was very cool.

I like writing short stories because I can encapsulate an idea in that short form rather than writing an entire novel. I can also experiment with voice, style, theme, setting and story. I have any number of stories that don’t work but are completed; I have a lot more than were started and stalled because I didn’t know how to finish them. I think I have around a hundred short stories or so in progress; I actually counted a few years ago because someone asked and I didn’t know the answer.\

Several years ago, an Australian crime writer I’ve known for decades reached out and asked me if I would contribute a story to an anthology her publishing company was producing, The Only One in the World, which was a Sherlock Holmes collection–but the only rule was you couldn’t set the stories in London, period; I had never written anything close to a Holmes story and have never really been much of a Holmesian (I do love Laurie King’s Mary Russell series), but it was a challenge so I said yes–because for me, I love writing challenges because they push me out of my comfort zone and make me try things I might not ordinarily try. That story became “The Affair of the Purloined Rentboy” (still one of my favorite titles of all time) and it was a lot of fun to write, and I enjoyed the hell out of myself writing it…to the point I’ve considered revisiting my Holmes and Watson in 1916 New Orleans, several times.

Last year, the Sherlock editor, Narrelle Harris, reached out to me to see if I’d write something for a new anthology, The Fresh Hell, and there was a list of horror tropes we were given to chose from. Being from Louisiana, how could I not pick “haunted bayou”?

And so I started writing a story that became “Solace in a Dying Hour.”

Madeleine Chaisson opened her eyes and knew that the next time she shut them would be the last.

She cocked her head to listen. Even amongst those few (some say blessed, others cursed) who could hear them, most would describe the strange sounds they made as they danced about the dark, still waters as whistling. But Madeleine was special, different, not like the others.

She heard them clearly. She knew they weren’t whistling. They were singing.

But the sound she heard now was just the gulls over Bayou St Ferdinand shrieking as they swooped and flapped their wings looking for morsels of food. 

Dirty scavengers, she thought with a scowl. She hated the gulls; had since she was a little girl growing up in this very house.

How much gull shit had she cleaned off the dock during her long lifetime? Papa would backhand her if he saw any of the dried white splotches with black pellets on the dock when he brought the boat back in from a day shrimping out in the Gulf.

‘It rots the wood, you lazy cochon,’ he’d say in his sing-song southeast Louisiana Cajun accent while she rubbed her stinging cheek. ‘And who will have to rebuild the damned thing when it collapses? Don’t I already work hard to keep you clothed and fed?’

Even with him years in his grave, after she began wondering if that was even true, she’d still take the bucket out and scrub the gull shit from the weathered old wood.

If I were a witch like they always said, I could have snapped my fingers and cleaned it, she thought with a snort.

The new anthology debuted today, and it is available on Amazon and other sellers here in the United States; here is the link to Bookshop.org : here. This link is to the trade paper; there’s also a much more expensive hardcover edition as well if you disdain paperbacks.

“Solace in a Dying Hour” is another one of my south Louisiana stories. It took me a long while to get to the point where I was comfortable writing about Louisiana outside of New Orleans (don’t ever ask me about the colossal error in geography I made in Bourbon Street Blues…I SAID DON’T ASK!); I think my first was “Rougarou.” I also wrote and published “A Whisper from the Graveyard” since that one, and this is my third. I’ve started building a fictional world of Louisiana outside of the city over the last seven or eight years or so; it could be longer since I no longer have any sense of time anymore. I have revisited rural Louisiana in books like Need, The Orion Mask, and A Streetcar Named Murder; I have more stories and books I am going to write about my fictional rural Louisiana; I’ve also fictionalized the north shore several times already.

“Solace” is an homage of sorts to two other stories I really loved, “Do the Dead Sing?” by Stephen King and “An Unremarkable Heart” by Karin Slaughter. Both involve someone lying in bed dying, and reliving some pretty horrible things that happened over the course of their lives. I had been studying Louisiana folklore and legends for quite some time, but it was around 2017 or 2018 that I started really doing a deep dive into Louisiana history and culture. A co-worker had moved to Houma, which is deep in the bayou country, and she was doing the same. She was who suggested I write about le feu follet, the swamp lights some see. There are numerous definitions and descriptions of who and what le feu follet actually are; I decided I wanted to use the lights and the whistling aspects of their legend, and I wanted the story to focus on a woman who’s lived a very hard life and been through some things…but who could not only see le feu follet for what they actually are and appear, but could tell that they weren’t whistling, but singing. I also kind of based her on my maternal grandmother, a very quiet woman who never showed emotion and never complained about anything; things were what they were and you just dealt with them, period. I wanted to get that sense of quiet strength that you can usually only find in rural Southern women, that practical pragmatism that has gotten them through hard lives and a lot of tragedy.

My maternal grandmother was pretty amazing, really.

I am very proud of the story and how it turned out; the anthology itself is amazing, and the cover is gorgeous. I hope you enjoy it should you choose to check it out.

Oil of Angels

Here we are on a lovely Thursday morning. I managed to survive a full week in the office for the first time in three weeks (I won’t be going in on next Wednesday, either, as I have doctors’ appointments all day that day, so yet another non-full week for me, oy). I wasn’t very tired yesterday; no more than just the normal wearing down of a work week. I had slept really well Tuesday night so I wasn’t very tired yesterday, and I was also trying to get some odds and ends finished. It’s very strange where I am right now; I have some commitments but not many; and I finally seem to have the email situation almost completely under control at long last. I do sometimes find myself at loose ends on occasion; no emails to answer, nothing urgent that needs to be done, finished or worked on. It kind of feels weird, but it’s also nice in some ways. Maybe that’s why I am sleeping better? Because I’ve managed to get the stress under control somehow?

Who knows?

Paul worked late the last two nights–he’s writing a grant for the National Endowment for the Arts, so glamorous–so I was kind of at loose ends. Last night I had a ZOOM thing at six; and I was already a little worn down from the day at the office (mostly from getting up at six, really). I was falling asleep in my chair by nine, so I went to bed; I tried reading a short story by H. G. Wells in that My Favorites in Suspense Hitchcock book, but I couldn’t get focused. But I also realized something when I got home from work yesterday: I am sort of caught up on everything? Oh, sure, I still have two novels in various stages of production–waiting for the edits on one while page proofing the other–but I am actually kind of caught up right now. I had no emails to answer in my inbox. The proofing is going decently, and isn’t due to be turned in for another couple of weeks, at any rate, so I am actually ahead on that one. For the first time in years, I had absolutely nothing to do and no excuses or justifications necessary to go sit in my chair and cuddle with the cat and just empty my brain and do nothing. I cannot remember the last time this has happened; it’s been at least since 2019, I think. It’s an odd feeling, but also one I could get sort of used to, if I let myself.

Someone told me yesterday–during the ZOOM call–that I’m a workaholic, which kind of took me aback. (Kind of like being called prolific used to always make do a double take and say, what?) But as I sat there in my easy chair rewatching the LSU College World Series final game at last (GEAUX TIGERS! I also realized I never really posted about that world series and how fun it was to watch–the final game was pretty fun to watch; must have been amazing to watch as it happened), I started thinking about that some more and instead of the usual kneejerk no, I’m actually really lazy defensive reaction I always have (because, believe it or not, I really AM lazy) when someone says something like that to me, I decided to think about it and she wasn’t entirely wrong. I do have a full time job in an office. I do write full time. I edit part time. This is the first year since maybe 2009 where I am not doing any kind of official volunteer service in what little time I have left after everything else, and it’s kind of nice. It’s nice to have free time I don’t have to feel guilty about, where I don’t have to say to myself “no one else has to justify taking the weekend off from everything” when they are too tired to work on the weekends. I think she was probably right: I am a workaholic.

Oh, this is just a respite and things will start cranking up a bit again, I am well aware of that, but I want to enjoy this brief time of leisurely page proofing while I wait for my other edits with no sword of Damocles hanging over my head. I’m probably going to start writing something else relatively soon, maybe next week or the week after, depending on when the edits arrive. I want to finish strong first drafts for Muscles and Chlorine by September, when I am going to spend the rest of the year working on the requested follow up book to this other one I’m currently proofing. I also have to come up with a plot for that book, so there’s so mental gymnastics ahead of me, so letting my brain have a bit of a rest will be helpful as my batteries need to thoroughly recharge; I’ve run them down dramatically over the last few years. Mom’s decline and final illness, the pandemic, being EVP of MWA, trying to continue to write books and stories–and that’s not even taking into consideration the national political shit show this country has been for years now–it’s a wonder I managed to survive the last few years, you know? Let alone continued to write and be productive while doing my day job well, managing the household–the chores were definitely allowed to slide for a very long time, I’m afraid–no wonder I was exhausted and tired and drained all the time. No wonder writing my stories and books felt like misery and like I was doing it on autopilot.

And I need to take better care of myself, period.

Today is also the launch day (in Australia) for This Fresh Hell, edited by Katya de Becerra and Narrelle M. Harris; it features my story “Solace in a Dying Hour,” which is one that I am rather proud of, to be quite frankly. (While I was trying to read that H. G. Wells story–“The Inexperienced Ghost” was its title–it occurred to me that I am much prouder of my short stories than I am of my books, which is a weird thing I am going to have to unpack at some point) I’ll do another entry about the story, of course; maybe that will be the time and place for me to work through my weird neuroses about short stories and my writing.

Or I could see a therapist again. Which is probably the best thing, really.

And on that note, I am heading into the spice mines. Y’all have a great Thursday, okay?

The Itchy Glowbo Blow

Wednesday and we’ve made it halfway through the week, Constant Reader. Didn’t think it was quite possible, did you, when Monday dawned so early and ugly? We expecting thunderstorms today in New Orleans–it feels cooler and damp this morning, but I don’t know when we are supposed to have said storms; probably this afternoon. I slept really well again last night–it’s been lovely getting good sleep lately. I felt a bit tired yesterday when I got home from work, and so took it a little easier on myself when I got home. I managed to get caught up on my emails (such a weird feeling) and did some writing last night. I think I’m still a bit in the post-book malaise phase of things, so writing anything isn’t easy (not that it ever is) but Paul got home late so was left to my own devices once I finished writing for the evening. I did watch some documentaries on Youtube about the Hapsburgs last night (I also discovered an English-language biography about her–Margaret of Austria–which I added to the my list of books to buy…which is almost as out of control as my TBR stack, which is now essentially the entire living room), and I read a short story in Hitchcock’s My Favorites in Suspense anthology; a dark little Charlotte Armstrong story called “The Enemy.” Armstrong was a writer I discovered as a tween, when Mom let me join the Mystery Guild Book Club; I got an omnibus by her (The Witch’s House, Mischief, The Dream Walker) which I greatly enjoyed. I rediscovered Armstrong thanks to the work of both Sarah Weinman and Jeffrey Marks, which enabled me to continue reading in her canon.

Armstrong won an Edgar for Best Novel for A Dram of Poison, a charming if dark little story of suspense; maybe the rare Edgar winner where there’s no dead body but the plot has to do with preventing an accidental death? It’s very clever, and incredibly charming, but beneath that clever charming surface it says something dark and awful about human nature and character–people who are unhappy spreading their misery to others. Armstrong was also made a Grand Master by Mystery Writers of America. Her work may seem a bit dated in the modern day–technology and society have moved on from the times she lived and wrote in–but I think it’s well worth the read. “The Enemy” is that same style of writing as Dram, a serious subject presented charmingly, and the death of a child’s dog the catalyst for an exposé of something darker and nastier…and yes, the plot also hinges on the darkness a human being is capable of creating. It’s a really clever, if slightly dated, story–and you can’t help but smile or laugh at the last line of the story. I am really enjoying these time capsules into the past, to tell you the truth. I bought a few more of these anthologies on eBay yesterday, too. It’s nice to have short story collections around for those times when my brain can’t really focus on reading an entire novel.

I have been listening to Carol Goodman’s The Drowning Tree on Audible, but I may have to break down and finish actually reading a physical copy because I can’t keep listening every day and with my memory a literal thing of the past these days, I’m not sure I remember enough of the story to pick it up again this weekend. I also picked up copies of her new novel, The Bones of the Story, along with Paul Tremblay’s new short story collection, The Beast You Are. I do like Tremblay’s writing–A Head Full of Ghosts was one of the best horror novels of the last decade, and I’ve liked everything else of his that I’ve read–and I think this may even be his second collection. I am also hoping to pull together another collection myself this year–This Town and Other Macabre Stories–but I am not sure if I will have the time. I also got the copy edits for a short story I contributed to an anthology in my inbox last night, so that has to go onto the to-do list, and I still have page proofs to get through. But for the most part, it seems as though I have a guilt-free free weekend, which one can never truly go wrong with, either. I’ll have some errands to run, of course–I always have errands to run–but there’s no stress or pressure on me either, which is kind of nice. I think maybe that’s the reason I’ve been sleeping so well this week? No pressure and my schedule has kind of normalized, gotten back to normal, settled back into the routine my body is used to, perhaps?

Yes, that makes total sense to me.

I also have ideas and thoughts pinging around in my head. I’m itching to get back to the works I have in progress; I want to get a strong first draft of two different novels finished before I leave for Bouchercon next (!!!) month. I actually, finally, made a to-do list yesterday; I am hoping that I can get my life back on track the way it was before the pandemic and the madness of the last few years. That doesn’t mean that my blood pressure won’t continue to go up predicated on the constant assaults on everyone who’s not a cisgender straight man from the demons on the right–which is part of the reason my interest in the Civil War and the 1850’s, that terrible lead-up to the split, has been heightened these last few months. I do see a lot of similarities in the split between conservative v. progressive today, which was predicated along the lines of abolitionist/pro-human trafficking back then. One of the books my father gave me to read was called Southerners in Blue, which was a novelization of the true story (albeit poorly written) of a Union sympathizer and others like him in Winston County, Alabama. (If you’re not familiar with Winston County, the easiest way to explain it is this county did not vote for secession and essentially stated that if Alabama had the right to secede from the Union, the county had the right to secede from Alabama. They did not secede from Alabama, just said they had the right to predicated on the secession arguments being presented, but have gone down in Alabama history and lore as having actually seceded even though they most certainly did not) Basically, in some of the northern counties of Alabama there was basically a second civil war, between the “secesh” and the “Unionist” supporters, and the mountains of north Alabama were filled with deserters from the Confederate Army, This was also novelized into a book called Tories of the Hills by Wesley Sylvester Thompson, which is incredibly rare (my uncle has a copy, which my aunt won’t let be removed from her house–wise, as I would totally steal it). I had read another book also while I was up there, about the Kansas-Missouri border war–which had a decided “secesh” slant to it, of course, while complaining that all previous histories were “unsympathetic to the Missouri slave-owner point of view”. I’m sure he had a point, but simply because there are two sides to every story doesn’t mean each side deserves to be heard, or that each side’s opinion has equal weight. It did spark my interest, though, and I really think there’s a book in this little-known history of north Alabama. Again, it would be difficult to write–lots of potential landmines there–but it’s also, as I said, not very well known and with today’s tribalism mentality–not to mention how loud the Lost Cause fanatics are–it’s hard to wrap one’s mind around the notion that the South wasn’t monolithic in its thinking.

Because no group of people are, really, which is why I don’t like being asked for a gay perspective on anything; I can only speak for myself.

But while I continue to research this aspect of history and try to figure out a way to get a novel out of it, I am going to map out two others. One is already in progress, and the other is a New Orleans ghost story I’ve been wanting to write for quite some time now. The trick is to make it different from every other ghost story I’ve already written. Good luck with that, Mr. Repetitive!

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will check in with you again later.

You Wanna Jitterbug?

I’m not really sure when I became aware of Wham!, if I’m being completely honest. I think I remember seeing the video for either “Wham Rap” or “Bad Boys” on MTV, and I immediately clocked the lead singer, a handsome young boy with brown hair and an amazing smile…but thought the other guy (who turned out to be Andrew Ridgely) was more attractive. When they released their next album, Make It Big, I really liked the debut single, “Wake Me Up Before You Go-Go,” which was catchy and boppy and a lot of fun. The video was probably one of the gayest things I’d ever seen, but again–it was light and catchy and fun and silly, like the song. I bought the album, which was far better than I could have ever imagined it being, but I never became a big fan. Their next release, Music from the Edge of Heaven, included my favorite song of theirs (“I’m Your Man”), and I actually saw them in concert, in Oakland. I was working at a department store at the time, and some of my co-workers were HUGE fans. They’d bought tickets to a Wham concert, and one of the people dropped out…and they offered me the ticket. I was already burning out on concerts at this point, didn’t really want to drive to Oakland for a concert, and wasn’t a huge fan of the main act….but there were two opening acts: Katrina and the Waves, whom I also liked, and the Pointer Sisters, whom I loved. So, I agreed to go and use the ticket, figuring at least I know the Pointer Sisters will be amazing live (they were), but I wasn’t prepared for how fantastic this little teeny-bopper bubblegum teen idol-style act would be. George Michael was incredible live.

I left that concert a George Michael fan, and shortly thereafter Wham dissolved and George went solo…and had the kind of solo career that all artists hope for, which completely eclipsed Wham. Andrew and Wham played a small role in the two George Michael documentaries we watched recently, but when I saw that there was a Netflix documentary that focused solely on Wham, I thought, I need to watch that because no one really remembers how fucking HUGE Wham was before George went solo.

And taking into consideration that they were in their late teens/early twenties when they blew up…that’s pretty remarkable.

As I said, I tagged George Michael as gay the first time I saw one of their videos. (I also tagged Freddie Mercury the first time I saw him; Greg Louganis at the Montreal Olympics; Elton John; and any number of others who eventually came out.) I couldn’t tell you what it was about George; whether it was his voice, his posture, the way he moved, what it was about him, but every alarm in my head went off. He’s gay was my first thought, and my second was one of sympathy. Sure, I was in my early twenties, deeply closeted and deeply conflicted about my life and my future, but I still felt sorry for a rising pop star/teen idol on the cusp of superstardom because all I could think was, if not being myself is making ME so miserable and I’m just a college student, how awful would it be if you were a worldwide star/celebrity? I felt nothing but sympathy for anyone else, regardless of class or status, who had to lead a closeted existence.

How much worse was it for someone in show business, who achieved worldwide superstardom?

And while obviously Andrew Ridgely is the only one of the two still around, it’s pretty clear he and George remained close until George’s death. They were childhood friends; the pictures of them from childhood are astonishing. Andrew was always a pretty boy–he’s kind of always looked the same, really; for me it’s the eyes–while George was kind of plain and drab; who knew he’d grow up and have supermodel looks? I always wondered, you know. Andrew always seemed kind of superfluous to the group, if I’m being honest; I guess he co-wrote some of their songs, and I also guess his presence–his own exuberance and showmanship–helped George with his own shyness and the support was there for him always; he mentioned in one of the documentaries about his life that the mutual agreement to disband also meant that he was going to have to face all of it on his own for the first time.

But the primary takeaway from the documentary–outside of what a good friend Andrew truly was–is how HUGE Wham actually was world-wide before they disbanded. They toured Communist China in the mid-80’s to sold out arenas. That was kind of a big deal back then, as Western entertainers were viewed by the regime as “decadent.”

How did I know George Michael and the others were gay the first time I ever laid eyes on them on my television screen? I honestly don’t know. I’ve never looked at or considered “gaydar” as anything other than a joke, really; something all gay men joke about as we wish for the hottest of male celebrities–singers, musicians, athletes, actors–to turn out to be gay after all. Representation matters so much, and with more and more celebrities feeling comfortable and confident enough to come out over the last decade or so, we’re getting queer characters on television series and in books; we’re even getting television series and movies with gays as primary characters. I don’t like it, obviously, when the representation is bad, but at the same time we gays come in every shape, size, and type of person. There are gay villains and demons just as there are role models and angels. I do wonder, when my mind is wandering and I am tired, if gaydar is actually a thing; something that was programmed into our collective DNA millennia ago, giving same-sex attracted person a subconscious sense that recognizes like, as in oh he is like me as a protective measure? What was it about George Michael, and Elton John, Greg Louganis and Freddie Mercury before him, that triggered something identifiable in my brain? (I did wonder about Rock Hudson when watching McMillan and Wife.)

It’s curious, isn’t it?

If you’re a George Michael fan, I highly recommend Wham, because the fact that George was a huge star already before he went solo sometimes (often) gets left out of the story.

And Make it Big is still a good record.

Know Who You Are At Every Age

Here we are on Tuesday, blearily drinking coffee and wishing I was independently wealthy. Don’t get me wrong, I do love my job, but I really love not waking up to an alarm that much more. Sleep has always been a challenge this last decade or so, and sleeping anywhere other than my own bed makes it all the more harder to get a good night’s sleep. When I am tired, I tend not to be hungry or thirsty, and I get off my schedule. Not eating results in me being hungry–something I am not familiar with, so I never know what that is–and dehydrated, which makes me even more tired and even less hungry, and you see how it all works together to escalate into something horrendous? I was off my game all last week recovering from just that same combination of moronic Greg behaviors and going off all my medications at the same time was probably not the best way to handle things. Had I not forgotten my pill dispensary at the hotel in Jasper the vacation week and the week back might have gone completely differently.

At least I’d like to believe so, at any rate.

Yesterday wasn’t a bad day. I wasn’t tired for most of the day, having slept decently on Sunday night, and diving headfirst back into work was, as always, a bit jarring after a weekend of only having to deal with either Paul or the cat. It was also busier than usual, which was nice–it’s always lovely when clients are able to access our services than when they aren’t–if a bit hectic. But I got caught up on all of my work chores, so tomorrow when I go in I’ll already be slightly ahead of the game. I got the dishes done and some laundry, and managed to do some cleaning up around the kitchen (including organizing and filing) before I called it for the night and repaired to the chair to watch television. I even made dinner, if you can believe it; I cannot recall the last time I made dinner!

Speaking of games, how cool was it that Paul Skenes and Dylan Cruise went 1-2 in the pro baseball college draft? First time the top two picks in the draft were from the same team, GEAUX TIGERS! And football season is quite literally just over the horizon. Expectations are high for LSU this year–probably too high, we tend to get very enthusiastic here for very little or no reason–but last year no one thought we’d win ten games, beat Alabama, and win the Western division, either, and here we are. I don’t know if LSU will be able to pull off defeating Alabama two years in a row (only two coaches have done so–Les Miles at LSU and Hugh Freeze at Mississippi) but everyone down here is riding high after a better than expected season last year and a women’s basketball AND a baseball national championship within two months of each other this spring. Pretty fucking cool–and the first time any college has won a basketball and baseball title in the same year. (Ironically, neither team won the SEC–South Carolina won it in basketball, and Florida won in baseball.)

I slept well again last night, which was lovely. I feel rested and alert this morning. I went to bed an hour earlier last night–I had dozed off during the second episode of Hijack, and if I can asleep watching Idris Elba, I was sleepy. Paul had as well, and we both agreed that it was being tired and not the show that put us to sleep; we both are enjoying the show and I do recommend it. We had also watched Wham!, the documentary about the band that introduced George Michael to the world, the night before and also really enjoyed it; I might write more about it later as I remembered, ,while watching, that I saw Wham! in concert the summer of 1985 in Oakland. That was also one of the last concerts I ever attended (I think I saw Fleetwood Mac and Bon Jovi and Everything but the Girl after, but those were indeed the last concerts I attended–too many people, too much traffic, too much aggravation, too expensive), and it put me to thinking about George Michael, the 1980’s, and so forth; I somehow knew that George was gay almost from the very start (the same way I knew with Rock Hudson, Greg Louganis, and a number of others)–almost as though there’s some kind of genetic coding which gives gay men the ability to spot others like themselves–something primeval that goes back to the earliest times, something protective–which would make a kind of evolutionary sense, really. And that really should be talked about; it’s certainly worthy of its own entry: Gaydar, is it a thing?

I started writing something new yesterday, and it’s not really coming along that well or easily. I don’t know if that means my creativity still needs another day or so to rest and recharge or the almost constant fear that it’ll all go away has finally come true. But here’s hoping it will go better and more easily today.

ANd on that note, I am going to head into the spice mines. You have a great day, Constant Reader, and I’ll check in with you again tomorrow, if not later.

A Kissed Out Red Flatboat

I did read some short stories this weekend from the Alfred Hitchcock Presents anthologies I’ve gotten from eBay over the last month or so, and they’ve been wonderfully delightful and deliciously wicked. They also remind me of where I got the idea that short stories should always have a wry, slightly ironic but gasp-inducing twist at the end. I remember vaguely watching Alfred Hitchcock Presents (we were always a family who were fans of Hitchcock) and, while I was too young to remember The Twilight Zone, I do remember Night Gallery. I am also loving reading stories by masters of crime fiction that I’ve not read before; in one of the anthologies the next story up is by the delightful Charlotte Armstrong. I just read one by Anthony Boucher (for whom Bouchercon was named) called “They Bite” that was incredibly creepy; in another one of the anthologies the next story is by Roald Dahl. I would love for us to go back to the wonderful world that existed back in those days, when the short story was a much more valued art form than it is today and there were all kinds of markets for them. Heavy heaving sigh.

So, I did pull out that story the copy-editor said was “powerful,” and as I read it my horror grew, until by the time I finished it I had noted so many errors and transition problems that I thought that cannot be the version I turned in and was in thorough panic mode when I remembered to check the laptop and sure enough, there it was. I did reread the story, did spot some mistakes, but the revision I did before turning it in was clearly the right thing to do, as the story was significantly better and made more sense and was actually, pretty good. It touched on themes I seem to keep returning to, over and over again, but what can you do? I cannot control my creativity that strongly, you know; I write the stories as they come to me. I do worry that I am repeating myself though–how many hangover scenes have I written over the years (which is hilarious, because I never really had hangovers the way other people have always talked about them)?

We started watching a new crime show that seemed to have a lot of potential, but there were a couple of annoying characters in the forefront of the show that undermined it for me, so we gave up after a couple of episodes. We did watch the final episode of The Ashley Madison Affair, which was pretty interesting to me. First of all, if anything, it emphasized the fact that not everyone is content with monogamy–and since we idealize monogamy and the nuclear family in this present day society (unrealistically, I might add), the concept of open and honest conversations about sexuality and monogamy and so forth are made very difficult to have. Women are trained from childhood to see cheating as the worst possible sin of all time, as well as to try to inhibit and control their sexuality as much as possible, denying themselves the same freedom to explore what they like and enjoy while also determining what they don’t like and don’t enjoy the way single man are often allowed. Dorothy Allison wrote very strongly about how societal views and beliefs and mores about female sexuality prohibited women from becoming their full selves; there’s always someone just raring to slut-shame a woman, isn’t there? A former friend of mine who claimed herself to be an ardent feminist (she became a TERF, of course) and that women had every right to be as sexually liberated as men would then turn around and slut-shame every female celebrity that ever came up for discussion. All models were really “escorts,” and every successful woman in entertainment slept her way to the top.

That’s an interesting feminist take, isn’t it?

We also started watching a gay teen movie, and turned it off within five minutes. It was terrible. We watched something else after that, but i honestly don’t remember what it was, to tell you the horrible truth. I hate this memory nonsense, seriously.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again tomorrow (or later, whatever the case may be).