Tag: Timothy Hutton

Let My Love Be Your Pillow

Saturday morning and Paul comes home today! Huzzah! Huzzah! I of course literally have no idea what time he will be arriving–he never tells me these things and I never think to ask–but it’s fine. Yesterday was a good work-at-home day. Sam the handyman came by in the morning to finish touching things up and clean everything up, which was marvelous, and now the apartment sort of looks like our apartment again. It’s great, and it makes me want to clean, which is something I’d forgotten that I enjoyed so much. I’ve really let the housework slide since the pandemic started (sure, let’s blame it on that, shall we?) but a lot of it had to do with the walls in the living room. tl;dr= we had some leaks, and water damage to the walls in the living room. The leaks were repaired, but the plaster and paint somehow never got finished and we’d been living with that for a while….and when you have places where the bare wall is showing…the apartment, even clean and sparkling from ceiling to floor, would look deranged and damaged and sloppy. I think I felt a little defeated, to be honest.

I’ve felt defeated a lot over the last few years, if I’m going to be honest. But I’ve been feeling oddly better lately about things lately, even optimistic at times. I know, right? It’s kind of scary. It’s like I don’t even know who I am anymore, but I have full faith in the universe to deliver yet another blow the way it always does when I start feeling like this again–a sense of contentment and peace. I’m sleeping better, getting better rest, and I am getting things done rather than sitting in my easy chair every night scrolling through social media while Youtube videos stream endlessly on continual play. Ironically, I remember feeling this way on another hot August Friday in New Orleans, two weeks before Hurricane Katrina. I had just finished Mardi Gras Mambo at long last and turned it in, and that Friday I had met with the Admissions office at UNO to see about finishing my degree in English and pursuing a master’s, and even potentially eventually a PhD. Yes, I had ambitions. The meeting had gone incredibly well. We scheduled a meeting with the chair of the English department, and it looked fortuitous and very good; I’d have to pay for the semester required to get the English degree, but it looked like I’d get the master’s not only without having to pay, but I’d also get an on-campus part-time job. I don’t reflect back very often, but sometimes I remember that last optimistic August before Katrina and wonder how different my life would look now had Katrina never happened…or at least had the levees held. I’ve always felt the lack of educational degree and study keenly; I was far too young when I started school and majored in English to really appreciate the in-depth examination of classic literature and other forms. None of what little I learned stuck, either. I have also always been made to feel that the books I actually did read and appreciate were lowbrow; on par for someone as uneducated and unserious like me. I’ve not read much of the classic writers, for example; I’ve never read Edith Wharton or Jane Austen or much of Henry James; I may give Hemingway another try at some point but I was unimpressed with both A Farewell to Arms and The Old Man and the Sea. Fitzgerald wrote beautifully about horrible people I’m not interested in; I love Faulkner but he’s a lot of work to read (but I will go to my grave loving “A Rose for Emily” and wishing I had written one thing that perfect), so I’m not going to read Faulkner for pleasure–even though I take great pleasure in the voice and the rhythm of the words and so forth, I’m still looking for characterization and story.

Hell, there are any number of classic mystery writers I’ve never read, for that matter. I had never read Ross Macdonald until I was on a panel with Christopher Rice who sang his praises highly enough for me to get a couple of his books…and have always been delighted that I did. I think I’ve read one Rex Stout novel, but I can’t remember anything about it and I think I am thinking of a television adaptation with William Conrad and Timothy Hutton? Or did I imagine that, too? One of the things I am loving about reading the short stories in these marvelous old Alfred Hitchcock Presents anthologies is getting to read authors I’ve heard of that I’ve not read. Yesterday night I read “Curious Adventure of Mr. Bond” by Nugent Barker, from Stories That Scared Even Me; “Four O’Clock” by Rice Day, “Of Missing Persons” by Jack Finney, and Paul Eiden’s “Too Many Coincidences”, from My Favorites in Suspense. I enjoyed them all, but the Barker was my least favorite of the four. It’s written in Ye Olde Timey Style, and it goes on for far too long, and it’s big twist I saw coming. I also didn’t much care for Mr. Bond. The Day story was one of those macabre little tales of irony with the kind of ending that Daphne du Maurier mastered and I’ve always loved–and aspire to write. (The trick is the ending has to be earned.) The Finney story was also one of those, but a bit more melancholic than macabre.

I also spent some more time with Superman last night. First I watched a documentary called Look Up In The Sky! The Amazing Story of Superman, which I followed with this week’s episode of My Adventures with Superman. I was very pleased to see Jimmy Olsen talked about in the documentary, and the actor from the television series, Jack Larson, was openly gay and was in a very long term relationship that lasted until he died in 2015, as someone very kindly reminded me on Twitter the other day in response to my talking about Jimmy on here. I am really intrigued at the idea of writing a Jimmy Olsen story…although I’m not exactly sure what I would do with such a thing, and I’m equally sure publishing it would be a trademark/copyright violation of some sort. I’ll make a note and keep chewing on it, though.

I also worked on the book some last night (at last) which felt marvelous and overdue. It was so hot yesterday–even with the air conditioner on full blast and desperately trying to keep up, you could tell inside that everything outside was roasting. I am quite pleased to have gotten past the revision of Chapter Five at long last and I have to say, I am most happy with what I did. Of course, Chapter Six is from scratch, which is going to be an enormous pain in my ass, naturally; writing anything where nothing other than a thought exists at the moment is always harder than revising. Revising can be either tedious or a lot of fun; it’s when your making the book better written and deepening characters and cleaning up shit and building on the ideas you’ve already gotten down but didn’t express particularly well as you were just madly trying to get words on the page and the story advanced and all of that.

Whew. Breathe.

I also woke up to a marvelous email–I just checked–from my editor on Mississippi River Mischief letting me know when the edits would come and included…”This book is fabulous, btw.”

Whew,

And on that marvelous note, off to the spice mines with me!

Close Range

And suddenly it’s Friday.

Our weather is taking a turn–not quite as horrific as all y’all up north with your ice storms and blizzards and below zero temperatures, yet it still a turn nonetheless. There was a quite nasty and wet thunderstorm that passed through here yesterday afternoon, and the temperature began to drop precipitously and noticeably. The governor made an announcement of some sort yesterday–severe weather alert or something of that sort–and it’s probably something I should research a bit more, I am slowly realizing as my first cup of coffee kicks in. If we’re in a severe weather alert of some sort, I should probably know more about it than this vague recollection of something I saw in passing somewhere on social media yesterday. And if that is indeed the case, well, it’s just as well the parades were cancelled ahead of time anyway.

Parades aren’t as much fun when it’s cold and raining.

Not, of course, that cold or rain would stop us from going out to the corner.

Okay, so I looked and I don’t see anything; I’m not sure what the governor’s message or whatever it was I saw somewhere was about, but at least for today there is no threat of severe weather in New Orleans. It’s forty-eight degrees–it doesn’t feel cold in the Lost Apartment, but one never knows; the interior temperature is not always an indicator of the exterior–but it is gray and grim outside. It rained most of the night too–a thunderstorm woke me up in the middle of the night (never fear, I was able to return to sleep quite easily) and so everything outside looks wet. I don’t think I am going to go outside much today–I will go to the gym tomorrow–as I have to work at home today and once today’s work-at-home duties are over I have to dive headfirst back into my book–and so shortly will have to head back into the spice mines. I haven’t decided what film to watch during my condom-packing duties, but I am starting to lean toward the teen movies of the 1980’s. I had thought Risky Business was free to stream somewhere, but I couldn’t find it anywhere yesterday…but Prime suggested Taps to me, and since the idea was to view early Tom Cruise films performances (at least the ones before Top Gun), and he was in Taps–in fact, I think it was Taps that first got him a lot of attention–and I had never seen Taps, I thought, why not? So I clicked play.

I wsa vaguely aware of the film at the time of its release, and knew vaguely what it was about–military school being closed, cadets seize control of it–but had never seen it. I also knew that it was Timothy Hutton’s first star vehicle after he won an Oscar for Ordinary People, and that it–like many other teen movies of the early 1980’s, had a bunch of early-in-their-career stars in it who made good impressions on critics and audiences–Tom Cruise in particular. I’d forgotten that Sean Penn was also in it (if I ever knew; I think this preceded his breakout role in Fast Times at Ridgemont High; I seem to recall his follow-up to that was Bad Boys, which was set in juvie, and after that he was on the fast track to stardom), and I don’t think I’d ever known that Giancarlo Esposito was in it as a beautiful young man. There were any number of other faces I recognized–one of the younger kids I’ve seen in other things, but I couldn’t place him or his name while I watched and I still am not completely sure who he was (a quick google search turns up the name John P. Navin Jr., who played one of the cousins in National Lampoon’s Vacation)–and another was Evan Handler, young and with hair, years before he joined the cast of Sex and the City.

I’m really not sure why I never saw Taps, either in the theater or on cable, to be honest. I’ve always liked Hutton, and (surprise!) I’ve always been drawn to stories about all-male environments for teenaged boys or young men. I loved Pat Conroy’s The Lords of Discipline (the book is a favorite; I’ve never seen the movie) and also Lucian Truscott IV’s Dress Gray (again, the book and never watched the film); I’ve always enjoyed seeing the group dynamics play out in those environments. But watching the film, I couldn’t help but reflect how dark the movie was in tone–it’s very anti-military, really–and is actually very attuned to our present day world, which the film can be extrapolated to expose and perhaps even be seen as a warning. The devotion that the headmaster, General Rache, (played by George C. Scott) and the school inspires in the young boys under his watch is very disturbing–particularly given what we know about cults and how they operate nowadays. The boys’ rebellion to save their school is misguided from the very beginning; a decision is made that they do not agree with and decide they are not going to abide by it, even if it means violence and seizing control of the school. They are obviously breaking the law–and as the movie went on, I couldn’t help but think yeah, this movie isn’t going to end well–a lot of these boys are going to wind up dead…

But then I remembered they were majority white, and breathed a little easier…because of course the National Guard and the police would never use violence against privileged white boys. The tragic denouement of the film is in perfect accord with the darkness of the plot and its warnings about how easily people can be indoctrinated and what mass delusion can look like and how dangerous that can be certainly are timely in our present day America. It’s definitely an anti-war film–more specifically, an anti-military film, and in that regard is more of a Cynical 1970’s Movie than it is an 80’s teen movie; and again, it’s a lot deeper than my original impression before watching it led me to believe. Timothy Hutton is fantastic in the lead role–all of the boys are terrific–and there’s this wonderful moment with George C. Scott, when he’s talking about how military leaders are often considered “mad” because of the decisions they have to make, knowing that the men under their command could die or be permanently maimed or injured but having to make those decisions….how can it not drive you mad? It was also interesting seeing Scott play the scene, considering he won an Oscar for playing Patton…and thought, they cast him specifically for this speech, didn’t they?

And of course, now it has me thinking about a long dormant crime novel idea I had set at an all-boys military school.

And yeah, on that note I need to head back into the spice mines.