Tag: Trebor Healey

Cool the Engines

Monday morning and I am at home instead of at the office so I can recover from yesterday. I had a panel, a reading and inducted Trebor Healey into the S&S Hall of Fame. It all went well, I was able to grab lunch with Rob Byrnes, Jean and Gillian, too. By the time the reception was over I was worn out and exhausted, so grabbed a Lyft and headed home. Sparky was incredibly needy when I got home, and I just collapsed into my easy chair to watch some news and things before stumbling up to bed, where I slept insanely well. I had some lovely conversations, ran into and got to talk to some friends I’ve not seen in a long time (hey, Tim!) and over all, exhausted as I was at the end of the day, I think I played the weekend properly. I’m a bit physically and mentally tired this morning–Sparky let me sleep in–and so it’s going to be an easy day of rest around here today. Paul will get home from the hotel later on today, and things will go back to what passes as normal around here once he’s home. Huzzah! I am kind of looking forward to some normality, to be honest.

I have things to do at leisure today–laundry and dishes and picking up–and I am going to spend some time reading this morning once I finish this. I think I’ll read until the laundry is finished–three loads–and then commence to other things. I was also thinking about writing a lot last night when I got home; events like this do tend to remind me why I love writing and being a writer, and my brief appearances this weekend, and listening to authors talk about their craft (I’d never met or heard Christopher Castellani speak before, and he’s very smart) is always inspiring. S&S isn’t like any other literary conference/festival I’ve ever attended because the whole weekend is really about connecting with other writers and readers and inspiration. Douglas Sadownik is also an excellent speaker, by the way. I read Sacred Lips of the Bronx a million years ago and don’t remember it, but it may be worth a revisit.

I may try to watch that manosphere thing again, but I don’t know that I can stomach it. I mean, I have an entire essay series planned for my newsletter about masculinity, so I should watch it as research; I have no interest in the straight manosphere because it’s predicated on grift, illusions, and takes advantage of lost young men by telling them this is the proper “lifestyle” for a man to achieve. The young men aren’t all right, as the last election showed us, but the reason they are lost is because they hold on to old-fashioned notions and theories about what masculinity actually is. Anything I know about these people I learned without my consent–I’m still reeling from my supervisor bringing up “looksmaxxing” and me having to look into it because I didn’t know what she was talking about (ignorance truly is bliss sometimes)–and I wish I’d never heard of most, if not all, of them. I could never put this into fiction, I don’t think, because it’s all so idiotic and unbelievable you can’t make this shit up if you wanted to, and I definitely didn’t want to. Maybe I can find a nice true crime documentary instead.

Or I could watch The Mummy Returns, since I rewatched The Mummy the other day. These really are marvelous films, if extremely colonial in their point of view. Brendan Fraser and Rachel Weisz are marvelous together and should have made more films together; I remember the first time I watched The Mummy thinking, “oh, they are perfect for Peabody and Emerson!” and whenever I read another one of Elizabeth Peters’ marvelous Amelia Peabody series, I pictured them as the leads. I really wish a British production company would start filming those books, because Americans would ruin them. (Heated Rivalry would be a completely different show had it been an American production, and wouldn’t have blown up the way it did, either.)

Anyway, I am looking forward to a peaceful, easy day here in the Lost Apartment, and hope you are having a lovely day, too. Safe travels to everyone heading home from S&S today, and of course, I will be back here tomorrow morning bright and early in the dark. Until then, adieu!

My guess is immediately after this photo shoot the model ate a pizza.

Let’s Make Love Now

I have always hated the cutesy phrase “make love.”

It’s always been used to get around censors, back in the days of the Hays Code for movies and of course, the ones who kept network television squeaky clean and almost infantile; a unique term for fucking required by puritanical Americans because, you know, the f word is just too nasty to say. Fornicate sounds like sin (usually it’s only used by preachers and ministers), and of course, there’s “having sex”–which sounds completely clinical and sterile and about as un-erotic as a colonoscopy. The other words for it–balling, screwing, fucking, humping, riding–are considered too vulgar for polite society. So someone, somewhere, came up with the innocuous phrase “making love.” (This also is yet another societal effort–whether intentional or not–to equate sex with love; one of the biggest mistakes in modern culture and society) And this doesn’t even begin to touch on “going to bed with” or “sleeping with.”

I don’t know when “making love” began to irritate me, but it was very prevalent for a very long time on soap operas, and every time someone would say it, I would flinch or internally recoil. (Although it’s fun to go back and replace it in movie and song and television show titles: Making Love becomes Fucking; Let’s Make Love becomes Let’s Fuck or Let’s Have Sex–which completely changes the tone, doesn’t it?)

I guess this is on my mind because I am preparing for my workshop today on sex in fiction–that, of course, and then today’s title popped up on my title list and I reflexively rolled my eyes. My workshop is:

Friday, March 25

2:30 – 3:45 PM—SAS Master Class

GREG HEREN: WRITING THE EROTIC

Writing about sex is more challenging than it appears. This master class will help writers produce erotic writing grounded in character, setting, and voice, with an eye on how erotica can contribute to, build, and/or resolve story conflict. We’ll explore how the implicit is often more effective than the explicit, and how to make explicit scenes compelling and authentic. With a focus on finding fresh imagery and an original approach, we’ll also look at how humor, bad sex, or even problematic sex lend themselves to a fuller—and more erotic—interaction between two characters. Questions addressed include: How can we make use of the erotic to create more exciting fiction that better reflects the real life and aspects of a character? How can the erotic be the center of a story without being explicitly so? What do we do about hyperbole and how do we grapple with the often hyperbolic feelings around the erotic? How is erotica different from sex writing or porn? And, how can we ultimately make the erotic fit naturally, as an integral part, into the flow of a good story. This workshop will encourage participants to take chances and experiment with building eroticism into their work mindfully and seamlessly, and/or give them the tools for creating a story that is primarily driven by the erotic, but that has a freshness and originality often lacking in the genre.

Hotel Monteleone, Lobby Level, Royal C

I didn’t write that description–I am filling in for Trebor Healey, the original instructor, who broke his leg or his foot or something. It happened in time for the program to be corrected before it went to the printer, and you know me–I am the seat filler for all last minute cancellations at Saints and Sinners. I don’t mind; it eases Paul’s mind to know he can count on me to fill in if necessary; it’s why I usually am not programmed into it to begin with because I’m the wild card that can be played on any hand. I’ve taught erotic writing workshops before–I used to write a column for the Erotica Writers’ Association, which I don’t think exists anymore? I could be wrong–but there’s always pressure to do a good job and say smart things that the audience will be able to use to improve their own writing. Add that in with my stage fright and absolute soul-wrenching terror at having to stand up and talk in front of people, intensified by the fact I haven’t done it in over two years maybe even three, and yeah, you get where I am at this morning.

AIEEE!

Ah, well, I need to get over it.

Last night I watched the latest Superman and Lois, another couple of episodes of Young Justice, and the latest two episodes of Minx, which is really growing on me. I like the show–even though I am a bit concerned about some aspects of it–and of course, shows set in that time period–the 1970’s–are ore than a little nostalgic for me. I am almost finished inputting the edits into the manuscript–I am hoping to get that finished when I get home after my class today–and so am feeling pretty productive. Once I have this manuscript finished and returned to the author, I can focus on getting back into my own writing again. YAY! I am hoping to do that very thing on Sunday. Fingers crossed.

And now I need to start preparing for the workshop. Wish me luck, Constant Reader, and I will check in with you again tomorrow.